Podcasts about Minnelli

"If it means anything to you, I love you." For Episode 360, Brandon and Thomas continue their series on Jukebox Musicals with AN AMERICAN IN PARIS. Listen as they discuss the life of George Gershwin, how Arthur Freed got the rights to make the film, why the movie couldn't be filmed in Paris, and how the musical shocked Hollywood on Oscar night.  Also, don't forget to join our Patreon for more exclusive content: Opening - Thomas's Broadway Trip -  (00:00:10) Recap of the Jukebox Musical Genre (00:05:36) Intro to An American in Paris (00:10:12) How An American in Paris Got to Production (00:15:36) Favorite Scenes (00:35:03) On Set Life - (01:02:09) Aftermath: Release and Legacy (01:11:18) What Worked and What Didn't (01:16:41) Film Facts (01:21:44) Awards (01:22:25) Final Questions on the Movie (01:27:55) Wrapping Up the Episode (01:36:20) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Kander, Ebb, Fosse, Minnelli

“'S Wonderful! 'S Marvelous!” – An American in Paris (1951)This week, we step into the dreamlike Technicolor world of An American in Paris with special guest Arlene Hellerman. A Publications Associate for Broadway Licensing Global, Arlene brings a multifaceted perspective shaped by a career spanning theatre, film, television, broadcast news, and print journalism.Together, we explore how Vincente Minnelli's 1951 musical turned Gershwin's music and Gene Kelly's choreography into a lavish cinematic spectacle—culminating in one of the most ambitious ballet sequences in film history.An American in Paris (1951) was directed by Vincente Minnelli and stars Gene Kelly and Leslie CaronSelected to the National Film Registry in 1993Known for:Its 17-minute ballet finale inspired by French impressionist artA seamless blend of Gershwin's music with vivid choreography and designWinning six Academy Awards, including Best PictureDiscussion topics include:The film's legacy in shaping the movie musicalIts stylized depiction of postwar ParisThe interplay between fine art and popular culture in Minnelli's visionFeaturing special guest:Arlene Hellerman, Publications Associate for Broadway Licensing Global, whose career spans theatre, film, TV, broadcast news, and print journalism Follow the Show:TwitterInstagramWebsite Music by Mike Natale

Join Matt and me for Episode 128—our final bow in the Sondheim series—as we dive into Sondheim: A Celebration at Carnegie Hall (1993).It's Broadway's best doing what they do best: belting, emoting, and worshipping at the altar of Sondheim. We're talking LuPone, Peters, Buckley, Minnelli—more divas than dressing rooms.It's grand. It's over-the-top. It's Sondheim with a full orchestra and zero chill. And yes, it was filmed—bless the archival gods.Watch it before we talk—we've got thoughts, feels, and at least three standing ovations.Support The Conner & Smith Show on Patreon:https://www.patreon.com/ConnerandSmith

Vincente Minnelli was the ultimate creature of the studio system, spending twenty years working for MGM and perfecting a distinct brand of big-budget, beautifully designed, often musical entertainment, from Meet Me in St. Louis to An American in Paris, The Bad and the Beautiful to Gigi. Minnelli's late period begins with two films he made toward the end of his run at MGM, his proto-psychedelic remake of Four Horsemen of the Apocalypse (1962) and Two Weeks in Another Town, which painted such a caustic picture of moviemaking decadence that MGM forcibly recut it. Knocked off his game, with both his faculties and his power waning, Minnelli made a trilogy of films about reincarnation and rebirth, one of which starred his famous daughter, Liza. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

durée : 00:25:45 - "Un américain à Paris", le film de Vincente Minnelli - Le chef-d'œuvre de Vincente Minelli, un monument de la comédie musicale

This week we're going overseas with AN AMERICAN IN PARIS! Patrick has never seen this classic piece of musical history - Lolo has seen it easily a dozen times. Traverse the streets of Paris with us (really, the MGM backlot, but we can pretend) in this week's episode of First Timers Movie Club!NOW ON OUR PATREON: Video versions of the podcast! Become a Patron today to join us in our living room with our cats as we record! www.patreon.com/ixfilmproductions Want a quick laugh, and see what we do when we're not podcasting? Check out our comedy sketches and click subscribe while you're there so Patrick stops mentioning it every episode. www.youtube.com/ixfpIndie Shout-Out: Dr. Candlepun's LOST ChannelA podcast for fans of LOST!https://www.youtube.com/@dr.candlepunUpcoming Film Festival Screenings: "Vegan Apocalypse" and "No Small Parts" will both be screening at the Salt City Film Festival,  OCt 17th-19th in Hutchinson, Kansas"No Small Parts" at Tallgrass Film Festival October 24th-27thCheck out Shotdeck: https://shotdeck.com/WE HAVE DEDICATED SOCIALS FOR FIRST TIMERS MOVIE CLUB NOW!Follow us on Facebook and Instagram for regular updates, trivia, recipes, and to be the first to know what our upcoming episodes are!Facebook:https://www.facebook.com/profile.php?id=61558990926951 Insta:https://www.instagram.com/firsttimersmovieclub/        Have a favorite (or least favorite) famous movie that you think we should've seen? Reach out to IX Film Productions on Twitter, Instagram or email and we'll add it to our list!  Follow IX Film Productions for podcast updates, original web shorts, behind the scenes sneak peeks and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfp  Subscribe to our newsletter for monthly updates on our website:www.ixfilmproductions.com  "First Timers Movie Club" is brought to you by IX Film Productions."Making the World a Funnier Place one Film at a Time"  Music The Curtain Rises by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5007-the-curtain-rises License: http://creativecommons.org/licenses/by/4.0/  

