Podcast appearances and mentions of howard dietz

Songwriter Arthur Schwartz(born Nov 25, 1900) was trained as a lawyer, but encouraged by friends George Gershwin and Lorenz Hart, soon abandoned that career and became a successful popular songwriter. His tunes are featured in several Broadway shows, and many of his tunes are favorite vehicles for jazz musicians due to their interesting harmonic structure. His longtime lyricist, Howard Dietz, a collaborator with composer Jerome Kern, initially rebuffed Schwartz's entreaties to write with him, but by 1927 relented and their partnership produced many songs that are much loved contributions to the Great American Songbook. 

Welcome to Season 04 Episode 4.15 - the "Producers" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in  northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Steve Wendell/And The Tony Goes To..."; Mr. Rick Mascaro/Founder, Lakeshore Center for the Arts; Mr. Jefferson Westwood, retiring Director, Rockefeller Arts Center. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. And don't forget to enter the giveaway for a $25 gift card from Domus Fare, and 2 tickets to any movie from the Cinema Series. Entries must be received by Friday June 6th at 12 noon! Listen to the podcast for the question and answer. Then email your answer to operahouse@fredopera.org. Make sure you put the word "Giveaway" in the subject line and include your preferred contact information. Thanks for listening! Time Stamps (Approximate) 1:55 - Steve Wendell/And The Tony Goes To... 16:30 - Rick Mascaro/Lakeshore Center for the Arts 33:33 - Arts Calendar 35:31 - Mr. Jefferson Westwood/retiring Director, Rockefeller Arts Center Media "I Wanna Be A Producer", from the musical The Producers, music and lyrics by Mel Brooks, performed by Matthew Broderick, from the original cast album, March 2001 "What I Did for Love", from the musical A Chorus Line, music by Marvin Hamlisch, lyrics by Edward Kleban, performed by Priscilla Lopez, from the original cast album, Columbia 1975 "That's Entertainment", from the film musical The Band Wagon, music by Howard Dietz and Arthur Schwartz; written by Betty Comden and Adolph Green, performed by the Boston Pops Orchestra, John Williams, conductor, January 2014 "There's No Business Like Show Business", from the musical Annie Get Your Gun, written and composed by Irving Berlin, performed by the WDR Funkhausorchester, Michael Seal, conductor, June 2022. "There's No Business Like Show Business", from the film musical There's No Business Like Show Business, written and composed by Irving Berlin, performed by Ethel Merman. 20th Century Fox, December 1954. Artist Links Steve Wendell Rick Mascaro Jefferson Westwood Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website WCVF Fredonia WRFA Jamestown   BECOME AN OPERA HOUSE MEMBER!

Music by Arthur SchwartzLyrics by Howard DietzBook by Kay Kanin & Michael KaninDirected by Gerald Freedman & Herbert RossStarring Walter Chiari, Barbara Cook, Jules Munshin, Loring Smith, Jack Adams & Elizabeth AllenOpened on Broadway November 18, 1961

An update about the podcast.  And a raucous Sinatra swinger.  From the 1959 album Come Dance With Me, here is Arthur Schwartz and Howard Dietz's Dancing in the Dark.  Arranged and conducted by Billy May. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

durée : 00:57:37 - « You and the Night and the Music » (Arthur Schwartz / Howard Dietz) (1934) - par : Laurent Valero - "Entendu dans le feuilleton radio "The Gibson Family" par son 1er interprète Conrad Thibault. Puis dans la comédie musicale "Revenge with music" à l'Amsterdam Theater de New-York (1934) argument inspiré de la pièce espagnole "El sombrero de los tres picos-Le tricorne" de Pedro de Alarcon." L. Valero - réalisé par : Antoine Courtin

KEY LARGO is a story about leaving to change things, only to come back and get caught up in them all over again. It's a tightly wound noir stuck in a flimsy boarding house off the coast of Florida where an ex-GI, a war widow, a hounded mobster, a group of Seminole Indians, and many more seek freedom – and find instead signposts that the world they hoped to build never came to be after World War II. Follow us on Twitter at https://twitter.com/trylovepodcast and email us at trylovepodcast@gmail.com to get in touch! Buy tickets and support the Trylon at https://www.trylon.org/. Theme: "Raindrops" by Huma-Huma/"No Smoking" PSA by John Waters. Music: “Moanin' Low” written by Ralph Rainger and Howard Dietz and performed by Billie Holliday. 0:00 - Episode 131: KEY LARGO (1948) 1:50 - The Patented Aaron Grossman Summary 4:15 - Jason's thoughts 6:57 - Harry's thoughts (Jason screwed up the sacred order) 10:23 - Cody's thoughts 15:01 - Aaron's thoughts 20:41 - The Floridian setting and what it does for the story 29:21 - Should Frank have died at the end? 40:26 - Location as character 43:13 - Back to the question of whether or not Frank should've died 59:26 - Spare thoughts 1:07:44 - Cody's Noteys (Bogie's Hoagies)

