Podcast appearances and mentions of howard dietz

Songwriter Arthur Schwartz(born Nov 25, 1900) was trained as a lawyer, but encouraged by friends George Gershwin and Lorenz Hart, soon abandoned that career and became a successful popular songwriter. His tunes are featured in several Broadway shows, and many of his tunes are favorite vehicles for jazz musicians due to their interesting harmonic structure. His longtime lyricist, Howard Dietz, a collaborator with composer Jerome Kern, initially rebuffed Schwartz's entreaties to write with him, but by 1927 relented and their partnership produced many songs that are much loved contributions to the Great American Songbook. 

Welcome to Season 04 Episode 4.15 - the "Producers" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in  northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Steve Wendell/And The Tony Goes To..."; Mr. Rick Mascaro/Founder, Lakeshore Center for the Arts; Mr. Jefferson Westwood, retiring Director, Rockefeller Arts Center. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. And don't forget to enter the giveaway for a $25 gift card from Domus Fare, and 2 tickets to any movie from the Cinema Series. Entries must be received by Friday June 6th at 12 noon! Listen to the podcast for the question and answer. Then email your answer to operahouse@fredopera.org. Make sure you put the word "Giveaway" in the subject line and include your preferred contact information. Thanks for listening! Time Stamps (Approximate) 1:55 - Steve Wendell/And The Tony Goes To... 16:30 - Rick Mascaro/Lakeshore Center for the Arts 33:33 - Arts Calendar 35:31 - Mr. Jefferson Westwood/retiring Director, Rockefeller Arts Center Media "I Wanna Be A Producer", from the musical The Producers, music and lyrics by Mel Brooks, performed by Matthew Broderick, from the original cast album, March 2001 "What I Did for Love", from the musical A Chorus Line, music by Marvin Hamlisch, lyrics by Edward Kleban, performed by Priscilla Lopez, from the original cast album, Columbia 1975 "That's Entertainment", from the film musical The Band Wagon, music by Howard Dietz and Arthur Schwartz; written by Betty Comden and Adolph Green, performed by the Boston Pops Orchestra, John Williams, conductor, January 2014 "There's No Business Like Show Business", from the musical Annie Get Your Gun, written and composed by Irving Berlin, performed by the WDR Funkhausorchester, Michael Seal, conductor, June 2022. "There's No Business Like Show Business", from the film musical There's No Business Like Show Business, written and composed by Irving Berlin, performed by Ethel Merman. 20th Century Fox, December 1954. Artist Links Steve Wendell Rick Mascaro Jefferson Westwood Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website WCVF Fredonia WRFA Jamestown   BECOME AN OPERA HOUSE MEMBER!

Music by Arthur SchwartzLyrics by Howard DietzBook by Kay Kanin & Michael KaninDirected by Gerald Freedman & Herbert RossStarring Walter Chiari, Barbara Cook, Jules Munshin, Loring Smith, Jack Adams & Elizabeth AllenOpened on Broadway November 18, 1961

An update about the podcast.  And a raucous Sinatra swinger.  From the 1959 album Come Dance With Me, here is Arthur Schwartz and Howard Dietz's Dancing in the Dark.  Arranged and conducted by Billy May. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

durée : 00:57:37 - « You and the Night and the Music » (Arthur Schwartz / Howard Dietz) (1934) - par : Laurent Valero - "Entendu dans le feuilleton radio "The Gibson Family" par son 1er interprète Conrad Thibault. Puis dans la comédie musicale "Revenge with music" à l'Amsterdam Theater de New-York (1934) argument inspiré de la pièce espagnole "El sombrero de los tres picos-Le tricorne" de Pedro de Alarcon." L. Valero - réalisé par : Antoine Courtin

KEY LARGO is a story about leaving to change things, only to come back and get caught up in them all over again. It's a tightly wound noir stuck in a flimsy boarding house off the coast of Florida where an ex-GI, a war widow, a hounded mobster, a group of Seminole Indians, and many more seek freedom – and find instead signposts that the world they hoped to build never came to be after World War II. Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Music: “Moanin' Low” written by Ralph Rainger and Howard Dietz and performed by Billie Holliday. 0:00 - Episode 131: KEY LARGO (1948) 1:50 - The Patented Aaron Grossman Summary 4:15 - Jason's thoughts 6:57 - Harry's thoughts (Jason screwed up the sacred order) 10:23 - Cody's thoughts 15:01 - Aaron's thoughts 20:41 - The Floridian setting and what it does for the story 29:21 - Should Frank have died at the end? 40:26 - Location as character 43:13 - Back to the question of whether or not Frank should've died 59:26 - Spare thoughts 1:07:44 - Cody's Noteys (Bogie's Hoagies)

