Podcast appearances and mentions of Billy May

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Les veus del jazz: Rosemary Clooney "Sisters" (1952) Rosemary i Betty Clooney, veus; Paul Weston i la seva orquestra "Too old to cut the mustard", 1952 Rosemary Clooney i Marlene Dietrich, veus; Stan Freeman, clave "Hey Baby", "Mood Indigo" (de l'

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Diese Sendung hat Andreas Pasternack zusammengestellt. Das LIVE- Anspiel ist diesmal: „Django”– eine Komposition von John Lewis aus dem Jahr 1954. Folgende Titel sind zu hören: 1. Lulu's back in Town – Billy May & his Orchestra 3:17 2. High Night – Melody Gardot & Till Brönner 4:47 3. Django – The Rosenberg Trio 3:46 4. Taking a chance on Love – Nancy Wilson 3:14 5. I've got you under my Skin – Paul Desmond 4:42 6. Ligia – Joao Gilberto & Stan Getz 5:23 7. I will survive – Nils Landgren & Esbjörn Svensson 4:27 8. Heaven can wait – Dean Martin 2:29 9. Spain – Peter Herbolzheimer Rhythm Combination & Brass 4:39 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

Nadja [00:23] "Sievert Pt. 1" Sv Broken Spine Productions BSP015 2023 (original release 2016) Doomy ambient goodness from Aidan and Leah once again. Eurythmics [22:32] "Love Is a Stranger" Sweet Dreams Are Made of This RCA AFL1-4681 1983 Side one, track one from their sophomore album, with a classic video (https://youtu.be/o6f593X6rv8?si=JdUQVqkJ6oVbYuni) to go along for the ride. Plus, high harmonies by Kiki Dee (https://youtu.be/z0qW9P-uYfM?si=y9ywrtnrvrpZvDqI)! Mose Allison [26:15] "Stop This World" Swingin' Machine Atlantic SD 1398 1963 Amen, Mose. Throwing in some horns is not quite the same as the classic trio from the preceding album I Don't Worry About a Thing, but it's still pretty great. Wendy Carlos [29.38] "Brandenburg Concerto No. 3 in G Major - Third Movement" Switched-On Bach Columbia Masterworks MS 7194 1968 Carlos collaborated with Bob Moog on his nascent synthesizer technology to create this album. Because the Moogs were monophonic, it took 1,000 hours over five months to record. In case you are wondering what a traditional version of this movement sounds like, here is the Netherlands Bach Society performing it (https://youtu.be/qr0f6t2UbOo?si=yiW4DA0AxFSb3sB5&t=370). The Police [34:44] "Miss Gradenko" Synchronicity A&M Records SP-3735 1983 The requisite Stewart Copeland track from final album by The Police. Ultravox [38:18] "Slow Motion" Systems of Romance Antilles AN-7069 1978 Lead track and single from Ultravox's third studio album, which became a large influence on Gary Numan (https://youtu.be/_nt5EH0UYxE?si=pm0h_4YWwXlCKJks). T. Rex [41:44] "20th Century Boy" T. Rextasy: The Best of T. Rex, 1970-1973 Warner Bros. Records 25333-1 1985 As usual, Marc Bolan lays down an undeniable groove (https://youtu.be/9SG65dlho_o?si=4Q8NPlKJc_87trVQ), produced by Tony Visconti. I almost forgot about the sax parts. Can [45:23] "Mushroom" Tago Mago United Artists Records 1971 (2007 "unofficial" repress) Tago Mago was Damo first outing with the band, following Malcolm Mooney's departure. According to guitarist Michael Karoli, the explosion at the end of the song is a slowed-down recording of an exploding firecracker. Zola Jesus [49:41] "Long Way Down" Taiga Mute 9611-1 2014 Zola Jesus' fourth studio album and only outing on Mute (before returning to Sacred Bones). Produced by musician, sound designer, and composer Dean Hurley. The Folk Implosion [54:49] "Had to Find Out" Take a Look Inside...... Communion Label COMM 32 1994 The debut album from Lou Barlow and John Davis... released 30 years ago! Stevie Wonder [56:55] "You Are the Sunshine of My Life" Talking Book Tamla T319L 1972 What?! It's a great song. And it was the single that followed up "Supersition". That's a heckuva gear shift. Number one on the Hot 100, of course. Silver Jews [59:53] "Sometimes a Pony Gets Depressed" Tanglewood Numbers Drag City DC297 2005 A rehabilitated Dave Berman comes back with this album, the fifth studio album. He is joined once again by Bob Nastanovich and Stephen Malkmus, as well as his then-wife Cassie Berman. Cover photo by William Eggleston. Music behind the DJ: "Jackie (https://youtu.be/HqAbaqVBCyo?si=qu8P0gk6OeWL5SeB&t=224)" by Billy May and his Orchestra

Joe Piscopo, features swing music from Frank Sinatra, focusing on Sinatra's collaborations with arranger Billy May. Piscopo introduces listeners to his favorite tunes, provides historical context, and shares personal anecdotes about Sinatra. Highlights include tracks from the 'Come Swing With Me' album, and Piscopo's interactive and lively engagement with the audience, including listener calls and requests. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe Piscopo hosts a special broadcast featuring an in-depth discussion with Charles Pignone, president of Sinatra Enterprises. The show celebrates Frank Sinatra's music and legacy, sharing fascinating anecdotes about Sinatra's personal and professional life. Highlights include performances of classic Sinatra songs, insights into his collaborations with legendary arrangers like Nelson Riddle, Don Costa, and Billy May, and a touching tribute to Quincy Jones. The episode also features listener interactions, with heartwarming stories about meeting Sinatra and discussions about his impact on music and culture. Special segments include Sinatra's live performance at the Royal Albert Hall and explorations of lesser-known Sinatra tracks, making this a must-listen for any Sinatra aficionado. Learn more about your ad choices. Visit megaphone.fm/adchoices

Right now it's Autumn in New York, and so from the 1958 album Come Fly With Me, here is Frank Sinatra's rendition of the Vernon Duke classic.  Arranged and conducted by Billy May.  Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Sinatra and Billy May swing the Latin classic Brazil.  From the 1958 album, Come Fly With Me, here is Ary Barroso's hugely popular Samba Brazil . . . with English lyrics by Bob Russell. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Features vintage music by Raymond Scott, The Dinning Sisters and Billy May.  We learn a little bit about the show Dance Time U.S.A. and Ronnaldo reads some listener mail. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

