Podcasts about Lorenz Hart

durée : 01:29:17 - "Manhattan" de Rodgers & Hart : un centenaire - par : Laurent Valière - Le 17 mai 1925, Richard Rodgers et Lorenz Hart connaissait leur premier succès qui allait les propulser sur le devant de la scène à Broadway et Hollywood : la chanson "Manhattan" créée pourtant pour une revue pour jeunes comédiens, "The Garrick Gaities"

"Pal Joey" is a 1940 Broadway musical with music and lyrics by Richard Rogers and Lorenz Hart.

durée : 00:58:11 - « Bewitched (bothered and bewildered) » (Richard Rodgers / Lorenz Hart) (1940) - par : Laurent Valero - "La musique de Rodgers, élégante, contraste avec les paroles de Lorenz Hart en autodérision, qui contribua au succès de la comédie musicale Pal Joey crée à Broadway en 1940, avec le jeune Gene Kelly dans le rôle titre qui lança sa carrière, et Vivienne Segal créa la chanson sur scène" Laurent Valero

durée : 00:58:11 - « Bewitched (bothered and bewildered) » (Richard Rodgers / Lorenz Hart) (1940) - par : Laurent Valero - "La musique de Rodgers, élégante, contraste avec les paroles de Lorenz Hart en autodérision, qui contribua au succès de la comédie musicale Pal Joey crée à Broadway en 1940, avec le jeune Gene Kelly dans le rôle titre qui lança sa carrière, et Vivienne Segal créa la chanson sur scène" Laurent Valero

La Venganza de los Lunes, el Eterno Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi • La 750 Online quedó sin audio a las 00:10, antes de arrancar el programa de los lunes. Sin embargo, se podía escuchar por la FM 96.5 de Mar Del Plata. Lo que salió al aire fue la presentación en Quilmes, 28 de junio de 2023. Segmento Inicial • Qué hacer si entra un chorro en tu casa Segmento Dispositivo • Francisco José I de Austria • "Play The Game" ♫ (Toca el TSN) Queen, The Game, 1980. Segmento Humorístico • Ideas originales para pedirle a una mina que sea tu novia Sordo Gancé / Trío Sin Nombre • "Rezo Por Vos" ♫ (Único registro del truncado proyecto Spinetta/García, 1984) Privé, 1986. Parte De La Religión, 1987. • "Tarjeta postal" ♫ (Cátulo Castillo/Sebastián Piana) Canta Tita Merello/Orquesta Carlos Figari, 1969. Alejandro Dolina, acompañan Marzán/Brebes/Rodnoi, 2003. • "Don't Let Me Down" ♫ (Toca el TSN) The Beatles, Get Back B-Side, 1969. • "La Violeta" ♫ (Cátulo Castillo/Nicolás Olivari) Canta Gardel/Guitarras de Barbieri/Aguilar/Riverol, 1930. • "Blue Suede Shoes" ♫ (Carl Perkins, 1955) Elvis, 1956. • "Blue Moon" ♫ (Richard Rodgers y Lorenz Hart, 1934) Connee Boswell, 1935. Al Bowlly, 1936. Billie, 1952. • "Hit The Road Jack" ♫ (Percy Mayfield; grabada por Ray Charles y las Raelettes, 1961) Still in peaceful dreams I see, the road leads back to you)

This week on The Sound Kitchen you'll hear the answer to the question about the number of Paralympians in the 2024 Paris Paralympics Games. There's “On This Day”, “The Listener's Corner”, great music, and of course, the new quiz and bonus questions too, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Paris Perspective, Spotlight on France, Spotlight on Africa, and of course, The Sound Kitchen. We have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note!  I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!This week's quiz: On 29 August, I asked you a question about the 2024 Paris Paralympics Games, which had just opened with a parade on the Champs-Élysées and a grand show on Place de la Concorde, designed by the Games artistic director Thomas Jolly. You were to re-read our article “Paralympic torch arrives in France ahead of opening ceremony” and send in the answer to this question: How many athletes will compete in how many events?The answer is, to quote our article: “During the Games, around 4,400 athletes will compete in 549 events, which will take place in 18 competition sites, including 16 identical to their Olympic counterparts.”In addition to the quiz question, there was the bonus question: “With whom do you feel the happiest, and why?”, suggested by Jayanta Chakrabarty from New Delhi, India.Do you have a bonus question idea? Send it to us! The winners are: Razia Khalid, who's a member of the RFI Seven Stars Radio Listeners Club in District Chiniot, Pakistan. Razia is also this week's bonus question winner. Congratulations, Razia!Also on the list of lucky winners this week are M. N. Sentu, a member of the RFI Amour Fan Club in Rajshahi, Bangladesh, and RFI Listeners Club member Kashif Khalil from Faisalabad, Pakistan.  Last but certainly not least, two RFI English listeners from Bangladesh: Shahanoaz Parvin Ripa, the president of the Sonali Badhon Female Listeners Club in Bogura, and Shihab Uddin Khan from Naogaon.Here's the music you heard on this week's programme: Traditional music from the Middle Ages; the Allegro from the Piano Sonata K. 545 by Wolfgang Amadeus Mozart, performed by Gabriel Tacchino; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “I Didn't Know What Time It Was” by Richard Rodgers and Lorenz Hart, sung by Cécile McLorin Salvant.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, listen to Alison Hird's report on political compromise in France on the Spotlight on France podcast no. 115, or consult her article "Where did France's culture of political compromise go, and is it coming back?", both of which will help you with the answer. You have until 21 October to enter this week's quiz; the winners will be announced on the 26 October podcast. When you enter be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.Click here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club,  

The Boys Are Back In Town!  With Rodgers and Hart's effervescent 1938 musical, The Boys from Syracuse packing 'em in at the Upstairs at the Gatehouse Theatre in Highgate, Thos and Benjamin Levy continue their wonderful conversation about the role of the Musical Director and how to orchestrate a classic-era show. But with Benjamin's view that "Lorenz Hart is an utter genius", this episode is filled to the brim with an in-depth look at the score and full analysis of what makes the Hart lyrics and the musicality of Rodgers work so beautifully together to make a show where every song is a polished diamond!

Throughout songwriter Richard Rodgers' (born June 28, 1902) long career, with 43 Broadway shows and over 900 songs to his credit, he wrote primarily with only two lyricists, Lorenz Hart and Oscar Hammerstein. Much of his output with both men have become standards, but jazz musicians are particularly enamored with his earlier work, with Lorenz Hart. Some theorize that even though he was often at odds with Hart due to the latter's unreliable work ethic, the fact that Hart set lyrics to Rodger's music after it was composed allowed freer range to Rodger's imagination than the work he composed with Hammerstein, who insisted on writing the lyric beforehand and having Rodgers set it to music.

La Venganza de los lunes, el Eterno Retorno de lo Terrible Alejandro Dolina, Patricio Barton, Gillespi Introducción Entrada0:02:04 Segmento Dispositivo Traiciones en los mitos02:25 "Traicionera" ♫ (Música: Juan Ghirlanda, letra: Luis Garros Pe. Año 1928. Canta Gardel, una de las dos versiones que grabó ese mismo día, Dolina comenta que nunca sabremos cuál es la que repitió y conjetura que la se oye es, probablemente, la segunda) Segmento Humorístico Beneficios de bañarse en pareja. 23:05 Segmento Humorístico ¡Mamá, me encontré con un extraterrestre! 48:22 Sordo Gancé / Trío Sin Nombre Presentación1:16:00 "La rueda mágica" ♫ (Fito Páez, del Amor Después del Amor, 1991. Cantan Charly y Calamaro) "What a Wonderful world" ♫ (Grabada en 1967, por Louis Armstrong. Canción que escribieron Bob Thiele y George David Weiss) "Yo no sé qué me han hecho tus ojos" ♫ (Música y letra: Francisco Canaro, escrita para Ada Falcón, en 1933) "I am The Walrus" ♫ (The Beeatles, del Magical Mystery Tour. Lennon escribió la canción para confundir -o como una ironía- a escuchas que siempre hacían interpretaciones muy serias de las letras de los Beatles) "Zamba de Carnaval" ♫ (De Gustavo "Cuchi" Leguizamón y Manuel J. Castilla. Puede que sea del 1965) "Blue Moon" ♫ (Escrita por Richard Rodgers and Lorenz Hart en 1934, pasó a ser un "Standard" muy popular del jazz) "Días de vino y rosas" ♫ (Days of Wine and Roses; Canción del año 1962 con música del compositor estadounidense Henry Mancini y letra de Johnny Mercer para la película Days of Wine and Roses, de Blake Edwards. Ganó el Oscar a mejor canción) "Jijiji" ♫ (Patricio Rey y sus Redonditos de Ricota, de su segundo álbum de estudio, Oktubre, 1986) "Cuando los santos vienen marchando" ♫ (When the Saints Go Marching In, a veces traducida como "La marcha de los Santos", es un himno góspel estadounidense. Su origen exacto se desconoce. Su versión más famosa es la realizada por Louis Armstrong en 1927)

2+ Hours of Variety and ComedyFirst a look at this day in History.Then The Chase and Sandborn Hour, originally broadcast June 13, 1937, 87 years ago, with guest Joan Blondell. Charlie McCarthy is in trouble with the truant officer again. Joan Blondell appears in a skit by Colin Clements titled, "Spring." Afterwards, Charlie does his version, titled, "Summer."  W. C. Fields misses two cues, then chastizes Don Ameche for jumping his cue. Bill Fields has built a better mousetrap. He's then introduced to young Rollo Pepitone. Fields suggests that he "sit down and play with some broken glass." Charlie chats with Richard Rodgers and Lorenz Hart and tells them that his new tune is called, "A Little Of You On Toast" (the name of a new Rodgers and Hart tune). Richard Rodgers plays the piano as Don Ameche sings the tune for the first time on the air. Followed by The Great Gildersleeve starring Harold Peary, originally broadcast June 13, 1943, 81 years ago, Gildy Plans the Honeymoon.  Who will be Gildersleeve's best man? Will Gildy get Leila to stick to a budget?Then Jack Benny, originally broadcast June 13, 1948, 76 years ago, Don Wilson's Weight. The program originates from Detroit. Don Wilson "carries a lot of weight" in this town! Finally Superman, originally broadcast June 13, 1941, 83 years ago, Dr Deutch and the Radium Mine.    Using a radio-controlled plane to escape, Clark Kent and Jimmy Olsen take over Dr. Deutch's boat after Dr. Browning dies. Thanks to Robert for supporting our podcast by using the Buy Me a Coffee function at classicradio.streamIf you like what we do here, visit our friend Jay atradio.macinmind.com  for great old time radio shows 24 hours a day. 

Ane Brun, Linden Jay and Sylvan Esso's Amelia Meath discuss collaboration, navigating between genres and lyrical inspirations.Ane Brun is a musician hailing from Norway but based in Sweden, who also runs the label Balloon Ranger. Her music is rooted in folk pop and she's released 11 studio albums; her most recent is Portrayals, which came out last year. It is a collection of covers, including a previously unheard version of Richard Rodgers and Lorenz Hart's Blue Moon, to celebrate 20 years since her debut album Spending Time with Morgan.Linden Jay is a Grammy-nominated musician and producer from London. In addition to releasing music as a soloist, he is one half of the band FARR, a transatlantic duo described as a crossover between soul and alternative pop. As a producer and songwriter, he has also worked with artists including Stormzy, Sampha, Kelis and Loyle Carner. Amelia Meath is a Grammy-nominated musician and dancer based in North Carolina. She sings in the electronic pop band Sylvan Esso and alt-folk group Mountain Man, and has collaborated with the likes of Real Estate and John Cale.

París en primavera tuvo un estreno exitoso en San Francisco el 3 de noviembre de 1930 en el Teatro Curran. Los críticos destacaron la exuberante belleza de las melodías de Kalman, pero también señalaron que "John Mercer ha hecho un trabajo profesional al adaptar las melodías a las letras norteamericanas". Con José Manuel Corrales.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Alex Steinweiss lideraba el departamento de publicidad de la discográfica Columbia Records y en 1940. Tuvo la idea de relacionar directamente el producto musical con el concepto de arte dando origen a la historia de las portadas de discos. Smash Song Hits, de Richard Rodgers y Lorenz Hart interpretado por la Imperial Orchestra fue el primer disco de la historia en contar con una portada. Escucha este episodio completo y accede a todo el contenido exclusivo de GCO SPAIN. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/2313218

Cuando Irving Berlin era camarero en un bar de Chinatown, Johnny Mercer era acunado por su niñera negra. Cuando George Gershwin dejó el instituto para tocar el piano en la Calle 28, conocida como Tin Pan Alley porque albergaba las cacofónicas oficinas de muchas editoriales de partituras, Johnny Mercer era niño de coro en la Iglesia Episocpal de Cristo. Cuando Richard Rodgers y Lorenz Hart luchaban por colocar sus ingeniosas canciones en los musicales de Broadway, Johnny Mercer se dedicaba a gastar bromas en un elegante colegio de Virginia. Con José Manuel Corrales.

"My Heart Stood Still" (mi corazón se detuvo) es una canción popular y standard de jazz de 1927 compuesta por Richard Rodgers, con letra de Lorenz Hart. Fue escrita para la revista de Charles Cochran One Dam' Thing after Another, que se inauguró en el London Pavilion el 19 de mayo de 1927. El espectáculo, protagonizado por Jessie Matthews, Douglas Byng, Lance Lister y Richard Dolman, tuvo 237 funciones. Excelentes versiones vocales e instrumentales adornan esta entrega. Hosted on Acast. See acast.com/privacy for more information.

"Mi romance" es una canción popular de jazz, con música de Richard Rodgers y letra de Lorenz Hart, escrita para el musical de Billy Rose, Jumbo (1935). En la versión cinematográfica de Jumbo de 1962, Doris Day interpretó la canción.La letra describe una atracción romántica entre dos personas, a menudo enumerando elementos que no son necesarios para que esta atracción funcione. A su vez, el/la cantante afirma que el romance no necesita de un determinado escenario ("una luna en el cielo"), ubicación ("una laguna azul"), debido a la fuerte atracción a la persona. Hosted on Acast. See acast.com/privacy for more information.

"No sabía qué hora era" es una canción popular compuesta por Richard Rodgers con letra de Lorenz Hart para el musical de 1939 Too Many Girls. Nos deleitamos con las grandes cantantes, un segmento de pianistas, saxos, etc. Hosted on Acast. See acast.com/privacy for more information.