"It's showtime, folks!" In this episode, Marisa and Aric break down the Musical genre, bringing a diverse selection of six films spanning five decades that will get you singing and dancing in no time.The list includes THE YOUNG GIRLS OF ROCHEFORT (1967), Jacques Demy's iconic musical that captures pure joy on film, John Waters' mischievous '60s retrospective HAIRSPRAY (1988), Vincente Minnelli's THE BAND WAGON (1953), which to this day is one of the most influential musicals of all time, Chantal Akerman's GOLDEN EIGHTIES (1986), an unusual entry from Akerman that nonetheless delights with phenomenal song and dance numbers, Brian De Palma's midnight classic PHANTOM OF THE PARADISE (1974), and John Turturro's eccentric ensemble musical ROMANCE & CIGARETTES (2005). Please consider supporting this show through our Patreon!Keep up with us on Instagram and Twitter: @filmchatterpod.Check out the films mentioned in this episode on our Letterboxd.LA Times article on Agnes Varda restoring The Young Girls of Rochefort.Thanks for tuning in!Powered and distributed by Simplecast

La alegría, el estilo y el poder visual del maestro Minnelli hacen de The Band Wagon (Melodías de Broadway 1955 en España) uno de los grandes films de la historia del musical. El protagonista se baja del tren y nadie espera al antes aclamado astro de Hollywood. Pasea por un Broadway diferente, en el que triunfó, un Fred Astaire otoñal y perfecto pregunta al dueño de un puesto de perritos calientes donde está la fachada de aquel teatro con solera que parece haberse tragado la tierra. Y aún así, nunca hubo máquinas recreativas con más encanto, ni un limpiabotas con más sentido del ritmo en la famosa avenida de los sueños. Tony Hunter representa el musical clásico. Astaire se interpreta a sí mismo, con sus zapatos brillantes, su elasticidad única y su elegancia. En el rodaje de la película mostró cierta inseguridad con el coreógrafo Michael Kidd, no se sentía seguro con los pasos que en ocasiones le exigía, así de nuevo se funde la ficción con la realidad. El complejo del personaje de Astaire hacia la joven estrella de la danza se trasladaba al plató de la Metro donce Fred Astaire puso su sonrisa, su ritmo, y su saber hacer para acompasar y mejorar los movimientos de sirena de la Charisse. Minnelli conocía a la perfección el mundo del teatro y sus entresijos, En este musical espectacular y vitalista asistimos al montaje de un espectáculo, como se prepara una obra detrás de bastidores, los operarios, las inquinas, la soledad del artista en su camerino, los ensayos, las veleidades de un director caprichoso, los problemas de financiación, los castings. La vida imita al arte y viceversa. En el Gran Teatro del Mundo un bailarín de claqué y una diva del ballet hacen las paces en un coche de caballos. El glamour de una pareja única, ambos caminan por Central Park al son de las notas de Arthur Schwartz y la envolvente orquestación de Conrad Salinger, mantienen el mismo paso y la magia llenara a pantalla, las notas in crescendo se amoldan perfectas al baile y a la falda plisada de Gabrielle. El “Dancing in the Dark” divide la película y se convierte en uno de los mejores pasos a dos de la historia del cine. Las disparatadas pretensiones del director teatral Jeffrey Cordova -estupendo Jack Buchanan-, que cambia el libreto original de la pareja de guionistas. Su idea de convertirlo en una especie de Fausto bailado con ínfulas. El dinamismo de todas las secuencias y el amor de Minnelli y del productor Arthur Freed al show business deleitan, contagian su alegría. Los números musicales escritos por Schwartz y Howard Dietz -letras- se suceden, entre ellos la pieza mítica That´s Entertaiment, con un suelto Oscar Levant transportando una interminable escalera, un magnífico Buchanan, una radiante Nanette Fabray y Astaire dejándose convencer de que el mundo se divide en un escenario y un patio de butacas. En el apoteosis final Minnelli se atreve a cambiarnos la película y meternos de lleno en el cine negro en technicolor, con mafiosos que disparan balas de fogueo, una eligrosa mujer de rojo carmín, y vasos de cerveza con sabor a nitroglicerina. El estilo único de un estilista , el toque Minnelli, la clase y el glamour Los bailarines provocan la sonrisa una vez más y nos repiten que el show ha comenzado. ¡Viva el espectáculo! Esta noche nos colamos en la fiesta de Broadway e intentamos seguir losmovimientos de Astaire y Charisse... Salvador Limón, Zacarías Cotán y Raúl Gallego

