Podcast appearances and mentions of Michael Kidd

"How is Michael Kidd doing?" It's one of the most frequently asked questions about Craig's second book 'Second Chances' that Craig and Nora hear online or at events, and on this very special episode you will hear the answer for yourself! For anyone not familiar, Michael Kidd is an Army Veteran, father, talented service dog trainer and a formerly incarcerated person having served over 12 years in Maine State Prison. Tune in to hear how Kidd is doing since his release and prepare to be inspired by his example of Stubborn Positivity. 

EPISODE 71 - “STEVE & NAN's FAVORITE CLASSIC FILMS OF THE 1970s” - 1/20/2024 The 1970s was a decade that saw the rise of the auteur. Filmmakers like Scorsese, Coppola, Cassavetes, Altman, Lumet, and DePalma hit their stride and brought to the screen their specific vision and stylized films. It was a very experimental era where boundaries were pushed and once-taboo topics were explored. It became a creative high point and gave us some iconic movies. This week, Steve And Nan take look at some of their favorite films of the 1970s.  SHOW NOTES:  Sources: Terrance Malick and the Examined Life (2024), by Martin Woessner;  Films of the 1970s (2017), by Jurgen Muller; Hollywood's Last Golden Age: Politics, Society, and the Seventies Film in America (2012), by Jonathan Kirshner; How the Sex, Drugs, and Rock-n-Roll Generation Saved Hollywood (1998), by Peter Biskind; Picture Shows: The Life and Films of Peter Bogdonavich (1992), by Andrew Yule; “Jane Fonda on Klute,” July 18, 2019, The Criterion Collection;  TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Smile (1975), starring Bruce Dern, Barbara Feldon, Michael Kidd, Nicholas Pryor, Annette O'Toole, Joan Prather, Melanie Griffith, Geoffrey Lewis, Maria O'Brien, Colleen Camp, Eric Shea, Denise Nickerson, and Titos Vandsis; Klute (1971), starring Jane Fonda, Donald Sutherland, Roy Scheider, Dorothy Tristan, Charles Cioffi, Jean Stapleton, Rita Gam, and Vivian Nathan; Badlands (1973), starring Martin Sheen, Sissy Spacek, Warren Oates, Garry Littlejohn, Alan Vint, and John Womack; The Sting (1973), starring Paul Newman, Robert Redford, Robert Saw, Robert Earl Jones, Charles Durning, Ray Walston, Charles Dierkop, Harold Gould, Sally Kellerman, and Eileen Brennan; The Last Picture Show (1971), starring Timothy Bottoms, Cybill Shepherd, Jeff Bridges, Ellen Burstyn, Ben Johnson, Cloris Leachman, Eileen Brennan, Clu Gulager, Sam Bottoms, Sharon Taggart, Randy Quad, and Bill Thurman; A Little Romance (1979), staring Laurence Olivier, Diane Lane, Thelonious Bernard, Arthur Hill, Sally Kellerman, Broderick Crawford, David Dukes, Andrew Duncan, and Claudette Sutherland; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Well bless your beautiful hide it's time for another podcast..... this episode we discuss the 1954 musical classic, "Seven Brides for Seven Brothers" on it's 70th Anniversary year. Set in 1850 the action takes place in The Oregon Territory as we see backwoodsman Adam Pontipee (Howard Keel) on the lookout for a wife for him...and his six brothers. With choreography by Michael Kidd the Academy Award winning film is a mixture of wonderful song and dance numbers along with a questionable plot! Sit down with your polecat and tune in!

"You do an eclectic celebration of the dance! You do Fosse, Fosse, Fosse! You do Martha Graham, Martha Graham, Martha Graham! Or Twyla, Twyla, Twyla! Or Michael Kidd, Michael Kidd, Michael Kidd, Michael Kidd! Or Madonna, Madonna, Madonna!... but you keep it all inside." Nom Watch Review is back tonight for a Pride Special! Erric Ramirez leads the charge with Dixie Sintas, JP Rapozo & Liza Dean on films and shows that made an impact on the queer community! Whether it was queer directed, written, starred, or implied; Happy Pride Month! ------------------------------------------------------------- Nom Watch Review, where we review the latest film drop or a throwback celebrating a milestone while eating & drinking our favorite movie snacks & drinks. Erric Ramirez: https://www.instagram.com/hartl3ss7/ https://www.tiktok.com/@hartl3ss7 JP Rapozo:   https://www.instagram.com/jprapozo/ https://www.facebook.com/jp.rapozo Liza Dean:   https://www.instagram.com/theredbanshee/ Dixie Sintas: https://www.instagram.com/dixiemarie93 Don't forget to show Nom Talk some love https://www.instagram.com/nomtalknetwork/ https://www.youtube.com/c/NomTalkNetwork https://anchor.fm/nomtalknetwork https://www.facebook.com/NomTalk/ --- Support this podcast: https://podcasters.spotify.com/pod/show/nomtalknetwork/support

Is COVID-19 becoming old news? Host Dr. Clayton Dyck is joined by Dr. Michael Kidd, an Australian family physician and public health leader, to discuss what we still need to remember from the pandemic. In the first part of their conversation, they explore the reasons why family doctors are experiencing post-COVID "fatigue" and identify positive outcomes and findings that will help us deal with future outbreaks.