The only blue moon of 2023 appears later this month, so it's high time we dusted off our latest rendition of the world's best-loved anthem to this particular astronomical event.“Blue Moon” came into being around 1934 after famed composers Richard Rodgers and Lorenz Hart were brought from New York to Hollywood by Metro-Goldwyn-Mayer and commissioned to produce songs for a film called Hollywood Party, which was to star many of the studio's top artists.“One of our ideas,” Rodgers later recalled, “was to include a scene in which Jean Harlow is shown as an innocent young girl saying — or rather singing — her prayers.”But the Hollywood experience was a disaster for Rodgers and Hart, who hated the movie biz. And Hollywood didn't especially love them back, so the song was not recorded at that time. (And the movie was released, in fact, without Harlow.)Two years later, completely frustrated with film work, Rodgers and Hart were back in New York doing the work they were meant to do: Making magic on Broadway.But Who Wrote that Song?“Blue Moon” — the most famous song to arise during the songwriting team's dreadful Hollywood years — has lately taken a controversial turn: A few years ago an award-winning documentary filmmaker publicly claimed that Rodgers and Hart didn't even write the song.On the contrary, said Liz Roman Gallese, “Blue Moon” actually was composed in Troy, NY, on the east bank of the Hudson River by a 17-year-old son of Polish immigrants.“I know,” Gallese said in a New York Times article, “because I am his daughter, and because I have always known this story. It's been a part of my family for all of my growing-up years, the source of whispers about ‘that Blue Moon thing' among the adults.”Gallese says her father, Edward W. Roman, wrote the song in 1931 and later sold it for $900 in order to buy a car, or maybe he had “settled” with the rich and famous Rodgers and Hart for that amount. (If you'd like to read more about Gallese's curious contentions — it's quite a story! — click here to reach her website.)Monster HitWell, whoever wrote it, “Blue Moon” has had a remarkable run in popular culture, with many revivals over the decades.In 1949 alone, for instance, it was a hit for two separate performers, singer Mel Tormé and band leader Billy Eckstine. Five years later, "Blue Moon” was the first crossover in rock 'n' roll, when a young Elvis Presley released his recording, produced by Sam Phillips. It was to be included on Presley's debut album for RCA.Over the years, "Blue Moon" has been covered by a great many artists, from Frank Sinatra and Ella Fitzgerald to Sam Cooke and The Supremes, from Bobby Vinton and Cyndi Lauper to Bob Dylan and The Cowboy Junkies.Doo-wop DaveBaby boomers, of course, remember the doo-wop version in 1961 by The Marcels, with its famous introduction to the song ("bomp-baba-bomp" and "dip-da-dip-da-dip”). Incidentally, in Flood lore, we still remember how the late David Peyton surprised and tickled his band mates with his impromptu channeling of that old Marcels vibe during our 2006 appearance on Joe Dobbs' “Music from the Mountains” radio show. Click the button below to hear that moment:Our Take on the TuneLike many 1930s-'40s tunes in our repertoire, “Blue Moon” started out as an instrumental showcase for Joe's fiddling. But as soon as we fell under the spell of the marvellous Miss Michelle, “Blue Moon” was her song and we were just along for the ride.When Michelle moved away a few years ago to begin a new chapter with her new husband Rich Hoge, we thought “Blue Moon” might have gone with her. However, lately we've found the tune sits very well as a featured vocal by our bassist Randy Hamilton, with Charlie Bowen supporting with harmony and Danny Cox finding all kinds of interesting opportunities for guitar goodies in those cool old chords. Here's a take from a recent rehearsal at the Bowen house. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Sinatra's singnature sound is impossible to imagine without the influence of jazz.  Here is the Richard Rodgers and Lorenz Hart standard Blue Moon from the 1961 album Sinatra's Swingin' Session!!!.  Arranged and conducted by Nelson Riddle. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

The conclusion of a three-part program featuring legendary composer Richard Rodgers, known for OKLAHOMA!, BABES IN ARMS, PAL JOEY, and THE SOUND OF MUSIC. On what was then the fifth anniversary of his passing, this tribute explores Rodgers entire career focusing on his most noteworthy collaborations with wordsmiths Lorenz Hart and Oscar Hammerstein II. The episode employs rarely heard songs and “off-the-beaten track” performances. Part Three features archival interviews with Rodgers, Sheldon Harnick, Liv Ullmann and George Hearn and a discussion about the origin of OKLAHOMA.   Featured songs: “LONELY ROOM,” “MY GIRL BACK HOME,” “IN MY OWN LITTLE CORNER,” “NO SONG MORE PLEASING,” “YOU COULD NOT LOVE ME MORE.”   Originally produced and broadcast in 1984. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

The second of a three-part program featuring legendary composer Richard Rodgers, known for OKLAHOMA!, BABES IN ARMS, PAL JOEY, and THE SOUND OF MUSIC. On what was then the fifth anniversary of his passing, this tribute explores Rodgers entire career focusing on his most noteworthy collaborations with wordsmiths Lorenz Hart and Oscar Hammerstein II. The episode employs rarely heard songs and “off-the-beaten track” performances. Part Two focuses on Rodgers' work with lyricist, Lorenz Hart. In an archival interview with Arnold Michaelis, Rodgers discusses the inspiration for "My Heart Stood Still.”   Featured songs: “THERE'S ALWAYS ROOM FOR ONE MORE,” “WHERE THE HUDSON RIVER FLOWS,” “MY HEART STOOD STILL,” “A TREE IN THE PARK,” “IT'S EASY TO REMEMBER,” “I'VE GOTTA GET BACK TO NEW YORK,” THE LADY IS A TRAMP,” and “WAY OUT WEST ON WEST END AVENUE.”   Originally produced and broadcast in 1984. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

The first of a three-part program featuring legendary composer Richard Rodgers, known for OKLAHOMA!, BABES IN ARMS, PAL JOEY, and THE SOUND OF MUSIC. On what was then the fifth anniversary of his passing, this tribute explores Rodgers entire career focusing on his most noteworthy collaborations with wordsmiths Lorenz Hart and Oscar Hammerstein II. The episode employs rarely-heard songs and off-the-beaten track performances. Part One covers both editions of THE GARRICK GAIETIES in the 20s. Additionally, three songs are featured from a then contemporary show, THE GIFTS OF THE MAGI by Mark St. Germain and Randy Courts.   Featured songs: “THE CAROUSEL WALTZ,” “MANHATTAN,” “WHAT'S THE USE OF TALKING,” “THE GIFTS OF THE MAGI,” “BUM LUCK,” “POCKETS.”    Originally produced and broadcast in 1984. For more information go to AnythingGoesPL.com or BPN.FM/Anything Goes. Theme music arranged by Bruce Coughlin. Associate producer Jeff Lunden. Anything Goes – Backstage with Broadway's Best – is produced and hosted by Paul Lazarus. Learn more about your ad choices. Visit megaphone.fm/adchoices

David Pickard discusses with Ivan six things which should be better known. David Pickard studied Music at Corpus Christi College, Cambridge, before starting his career as Company Manager of the Royal Opera House, Covent Garden. Following this, David worked at the Open Air Theatre in Regent's Park and was the Assistant Director for the Japan Festival (1991) before becoming Sir John Drummond's deputy at the European Arts Festival. In 1993 he was appointed Chief Executive of the Orchestra of the Age of Enlightenment where he significantly increased the orchestra's artistic reputation and international profile, helping to establish the OAE as the pre-eminent period-instrument orchestra in the world. In 2001 he was made General Director of Glyndebourne Festival where during his tenure he created an extensive digital programme including online streaming, big-screen and cinema relays and broadened the company's audience base through specially priced performances for young people and a pioneering education programme. In November 2015, David took up the role of Director of the BBC Proms. Since then he has introduced a number of initiatives, all in support of the Proms' central mission: to bring ‘the best of classical music to the widest possible audience.' These have included an innovative series called ‘Proms at…' exploring music in new spaces, both in London and around the UK. He has introduced greater diversity among the composers, conductors and soloists showcased by the Proms - both in gender and ethnicity - and has also made youth music-making and youth audiences a major focus. He has expanded the range of genres explored in the festival to include gaming music, contemporary jazz, world music and, in 2018, a twenty minute animated light show projected onto the external and internal façades of the Royal Albert Hall, accompanied by a new work for orchestra and chorus by Anna Meredith. Women composers https://www.classicfm.com/discover-music/latest/great-women-composers/ Lorenz Hart https://www.nybooks.com/articles/2002/08/15/he-took-manhattan/ Digital meat thermometer https://www.aarp.org/home-family/your-home/info-2022/importance-of-meat-thermometers.html I, An Actor by Nigel Planer and Christopher Douglas http://thedabbler.co.uk/2012/10/1p-book-review-i-an-actor-by-nicholas-craig/ Franconian Switzerland https://www.thecrowdedplanet.com/visit-franconian-switzerland/ Piano duets https://www.nytimes.com/1982/06/06/arts/the-ins-and-outs-of-piano-duets.html This podcast is powered by ZenCast.fm

As of today and after 140+ episodes, WPMT will now air monthly on the first Tuesday of the month! Coming up, today, Tuesday, April 4, is the perfectly timed Broadway hit musical “Spring is Here,” with music by Richard Rodgers and lyrics by Lorenz Hart. Thank you for your continued support of WPMT:Classic Musicals from the Golden Age of Radio.

durée : 00:58:43 - "Manhattan" (Richard Rodgers / Lorenz hart) (1925) - par : Laurent Valero - "C'est en 1925, à une époque où Rodgers n'était pas loin d'abandonner la musique, que les 2 compères écrivirent les chansons pour une revue de bienfaisance donnée au Guild Theater sur Broadway "The Garrick Gaities" Cette chanson Manhattan sortira du lot devenant leur Premier Succès !" Laurent Valero - réalisé par : Adrien Landivier

(Sung with gusto and blatant misogynistic vibrato) OKLAHOMA!!!!! Mary and Steven are BACK! They pick up where they left off and critique their coverage of the classic musical in this week's Show Notes episode of From the Top! on Oklahoma! Steven takes a deeper look into Lorenz Hart and his sordid tale of why he left this show to set the stage and the birth of theatre's feel-good duo and still has some bones to pick with some updates this show makes. Mary needs to know how blatant misogynistic Americana still rings true today and then gives Steven a run for his money in this week's Quick Cast segment. Sit back, relax, and pretend you're enjoying a ride in a surrey with some fringe dangling around the top. Happy Listening!!! FOLLOW US! For all the latest content and fun things to come, subscribe, hit that like button, and follow. Also, TAP THE BELL BUTTON up above so you never miss an episode of your favorite MUSICAL THEATRECAST AND REVIEW :) https://linktr.ee/fromthetoppodcast https://www.instagram.com/fromthetop_podcast/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/podcastfromthetop/message

Our story begins with the star of a new show who is unhappy with the song her upstart writers have given her to perform. In a panicky phone call, she persuades a more established composer to come up with something she thinks will be more worthy of her talents.The show, in fact, turns out to be a dog — vaudeville's “Betsy” has only 39 performances between December 1926 and January 1927 — but oh, that song! Irving Berlin's “Blue Skies” was an instant hit with the audience on the “Betsy” opening night. The song literally stopped the show. Twenty-four encores! During her final repetition, star Belle Baker actually forgot the lyrics, prompting a bit of Broadway lore when Berlin himself sang the words for her from his front-row seat. And Those Disdained Upstarts?As it happened, Berlin had written the new “Blue Skies” a few weeks earlier as a Christmas gift for his newborn daughter, Mary Ellin.Berlin agreed to let the composition be a last-minute addition to the show, even though he usually resented the interpolation of songs by other composers into the score of his shows, say biographers Philip Furia and Michael Lasser.“But,” the writers add, “he must have been delighted at the chance to work one of his songs into a score by the young songwriting team who were already being compared to Gilbert and Sullivan,” namely, a couple of newcomers named, ahem, Richard Rodgers and Lorenz Hart. Big Time on the Big ScreenIf its reputation relied only on that failed 1927 Ziegfield musical, we probably wouldn't know “Blue Skies” nowadays.But the song's real fame came later that same year with “The Jazz Singer,” the first full-length motion picture to have sound; it starred Al Jolson singing nine songs, one of which was the brand new “Blue Skies.” And that was just the beginning of the song's celluloid celebrity.It later was featured in “Alexander's Ragtime Band” (1938), a biopic inspired by Irving Berlin, and the 1946 film “Blue Skies” starring Bing Crosby, then in the 1954 “White Christmas” with Crosby singing it with Danny Kaye. And of course, the song has jazz cred too. Ella Fitzgerald scatted a version for her eight-album “Song Book” series. Count Basie and Benny Goodman's recordings hit #8 and #9 respectively on the pop charts.The song has contributed to the country and western songbook too. It was a standard by 1939 when Moon Mullican recorded it. Willie Nelson's 1978 release was a #1 country music hit. The Star Trek ConnectionThe song even has gotten air time in outer space. It was featured prominently in the 2002 film “Star Trek: Nemesis,” as sung by Commander Data (Brent Spiner) during a wedding scene at the start of the story. It is sung again at the very end of the film by Data's "brother," the android B-4, during the final scene set in the 24th century, a time period not revisited by the Trek franchise for another 18 years, with the release of “Star Trek: Picard” in 2020. "Blue Skies" is featured in that series' premiere episode and again in the 10th episode.New Generations “Blue Skies” has clicked with generations of performers and audiences, from Freddy Cannon, Della Reese, Jim Reeves and Bobby Darin in the 1960s to Lyle Lovett, Dr. John and Eva Cassidy in the 1990s to Debby Boone and Rod Stewart in the 2000s.We'll Bring “Blue Skies” to Sal's TonightThe song will be on tap when the Family Flood returns to Sal's Italian Eatery & Speakeasy in Ashland, Ky., tonight. We're excited to be there, and, best of all, The Chick Singer is back! Yes, Floodster Emerita Michelle Hoge (whom the late Joe Dobbs christened "da chick singer" years ago) is coming in from Cincinnati just to sit in with her old band mates for the evening. It's going to be epic! We'll be playing from 6 to 9 p.m.By the way, if you've not yet had The Sal's Experience, this would be a great chance to enjoy this remarkable venue in downtown Ashland. To read all about it, check out our earlier article: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

durée : 00:58:31 - Richard Rodgers, l'autre compositeur roi de Broadway (2/3) : De Lorenz Hart à Oscar Hammerstein - par : Laurent Valière - Après son expérience frustrante à Hollywood au début des années 30, Richard Rodgers enchaine succès et œuvres audacieuses, d'abord avec Pal Joey autour d'un anti-héros puis en créant avec son nouveau partenaire parolier Oscar Hammerstein Oklahoma, à l'origine de l'äge d'or de Broadway. - réalisé par : Céline Parfenoff

