Podcasts about Great American Songbook

Fun facts about some important pieces from the Great American Songbook.

This week on “Talk About Las Vegas With Ira,” Ira welcomes acclaimed vocalist Jonathan Karrant, who brings his celebrated tribute to legendary composer and songwriter Cole Porter to Myron's at The Smith Center on June 9. Jonathan reflects on his own journey from Ft. Smith, Arkansas to Manhattan, Los Angeles and ultimately Las Vegas, where he has become one of the city's most respected interpreters of the Great American Songbook. Jonathan shares how, at a very young age, he fell in love with classic standards after discovering compilation albums by Ella Fitzgerald and Julie London, which introduced him to the sophisticated wit and emotional depth of Cole Porter's music. Calling the Great American Songbook “America's poetry,” Jonathan explains why these timeless songs continue to resonate across generations, adapting effortlessly into swing, waltz and count-less musical styles. The conversation also explores Jonathan's deep connection with live audiences, which he describes as an ongoing “conversation,” and how audience energy shapes every perfor-mance. He discusses his passion for recording music in the studio, preserving moments in time through albums. Jonathan also talks about collaborating with jazz singer and pianist Diane Schuur and performing his latest single with her, “Caught a Touch of Your Love,” from the album Full Circle. Filled with stories about music, artistry, sophistication and timeless songwriting, this episode is a must-listen for fans of jazz, cabaret and the enduring brilliance of the Great American Songbook. (Also Watch Full Podcast Video)

Dans cette nouvelle chronique, Jean-Baptiste Tuzet met à l'honneur un artiste britannique d'exception qui fait la fierté de notre programmation : Anthony Strong. Né à Londres en 1984, ce brillant pianiste, chanteur et arrangeur s'inscrit dans la digne lignée d'un Harry Connick Jr. À l'occasion de la sortie de son nouvel album intitulé "And Then We Kiss", il nous offre une véritable masterclass d'élégance, sublimée par des arrangements somptueux et l'ajout d'un orchestre à cordes. Fervent défenseur d'une musique vivante, organique et 100% humaine face aux créations synthétiques de l'intelligence artificielle, Anthony Strong réinvente aussi bien les standards du "Great American Songbook" que les grands succès pop d'Elvis Presley ou de Tom Jones. Une œuvre raffinée qui incarne parfaitement l'ADN de Crooner Radio : la quintessence absolue de la musique populaire internationale.La Minute Crooner Attitude, le billet d'humeur de Jean-Baptiste Tuzet, tous les jours de la semaine, 9 h 15 et 19 h 15 sur Crooner Radio. Plus d'informations et podcasts www.croonerradio.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Melissa Errico is a Tony-nominated actress, singer, recording artist, and writer. She is known for her iconic Broadway musical roles such as Eliza Doolittle in My Fair Lady and the title role in One Touch of Venus. She is also recognized from her roles on TV series such as Billions, The Jim Gaffigan Show, Blue Bloods, The Good Wife, Law & Order, A Gifted Man, Ed, and Miss Match opposite Alicia Silverstone. In addition to her work on stage and screen, Errico is highly regarded for her recordings of musical theater classics, including albums of songs by Stephen Sondheim and Michel Legrand. Her 2018 album “Sondheim Sublime” was described by the Wall Street Journal as “the best all-Sondheim album ever recorded”. In a review for her 2024 album “Sondheim in the City”, the New York Times described Errio as “one of Sondheim's deepest-hearted yet lightest-touch interpreters.” Errico’s interpretation of Legrand’s music is equally highly praised, so much so that she was asked to write his eulogy for the Times and was the only American singer invited to perform at Legrand’s memorial at Le Grand Rex in Paris. In recent years, Errico has become a contributing writer to The New York Times and served on the National Endowment for the Arts. See omnystudio.com/listener for privacy information.

EPISODE 717 - Hal Glatzer - Accidental Detectives, Friends With Benefits and How Music Influences WritingHal Glatzer is a novelist who blends mystery with a rich musical background, sharing insights about his creative journey, his fiction's settings, and the people who populate his work. The interview unfolds in three main threads: the mysteries Glatzer writes, the music he performs, and the biography that informs his storytelling.Glatzer's literary path begins in youth with classical training in violin and clarinet, moving through the folk revival and bluegrass, and finally embracing the Great American Songbook. This musical fluency informs his approach to dialogue and rhythm in fiction, where characters banter and move storylines forward through speech. His long-running Katy Green novels anchor his literary voice in historical-recovery and performance, while his current project centers on Herman and Teddy, an older couple who navigate an affair while solving murders. They are “accidental detectives” in a cozy mystery setting, chosen to explore grown-up themes with wit, warmth, and intellectual curiosity.Grand Lake City, Glatzer's fictional setting, serves as a crafted backdrop that mirrors real Rust Belt towns gradually reviving their economies. The two primary protagonists—Herman, a late sixties retired magazine editor, and Teddy, a middle sixties former high school math teacher—live a “friendship with benefits” relationship. Their dynamic blends sharp banter, contrasting personalities, and complementary lives, which continually challenge and propel the mysteries they stumble into. The series follows this duo across three novels so far: The Nest, The Office Wife, and The Two Birds, with plans for future installments and possibly revisiting the Katie Green character from his earlier work.A central theme is how music—whether live performance or the memory of songs—deeply embeds itself in people's brains and sustains memory, emotion, and identity. Glatzer describes performing for nursing homes and veterans as a powerful reminder that music often outlives other faculties, a belief that resonates with how he builds mood and atmosphere in his stories. He also explains that his storytelling relies on the tension between characters and situations: even a cozy mystery benefits from obstacles that threaten personal relationships and force protagonists to confront difficult choices.For readers, the appeal lies in dialog-rich, character-driven mysteries where adults face real-life complexities, including marriage, friendship, and moral dilemmas, while the plot unfurls through witty dialogue and engaging puzzles. Glatzer emphasizes that his ideal reader is an adult who appreciates a well-crafted whodunit with authentic relationships and no graphic sexuality, while acknowledging that his work may test readers' comfort with adultery within a carefully controlled narrative.Key takeaway: Hal Glatzer's mysteries thrive on character chemistry and dialogue as the engine of plot, pairing cozy, accessible puzzles with mature, nuanced relationships that keep readers thinking—and listening—for the next twist.https://halglatzer.com/Send us Fan MailSupport the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Singer/songwriter/pianist Matt Dennis (born Feb 11, 1914), while not exactly a household name,  wrote some of the most enduring gems of the Great American Songbook. "Angel Eyes", "Everything Happens to Me", "Let's Get Away from it All", "The Night We Called it a Day", and "Violets for Your Furs" are all standards that will be played for years to come.