When you subscribe for only $10 a month, you will receive behind-the-scenes access to the life of a musician who makes a living on Broadway through YouTube videos, podcasts, and articles on what you need to know. We also have merchandise! https://merchandise.broadwaydrumming101.comIn this episode of Broadway Drumming 101, we are thrilled to welcome the incredibly talented Bill Hayes. With an illustrious career that has spanned decades, Bill shares his journey from a young music enthusiast to a celebrated Broadway musician. Tune in as we delve into:* Broadway Career: Bill Hayes discusses his extensive Broadway career, maintaining a balance while working with renowned artists like Liza Minnelli, Barbra Streisand, and Frank Sinatra.* Early Music Interests: Starting with piano lessons in kindergarten, Bill's passion for music grew as he got interested in drums during junior high. He formed his first band, "Barcelona Brass," inspired by Herb Alpert and the Tijuana Brass.* High School and Beyond: Bill studied under Alan Dawson in Boston during high school and later attended Hart School of Music, where he learned from notable musicians like Gary Burton and Al Lipak.* Transition to Broadway: Bill describes his move to New York, initially facing uncertainty but soon finding opportunities to sub in Broadway pits, eventually leading to his own chairs.* Challenges and Adaptations: Hear about Bill's experiences adapting to technological changes in Broadway pits, from acoustic settings to using in-ear monitors and flat screens.* Diverse Musical Styles: Bill emphasizes the importance of versatility in Broadway, switching between various musical styles quickly, and how this skill is valuable when playing with different artists.* Networking and Subbing: Bill advises aspiring Broadway musicians to start by subbing, meeting established players, and building a network as crucial steps for getting and maintaining work on Broadway.* Maintaining Musicianship: Learn about the importance of staying in shape, both musically and physically, to avoid injuries and maintain high performance levels throughout a long career.* Career Longevity and Flexibility: Bill reflects on the unpredictability of Broadway careers, the importance of staying flexible, taking opportunities as they come, and continuously learning and adapting.Bill Hayes' career has taken him around the globe, performing with legends like Barbra Streisand, Liza Minnelli, Frank Sinatra, and Audra McDonald. His international tours have included destinations from Paris to Uruguay to Tokyo. Bill has recorded three albums with Streisand, six with Minnelli, and collaborated on projects with Sinatra, Rufus Wainwright, Brian Stokes Mitchell, Meredith Monk, Maria Schneider, Gerry Niewood, and Lea DeLaria.His musical versatility is a hallmark of his career, demonstrated by his diverse collaborations. From sharing the stage with KORN on MTV Unplugged to performing with Spiritualized at Radio City Music Hall, Bill has worked with musical icons like Aretha Franklin, Kenny Rogers, Ray Charles, Marvin Hamlisch, and Art Garfunkel. Bill's Broadway contributions are equally impressive, with chairs in over 60 Broadway shows and recordings of numerous cast albums. His television appearances span five continents, showcasing his global influence.Bill Hayes proudly endorses Innovative Percussion and Paiste Cymbals.Don't miss this insightful conversation with one of Broadway's finest musicians!Clayton Craddock is the founder of Broadway Drumming 101, a comprehensive online platform dedicated to providing specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include: tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK! Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Patreon supporter Justin's last pick was Bottle Rocket from the 90's and this time we're going 3 decades back to 1963 with The Courtship of Eddie's Father. The Courtship of Eddie's Father, directed by Vincente Minnelli, was a noteworthy project within the family-comedy genre, combining elements of drama and humor to tell a heartfelt story. Based on the novel by Mark Toby, the film starred Glenn Ford as Tom Corbett, a widower struggling to raise his young son Eddie, played by Ronny Howard. The casting of Ronny Howard, already known for his role on "The Andy Griffith Show," brought a natural and endearing quality to the film. The chemistry between Ford and Howard was central to the film's success, as their believable father-son relationship drove the emotional core of the story. Filming took place in various locations around Los Angeles, which provided an authentic backdrop for the characters' lives. Minnelli's direction emphasized the subtleties of familial bonds and the complexities of single parenthood. The production also benefited from a strong supporting cast, including Shirley Jones and Stella Stevens, who played potential love interests for Ford's character. The film's balance of lighthearted moments with more serious themes of loss and moving on resonated with audiences, making it a box office success. If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Plot Summary: Tom Corbett, a widowed father, is trying to raise his young son Eddie. As Tom navigates single parenthood, Eddie takes it upon himself to find a new wife for his father, leading to a series of humorous and heartfelt encounters with potential candidates. Throughout their journey, Tom and Eddie form a deeper bond, learning to cope with their loss and understanding the importance of love and companionship. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/thevhsstrikesback/message Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support

Ladies and gentlemen, you are about to hear an episode of murder, greed, corruption, violence, exploitation, adultery and treachery - all the things this episode holds dear to its heart. We had it coming! We had it coming! We only have this Mister Cellophane to blame. Oh yes, oh yes, oh yes they both reached for the gun, the gun, the gun, the gun - hang on - is this understandable? Well you can look right through this because there is a little bit of good - and we can't do it alone! We're gonna rouge our knees and listen to episode 14!On our fourteenth episode of Sunday on the Pod, the gals talk Nietzche, Brecht, Fosse and Minnelli - no, it's not Rosa's fantasy dinner party come to life, it's CHICAGO time baby! So what are you waiting for? Sit back and enjoy the pod!CreditsArtwork by @drawnatthehalfHosted by Casey Gwilliam, Florence Lace-Evans and Rosa Maria AlexanderProduced by Rosa Maria AlexanderSUGAR COOKIE (Piano Ver.) Music by 샛별Daystar https://youtu.be/7lqpOlVYtD0 Promoted by BGMD No Copyright Music http://tiny.cc/yf4qpzEmail: sundayonthepod@gmail.comInstagram: @sundayonthepodTwitter: @sundayonthepodFacebook Page: https://www.facebook.com/profile.php?id=100090008413791

OSCAR BAIT We're hopelessly devoted to the Academy Awards. This episode, we look at the songs written expressly for film adaptations of Broadway shows. Sinatra, Madonna, Streisand, Minnelli, and many more.