En este video quiero hablarles sobre la canción "It Never Entered My Mind" de Miles Davis. Esta canción es uno de los temas más emblemáticos del jazz y ha sido interpretada por muchos músicos a lo largo de los años. Miles Davis y Juliette Gréco tuvieron una relación romántica durante un corto período de tiempo en la década de 1950. Gréco era una cantante y actriz francesa que se había convertido en un ícono de la cultura bohemia de París en esa época. La pareja se conoció en París, donde Davis estaba tocando en clubes de jazz y Gréco estaba iniciando su carrera como cantante. La relación entre Davis y Gréco fue intensa y apasionada, y ambos se influenciaron mutuamente en sus respectivas carreras. Gréco introdujo a Davis a la escena artística y literaria de París, y Davis ayudó a Gréco a desarrollar su habilidad como intérprete de jazz. Juntos, Davis y Gréco asistieron a muchas fiestas y eventos culturales, y se relacionaron con algunos de los artistas y escritores más importantes de la época. Sin embargo, la relación también fue tormentosa debido a los estilos de vida diferentes de ambos y a los problemas de adicción de Davis. La pareja finalmente se separó en 1955, pero siguieron siendo amigos hasta el final de la vida de Davis. La canción fue compuesta por Richard Rodgers y Lorenz Hart en 1940, disculpen la errata un poco tramposa, pero fue Miles Davis quien la popularizó con su interpretación en el álbum "Workin'" en 1959. En esta grabación, Davis demuestra su increíble habilidad para fusionar el jazz con elementos del bebop y del cool jazz, creando un sonido único e innovador. La versión de Davis de "It Never Entered My Mind" es una de las más queridas por los aficionados al jazz y una verdadera muestra de su talento como músico y líder de banda. Ahora hablemos de Miles Davis, el hombre detrás de la trompeta. Miles Davis nació en Alton, Illinois en 1926 y comenzó su carrera como músico en la década de 1940 en Nueva York. Rápidamente se convirtió en uno de los líderes más importantes del jazz y tuvo un gran impacto en la evolución del género a lo largo de las décadas de 1950 y 1960. Uno de los aspectos más notables de la carrera de Davis fue su constante evolución y su disposición a experimentar con nuevos estilos y formas de tocar. Esto lo llevó a explorar el bebop, el cool jazz, el jazz modal y el jazz fusion, entre otros estilos. Web: http://www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ Youtube Amadag TV: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw Escuela de Ansiedad: http://www.escuelaansiedad.com

In this episode, eight of this season's guests--Eric Matthew Richardson (Episode 72: Disney Parks Music as Musical Theater), Emel Greer (Episode 73: Evil Characters in Musical Theater), Tammy Tuckey (Episode 75: Marvin Hamlisch, David Zippel, and Neil Simon's The Goodbye Girl), David Armstrong (Episode 79: Marc Shaiman, Scott Wittman, Mark O'Donnell, and Thomas Meehan's Hairspray), Ilana Kresch (Episode 80: Jule Styne, Bob Merrill, and Isobel Lennart's Funny Girl), Orian Israelsohn (Episode 81: Andrew Lloyd Webber, Charles Hart, and Richard Stilgoe's The Phantom of the Opera), Marc Eliot Stein (Episode 82: John O'Hara, Lorenz Hart, and Richard Rodgers's Pal Joey), and Rose Ginsberg (Episode 84: Abolition in Musical Theater), as well as BethAnn Cohen--return to discuss the topics from the season and listener questions and comments. We also discuss the song "Inner White Girl" from the 2022 Michael R. Jackson musical A Strange Loop. This discussion was held live on Sunday, December 18th on Scene to Song's Facebook page, and was recorded for this podcast almost in its entirety. Scene to Song will be going on a brief hiatus to prepare for Season six and will return in early 2023. In the meantime, you can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow us on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.”  And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the new Patreon. The theme music you are hearing is by Julia Meinwald. Music played in this episode: "Inner White Girl" from A Strange Loop

In this episode, writer, website developer and podcaster Marc Eliot Stein discuss John O'Hara, Lorenz Hart, and Richard Rodgers's 1940 musical Pal Joey, pondering the enigma of this ever-changing show. We also talk about the songs "Bewitched, Bothered, and Bewildered" from Pal Joey. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong, on Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the new Patreon. The theme music is by Julia Meinwald. Music played in this episode: "Zip" from Pal Joey "I Could Write a Book" from Pal Joey "In Our Little Den of Iniquity" from Pal Joey "Take Him" from Pal Joey "Plant You Now, Dig You Later" from Pal Joey "You Mustn't Kick It Around" from Pal Joey "That Terrific Rainbow" from Pal Joey "Bewitched, Bothered, and Bewildered" from Pal Joey

“Falling for Make Believe” purports to be “The Real Story Behind the Music of Rodgers and Hart,” but might more accurately be called the real story behind the suffering of Lorenz Hart. Listen to the entire review. “Falling for Make Believe” is at the Skokie Theatre, 7924 Lincoln Ave in Downtown Skokie through Oct 16, 2022. Running time is about 2 hours including a short intermission. Tickets can be purchased online at SkokieTheatre.org or by calling 847-677-7761. 

From his 1957 album A Swingin' Affair, here is Frank Sinatra's classic recording of The Lady is a Tramp. Music by Richard Rodgers, lyrics by Lorenz Hart. Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Mixing and mastering by Amit Zangi

Welcome to Episode 91 – A Cavalcade of Clips & Work Crews. It is a collection of Norm’s show hours from June 16th and June 25th, 1995. Hope Schauer, Mike Epstein and someone named Ed St. Clair, not to be confused with Eddie LeClair, producing. A lot of the calls heard here are in-progress, a bit choppy, cut short, and unnamed but, as always, just so darn entertaining. It all begins with Louie talking about how radio was changing. We hear from Chauncey and eating rubber chicken in Canada? A caller who entertains with his wife at the Boathouse in Hyannis, the Brandy Barrel in Lynn, and Natalie’s in Danvers. Quick hit from a guest on at 4am from across the pond who ewrote a book on Lorenz Hart. There's some random musical interlude. Then we move to a broadcast from WCCM in Lawrence MA with former WBZ producer Sid Whittaker doing the news! The host was Bruce Arnold and what I believe to be his producer, Eric. There’s some behind the scenes talk about a ‘Countdown to Weather.’ Then a scandal erupted to my ears! They play something called The Birthday Game?! Eric, Sid and a caller take guesses on a couple of celebrity birthdays to be entered to win a gift certificate to The Pasta Shack - We shall return this this later. Next up is Paul Drake doing traffic for Boston’s Business Station, WBNW. That guy sounds familiar. Then some traffic with ‘Paul’ Jack Harte for WBZ We get lots of Norm Show opens throughout this episode. Norm teases an upcoming guest, Phil Kaufman. Some More Jack Harte traffic. Let’s now jump to Norm and Jack talking. I had clipped out an article on The Zipper Lane and the wacky machine that moves the little barriers on the SE Expressway. Norm was fascinated by the whole thing. They have cameras monitoring all of it and this leads to a discussion on all sorts of cable channels dedicated to all sorts of camera feeds. Norm has a particularly good idea that you’ll have to wait to hear. There’s even a mention of the long-lost Store 24. They may have something here since Norm would have never believed there would be a channel totally dedicated to weather (TWC) yet here we are! Norm tells us of another upcoming guest Tom Hamil, editor of Collecting Toys Magazine. Another Jack Traffic report. Let’s take some more calls: Jim from the Burlington, Vermont area Next caller is a musician and soloist. Plays a variety of string instruments. Does comedy and offbeat stuff. Plays a regular gig in Boston on a night when Norm’s not on. He won’t recognize Norm by sight, so he’ll have to do his best work all the time just in case he shows up. During this we hear some wisdom from Norm’s grandfather. Jack Harte in traffic again! A caller complimenting Norm. One from whereabouts unknown, talking about shooting pigeons in the park from 6pm to dusk. We take a moment to understand how to use clothes on the clothesline to find the wind direction? Thankfully this was very ‘brief.’ Next caller, Chris, talking about old time radios, the Antique Radio Association and the N.E. Antique Radio Club, Hosts a program called ‘Let’s Talk Showbiz’ on WOMR down on the Cape in Provincetown. There’s VERY Quick call from Foster Brooks? Next up is Frank, continues the old radio talk tubes and testers Then our old friend Glenn from Brighton is on the line. His friend Eleanor in Quincy is afraid of balconies. Glenn has a foolproof solution you’ll want to hear and maybe even try. There’s some discussion of The Shadow, Kato (Not to be confused with Kato Kalin) and Margo Lane. Hillary from Bu

In the SEASON FINALE of the seventh season of the show (the seventh episode of this season and the 43rd overall) Kevin welcomes O.G. palington Eric Buegler AKA Buegs onto the show. Buegs is the co-host of the movie podcast "The Avid Indoorsmen," and the two catch up over their love of girl pop, Buegs' time on a cruise ship, his love of romantic comedies, and his complicated relationship with music. For more information about the "award winning" music criticism site, Anhedonic Headphones, click here! To learn more about "The Avid Indoorsmen," head to their website.   Episode Musical Credits Intro Music: "Brooklyn Zoo (instrumental)," written by Russell Jones, Dennis Coles, and Robert Diggs; originally performed by Ol' Dirty Bastard. Taken from the Get On Down reissue of Return to The 36 Chambers: The Dirty Version, 2011.  Outro Music: "What Does Your Soul Looks Like (Part 4)," performed by DJ Shadow. Endtroducing..., Mo Wax, 1996. Incidental Music: "It Never Entered My Mind," written by Lorenz Hart and Richard Rogers; performed by Miles Davis. Workin', Prestige, 1954. "Home," written by Marc Broussard, Shannon Sanders, Marshall Altan, Ted Broussard, and Andrew Ramsey; performed by Marc Broussard. Carencro, Island, 2004. "Stand by Me," written by Ben E. King, Jerry Leiber, and Mike stoller; performed by Ben E. King. Don't Play That Song!, ATCO, 1961. "Respect" written by Otis Redding; performed by Aretha Franklin. I Never Loved A Man The Way I Love You, Atlantic, 1967. "Superstition," written and performed by Stevie Wonder. Talking Book, Motown/Tamla, 1972. "Adagio for Strings, Op. 11," written by Samuel Barber; conducted by Leonard Bernstein and performed by the New York Philharmonic. Barber: Adagio for Strings & Violin Concerto - Schuman: In Praise of Shahn & To Thee Old Cause, Sony, 1971. "Stop This Train," written and performed by John Mayer. Continuum, Aware/Columbia, 2006. "Fields of Gold," written by Gordon Sumner; performed by Eva Cassidy. Songbird, Blix Street, 1998. "Somewhere Over The Rainbow/What A Wonderful World," written by Harold Arlen, Yip Harburg, Bob Thiele, and George David Weiss; performed by Israel Kamakawiwo'ole. Facing Future, Big Boy, 1993. "Goodbye Until Tomorrow/I Could Never Save You," written by Jason Robert Brown; performed by Sherie Rene Scott and Norbert Leo Butz. The Last Five Years, Sh-K Boom, 2002. "Cut to The Feeling," written by Carly Rae Jepsen, Simon Wilcox, and Nolan Lambroza; performed by Carly Rae Jepsen. School Boy/Interscope, 2017.

Ese día de hace 105 años nacía una de las grandes cantantes de todos los tiempos: Ella Fitzgerald. Lo celebramos escuchándola en canciones de Cole Porter ('April in Paris', 'I´ve got you under my skin', 'Night and day', 'Love for sale'), George y Ira Gershwin ('I got rhythm', 'Fascinating rhythm', 'Love is here to stay', 'Embraceable you'), Johnny Mercer ('Too marvelous for words', 'Day in day out') y Rochard Rodgers y Lorenz Hart ('Have yo met Miss Jones?', 'Where or when', 'Little girl blue', 'I didn´t know what time it was', 'The lady is a tramp'). Escuchar audio

PAL JOEY COMPOSER: Richard Rodgers LYRICIST: Lorenz Hart BOOK: John O'Hara SOURCE: John O'Hara's short stories (1930s) DIRECTOR: George Abbott CHOREOGRAPHER: Robert Alton PRINCIPLE CAST: Leila Ernst (Linda), Gene Kelly (Joey), Vivienne Segal (Vera),  OPENING DATE: Dec 25, 1940 CLOSING DATE: Nov 29, 1941 PERFORMANCES: 374 SYNOPSIS: John O'Hara's short stories tell the tale of Chicago huckster Joey Evans who has dreams of opening up his own nightclub. Penniless, he seduces Vera, a wealthy socialite, while at the same time stringing along the naïve lovestruck Linda.  John O'Hara's adaptation of his own serialized characters with Richard Rodgers and Lorenz Hart engrossed audiences in the disreputable universe of its titular character. Pal Joey's unsentimental treatment of nightclub life and uncensored sex appeal were controversial and divided the opinions of critics and audiences in 1940. Though a relative success by contemporary standards, it was only decades later that the score resurfaced in the zeitgeist thanks to hit versions of “Bewitched, Bothered, and Bewildered”. A new generation of popular recordings and a studio album led to a revival which, thanks to the developing scope of narratives told through musical theatre, was warmly received. Laurence Maslon places Pal Joey in the timeline of musicals with dark subjects.This chapter places Pal Joey in the timeline of musicals with dark subjects. Laurence Maslon is an arts professor at New York University's Tisch School of the Arts, as well as associate chair of the Graduate Acting Program. He is the writer and coproducer of the American Masters/PBS documentary, Sammy Davis, Jr.: I've Gotta Be Me. He is also the host and producer of Broadway to Main Street (winner of the 2019 ASCAP Foundation/Deems Taylor Award for Radio Broadcast). His books include Broadway to Main Street: How Show Music Enchanted America (Oxford University Press) and the updated third edition companion volume to the PBS series Broadway: The American Musical. He edited the two-volume set American Musicals (1927-1969), published by the Library of America. He was written for the New York Times, the Washington Post, and the New Yorker.  SOURCES Pal Joey, Studio Cast Recording, Columbia Records (1950) Pal Joey by Lorenz Hart, John O'Hara, Richard Rodgers, published by Penguin Classics (2016) Pal Joey starring Rita Hayworth and Frank Sinatra, directed by George Sidney, Columbia Pictures (1957) Pal Joey: The History of a Heel by Julianne Lindberg, published by Oxford University Press (2020) Learn more about your ad choices. Visit megaphone.fm/adchoices