Dr. Clayton Dyck and Dr. Michael Kidd continue their conversation about positive outcomes that have emerged from the pandemic and how these are being shared globally. They also discuss those outcomes that we should forget about and the "lessons learned" that Dr. Kidd will personally apply when the next global crisis appears. Additionally, Dr. Kidd brings a very Australian contribution to the Planet Family Doc potluck! If you'd like to learn more about what was discussed in this episode: A great article by Dr. Kidd on Five Principles for Pandemic Preparedness An overview of Australia's national COVID‐19 primary care response An evidence-based review of strategies applied in long-term care facilities during the pandemic   

This is the second half of my conversation with author Liza Gennaro, whose fascinating book is titled: Making Broadway Dance.  If you missed part one you may want to catch up on that episode before listening to this one. Liza is currently the Dean of Musical Theater at the Manhattan School of Music and she also has had a very active and successful career as a dancer and choreographer. Interestingly, she is closely related to this subject matter of her book because her father was the Tony Award winning choreographer and star dancer, Peter Gennaro. He is profiled in the book as well as in this episode. By the end of Part 1, we had made it to the late 1940s when Agnes de Mille was dominating the field of Broadway choreography. Between 1943 and 1945, De Mille had four hits in a row – Oklahoma!, One Touch of Venus, Bloomer Girl, and Carousel – and three of them choreographed in her signature “Americana” style. This unprecedented string of successes made her the most powerful choreographer in the commercial theater, and soon led to her becoming the first director-choreographer of the “Golden Age” with Rodgers & Hammerstein's Allegro. De Mille's most significant contribution to the Broadway Musical was breaking the mold of the traditional Broadway chorus girl by insisting on hiring actor/dancers who could fully embody the characters that they were playing.  This new approach to Broadway dance, and this new kind of Broadway dancer, would be adopted by everyone who followed in her footsteps – especially Jerome Robbins – who years later would write, “Agnes broke the conception of what the Broadway dancer could be in the Broadway Musical. What they looked like, what was desired of them, and what their contribution to the show was.” And, as you will hear, Robbins took that idea and ran with it, just as De Mille's “Americana” style was starting to lose its luster. That's just the beginning Later in the episode Liza and I discuss Michael Kidd, Bob Fosse, Gower Champion, Michael Bennett, Graciela Daniele, Susan Stroman, Kathleen Marshall, Bill T. Jones, Stephen Hoggett, Lorin Latarro, Kelly Devine, Sergio Trujillo, Jerry Mitchell and more! Become a PATRON of Broadway Nation! I want to thank our Broadway Nation Patron Club members, such as John Schroeder and Alan Brodie whose generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the first half of my recent conversation with author Liza Gennaro, whose fascinating new book is titled: Making Broadway Dance. Liza is currently the Dean of Musical Theater at the Manhattan School of Music and prior to that she had a very active and successful career as a dancer and choreographer on Broadway and with prominent theater companies across the country. Most notably she choreographed the hit Broadway revival of Frank Loessor's The Most Happy Fella. As she writes in the introduction to her book, Liza came to her love and interest in musical theater dance genetically. Her father was Peter Gennaro, the Tony Award winning choreographer and star dancer of Broadway musicals and TV variety shows. And her mother, Jean Gennaro, was a ballerina turned Broadway dancer who danced for Bronislava Nijinska, Agnes De Mille, and Michael Kidd.  As you might imagine, Liza grew up immersed in the world of Broadway, and all manner of dance, and she is able to weave all of that life experience into this remarkable book. I can't think of anyone more uniquely qualified to write it. Appropriately for the final day of Women's History Month, this episode focuses largely on two great female choreographers -- Katherine Dunham and Agnes de Mille. I have stated that De Mille is arguably the most important woman in the history of Broadway musical – not including the star performers, of course – and she has received quite a bit of focus in previous episodes of this podcast. However, I am especially happy today to shine a spotlight on Katherine Dunham whose influence on Broadway dance – like that of many other black artists – has often been overlooked and undervalued. But her impact and significance cannot be denied.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This is an encore presentation of my conversation with author Liza Gennaro, regarding her fascinating book : Making Broadway Dance. Liza is currently the Dean of Musical Theater at the Manhattan School of Music and prior to that she had a very active and successful career as a dancer and choreographer on Broadway and with prominent theater companies across the country. Most notably she choreographed the hit Broadway revival of Frank Loessor's The Most Happy Fella. As she writes in the introduction to her book, Liza came to her love and interest in musical theater dance genetically. Her father was Peter Gennaro, the Tony Award winning choreographer and star dancer of Broadway musicals and TV variety shows. And her mother, Jean Gennaro, was a ballerina turned Broadway dancer who danced for Bronislava Nijinska, Agnes De Mille, and Michael Kidd.  As you might imagine, Liza grew up immersed in the world of Broadway, and all manner of dance, and she is able to weave all of that life experience into this remarkable book. I can't think of anyone more uniquely qualified to write it. This episode focuses largely on two great female choreographers — Katherine Dunham and Agnes de Mille. I have stated that De Mille is arguably the most important woman in the history of Broadway musical – not including the star performers, of course — and she has received quite a bit of focus in previous episodes of this podcast. However, I am especially happy today to shine a spotlight on Katherine Dunham whose influence on Broadway dance — like that of many other black artists — has often been overlooked and undervalued. But her impact and significance cannot be denied.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Before the Downbeat, Maris and Mackenzie are busy gambling on horse races, rolling dice, and drinking dulce de leches in Cuba while also discussing the musical Guys and Dolls! Discover if Maris enjoyed playing a Save-a-Soul Mission girl or a Hot Box doll when she performed in this musical twice! They explore why Michael Kidd had the right choreographic style for this piece. Plus find out which iconic songs from the show were almost cut during out of town try outs! All of this and a bad, bad cold in this all new episode! Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages. Facebook Instagram Twitter

This podcast is for GP supervisors and registrars to learn more about recognising and managing long COVID. Presented by Professor Michael Kidd, the Deputy Chief Medical Officer responsible for leading the primary care response to COVID for the last 3 years.

Today, I am so happy to announce my interview with a Broadway legend I've been wanting to talk to since I started this podcast—Tony winner Hal Linden. Having recently completed a successful run in Two Jews Talking, Hal joins us today to tell many of the stories of his long career, including: the role that George Abbott let him pick, how he became a non-traditional Sid Sorokin in a non-traditional revival of The Pajama Game, the Alan Jay Lerner musical he turned down, why he's never played Tevye, the promise Lucille Ball made to him, a lesson from Judy Holliday about upstaging, why The Rothschilds is a problematic show, the dialogue he wrote for The Education of H*Y*M*A*N K*A*P*L*A*N, why Louis Jourdan was not right for On a Clear Day, plus stories about Michael Kidd, Sheldon Harnick, Sam Mendes, Ossie Davis, and more. You won't want to miss this inside view into a bygone era of Broadway.