Roses are red, violets are blue, we all worship Liza and so should you. Because who is more iconic than the woman who gave us the Cabaret movie, Linda in “Arthur,” and Lucille 2 in Arrested Development? So in celebration of the marvelous Mrs. Minnelli, here's our episode on Liza's stint as a host on the Home Shopping Network.~~~We here at “This Was A Thing” LOVE Ms. Liza May Minnelli! March 12th just happened to be her birthday, so we wanted to throw her a little birthday celebration! The woman DESERVES it, for heaven's sake!Liza isn't just known for being the daughter of Judy Garland and Vincente Minnelli, for her Oscar-winning performance in “Cabaret”, or for the greatest concert of all time, “Liza with a Z”. Ms. Minnelli isn't even just known as one of the few EGOT (Emmy, Grammy, Oscar, & Tony) winners.Liza is also remembered for her collection of clothing and jewelry that she sold on the Home Shopping Network. “The Liza Collection” features a stunning variety of velvet jumpsuits, sequin jackets, and chunky bracelets molded from clay. Liza wouldn't have it any other way…This week Ray teaches Rob about how a song from the musical Gypsy fueled his Liza obsession, why Bobbi Ray Carter is the HSN MVP, and what other celebrities have risen to the occasion of selling their brands on cable television.“The woman should wear the dress, not the dress wear the woman.” – Liza MinnelliIf you like what we're doing, please support us on Patreon, or you can subscribe to our bonus content on Apple Podcasts. And we'd love to find even more listeners, so if you have time, please leave us a rating or review on Apple Podcasts, Spotify, or wherever you listen to podcasts. And if you have any other thoughts or feedback you'd like to share with us, we'd love to hear from you - feel free to email us or send us a message on social media. TEAM:Ray HebelRobert W SchneiderMark SchroederBilly RecceDaniel SchwartzbergGabe CrawfordNatalie DeSavia WEBSITESLiza Minnelli - IMDbLiza Minnelli - PlaybillHome Shopping Network Official Site ARTICLES

Jack loves being a film critic ... analyzing both the good and the bad of everything that is cinema.  The Best Picture Oscar winner of 1951, An American in Paris, covers both ends of that spectrum. The music of George Gershwin, the dance sequences, and many of the scenes really project this film forward ... but was all of that enough to deserve the accolades it received from the Academy, including the top prize at the Oscars.Download and listen to this final episode of Season 3 of Rewatching Oscar, and hear Jack's take on this MGM classic as well as all the other greats from 1951, and find out which film he thinks deserves his Rewatch Oscar. SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHear RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, InstagramShare your thoughts and suggestions with us through:Facebook Messanger or email us atjack@rewatchingoscar.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clip courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-Star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Tags: OscarsAcademy AwardsBest PicturewinnermoviesfilmreviewRewatching Oscarpodcast

December!! And Month Songs- Disgraceland: INXS -  The Award for Colossal Douche of the Year - There I Ruined It (Holiday Edition) - New Zealanders Are Sheep Fuckers? - Phrases to Retire Forever

"Hello, Mom?" This week we talk about "Bells Are Ringing," a musical from 1960, in the typical Minnelli style: bright colors, swinging dance numbers, and unlikely romance. Robin and Lisa discuss Judy Holliday, a comedienne who won us over completely, and director Vincent Minnelli, an award-winning visionary who left an indelible mark on American cinema. Listen, watch, and tell us what you think!https://www.instagram.com/realoldreels/

Mark Griffin discusses "A Hundred or More Hidden Things: The Life and Films of Vincente Minnelli." Minnelli is widely regarded as one the most important and creative filmmakers of all time.

Steven Maglio heard a recording of Frank Sinatra singing MY KIND OF TOWN, and to pass the time on his new daily trek, he would sing the song to himself over and over. After a few days, he decided he needed another song and began to explore the only Sinatra album his parents owned at the time, A MAN AND HIS MUSIC. That was the beginning of his addiction to Sinatra and that whole world of standard songs and singers. TANYA MOBERLY has been performing in cabaret since 1997 when she co-created the THE BLONDE LEADING THE BLONDE. The show ran for 8 episodes over the course of 5 years and received a MAC Award nomination for special production. Sandra Bargman's life journey has been multi-faceted. As a kid, she always wondered why she was here, if she had a life mission, if there is an afterlife. Sandra was insanely fascinated with cemeteries. Raised Presbyterian, she loved the rituals, and singing in the choir, but foundshe needed to look outside organized religion to find HER answers to the big questions. JILLIAN SNOW is a singer and actor who graduated from the American Musical and Dramatic Academy in New York City. She has worked predominately in comedy, gracing the stages of Gotham Comedy Club, the Laugh Factory, and Comix NYC as a Liza Minnelli impersonator. After seeing her perform, Michael Musto of the Village Voice said, “This could open up Minnelli to a whole new audience!” Eventually, Jillian fled New York so she could get some sleep and found exile in Portland, Oregon.   As an actor David was nominated for Broadway World's “Performer of the Decade” for his performance in “Murder for Two” at Broadway Rose Theatre. David is a Liberace tribute artist who performs with Jillian Snow (as Liza Minnelli), and Bo Ayars (Liberace's actual Music Director from 1973-1985). 

durée : 00:58:25 - Vincente Minnelli, du musical au mélodrame - par : Thierry Jousse - Pour le dernier Ciné Tempo de la saison, nous célébrons un des plus grands cinéastes hollywoodiens, Vincente Minnelli, auquel la Cinémathèque Française consacre une rétrospective pendant tout le mois de juillet. De quoi se réjouir pendant tout l'été… - réalisé par : Anne-Lise Assada