Oscar Hammerstein está reconocido como uno de los mayores libretistas y letristas del musical americano. Su mayor éxito le llegó con Jerome Kern en 1925 y el musical "Show Boat", que hemos revisado en el podcast de “Cuéntame un musical” de este mes. Estableció las bases de lo que hoy entendemos como “musical”, donde guion, canciones y bailes deben estar integrados y ayudar a avanzar la acción. Trabajó en Hollywood en películas como “Swing time” con Fred Astaire y Ginger Rogers y ganó dos Oscar a la mejor canción original por “The last time I saw Paris” (1941) y “It might as well be spring” (1945), aunque se prodigó más en Broadway. Richard Rodgers, tras la muerte de su letrista Lorenz Hart, comenzó una colaboración con Oscar Hammerstein en los clásicos Oklahoma! (1943), Carousel (1945), Allegro (1947), South Pacific (1949), El rey y yo (1951), Me & Juliet (1953), Pipe Dream (1955), Flower Drum Song (1958), y "Sonrisas y lágrimas" (1960). Su trabajo denunciando temas como el racismo, el respeto por otras culturas o la violencia doméstica, abrió el camino a generaciones posteriores, que escribirían musicales de corte dramático, como "West Side Story", "Sweeney Todd", "Company", "Los Miserables", etc. 00h 00'00" Presentación 00h 04'55" Cabecera 00h 05'30" I won't dance - Tony Bennett & Lady Gaga 00h 09'24" The folks who lives on the hill - Eric Clapton 00h 13'02" If I loved you - Sierra Boggess & Julian Ovenden 00h 18'29" Bali Ha'i - Sarah Vaughan 00h 22'14" Hello, young lovers - Laura Michelle Kelly 00h 25'29" I have dreamed - Bryn Terfel 00h 29'04" Indian love call - Jeanette MacDonald & Nelson Eddy 00h 32'01" Mister Snow - Audra McDonald 00h 35'34" A kiss to build a dream - Tony Bennett & k.d.lang 00h 38'53" Edelweiss - Bryn Terfel & Paul Daniel 00h 41'28" I enjoy being a girl - Sandra Allen 00h 47'21" No other love - Michael Feinstein 00h 51'35" My lord and master - Lea Salonga 00h 53'37" Bloody Mary - Ambrosian Singers 00h 55'40" Getting to know you - James Taylor 00h 58'21" You've got to be carefully taught - Harry Connick jr 00h 59'48" Love, look away - Lea Salonga 01h 02'35" Oh, what a beautiful morning - Hugh Jackman 01h 05'55" Something wonderful - Marilyn Horne 01h 09'23" Old man river - Inia Te Wiata 01h 13'56" The last time I saw Paris - Eartha Kitt 01h 17'38" Happy talk - Doris Day 01h 20'34" Soliloquy - Samuel Ramsey 01h 27'47" I'm gonna wash that man - Glenn Close, Ilene Graff & The nurses 01h 30'35" When I grow too old to dream - Nat King Cole 01h 34'02" A wonderful guy - Glenn Close & The nurses 01h 37'25" You'll never walk alone - Matthew Morrison 01h 40'14" My favorite things - Rebecca Luker 01h 42'55" Lover, come back - Nat King Cole 01h 45'22" I whistle a happy tune - Julie Andrews 01h 47'05" All the things you are - Carly Simon 01h 51'32" Some enchanted evening - Philip Quast 01h 54'23" This nearly was mine - José Carreras 01h 58'01" What's the use of wonderin' - Barbara Cook 02h 02'07" The song is you - Bing Crosby 02h 06'59" The sound of music - Petula Clark 02h 10'10" There is nothing like a dame - Ambrosian Singers 02h 13'59" Can't help lovin' that man - Kiri Te Kanawa & Natalie Cole 02h 19'34" The surrey with the fringe on top - Hugh Jackman & Josefina Gabrielle 02h 25'25" People will say we're in love - Doris Day 02h 28'16" Maria - Gina Ferrall, Ann Browne, Jeanne Lehman & Patti Cohenour 02h 30'33" Climb every mountain - Audra McDonald

durée : 00:57:45 - « My Funny Valentine » (Richard Rodgers / Lorenz Hart) 1937 - par : Laurent Valero - "Issu d'une comédie musicale en 1937 à Broadway, c'était dans "Babes in Arms", un des standards les plus repris de l'histoire du Jazz et ce malgré son texte inhabituel pour une romance, on y parle de l'aspect risible de l'être aimé, de son apparence impossible à photographier... " Laurent Valero - réalisé par : Patrick Lérisset

durée : 00:57:45 - « My Funny Valentine » (Richard Rodgers / Lorenz Hart) 1937 - par : Laurent Valero - "Issu d'une comédie musicale en 1937 à Broadway, c'était dans "Babes in Arms", un des standards les plus repris de l'histoire du Jazz et ce malgré son texte inhabituel pour une romance, on y parle de l'aspect risible de l'être aimé, de son apparence impossible à photographier... " Laurent Valero - réalisé par : Patrick Lérisset

Dan is probably most well known to music theatre fans as the book writer of 13 (coming soon to Netflix). But he's also a lyricist, YA novelist, and an accomplished musician. And he's here for an amazingly deep, 2-LP collection from the First Lady of Song. Topics include: discovering Richard Rodgers, Lorenz Hart's words, working with JRB and Doug Cohen, knowing what you're good at, and yes I forgot about The Boys from Syracuse I'm sorry I'm sorry I'm sorry please don't @ me. Dan Elish Dot Com American Theater Group presents The Evolution of (Henry) Mann; music and lyrics by Douglas J. Cohen, book and lyrics by Dan Elish; October 14-24, 2021 Featured recordings: Ella Fitzgerald Sings the Rodgers & Hart Song Book - Ella Fitzgerald (1956) • Once Upon a Summertime - Blossom Dearie (1958) • The Evolution of Mann - Original Off-Broadway Cast Recording (2018) DO YOU LIKE MOVIE MUSICALS? DO YOU LIKE SONDHEIM? Then you will love our PATREON podcast The Original Cast at the Movies because 2021 is all about Sondheim Movie Musicals!! This month it's CAMP with Robbie Rozelle and Michael Finke! Patreon • Twitter • Facebook • Email

durée : 00:58:55 - "Just One of Those Things" (Cole Porter) 1935 - par : Laurent Valero - "The Lady Is a Tramp" was composed by Richard Rodgers and Lorenz Hart, for the 1937 Rodgers and Hart musical "Babes In Arms." - réalisé par : Antoine Courtin

A bit if fun from an interview I did with Elvis Costello for my Under the Influence radio series. Here we talk about some of the great pop lyricists that influences him, namely Lorenz Hart and Cole Porter and I light-heartedly ask if he, like both is a "closet gay"! 

WPMT premieres the second collaboration of the beloved duo Mickey Rooney & Judy Garland with “Babes in Arms," featuring book & music by Richard Rodgers, book & lyrics by Lorenz Hart and a screenplay by Jack McGowan & Kay Van Riper. This broadcast was first heard on November 9, 1941, on The Screen Guild Theatre. Available on Apple Podcasts, Facebook, YouTube, Spotify and all major podcast platforms!

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. Comments to: dannymemorylane@gmail.com In this episode, you'll hear:1)     I've Got The World On A String by Celine Dion / Harold Arlen (music) & Ted Koehler (lyrics) [1932]2)     I Could Have Danced All Night by Jamie Cullum / Alan Jay Lerner (lyrics) & Frederick Loewe (music) [1956]3)     Straighten Up And Fly Right by Linda Ronstadt (with Nelson Riddle & His Orchestra) / Nat King Cole & Irving Mills (words and music) [1943]4)     Night And Day by Frank Sinatra / Cole Porter (words & music) [1932]5)     Where Do I Go From You by Nancy Wilson / Diane Warren (words & music) [1994]6)     The Music Of The Night by Michael Crawford & Barbra Streisand / Andrew Lloyd Webber (music) & Charles Hart and Richard Stilgoe (lyrics) [1986]7)     I Could Write A Book by Harry Connick, Jr. / Richard Rodgers & Lorenz Hart [1940]8)     Buttons And Bows by Dinah Shore / Jay Livingston (music) & Ray Evans (lyrics) [1947]9)     Don't Get Around Much Anymore by Rod Stewart / Duke Ellington (music) & Bob Russell (lyrics) [1940]10) I Got Rhythm by Ella Fitzgerald (with Nelson Riddle's Orchestra) / George Gershwin (music) & Ira Gershwin (lyrics) [1930]11) Gee Baby, Ain't I Good To You by Sammy Davis Jr. / Don Redman (music) & Andy Razaf (lyrics) [1929]12) Let's Do It by Eydie Gormé / Cole Porter (music & lyrics) [1928]13) Dream (When You're Feeling Blue) by Roy Orbison / Johnny Mercer (words & music) [1944]14) Time After Time by Deana Martin (duet with Jerry Lewis) / Sammy Cahn (lyrics) & Jule Styne (music) [1947]15) Love Theme from St. Elmo's Fire (Subtitled "For Just A Moment") by Donny Gerrard & Amy Holland / David Foster (music) & Cynthia Weil (lyrics) [1984]16) Maybe This Time by Tony Bennett / John Kander (music) & Fred Ebb (lyrics) [1964] 17) True Love by Elvis Presley / Cole Porter [1956]18) It Had to Be You by Benny Goodman & His Orchestra / Isham Jones (music) & Gus Kahn (lyrics) [1924]

百老匯上 On Broadway 早期百老匯音樂劇，尤其是「歌舞喜劇」這個類目項下， 往往輕劇情而重歌舞，如今搬演的機會已經不多， 劇中的歌曲則早已擁有獨立的藝術生命，於各地傳唱不歇。 首演於1937年的《金玉滿堂》（Babes in Arms）就是極好的例子。 這部作品由經典組合理察羅傑斯（Richard Rodgers） 與勞倫茲哈特（Lorenz Hart）聯手創作，原作劇情既稀薄荒誕又充滿政治與社會諷刺， 試圖在輕鬆的青少年男女戀愛裡包夾種族歧視議題， 以及美國早期共產黨成員在一般社群裡的活動。即便如此，一首接一首的流行金曲至今仍傳唱不輟， 〈My Funny Valentine〉、〈The Lady is a Tramp〉、〈Where or When〉等等， 都是名氣極響亮的標準金曲，1950年代後期劇本改寫之後，原版也甚少再次上演， 近年最轟動的一次乃是1999年的紐約「安可」（Encore）系列演唱會。 1939年搬上銀幕，中文譯名曰《金玉滿堂》， 由米高梅公司的青春紅星Judy Garland 和 Mickey Rooney領銜主演， 僅保留原作的兩首歌曲，以及「青春少年自己在家鄉後院的穀倉製作歌舞秀」的戲劇梗幹， 其餘故事全部新編，歌曲全部新寫，賣座成績也相當不錯。

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. Comments to: dannymemorylane@gmail.com In this episode, you’ll hear: 1) You're The Top by Louis Armstrong / Cole Porter (words & music) [1934] 2) Manhattan by Ella Fitzgerald / Richard Rodgers (music) & Lorenz Hart (lyrics) [1925] 3) Pick Yourself Up by Nat King Cole / Jerome Kern (music) & Dorothy Fields (lyrics) [1936] 4) Have You Met Miss Jones? By Sarah Vaughan / Richard Rodgers (music) & Lorenz Hart (lyrics) [1937] 5) The More I See You by Michael Bublé / Harry Warren (music) & Mack Gordon (lyrics) [1945] 6) Embraceable You by Frank Sinatra & Lena Horne / George Gershwin (music) & Ira Gershwin (lyrics) [1930] 7) The Best Is Yet To Come by Diane Schuur / Cy Coleman (music) & Carolyn Leigh (lyrics) [1959] 8) Makin' Whoopee by Dr. John w/ Rickie Lee Jones, duet vocal / Walter Donaldson (music) & Gus Kahn (lyrics) [1928] 9) Fools Fall In Love by John Pizzarelli / Jerry Leiber & Mike Stoller [1956] 10) Nice 'N' Easy by Rosemary Clooney / Lew Spence (music) & Alan Bergman and Marilyn (Keith) Bergman (lyrics) [1960] 11) They All Laughed by Toni Tennille / George Gershwin (music) & Ira Gershwin (lyrics) [1937] 12) Since I Fell For You by Dinah Washington (w/ Quincy Jones) / Buddy Johnson (words & music) [1945] 13) I Get A Kick Out Of You by Tony Bennett / Cole Porter (music & lyrics) [1934] 14) On The Sunny Side Of The Street by Steve Tyrell / Dorothy Fields (lyrics) & Jimmy McHugh (music) [1930] 15) Let's Fall In Love by Diana Krall / Ted Koehler (lyrics) & Harold Arlen (music) [1933] 16) What'll I Do by Johnny Mathis / Irving Berlin [1923] 17) I Can't Get Started by Al Hirt / Vernon Duke (music) & Ira Gershwin (lyrics) [1936]

Welcome to Episode 3 which covers the early life and career of Richard Rodgers, particularly his work with Lorenz Hart

My funny Valentine (mi graciosa Valentine) es un tema de Richard Rogers con letra de Lorenz Hart para la comedia de Broadway Babes in Arms de 1937. Con una letra poco convencional para una canción de amor-ella tiene defectos físicos menores-pero el enamorado le pide que no cambie un ápice su apariencia. Hay disputa pero creemos que Chet Baker es el responsable de la enorme fama del tema en el jazz, ya desde el año 1952. Miles Davis la toma en interpretación magistral mucho más tarde, en 1956. Vibremos con Chet, Miles, Mulligan, Ella, Old Blue Eyes, Bill Evans y otros.