This week on “Talk About Las Vegas With Ira,” Ira sits down with jazz pianist, vocalist, and bandleader Danny Sinoff, performing at Vic's May 1–2. With a style rooted in tradition and driven by storytelling, Danny is part of a new generation keeping the Great American Songbook alive—and swinging. In this engaging conversation, Danny shares insights into his upcoming album "Make Someone Happy," including his collaboration with Benny Benack III and working with three-time GRAMMY® Award-winning drummer Ulysses Owens Jr. He talks about his early shift from classical music to jazz, influenced by legends like Frank Sinatra and Bobby Darin—and how that spark turned into a lifelong passion. Danny also reveals how he carefully selected songs for the album, including a surprising classic made famous by Tony Bennett that he never expected to record. He discusses why the Great American Songbook continues to resonate across generations, emphasizing that “lyrics really make the melody come alive.” Plus, Danny reflects on his commitment to presentation—always performing (and even recording) in a suit—his memorable introduction to Las Vegas, and the moment he was inspired watching Harry Connick Jr. on “Saturday Night Live.” Above all, he shares his love for ballads and the powerful connection between performer and audience. (Also Watch Full Podcast Video)

What happens when you trust your talent before anyone else does? I had the pleasure of speaking with Spider Saloff, a jazz vocalist and performer whose journey shows what it means to truly create your own path. From secretly rehearsing as a teenager to performing for the Gershwin family and building a career in jazz and cabaret, Spider shares how taking risks, following curiosity, and trusting your instincts can open unexpected doors. We also explore her resilience through personal challenges, including overcoming an abusive relationship and rebuilding her life from nothing. You will hear how music, creativity, and lifelong learning became her anchors, and why choosing your own direction can lead to a life that is both meaningful and unstoppable. Highlights: 00:10 – Discover how a passion for music at a young age can shape an entire life path 02:04 – Learn how early opportunities and saying yes can open unexpected doors 10:00 – Understand why creating your own opportunities can redefine your career 16:20 – Hear how taking bold action led to a life-changing connection with the Gershwin family 30:00 – Discover how one decision can completely change where your life and career unfold 44:44 – Learn what it takes to break free from hardship and rebuild your life with resilience Bottom of Form About the Guest: What does it take to build a lasting career in music and performance? Spider Saloff has done exactly that, earning recognition as a multi-award-winning vocalist and entertainer known for her powerful voice, wide range, and captivating stage presence. Born in Philadelphia and raised in New Jersey, she began her journey in theater at a young age, studying acting at Rowan University and the University of London. Her early career in musical theater included more than 25 major roles, but everything shifted when she discovered her passion for jazz. That move led her to work with top musicians, gain critical acclaim, and begin touring both nationally and internationally. Over time, Spider became one of the most respected interpreters of the American Songbook, known for blending deep emotion with humor in her performances. Her connection with the Gershwin family helped launch signature shows like her tribute to George Gershwin, which has been performed around the world. She has also created tributes to icons like Cole Porter and Irving Berlin, performed at major venues and festivals globally, and hosted the syndicated radio series Words and Music. Beyond the stage, she is a teacher, writer, and creator who helps others find their unique voice, continuing to inspire audiences and students alike through a career built on passion, creativity, and authenticity. Ways to connect with Spider: Website: https://spidersaloff.com LinkTree: https://linktr.ee/spiderjazz Facebook: https://www.facebook.com/spidie.saloff Twitter (@spidersaloff): https://x.com/spidersaloff?s=21&t=XIFFgGFn7E5Hd_8J8Rexfg Spotify: https://open.spotify.com/artist/6gKiYyeoZyxZTAI2EpGWbU?si=WudPV-CUQPmMThTtV508Og YouTube (@TheMartinicat): https://www.youtube.com/channel/UCTLI-Gd51JdcMT0FVvvD9lA YouTube, “When You See Me”: https://www.youtube.com/watch?v=DTbO1FWrje4 Instagram (@spider.jazz): https://www.instagram.com/spider.jazz/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe Welcome to unstoppable mindset where inclusion, diversity and the unexpected meet. I'm your host. Michael hingson, speaker, author and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on and show what's possible when we choose curiosity over fear, together, we focus on mindset resilience and the small shifts that lead to meaningful change. Let's get started. Hi everyone, and I want to welcome you to another episode of unstoppable mindset, and we have an unstoppable mindseted, oriented sort of person today. Spider Saloff. Spider is a vocalist. She's a comedian. She is in Chicago, as I recall, but she has been to a variety of places. She is a very highly acclaimed vocalist, a singer. She sings and deals with a lot of the songs that I like, like the Great American Songbook, Gershwin, Irving, Berlin and other things like that. And she has a lot of accolades that come from any number of famous people who you've probably heard of. And so in the course of the next hour or so, I'm sure we're going to hear about a bunch of that. But for now, spider, welcome to unstoppable mindset. We're really glad Spider Saloff  01:49 you're here. Well, I'm happy to be here. Thank you for inviting me. Michael Hingson  01:53 Well, you are, you are most welcome. So how did you get into doing, acting, singing and all the other things that you do. Spider Saloff  02:04 Well, it started when I was a kid. I always loved music, and you know, it was so in love with the arts. But when I was 14, I came home and told my parents that I could get them tickets to the high school variety show. And they said, What? And I told them, I'm in it. I'm going to be in it. And they said, well, doing what? And I said, singing. And they were they were shocked, and I didn't tell them. I used to rehearse at my girlfriend's home because her family was all over it. They thought I was wonderful, and I knew my family would tell me that I couldn't do it so because it's just too foreign and too scary to them. So I ended up performing at this variety show, and my my parents were absolutely shocked, and one thing led to another. And then I met a theater director who worked at my school, and he came, he was a professional guy from New York that they hired to come in to do a musical, and I was in it. And I ended up getting the opportunity to be in a summer stock company and my parents let me go, which was amazing. I think they were just relieved to get me out of the house for the summer, but whatever it takes, but I certainly learned a lot, and I was very young for that experience, but it was, it was so, so worth it. And then after I finished high school, I went to college for theater. Now, your parents are from Russia. Oh, no, no, no, no, they're descend. My father's descendants are from Russia. That's where the name is from. But they are, I think I am about 11 different nationalities. So it's we're real much we are real much of the world. Well, there you go, yeah. Michael Hingson  04:05 So now we need to just clone that combination, since obviously you sing, well, we need to get that in other people, just just, you know, just a thought, you know, Spider Saloff  04:16 sounds good. Sounds dangerous to me. Michael Hingson  04:18 Actually, I know it's either that or we're gonna Spider Saloff  04:21 have to get more, more of one than more than one of Michael Hingson  04:24 me, more than one spider? No, we can't have that. Well, either that or we get AI to to imitate you. But we don't want to do we don't want to do that either, scary stuff. 