This week on And the Runner-Up Is, Kevin welcomes writer/Instagram star Mark O'Donovan to discuss the 1972 Oscar race for Best Actress, where Liza Minnelli won for her performance in "Cabaret," beating Diana Ross in "Lady Sings the Blues," Maggie Smith in "Travels with My Aunt," Cicely Tyson in "Sounder," and Liv Ullmann in "The Emigrants." We discuss all of these nominated performances and determine who we think was the runner-up to Minnelli.  0:00 - 14:09 - Introduction 14:10 - 37:41 - Diana Ross 37:42 - 57:45 - Maggie Smith 57:46 - 1:18:42 - Cicely Tyson 1:18:43 - 1:35:09 - Liv Ullmann 1:35:10 - 1:54:26 - Liza Minnelli 1:54:27 - 2:32:23 - Why Liza Minnelli won / Twitter questions 2:32:23 - 2:35:25 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Mark O'Donovan on Twitter and Instagram Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

In the most-anticipated episode of Columbia House Party yet, Jake Goldsbie and Blake Murphy dive into My Chemical Romance's ambitious rock opera The Black Parade. A follow-up to their breakthrough album Three Cheers for Sweet Revenge, The Black Parade takes the MCR aesthetic up several notches and leans into a dark, quirky, ultimately redemptive single-story arc about The Patient. The album was a much bigger commercial success than some may remember, leading to a great deal of conversation around emo culture and some disturbingly laughable claims from mainstream UK media. Find out more about Gerard Way's intentions with the album, how fans rallied as a community around it, and what this moment in music helped accomplish for the discussion around mental health in this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

Are you excited for season 2 of "Schmigadoon!" on Apple+? Because we definitely are, but before we watch any of that show Patrick requires that Lolo show him the musical that started it all Brigadoon! Gene Kelly and Cyd Charisse in a musical by Lerner and Loewe directed by Vincente Minnelli; that's got to be a hit right? Find out how Patrick's never seen this musical and what Lolo and Patrick think after having seen it. New episodes of First Timers Movie Club come out every other Friday so click SUBSCRIBE and rate us five stars to make sure you don't miss our next episode!Become a Patron today for access to exclusive episodes and videos: https://www.patreon.com/ixfilmproductionsHave a favorite (or least favorite) famous movie that you think we should've seen? Reach out to IX Film Productions on Twitter, Instagram or email and we'll add it to our list!Our upcoming Events and Screenings mentioned in this episode:See Vegan Apocalypse at the Bare Bones Film Festival: http://www.barebonesfilmfestival.org/ See Vegan Apocalypse at the Free State Film Festival: https://freestatefestival.org/Follow IX Film Productions for podcast updates, stand up comedy, original web shorts and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfpSubscribe to our newsletter for monthly updates on our website: www.ixfilmproductions.com"First Timers Movie Club" is brought to you by IX Film Productions."Making the World a Funnier Place one Film at a Time"MusicThe Curtain Rises by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5007-the-curtain-risesLicense: http://creativecommons.org/licenses/by/4.0/

https://notesonfilm1.com/2023/04/09/thinking-aloud-about-film-beware-of-the-holy-whore-rainer-werner-fassbinder-west-germany-1971/ I've been watching all the Fassbinder films I can get my hands on in chronological order and find this the culmination of his early works, a great film about filmmaking to rank alongside Minnelli's TWO WEEKS IN ANOTHER TOWN (1962) Godard's CONTEMPT (1963) or Truffaut's DAY FOR NIGHT (1973). Richard hasn't seen a Fassbinder film for two decades and finds it harder to get into. We discuss the structure, the marvellous visual and dramatic handling of a very large cast, the gorgeous glossy look –surprising in Fassbinder films to this point -- and snake-like long takes (Michael Ballhaus is the cinematographer), the psycho-sexual power dynamics in the narrative and we admire Hannah Schygulla. A main take-away from this conversation with Richard is how Fassbinder's early work points to a type of cinema and a type of queer representation that the AIDS pandemic brought an end to and of which QUERELLE might be a nodal point. BEWARE OF THE WHOLY WHORE is ostensibly based on Fassbinder's experience of filming WHITY (1971) but it is a difficult film to see at this point and that aspect has largely been left out of the discussion.

[[New Improved edition – with restored Home From the Hill content!]]   It's March Minnelli Madness as we watch three melodramas directed by Vincente Minelli, plus one nightmarish comedy: The Long, Long Trailer (1954), starring Lucille Ball and Desi Arnaz; The Cobweb (1955), starring Richard Widmark and Lauren Bacall (among other big names); Some Came Running (1958), based on the novel by James Jones and starring Frank Sinatra, Dean Martin, and Shirley MacLaine; and Home from the Hill (1960), starring Robert Mitchum as an ironic patriarch and a curiously radiant George Peppard as his illegitimate son. We talk about Minnelli as a scrutinizer of masculinity and sexual mores, about certain auteurist concerns that we discover on the fly, and about Minnelli's version of 1950s consumer culture satire. Then, in Fear and Moviegoing in Toronto, we discuss the Minnelli melodrama-adjacent From Here to Eternity (1953), based on James Jones's first and less eccentric novel, with Frank Sinatra in a very different role.    Time Codes: 0h 0m 45s:        THE LONG, LONG TRAILER (1954) [dir. Vincente Minnelli] 0h 26m 52s:      THE COBWEB (1955) [dir. Vincente Minnelli] 0h 41m 29s:      SOME CAME RUNNING (1958) [dir. Vincente Minnelli] 1h 17m 08s:      HOME FROM THE HILL (1960) [dir. Vincente Minnelli]   1h 37m 50s:      Fear & Moviegoing In Toronto – FROM HERE TO ETERNITY (1953) by Fred Zinnemann   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

durée : 01:04:59 - Les Nuits de France Culture - par : Albane Penaranda - Euphonia - Les Géants de la Comédie Musicale Américaine, 4 : Vincente Minnelli (1ère diffusion : 26/05/1988)

This week we had the unique displeasure of discussing a film that very few people have heard of, let alone watched. It features one of Liza Minnelli's most celebrated performances and ruminates on late-1960s gender politics, in the style of The Graduate (1967), but it's also guilty of romanticising stalking. Sam Meltzer joined me in breaking down the rapturous critical response that Minnelli's star turn received, in addition to questioning whether Wendell Burton was a real human being. Sam's podcast https://anchor.fm/theoscardoesntgoto/episodes/American-Hustle-with-Valentina-e16dpo8 Twitter https://twitter.com/SamTheParasite https://twitter.com/TODGTpodcast https://twitter.com/300Passions twitter.com/Zita_Short Letterboxd https://letterboxd.com/sammeltzer/ Grant Zepernick provided the artwork for this podcast. Please rate and review the podcast in order to increase its visibility. Thanks for listening.