It's almost as if it was sent from above! The WPMT premiere of “I Married An Angel” is now live on YouTube, Facebook, Spotify and all major podcast platforms! This 1952 audio broadcast, with music by Richard Rodgers and lyrics by Lorenz Hart, stars Lucille Norman and Gordon MacRae and features hit songs “Spring is Here,” “Did You Ever Get Stung?,” “I'll Tell the Man in the Street” and more! Enjoy!Edited by Remington Cleve

Celebrating the lyrics of the brilliant Lorenz Hart

Celebrating the lyrics of the brilliant Lorenz Hart

Celebrating the lyrics of the brilliant Lorenz Hart

“Classic-Pop Standards” is inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. We bring new life to the Great American Songbook on “Classic-Pop Standards”. ***** In this episode, you’ll hear: 1) Oh, Lady Be Good [Excerpt] by Benny Goodman Quintet / George Gershwin (music) & Ira Gershwin (lyrics) [1924] 2) I Got Rhythm by Bobby Darin / George Gershwin (music) & Ira Gershwin (lyrics) [1930] 3) September In The Rain by Dinah Washington / Harry Warren (music) & Al Dubin (lyrics) [1937] 4) I Can't Give You Anything But Love by Mel Tormé / Jimmy McHugh (music) & Dorothy Fields (lyrics) [1928] 5) Lover, Come Back To Me by Barbra Streisand / Sigmund Romberg (music) & Oscar Hammerstein II (lyrics) [1928] 6) I Get A Kick Out Of You by Frank Sinatra / Cole Porter (music & lyrics) [1934] 7) Blues In The Night by Eva Cassidy / Johnny Mercer (words) & Harold Arlen (music) [1941] 8) Thank Heaven for Little Girls by Maurice Chevalier / Alan Jay Lerner (lyrics) & Frederick Loewe (music) [1957] 9) It's De-Lovely by Ella Fitzgerald / Cole Porter (music & lyrics) [1936] 10) Once In Love With Amy by Dean Martin / Frank Loesser (music & lyrics) [1948] 11) Without A Memory by Judy Garland / Bob Hilliard (lyricist) & Milton De Lugg (composer) 12) Lulu's Back in Town by Dick Haymes / Al Dubin (lyrics) and Harry Warren (music) [1935] 13) My Heart Belongs To Daddy by Eartha Kitt / Cole Porter [1938] 14) A Foggy Day (In London Town) by Michael Bublé / George Gershwin (music) & Ira Gershwin (lyrics) [1937] 15) I've Got the World On a String by Julie Budd / Harold Arlen (music) & Ted Koehler (lyrics) [1932] 16) My One And Only Love by Louis Armstrong / Guy Wood (music) & Robert Mellin (lyrics) [1952] 17) I Got It Bad (And That Ain't Good) by Carly Simon / Duke Ellington (music) & Paul Francis Webster (lyrics) [1941] 18) Come To Me, Bend To Me by Andy Williams / Alan Jay Lerner (lyrics) & Frederick Loewe (music) 19) Spring, Spring, Spring by JaLaLa / Johnny Mercer (lyrics) & Gene dePaul and Saul Chaplin (music) [1954] 20) Bewitched, Bothered & Bewildered by Frank Sinatra & Patti LaBelle / Richard Rodgers (music) & Lorenz Hart (lyrics) [1940] 21) I've Got My Love To Keep Me Warm by Les Brown / Irving Berlin (music & lyrics) [1937]

Today WPMT Presents: "A Connecticut Yankee," with music by Richard Rodgers, lyrics by Lorenz Hart, and Book by Herbert Fields. Starring Ginny Simms as "Alice Carter" and Gordon MacRae as "Martin Barrett." Listen to an unforgettable hour of Classic Musicals from the Golden Age of Radio.

PULP-POURRI THEATRE, S3 E5: Contains explicit sexual content. For mature audiences only.   "The Medici Boots" is adapted from a story of the same name by Pearl Norton Swet, which appeared in an issue of the long-running Weird Tales pulp-fiction magazine. Adapted, directed and produced by Pete Lutz. Set in the year 1935, it's the story of John Delameter, his wife Suzanne, and his brother Eric -- it's also the story of a pair of beautifully styled boots, made in the 15th century and cursed in the same era. Weird things start happening to the Delameters once they inherit these boots from their historian uncle...     CAST: ANNOUNCER: Lisa Ayala NEWSCASTER: Derek Lutz UNCLE SILAS DICKERSON: Pete Lutz JOHN DELAMETER: Peter M. Howard SUZANNNE DELAMETER: Aileen Corpos ERIC DELAMETER: Pete Lutz ERSKINE: Gene Giggy MARIA MODENA and SERVANT: Alex Moore   SPECIAL FEATURES CAST: Kristy Glick, Pete Lutz, Nick Wommack, Austin Hanna, Kevin Schuster, Melody Gaines   SPECIAL 15th-CENTURY MUSIC (various composers) performed by Ernest Stoltz and Paul O'Dette   MUSIC FROM 1935 (and before) by the following: "Alone" by Arthur Freed and Nacio Herb Brown, sung by Kitty Carlisle "Easy To Remember" by Richard Rodgers and Lorenz Hart, sung by Bing Crosby "Isn't It A Lovely Day (To Be Caught In The Rain)" by Irving Berlin, sung by Fred Astaire "Rhapsody in Blue" by George Gershwin "Violin Concerto No. 2 - II Andante Assai" by Prokofiev   Additional Music by: Kevin MacLeod of incompetech dot com "Paperback Writer" by the Beatles, performed by Andrew Kesler "Lara's Theme (Somewhere My Love)" from Dr. Zhivago by Andre Rieu   Pulp-Pourri Theatre Theme composed and performed by Rich Wentworth   Opening announcers: Gene Lutz, Rich Wentworth

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This new series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future. Songs born along Tin Pan Alley, on 42nd Street, down Broadway, and beyond. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. In this episode, you’ll hear: 1) The Lady Is A Tramp by Lena Horne / Richard Rodgers (music) & Lorenz Hart (lyrics) [1937] 2) I've Got The World On A String by Mel Tormé / Harold Arlen (music) & Ted Koehler (lyrics) [1932] 3) I'm Just Wild About Harry by Judy Garland / Eubie Blake (music) & Noble Sissle (lyrics) [1921] 4) Nancy (With The Laughing Face) by Frank Sinatra / Jimmy Van Heusen (music) & Phil Silvers (lyrics) [1942] 5) I Can't Believe That You're in Love with Me by Dinah Washington / Jimmy McHugh (music) & Clarence Gaskill (lyrics) [1926] 6) Let's Call The Whole Thing Off by Harry Connick, Jr. / George & Ira Gershwin [1937] 7) Ten Cents a Dance by Doris Day / Richard Rodgers (music) & Lorenz Hart (lyrics) [1930] 8) I'll Never Stop Loving You by Andy Williams / Nicholas Brodzsky (music) & Sammy Cahn (lyrics) [1955] 9) Make It Another Old-Fashioned, Please by Julie London / Cole Porter (music and lyrics) [1940] 10) Call Me Irresponsible by Michael Bublé / Jimmy Van Heusen (music) & Sammy Cahn (lyrics) [1962] 11) Let's Take A Walk Around The Block by Ella Fitzgerald / Harold Arlen (music) & Edgar “Yip” Harburg and Ira Gershwin (lyrics) [1934] 12) It Might Be You by Alan Bergman / Marilyn & Alan Bergman (lyrics), Dave Grusin (music) [1982] 13) All The Way by Billie Holiday / Jimmy Van Heusen (music) & Sammy Cahn (lyrics) [1957] 14) Evergreen by Paul Williams / Barbra Streisand & Paul Williams [1976] 15) Isn't It Romantic by Jack Jones / Richard Rodgers (music) & Lorenz Hart (lyrics) [1932] 16) We Have All The Time In The World by Louis Armstrong / John Barry (music) & Hal David (lyrics) [1969] 17) Don't Cry For Me Argentina by Patti LuPone / Andrew Lloyd Webber (music) & Tim Rice (lyrics) [1978] 18) Ain’t Misbehavin’ by Johnny Guarnieri / Thomas "Fats" Waller & Harry Brooks (music) Andy Razaf (lyric) [1929]

Five-time Tony Award-nominee Douglas Carter Beane brings us an overlooked Rodgers & Hart classic. Topics Include: putting on shows in barns, woke for 1939, a more talented but more annoying version of Shirley Temple, aircraft on stage pre-Miss Saigon, and how Hollywood turned Lorenz Hart from gay to short for the biopic. Featured Recordings: Babes in Arms - 1999 New York Cast Recording (1999) MERCH! T-shirts! Totes bags! BASEBALL SHIRTS! ETCETERA! O YOU LIKE MOVIE MUSICALS? Join us on PATREON to get our patrons-only podcast The Original Cast at the Movies! This month is the Village People movie Can’t Stop the Music (1980) with Robbie Rozzelle and Robert W. Schneider. And it is ALL the things. Patreon • Twitter • Facebook • Email

STANDARD SEMANAL“Old folks” (Mildred Bailey-Don Byas-Ben Webster)Ezequiel Campos nos trae su tema de jazz del Baúl de los Recuerdos (louis amstrong 1)-JAZZ RECUERDO ANIVERSARIO.- Julian Priester - Spiritsville .-JAZZ ACTUALIDAD .- RUBEN REINALDO y KELY GARCIA-ACUAREL PROG.Nº 670.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “Old folks” (Mildred Bailey-Don Byas-Ben Webster) Y como final de mes Ezequiel Campos nos trae su tema de jazz del Baúl de los Recuerdos (louis amstrong 1) JAZZ RECUERDO ANIVERSARIO.- Julian Priester - Spiritsville Spiritsville es el segundo álbum dirigido por el trombonista de jazz estadounidense Julian Priester, que se grabó en 1960 para elsello filial Jazzland de Riverside . [1] Listado de pistas [ editar ] Todas las composiciones de Julian Priester, excepto las indicadas. 1. "Chi-Chi" ( Charlie Parker ) - 4:43 2. "Zancada azul" - 6:15 3. " Podría ser la primavera " ( Richard Rodgers , Oscar Hammerstein II ) - 5:47 4. "Excursión" (Walter Benton) - 5:42 5. "Spiritsville" - 7:31 6. " Mi romance " (Rodgers, Lorenz Hart ) - 5:50 7. "El vals de Donna" - 5:32 Personal [ editar ] • Julian Priester - trombón • Walter Benton - saxo tenor (pistas 1, 2 y 4-7) • Charles Davis - saxofón barítono (pistas 1, 2 y 4-7) • McCoy Tyner - piano • Sam Jones - bajo • Art Taylor - batería JAZZ ACTUALIDAD .- RUBEN REINALDO y KELY GARCIA-ACUAREL Free Code Jazz Records, 2020 Músicos: Rubén Reinaldo y Kely García Grabación, mezcla y máster: Jose Luis Gómez (Sito) Remasterización final: Arturo Sabugueiro Fotografía: Óscar García (Sombra Graphics) Diseño Gráfico: Alberto Groba Montaje de textos: Rafael Alonso Grabado en estéreo con microfonía de alta sensibilidad directa a los amplificadores y mediante tomas enteras en vivo sin metrónomo. Grabación realizada en Estudios Musicales Galicia Música en Vigo, durante sesiones sueltas ecualizando y microfoneando individualmente cada pieza aprovechando nuestros pocos ratos libres como profesores de guitarra entre marzo y agosto de 2019.

To a great extent the Broadway Musical has been a queer creation -- and for more than 125 years the musical theater world has been filled with brilliant and creative LGBTQ people, including many in the highest positions of power and influence. In this episode David Armstrong shares the fascinating stories Broadway's defining queer choreographers Robert Alton & Jack Cole, the legendary gay songwriters Noel Coward and Larry Hart, directors Monty Wooley and Moss Hart, and prolific bookwriter Herbert Fields, who is without doubt one of the most significant and least known inventors of the Broadway Musical! Learn more about your ad choices. Visit megaphone.fm/adchoices