Lena Barkin, writer and Jamie scholar, joins us this week on the podcast for a discussion about our favorite Highlander, curative and transformative fandom, and classic and modern Doctor Who, and the casting of Jodie Whittaker as the Doctor. Plus we remember actor Geoffrey Palmer who passed earlier this month. Opening music is "Battle of Waternish" performed on bagpipes by Robert Nicol and Robert Brown and used in The Highlander. Closing music is the finale reprise of "That's Entertainment" from the 1953 MGM musical "The Band Wagon" composed by Arthur Schwartz with lyrics by Howard Dietz. We recorded this episode on 7 November 2020.

So you know Howard Dietz, who came up with the idea for M-G-M's Leo the Lion, was inspired by the mascot of Columbia University. Well, here's what you don't know.

PROG.Nº 457.-Comenzamos con el estándar de la semana escuchando el tema “ALFIE”( )con SARAH VAUGHAN - y esta semana Jazz en el Recuerdo Aniversario.- Vamos a celebrar aniversario del nacimiento de Benny Goodman (- Carnegie Hall Concert - Vol. 1, ),y la muerte de Hank Mobley (- 1965 - Dippin'), todo ello con las semblanzas biográficas de AYAX MERINO (periodista de ctxt.es) JAZZ ACTUALIDAD.- Esta semana tendremos al guitarrista XIMO TEBAR, con su albúm “SOLEO”. BENNY GOODMAN AT CARNEGIE HALL 16 JANUARY 1938 – VOL. 1 COLUMBIA CL 814 SIDE A 1. Don't be that way 2. One o'clock jump 3. Sensation rag 4. I'm coming Virginia 5. When my baby smiles at me 6. Shine SIDE B 1. Honeysuckle rose Benny Goodman, King of Swing, at must famous concert of' Swing Era'. The best. El 16 de enero de 1938 tuvo lugar en New York, un hecho histórico en relación con el desarrollo del jazz que todavía hoy es recordado. El jazz era en aquella época, y para muchos sectores de la América profunda, una música de negros, hecha por negros y para los negros. Los éxitos de Louis Armstrong, al frente de sus celebérrimos: "Hot Five" y "Hot Seven", o de la orquesta de Duke Ellington en el Cotton Club de Harlem, eran vistos todavía por muchos americanos como una música bailable y dirigida al público de color. La alta sociedad americana en general y neoyorquina en particular, todavía no habían asimilado que esa música llegaría a ser con el tiempo, la mayor manifestación cultural del pueblo americano en el siglo XX.. Benny Goodman, era por aquél entonces, un músico con inquietudes, un virtuoso clarinetista, y con una ganada fama de compositor desarrollada principalmente en los "shows" radiados de la popular emisora CBS. Una conocida marca de cigarrillos, organizaba semanalmente un espectáculo musical que se radiaba en directo de costa a costa de los EE. UU. de América. Allí en el programa: "Camel Caravan", Benny Goodman, era grabado y radiado con profusión y su música llenaba la vida de los hogares americanos. Pero de ahí no pasaba el jazz hasta que un buen día, uno de los asesores publicitarios de la Camel Caravan, un tal, Wynn Nathanson, se le ocurrió la idea de celebrar un concierto de jazz en el "sanctasantórum" de la música clásica de New York: El Teatro Carnegie Hall. Un escenario absolutamente vedado para toda heterodoxia musical y cuya entrada solo podían pagar las clases adineradas de la sociedad. Al propio Benny Goodman, le pareció una locura aquella idea, pero Sol Hurok, uno de los mas importantes promotores de música de la ciudad acogió aquella iniciativa con el interés suficiente para que el concierto pudiera celebrase. Las entradas se agotaron el mismo día de ponerse a la venta, la publicidad funcionó a la perfección y hubo que acomodar sillas extras en los pasillos y escaleras dada la extraordinaria demanda de público. ¡Todos querían asistir al primer concierto de jazz, en un sitio tan "serio" como el Carnegie Hall! Goodman, además estaba preocupado también por la reacción de la gente cuando viera en el escenario del teatro a músicos negros - el era blanco, judío y comprometidamente