04:35 Yeah, yeah, it is. Michael Hingson  04:36 Well, so how did you encounter and come up with the name spider. Spider Saloff  04:44 I did not choose it. I, you know, I never thought that my real name made any sense from the time I was a child, it's, I'm like, that doesn't make sense. And then I got the nickname when I was in college, because I have, I'm. Really a small person, but I have very long arms and legs, and it was a nickname, and it just stuck with me. And then finally I surrendered to it as a professional name, and people don't forget it. They may not like me, but they don't forget the name. And then it just stuck. And it's been that way ever since, how could Michael Hingson  05:20 somebody not like you? Spider Saloff  05:23 Well, I don't know. I'm sure there's somebody out there. I would love to thank everyone. Just endorse me, but Michael Hingson  05:31 we'll see. Well, yeah, I mean, it'll all go so where did you go to college? Spider Saloff  05:37 I went to a college that doesn't exist anymore, actually, now it is Rowan University. It's in New Jersey, outside of Philadelphia, and it became Rowan University when it got the largest private donation in history. But it was a state college called Glassboro State College, and it was a fine arts school at the time. There were several of my friends, including the conductor for the Lion King and Broadway people, all went to school there, and now it has no arts program at all. But part of our program, I did get to study at University of London too. So that was really exceptional. And it was so wonderful, a wonderful school, great opportunity. You know, it's, it was outside of Philadelphia, close to New York, and now it's an engineering school. For the most part. There isn't, there are no fine arts there at all. Well, that's too bad. But, well, yeah, I know, but somebody's got to do the engineering, Michael Hingson  06:39 I guess. I Well, there's truth to that too. Now, have you seen THE LION KING LIVE on Broadway? I have Spider Saloff  06:46 never seen it, and it's never seen it. I gotta see it. I've got to see it. I it just never happened. I kept intending to go and I never saw it. And I know people that played for it as well. 06:59 You've seen the movie. No, you haven't seen the movie Spider Saloff  07:02 either, anything Lion King. My goodness, I know I better. That's one of my goals. By the end of the year, let me see if I can see it. Michael Hingson  07:10 Well, I'll tell you my lion king story. A my brother in law knew someone who knew some of the actors in Lion King, and he and his wife and their little girl, who at the time was like three or four, were coming through New Jersey, where we lived in Westfield, and we all arranged to go see The Lion King. It was a Wednesday afternoon. It was a matinee, and near the beginning when scar, the bad guy meets the hyenas, who he works with, they all come on, they come on stage and they're growling and all sorts of things like that. Well, in the theater, the hyenas come from the back of the theater, down the stairs, and they walk past everyone growling and making all these noises? Well, my wife was in a wheelchair her whole life. She was a t3 paraplegic, and when one of the hyenas came up next to her, because we were able to arrange for an accessible seat, which was right on the aisle, this hyena comes up right next to her and goes, you've never seen a woman who is totally paralyzed suddenly literally jump up and almost walk out of the theater. It was amazing. She he shocked her completely. But it was so much fun. And of course, Alanya, the little girl, was just there with these big, huge eyes over all of this. But what Karen, my wife, told me later was that what was interesting about it was that when she was obviously watching all of this, and she said, You got totally used to the the puppets being the animals they were. They didn't you. They didn't even look like puppets anymore. They were just the animals. Spider Saloff  09:05 And that's exactly what I've heard about it, that it's like, it was fascinating. You're completely swept away with it. Michael Hingson  09:10 Yeah, wow. So, so it's cool, but, yeah, you gotta, you gotta go see The Lion King. It is absolutely worth it. The music is wonderful and all that. Wow. So we got to see it on Broadway, which was cool. Well, so you, so you went to college, and then what did you do? Spider Saloff  09:32 Well, when I got out of college, I, you know, was doing theater, but I ended up in musicals because I sang, and I really my training, my formal training, really is acting. I did not train as a singer. I just started singing naturally when I was a teenager, and then I just did a ton of musicals. I was in musicals like forever and but. I always loved jazz, and that was always in my back pocket. And then at one point, I really decided I wanted to pursue jazz while it was still in musical theater, because it was getting harder and harder to get roles, because they wanted, this is in the late 80s. They wanted you to be a dancer as well, and that was not going to happen for me. So I really thought, you know, I just, I want to check out the whole nightclub scene, you know, in Cabaret, where you could produce your own show. And so I started to really pick the minds of the guys in the pit band. And I talked to all these pit musicians, and they would tell me about, you know, places to go, and how they there were guys I met there that introduced me to other people, that helped me to do my first demo, and then started working in clubs. And then that really changed everything for me. Michael Hingson  11:01 So you got very much involved in doing a lot of Spider Saloff  11:04 jazz, yeah, jazz and cabaret, and it was all small clubs. But then that was what got me major press attention. And then I started touring with a show that I co wrote with a guy named Ricky ritzel, who's from New York, and we did a show called 1938 and that was my first recording as well. And then then just kept going from there, and that's how a lot of things happened, was really just deciding to do my own thing and create my own world of performance. So you're also Michael Hingson  11:45 known for doing something related in one way or another to comedy? Spider Saloff  11:50 Well, yeah, I've always done comedic roles, and I can't say I have ever done stand up, but I may be getting close to it, I'm not sure, but I always involve a lot of comedic monologs in everything I do. Like, if you see me at a jazz club, I will tell stories. And, you know, it's part of, part of who I am, is a lot of the comedy stuff. And, you know, crazy stories and telling stories about people, and, you know, doing imitations of