Esmé Holden explores how the precision of Minnelli's mise-en-scène creates a platonic formula for nostalgia in Meet Me in St. Louis.

[ For full episode catalogue please subscribe to our Patreon at Patreon.com/BestActress ] The year is 1970 and the nominees are: 1. Maggie Smith - The Prime of Miss Jean Brodie 2. Genevieve Bujold - Anne of the Thousand Days 3. Jane Fonda - They Shoot Horses, Don't They? 4. Liza Minnelli - The Sterile Cuckoo 5. Jean Simmons - The Happy Ending - In 1970 Maggie Smith won her first of two Oscars for The Prime of Miss Jean Brodie. Smith plays an eccentric schoolteacher in a conservative school during the 1930's in Edinburgh, Scotland. She had won the BAFTA for Best Lead Actress but odds on favourite at the Oscars was Jane Fonda in They Shoot Horses, Don't They. Many speculated she (Fonda) lost this Oscar due to an arrest on Fort Hood military reservation as well as rumours of drug use and adultery had cost her the award. Remember! It was the late 1960's/70's. However Smith delivers an amazing performance in TPOMJB. Liza Minnelli became a first time nominee in The Sterile Cuckoo. A role Judy Garland urged her not to play worried it would make her seem unattractive. I don't agree! Pookie (the character Minnelli plays) is obnoxiously charming! Genevieve Bujold plays Anne Boleyn in Anne of the Thousand Days. A fantastic performance and I would recommend if you enjoy period pieces. Finally, Jean Simmons was nominated for The Happy Ending - a hilarious camp film about a woman who walks out on her family (inexplicably) and struggles with drug and alcohol addiction. Join host Kyle Brownrigg with guest host Luke McFarlane as they discuss.

Shat on TV listeners begging us to cover "House of The Dragon" finally get their wish in this week's Shat The Movies feature: "Arthur." This episode commissioned by David K. also explores what to wear shoplifting and features tons of listener mail. Dudley Moore and John Gielgud aren't household names in America, but the two English legends created an 1981 comedy alongside the goddess Liza Minnelli that distilled the essence of New York. "Arthur" led the Shat Crew to conversations about Christopher Cross' theme song for the movie, being stage drunk, surprise tears, unnecessary cruelty, Russell Brand, the pressure of growing up wealthy and how Scotch led to the prevalence of roosters in '90s New Orleans kitchens. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

El atrezo y el glamour, el vértigo del éxito y la gente de la farándula. Es el cine dentro del cine de la mano de Vincent Minnelli, su segundo film con esta temática tras Cautivos del mal, también protagonizada por Kirk Douglas diez años antes. Una visión desencantada y ácida de un Hollywood trasladado a Europa, a la Roma de Cinecittá, acción recurrente para estudios como la Metro al principio de los años 60, abarataba los costes de producción. Minnelli y su operador Milton R Krasner filmaron en zonas turísticas de la capital italiana, paseamos de la mano de Kirk Douglas y su joven amante por la Plaza Navona, la Plaza de España, buscamos al galán desequilibrado, actor principal de la película que se rueda por los barrios del Trastevere, y, desde un balcón, admiramos la Fontana de Trevi. También hay muchos interiores, Minnelli, director prototipo del Hollywood estudio, la mayor parte del tiempo filmaba en decorados , en habitaciones de hoteles, salas de fiesta y suntuosas mansiones. Todos quieren sacar tajada del prójimo sin reparar en las consecuencias, mentiras, banalidad, neuras La relación amor-odio entre el director Kruger y su actor favorito, el mismo Andrus le comenta al médico del sanatorio en la secuencia inicial. “Odio y amor, mezclados juntos con mucho hielo y cebolla, al estilo Kruger”. El actor vivirá un romance con Verónica, una chica demasiado inocente para la cohorte de fieras y hienas en la que se mueve. Ambos saben que su romance no va a ningún lado, se dejan llevar. Andrus desea aniquilar sus demonios en Roma, y si la casualidad hace que tenga que ocuparse de terminar la película lo hará. Aunque su mentor le confiese enfermo de muerte que él también se acostó con Carlota. Andrus vuelve a perder pie en la piscina donde su amigo nadó con su esposa. Otra vez presa de los celos, de sus devaneos con unos y con otros, otra vez a punto de matarse en un accidente de coche con ella de acompañante. La misma belleza y fealdad del film que el equipo de rodaje visiona en la sala de proyección, el patetismo de una borracha arrojada a la piscina, los Cautivos del mal, del glamour y la dolce vita. Esta noche intentamos disimular el temblor de la mano… Raúl Gallego, David Velázquez y Zacarías Cotán

Andrew Minnelli, S4.E9 by BIGHORN Podcast

Sybil Minnelli is one of the stars of The Jean Bardot show, and has lived a life of adventure as her authentic self while balancing a family life of a different character. From public performances to private moments, we visit with this amazing personality in our second video version of the show.