I'm not sure the person who gathered the music for this record understood what the assignment was. This is not at all what I expected the music to sound like after seeing the name of the album and the text on the cover. I mean, who hasn't enjoyed that Latin sound from Guy Lombardo, Billy May, Ray Anthony, and Joe Leahy? Good thing there's a song by Sergio Mendez here to lend the recording some credibility. The closest comparison I can come up with is that the music on this record is light and bouncy, quite like the Latin music my dad and I like so well. So, get ready to hear music from the most inappropriately titled record in my dad's collection, so far, in Volume 179: Viva the Latin Beat. More information about this album, see the Discogs webpage for it.  Credits and copyrights Various – Viva! Label: Creative Products – SL-6650, Capitol Records – SL-6650 Series: The Capitol Stereo Showcase Format: Vinyl, LP, Limited Edition Released: not sure what year but sometime in the 1970s based off the Series name. Genre: Jazz, Latin, Pop Billy May– Spanish Flea Written-By – Cissy Wechter, Julius Wechter Joe Leahy–Life Written-By – Joe Leahy, Mike Curb Ray Anthony– Danke Schoen Written-By – Bert Kaempfert, Kurt Schwabach, and Milt Gabler Guy Lombardo– A Banda Written-By – Chico Barque De Hollanda Guy Lombardo– A Taste Of Honey Written-By – Bobby Scott, Ric Marlow Sergio Mendes– Muito A Vontade Written-By – João Donato Joe Leahy– Arriba Written-By – Joe Leahy, Mike Curb I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

Joining us for our final episode recorded in the Bambuser remote podcast studio/beach cabana at Mandalay Bay during Shoptalk is deeply experienced retail executive and current CEO of Brooklinen, Billy May. In a wide-ranging discussion of the evolution of DTC, e-commerce and harmonized retail, Billy lays out the essentials to building and growing remarkable retail brands gleaned from his decades long career in senior roles at J. Crew, Abercrombie & Fitch, Sur la Table, and more. It's a master class on the keys to modern retail.As usual we open by dissecting the most important news of the week including the expected bankruptcy of Express and the surprising collapse of Foxtrot. We also challenge the bold (some might say "insane") prediction by UBS that 45,000 stores will close in the next five years due to the growth of e-commerce. Mixed news on luxury continues as Hermes wows and most other high-end brands disappoint. We also consider whether the FTC stepping in to challenge the Tapestry and Capri merger make sense before wrapping up with an increasingly murky economic outlook. Check out the podcast version and video recording of the Leaders Leap virtual book launch event.Steve's new book is available at book sellers just about everywhere, from Audible, and on Kindle for only $9.99.Recent episodes featuring World Retail Congress speakers:Remarkably Iconic Retail with Michael Ward, Managing Director, HarrodsRetailing in a Time of Mass Distraction with Andrea Dorigo, Adidas Head of Global RetailRemarkably Creative Commerce with Beth Ann Kaminkow, Global CEO, VMLY&R About UsSteve Dennis is a strategic advisor, board member, and keynote speaker focused on strategic growth and transformation and the impact of digital disruption. He is the author of the bestselling book Remarkable Retail: How To Win & Keep Customers in the Age of Disruption and the all new Leaders Leap: Transforming Your Company at the Speed of Disruption , now available for purchase in the U.S. and available for pre-order at book retailers elsewhere. Steve regularly shares his insights in his role as a Forbes senior contributor and on social media..Don't forget to join Steve's new Linked Group for his new book.Michael LeBlanc is the president and founder of M.E. LeBlanc & Company Inc, a senior retail advisor, keynote speaker and media entrepreneur. He has been on the front lines of retail industry change for his entire career. He has delivered keynotes, hosted fire-side discussions and participated worldwide in thought leadership panels, most recently on the main stage in Toronto at Retail Council of Canada's Retail Secure conference with leaders from The Gap and Kroger talking about violence in retail stores, keynotes on the state & future of retail in Orlando and Halifax, and at the 2023 Canadian GroceryConnex conference, hosting the CEOs of Walmart Canada, Longo's and Save-On-Foods Canada. Michael brings 25+ years of brand/retail/marketing & eCommerce leadership experience with Levi's, Black & Decker, Hudson's Bay, Pandora Jewellery, The Shopping Channel and Retail Council of Canada to his advisory, speaking and media practice. Michael also produces and hosts a network of leading retail trade podcasts, including the award-winning No.1 independent retail industry podcast in North America, Remarkable Retail,Canada's top retail industry podcast; the Voice of Retail; Canada's top food industry and the top Canadian-produced management independent podcasts in the country, The Food Professor, with Dr. Sylvain Charlebois. Rethink Retail has recognized Michael as one of the top global retail influencers for the fourth year in a row, Coresight Research has named Michael a Retail AI Influencer, and you can tune into Michael's cooking show, Last Request BBQ, on YouTube, Instagram, X and yes, TikTok. Available for keynote presentations helping retailers, brands and retail industry insiders explaining the current state of the retail industry in Canada and the U.S., and the future of retail.

We have an fantastic episode for you featuring the virtual launch event for Steve's brand-new book, Leaders Leap, recorded Monday April 22nd.Steve is joined by a panel of extraordinary guests, all of whom are leaders in their respective fields. We have the privilege of hosting best-selling author and friend Seth Godin, an entrepreneur and speaker who has not only launched one of the most popular blogs in the world but has also written 21 best-selling books. We also have Bridget Brennan, acknowledged as the leading authority on the world's most powerful consumer market: women. She is the author of the books, "Why She Buys: The New Strategy for Reaching the World's Most Powerful Consumers" and "Winning Her Business: How to Transform the Customer Experience for the World's Most Powerful Consumers" and is the Founder & CEO of Female Factor consulting firm. Sally Elliott, the co-leader of Spencer Stuart's global Retail Practice based in London, and Hal Lawton, President & CEO at Tractor Supply Company, also join us.We'll be back next week with our regularly scheduled programming, including top retail news and an exclusive interview with the one and only Billy May, CEO of Brooklinen, live from the Bambuser podcast studio at Shoptalk in Las Vegas.Presented by Celonis.  About UsSteve Dennis is a strategic advisor, board member, and keynote speaker focused on strategic growth and transformation and the impact of digital disruption. He is the author of the bestselling book Remarkable Retail: How To Win & Keep Customers in the Age of Disruption and the all new Leaders Leap: Transforming Your Company at the Speed of Disruption , now available for purchase in the U.S. and available for pre-order at book retailers elsewhere. Steve regularly shares his insights in his role as a Forbes senior contributor and on social media..Don't forget to join Steve's new Linked Group for his new book.Michael LeBlanc is the president and founder of M.E. LeBlanc & Company Inc, a senior retail advisor, keynote speaker and media entrepreneur. He has been on the front lines of retail industry change for his entire career. He has delivered keynotes, hosted fire-side discussions and participated worldwide in thought leadership panels, most recently on the main stage in Toronto at Retail Council of Canada's Retail Secure conference with leaders from The Gap and Kroger talking about violence in retail stores, keynotes on the state & future of retail in Orlando and Halifax, and at the 2023 Canadian GroceryConnex conference, hosting the CEOs of Walmart Canada, Longo's and Save-On-Foods Canada. Michael brings 25+ years of brand/retail/marketing & eCommerce leadership experience with Levi's, Black & Decker, Hudson's Bay, Pandora Jewellery, The Shopping Channel and Retail Council of Canada to his advisory, speaking and media practice. Michael also produces and hosts a network of leading retail trade podcasts, including the award-winning No.1 independent retail industry podcast in North America, Remarkable Retail,Canada's top retail industry podcast; the Voice of Retail; Canada's top food industry and the top Canadian-produced management independent podcasts in the country, The Food Professor, with Dr. Sylvain Charlebois. Rethink Retail has recognized Michael as one of the top global retail influencers for the fourth year in a row, Coresight Research has named Michael a Retail AI Influencer, and you can tune into Michael's cooking show, Last Request BBQ, on YouTube, Instagram, X and yes, TikTok. Available for keynote presentations helping retailers, brands and retail industry insiders explaining the current state of the retail industry in Canada and the U.S., and the future of retail.