people that I've met over the years and that kind of stuff. So it's, it is part of my whole persona on stage. Michael Hingson  12:33 What's your favorite musical that you've done? Boy, it's probably a toughy. Spider Saloff  12:40 I did so many, I have to say, Guys and Dolls. Okay, guys and dolls. I was Adelaide and Guys and Dolls, one of the best roles I've ever done. It was really a good choice for me, and and I, and I have to say I was in what, four productions of Fiddler on the Roof, and I've been two seidels, one Hava and fru masera, so but I love that show. I think it's magical. Michael Hingson  13:21 Just it is. Have you ever been in numb? I like Guys and Dolls, but my favorite, and it's just been that way for a long time. I don't know why was the music? Man, were you ever in the music? Spider Saloff  13:32 Man, I was, but there's no, there's no role in that for me. But I was one of the pick a little ladies. Oh, it is one of my favorite shows. Though, I think it's a masterpiece. I love love love music, man. I think it's just brilliant. Michael Hingson  13:48 You don't think you could have done you? Lily capecni shim you know, Spider Saloff  13:53 I was too young to do it at the time. Michael Hingson  13:54 Yeah. Well, like always, now there's always Marion, Spider Saloff  14:00 no, I don't have the soprano chops for that. They let me do it in Sutton Foster's keys. Well, I was thrilled that they took it down for her, because I could actually do it in those keys. That would be great. Michael Hingson  14:16 I saw it a couple of times on Broadway. Now I'm blanking out on the person it was in. Well, we saw it in, like, 2002 1001 and I'm trying to remember I'm blanking out on the person who played Marion. She actually ended up getting Lou Gehrig's disease and passed away. Spider Saloff  14:43 I don't know who. I don't know, which Michael Hingson  14:45 totally shocked us. Spider Saloff  14:46 I'm drawing a blank, I don't know. Michael Hingson  14:48 Yeah, I'm blanking out on her name. I may think of it, but, Oh, forgive us. She did a she did a great, a great job. But, yeah, but there's nobody like Robert Preston to play Harold Hill. And. Spider Saloff  15:00 Anyway, oh, that movie is so beautiful. I love that movie. Yeah, music, man is brilliant. It really is brilliant. Well, that Michael Hingson  15:10 goes back to, you know, Mr. Mr. Meredith. Meredith Wilson, Spider Saloff  15:18 yes, and I read, I read his book. Have you ever do you know of his book called he doesn't know the territory? Michael Hingson  15:27 No, I'll have to see if I Spider Saloff  15:28 can find writing and production of music. Man, I love, love. Love that book. And it's about all the trials of getting it produced and how he did. They did one of the opening one of the readings when they were trying to raise the money to do it. And moss Hart. Moss and Kitty Hart were there, and they hated it so much they walked out the middle of it. Opening Night, moss Hart was there, and he he saw, he saw Meredith Wilson in the lobby, and he shook his hand, and he said, he said, Great show. But you know what, you still haven't licked that book. Oh gosh, because he was an outsider. I mean, he wasn't part of the Broadway team. And no, the fact that he actually played with a John Philip Sousa, like, what, yeah, couch or something. It was real deal. Like, real real, like, old timey marching band stuff. Michael Hingson  16:35 Yeah, amazing. Well, then he also did The Unsinkable Molly Spider Saloff  16:39 Brown, yes, yes, another great show, yeah, not produced very often. But no, Michael Hingson  16:45 no, it's not. It's, it's sort of sad. Oh, well. But you, you've been very much involved with with a lot of jazz and so on. Tell us about meeting the Gershwin family and and your your involvement with Gershwin, which, you Spider Saloff  17:01 know, he, of course, magical. It was. It was truly a life changing event for me, my partner and I, Ricky ritzel And I had been doing 1938 and then we decided to write this show that was called Porgy and Bess, a cabaret concert, oh boy. And it was in New York, and a very powerful guy from ASCAP came to see it, and Michael kirker, and he came to see it, and he said, this show is brilliant. He goes, but you guys are going to get shut down by the Gershwin family, so you need to call them and see if they'll give you permission. So I had the phone number for Leopold godowsky, the third who is the nephew of George and Ira. His mother is Frankie Gershwin, who was George and IRA's younger sister, and I was a wreck. My hands were shaking, and I called him on the phone and and he was very polite. He just had this incredibly mannered guy, you know, it was really lovely. He goes, Well, you know, I don't see that we could allow Porgy and Bess be performed in a night club, and it wasn't like we were doing the show. We were just right. We were telling a story about how it was written and then just performing the songs as separate entities, but they were enfolding into the story. So I said, Would you would you want to comment? Would you want to see it? If we put it on a videotape, and he goes, Oh, I don't know. He goes, let me think about it. So then I called him back right away. I had the nerve to call him back again. I said, Well, would you come to see the show. He said, you know, what would you and your partner be willing to come and perform it at my home in Connecticut? There you go. And I'm like, What? What? So this whole thing got put together, and we went up to the Gershwins home in Connecticut. We met Leopold and his fabulous wife, Elaine, and they had, they said, we're having, we're having 40 close friends here for dinner. They were cooking dinner themselves, and it was this magical house in Connecticut. They had 40 industry people there. It was crazy. I mean, there were all these famous people there, and we were, we did like, as he called it, a 30 minute musicale. We did highlights from the show in their living room by the great. End piano, and I believe the piano had belonged to George, because Leopold is classical pianist as well. So we did the show, and then we all had dinner, and this friendship started. So what evolved was they, they did, let us do the show, but then my relationship continued with them, and when the Gershwin Centennial started in 1996 it was Iris 100th birthday, two years before George's. In 98 I became part of the centennial presentation, so I got to tour with my Gershwin concert under their brand, and also record my Gershwin album with their brand on it. And it was the beginning of a beautiful friendship. And it was, it was a huge, you know, a huge mark in my career, and it opened a lot of doors for me. So wonderful, wonderful people. Michael Hingson  21:03 One of my favorite pieces of all times. Calling it a piece is probably not totally accurate. It's bigger than that, but one of my favorite things from classical music has always been Rhapsody in Blue. And I don't know why, but the very first time I heard it, I loved it, and I've enjoyed it ever since. I've heard the Boston Pops do it, you know, and and others do it. It's just one of those neat things I've just always loved. Spider Saloff  21:30 I'm getting chills just talking about it, because that was so groundbreaking at the time when Paul Whiteman had the contest right of who was going to be able to cross the borders of jazz and classical. And you know, who else was in