Happy Birthday to Michael Kidd! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

Hayley Dunn, ASCL Business Leadership Specialist and Louise Hatswell, ASCL Conditions of Employment Specialist: Pay, talk to Michael Kidd, ASCL Employer Engagement Leader regarding how the employer engagement team supports members. www.ascl.org.uk/podcasts/brunch

In this special COVID-19 episode, The Good GP interviews Professor Michael Kidd AM, Deputy Chief Medical Officer, Department of Health on Paxlovid in light of its imminent listing on the PBS. This episode explores who'll benefit from antivirals, the efficacy of Paxlovid, availability and the contraindications and interactions. This episode was recorded on 28 April 2022. As information on COVID-19 changes daily, please note that some of the advice in this podcast may no longer be current by the time of listening. Resources: Upcoming Winter preparedness webinar for GPs with Michael Kidd (On-demand after 2 May): https://bit.ly/3OK2ZKs

Có phải bây giờ mọi người đều dự kiến ​​sẽ tiêm bốn liều vắc-xin COVID-19 hay không? Khi nào nên chích ngừa cúm? Có thể tiêm đồng thời liều vắc-xin COVID-19 nhắc lại và tiêm ngừa cúm hay không? Giáo sư Michael Kidd, Phó Giám đốc Y tế Liên bang, giải đáp các câu hỏi phổ biến nhất gần đây liên quan đến liều vắc-xin COVID-19 tăng cường cho mùa đông và việc tiêm phòng cúm. 

This is the second half of my recent conversation with author Liza Gennaro, whose fascinating new book is titled: Making Broadway Dance.  If you missed part one you may want to catch up on that episode before listening to this one. Liza is currently the Dean of Musical Theater at the Manhattan School of Music and she also has had a very active and successful career as a dancer and choreographer. Interestingly, she is closely related to this subject matter of her book because her father was the Tony Award winning choreographer and star dancer, Peter Gennaro. He is profiled in the book as well as in this episode. By the end of Part 1, we had made it to the late 1940s when Agnes de Mille was dominating the field of Broadway choreography. Between 1943 and 1945, De Mille had four hits in a row – Oklahoma!, One Touch of Venus, Bloomer Girl, and Carousel – and three of them choreographed in her signature “Americana” style. This unprecedented string of successes made her the most powerful choreographer in the commercial theater, and soon led to her becoming the first director-choreographer of the “Golden Age” with Rodgers & Hammerstein's Allegro. De Mille's most significant contribution to the Broadway Musical was breaking the mold of the traditional Broadway chorus girl by insisting on hiring actor/dancers who could fully embody the characters that they were playing.  This new approach to Broadway dance, and this new kind of Broadway dancer, would be adopted by everyone who followed in her footsteps – especially Jerome Robbins – who years later would write, “Agnes broke the conception of what the Broadway dancer could be in the Broadway Musical. What they looked like, what was desired of them, and what their contribution to the show was.” And, as you will hear, Robbins took that idea and ran with it, just as De Mille's “Americana” style was starting to lose its luster. That's just the beginning Later in the episode Liza and I discuss Michael Kidd, Bob Fosse, Gower Champion, Michael Bennett, Graciela Daniele, Susan Stroman, Kathleen Marshall, Bill T. Jones, Stephen Hoggett, Lorin Latarro, Kelly Devine, Sergio Trujillo, Jerry Mitchell and more! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the first half of my recent conversation with author Liza Gennaro, whose fascinating new book is titled: Making Broadway Dance. Liza is currently the Dean of Musical Theater at the Manhattan School of Music and prior to that she had a very active and successful career as a dancer and choreographer on Broadway and with prominent theater companies across the country. Most notably she choreographed the hit Broadway revival of Frank Loessor's The Most Happy Fella. As she writes in the introduction to her book, Liza came to her love and interest in musical theater dance genetically. Her father was Peter Gennaro, the Tony Award winning choreographer and star dancer of Broadway musicals and TV variety shows. And her mother, Jean Gennaro, was a ballerina turned Broadway dancer who danced for Bronislava Nijinska, Agnes De Mille, and Michael Kidd.  As you might imagine, Liza grew up immersed in the world of Broadway, and all manner of dance, and she is able to weave all of that life experience into this remarkable book. I can't think of anyone more uniquely qualified to write it. Appropriately for the final day of Women's History Month, this episode focuses largely on two great female choreographers -- Katherine Dunham and Agnes de Mille. I have stated that De Mille is arguably the most important woman in the history of Broadway musical – not including the star performers, of course – and she has received quite a bit of focus in previous episodes of this podcast. However, I am especially happy today to shine a spotlight on Katherine Dunham whose influence on Broadway dance – like that of many other black artists – has often been overlooked and undervalued. But her impact and significance cannot be denied.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's Bariatric guest is relatively fresh in the grand scheme of things. Only 9 months post op, he had the gastric sleeve in May 2021. With a start weight of 141kg, he has lost close to 70kg in the last 9 months and completely taken to this journey like a duck to water. Here to talk to us about his journey so far is Michael @the_fat_yeti_journey

Today, I am so honored to announce my episode with the amazing Meg Bussert. Meg transitioned from being one of the most active ingenues on Broadway in the 1980s to one of the most sought-after character actresses today. Hear her tell some of the stories of her amazing career on our interview, including a suggestion she got from Meredith Willson, the direction from Michael Kidd that left her speechless, how she made Debbie Reynolds nervous, why John Raitt wasn't right for Petruchio, figuring out an accent for South Pacific, her go-to audition song, the magic of Tessie O'Shea and Gemze De Lappe, how she set off a fire alarm at the Westchester Broadway Theater, a telegram from Mary Martin, plus Edward Gorey, Barbara Cook, Alan Jay Lerner, and more!! You can also see her in a celebration of Jonathan Tunick happening October 2 at the Sharon Playhouse. Tickets are available here: https://www.sharonplayhouse.org/2021spotlight

Interviu cu Michael Kidd, adjunctul Ofiterului medical sef din Australia.