1 hour and 20 minutes With David Nasternak and Alex Drain This Podcast Has a Sponsor: Michigan Law Grad Jonathan Paul is the guy with the C you want skating next to the ref and pleading your case. He's also a good guy to sit next to at the hockey games. Segment 1: Friday Flop Opener Sloppy Even Period Penalty Period Pointless Period Segment 2: Saturday Roller Coaster The First Two Periods The Rest of the Game Old Friends and Around the League Oh No, You Again? [Player after THE JUMP] MUSIC NHL on ESPN Theme "Gopher Mambo - Remastered 2009" -- Billy May, Gozzo, Yma Sumac, The Rico Mamba Orchestra Ice Hockey (NES) theme

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Son nom était Billy May. Son job ? Noircir des feuilles de papiers musique par paquets de cent et transformer n'importe quelle chanson en piste aux étoiles pour les plus grandes voix du show business. Parmi elles ? Frank Sinatra, qui déclara un jour : “Enregistrer avec Billy May c'est comme prendre une douche froide ou recevoir un seau d'eau glacée sur le visage”.

Dos nombres propios vuelven a visitar Swing Time. Por un lado El Supremo Trompetista Blanco y por otro lado el eco más sonado de dos grandes fenómenos de la escena, dos grandes pianistas, dos grandes maestros, Count Basie y ante todo Duke Ellington.  Con José Manuel Corrales.

Maggie LePique and Charlie Pignone discuss Platinum which celebrates the 70th Anniversary of Frank Sinatra signing to Capitol Records, a moment that transformed his career and solidified his standing as one of the greatest interpretive singers of all time. From 1953 – 1962, Sinatra recorded more than three hundred songs for Capitol, the majority of them included on the landmark ‘concept' albums Sinatra pioneered. It is arguably the finest body of recorded work in popular music.The 44-track set features a cross-section of his most beloved songs and sought-after rarities. From the swinging “I've Got You Under My Skin” and ebullient “Come Fly With Me” to the breathtaking “Moonlight in Vermont” and torch song “Only The Lonely,” the set also includes previously unreleased tracks culled from the Capitol vaults along with alternate takes, a test track, radio spots and session takes that reveal Sinatra's in-studio artistry.Platinum was curated by Charles Pignone, President of Frank Sinatra Enterprises.Throughout his seven-decade career, Frank Sinatra performed on over 1,400 recordings and was awarded 31 gold, nine platinum, three double platinum, and one triple platinum album by the Recording Industry Association of America. The three-time Oscar® winner also appeared in over 60 films and produced eight motion pictures. Sinatra was awarded Lifetime Achievement Awards from The Recording Academy, The Screen Actors Guild, and the National Association for the Advancement of Colored People (NAACP), as well as the Kennedy Center Honors, the Presidential Medal of Freedom, and the Congressional Gold Medal. Frank Sinatra demonstrated a remarkable ability to appeal to every generation that continues; his artistry still influences many of today's music superstars. He remains a legend and an inspiration worldwide for his cultural and artistic contributions. For more information about Frank Sinatra, visit sinatra.com.Source: https://www.sinatra.com/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

Stan Freberg was born on August 7th, 1926 in Pasadena, California. Shortly after graduating from high school, he found work as a voice actor in both radio and animation. In 1957, now thirty-one, he was given his own thirty-minute comedy program on CBS, Sundays at 7:30PM eastern time from Hollywood. He debuted on July 14th, 1957. His cast featured Peter Leeds, June Foray, Daws Butler, Marvin Miller with vocalist Peggy Taylor, Billy May's orchestra, and the Jud Conlon Rhythmaires. His comedic style was biting. He was a shrewd satirist who targeted mediocrity, complacency, and stuffed shirts. He specialized in lampooning American life. On his first show he ripped American capitalism with a long skit about two competing Las Vegas nightclubs, the El Sodom and Rancho Gomorrah, set in the near future. The CBS higher-ups didn't get it. So, he destroyed Lawrence Welk in a skit that became known as “Wunnerful, Wunnerful.” Billy May's orchestra played a Welkian arrangement of “Bubbles in the Wine” while Freberg—doing a credible Welk imitation—kept yelling, “Turn off the bubble machine!” until he was drowned in the foam. Freberg “interviewed” the abominable snowman, presented a group of musical sheep, and staged a western skit, “Bang Gunley, U.S. Marshall Fields” spoofing the overdone sound effects of many classic films. He attacked censorship, with Freberg attempting to sing Kern and Hammerstein's “Ol' Man River,” only to be stopped by a “citizens committee censor,” who sounded a buzzer at any line he found objectionable, leading to rewriting the lyrics as “Elderly man river.” In August Sponsor Magazine reported that CBS thought network radio could see a return to sponsors buying full programs that fall. CBS was pitching The Stan Freberg show for ten-thousand dollars per week. However, by October it was obvious that network comedy couldn't return to its previous highs and The Stan Freberg Show was canceled after the October 20th episode.

Songlist: Matt Monro — Honey On The Vine Pink Martini feat. China Forbes — The Lemonade Song Julie London — Fly Me to the Moon Bert Kaempfert — Afrikaan Beat Stereo Action Unlimited — HiFi Trumpet Zerosospiro — L'amore che verra Stefi Akos — Mariguana Cha Cha Cha Sara Montiel — Sabado en Copacabana Piero Umiliani — Luna Di Miele (Sandro and Giulia) Les Hommes — Water waltz Mario Biondi — La voglia la pazzia l'idea Henri Salvador — L'abeille et le papillon Madison Calley — Hotline Bling Cordara Orchestra — Jet Society Paris Combo — Barre Espace The Manhattan Brothers — Be My Guest The Jews Brothers Band — Dunkin' Bagels Yma Sumac — Malambo No.1 feat. Billy May's Rico Mambo Orchestra Инструментальный ансамбль п-у В.Чижика — Ча-ча-ча Ямайка Nancy Walker — I Can Cook Too Annette Funicello — Hukilau Pink Martini — Ojala Billy May — The Look of Love Annette Funicello And Tommy Sands — The Parent Trap Kenny Sasaki & The Tiki Boys — Erotica Exotica Andy James — Call Me (feat. Jake Langley, John Patitucci, Vinnie Colaiuta & Dan Higgins) Martin Denny — Amy's Theme The Mills Brothers — Across The Alley From The Alamo Piero Piccioni — Bossa Nova Marina Piero Umiliani — La signora cameriera ВИО-66 — Прости меня