that contest was Aaron Copland, oh my gosh, Eric Copeland, and he was always in competition with Gershwin, yeah, and Gershwin won and musically, that that changed the whole concept of jazz, I mean, to be accepted in a classical arena. It was really remarkable. What that what that piece did, like, amazing. Michael Hingson  22:18 I actually heard once the Paul Whiteman arrangement of Rhapsody in Blue was performed by a group I don't even recall where, but it was outside. It was a little different, but it still was just so neat to hear this. Spider Saloff  22:36 The first person to hear it, yep. I mean, Paul, my Paul Whiteman was incredible, though. I mean, what a what a groundbreaking person. He was artistically, right? Michael Hingson  22:48 Yeah, he, he did some amazing things, Spider Saloff  22:51 yeah, yeah, you know what I've got to mention. And I hope this doesn't make make our interview too dated. But last night, I saw the movie Blue Moon. That is about about Larry Hart. Oh, my God, I haven't seen that. I'm gonna have to. It just came out last week. Oh, okay, it's not gonna be very often. It's absolutely gorgeous, and Ethan Hawk plays Larry Hart. It it's it's beautiful and funny and heartbreaking, and it all the whole premise is Larry Hart has to go to opening night of Oklahoma, oh gosh, and how painful it is, and this whole cathartic thing he's going through. So the bulk of the entire it's more like, like a theater piece. The whole thing takes place at the bar at Sardi's when he's talking to the bartender and waiting for for Rogers and Hammerstein to show up. And it's, ah, Wowza, it's brilliant. It's brilliant. And talk about, I don't know how they ever got that produced, because it's definitely a movie that's not going to appeal to everybody, but boy, is it brilliant. Michael Hingson  24:14 Wow. Well, hopefully it will come out in some place where I can can watch it up here, and that'll be cool, yeah, Spider Saloff  24:22 and I think it's probably going to go to streaming pretty soon, I'm sure, yeah. So you'll have a lot of opportunities. But I really was happy to go to the theater and see it. But wow, and people in the audience were laughing at all the jokes they were getting, all the sly, Sly comments of Larry Hart, like, wow, witty, witty, witty, just brilliant, just brilliant. Michael Hingson  24:51 Well, your whole Gershwin relationship, obviously, is pretty significant. You even did some Gershwin concert. In Russia, Spider Saloff  25:02 yes, yes. That was why I went to Russia. They were having a Gershwin Centennial in St Petersburg in 1998 because that is the, that is the origins of the Gershwin family. They are from St Petersburg. And so I was hired with my pianist to go to St Petersburg. And do we? Did we were there for seven days, and I think we did like five concerts, and it was amazing to be there, because this was when Russia was getting good. This was, like the good part, and still was scary. It was scary. We stayed in this really creepy hotel that was like a government hotel, and the rooms were bugged. And then when the hallways there were padded walls, like where they could pull these panels out, and there was all kinds of wiring in there, bugging and strange stuff. The concert hall was absolutely magical. It was an old concert hall, and people went crazy, and when I sang the song vodka, which is an oddity, by Gershwin, by way, herbert stothard, Otto Harbach, Oscar Hammerstein and George Gershwin wrote this crazy song called vodka. And when I did the song, people stood on their chairs and screamed, the Russians just loved, loved, loved the concert, the audiences couldn't have been better, and the people that ran the organization couldn't have been weirder. It was, it was very strange. And when we went to leave, the guy that booked us and me and my pianist, they they took our passports, and we had to go to a little room where they said that we our visas were expired and and we had to pay money to get out of there, and they were mad at the guy that was our manager, because he sassed them. And anyway, we had to wait. We were afraid we're going to miss the plane. And then finally, they came out with, like a little, a little tape from an adding machine, and they, they said, you have to pay $58.23 American. So they charged us this $58 and we paid it and ran to get on the plane and and I'm like, I was never so scared in my life. I didn't know what they were going to do, but it was an experience, and it was thrilling and beautiful. But don't think I'm going back to Russia, not in the near term. Yeah. Oh, and then that's when all these people said, my name is sell off. You are my cousin. I come home with you like there were so many people with my name, because in this country, there aren't that many. Aren't that many sell offs. My family is pretty small, and occasionally I'll meet us a sell off. But they're usually, they're usually rabbis, or it's like there aren't that many of us out there, but it was, it was an amazing experience. Loved it. Michael Hingson  28:28 Now, did you when you were over there, sing any of the songs or anything in Russian, or did that matter? Spider Saloff  28:34 Oh no, oh no, let's didn't do that, huh? I'm not. No, I, you know, I'm good at doing accents, and sometimes I will learn to say, like I would learn a little bit of French to get by, but then they would start asking me questions, and I didn't know what they were saying, and then they thought I was just being a jerk, you know, I'm pretending I don't understand them or something. But it was, No, I don't speak. I can barely handle English, but I didn't know whether you might have Michael Hingson  29:05 tried to learn one of the songs just for fun. Spider Saloff  29:08 There wasn't time. This went together so fast. I think we only had, like, two weeks notice. They had rushed the visas and, you know, we had, we had passports in order, but it was a lot of legal red tape. Michael Hingson  29:25 But that's why it cost $58.33 to get out. I don't know, very crazy one of those things. Oh, yeah. Well, well, at least it was affordable. Spider Saloff  29:41 Well, it will, and it was exciting. I mean, everything was paid for. But, oh, this was another weird thing they paid. They paid us in cash, American dollars, and I needed to hide, I had to hide it in my boot. I put it in. Hide the soul of my boot when I'm okay, wow, yeah, it was, it was creepy all the way down the line. It was very strange. Oh, well, yeah, things happen. 