Come along as we hop into The Birdcage. We've got beautiful images, fantastic performances, terrible politicians, and deeply unsatisfying narrative payoffs. And, as always, Jeb!How 'bout those dolphins, huh?

In this new edition of the News & Views program hajjah Faten El Dana OAM conducted an interview with the Deputy chief medical officer at the federal department of health, professor Michael Kidd AM, to discuss the government response to the COVID 19 crisis and the roll out of the vaccine . He also answered a number of questions pertaining to the efficacy and safety of the available vaccines. في هذه الحلقة من برنامج خبر وجهة نظر اجرت الحاجة فاتن الدنا مقابلة مهمة امع نائب كبير المسؤولين في دائرة الصحة الفدرالية البرفسيور مايكل كيد الذي ناقشت معه كيفية إدارة الحكومة لازمة الكوفيد ١٩ إضافة الى مدى فعالية وسلامة اللقاحات التي تحث الحكومة المواطنين على اخذها وكذلك أجاب عن التساؤلات التي طرحت حول هذه اللقاحات .

"So here we are again", "talkin' in tongues" and proving "one man is not enough" as hosts Bobby and Kristina discuss ALL THREE musicals based on the literary work of Truman Capote on episode fifteen of My Favorite Flop: 1954's House of Flowers, 1966's Breakfast at Tiffany's, AND 1971's The Grass Harp.   ABOUT HOUSE OF FLOWERS Based on the original short story by Truman Capote, House of Flowers tells the story of two neighboring bordellos that battle for business in an idealized Haitian setting. The musical features music by Harold Arlen, lyrics by Arlen and Truman Capote, and a book by Capote. In the early 1950s, Truman Capote became involved in the performing arts. He was approached by producer Saint Subber to adapt his recent story, "House of Flowers", as a musical play for Broadway. Much of the writing was done in the Italian fishing village of Portofino; but Capote and Jack Dunphy found time to travel to Switzerland and Paris before turning to America, where Capote met again with producer Saint Subber and continued his work in the musical. After a Philadelphia try-out, the show opened on Broadway on December 30, 1954 at the Alvin Theatre and played for 165 performances. The director was Peter Brook. The cast included Pearl Bailey, Diahann Carroll, Juanita Hall, Ray Walston, Carmen de Lavallade, Alvin Ailey and Geoffrey Holder (who also provided a section of choreography). Although the show received generally poor reviews, the dance-rhythm infused score has been praised for its mix of blues and calypso. There was an unsuccessful Off-Broadway revival in 1968 at Theater de Lys. In 2003, there was an Encores! production, starring Tonya Pinkins and Armelia McQueen as the battling bordello madams and Maurice Hines as Captain Jonas, the smuggler. The virginal Ottilie was played by Nikki M. James, and the mountain boy, Royal, was played by Brandon Victor Dixon. Roscoe Lee Browne played the voodoo priest, Houngan.   ABOUT BREAKFAST AT TIFFANY'S Based both on the 1958 Truman Capote novella and 1961 film of the same name, Breakfast at Tiffany's tells the story of a free spirit named Holly Golightly. The musical features music and lyrics by Bob Merrill and a book by Abe Burrows, which was rewritten in previews by legendary playwright Edward Albee. The original cast included Mary Tyler Moore, Richard Chamberlain, Sally Kellerman, Larry Kert and Priscilla Lopez. The production was designed by Oliver Smith, directed by Joseph Anthony and choreographed by Michael Kidd with assistance from Tony Mordente, and produced by David Merrick. Despite the impressive list of collaborators, the project never gelled. The show underwent constant and massive changes in its script and score during out-of-town tryouts. The original book by Abe Burrows was seen in Philadelphia, then scrapped completely, and Edward Albee, an unlikely choice, was hired to re-write before a Boston tryout. Burrows was the original director but left when Albee was brought in. He was replaced by Joseph Anthony. On a daily basis, the cast was given new material hours before curtain time, and the piece was overly long, running nearly four hours. Burrows's departure resulted in low morale among cast members, and Moore was convinced that Merrick planned to fire her soon after opening night. Its original title, Holly Golightly, was changed when it started previews on December 12, 1966, on Broadway at the Majestic Theatre. Despite a healthy advance sale and much audience anticipation, it closed four nights later without having officially opened. Merrick placed an infamous ad in The New York Times, announcing that he shut down the production "rather than subject the drama critics and the public to an excruciatingly boring evening." In 2013, the musical was revived for the first time, using Burrows's book, under the title Holly Golightly, at the 200-seat Lilian Baylis Studio at Sadler's Wells Theatre in London, as part of Ian Marshall Fisher's "Lost Musicals" staged concert series. One reviewer wrote: "the show never seems to come alive [and though] worth excavating out of interest in the form, it is not clear whether it is stageworthy."   ABOUT THE GRASS HARP Based on the 1951 novella by Truman Capote, The Grass Harp tells the story of an orphaned boy and two elderly ladies who observe life from a tree. They eventually leave their temporary retreat to make amends with each other and other members of society. The musical features music by Claibe Richardson and book and lyrics by Kenward Elmslie. The initial 1967 tryout of the musical was performed by Trinity Square Repertory Company at the Rhode Island School of Design auditorium, in Providence, Rhode Island. Directed and staged by Adrian Hall, the cast included Barbara Baxley as Dolly Heart Talbo, Carol Brice as the black maid Catherine Creek, Carol Bruce as Verena Talbo, Elaine Stritch as the evangelist Baby Love. After the Providence tryout, Larry Fineberg optioned the property for Broadway, casting Mama Cass as the evangelist Miss Baby Love. However, Fineberg was unable to raise capital funds, and the producing rights were optioned by Richard Barr. In October 1971, the Michigan University Professional Theatre Program presented The Grass Harp with the university's music and drama departments supplying musicians and performers. Initially as an evaluation by the Broadway producers Richard Barr, Charles Woodward, Michael Harvey, and Associate Producer Michael Kasden. Celeste Holm, a close friend of Claibe Richardson, appeared in the Michigan University Professional Program's production as "Miss Baby Love". She was replaced with Karen Morrow for the Broadway production. The musical adaptation opened on Broadway at the Martin Beck Theatre on November 2, 1971 and closed on November 6, 1971. The cast featured Barbara Cook as Dolly Talbo, Carol Brice as Catherine Creek, Karen Morrow as evangelist Miss Baby Love, Ruth Ford as Verena Talbo, Russ Thacker as Colin Talbo, Max Showalter as Dr. Morris Ritz, John Baragrey as Judge Cool, Kelley Boa, Trudy Bordoff, Colin Duffy, Eva Grant, and David Craig Moskin as Miss Baby Love's orphans, known as the "Heavenly Pride and Joy", Christine Stabile as Maude Riordan, and Harvey Vernon as Sheriff Amos Legrand. The musical previewed and opened during a major New York City newspaper strike preventing advertising and reviews, with no advance theater party ticket sales guarantee. Richard Barr, Charles Woodward, Michael Harvey, and Michael Kasden gave the company the option of maintaining three more weeks for the productions' performance schedule, or closing after only seven performances, using the show's banked funds to produce a Broadway cast album. The musical orchestration was recorded in Cologne, Germany, with the Cologne Symphonic Orchestra ensemble. Returning to the States, the original cast was recorded in New York City, with the album released a year after the musical's closing date.