PROG.Nº 662.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “The Nearness Of You”( GLENN MILLER-SARAH VAUGHAN-MEL TORMÉ) JAZZ RECUERDO ANIVERSARIO.- Gerry Mulligan-The Paris Concert [feat. Bob Brookmeyer]1954 Paris Concert (también lanzado en Francia como 3e Salon du Jazz, París, 1954, À Pleyel ) es un álbum en vivo del saxofonista y director de orquesta Gerry Mulligan con actuaciones grabadas en la Salle Pleyel en París en 1954 y lanzado en elsello Pacific Jazz . [1] [2] En 1966, Pacific Jazz lanzó un álbum con el mismo título pero con una lista de canciones ligeramente diferente y versiones editadas de canciones lanzadas anteriormente. [3] All compositions by Gerry Mulligan except as indicated 1. "Come Out, Come Out, Wherever You Are" (Jule Styne, Sammy Cahn) - 3:54 2. "Five Brothers" - 4:40 3. "Laura" (David Raksin, Johnny Mercer) - 4:10 4. "Love Me or Leave Me" (Walter Donaldson, Gus Kahn) - 5:10 5. "Utter Chaos" - 0:43 6. "Bernie's Tune" (Bernie Miller, Jerry Leiber, Mike Stoller) - 4:23 7. "Walkin' Shoes" - 5:05 8. "Moonlight in Vermont" (Karl Suessdorf, John Blackburn) - 3:11 9. "The Lady Is a Tramp" (Richard Rodgers, Lorenz Hart) - 3:36 10. "Utter Chaos" - 0:49 • Recorded at the Salle Pleyel in Paris, France on June 1, 1954 (tracks 6 & 7), June 3, 1954 (tracks 2, 9 & 10) and June 7, 1954 (tracks 1, 3, 4, 5 & 8). 1966 Release • Gerry Mulligan - baritone saxophone • Bob Brookmeyer - valve trombone • Red Mitchell - bass • Frank Isola - drums JAZZ ACTUALIDAD .- Esta semana tendremos nuestra celebración por el Día Internacional del Jazz con músicos de SEDAJAZZ. Día Internacional del Jazz, el Ayuntamiento de Alfafar (Valencia) junto al colectivo de músicos Sedajazz lo festejan con un gran concierto on -line y en abierto. Con grandes nombres panorama internacional como el neoyorquino Chris Cheeck, el maestro Perico Sambeat, las imprescindibles Kontxi Lorente y la cantante lituana Viktorija Pilatovic se celebrará un maratoniano concierto que abrirá el gran trompetista David Pastor. Y para disfrutar y gozar con nuestro querido flamenco contaremos con la participación de uno de los guitarristas más relevantes y queridos por los amantes de esta música, el gran José Quevedo “Bolita”. El saxofonista cubano-ruso Alexey León nos deleitará con su música de influencia latina y como valor emergente de la escena actual tendremos a la pianista y cantante Marina Alcantud. El dúo Veronautas, compuesto por Ana Sanahuja y Roqui Albero, ofrecerán su fusión música + poesía y desde Brasil llegará la voz de la cantante y compositora Thaïs Morell. El público más joven tendrá su representación con la actuación de Aurora & Latino Blanco. Todos los conciertos serán en directo y emitidos en abierto por la plataforma Instagram dada la situación de emergencia provocada por la crisis del Coronavirus. Con esta propuesta queremos revindicar las manifestaciones creativas, en este caso los conciertos, que pueden y deben mantener viva y cercana a su público la oferta cultural. Agradecemos profundamente el apoyo y la sensibilidad hacia este tipo de iniciativas por parte de las entidades que las han mantenido y han apostado por ellas en estos momentos tan críticos. Acerca del Día Internacional del Jazz En noviembre de 2011, durante la Conferencia General de la UNESCO, la comunidad internacional proclamó el 30 de abril como el Día Internacional del Jazz. Esta jornada tiene como objetivo sensibilizar al público general sobre las virtudes de la música jazz como herramienta educativa y como motor para la paz, la unidad, el diálogo y el refuerzo de la cooperación entre pueblos. Gobiernos, organizaciones de la sociedad civil, instituciones educativas y ciudadanos particulares ya implicados en la promoción de la música jazz aprovecharán esta oportunidad para fomentar la idea de que no se trata tan sólo de un estilo de música, sino de que el jazz contribuye también a la construcción de sociedades más inclusivas. ¿Por qué un Día Internacional del Jazz? • El jazz rompe barreras y crea oportunidades para la comprensión mutua y la tolerancia • El jazz eje de la libertad de expresión • El jazz es un símbolo de unidad y paz • El jazz reduce tensiones entre individuos, grupos y comunidades • El jazz fomenta la igualdad de género • El jazz refuerza el papel que juega la juventud en el cambio social • El jazz promueve la innovación artística, la improvisación, nuevas formas de expresión y la integración de músicas tradicionales en las formas musicales modernas • El jazz estimula el diálogo intercultural y facilita la integración de jóvenes provenientes de medios marginados. Historia y repercusión El jazz es un estilo musical único que se originó en el sur de los Estados Unidos de América pero que tiene a la vez sus raíces en África y mezcla tradiciones musicales tanto africanas como europeas. Antes de la aparición de estructuras sociales de integración tales como el lugar de trabajo, el sistema educativo o los equipos de deporte profesionales, los grupos de jazz era un ejemplo de tolerancia, cooperación, improvisación y entendimiento mutuo. Además, el jazz era un espacio de libertad de expresión y emancipación de la mujer, es un ejemplo del poder de transformación de este derecho humano fundamental. A lo largo del siglo XX, el jazz ha resultado ser un lenguaje universal escuchado en todos los continentes, siendo influenciado e influenciando al mismo tiempo otros tipos de música, hasta convertirse en elemento cultural de mestizaje universal y abierto a todo el mundo, sin distinción de raza, religión o nacionalidad. La música jazz ha dado la oportunidad y la motivación a muchas mujeres para ir más allá del papel tradicional asignado a cada género por la sociedad. El jazz fue una fuerza propulsora del Movimiento de Liberación de la Mujer en Estados Unidos. Así mismo, el jazz también ayudó a conseguir trabajos para las mujeres dentro de la industria musical, especialmente como cantantes. Antes de 1920, la práctica totalidad de música popular era interpretada exclusivamente por músicos varones.

Holy Moley, kids. It's another overstuffed episode of the show for you. But, I guess that's what happens when you're dealing with a song that goes clear back to 1933. "Blue Moon" was written by Rodgers and Hart, and it was going to be used in a movie, then it wasn't. Then it was going to be used in another movie, then it wasn't. Then it was again, and the publisher at MGM thought the melody would make a pretty nice popular song, so he convinced Lorenz Hart to change the lyrics. And it did take some convincing, for reasons you'll get to hear about during the show. While you're here, let me give extra thanks to Bill Tyres for his permission to use the audio from one of his YouTube videos. You can find his over at his main webpage, or through his YouTube channel. Tell him I sent you. Also, as promised, here are the stories about the woman who claims her dad was the true composer of the song:New York Times article (soft paywall)Liz Roman Gallese's website. And finally, as a little bonus, here's Elvy Yost, singing the first incarnation of the song. She appeared on an episode of The Catch singing a later version of it (and it looked like a YouTube video in the show), but it doesn't appear that she actually made a video for YT consumption. Click here for a transcript of this episode.

Succes-makkerpar fra den amerikanske musicals guldalder. Først var komponisten Richard Rodgers sammen med Lorenz Hart, der ulykkeligvis ikke kunne administrere sit liv som han kunne skrive gode tekster. Da han kastede håndklædet i ringen foreslog han selv at Rodgers skulle finde sammen med Oscar Hammerstein. Rodgers kunne ikke have fundet en mere værdig afløser og succes'en nåede nye højder. En perlerække af hits, der fylder godt i the Great Amercan Songbook. Her får du foldet historien ud om en magisk tid i musicalens historie. Værter: Stine Rosengren og Silas Holst. www.dr.dk/p2

durée : 01:00:23 - Repassez-moi l'standard - par : Laurent Valero - Chanson écrite pour la comédie musicale satirique "I'd Rather Be Right". L’histoire est une satire politique de la période de la Dépression à New York. Ce thème est rapidement devenu un standard repris par un très grand nombre de jazzmen...

durée : 01:00:23 - Le jazz sur France Musique - par : Laurent Valero - Chanson écrite pour la comédie musicale satirique "I'd Rather Be Right". L’histoire est une satire politique de la période de la Dépression à New York. Ce thème est rapidement devenu un standard repris par un très grand nombre de jazzmen...

durée : 00:57:56 - "I Didn't Know What Time It Was" (Richard Rodgers / Lorenz Hart) (1939) - par : Laurent Valero - The song was introduced by Richard Kollmar and Marcy Westcott in the musical Too Many Girls. It was performed by Trudy Erwin -- dubbing for Lucille Ball in the 1940 film version produced by RKO -- and into the score of the 1957 film Pal Joey, where it was sung by Frank Sinatra. - réalisé par : Patrick Lérisset

durée : 00:57:56 - "I Didn't Know What Time It Was" (Richard Rodgers / Lorenz Hart) (1939) - par : Laurent Valero - The song was introduced by Richard Kollmar and Marcy Westcott in the musical Too Many Girls. It was performed by Trudy Erwin -- dubbing for Lucille Ball in the 1940 film version produced by RKO -- and into the score of the 1957 film Pal Joey, where it was sung by Frank Sinatra. - réalisé par : Patrick Lérisset

Abell was raised in the Philadelphia and Chicago areas.David sang in the 1971 world premiere of Leonard Bernstein's Mass at the John F. Kennedy Center for the Performing Arts with the Berkshire Boy Choir.Abell enrolled at Yale University, where his teachers included John Mauceri and Rob Kapilow. He studied with Nadia Boulanger and Robert D. Levin at the American Conservatory in Fontainebleau before returning to Yale to complete his B.A. in 1981.Abell made his professional debut conducting Bernstein's Mass at Berlin's Deutschlandhalle in 1982.Abell mentions the following three operas by Gaetano Donizetti that were his introduction to opera: La Favorite, Lucia di Lammermoor, and Lucie de Lammermoor.Lyric Opera of ChicagoThe Makropulos Affair is a Czech opera with music and libretto by Leoš Janáček.Don Giovanni is an opera by Mozart.Mefistofele is the only completed opera with music by the Italian composer-librettist Arrigo BoitoThe Symphony No. 2 in D-flat major was written by Howard Hanson on commission from Serge Koussevitsky for the 50th anniversary of the Boston Symphony Orchestra in 1930.Interlochen Center for the ArtsThe Beatles were an English rock band formed in Liverpool in 1960. Members were: John Lennon, Paul McCartney, George Harrison and Ringo Starr.Abbey Road StudiosWashington National OperaGiacomo Puccini was an Italian opera composer who has been called "the greatest composer of Italian opera after Verdi".Oscar Hammerstein was an American librettist, theatrical producer, and (usually uncredited) theatre director of musicals for almost 40 years.The Marriage of Figaro is an opera buffa (comic opera) composed in 1786 by Mozart, with an Italian libretto written by Lorenzo Da Ponte.Evans mentions the following schools as notable music schools: Juilliard School, Indiana University Jacobs School of Music, University of Michigan School of Music.The American Bach SocietyYale WhiffenpoofsWashington National OperaAbell continued his postgraduate training from 1983 to 1985 at the Juilliard School, under Jorge Mester and Sixten Ehrling.Eroica Symphony, byname of Symphony No. 3 in E-flat Major, is a symphony by Ludwig van Beethoven, known as the Eroica Symphony for its supposed heroic nature.Natalia Makarova is a Soviet-Russian-born prima ballerina and choreographer.Abell deputized at short notice for John Mauceri conducting Britten's The Turn of the Screw at Washington National Opera.On Your Toes is a musical with a book by Richard Rodgers, George Abbott, and Lorenz Hart.Gian Carlo Menotti gave David the advice to “never conduct Broadway. Never do it you will regret it.”Les Misérables, colloquially known in English-speaking countries as Les Mis is a musical adapted from French poet and novelist Victor Hugo's 1862 novel of the same name by Claude Schönberg.Porgy and Bess is an English-language opera by the American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin.Miss Saigon is a musical by Schönberg.Abell subsequently conducted the 25th anniversary concert of Les Misérables at the O2 Arena.The Philly PopsArturo Toscanini was an Italian conductor.Aaron Copland was an American composer, composition teacher, writer, and later a conductor of his own and other American music.Rhapsody in Blue is a musical composed by George Gershwin.Trevor Nunn is an English theatre director.Harold Prince was an American theatrical producer and director associated with many of the best-known Broadway musical productions of the 20th century.Ariadne auf Naxos is an opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal.The Voice of Firestone is a long-running radio and television program of classical music.Leontyne Price is an American soprano.Marilyn Monroe was an American actress, model, and singer.Dorothy Kirsten was an American operatic soprano.Minnesota OperaBlind InjusticeJohn Williams is an American composer, conductor, and pianist. Williams has composed for many critically acclaimed and popular movies, including the Star Wars series, Jaws, E.T. the Extra-Terrestrial, and the first three Harry Potter films.Till Eulenspiegel's Merry Pranks is a tone poem written in 1894–95 by Strauss.Along with pianist and musicologist Seann Alderking, Abell edited a complete edition of Cole Porter's Kiss Me, Kate, published in 2014.Glimmerglass OperaThe Library of Congress is the research library that officially serves the United States Congress and is the de facto national library of the United States.The New York Public Library is a public library system in New York City.Scott Davenport RichardsGioachino Rossini was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music.Phillip Gossett was an American musicologist and historian, and Robert W. Reneker Distinguished Service Professor of Music at the University of Chicago.Tancredi is a melodramma eroico in two acts by composer Gioachino Rossini and librettist Gaetano RossiUn ballo in maschera (A Masked Ball) is an 1859 opera by Verdi.Powel Crosley Jr. was an American inventor, industrialist, and entrepreneur. He was also a pioneer in radio broadcasting, and a former owner of the Cincinnati Reds major league baseball team.Alfred Drake was an American actor and singer.Robert Russell Bennett was an American composer and arranger, best known for his orchestration of many well-known Broadway and Hollywood musicals by other composers such as Irving Berlin, George Gershwin, Jerome Kern, Cole Porter, and Richard Rodgers.Don Walker is an Australian musician, songwriter and author.Felix Mendelssohn was a German composer, pianist, organist and conductor of the early Romantic period.Messiah is an English-language oratorio composed in 1741 by George Handel.Lemuel WadeFrancesca Zambello is an American opera and theatre director. She serves as director of Glimmerglass Festival and the Washington National Opera.Lyric Opera of Kansas CityHawaii Opera TheatreChandos Records is a British independent classical music recording company based in Colchester.Peter Morris is an American playwright, television writer and critic, best known for his work in British theatre."Something's Gotta Give" is a song that was written for and first performed by Fred Astaire in the 1955 musical film Daddy Long Legs."A Wonderful Guy" is a show tune from the 1949 Rodgers and Hammerstein musical South Pacific.Abell cites Evans Mirageas as one of his greatest mentors.Abell cites his niece’s podcast, The Bright Sessions, as one of his current favorites.Abell mentions Dark Sky as one of his favorite appsTrio BistroCarousel is the second musical by Rodgers and Hammerstein.English National OperaAlfred “Alfie” Boe is an English tenor and actor, notably performing in musical theatre.

On this show Neil Starr plays a selection of 78rpm records of songs by the songwriting team of Richard Rogers and Lorenz Hart. This selection includes an album of records with music conducted by Richard Rogers with some piano solos played by the writer himself.

Singer, songwriter, activist, and all-around fun human Nellie McKay joins us this month in the first of our three episode run recorded in NYC! We had a blast talking about her musical process and stylistic evolution, our pets, the Poconos, David Byrne, and life in general. We also improvised and wrote some brand new music together. Check out all of Nellie's music and catch her live if you can!  Links: Nellie's Official Website - Nellie's Twitter This episode includes:  00:00 S&DMM Theme feat. Nellie McKay (Nellie on vocals, ukulele, and percussion, Sean and Dave on percussion) 08:13 My Romance by Richard Rogers and Lorenz Hart from Sister Orchid (2018) 21:06 This is Not the Year (for Mistletoe in the Workplace) by Sean Arawjo (Nellie on Vocals, Dan Pardo on vocals and piano, Dave on bells, Sean on vocals, guitar, uke, bass, drums, winds, and percussion) 27:17 Pigeon Love by Nellie McKay, Sean Arawjo, and Dave Trum (Nellie on vocals, ukulele, and claps, Sean on flute, guitars, drums, and claps, Dave on bass and claps) 38:10 Improvisation (Nellie on piano, Dave on djembe, Sean on flute)  54:42 S&DMM Theme feat. Nellie McKay (Nellie on vocals, ukulele, and percussion, Sean and Dave on percussion) 54:56 Identity Theft by Nellie McKay from Obligatory Villagers (2007) Check out our other episodes, Subscribe, Rate, and Review on iTunes, and like us on Facebook! And tell your friends! 