30:11 Things happen. Yeah, I was, Spider Saloff  30:12 I'm very, very, very fortunate that I got, got to do it, yeah? Michael Hingson  30:19 So obviously a wonderful memory. And yeah, oh yeah, one of those things that you'll you'll always treasure. You bet. Well, so when did you move to Chicago? Spider Saloff  30:32 Oh, well, when? When I started to get get my feet wet in New York, in the nightclub scene and the jazz scene, I got some really fabulous reviews, including the New York Times. And there was a guy from Chicago who I met through the great Julie Wilson, and his name was Bill Allen, and he was partners with Bobby Short, and he opened this really crazy club in Chicago, very famous, called the Gold Star sardine bar. And both Liza Minnelli had played there the Basie band. He squeezed the Basie band in there, but it was this tiny little place right in downtown Chicago, and it was really wild. And a lot of people had played there. Tony Bennett had played there, and Liza and I kind of was courting the room. I kept talking to him. He had he had found my press kit. Think he had been sent three different press kits, and we don't know which one he opened, and he called me, and we kept this ongoing conversation about coming out to do performance there, and then finally, he decided to bring me out for New Year's Eve, and my husband and I flew out, and it was just we were we had a couple of friends here in Chicago that we visited, but we didn't know anybody here. I'd never been to Chicago, you know, but it was magical. And then he said, Well, I'm going to have you back. I'm going to have you back. And then I didn't hear from him. And finally, the following September, he asked if I could come and play for a month, and I had almost no warning, because he was very impulsive and really crazy. So he asked me to come out for a month, and I did. They put me up in a hotel, and I played with the musicians. Were magical. People were so great. And so I played for a month, and then he said, you know, what would you think about about moving here? And my husband and I were both excited about it. Then we didn't hear anything from him. And then right after So, the first week of February the following year, he calls me up and said, Could you move here? And I'm like, I guess so. Why he goes, Well, I'll book you here for a year, and we'll arrange to get an apartment. And can you start like next week? Oh, gosh, ah, so I did it. I came out, and then my husband came out. We took a sublet on an apartment right downtown in Chicago, sight unseen. We moved here with our cat, and the rest was history. I ended up having the best nobody has a gig for a year, yeah, and and hired partially by the only person that had a gig forever, who was Bobby Short. So because I had met Bobby Short in New York, and he kind of gave bill the okay, you know, he liked me. And then I, I met Tony Bennett there, and Liza interrupted my show one night and crawled on to the over the balcony, onto the stage. And it was magical. There were lines around the block and and I got, I was courted by the press in Chicago like you wouldn't believe. I mean, it was magical. So when my run was up there, I started working at other clubs, and also I started touring at concert tours of my shows, like the Gershwin show, and started to tour. So it just became another life for me. But I'm, I'm in Chicago forever. As far as I'm concerned. I adore it here. I just love it. Michael Hingson  34:45 So when did you move there? Spider Saloff  34:47 The beginning of 92 Michael Hingson  34:49 Okay, all right, so when Liza, when Liza invaded the stage? Did you guys sing together? Spider Saloff  34:55 No, this is what happened. I had met Liza. Yeah, well, I was still living in New York, and I was friends with Billy Stritch, who was liza's musical director. So he was a friend of mine, and he introduced me to Liza, and because she was he was conducting a bit that big show she did at Radio City Music Hall that was a tribute to Vincent Minnelli. Right? She did this spectacular show at Radio City, and Billy was musical directing, and that's when they really became partners. And he introduced me to Liza, and she was just a doll, one of the nicest, coolest people in show business. So I met her, and she was really kind to me, very friendly, very sweet. And so they were playing at the Chicago theater. Liza was doing her one woman show, and it was closing this particular Saturday that I was at the Gold Star, and I had sent Billy a note to to, you know, come by when they're we're done. So I'm doing the second set. And then crazy Bill Allen at the break. He goes, he goes, Okay, people are going to come in here. Joe Pesci is going to come in and and he's going to come up and meet you. And I'm like, Joe Pesci. Joe Pesci was doing a movie here, and his double, his gangster double, used to come in and see me at the gold star. So anyway, the break comes, I'm on stage, and all of a sudden the door opens, and they come in, and it's, it was Billy and Liza and Joe Pesci. And Joe Pesci comes up on stage with Billy and my band kind of crawls off the stage, because by now, there are, there's about, I don't know, 200 people packed in a 70 person room, and their people are coming out of the woodwork. They're like, sitting on top of the bar, and I can't even get off the stage. And Joe Pesci. Pesci leans down, he's like, hey, hey, honey, my my double. He thinks you're great. He goes, Yeah, we're gonna do some songs now. And I'm like, okay, so I sat there, and Billy came up and played. The bass player was there with them. Joe Pesci got up and sang. He was adorable. And then Liza is sitting right by this. They called it the opera box. There was a big, like private table that was right next to the stage. She crawls over the bar onto the stage, and people are just screaming. It was absolutely nuts. And she did like three songs, and she was losing her voice. She had just done a killer thing at the Chicago theater, and she was really, like, raspy. Did it anyway? And she ended with New York, New York, and people were like, screaming. It was just bonkers. It was bonkers. And so that's what the Gold Star was like. It was just a crazy place, and you didn't know who was going to come in the door, who was going to interrupt your show? You just, you just didn't know. Michael Hingson  38:24 Yeah. And they even had the Count Basie orchestra there, and that was, how'd they fit him? How'd they Spider Saloff  38:30 fit him in? Couldn't fit them. It was like a publicity stunt, yeah, and the band was all stuffed in there, and there were a few people that could get in the room, but people were standing in the hallway to hear Pacey pants. This is way before my time. Yeah, it was like in the early 80s, when they opened and they were way crazier then, then when, when I came, Michael Hingson  38:53 you settled them down. Did Spider Saloff  38:55 you No? No, but they, they, they, well, I was there for a year, and then the following year, I went back a few times on Saturdays, and then Bill told Jeremy Conn and I that we were going to be the regular actor because they were always on the verge of closing. They wouldn't have any liquor, and somebody would be coming in the back door with liquor because they didn't pay their liquor bill. And it was, he was in a lawsuit. And anyway, they told us that he goes, Yeah, yeah. Call me on Tuesday and we're gonna we're getting all the details straight. Now. You guys are going to be regular. Here Tuesday came and there were chains on the door. Oh, gosh. And that was the end of it. It ended, and it was a magical time, but there were a lot of problems, a lot of legal problems going on. Michael Hingson  39:50 I met Liza Minnelli once. That was the second or third time I was interviewed by Larry King, and she was now. She was going to perform on the show as well, but it was after September 11, and so I got, I got to meet her, and that was about it, but I did get to meet her, which was fun. Exciting. It was fun. How exciting. And every time we walked out after the interviews, there were lots of photographers outside. Everyone was taking pictures, and we had to put up with all that, but I guess it provided a lot of visibility, but it was kind of fun to be able to do that. Spider Saloff  40:34 How cool. I never met Larry King. I knew a lot of people were on