Australia's Deputy Chief Medical Officer Prof Michael Kidd explains how COVID-19 continues to pose a challenge for Greater Sydney in particular. He remains concerned about children under 12 who can't be vaccinated and the risk posed by adults refusing to take the jab.

Put on your Sunday clothes and polish up those silver trays, because IN THE SPOTLIGHT is diving into Hello, Dolly! Join Michael and Anika as they talk about the show's surprisingly ancient inspirations and complex road to Broadway - including which parts of the score might not actually be composed by the great Jerry Herman. Come for the insights into one of Broadway's greatest shows, stay for how often we confuse the names Ernestina and Ermengarde. Press play - it only takes a moment! HELLO, DOLLY! Book by Michael Stewart | Music & Lyrics by Jerry Herman | Based on “The Matchmaker” by Thornton Wilder  Episode Segments:2:03 - Speed Test4:07 - Why God Why7:37 - Back to Before14:20 – Putting It Together32:25 - What's Inside50:28 - How Do You Solve a Problem Like Maria?1:06:42 - Our Favorite Things1:19:04 - Corner of the Sky1:21:55 – What Comes Next?Works Consulted & Reference :Hello, Dolly! (Original Libretto) by Michael StewartThe Matchmaker by Thorton WilderShowtune by Jerry HermanJerry Herman: Poet of the Showtune by Stephen CitronGower Champion: Dance and Musical Theatre by David Payne-CarterThe Great Parade: Broadway's Astonishing Never-to-Be-Forgotten 1963-1964 Season by Peter Filichia“An Evening With Jerry Herman – Up Close & Personal” (The Kennedy Center)“Interview with Jerry Herman” (Theater Talk)Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Elegance” from Hello, Dolly! (Original Broadway Cast Recording) | Music & Lyrics by Jerry Herman & Bob Merrill| Performed by Eileen Brennan, Jerry Dodge, Sondra Lee, & Charles Nelson Reilly"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

La alegría, el estilo y el poder visual del maestro Minnelli hacen de The Band Wagon (Melodías de Broadway 1955 en España) uno de los grandes films de la historia del musical. El protagonista se baja del tren y nadie espera al antes aclamado astro de Hollywood. Pasea por un Broadway diferente, en el que triunfó, un Fred Astaire otoñal y perfecto pregunta al dueño de un puesto de perritos calientes donde está la fachada de aquel teatro con solera que parece haberse tragado la tierra. Y aún así, nunca hubo máquinas recreativas con más encanto, ni un limpiabotas con más sentido del ritmo en la famosa avenida de los sueños. Tony Hunter representa el musical clásico. Astaire se interpreta a sí mismo, con sus zapatos brillantes, su elasticidad única y su elegancia. En el rodaje de la película mostró cierta inseguridad con el coreógrafo Michael Kidd, no se sentía seguro con los pasos que en ocasiones le exigía, así de nuevo se funde la ficción con la realidad. El complejo del personaje de Astaire hacia la joven estrella de la danza se trasladaba al plató de la Metro donce Fred Astaire puso su sonrisa, su ritmo, y su saber hacer para acompasar y mejorar los movimientos de sirena de la Charisse. Minnelli conocía a la perfección el mundo del teatro y sus entresijos, En este musical espectacular y vitalista asistimos al montaje de un espectáculo, como se prepara una obra detrás de bastidores, los operarios, las inquinas, la soledad del artista en su camerino, los ensayos, las veleidades de un director caprichoso, los problemas de financiación, los castings. La vida imita al arte y viceversa. En el Gran Teatro del Mundo un bailarín de claqué y una diva del ballet hacen las paces en un coche de caballos. El glamour de una pareja única, ambos caminan por Central Park al son de las notas de Arthur Schwartz y la envolvente orquestación de Conrad Salinger, mantienen el mismo paso y la magia llenara a pantalla, las notas in crescendo se amoldan perfectas al baile y a la falda plisada de Gabrielle. El “Dancing in the Dark” divide la película y se convierte en uno de los mejores pasos a dos de la historia del cine. Las disparatadas pretensiones del director teatral Jeffrey Cordova -estupendo Jack Buchanan-, que cambia el libreto original de la pareja de guionistas. Su idea de convertirlo en una especie de Fausto bailado con ínfulas. El dinamismo de todas las secuencias y el amor de Minnelli y del productor Arthur Freed al show business deleitan, contagian su alegría. Los números musicales escritos por Schwartz y Howard Dietz -letras- se suceden, entre ellos la pieza mítica That´s Entertaiment, con un suelto Oscar Levant transportando una interminable escalera, un magnífico Buchanan, una radiante Nanette Fabray y Astaire dejándose convencer de que el mundo se divide en un escenario y un patio de butacas. En el apoteosis final Minnelli se atreve a cambiarnos la película y meternos de lleno en el cine negro en technicolor, con mafiosos que disparan balas de fogueo, una eligrosa mujer de rojo carmín, y vasos de cerveza con sabor a nitroglicerina. El estilo único de un estilista , el toque Minnelli, la clase y el glamour Los bailarines provocan la sonrisa una vez más y nos repiten que el show ha comenzado. ¡Viva el espectáculo! Esta noche nos colamos en la fiesta de Broadway e intentamos seguir losmovimientos de Astaire y Charisse... Salvador Limón, Zacarías Cotán y Raúl Gallego