antirracista- dado que la organización había invitado a Count Basie, y otros músicos de color, con el ánimo de organizar una particular,"jam sesion" en el escenario. El 16 de enero de 1938, día del concierto, New York amaneció frío y desapacible, pero en la ciudad nada de aquello importó. Parecía que todo el mundo quería acudir al concierto. Cuando los músicos tomaron asiento detrás de sus atriles y Benny Goodman, clarinete en mano y vestido con un impecable chaqué dio la orden de atacar el primer tema, los primeros aplausos de la noche rompieron la enorme tensión existente. Cuando concluyó "Don't be that way" la estruendosa ovación que siguió al platillazo final le dio a Goodman y a sus hombres, la inequívoca indicación de que el concierto sería todo un éxito. Esta claro que este no era el primer concierto de jazz de la historia, pero si que fue uno de los mas célebres y en aquella época el que mas polvareda levantó. Count Basie y Teddy Wilson Pianos Sello discográfico: COLUMBIA RECORDS Lionel Hampton Vibráfono Número de serie: CBS 450983-2 Bobby Hacket Corneta Fecha de grabación: 16 de Enero de 1938 Johnny Hodges Saxos alto y soprano Lugar de grabación: Live at Teatro Carnegie Hall (New York) Harry Carney Saxo barítono Formato: 2 CD Cootie Williams, Buck Clayton y Harry James Trompetas Calidficación: 5* sobre 5 Freddie Green Guitarra Walter Page Bajo Lester Young Saxo tenor Gene Krupa Batería Wenon Brown Trombón Marta Tilton Voz Benny Goodman Clarinete y líder HANK MOBLEY: DIPPIN' Track listing[edit] All compositions by Hank Mobley except as indicated 1. "The Dip" - 7:57 2. "Recado Bossa Nova" (Luiz Antonio, Djalma Ferreira) - 8:13 3. "The Break Through" - 5:51 4. "The Vamp" - 8:21 5. "I See Your Face Before Me" (Arthur Schwartz, Howard Dietz) - 5:29 6. "Ballin'" - 6:49 Personnel[edit] • Hank Mobley - tenor saxophone • Lee Morgan - trumpet • Harold Mabern, Jr. - piano • Larry Ridley - bass • Billy Higgins - drums Título: Dippin' Músico: Hank Mobley Acompañantes: Lee Morgan Fecha de Grabación: 1965 Lugar de Grabación: New Jersey Sello Discográfico: Blue Note Nº de temas: 6 Formato: LP Instrumento: Saxofón Tenor Estilo: Hardbop Nº de Serie: 4209 Año de Edición: 2002 Duración: 32:31 Calificación: 4* Comentario: Consolidado ya como un músico extraordinario desde que grabara cinco años antes para Blue Note su obra maestra titulada: "Soul Station", este álbum es uno mas de la magnifica serie que grabó para el sello de la etiqueta azul a mediados de los 70. "Dippin" con Lee Morgan a la trompeta es uno de los grandes discos de Hank Mobley. JAZZ ACTUALIDAD.- Esta semana tendremos al guitarrista XIMO TEBAR, con su albúm “SOLEO”. ¿Que? fue antes el flamenco jazz o el jazz mediterra?neo? Evidentemente el jazz flamenco es jazz mediterra?neo. Pero… ¿Que? es exactamente el jazz mediterra?neo?. Sea como sea, le pongamos el nombre que le pongamos, somos muchos los que pensamos que existe un jazz con una entidad netamente levantina, que no es jazz flamenco, o, que adema?s de jazz con un toque flamenco tiene rumores impresionistas. Si existe esta entidad levantina de jazz mediterra?neo, sin duda, su guitarra tiene nombre propio: Ximo Te?bar. Celebrating Son Mediterráneo 25th no es solo la celebracio?n del cuarto de siglo de esta este?tica, sino tambie?n la celebracio?n del 25 Aniversario” de la carrera discogra?fica de nuestro ma?s internacional guitarrista de jazz. Ximo Tebar, guitar and scat vocals Orrin Evans, piano John Benitez, acoustic and electric bass Donald Edwartds, drums, Santi Navalón, kb, Ricardo Belda*, piano, Ramón Cardo, saxo, Claudia Tebar, backing vocals, Fernando García, perc. TRACKLIST 01 Jaco Opus Town (Ximo Tebar) Jaco Pastorius Tribute 02 Soleo (Ximo Tebar) 03 Luna Llena (Ximo Tebar) 04 Nardis (Miles Davis, Arr. Ximo Tebar) 05Soliloquio (Ximo Tebar) To the memory of George Duke 06 Tarantza (Ximo Tebar) 07 Son Mediterráneo* (Ximo Tebar)