Sinatra swings!  Arranged by Billy May, here is The Song is You from Frank Sinatra's 1959 album Come Dance With Me.  Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

An update about the podcast.  And a raucous Sinatra swinger.  From the 1959 album Come Dance With Me, here is Arthur Schwartz and Howard Dietz's Dancing in the Dark.  Arranged and conducted by Billy May. Credits:Theme music by Erik Blicker and Glenn SchlossEdited by Katie CaliMixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

RING A DING DING TIMECOME FLY WITH ME by Frank Sinatra (Capitol, 1958)This is my 100th episode, and it seems appropriate to end the Captain Billy series here with Frank Sinatra. The practice of going through my 8 track collection and luxuriating in the music of my youth has been a tonic, getting me through a season of grief and isolation. And, now, as I pack up my house of 26 years, parsing through and divesting myself of some weighty possessions, I sense that it may also be time to move on to other occupations. My partner, Richie B, has always been a devotee of Blue Eyes, - (he's been lobbying for Frank's induction into the Rock n Roll Hall of Fame for years) - and when I started collecting 8 tracks by amassing large lots of unidentified carts, there were more Sinatra tapes appearing at my door than by any other artist. This album is from the jazzy, Rat-Pack period Frank, my favorite Sinatra era by far. The early, crooning, Bobby-Soxer's Dreamboat never did it for me. But these piquant Capitol recordings have it all: the swing, the manly heartbreak, and winking sexy fun of America's all time greatest male interpreter of popular song, during the time that that form dominated American culture.Arranged by the jaunty Billy May, everything about this “concept” album - (a musical trip around the world) - shows The Chairman of the Board at his ring a ding ding best. Dig those syncopated horn pops and flirty flutes as they insinuate themselves around Frank's relaxed articulations. Here, Sinatra is perfecting his ability to mine deeper layers of meaning from lyrical phrases by stopping and bending time. It is an art exhibition, by a master of communication, at the pinnacle of his craft. One more thing - For the past 20 years I have been fortunate to have worked at an Acting school situated directly across the street from the iconic Capitol Records building - the edifice that Frank built, and I have some wonderful memories of teaching in a classroom of windows, with blinds raised, so we could watch that cylindrical building of legend be bathed in a rosy Hollywood sunset. So, I salute you, home of my heroes, the Beatles, and of Richie's - Frank Sinatra. That's all, folks.

Sinatra's wonderful recording of It Had To Be You, the Isham Jones/Gus Kahn classic, from his 1980 album Trilogy. Arranged and conducted by Billy May.

On this week's edition of the MAKE BELIEVE BALLROOM, a look at Billy May, some tremendous British swing and dance band music, a comedian songwriter, and a plethora of additional stories and music from the wonderful big band era.

Swing Easy Sinatra. Here is George and Ira Gershwin's Love Walked In from the 1961 album Sinatra Swings. Arranged and conducted by Billy May. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Mixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