For the first time in the Scott Lucas era of 70 Movies We Saw in the 70s we've got guests!! Ben and Scott welcome Jim and Pat Healy to celebrate and dive deep into Michael Ritchie's 1975 masterpiece, SMILE. In a wide-ranging and super fun conversation we talk Scorsese, commentary tracks, drive-in concerts, Michael Shannon, The Fantastiks, Bruce Dern, Barbara Feldon, Michael Kidd, Bad News Bears, Peter Boyle, thermostats, Dernsies, Charlie Chaplin, Tom Laughlin, Disney, and so much more + a rousing rendition of "What Else Was Playing That Week?"

More than six million Australians are now eligible to receive coronavirus vaccines under a new phase of the national rollout.Deputy Chief Medical Officer Michael Kidd said it was an incredibly important milestone in the country's fight against COVID-19. - Viac ako šesť miliónov Austrálčanov má v súčasnosti nárok na očkovanie proti koronavírusu v rámci novej fázy 1-B. Zástupca vedúceho lekára Michael Kidd uviedol, že je to dôležitý míľnik v boji krajiny proti COVID-19.

在新一轮的全国推广阶段，已有超过600万澳大利亚人有资格接种新冠病毒疫苗。澳大利亚副首席医学官迈克尔·基德（Michael Kidd）表示，这是澳大利亚与新冠疫情作战的重要里程碑。

Mike O'loughlin speaks with Professor Michael Kidd, Deputy Chief Medical Officer.

Australians first in line to get the COVID-19 vaccine can expect to get their jab from next Monday.

We are in the presence of musical theatre royalty this week! We are joined by the legendary Baayork Lee. You Might Know Her From A Chorus Line; Promises, Promises; Jesus Christ Superstar; The King & I; Flower Drum Song; and Every Little Step. We are just mouth agape at Baayork’s stories from the theatre, from finding the line between herself and the character of Connie Wong that her life inspired to her simpatico mentorship with Michael Bennett to growing up as a Broadway kid to the neck-ography in Promises, Promises. We were just head over heels for Baayork. Check out the show notes to see this icon in action. You won’t regret it!  Follow us on social media: @damianbellino || @rodemanne  Rash of recent celebrity deaths: Phil Spector, Dustin Diamond, Cicely Tyson, Cloris Leachman, Christopher Plummer (and on Tuesday, after we had recorded: Mary Wilson)  Christopher Plummer tried to do his own singing in The Sound of Music. Hated the movie, loved Julie Andrews.  Natalie Wood didn’t think she was going to be dubbed for West Side Story movie (here she is singing in her real voice as Maria) Diahann Caroll died before we could talk to her Bob Avian co-choreographer of original production, director of Broadway revival  Baayork Lee’s IBDB (most famous as Connie Wong) BAAYORK CLIPS to watch:  “The Clog Dance” from Joyful Noise (Tommy Tune and Baayork who is on far left) “Poor Little Person” from Henry Sweet Henry with Alice Playten “Turkey Lurkey Time” from Promises, Promises some of toughest choreo of all time Groomed by Michael Bennett as dance captain and assistant choreographer  “Confidence” was a cut song from A Chorus Line for Richie (Black man) and Connie (Asian woman). The tapes that made A Chorus Line Every Little Step, 2009 documentary (first time Equity allowed cameras in the audition room) Bennett fought for Paul’s coming out storyline Baayork worked with Bennett on See Saw and Henry, Sweet Henry which were both flops Role of Sheila was between former guest, Deidre Goodwin and Rachelle Rak  Full Deidre Goodwin episode of YMKHF  Ryan Murphy turning A Chorus Line into 10 ep series for Netflix  A Chorus Line movie with Michael Douglas notorious flop Danced for other legends like Michael Kidd and Peter Gennarro Michael Bennett was protege of Jerome Robbins Was in original Broadway production of The King and I with Yul Brenner and Gertrude Lawrence Then cast in Flower Drum Song when she was 12. Once had to go on for Anita Ellis to do “Fan Tan Fannie” (vid is from film)  White contract vs pink contract  Dorothy Sarnoff took her to dinner at Sardi’s between shows Mr President (1962: Irving Berlin), Here’s Love (1963: Meredith Willson, directed by Norman Jewison), Golden Boy (1964: Charles Strouse, with Sammy Davis Jr) “Don’t Forget 127th Street” from Golden Boy w/ Sammy Davis Jr (asst choreographer: Jamie Rogers) Honored with a Tony for creating NAAP Not involved with the Anna Mae Wong movie on IMDB (care of Malan Breton) Backed up Judas in Jesus Christ Superstar, which was shot in Israel with Jewison Was directing A Chorus Line with Antonio Banderas in Malaga Spain when COVID hit Triple threat in American theatre: Tony Yazbeck, Robbie Fairchild, Sutton Foster, Robyn Hurder Cassie boot camp for A Chorus Line Who would Baayork call if she dropped her phone in the subway: Donna McKechnie, Kelly Bishop, Priscilla Lopez Worked with our fave, Pat Suzuki in Flower Drum Song Need Sardi’s to stay open (Actor’s Menu) Baayork was in Promises, Promises - Mary Louise Wilson was a replacement cast member in that same production -- she was in the 2001 revival of The Women with next week’s guest.  Heather Matarazzo told us that she took over the role of Jane once Bob Durst’s niece was fired from the 2001 revival of The Women (listen to the full Heather interview here)  Al Pacino playing Phil Spector in the HBO movie: Phil Spector  