Among the great musical theater songwriting teams of the 1930s, Arthur Schwartz and Howard Dietz provided the wittiest and most haunting of tunes.

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show, we'll celebrate the birthdays of Howard Dietz, Arthur Freed, and the State of California, and fulfill a request. So, why not stay a while and linger a while. Enjoy the show! Here’s the complete playlist: Segment 1: (Linger) a while Linger Awhile – Sam Lanin's Orchestra Once In A While – Louis Armstrong and His Hot Seven After A While – Benny Goodman's Boys Stay Awhile – Arthur Tracy Segment 2: You’re The One You're The One For Me – Freddie Rose You're The One I Care For – Ruth Etting You're The One That I Adore – Lou Gold Orch / Irving Kaufman, v. Segment 3: California Commemorating California's admission to the union in September 1850. California Swing – Paul Howard's Quality Serenaders / Lionel Hampton, v. Beautiful California – Irwin Abrams / Arthur Singer, v. California Blues – Abe Lyman's Ambassador Hotel Orchestra Segment 4: Topic Arthur Grossman was born 9 September 1894 in Charleston, South Carolina – but he’s better known as singer, writer, pianist and lyricist Arthur Freed and was part of a songwriting duo with Nacio Herb Brown. You Were Meant For Me – The Broadway Nitelites (Ben Selvin) / Dick Robertson, v. I'm Danicing On A Rainbow – Don Bestor AHO / Maurice Cross, v. Should I? – Hotel PA Orch / Scrappy Lambert, v. Segment 5: Howard Dietz Although he had a successful 30 year career in advertising, at the same time lyricist Howard Dietz, born in New York City on 6 September 1896, was writing hit Broadway shows, and collaborating with Arthur Schwartz. Got A Bran' New Suit – Fats Waller and His Rhythm / Fats Waller Dancing In The Dark – Fred Waring ah Pennsylvanians / The Three Girl Friends, v. I'll Always Remember – Ray Starita and His Ambassadors Band / Lou Abelardo, v. THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 11 September 2011 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show, we'll celebrate the birthdays of Arthur Freed, Gus Arnheim, Howard Dietz, Elmer Schoebel and Lou Handman. Enjoy the show! Here’s the complete playlist: Segment 1: Arthur FreedSeptember 9 marked the birth in 1894 of songwriter and producer Arthur Freed. Apple Sauce – Bailey's Lucky Seven I Cried For You – Broadway Syncophiles You Were Meant For Me – Willie Creager AHO / Jerry White, v. Segment 2: Gus ArnheimSeptember 11 marked the birth in 1897 in Philadelphia, Pennsylvania of Gus Arnheim. He was well known as a band leader, but Gus Arnheim was also a composer. One Kiss – Benson Orchestra of Chicago Mandalay – Abe Lyman's California Orchestra / Charles Kaley, v. Peggy Dear – Al Burt's Dance Orchestra Segment 3: Howard DietzLyricist Howard Dietz, born September 6, 1896 in New York City. Moanin' Low – Jack Hylton AHO / Ella Logan, v. That Melody Of Love – Waring's Pennsylvanians / Fred Waring – Tom Waring, v. I Guess I'll Have To Change My Plan – Harold White AHO / Will Osborne, v. Segment 4: Elmer SchoebelSeptember 8 marked the birth in 1896 in East St. Louis, Illinois of pianist, composer and arranger Elmer Schoebel. Blue Grass Blues – Original Memphis Five Cotton Picker's Ball – Isham Jones AHO Monte Carlo Joys – Gus C. Edwards Orch Segment 5: Lou HandmanSeptember 9 marked the birth in 1894 in New York City of composer Lou Handman. You've Got Those Wanna Go Back Again Blues – Lou Gold AHO Nothin' – Nat Shilkret AHO I'm Gonna Charleston Back To Charleston – The Goofus Five Remarkable Girl – Fred Hamm AHO / Dusty Hrodes, v. THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 13 September 2009 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