Episode 88 The Theremin Part 1: From the Beginning to 1970 Playlist Leon Theremin, “Deep Night” (1930 Les Actualités françaises). Soundtrack from a short, early sound film of Leon Theremin playing an RCA production model Theremin. Zinaida Hanenfeldt, Nathaniel Shilkret, Victor Salon Orchestra, “Love (Your Spell is Everywhere)” (1930 Victor). RCA theremin, Zinaida Hanenfeldt; Victor Salon Orchestra conducted by Nathaniel Shilkret. The earliest records made with the Theremin were recorded in 1930 to highlight the release of the RCA Theremin. This was one of the first. This recording session dates from January 17, 1930 and was made in New York at the 28 West 44th St. studio. Billed as a recording of “Orchestra, with theremin soloist,” this was most likely made as a demonstration of the newly introduced RCA Theremin. Seven months later, Lennington Shewell (see next listing) took up making several demonstration records produced by his father, RCA VP G. Dunbar Shewell in the Camden, NJ recording studios. Lennington H. Shewell, “Dancing with Tears in My Eyes” (1930 Victor). Recorced on July 21, 1930, in Camden, NJ Studio 1. Theremin solo, Lennington H. Shewell; piano accompaniment, Edward C. Harsch. Noted as "R.C.A. theremin: Instructions and exercises for playing" and "G. Dunbar Shewell, present." Lennington H. Shewell, “In a Monastery Garden” from “Love Sends A Gift Of Roses” / “In A Monastery Garden” (1935 Victor). Shewell was an American pianist songwriter and Thereminist. He recorded several discs for RCA . Shewell was employed by RCA to travel around the USA demonstrating the Theremin as part of its marketing campaign. His father was George Dunbar Shewell, who was a vice-president of RCA for a time. Clara Rockmore, “The Swan” from Theremin (1977 Delos). Piano, Nadia Reisenberg; Produced by Robert Moog, Shirleigh Moog; Theremin, Clara Rockmore. Rockmore, of course, was the key master of the Theremin back in the 1930s and 40s, having originally learned from Leon Theremin himself. These recordings were later produced by the Moogs in the 1970s and feature some dazzling, virtuoso performances by Rockmore as she interprets many of her favorite classical works. “The Swan” was composed in by Camille Saint-Saëns (1983-1921) that was usually a showcase for a cellist and, with Rockmore's brilliant interpretation, became a much-loved work by Thereminists. Even Samuel Hoffman made a recording of it. Clara Rockmore, “Berceuse” from Theremin (1977 Delos). Piano, Nadia Reisenberg; Produced by Robert Moog, Shirleigh Moog; Theremin, Clara Rockmore. Here Rockmore interprets a piece by Pyotr Ilyich Tchaikovsky (1840-1893). Lucie Bigelow Rosen, “Concerto in F” b Mortimer Browning (1940, privately recorded practice session). Ms. Rosen recorded this rehearsal in preparation for a live performance. Of great interest is that you can hear her speaking at the beginning and end of the session, and her playing is quite sophisticated. Lucie Bigelow Rosen, “The Old Refrain” by Fritz Kreisler (circa 1940 privately recorded session). Another privately recorded session by Ms. Rosen. Miklós Rózsa, Suite from The Lost Weekend (excerpt) from The Lost Weekend (The Classic Film Score) (1945 privately issued). Conducted, composed by Miklós Rózsa; Theremin, Dr. Samuel J. Hoffman. “This is a limited-edition recording, produced for the promotional purposes of the composer and is not licensed for public sale. The music was transferred to tape from the original acetate masters.” This was not a score released on a conventional soundtrack. This recording comes from a privately issued disc commissioned by the composer and I date it to around 1970. I wanted to include it because it a notably obscure soundtrack recording Theremin playing by Hoffman from the same era as the more famous and widely distributed Spellbound soundtrack. Harry Revel and Leslie Baxter with Dr. Samuel J. Hoffman, “Lunar Rhapsody” from Music Out Of The Moon: Music Unusual Featuring The Theremin (1947 Capitol). Hoffman, a foot doctor by profession, was one of the best-known Theremin players of his time. Not as persnickety as Rockmore about playing “spooky sounds,” he basically filled a gap in Theremin playing in popular music that Clara Rockmore refused to fill. He played one of the RCA production model Theremins from 1930. His most famous contributions included collaborations with Les Baxter, Miklos Rozsa, Harry Revel, and Bernard Herrmann, and his momentous movie music for Spellbound (1945) and The Day the Earth Stood Still (1951). He was initially a classically trained violinist, and at age 14 he began playing the violin professionally in New York City. By 1936, he had taken up the Theremin and begun featuring it in publicity for his engagements. He quickly gained notoriety using the electronic instrument and he became one of the world's most famous Theremin players. Harry Revel and Leslie Baxter with Dr. Samuel J. Hoffman, “Radar Blues” from Music Out Of The Moon: Music Unusual Featuring The Theremin (1947 Capitol). Harry Revel, Leslie Baxter & Dr. Samuel J. Hoffman, “Fame” from Perfume Set to Music (1948 RCA Victor). Composed by Harry Revel; Orchestra Chorus conducted by Leslie Baxter; Theremin, Dr. Samuel J. Hoffman. "As interpreted by the British-born composer, Harry Revel, in a musical suite describing six exotic Corday fragrances." Harry Revel, Leslie Baxter & Dr. Samuel J. Hoffman, “Obsession” from Perfume Set to Music (1948 RCA Victor). Composed by Harry Revel; Orchestra Chorus conducted by Leslie Baxter; Theremin, Dr. Samuel J. Hoffman. "As interpreted by the British-born composer, Harry Revel, in a musical suite describing six exotic Corday fragrances." Elliot Lawrence and His Orchestra, featuring Lucie Bigelow Rosen, “Gigolette” (1949 Columbia). An attempt to bring the Theremin into popular music, this recording by Elliot Lawrence and his Orchestra made at the Columbia 30th Street Studio in Midtown Manhattan features Lucie Bigelow Rosen. Ms. Rosen and her husband Walter were instrumental in providing offices for Leon Theremin to work in New York during the 1930s. The inventor personally made two instruments for her. She was a practiced enthusiast and did much concertizing with the Theremin from about 1935 to 1940. Samuel J. Hoffman, “Remembering Your Lips” from Music for Peace of Mind (1950 Capitol). Orchestra conducted by Billy May; composed by Harry Revel; Theremin, Dr. Samuel J. Hoffman. “Music for PEACE OF MIND featuring the THEREMIN with orchestra.” Samuel J. Hoffman, “This Room Is My Castle of Quiet” from Music for Peace of Mind (1950 Capitol). Orchestra conducted by Billy May; composed by Harry Revel; Theremin, Dr. Samuel J. Hoffman. “Music for PEACE OF MIND featuring the THEREMIN with orchestra.” Bernard Herrmann, Dr. Samuel J. Hoffman, “Gort,” “The Visor,” “The Telescope” from The Day the Earth Stood Still (Original Motion Picture Soundtrack) (1951 20th Century Fox). Soundtrack recorded at the Twentieth Century Fox Scoring Stage August 1951, reissued in 1993. Composed by Bernard Herrmann; Conducted by Alfred Newman, Bernard Herrmann, Lionel Newman; Theremin by Dr. Samuel J. Hoffman. Hoffmnan played one of the RCA production model Theremins from 1930 but by this time around 1950 had modified it to include an external speaker connection for improved recording of the instrument during studio sessions. Samuel J. Hoffman, “Moonlight Sonata” (Theremin Solo with Piano Accompaniment) (1951 Capitol). Eddie Layton, “Laura”, from Organ Moods in Hi-Fi (1955 Mercury). This song is noted as including the “Ethereal sound of the theremin.” Layton was a popular Hammond organ player, later on in his career he played the organ at old Yankee Stadium for nearly 40 years, earning him membership in the New York Sports Hall of Fame. This is his first album, one many, and is notable for using some early organ electronics. “It must be stated that all of the sounds in this album were created by Eddie Layton solely on the Hammond Organ including the rhythm sounds of the bass and guitar, by means of special imported electronic recording devices and microphones.” With the exception of the Theremin, I would add. An unknown Theremin model, most likely vacuum-tube driven, possibly an original RCA model. Monty Kelly And His Orchestra with Dr. Samuel J. Hoffman, “Blue Mirage” from “Blue Mirage”/ “That Sweetheart