‘Rockhistorier’ forkæler  lytterne med en klynge forgyldte evergreens, skrevet af folk som Cole Porter, Gershwin-brødrene og Irving Berlin, sunget af mesteren selv.Frank Sinatras karriere falder i flere stadier. Efter en periode som refrænsanger i Tommy Dorseys orkester udløste det Sinatramania, at han gik solo i 1942, hvor han blev det store idol for datidens bobby soxers. I starten af 1950’erne faldt populariteten betragteligt, og de færreste fattede, at Capitol Records gad skrive kontrakt med ham i 1953, hvor Columbia Records droppede ham. Men samme år revitaliserede hans rolle i filmen ”Herfra til evigheden” karrieren, og han gik ind i dens kunstnerisk mest frugtbare fase.Frem til 1962 indspillede han 15 mesterlige lp’er for Capitol, heraf over halvdelen i selskab med den kongeniale arrangør og orkesterleder Nelson Riddle, resten med folk som Gordon Jenkins, Billy May og Axel Stordahl. Hvert album slog en tone an, som forfulgtes hele vejen igennem, og i processen skabtes konceptpladen. Sinatra vekslede ligeligt mellem swing-tunes og torch-songs, to genrer, han ubesværet mestrede og resultatet blev det måske fineste og mest slidstærke underholdningsmusik, der nogensinde er blevet indspillet på magnetbånd.Playliste: I Get a Kick Out of You (Cole Porter) (1954) A Foggy Day (George & Ira Gershwin) (1954) Just One of Those Things (Cole Porter) (1954) Get Happy (Harold Arlen, Ted Koehler) (1954) In the Wee Small Hours of the Morning (David Mann, Bob Hilliard) (1955) It Never Entered My Mind (Richard Rodgers, Lorenz Hart) (1955) I’ve Got You under My Skin (Cole Porter) (1956) Old Devil Moon (Burton Lane, E.Y. ”Yip” Harburg (1956) Don’t Like Goodbyes (Harold Arlen, Truman Capote) (1957) I Got It Bad (And That Ain’t Good) (Duke Ellington, Paul Francis Webster) (1957) Autumn Leaves (Jacques Prévert, Johnny Mercer, Joseph Kosma) (1957) Lonely Town (Leonard Bernstein, Betty Comden, Adolph Green) (1957) Come Fly with Me (Sammy Cahn, Jimmy Van Heusen) (1958) Only the Lonely (Sammy Cahn, Jimmy Van Heusen) (1958) One for My Baby (And One More for the Road) (Harold Arlen, Johnny Mercer) (1958) Something’s Gotta Give (Johnny Mercer) (1959) Here’s That Rainy Day (Johnny Burke, Jimmy Van Heusen) (1959) How Deep Is the Ocean (Irving Berlin) (1960) On the Sunny Side of the Street (Jimmy McHugh, Dorothy Fields) (1961) September Song (Kurt Weill, Maxwell Anderson) (1962)Glædelig jul og godt nytår fra ‘Rockhistorier', vi er tilbage tirsdag d. 8.1.2019.

Richard Rodgers was an American composer of music, with over 900 songs and 43 Broadway musicals, leaving a legacy as one of the most significant composers of 20th century American music. He is best known for his songwriting partnerships with the lyricists Lorenz Hart and Oscar Hammerstein II. His music has been recorded by many different artists throughout the last century and into this one. On the show today, I thought it would be fun to listen to the great big bands interpret the music of Richard Rodgers. He is truly a giant of the Great American Songbook. Please visit this podcast at http://bigbandbashfm.blogspot.com

Como complemento al podcast de "Cuéntame un musical: Carousel" en el que hablamos de este musical de Rodgers & Hammerstein, presentamos una selección de canciones escritas por este compositor, con sus dos letristas más famosos Oscar Hammerstein y Lorenz Hart, en versiones muy variadas, huyendo de incluir en lo posible las de algún reparto teatral, para que veáis cómo la música no tiene edad y han recurrido a estos temas de Richard Rodgers cantantes de todo tipo de géneros. Es una playlist en la que hemos enlazado más de  cuarentena de temas de este inspirado y prolífico compositor que esperamos os guste Aquí dejamos el track list con los temas e intérpretes 0h 00'00" Presentación 0h 00'52" Cabecera 0h 01'28" If I loved you - Barbra Streisand 0h 04'14" I whistle a happy tune - Frank Sinatra 0h 06'48" There's a small hotel - Ella Fitzgerald 0h 09'34" Bali H'ai - Gary Wilmot 0h 12'25" Out of my dreams - Bernadette Peters 0h 15'52" We kiss in a shadow - Peabo Bryson & Lea Salonga 0h 20'22" Something good - Seth MacFarlane 0h 24'43" My funny Valentine - Ella Fitzgerald 0h 28'47" My favorite things - Barbra Streisand 0h 31'32" I'm gonna wash that man right out of my head - Liz Callaway 0h 35'03" The lady is a tramp - Tony Bennett & Lady Gaga 0h 38'25" Edelweiss - Linda Eder 0h 42'19" Isn't it romantic - Ella Fitzgerald 0h 45'08" Climb every mountain - Barbra Streisand & Jamie Foxx 0h 48'18" Blue moon - Rod Stewart & Eric Clapton 0h 52'25" My romance - Ella Fitzgerald 0h 55'46" This nearly was mine - Seth MacFarlane 0h 59'34" A wonderful guy - Lisa Vroman 1h 02'37" The sound of music - Julie Andrews 1h 07'34" Some enchanted evening - Bernadette Peters 1h 11'14" Waltz Medley - Julie Andrews 1h 26'00" People will say we're in love - Hugh Jackman & Josefina Gabrielle 1h 29'33" Getting to know you - Kelli O'Hara 1h 33'06" Younger than springtime - Plácido Domingo 1h 36'08" Oh what a beautiful morning - Ron Raines 1h 38'47" With a song in my heart - Ella Fitzgerald 1h 41'21" Manhattan - Rod Stewart & Bette Midler 1h 44'12" Where or when - George Michael 1h 47'02" Bewitched, bothered & bewilder - Rod Stewart & Cher 1h 50'53" You'll never walk alone - Barbra Streisand 1h 55'36" It's a grand night for singing - Bernadette Peters 1h 57'57" There is nothin' like a dame - Soundtrack from the movie 2h 01'43" Soliloquy - Ron Raines 2h 09'06" Cock-eyed optimist - Susan Egan 2h 12'17" Hello young lovers - Kelli O'Hara 2h 15'23" Shall we dance - Julie Andrews & Beng Kingsley 2h 19'26" March of the siamese children - Instrumental 2h 21'50" I have confidence - Sierra Bogges 2h 25'40" I have dreamed - Peabo Bryson & Lea Salonga 2h 28'45" Oklahoma - John Wilson Orchestra & Singers 2h 31'48" So long, farewell - 2006 London Cast Nos despedimos hasta nuestro próximo podcast el 1 de Abril de 2018 con "Cuéntame un musical: Dear Evan Hansen"

Como complemento al podcast de "Cuéntame un musical: Carousel" en el que hablamos de este musical de Rodgers & Hammerstein, presentamos una selección de canciones escritas por este compositor, con sus dos letristas más famosos Oscar Hammerstein y Lorenz Hart, en versiones muy variadas, huyendo de incluir en lo posible las de algún reparto teatral, para que veáis cómo la música no tiene edad y han recurrido a estos temas de Richard Rodgers cantantes de todo tipo de géneros. Es una playlist en la que hemos enlazado más de  cuarentena de temas de este inspirado y prolífico compositor que esperamos os guste Aquí dejamos el track list con los temas e intérpretes 0h 00'00" Presentación 0h 00'52" Cabecera 0h 01'28" If I loved you - Barbra Streisand 0h 04'14" I whistle a happy tune - Frank Sinatra 0h 06'48" There's a small hotel - Ella Fitzgerald 0h 09'34" Bali H'ai - Gary Wilmot 0h 12'25" Out of my dreams - Bernadette Peters 0h 15'52" We kiss in a shadow - Peabo Bryson & Lea Salonga 0h 20'22" Something good - Seth MacFarlane 0h 24'43" My funny Valentine - Ella Fitzgerald 0h 28'47" My favorite things - Barbra Streisand 0h 31'32" I'm gonna wash that man right out of my head - Liz Callaway 0h 35'03" The lady is a tramp - Tony Bennett & Lady Gaga 0h 38'25" Edelweiss - Linda Eder 0h 42'19" Isn't it romantic - Ella Fitzgerald 0h 45'08" Climb every mountain - Barbra Streisand & Jamie Foxx 0h 48'18" Blue moon - Rod Stewart & Eric Clapton 0h 52'25" My romance - Ella Fitzgerald 0h 55'46" This nearly was mine - Seth MacFarlane 0h 59'34" A wonderful guy - Lisa Vroman 1h 02'37" The sound of music - Julie Andrews 1h 07'34" Some enchanted evening - Bernadette Peters 1h 11'14" Waltz Medley - Julie Andrews 1h 26'00" People will say we're in love - Hugh Jackman & Josefina Gabrielle 1h 29'33" Getting to know you - Kelli O'Hara 1h 33'06" Younger than springtime - Plácido Domingo 1h 36'08" Oh what a beautiful morning - Ron Raines 1h 38'47" With a song in my heart - Ella Fitzgerald 1h 41'21" Manhattan - Rod Stewart & Bette Midler 1h 44'12" Where or when - George Michael 1h 47'02" Bewitched, bothered & bewilder - Rod Stewart & Cher 1h 50'53" You'll never walk alone - Barbra Streisand 1h 55'36" It's a grand night for singing - Bernadette Peters 1h 57'57" There is nothin' like a dame - Soundtrack from the movie 2h 01'43" Soliloquy - Ron Raines 2h 09'06" Cock-eyed optimist - Susan Egan 2h 12'17" Hello young lovers - Kelli O'Hara 2h 15'23" Shall we dance - Julie Andrews & Beng Kingsley 2h 19'26" March of the siamese children - Instrumental 2h 21'50" I have confidence - Sierra Bogges 2h 25'40" I have dreamed - Peabo Bryson & Lea Salonga 2h 28'45" Oklahoma - John Wilson Orchestra & Singers 2h 31'48" So long, farewell - 2006 London Cast Nos despedimos hasta nuestro próximo podcast el 1 de Abril de 2018 con "Cuéntame un musical: Dear Evan Hansen"

Richard Rodgers and Oscar Hammerstein II are two of the greatest entertainers in New York City history. They have entertained millions of people with their unique and influential take on the Broadway musical -- serious, sincere, graceful and poignant. In this episode, we tell the story of this remarkable duo -- from their early years with other creators (Hammerstein with Jerome Kern, Rodgers with Lorenz Hart) to a run-down of all their shows. And almost all of it -- from the plains of Oklahoma to the exotic climates of South Pacific -- takes place on just two city blocks in Midtown Manhattan! boweryboyshistory.com (Stay tuned to the end of the podcast for information on the music clips used in the show.) Support the show.

This week we discuss 1940's Pal Joey with music by Richard Rodgers and lyrics by Lorenz Hart, book by John O'Hara, based on a series of short stories he published in the New Yorker, directed by George Abbott (the Hal Prince of his day). We discuss the songwriting team of Rodgers and Hart, the most popular hit-writers of the 1930s, in their most well remembered show, and one of their last before Rodgers replaced Hart with Hammerstein. We've got more clips than ever this week, with three from Pal Joey and three others from earlier in Rodgers and Hart's career (including some songs you probably know!). If you ever wondered what Rodgers and Hart sounded like, but not enough to go to the effort yourself, this podcast will be all you need! Next week is Oklahoma! We'll be talking about the movie version, so feel free to watch it before you listen if you don't know the show or want to refresh your memory.

For our Queer Icons series, director Sir Nicholas Hytner chooses the Rodgers and Hart song Bewitched, Bothered and Bewildered, which he reveals was written by Lorenz Hart with a gay subtext. Northern Irish writer Bernard MacLaverty returns with his first novel in 16 years, Midwinter Break: the small details of a retired couple's trip to Amsterdam build into a portrait of ageing, alcoholism, faith and love.The new Postal Museum in London features the art and artefacts which have shaped the British postal service. Samira and Trainspotting Live presenter Tim Dunn ride the 100-year-old Mail Rail, the small train that runs on miles of subterranean track linking the capital's main railway stations which used to carry millions of letters and parcels across the city.The Californian company SciFuture are commissioning science fiction writers to help corporations cope with change. Scientist Susan Stepney explains the interplay between science fiction and the future.Presenter : Samira Ahmed Producer : Dymphna Flynn.

Imagine growing up in a world where your neighbors were Tennessee Williams, The Marx Brothers, Alan Jay Lerner, Noel Coward, Arthur Miller, and scores of others. For Michael Colby he did grow up in such a world because his grandparents owned New York's famous Algonquin Hotel. Now, Michael swings by Shetler to discuss with Rob and Kevin his enviable life as a real life Eloise of The Plaza. Michael pulls back the curtain on his career to discuss how he became the confidante of some of the Algonquin's most infamous residents, what prompted a flashing by Norma Jean, and why Harpo Marx never traveled alone! Also, Michael shines the spotlight on Vivien Leigh, Ella Fitzgerald, and Lorenz Hart! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4

Tony and Grammy Award winner Billy Porter talks about his new album - "Billy Porter presents The Soul of Richard Rodgers." The collection features new, soulful takes on classic Richard Rodgers songs from Broadway musicals including Oklahoma!, The Sound of Music, Babes in Arms, South Pacific, and The King and I, with lyrics by Oscar Hammerstein II and Lorenz Hart. Billy is the very picture of a passionate Renaissance man - actor, recording artist, director, playwright and activist. Broadway credits include Miss Saigon, Five Guys Named Moe, Grease, and Smokey Joe's Cafe. He won the Tony Award, as well as the Grammy, Drama Desk and Outer Critics Circle Awards for his groundbreaking performance of “Lola” in Kinky Boots. That was followed by joining the all-star line up for Shuffle Along. Film and television credits include Barry Levinson's "The Humbling" opposite Al Pacino, Sundance Film Festival features "The Broken Hearts Club" and "Intern," "Noel" (with Susan Sarandon and Robin Williams), "Shake Rattle & Roll" as Little Richard, "Another World," "Twisted," "Law & Order," "Law & Order: SVU," "The Tonight Show" and more. In 2014, Primary Stages presented the highly successful World Premiere of "While I Yet Live," Porter's autobiographical play at off Broadway's Duke Theater. "Billy Porter presents The Soul of Richard Rodgers" is available now at all digital download outlets.