"It's showtime, folks!" In this episode, Marisa and Aric break down the Musical genre, bringing a diverse selection of six films spanning five decades that will get you singing and dancing in no time.The list includes THE YOUNG GIRLS OF ROCHEFORT (1967), Jacques Demy's iconic musical that captures pure joy on film, John Waters' mischievous '60s retrospective HAIRSPRAY (1988), Vincente Minnelli's THE BAND WAGON (1953), which to this day is one of the most influential musicals of all time, Chantal Akerman's GOLDEN EIGHTIES (1986), an unusual entry from Akerman that nonetheless delights with phenomenal song and dance numbers, Brian De Palma's midnight classic PHANTOM OF THE PARADISE (1974), and John Turturro's eccentric ensemble musical ROMANCE & CIGARETTES (2005). Please consider supporting this show through our Patreon!Keep up with us on Instagram and Twitter: @filmchatterpod.Check out the films mentioned in this episode on our Letterboxd.LA Times article on Agnes Varda restoring The Young Girls of Rochefort.Thanks for tuning in!Powered and distributed by Simplecast

La alegría, el estilo y el poder visual del maestro Minnelli hacen de The Band Wagon (Melodías de Broadway 1955 en España) uno de los grandes films de la historia del musical. El protagonista se baja del tren y nadie espera al antes aclamado astro de Hollywood. Pasea por un Broadway diferente, en el que triunfó, un Fred Astaire otoñal y perfecto pregunta al dueño de un puesto de perritos calientes donde está la fachada de aquel teatro con solera que parece haberse tragado la tierra. Y aún así, nunca hubo máquinas recreativas con más encanto, ni un limpiabotas con más sentido del ritmo en la famosa avenida de los sueños. Tony Hunter representa el musical clásico. Astaire se interpreta a sí mismo, con sus zapatos brillantes, su elasticidad única y su elegancia. En el rodaje de la película mostró cierta inseguridad con el coreógrafo Michael Kidd, no se sentía seguro con los pasos que en ocasiones le exigía, así de nuevo se funde la ficción con la realidad. El complejo del personaje de Astaire hacia la joven estrella de la danza se trasladaba al plató de la Metro donce Fred Astaire puso su sonrisa, su ritmo, y su saber hacer para acompasar y mejorar los movimientos de sirena de la Charisse. Minnelli conocía a la perfección el mundo del teatro y sus entresijos, En este musical espectacular y vitalista asistimos al montaje de un espectáculo, como se prepara una obra detrás de bastidores, los operarios, las inquinas, la soledad del artista en su camerino, los ensayos, las veleidades de un director caprichoso, los problemas de financiación, los castings. La vida imita al arte y viceversa. En el Gran Teatro del Mundo un bailarín de claqué y una diva del ballet hacen las paces en un coche de caballos. El glamour de una pareja única, ambos caminan por Central Park al son de las notas de Arthur Schwartz y la envolvente orquestación de Conrad Salinger, mantienen el mismo paso y la magia llenara a pantalla, las notas in crescendo se amoldan perfectas al baile y a la falda plisada de Gabrielle. El “Dancing in the Dark” divide la película y se convierte en uno de los mejores pasos a dos de la historia del cine. Las disparatadas pretensiones del director teatral Jeffrey Cordova -estupendo Jack Buchanan-, que cambia el libreto original de la pareja de guionistas. Su idea de convertirlo en una especie de Fausto bailado con ínfulas. El dinamismo de todas las secuencias y el amor de Minnelli y del productor Arthur Freed al show business deleitan, contagian su alegría. Los números musicales escritos por Schwartz y Howard Dietz -letras- se suceden, entre ellos la pieza mítica That´s Entertaiment, con un suelto Oscar Levant transportando una interminable escalera, un magnífico Buchanan, una radiante Nanette Fabray y Astaire dejándose convencer de que el mundo se divide en un escenario y un patio de butacas. En el apoteosis final Minnelli se atreve a cambiarnos la película y meternos de lleno en el cine negro en technicolor, con mafiosos que disparan balas de fogueo, una eligrosa mujer de rojo carmín, y vasos de cerveza con sabor a nitroglicerina. El estilo único de un estilista , el toque Minnelli, la clase y el glamour Los bailarines provocan la sonrisa una vez más y nos repiten que el show ha comenzado. ¡Viva el espectáculo! Esta noche nos colamos en la fiesta de Broadway e intentamos seguir losmovimientos de Astaire y Charisse... Salvador Limón, Zacarías Cotán y Raúl Gallego

Lena Barkin, writer and Jamie scholar, joins us this week on the podcast for a discussion about our favorite Highlander, curative and transformative fandom, and classic and modern Doctor Who, and the casting of Jodie Whittaker as the Doctor. Plus we remember actor Geoffrey Palmer who passed earlier this month. Opening music is "Battle of Waternish" performed on bagpipes by Robert Nicol and Robert Brown and used in The Highlander. Closing music is the finale reprise of "That's Entertainment" from the 1953 MGM musical "The Band Wagon" composed by Arthur Schwartz with lyrics by Howard Dietz. We recorded this episode on 7 November 2020.

So you know Howard Dietz, who came up with the idea for M-G-M's Leo the Lion, was inspired by the mascot of Columbia University. Well, here's what you don't know.

Among the great musical theater songwriting teams of the 1930s, Arthur Schwartz and Howard Dietz provided the wittiest and most haunting of tunes.

Information Please. June 21, 1938. Blue net, WJZ, New York origination. The first question heard is, "If a sports writer characterized tomorrow's Louis-Schmeling fight as 'seimachy,' what would he mean?" Clifton Fadiman (moderator), Franklin P. Adams, John Kieran, Bernard Jaffe (science writer), Howard Dietz (studio publicist)