of Mine” (1955 Essex). Single release from this Orchestra led by Monty Kelly and featuring Hoffman on Theremin. Unknown Artist, “The Fiend Who Walked the West” lobby recording (1958). Theremin or musical saw? This is from an LP recording I have that was used in movie lobbies to entice people to come and see the horror film, The Fiend Who Walked the West (1958). Could this be a Theremin, or a musical saw? I think the latter. I have no information on who played the instrument, but it makes for some curious listening from days gone by while acknowledging one of the key sources of confusion for those who collect Theremin recordings. Sonny Moon And His Orchestra, “Countdown” from “Rememb'ring”/ “Countdown” (1958 Warner Brothers). A 45-RPM single from this short-lived group od the late 1950s. Includes an uncredited Theremin performance. Milton Grayson and Dr. Samuel J. Hoffman Theremin and Orchestra, “I Paid the Penalty” (1960 Royalty Recording Co.). A 45-RPM single about capital punishment. On one side of the record a San Francisco Attorney speaks about capital punishment. On the other side is this vocal by Grayson that dramatizes the subject. This appears to be some sort of public service announcement, but the disc itself bears no clues. This is the only release on this label. The vocal by Grayson is part sermon, part monolog, part song, with the threatening aura of the Theremin provided by Dr. Hoffman. It is undated, so I'm guessing around 1960 when Grayson was most active. Lew Davies And His Orchestra, “Riders in the Sky” from Strange Interlude (1961 Command). From the early sixties comes this wonderful amalgamation of exotica and space-age instruments. The Theremin is played by none other than Walter Sear, later the manager of the Sear Sound Studio in New York and an influential programmer (and sometimes player) of the Moog Modular Synthesizer. Several members of this band also became associated with the Moog Modular, including Bobby Byrne, Sy Mann, and producer Enoch Light. Bass, Bob Haggart, Jack Lesberg; Cimbalom, Michael Szittai; Drums, George Devens, Phil Kraus; Executive Producer, Enoch Light; French Horn, Paul Faulise, Tony Miranda; Guitar, Tony Mottola; Reeds, Al Klink, Ezelle Watson, Phil Bodner, Stanley Webb; Ondioline, Sy Mann; Theremin, Paul Lippman, Walter Sear; Trombone, Bobby Byrne, Dick Hixon, Urbie Green. Yusef Lateef, “Sound Wave,” from A Flat, G Flat And C (1966 Impulse!). An innovative first from Mr. Lateef who foresaw the possibilities of the Theremin for new jazz. Lateef was known for his multi-instrumental talent on Tenor Saxophone, Alto Saxophone, Flute, Oboe and a variety of wooden flutes. Using the Theremin on this one track—I've never heard anything else he recorded with the Theremin—shows how a skilled jazz improviser can use the Theremin for self-expression. I would guess that this Theremin was made by Moog. Theremin, Yusef Lateef; Bass, Reggie Workman; Drums, Roy Brooks; Piano, Hugh Lawson; Produced by Bob Thiele. Captain Beefheart And His Magic Band, “Electricity” from Safe as Milk (1967 Buddah). The Theremin in this case was played by none other than Samuel J. Hoffman using his souped-up RCA Theremin model Theremin. It was perhaps the last appearance on record by Hoffman, who died later in 1967. Apparently, the record company hated the track so much that it led to their being dropped from the label, at which point Frank Zappa came to the rescue. Fifty Foot Hose, “War is Over” (1967) from Ingredients (1997 compilation Del Val). Psychedelic rock group from San Francisco, formed in 1967, disbanded in 1970 and re-formed in 1995. Drums, Gary Duos; Guitar, David Blossom; Theremin, Electronics, Audio Generator, Siren, Cork Marcheschi. Recorded in 1966 in San Francisco. Dorothy Ashby, “Soul Vibrations” from Afro-Harping (1968 Cadet Concept). Unknown Theremin player, although the producers at Cadet/Chess were known to add the instrument to a session, such as those by Rotary Connection. Recorded at Ter Mar Studios, Chicago, February 1968. The song was written by producer Richard Evans, then the go-to producer and de facto label head for Chess Records' jazz imprint Cadet. Perhaps he also played the Theremin, which was probably a Moog Troubadour. The First Theremin Era, “The Barnabas Theme from Dark Shadows" / “Sunset In Siberia” (1969 Epic). "Dark Shadows" was super-popular daytime drama about a vampire on ABC-TV. This record was not an official release of the television show, but an interpretation of the theme that is seldom heard. I thought it's exotic funky treatment was especially worth hearing. The soundtrack for the TV show also included Theremin, possibly played by composer Robert Cobert, but in its more traditional spooky role. This record was produced and arranged by Charlie Calello, a well-known producer who had worked with the Four Seasons (singing group) and later would produce such super stars as Frank Sinatra, Neil Diamond, Bruce Springsteen, Laura Nyro, and Barbra Streisand. Mutantes, “Banho De Lua (Tintarella Di Luna)” from Mutantes (1969 Polydor). Brazilian folk-rock-psychedelic group that featured the Theremin blended with many other instruments, both acoustic and electronic. Arranged by, Mutantes; Drums, Sir Ronaldo I. Du Rancharia; Theremin, electronic Instruments, Claudio Régulus. This innovative pop trio from Brazil also collaborated with other artists such as Caetano Veloso and Gilberto Gil and were threatened by the military government of Brazil. What Theremin did they use? Several Moog models would have been available, but they also may have built their own. One photo I've seen suggested that they built their own. Lothar and the Hand People, “It Comes on Anyhow” from Machines: Amherst 1969 (2020 Modern Harmonic). Live recording from 1969 featuring the Moog Modular Synthesizer played by Paul Conly and the Moog Theremin played by vocalist John Emelin. On this track, the synthesizer and Theremin sounds are intermingled, making it a fun challenge to distinguish between the two of them. Bass, Rusty Ford; Drums, Tom Flye; Guitar, Kim King; Keyboards, Moog Modular Synthesizer, Paul Conly; Vocals, Moog Troubadour Theremin (“Lothar”), John Emelin. Lothar and the Hand People, “Today Is Only Yesterday's Tomorrow” from Machines: Amherst 1969 (2020 Modern Harmonic). This track was recorded live in 1969. John Emelin starts by introducing the Moog Theremin, called “Lothar.” Bass, Rusty Ford; Drums, Tom Flye; Guitar, Kim King; Keyboards, Moog Modular Synthesizer, Paul Conly; Vocals, Moog Troubadour Theremin (“Lothar”), John Emelin. Opening background tracks: Bernard Herrmann, Dr. Samuel J. Hoffman, “Prelude, Outer Space” (excerpt), from The Day the Earth Stood Still (Original Motion Picture Soundtrack) (1951 20th Century Fox). Soundtrack recorded at the Twentieth Century Fox Scoring Stage August 1951, reissued in 1993. Composed by Bernard Herrmann; Conducted by Alfred Newman, Bernard Herrmann, Lionel Newman; Theremin by Dr. Samuel J. Hoffman. Zinaida Hanenfeldt, Nathaniel Shilkret, Victor Salon Orchestra, “(I'm a dreamer) Aren't we all?” (1930 Victor). “Orchestra, with theremin soloist.” Theremin, Zinaida Hanenfeldt. Recorded January 17, 1930 in New York at the 28 West 44th St. studio. Samuel J. Hoffman, “The Swan”( Saint-Saens) from “Moonlight Sonata” / “The Swan” (1951 Capitol). Arranged and performed on the Theremin by “Dr. Hoffman.” Orchestra and Chorus Under the Direction Of Leslie Baxter, Dr. Samuel Hoffman, “Struttin' with Clayton” from “Jet” / “Struttin' With Clayton” (1950 RCA Victor). Theremin, Dr. Samuel J. Hoffman. Miklós Rózsa, “Dementia” from The Lost Weekend (The Classic Film Score) (1945 privately issued). Conducted, composed by Miklós Rózsa; Theremin, Dr. Samuel J. Hoffman. This podcast is not intended as a thorough history of the Theremin itself. There are many excellent resources that provide that, including my own book on the history of electronic music, the Bob Moog Foundation website, Albert Glinsky's wonderful book about Leon Theremin, and the entire Theremin World website that is devoted to everything Theremin. I urgently suggest that you consult those resources for more detail on the actual history of the instrument and the people behind it. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation: For additional notes, please see my blog, Noise and Notations.