Information Please. June 21, 1938. Blue net, WJZ, New York origination. The first question heard is, "If a sports writer characterized tomorrow's Louis-Schmeling fight as 'seimachy,' what would he mean?" Clifton Fadiman (moderator), Franklin P. Adams, John Kieran, Bernard Jaffe (science writer), Howard Dietz (studio publicist)

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't *not* tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. On this evening's show we'll celebrate the birthdays of Sam Lanin, Arthur Freed, Billy Rose, and Howard Dietz, and listen to this past week in recording history. Enjoy the show! Here’s the complete playlist: Segment 1: Sam LaninSeptember 4, marked the birth in 1891 of bandleader and band contractor Sam Lanin. Sunshine – Sam Lanin AHO / Scrappy Lambert, v. Hello, Beautiful – Sam Lanin's Dance Ensemble / Paul Small, v I Gotta Get Myself Somebody To Love – Sam Lanin AHO / Les Reis, v. Segment 2: Arthur FreedSeptember 9 marks the birth in 1894 of songwriter and producer Arthur Freed. Should I? – Hotel Pennsylvania Music (Jack Albin) / Scrappy Lambert, v. Why Shouldn't I? – Gus Arnheim and His Coconut Grove Orch / Loyce Whiteman, v. You Are My Lucky Star – Don Bestor AHO / Neil Buckley, v. Segment 3: Billy RoseSeptember 6 marked the birth in 1899 on New York's lower East Side, of William Samuel Rosenberg. You may know him better as lyricist, producer, and nightclub and theater owner Billy Rose. There's A Rainbow Round My Shoulder – Golden Gate Orchestra I'm Going To Bring A Watermelon To My Girl Tonight – Savoy Havana Band Dir Reg Batten / Ramon Newton, v. Happy Days and Lonely Night – The Knickerbockers Segment 4: Howard DietzLyricist Howard Dietz, born September 6, 1896 in New York City. When I'm Housekeeping For You – Kolster Dance Orch / Eva Taylor, v. Something To Remember You By – Libby Holman I'll Always Remember – Ray Starita and His Ambassadors Band / Lou Abelardo, v. Segment 5: This Week in Recording HistoryHe's The Hottest Man In Town – Fletcher Henderson AHO (September 8, 1924)Doing The Boom Boom – Leo Reisman AHO / Lou Levin, v. (September 5, 1929)Black Maria – Arnold Frank and His Rogers Café Orch (September, 1927) THANKS FOR LISTENING! If you enjoy the show, please let us know by leaving a comment on the website or the Facebook page or sending an email to Glenn@RapidlyRotatingRecords.com And remember, your requests and topic segments are always welcome.RRR is also available as a podcast on iTunes, Spotify, Stitcher, TuneIn and Google Play Music. Simply enter Rapidly Rotating Records in the search box in any of those apps and a link to the show will appear. If you listen to the podcast, please subscribe and leave a rating and comment. THANK YOU!We are proud and happy that Rapidly Rotating Records is also part of Global Community Radio, supplying campus and community radio stations worldwide with hosted music and spoken word programming from sources including public broadcasters, other community radio stations, and independent producers from around the globe.The Rapidly Rotating Records telephone request line is now OPEN! In addition to sending cards or letters, sending email, or posting to the the show's website or Facebook page, you can now call in to request a particular artist, song or topic segment, leave feedback about the show, or ask questions or comment about the music. Of course, I'd be happy if you just call in to say “Hi!” and let me know you're out there listening. The easy-to-remember number is 234-PLAY 78s or 234-752-9787.If you're a member of Facebook, but haven't “liked” the show, won't you please consider doing so? Just go to http://www.facebook.com/rapidlyrotatingrecordsAnd finally, please consider becoming a member of KISL. A basic membership is just $20 and a premium membership is $50. While most of you are not on Catalina Island and can't take advantage of the merchant discounts and offers that go with membership, you'll be supporting community radio on Catalina Island and beyond. I am not paid for the show, nor is it underwritten. I do the show because I love the music and the people, stories and culture behind it. Visit http://www.kislavalon.com/membership. Thanks! The post Rapidly Rotating Records 78 RPM Show – 9 September 2007 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.