The Climate Change Minister says we're learning to deal with the slow-moving nature of the climate crisis.James Shaw is looking forward to today's first-ever draft advice from the Climate Change Commission.It'll include three emissions budgets, projecting ahead for the next 15 years.Shaw says when you think about human evolution - we're well equipped to deal with clear and present dangers.Meanwhile, the future of the trans-Tasman travel bubble has taken another hit.Quarantine-free travel from New Zealand to Australia was suspended for 72-hours from Monday after confirmation of a case of the highly-contagious South African Covid-19 variant.The suspension was extended for another 72-hours, until 2pm on Sunday, after further cases were detected.Australia's acting chief medical officer Michael Kidd said a decision on ending the New Zealand travel suspension will be made on Sunday.Listen above as Aaron Dahmen talks with Tim Beveridge 

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For Michael Kidd-Gilchrist, NBA star who recently signed with the New York Knicks, watching the movie The Lion King is his way of staying connected to the father he lost as a result of gun violence before his third birthday.  Today we welcome Michael’s mom, Cynthia Kidd-Gilchrist Richardson who talks about how this loss has shaped Michael’s life and shares with us the highs and lows of watching her son make it to the NBA.  From the time he was 5 years old, basketball was Michael’s passion.  As a mom, it never crossed her mind where this would lead.  Very quickly, it became clear that he was destined for greatness, with scouts watching him at age 7. Playing for St. Patrick’s during his high school years paved the way for the future for Michael. Cynthia talks about how she managed the onslaught of colleges vying for his talent, the lead up to the draft where he was chosen 2nd overall and what it was like to play for Michael Jordan and the Charlotte Bobcats. We hear how hard it is for her to actually watch a game that Michael is playing in, especially when the stakes are high and what it took for her to realize she’s “just his mom”, the role she is most comfortable with, bearing witness to the life of an NBA player, the injuries, the mental game versus the physical game, the power of faith, debunking some of the myths that surround the glamour of professional sports, and how Michael, quietly without fanfare, gives back to his community. 

The cluster began after a cleaner became infected while working in an Adelaide hotel where people were quarantining after returning from overseas.

Like many military functions, the challenges of explosive ordnance disposal are compounded by urban terrain. This episode explorse those challenges. Host John Spencer is joined by Master Sgt. Michael Kidd an experienced leader in Army EOD with over sixteen years of service.

Mrs Faten El Dana OAM discusses with Professor Michael kidd , deputy Chief medical officer . department of health in the attached interview the importance of resting for Covid 19 in order to help stop spread the virus and the process that the health authorities follows when a Corona virus case has been confirmed. تناقش الحاجة فاتن الدنا مع النائب الفدرالي لكبير المسؤولين الطبيين في دائرة الصحة البروفيسور مايكل كيد ، أهمية االخضوع لفحص الكوفيد 19 لاحتواء الفيروس والإجراء المتبع من قبل السلطات الصحية في حال التأكد من إصابة بالفيروس.

مایکل کید، معاون مدیر ارشد صحی آسترالیا با تأکید بر رعایت قوانین و دستورهای صحی به جوامع چندفرهنگی کشور توصیه می‌کند در صورت ابتلا به کووید-۱٩، واقعیت‌ها را از مقامات پنهان نکنند.

The Golden Age of Broadway’s new revolutionary way of writing musicals did not just apply to musical plays like those of Rodgers & Hammerstein and Lerner & Loewe – it also transformed the Musical Comedy. These shows too would now need to have well-structured plots, and three dimensional, captivating characters. Two unlikely “Silver Age” songwriters would pioneer this new development – Irving Berlin and Cole Porter. In this episode I share the stories of how their success with Annie Get Your Gun and Kiss Me Kate inspired a new generation of writers, directors, choreographers, stars and producers including Jule Styne, Frank Loessor, Adler & Ross, Jerome Robbins, Bob Fosse, Gwen Verdon and Michael Kidd to bring the Musical Comedy to new heights!  Learn more about your ad choices. Visit megaphone.fm/adchoices

In tonight's SBS Punjabi bulletin, hear the latest news from Australia and beyond, including sports, currency details, and tomorrow's weather forecast.

Professor Kidd has more than 30 years’ experience working as a general practitioner in urban and rural locations across Australia, with special interests in the care of people with HIV, mental health and Indigenous health.He served two terms as the elected president of the Royal Australian College of General Practitioners from 2002–2006.Professor Kidd completed his research doctorate with the Monash University Department of General Practice and has research expertise in primary care policy, digital health, chronic disease management, communicable diseases, preventive care, mental health, medical education, and safety and quality.Since 2017, he was Professor and Chair of the Department of Family and Community Medicine at the University of Toronto providing strategic leadership to the world’s largest academic department of general practice and family medicine, and also leading the World Health Organization Collaborating Centre on Family Medicine and Primary Care.He has worked for many years as a consultant with the World Health Organization, was president of the World Organization of Family Doctors, and prior to his work at the University of Toronto, was Executive Dean of the Faculty of Medicine, Nursing and Health Sciences at Flinders University in South Australia.

Deputy Chief Medical Officer Michael Kidd says the decision to close the New South Wales-Victorian border was "an appropriate measure", federally supported.

Hosts Scott Davis and Gage Jordan are joined by Michael Kidd to discuss the Exhortation to Holiness, a liturgical practice used within Reformed churches. Support the show (https://www.patreon.com/join/3789852?)

Hosts Scott Davis and Gage Jordan are joined by Michael Kidd to discuss the Exhortation… The post S1 Ep 10: Exhortation to Holiness: Why must we remind ourselves of the gospel? Does it promote license or legalism? appeared first on Society of Reformed Podcasters.