We discuss the book Arranging the Score by the Canadian jazz critic and musician Gene Lees.in the book Lees paints portraits of some of the great jazz arrangers including Gerry Mulligan, Gil Evans Kenny Wheeler and Billy May

Joe Piscopo is ready to take you on a Frank Sinatra Journey Baby! Tonight, we hit the St. Francis “Trilogy” as we hear the legendary composers Billy May, Don Costa, and Gordon Jenkins speak on the elegance of Mr. Sinatra.

Joe Piscopo is ready to take you on a Frank Sinatra Journey Baby! Tonight, we highlight the works of composer Billy May and Mr. S's signature sounds from “Swing Along With Me” and “Come Swing With Me.”

Joe Piscopo is ready to take you on a Frank Sinatra Journey Baby! Tonight, we highlight the works of Billy May and Nelson Riddle with Mr. S's signature sounds from “Come Fly With Me” and “Strangers In The Night.”

The Stan Freberg Show was a weekly radio comedy show that ran on the CBS Radio Network for only fifteen episodes in 1957–58. The show, starring comedian Stan Freberg and featuring the vocal talents of Daws Butler, June Foray, and Peter Leeds and the musical direction of Billy May, ran in the 7 p.m. timeslot previously occupied by The Jack Benny Program. The show was produced by Pete Barnum with sound effects by Bill James and Gene Twombly. Despite its short run, the show managed to develop some running gags and stock jokes, from Freberg's ambivalence toward Madison Avenue (faux advertisements for "Puffed Grass" and "Food", as well as the classic sketch "Gray Flannel Hatful of Teenage Werewolves") to the overwhelmingly popular interviews with a sneaker-wearing Abominable Snowman. By the thirteenth episode, it was clear that The Stan Freberg Show was suffering from a lack of advertiser interest (perhaps helped by Freberg's werewolf comparisons). CBS canceled the series after fifteen episodes; according to Joe Bevilacqua, it was the last American network radio show to devote itself purely to comedy. Stan's radio series lasted just 14 weeks; the reason was because he refused "participating sponsorship", insisting on ONE major sponsor- and turned down at least two tobacco companies who wanted to susutain him. CBS wasn't going to wait for "big ticket" sponsors to step forward (and nobody else seemed to want to sponsor the show, since it continually satirized the very advertisers Stan was trying to attract), and cancelled Freberg's series to make way for one with "participating sponsors": Henry Morgan's panel show "SEZ YOU", which continued through the 1957-'58 season. Playlist "Stan Freberg" contains all 15 shows of the CBS Radio series. That playlist is on Heirloom Radio on Soundcloud.com

aka Take an Indian to Lunch. From Stan Freberg Presents the United States of America Volume One: The Early Years a 1961 American comedy album with music and dialogue written by Stan Freberg, released as Capitol W/SW-1573. Freberg satirizes episodes of the history of the United States from 1492 until the end of the Revolutionary War in 1783. The album combined dialogue and song in a musical theater format. Billy May orchestrated and conducted the music, with the Jud Conlon Singers providing background vocals. Narration by Paul Frees.

This is part 2 of our look at another volume in Time Life records ambitious project called "The Swing Era". It was a ten volume set with three records included in each volume. Today we turn to the years of 1940-1941. The songs were rerecorded by the bands of Billy May and Glen Gray. I have this set and thought instead of hearing the recreations that it would be interesting to hear the originals. So I'm borrowing the playlist and presenting the original recordings. There are about 30 songs so I'm going to break it up into two parts. I hope you enjoy the music as I present part 2 of the years 1940-1941. Please visit this podcast at http://bigbandbashfm.blogspot.com

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------

Billy May was Frank Sinatra's swingin'est arranger. In this RARE INTERVIEW Billy May speaks about his amazing career, from his earliest studies, through arranging for Charlie Barnet, Glenn MILLER, having hits with children's music and Tweety and Sylvester cartoons to writing groovy albums for Sinatra like Come Fly With Me. Please tell us what you think in the COMMENTS! BILLY MAY – Billy SPEAKS of Tweety, Sylvester and Sinatra!!! Watch this episode in video HERE #BillyMay #FrankSinatra #ComeFlyWithMe #GlenMiller #CharlieBarnet #jazz #bigband #SanClemente #NelsonRiddle #RadioRichard #RichardNiles #RadioRichardInterview #billymayfranksinatra #billymaytweetysylvester “Radio Richard Theme” ©2022Niles Smiles Music (BMI) by Richard Niles “New Jazz Standards Theme” ©2022Niles Smiles Music (BMI) by Richard Niles Please Like, Share, and Subscribe to our YouTube channel HERE Buy Richard's acclaimed books HERE Buy Richard's astounding music HERE  Check our channel's official online shop for great & exclusive memorabilia HERE Send me enough for a cup of coffee at The Ritz to keep our Radio Richard growing: Via PayPal Via Patreon “Upfront Theme” ©2022Niles Smiles Music (BMI) by Richard Niles “Radio Richard Theme” by Richard Niles ©2022 Niles Smiles Music (BMI) FAIR USE DECLARATION “Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.” This YouTube channel and its videos may contain copyrighted recordings, the use of which may not always be specifically authorized by the copyright owner. In such a case, Dr. Richard Niles, an established educator, is making the material available in our efforts to educate and advance understanding of music through research and criticism. We believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. All content and shows that are on this page that are copyrighted are used under the fair use rationale.    

The Adventures of Ozzie and Harriet radio showWhen Red Skelton was drafted in March 1944, Ozzie Nelson was prompted to create his own family situation comedy. The Adventures of Ozzie and Harriet launched October 8, 1944, on CBS, it moved to NBC in October 1948, then made a late season switch back to CBS in April 1949. The final years of the radio series were on ABC (the former NBC Blue Network) from October 14, 1949, to June 18, 1954. In total 402 radio episodes were produced. In an arrangement that exemplified the growing pains of American broadcasting, as radio "grew up" into television, the Nelsons' deal with ABC gave the network the option to move their program to television. The struggling network needed proven talent that was not about to defect to the more established and wealthier networks like CBS or NBC.The Nelsons' sons, David, and Ricky did not join the cast until the radio show's fifth year (initially appearing on the February 20, 1949, episode, at ages 12 and 8, respectively). The two boys were played by professional actors prior to their joining because both were too young to perform. The role of David was played by Joel Davis from 1944 until 1945 when he was replaced by Tommy Bernard. Henry Blair appeared as Ricky. Other cast members included John Brown as Syd "Thorny" Thornberry, Lurene Tuttle as Harriet's mother, Bea Benaderet as Gloria, Janet Waldo as Emmy Lou, and Francis "Dink" Trout as Roger. Vocalists included Harriet Nelson, The King Sisters, and Ozzie Nelson. The announcers were Jack Bailey and Verne Smith. The music was by Billy May and Ozzie Nelson. The producers were Dave Elton and Ozzie Nelson. The show's sponsors included International Silver Company (1944–49), H.J. Heinz Company (1949–52) and Lambert Pharmacal's Listerine (1952–54).

The Adventures of Ozzie and Harriet radio showWhen Red Skelton was drafted in March 1944, Ozzie Nelson was prompted to create his own family situation comedy. The Adventures of Ozzie and Harriet launched October 8, 1944, on CBS, it moved to NBC in October 1948, then made a late season switch back to CBS in April 1949. The final years of the radio series were on ABC (the former NBC Blue Network) from October 14, 1949, to June 18, 1954. In total 402 radio episodes were produced. In an arrangement that exemplified the growing pains of American broadcasting, as radio "grew up" into television, the Nelsons' deal with ABC gave the network the option to move their program to television. The struggling network needed proven talent that was not about to defect to the more established and wealthier networks like CBS or NBC.The Nelsons' sons, David, and Ricky did not join the cast until the radio show's fifth year (initially appearing on the February 20, 1949, episode, at ages 12 and 8, respectively). The two boys were played by professional actors prior to their joining because both were too young to perform. The role of David was played by Joel Davis from 1944 until 1945 when he was replaced by Tommy Bernard. Henry Blair appeared as Ricky. Other cast members included John Brown as Syd "Thorny" Thornberry, Lurene Tuttle as Harriet's mother, Bea Benaderet as Gloria, Janet Waldo as Emmy Lou, and Francis "Dink" Trout as Roger. Vocalists included Harriet Nelson, The King Sisters, and Ozzie Nelson. The announcers were Jack Bailey and Verne Smith. The music was by Billy May and Ozzie Nelson. The producers were Dave Elton and Ozzie Nelson. The show's sponsors included International Silver Company (1944–49), H.J. Heinz Company (1949–52) and Lambert Pharmacal's Listerine (1952–54).