his show. But well, how exciting that you did it twice? Michael Hingson  40:43 Well, actually we there were five interviews with Larry. The first one was right after September 11. It was on the 14th. And then there was another one. There was either one or two more. I think there was one more in November of 2001 and then on the anniversary, in 2002 was the third. But there there were five altogether, and during one of them, and I think it was the one on the anniversary or in 2002 but I have to go back and see if I can research it. But anyway, Hillary, Hillary Clinton and Chuck Schumer were, were there? Lisa Beamer, Todd Beamer, his wife Todd's the guy who said, let's roll on flight 93 when they took over the plane again and got it in a crash in Shanksville. Wow, and and Queen. Nor was there. So who I'm sorry, Queen nor from? Who is the queen of Jordan? Oh, wow. And she and she and Roselle had a thing for a while. Roselle was my guide dog at the time, so they visited. It was kind of fun. Oh, wow. But, yeah, it was, it was interesting. But as I say, then we, we did meet Liza briefly, and that was kind of fun. She said she's Spider Saloff  42:09 a doll, yeah, doll. Oh, yeah. What a great person, yeah. Michael Hingson  42:13 Well, so I was looking at all the things that you sent me, and I noticed Tony Bennett. I got to meet Tony Bennett once we were on Regis and Kelly live in November of 2001 and I was sitting there, and I heard that Tony Bennett was going to be on the show. And suddenly he comes over and he says, Hey, I'm Tony Bennett. Good to meet you. I've heard about you. So we chatted for a while, and he and Roselle had a thing too, and he and Roselle had a thing too. Spider Saloff  42:45 So that was good. Oh, that Roselle. Oh, but yeah, I met him at the Gold Star, and he because he had played there several times, you know, as a future act. And he was doing, he was in. He was in town to do something. Maybe it was at the Chicago theater as well, but he came in, hanging out in his in his white dinner jacket, absolutely charming. And he sat down and talked to me between sets. It's like talking to your uncle, like he's like, Yeah, what do you think of this weather here in Chicago, and it was like just the friendliest, most laid back, cool guy and and I've seen him perform several times. I adored him. Michael Hingson  43:32 I regret I never got to see him live other than hearing him do, other than hearing him on regents and Kelly, he did a New York state of mind. Spider Saloff  43:41 Oh, cool. Very cool, Michael Hingson  43:43 wow, very soft spoken guy. But when he can sing, he can he could Bell it, Bell it out, Spider Saloff  43:49 and he and he sang the same forever, like, that's my my idols are. I want to sound the same forever, and I have the two, the two, the two most remarkable preserved voices were Ella Fitzgerald and Mel Tormey, both of them, they had chops forever like that. They they were just very, very careful and smart about the way they use their voices. Michael Hingson  44:18 Yeah. Johnny Mathis lasted a long time. I don't know what he sounds like. Spider Saloff  44:24 He just sounded the same forever. Yeah, killer, woo hoo, wow. And I never got to see him live, but I know people that did, and I mean, not that long ago, and they were blown away. Like, just Yeah, killer, yep, Michael Hingson  44:43 amazing, another amazing guy. Well, so have you ever had any any real kind of challenges and sort of negative things that have happened to you in your life? You've obviously been very successful. And all that. But, you know, unstoppability oftentimes happens when you have a challenge. Spider Saloff  45:05 Oh yes, well, you know, small things, challenges. I mean, like the worst, though, was when I was very young, a young actress, I got swept away by a guy that was a director. He was 10 years older than me, and I ended up in a really terrible abusive relationship for years, and didn't know how to get out, and I did. I ended up doing a six part. I have a YouTube channel, and this was two years ago. I did a six part series called learning to love you, and it was the very subject of what happens in abusive relationships and why people stay and why they are convinced that they can't live without the person. They're convinced that they're powerless. They are told they have to depend on this person, and they're very afraid. And I I was so lucky to break away from there and get out. And when I got out. I mean, I this guy completely left me with no money, no home, no job, and I was so ashamed to tell my family. I didn't tell them till months after it had happened, and I went, you know, trying to get trying to get more work as an actress. I worked as a bartender in a comedy club, and I did that's what I had a lot of comedian friends because of that era, and my friends, and eventually my family, really helped me to get out of it. But I had to get I had to be independent through the whole thing, I my first place I ever I was homeless for six months, and I would go around on busses going between wherever and Atlantic City because the casinos were there. So I could get a free ride to Atlantic City and then get a free bus back to New York. I could get a bus back to Philadelphia. I could go around on these busses and just stay at people's houses a couple of nights a week, and not having a place to live, it was horrible. So when I finally moved somewhere, I moved in with an actor friend of mine who had just got out of his abusive relationship, and I slept on the floor of an attic for like, the first six months that I was living on my own, and I was so grateful to have that floor and and I just kept saying every night before I went To bed, it it gets better from here. It's going up, it's going up, and it did. It did. It was it's remarkable. It's remarkable. Michael Hingson  48:09 What? What did you learn from that relationship? Spider Saloff  48:14 Beware of predators. I really never, never lose sight that you're the person in charge. Yeah, you are the person in charge of your life, and you're the only one that's allowed to do that. And you don't, you don't bend to anybody that's asking you to do anything too far. You just, you have to be very skeptical about, you know, who's getting close to you? And I was married long after that, I was married to my husband, and he passed away, oh, 16 years ago, and but there's been, there's been a lot of strange loss and and trauma. But I I am blessed with resilience, and I have to say, the thing that keeps me steady music, music and beauty and art can carry me through anything, and I'm surrounded by that and the best, best, best friends in the world. Oh, man, and my family and my friends are amazing, and I'm very, very fortunate, very fortunate. Michael Hingson  49:32 How long were you married? Before he passed away, Spider Saloff  49:35 we would have been married 17 years. Oh, my wife, Michael Hingson  49:41 my wife. My wife and I were married 40 years. She passed away in November of 2022 lot. Well. Thank you. I appreciate that. And I I always say when I when I tell that to anybody that she's watching from somewhere, and if I misbehave, I'm going to hear about it, so I don't even. Chase the girls. I also point out that they're not chasing me, so it's okay, but, but, but, you know, so many wonderful memories after 40 years, and people say, Well, are you going to move on? And I say, No, I'll never move