Tony and Grammy Award winner Billy Porter talks about his new album - "Billy Porter presents The Soul of Richard Rodgers." The collection features new, soulful takes on classic Richard Rodgers songs from Broadway musicals including Oklahoma!, The Sound of Music, Babes in Arms, South Pacific, and The King and I, with lyrics by Oscar Hammerstein II and Lorenz Hart. Billy is the very picture of a passionate Renaissance man - actor, recording artist, director, playwright and activist. Broadway credits include Miss Saigon, Five Guys Named Moe, Grease, and Smokey Joe's Cafe. He won the Tony Award, as well as the Grammy, Drama Desk and Outer Critics Circle Awards for his groundbreaking performance of “Lola” in Kinky Boots. That was followed by joining the all-star line up for Shuffle Along. Film and television credits include Barry Levinson's "The Humbling" opposite Al Pacino, Sundance Film Festival features "The Broken Hearts Club" and "Intern," "Noel" (with Susan Sarandon and Robin Williams), "Shake Rattle & Roll" as Little Richard, "Another World," "Twisted," "Law & Order," "Law & Order: SVU," "The Tonight Show" and more. In 2014, Primary Stages presented the highly successful World Premiere of "While I Yet Live," Porter's autobiographical play at off Broadway's Duke Theater. "Billy Porter presents The Soul of Richard Rodgers" is available now at all digital download outlets.

Songs from the final years of the Rodgers and Hart partnership.  Songs include: It Never Entered My Mind, Have You Met Miss Jones, Bewitched, Spring Is Here, I Didn't know What Time It Was, Wait Till You See Her, This Can't Be Love and I Could Write a Book. Artists include: Shirley Ross, Leo Reisman, Ella Fitzgerald, Helen Forest, Maxine Sullivan, Blossom Dearie and Margaret Whiting.

  "The Medici Boots" is adapted from a story of the same name by Pearl Norton Swet, which appeared in an issue of the long-running Weird Tales pulp-fiction magazine. Adapted, directed and produced by Pete Lutz. Set in the year 1935, it's the story of John Delameter, his wife Suzanne, and his brother Eric -- it's also the story of a pair of beautifully styled boots, made in the 15th century and cursed in the same era. Weird things start happening to the Delameters once they inherit these boots from their historian uncle...   Contains explicit sexual content.   CAST OF "THE MEDICI BOOTS": ANNOUNCER: Lisa Ayala NEWSCASTER: Derek Lutz UNCLE SILAS DICKERSON: Pete Lutz JOHN DELAMETER: Peter M. Howard SUZANNNE DELAMETER: Aileen Corpos ERIC DELAMETER: Pete Lutz ERSKINE: Gene Giggy MARIA MODENA and SERVANT: Alex Moore   SPECIAL FEATURES CAST: Kristy Glick, Pete Lutz, Nick Wommack, Austin Hanna, Kevin Schuster, Melody Gaines   SPECIAL 15th-CENTURY MUSIC (various composers) performed by Ernest Stoltz and Paul O'Dette   MUSIC FROM 1935 (and before) by the following: "Alone" by Arthur Freed and Nacio Herb Brown, sung by Kitty Carlisle "Easy To Remember" by Richard Rodgers and Lorenz Hart, sung by Bing Crosby "Isn't It A Lovely Day (To Be Caught In The Rain)" by Irving Berlin, sung by Fred Astaire "Rhapsody in Blue" by George Gershwin "Violin Concerto No. 2 - II Andante Assai" by Prokofiev   Additional Music by: Kevin MacLeod of incompetech dot com "Paperback Writer" by the Beatles, performed by Andrew Kesler "Lara's Theme (Somewhere My Love)" from Dr. Zhivago by Andre Rieu   Pulp-Pourri Theatre Theme composed and performed by Rich Wentworth   Opening announcers: Gene Lutz, Rich Wentworth  

For 189 I look at the 1848 MGM musical biopic Words And Music starring Mickey Rooney, Tom Drake and Janet Leigh. I also look at the straightwashing of Lorenz Hart, the subject of the biopic and how Hollywood totally ignored the facts of his life. Support The Podcast via Patreon.

Rodgers and Hart songs from the years 1930- 1937.  Songs include: There's a Small Hotel, My Romance, My Funny Valentine, Mimi, Spring Is Here, I've Got Five Dollars and The Lady is a Tramp. Performers include: Ruth Etting, Hal Kemp, Sarah Vaughan, Buddy Clark, Janette McDonald and Ben Selvin.

The moving and trenchant lyrics of Lorenz Hart

We celebrate the 111th birthday of Richard Rodgers with songs he wrote with his first collaborator, Lorenz Hart.

Television star Stephanie Zimbalist (Remington Steele) discusses her co-starring role in Steel Magnolias at the Laguna Beach Playhouse in Laguna Beach, CA. Theatre and Television’s Shelley Morrison (“Rosario” on the long running NBC hit series Will & Grace) and her husband Walter Dominguez are interviewed about their latest venture as documentary filmmakers with Weaving the Past: Journey of Discovery (www.weavingthepast.com); Sterling reviews the world premiere musical Falling for Make Believe (the life of Lorenz Hart) at The Colony Theatre in Burbank, CA. The Live Arts Calendar highlights Beirut a drama at the Lounge Theatre in Hollywood focusing on an unnamed disease infecting the lower east side of New York and the right of individuals to choose the manner in which they live or die. Morrison and Dominguez share tales of embarrassing moments during their careers. Sponsored by Breakdown Services (http://www.breakdownexpress.com/)

Television star Stephanie Zimbalist (Remington Steele) discusses her co-starring role in Steel Magnolias at the Laguna Beach Playhouse in Laguna Beach, CA. Theatre and Television’s Shelley Morrison (“Rosario” on the long running NBC hit series Will & Grace) and her husband Walter Dominguez are interviewed about their latest venture as documentary filmmakers with Weaving the Past: Journey of Discovery (www.weavingthepast.com); Sterling reviews the world premiere musical Falling for Make Believe (the life of Lorenz Hart) at The Colony Theatre in Burbank, CA. The Live Arts Calendar highlights Beirut a drama at the Lounge Theatre in Hollywood focusing on an unnamed disease infecting the lower east side of New York and the right of individuals to choose the manner in which they live or die. Morrison and Dominguez share tales of embarrassing moments during their careers. Sponsored by Breakdown Services (http://www.breakdownexpress.com/)

Barbara Beckley and T.J. Dawson, two of Southern California’s leading theatre Producer/Artistic Directors join Sterling & Stroili for an insightful discussion about the world premiere musical of Mark Saltzman’s Falling for Make Believe (Music by Richard Rodgers; Lyrics by Lorenz Hart) which reveals the dark side of Hart’s troubled and secret life at Beckley’s Colony Theatre in Burbank, CA; and T.J. Dawson’s 3-D Theatricals production of the infrequently done Tony Award-winning musical drama Paradeat the historic Plummer Auditorium in Fullerton, California. With a hauntingly beautiful score by Robert Jason Brown and a book by Alfred Uhry based on the tragic and true story of the 1913 trial of a Brooklyn-born Jewish factory manager Leo Frank who was accused of raping and murdering a 13 year old employee, Parade recants Frank’s story through the eyes of those around him; his trial, sensationalized by the media; and the arousal of anti-Semitic tension in Atlanta and the state of Georgia. Sponsored by Breakdown Services (http://www.breakdownexpress.com/)

Barbara Beckley and T.J. Dawson, two of Southern California’s leading theatre Producer/Artistic Directors join Sterling & Stroili for an insightful discussion about the world premiere musical of Mark Saltzman’s Falling for Make Believe (Music by Richard Rodgers; Lyrics by Lorenz Hart) which reveals the dark side of Hart’s troubled and secret life at Beckley’s Colony Theatre in Burbank, CA; and T.J. Dawson’s 3-D Theatricals production of the infrequently done Tony Award-winning musical drama Paradeat the historic Plummer Auditorium in Fullerton, California. With a hauntingly beautiful score by Robert Jason Brown and a book by Alfred Uhry based on the tragic and true story of the 1913 trial of a Brooklyn-born Jewish factory manager Leo Frank who was accused of raping and murdering a 13 year old employee, Parade recants Frank’s story through the eyes of those around him; his trial, sensationalized by the media; and the arousal of anti-Semitic tension in Atlanta and the state of Georgia. Sponsored by Breakdown Services (http://www.breakdownexpress.com/)

Sterling supports Musical Theatre West’s production of the Pulitzer Prize and Tony Award-winning musical A Chorus Line at the Richard and Karen Carpenter Center IN Long Beach, CA; and a new musical work saluting Broadway composer Lorenz Hart at the Colony Theatre in Burbank, CA. Likened to Tom Waits, New Orleans concert and recording artist Alex McMurray in interviewed by Stroili. Distinguished Emmy nominated actress Susan Clark (from TV’s hit series Webster) discusses her film and television career and her starring role in Habitat produced by the Latino Theatre Company at the Los Angeles Theatre Center, in downtown Los Angeles. Broadway’s Matt Zarley (A Chorus Line, Joseph and the Amazing Technicolor Dreamcoat, CATS) talks about his beginnings in New York; his segue into becoming an award-winning pop recording artist; and his upcoming concert appearance at Sterling’s Upstairs at The Federal. Clark and Zarley recall awkward moments that went south while performing. Sponsored by Breakdown Services (http://www.breakdownexpress.com/)

Sterling supports Musical Theatre West’s production of the Pulitzer Prize and Tony Award-winning musical A Chorus Line at the Richard and Karen Carpenter Center IN Long Beach, CA; and a new musical work saluting Broadway composer Lorenz Hart at the Colony Theatre in Burbank, CA. Likened to Tom Waits, New Orleans concert and recording artist Alex McMurray in interviewed by Stroili. Distinguished Emmy nominated actress Susan Clark (from TV’s hit series Webster) discusses her film and television career and her starring role in Habitat produced by the Latino Theatre Company at the Los Angeles Theatre Center, in downtown Los Angeles. Broadway’s Matt Zarley (A Chorus Line, Joseph and the Amazing Technicolor Dreamcoat, CATS) talks about his beginnings in New York; his segue into becoming an award-winning pop recording artist; and his upcoming concert appearance at Sterling’s Upstairs at The Federal. Clark and Zarley recall awkward moments that went south while performing. Sponsored by Breakdown Services (http://www.breakdownexpress.com/)

http://www.andystreasuretrove.com/andystreasuretrove.com/Media/ATTSF%20Episode%20%2311%20Levelated.mp3.mp3 ()Episode 11 starts with two potential theme songs for Andy’s Treasure Trove submitted by listener and friend David Lisle, followed by Andy’s interview with British actor, writer and director Terence Davies. Born in 1945 in Liverpool, England, Terence Davies was the youngest of 10 children in a Catholic working-class family who suffered with an abusive father, bullies at school, the abuses of the Catholic Church and his own legendary self-loathing for being gay. After a shut-down adolescence he spent years as an accountant. He got into acting and then writing and filmmaking. His first 3 short films made in the 1980's entitled Children, Madonna and Child, and Death and Transfiguration later became known as The Terence Davies Trilogy. They were semi-autobiographical glimpses into the harrowing life of torment experienced by Davies in post-WWII Liverpool. In his first feature film, 1988's Distant Voices, Still Lives, the family again lives in the shadow of a monstrously abusive father, this time played by the great British character actor Pete Postlethwaite, whom Davies says is the only actor to play a member of his family who actually looked like the person they were portraying. Andy talks to Terence Davies about the 1992 film The Long Day Closes, a beautiful film centering on the favorite time of Davies’ childhood between the time his abusive father died and the family could relax a little, and the onset of his own highly fraught adolescence. They talk about several of his favorite cinematic techniques including his re-contextualizing of fragments of soundtracks from other movies, about the lost tradition of public singing in Britain, and of the chronic low self-esteem that haunts this great artist. Also about his new documentary/essay film about Liverpool entitled Of Time and the City, opening on Jan. 21 at Film Forum in NYC following a buzz-generating special screening at the Cannes film festival last year. Terence Davies is also being honored at New York's Museum of Modern Art this week. In an article in the New York Times yesterday (Jan. 11th), Dennis Lim compared Terence Davies with the English singer Morrissey in that they have both made a beautiful body of work based on misery. Andy spoke to Terence Davies following a chance meeting at the Pacific Film Archive in Berkeley California. See keywords, links and a photo below: Keywords and Links: Andy’s Treasure Trove online store, http://www.andystreasuretrove.com/ (www.andystreasuretrove.com), Terence Davies, theme music, theme songs, David Lisle, The Great Hall of 100 Treasure Boxes, Liverpool, England, abusive father, Children, Madonna and Child, Death and Transfiguration, The Terence Davies Trilogy, Distant Voices, Still Lives, Pete Postlethwaite, Postlewaite, The Long Day Closes, The Neon Bible, The House of Mirth, Film Forum, Cannes Film Festival, New York Times, Dennis Lim, Morrissey, Pacific Film Archive, Berkeley, California, Leigh McCormack, autobiographical films and plays, T.S. Eliott’s Four Quartets, Brueckner, depression, The Ladykillers, Kind Hearts and Coronets, Meet Me In St. Louis, 20th Century Fox Fanfare, Randy Newman’s Uncle Alfred Newman, Nat King Cole, Stardust, cinematic look, technique, testing, light, texture, Anaglypta textured wallpaper, Christopher Hobbs, film editing, timing, A Shropshire Lad, George Butterworth, British Film Institute Fellow, public and private singing in Great Britain, popular music, lyrics, Cole Porter, vulgarization and decline of most artforms in the last 40 years, Rogers and Hart, Hammerstein, Hoagy Carmichael, Great Period of American Songwriting, Lorenz Hart, Of Time And The City, BBC, Listen With Mother, Williamson Square, Berceuse (lullaby) from The Dolly Suite by Gabriel Faure, Alchemy, Magic, Andy’s Treasure Trove Listener Call-in Line: 415-508-4084. A personal...