Película: "The bad and the beautiful" (1952) Conducción: Diego Cirulo. Invitada: Melina Cherro Uno de los más grandes directores del cine clásico es, sin lugar a dudas, Vincente Minnelli. Lamentablemente, durante estos años, no pudimos dedicarle un buen espacio en BSO. Pero, nunca es tarde y aquí estamos, con un especial dedicado a uno de sus films más potentes: "Cautivos del mal" (The bad and the beautiful, 1952). Una obra imponente que -con sus 70 años a cuestas- sigue siendo infinita, por su mirada de mundo, por sus símbolos y por su aporte al pensamiento tradicional. Te invitamos a recorrer este "claroscuro" interminable, de la mano de nuestra amiga Melina Cherro (¡finalmente nos encontramos!) y Diego Cirulo. Producción general: Diego Cirulo, Fabio Villalba, Luciana Eyras. Locución: Daniela Jorquera Música: Leonel Ibaña, Bahía Blanca

Attrice star del Mago di Oz ebbe privato pieno di dolori.

durée : 01:04:59 - Les Nuits de France Culture - Par Noël Simsolo - Avec Jean Douchet - Réalisation Jocelyne Pruvot

Actor-singer-dancer-educator, Billy Hartung, has over 1000 performances on the Broadway stage to his credit. Billy's been featured in three Broadway shows, Side Show, Footloose, and Minnelli on Minnelli. He can also be seen singing and dancing in the Academy Award winning movie musical “Chicago.” You can hear Billy singing on the original soundtrack recordings of all four of the aforementioned shows.He was invited to perform in the 75th Annual Academy Awards. He also performed in the 25th Anniversary of the Kennedy Center Honors, in featured tributes to Chita Rivera & Elizabeth Taylor. A Pittsburgh native, Billy has performed with the Pittsburgh CLO, Pittsburgh Public Theatre, City Theater, The Pittsburgh Playhouse, The Pittsburgh Symphony and Front Porch Theatricals, where he was last seen in the local premiere of the musical, Big Fish, playing the lead role of patriarch, Edward Bloom, a role that made him runner-up for the Pittsburgh Post-Gazette Performer of the Year.Billy is currently the Executive Director of the Center for Theater Arts, which offers an award-winning professional curriculum of more than 80 classes in the performing arts, including singing, dancing, acting and more. 

Vince Spinnato, Cosmetic Chemist and 'Certified Nose', is back for a return engagement on the 'Tales of the 2SLGBTQ+' podcast.  This time to discuss how we was chosen by Lorna Luft, Liza Minnelli and The Judy Garland Heirs Trust to develop a fine fragrance in honor of the late legendary actress, recording artist, and entertainer Judy Garland.The unisex fragrance, to be called 'Judy' – A Garland Fragrance by Vincenzo Spinnato, will be released on June 10th, 2022 which is Ms. Garland's 100th birthday.Daughters Lorna Luft and Liza Minelli worked in conjunction with Spinnato to develop 'Judy', which will be reminiscent of their mother's favorite scents, aromas, and perfumes, with a modern twist.  "It will be a unisex fragrance that captures the essence of Judy Garland and evokes memories of our mother," says Luft."It's wonderful to be able to celebrate my mother's legacy in this special way. She would have been thrilled!" says Minnelli. In this episode, Vince discusses everything to do with Judy and the work that was done in such a short time to create this product!Support the show

durée : 01:30:00 - Les Nuits de France Culture - "Mardis du cinéma - Tous en scène : Six personnages en quête de rêve" par Mireille Krauss. Tous en scène de Vincente Minnelli (1953) est une fable sur l'essence de la comédie musicale et sur les rapports qu'elle entretient avec la féerie du monde. Les personnages interprétés, entre autres, par Fred Astaire et Cyd Charisse se tiennent dans le huis-clos d'un univers circulaire où tout se dit en termes de poursuite d'un rêve de bonheur. * Pierre Coural s'était entouré de François Guérif, Dominique Rabourdin, Jean-Paul Török, Ado Kyrou et Alain Masson pour comprendre Vincente Minnelli et son film Tous en scène (The Band Wagon), un enchantement sur pellicule qui portait en lui une défense du métier de metteur en scène et le goût du divertissement, en somme une sorte de testament spirituel. Production : Pierre Coural  Réalisation : Mireille Krauss Mardis du cinéma - Tous en scène : Six personnages en quête de rêve  1ère diffusion : 12/02/1985 Indexation web : Sandrine England, Documentation sonore de Radio France Archive Ina-Radio France

POTERE AL POPOLO – S.VARIN – D.BELLOTTI – R.MURRO – S.ZMALI – L.MINNELLI – ON.SUTTO – 02 – 05 – 2022

Original Air Date: Monday 4 April, 9 pm EasternDescription: This week, Dean and Phil follow up on one of their best episodes ever by discussing the importance of manners as they relate to masks, shoes, and award shows! They have some bracing words about the nature of "safety" in show business. Then, they turn their attention to the Oscar-winning documentary Summer of Soul before discussing Oscar-winner George Chakiris and what he thought made original West Side Story choreographer Jerome Robbins so great. They also discuss the importance of representation, which leads to a discussion of an early Vincente Minnelli film, Cabin in the Sky from 1943, featuring an incredible all-black cast. That leads to a discussion of the version of A Star is Born produced by and starring Minnelli's one-time wife, Judy Garland. It was a remake, of course, and has been remade twice more. And speaking of remakes, Dean and Phil conclude by analyzing Kenneth Branagh's Death on the Nile, why it failed as a movie and what is being blamed for its failure at the box office.