Sinatra swings! From Frank Sinatra's 1959 album Come Dance With Me, Jerome Kern and Oscar Hammerstein II's The Song is You. Arranged and conducted by Billy May. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Send comments to sinatramatters@gmail.com

Edward William May Jr. (November 10, 1916 – January 22, 2004) was an American composer, arranger and trumpeter. He composed film and television music for The Green Hornet (1966), The Mod Squad (1968), Batman (with Batgirl theme, 1967), and Naked City (1960). He collaborated on films such as Pennies from Heaven (1981), and orchestrated Cocoon, and Cocoon: The Return, among others.

This is part two of the Time Life records set I started last week. These records were originally recorded in 1971 by Billy May and His Orchestra/Glen Gray's Casa Loma Orchestra. Those were recreations featuring many of the musicians who were on the original recordings. Today's program features the music from the set of 1938-1939. I have this box set and thought that instead of hearing the recreations that it would be interesting to listen to the originals. So I'm borrowing the playlist and presenting the original recordings. Included with the albums was a nice book which told about the swing era. The book from the 1938-1939 set featured an essay on Where Swing Came From. I hope you enjoy the music in part two of Time Life's the Swing Era. Please visit this podcast at http://bigbandbashfm.blogspot.com

This is another volume in Time Life records ambitious project called "The Swing Era". It was a ten volume set with three records included in each volume. Today we turn to the years of 1938-1939. The songs were rerecorded by the bands of Billy May and Glen Gray. I have this set and thought that instead of hearing the recreations that it would be interesting to listen to the originals. So I'm borrowing the playlist and presenting the original recordings. There are about 30 songs so I'm going to break it up into two parts. I hope you enjoy the music in this set. Please visit this podcast at http://bigbandbashfm.blogspot.com

"Green Chri$tma$" is a comedy single written and performed by Stan Freberg and released by Capitol Records in 1958 (catalog number F 4097). Musical arrangement and direction is made by Billy May, and performed by the Capitol Records house orchestra. Other vocal performances are by Daws Butler, Marvin Miller, Will Wright, and the Jud Conlon Chorale.

El catálogo del sello Panart de 1955 nos recuerda la banda sonora del habanero café "Vista Alegre”, de San Lázaro y Belascoaín donde trovadores, poetas y periodistas animaron míticas tertulias entre los últimos años 20 y comienzos de los 30. A cargo de la música: el compositor y guitarrista Graciano Gómez, el cantante Barbarito Diez, el tresero Isaac Oviedo y la voz segunda de Carlos Querol. La memorable señal de la radio independiente cubana nos conduce a los estudios de la CMQ Radio Centro. Fragmentos del show "La Pausa que refresca" patrocinado por Coca Cola, donde destacó la jazz band "Riverside”, bajo la batuta del saxofonista Pedro Vila. Junto a esta notable banda el saxofonista René Ravelo, la mezzosoprano Alba Marina y el cantante estrella Tito Gómez. Como parte del repertorio instrumental un clásico de Bebo Valdés: "Serenata en Batanga". También traemos algo del esplendor de La Habana como plaza artística de importancia para muchos artistas internacionales. Entre ellos recordamos al genial charro cantor Jorge Negrete. Presentaciones en el show "Empiece con Bacardí”, donde le acompañaron el trío Calaveras y la orquesta dirigida por el maestro Enrique González Manticci. Un buen recuerdo, además, para los locutores Xiomara Fernández y Eusebio Valls. El auge internacional que ya, a comienzos de los años 50, alcanzó el Mambo de Pérez Prado llega con la orquesta del propio pianista matancero, el crooner norteamericano Perry Como y la diva del altiplano Yma Sumac, acompañada por la banda del norteamericano Billy May. En la despedida del contrabajista Israel Cachao López junto al tresero Niño Rivero, Guillermo Barreto en las pailas, Gustavo Tamayo en güiro, Tata Güines en las tumbadoras, Yeyito Iglesias en los bongoes, entre otros buenos músicos.  #CUBAkústicaFM, todas las semanas, más de cien años de música popular cubana en #DDCRadio: https://diariodecuba.com/radio

One of five Billboard charted versions of the 1955 Christmas novelty song. This is CD audio, originally issued on Capitol single 3280. Nuttin' For Christmas by Stan Freberg with Billy May's Orchestra.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of sexism, mind games, manipulation. AJ Ganaros of Christmastide, Ohio and Shattered Worlds RPG joins us this week to talk about a weird movie. This time, it's not the script (which is outstanding, funny, and thoughtful) or the directing (bold, energetic, gorgeous). For once, it's the cast that just doesn't make any sense, because Marlon Brando doesn't belong in this movie, and he knows it. Worse yet, Frank Sinatra also knows it, and just seems bitter that he's not playing Brando's role. The two of them just seem to be so miscast, and so out of their element, that they can't really match the magic of their co-stars and supporting cast. Which is a testament to everything else about this movie, because even with the awkwardness of those stars this movie is still an absolute banger. Grab your racing digest and watch out for the cops while we discuss 1955's Guys and Dolls this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Overture” from the original motion picture soundtrack to the film A Star is Born, written by Harold Arlen, composed by Ray Heindorf and performed by The Warner Bros. Orchestra. Copyright © Sony Music Entertainment Inc. Excerpts taken from the film Guys and Dolls (1955) are © 1955 Warner Bros. All Rights Reserved. Excerpt taken from the theme song to the television series Top Cat. © Hanna-Barbera Productions, Screen Gems. Excerpt taken from “Luck Be A Lady,” written by Frank Loesser, arranged by Billy May, and performed by Frank Sinatra. © WEA International Inc. / Reprise Records.

Host Joe Piscopo is ready to take you on a Frank Sinatra Journey Baby! Tonight it's a “Back To The Basics” show with Billy May!

Episode 27-- After the long and terrible nightmare of Podomatic, we have found new hosting. To celebrate we decided to stall a week and release an episode that we had on our backlog! Out of Sight is a good movie! You should watch it! Don't commit any crimes while doing it, either! Theme song: "A Masterpiece Interruption" by Andy Kneis. End song: "A Man and a Woman" by Billy May. Follow us @kislingtwits and @goldenagecruz. E-mail us at AQualityInterruption@gmail.com. Help keep this ship afloat at patreon.com/quality. Like us on Facebook. Review us on iTunes. Tell a friend! Warn an enemy! "Everybody wants a .45 because the Killer had a .45."