In this episode, Scott and Gage are joined by Leigh Anne Davis (Scott's wife) and Michael Kidd to discuss Reformed worship. Support the show (https://www.patreon.com/join/3789852?)

In studio today, we have Michael Kidd, family doctor and head of the Department of Family and Community Medicine at the University of Toronto, and director of the World Health Organization Centre for Family Medicine and Primary Care. Today's episode focuses on what you can do to change the world.

Walker gets a fish, NBA executives not too high on the Rozier deal, movies that freaked you out as a kid. FOLLOW US ON TWITTER -@LockedOnHornets - @WalkerMehl - @DougBransonLOH - @NataTheScribeMUSIC - Lobby Time - Kevin MacLeod (incompetech.com), Backed Vibes - Kevin MacLeod (incompetech.com), Casets - Drake Stafford, Buzz - Steve CombsLicensed under Creative Commons: By Attribution 4.0 Licensehttps://creativecommons.org/licenses/by/4.0/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Walker gets a fish, NBA executives not too high on the Rozier deal, movies that freaked you out as a kid. FOLLOW US ON TWITTER -@LockedOnHornets - @WalkerMehl - @DougBransonLOH - @NataTheScribe MUSIC - Lobby Time - Kevin MacLeod (incompetech.com), Backed Vibes - Kevin MacLeod (incompetech.com), Casets - Drake Stafford, Buzz - Steve CombsLicensed under Creative Commons: By Attribution 4.0 Licensehttps://creativecommons.org/licenses/by/4.0/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Professor Michael Kidd is an Honorary Professor of Global Primary Care with the Southgate Institute for Health, Society and Equity at Flinders University.  He is now Professor and Chair of the Department of Family and Community Medicine at the University of Toronto in Canada, and Director of the new World Health Organization Collaborating Centre in Family Medicine and Primary Care.   He has over 30 years experience as a General Practitioner working in inner city, rural and remote practices with special interests in the care of people with HIV, mental health and Indigenous Health. He was the Executive Dean of the Faculty of Medicine, Nursing and Health Sciences at Flinders University. He is a past president of the World Organization of Family Doctors (WONCA) and past President of the Royal Australian College of General Practitioners (RACGP).   His latest book "Every Doctor" with Leanne Rowe can be found here: https://www.amazon.com/Every-Doctor-Healthier-Patients-Medicine/dp/1138497851 Today we discuss his two books "First: Do No Harm" and "Every Doctor", the concepts of self-care, the carers paradox, how we can develop the relationships with ourselves, our family and our work, and some of the principles and foundations of resilience. And there are a few tangents as well. Enjoy Friends    

Jesus is our Mediator Ex 24:1-18

Put on the full armor of God

One of Broadway's busiest and most respected set designers, Tony Award winner John Lee Beatty, swings by Shetler Studios to sit down with Rob and Kevin and review his portfolio which includes over 100 Broadway credits including the set designs for Ain't Misbehavin, Talley's Folly, Baby, The Most Happy Fella, Chicago, Once Upon a Mattress, Wonderful Town, and so many shows over at Encores! John pulls back the curtain on his career to discuss how a day with Michael Kidd transformed his career, what it was like working with Ming Cho Lee, and why he is the go to designer for living rooms everyone wants to live in! Also, John shines the spotlight on Douglas W Schmidt, Richard Maltby Jr, and Gerald Gutierrez! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4

We continue our summer leadership series this week that will have us studying Paul’s letters to Timothy as teaching team member Michael Kidd joins us. Could we do everything ourselves? Many of us perhaps think that is possible or at least wish it was. God has uniquely designed us as individuals to function together as one. Our commission as disciples in Jesus is to take what we have been given and pass it on. I know the summer is full of travel, but make plans to join us every Sunday you can as we seek to love, encourage, and equip you during our weekly worship.

Michael A. Kidd, Eagle Mountain Utah City Center Seminary Principal, spoke at Devotional on June 5, 2018.

At 91, Charlotte Rae has no intentions of slowing down, as this interview will show. Charlotte began her career in Wisconsin and quickly conquered New York appearing in such musicals as Three Wishes for Jamie, The Threepenny Opera, Lil Abner, Pickwick, The Littlest Revue, and many others. Plus Charlotte was a pioneer of live television having appeared in The Philco Television Playhouse, The Colgate Comedy Hour, The DuPont Show of the Week, and many others. Now, over a crackly phone connection, Charlotte sits down with Rob for a quick chat. Charlotte pulls back the curtain on her career to discuss how she discovered a new talent named Sheldon Harnick, what it was like going to school with Paul Lynde, and why Charlotte always wanted to be a serious actress. Also, Charlotte shines the spotlight on Michael Kidd, Lotte Lenya, and Golda Meir! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4

Michael Kidd, pastoring in Conway Arkansas joins us in our current series teaching on Psalm 13.  

com Dr. Roberto (Bob) Maranhão Episódio #1 do MedCast WONCA Edition Entrevista com Michael Kidd, o atual presidente Organização Mundial de Médicos de Família (WONCA)

Get on your sash and listen to the discussion ofMichael Ritchie's Smile, a send-up of beauty pageants and small-town America from 1975.  We talked to a few of the stars of the film: Bruce Dern, Nicholas Pryor, Barbara Feldon, Denise Nickerson, and Annette O'Toole. Joining Mike in the discussion is The Cultural Gutter's Carol Borden and The Crawling Eye's Kevin Heffernan.Support The Projection Booth on PatreonLike The Projection Booth on FacebookFollow The Projection Booth on Twitter 

The population timebomb: The idea that an ageing population is making it harder and harder to fund pensions, social care, and healthcare, as the number of older people grows in proportion to the working population. Jeroen Spijker, senior research fellow at the School of Social and Political Science in the University of Edinburgh, explains why he thinks the risk has been overblown. Also, Michael Kidd, current president of WONCA – the world organisation of family doctors - talks about the pressures on primary care, and how he would like to attract the best medical talent to the specialty. http://www.bmj.com/content/347/bmj.f6598