We here at “This Was A Thing” LOVE Ms. Liza May Minnelli! March 12th just happened to be her birthday, so we wanted to throw her a little birthday celebration! The woman DESERVES it, for heaven's sake! Liza isn't just known for being the daughter of Judy Garland and Vincente Minnelli, for her Oscar-winning performance in “Cabaret”, or for the greatest concert of all time, “Liza with a Z”. Ms. Minnelli isn't even just known as one of the few EGOT (Emmy, Grammy, Oscar, & Tony) winners. Liza is also remembered for her collection of clothing and jewelry that she sold on the Home Shopping Network. “The Liza Collection” features a stunning variety of velvet jumpsuits, sequin jackets, and chunky bracelets molded from clay. Liza wouldn't have it any other way… This week Ray teaches Rob about how a song from the musical Gypsy fueled his Liza obsession, why Bobbi Ray Carter is the HSN MVP, and what other celebrities have risen to the occasion of selling their brands on cable television. “The woman should wear the dress, not the dress wear the woman.” – Liza Minnelli If you like what we are doing, please support us on Patreon     TEAM: Ray Hebel Robert W Schneider Mark Schroeder Billy Recce Daniel Schwartzberg Gabe Crawford Natalie DeSavia     WEBSITES Liza Minnelli - IMDb   Liza Minnelli - Playbill Home Shopping Network Official Site    ARTICLES HSN   Entertainment Weekly Daily Mail Dallas Voice   AUDIO/VISUAL Liza Minnelli on HSN Supercut LizaOnHSN YouTube Channel My Favorite Broadway: The Leading Ladies - Some People - Liza Minnelli Liza Minnelli - Some People (Live From Radio City Music Hall, 1992) Liza with a Z - Ring Them Bells Learn more about your ad choices. Visit megaphone.fm/adchoices

Izzy of the Be Kind Rewind YouTube Channel joins Brian for a discussion of CABARET, winner of 8 Academy Awards, including Best Supporting Actor, Best Director, and Best Actress for Liza Minnelli. They also talk about Minnelli's remarkable career and pick her three best films!CABARET  is available on Amazon Prime: https://amzn.to/3st0vWNFollow us at filmatfifty.com and @filmatfifty on social media, and please leave us a five-star review on Apple Podcasts or wherever you listen to your podcasts. You can also email the podcast at fiftyyearsagoinfilm@gmail.com!

Some Came Running (1958) / Avengement (2019) Join us this week for two fraught homecomings as Frank Sinatra drinks his troubles away in a Minnelli-drama and Scott Adkins guzzles pints and holds court in a Jesse V. Johnson beat-em-up

MUSICA INDIPENDENTE & POTERE AL POPOLO – S.VARIN – E.SBRIGLIO – F.PANI – E.SANCHI – MAILENA – L.MINNELLI – C.SOLDANI – P.LICCIARDI – 17 – 12 – 2021 FATTI SENTIRE! Per sostenere la tua radio e per partecipare in prima persona ai tuoi programmi preferiti.. ABBONATI A RPL! È facile, economico e democratico! Vai sul sito https://radiorpl.it/abbonati Largo agli indipendenti! VENERDI ORE 13 & SABATO ORE 20.30!

We know we've sung high praises for all our Great Old Broads, but wow, was Liza Minnelli an amazing talent! In our final installment of the series, we discuss this multi-media star, tailor-made for the New Hollywood of the 1960s. Even though she had famous Hollywood movie studio parents, Judy Garland and Vincente Minnelli, Liza initially propelled herself toward life as a dancer and actor on stage. She had such early success, she won a Tony Award at age nineteen in her first leading role on Broadway, and the film industry quickly came calling. Ultimately becoming a star of all media--stage, screen, concerts, television--Minnelli gave her all in every performance, to the point that co-host Eileen notes that it's exhausting just watching her sing-dance-act and do encore after encore. We talk about Minnelli's extravagance and skill, her wild showbiz personal life, her admirable code of ethics, her relationship with her famous parents, and her investment in the glittering future. Minnelli poured every last ounce of herself into her performances, and we hope we returned the gesture this week on Filmsuck!

Stewart F. Lane has such a deep passion for New York City, theater, and Broadway. I always enjoy our conversations as his energy is contagious as he speaks about his work. In this episode, we discuss how he became a theater producer, the biggest challenges involved in producing on Broadway, and why it's important for actors to know the foundations involved in producing.Stewart F. Lane is the Chief Executive Officer, President and Co- Founder of BroadwayHD, Chief Executive Officer of Theater Venture Inc and a six- time Tony Award winning producer for ”Jay Johnson:  The Two & Only,” “Thoroughly Modern Millie,” “The Will Rogers Follies," “La Cage Aux Folles,” "A Gentleman's Guide to Love and Murder," and "War Horse." As well as a nine time nominee including “Fiddler on the Roof” (revival) starring Alfred Molina, “Gypsy” (revival) starring Bernadette Peters, “1776” (revival) starring Pat Hingle and Brent Spiner, “The Goodbye Girl” starring Martin Short and Bernadette Peters and “Woman of the Year” starring Lauren Bacall. Lane is also the recipient of four Drama Desk Awards, a Drama Critics Circle Award, a Outer Circle Critics Award and a Drama- Lounge Award . Other Broadway producing credits include “Cyrano De Bergerac” starring Kevin Kline, Jennifer Garner and Daniel Sunjata, “Legally Blonde the musical,” “Minnelli on Minnelli” starring Liza Minnelli, “Wait Until Dark” starring Quentin Tarantino and Marisa Tomei, “Can-Can” starring Zizi Jeanmaire, “Frankenstein” starring Dianne Wiest, “Teaneck Tanzi” starring Deborah Harry and Andy Kaufman, “A Change in the Heir,” “The Grand Tour” starring Joel Grey, “West Side Story” starring Debbie Allen and many more.  Giving back to the theater community, Lane has created scholarship funds at Columbia University Business Graduate School and Boston University College of Fine Arts Undergraduate School and has been a major support to the University of Massachusetts, Emerson College and Fiorello H. La Guardia High School for the Performing Arts School. Five Towns College honored Lane with naming their business school, Stewart F. Lane School of Business for his contributions to the World of Entertainment.  You can learn more about Stewart by visiting https://mrbroadway.com/index.html and https://www.broadwayhd.com/Sign up for the Actorcast Newsletter at Actorcast and join our membership to gain access to exclusive content at Become an Actorcast Premium Member | Actorcast. 

Bob introduces Brad to one of his all-time favorite films, Vincente Minnelli's 1944 musical Meet Me in St. Louis. This unconventional MGM musical isn't as big or splashy as An American in Paris or Singin' in the Rain, instead opting to follow the day-to-day life of a family over the course of one year. Judy Garland of course commands every scene she's in, but the cast here is uniformly excellent, and the camera work is some of Minnelli's best and most artistic. Meanwhile, the guys hesitantly return to the Buffalo Trace portfolio to try Hancock's President's Reserve, a low-proof bourbon that still sells for outrageous prices on the secondary market. How will this stack up against bourbons at similar proof points (which are obviously much easier to find)? Film & Whiskey Podcast. New episodes every Monday. Film & Whiskey Instagram Film & Whiskey Facebook Film & Whiskey Twitter Call-in Line: (216) 800-5923 Email us! Join our Discord channel! Theme music: "New Shoes" by Blue Wednesday Transition music: Delphinus by NK Music --- Send in a voice message: https://anchor.fm/filmwhiskey/message Support this podcast: https://anchor.fm/filmwhiskey/support

A discussion of the Youssef Chahine's Devil of the Sahara aka The Desert's Devil. We discuss the influence of Zorro and Robin Hood on the film, how Sharif is deployed as a combination of Errol Flynn AND Tyrone Power. We praise the film's production values; how it's a piece of entertainment filmed with a verve and flair that comes across even in the very bad copy we had access to. The film has exciting action sequences that make one re-think action in his later films and very successful large-scale musical numbers -- the influence of Minnelli evident throughout -- that likewise raises questions about the deliberateness of later choices. A glossy piece of entertainment we both loved even though we saw it in the worst circumstances possible.

1977-be ugrunk, a múlt heti kitérő után visszatérünk az Új Hollywood-féle dekonstrukciós fősodorvonalba. Ezúttal Bob Fosse helyett Martin Scorsese rendezi Liza Minnellit, aki harmadjára is együtt dolgozik Robert de Niróval. Ez a film a New York, New York, amellyel Scorsese megkísérelte összeházasítani a naturalista karakterábrázolást a hőskorszaki musicalek fennköltségével. Hol helyezkedik el Robert de Niro karaktere a Robert de Niro-karakterek sorában, akiket Martin Scorsese filmjeiben játszott? Liza Minnelli hogyan idézi meg ebben a filmben az édesanyját, Judy Garlandot? És hogy idézi meg Scorsese a színésznő édesapját, Vincente Minnellit? Hogyan viselte a Taxisofőrrel két évvel korábban óriásit szakító mester, hogy a következő filmje pénzügyi és kritikai bukás lett? És hogyan értékeli az utókor ezt az újraértelmezett musicalt? Újra beszélünk Fred Ebbről és John Kanderről, akik a Cabaret után a New York, New York zenéjéét is írták. Mi a legendás címadó sláger története, és hogyan sajátította ki Frank Sinatra a dalt? A film gerincét képező párkapcsolaton is rengeteget mélázunk: miét nehéz nézni De Niro és Minnelli karakterének kapcsolatát? Hogyan vált ki érzelmi hatást a nézőjéből Scorsese, és hogyan látjuk viszont a technikáit negyven évvel később a The Irishmanben? Linkek A Vakfolt podcast Facebook oldala és a Facebook-csoportunk A Vakfolt podcast a Twitteren A Vakfolt Patreon-oldala (új!) Vakfolt címke a Letterboxdon A Vakfolt az Apple podcasts oldalán A Vakfolt a Spotify-on A Vakfolt a YouTube-on A főcímzenéért köszönet az Artur zenekarnak András a Twitteren: @gaines_ Péter a Twitteren: @freevo Emailen is elértek bennünket: feedback@vakfoltpodcast.hu

In the most-anticipated episode of Columbia House Party yet, Jake Goldsbie and Blake Murphy dive into My Chemical Romance's ambitious rock opera The Black Parade. A follow-up to their breakthrough album Three Cheers for Sweet Revenge, The Black Parade takes the MCR aesthetic up several notches and leans into a dark, quirky, ultimately redemptive single-story arc about The Patient. The album was a much bigger commercial success than some may remember, leading to a great deal of conversation around emo culture and some disturbingly laughable claims from mainstream UK media. Find out more about Gerard Way's intentions with the album, how fans rallied as a community around it, and what this moment in music helped accomplish for the discussion around mental health in this week's podcast.Follow @ColumbiaHP on Twitter!Say hello to @BlakeMurphyODC and @JGoldsbie as well.If merch is your thing, be sure to check out the store: http://bit.ly/chpmerchOr reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

Today I'm chatting with actor and singer Jim Newman. In addition to a lengthy Broadway resume (Hands on a Hardbody, Curtains, Minnelli on Minnelli, Steep Pier, Sunset Boulevard, and The Who's Tommy), Jim is also currently ‘The Cowboy' in a very iconic 70s/80s disco band you know very well. Jim also works extensively in TV, film and web series. In fact, Jim has been featured in two of my favorite award-winning web series - 'Hustling' and this year's 'After Forever,' currently on Amazon Video. Another digital series I've followed for a couple of years now is 'Daddyhunt the Serial,' which chronicles the story a hunky handsome ‘daddy' we'd all like to date (played by Jim), and his younger boyfriend, played by BJ Gruber. Since its debut in 2016, 'Daddyhunt the Serial' has become a big hit all around the world. I recently got to chat with Jim about 'Daddyhunt,' his iconic disco band and how social media has become such a big part of being a working actor these days - in both good and bad ways. Hit the play button and take a listen to my chat with this urban cowboy, Jim Newman. Follow Jim on Instagram at www.instagram.com/jimnewmannyc And check out 'Daddyhunt the Serial' on YouTube here: https://youtu.be/umRT0LSyf_w