on. I'll move forward, but I won't move on. I don't want to forget, but I'll move forward. Spider Saloff  50:20 That's an interesting twist of words there. Yeah, no. I mean, I have moved my life has become, actually, way, way better since my husband passed. I was dealing with a lot, and he was, he was dealing with severe mental illness, and it was very it was very hard near the end, my life is beautiful now. And I, I'm just, I feel like everything is new all the time. And I, I don't really have any close relationships, in romantic relationships. I tried a couple since he passed, but I don't, I don't think I'm good at it. I do better on my own. I'm much better on my own. Michael Hingson  51:18 Yeah, yeah. I know what I know what you mean. And as I said, it'll be three years in two weeks for me and I, when we got married, we had both lived alone. And when she was when she passed, it wasn't totally all of a sudden. So I I had some time to prepare. But it it has worked out pretty well. And so now I have a dog and a cat who keep me honest. The cat especially, oh, we have a cat. Her name is stitch, and she likes to be petted while she eats, and she'll yell at me until I come and pet her while she's eating and what. And when I travel somewhere to speak and I come home, I hear about it for quite a while. How could I ever do that? But she's not left alone. You know, I've got somebody who comes in. She has to give me what for? Well, she does. That's her obligation. Just ask her, absolutely, yeah. And how come you took that dog with you and not me? It's a guide dog. Spider Saloff  52:20 So this is not fair, yeah. Michael Hingson  52:24 Well, the other side of it is, I don't want her to ever get the idea that she can go out of the house. She She developed, on her own, a fear of going outside we she went out into our garage once when we first moved in here, and I kept calling her, she wouldn't come in, so I turned the lights off and I closed the door, and 10 seconds later, she's at the door wanting in, and so she doesn't try to go out. So I really feel blessed that she Spider Saloff  52:49 Yeah, that's good, yeah, yeah, yeah. I had a cat that never wanted to go near the door either, because he had been an alley cat. Everything outside that door was the alley going back there. Yeah, he also was a, he was a big fat house cat. Like, just wanted to lay around and luxuriate and eat and, you know he was, he was really a sweetie. I don't have pets anymore because I'm I leave too often? Michael Hingson  53:21 Yeah, you travel a lot. Well, a lot we at least I have people to help take care of stitch when I'm not here. So it does work out. Yeah, so do you so with all the things that you've been doing and singing and so on, do you teach voice to people? Spider Saloff  53:40 I do. I've taught at a school I didn't start teaching till I moved to Chicago, and this guy named David bloom, he's kind of a Chicago icon. He's had a jazz school in Chicago for years, and he asked me to teach at the school about a year after I moved to Chicago, and I said, I don't know how to teach. He said, Yes, you do. You just teach what you know. And I started teaching. And then I did courses there for a long time. I met a lot of people, and I've had wonderful students, and I still work there on occasion when we have a course. But I teach privately now, and I am. I just love it so much. I mean, I learned so much from my students all the time. You know, they're, they're just amazing, and they're all different, all different voices, all different age groups, all different reasons why they want to sing. But it's, it's one of the joys of my life. Students, they're fantastic. And I adore teaching voice. And I really a coach, you know, I teach performance and coaching, and it's not so much technique. I do some technique, but mostly it's working with. What, what the singer has to offer. Michael Hingson  55:03 I like the way you put it though that you learn so much from students. I think the day we stop learning, the day we become useless, we we always need to learn, learning, and life is all about learning, every Spider Saloff  55:15 day, learning, you bet it's exciting. It keeps you ticking. Michael Hingson  55:21 It does. It's so much fun. And it's, you know, like the internet, I regard it as an as a wonderful treasure trove. There's always neat stuff to learn. So I don't worry about the so called dark web and all that. You know, I didn't know that I would Spider Saloff  55:35 learn as much as I did about, you know, the internet and and the things covid really well. I always, always had a website. I had a guy that became my webmaster, that heard me radio and like there were all. I always was connected with it. But to the extent that I learned how to produce videos that all happened during covid, I really thought I was never going to be performing again live. I you didn't know, you know, that talk, you know, it was just so such a weird world. All of a sudden it was but learning to adapt. That was what we all learned from covid, was adapting and being open to new experiences. You know, that was a major, major factor of the whole thing. Michael Hingson  56:23 And living alone, you have to cook your own food. Spider Saloff  56:25 And like I've always, cooked my own food. Oh, my God, do I love to cook. Yeah, every day for myself. I love cooking and throwing parties. I must be Michael Hingson  56:35 a little bit lazy. I enjoy cooking. But when Karen was here. We shared the responsibility, and it's it's a lot to cook for one person, so I don't do as much of it as I used to, but I don't suffer. I will Spider Saloff  56:50 point that out you guys suffer, no, but I probably I cook for myself. Every day I cook. Almost everything I eat, I don't cook for myself is when somebody magically takes me to dinner or I go to somebody's house. I've got a lot of friends, so I get to eat at other people's houses and go out to restaurants, but I do and look forward to cooking for myself. I just can't wait to see what am I gonna have today, like I get excited about it. You know, it's a joy for me. Michael Hingson  57:23 I cook more easy meals, but I also do my own cooking. I mean, I don't go out very often, and that's fine. Yeah, I enjoy being home. I enjoy being home with a puppy and a kitty and listening to the radio and all that sort of stuff. So I hear you fabulous, fabulous. So you did some work on on radio series. Spider Saloff  57:45 Oh, yes, one of the, actually, the very first pianist that I worked with at the Gold Star sardine bar is a guy named Brad Williams. And we've been friends for years, and then at one point, this, this this guy that was a big fan of mine, Bill Sheldon. He was an old way, older fellow. The three of us created a radio series that's called Words and Music, that's about the American Songbook, and we were on the air for two and a half years. We were on we were part of NPR, and we were syndicated internationally, all through our classical station here in Chicago, W FMT, and it was the most challenging but wonderful time to crank those shows out. We never worked so hard as we did for that show, but those are still out there, you know. And we the copies of that show are available on CD. People can purchase them, and you can learn about that on my website too. Michael Hingson  58:49 I have been collecting old radio shows since 19 Well, let's see, probably 1968 and I've collected a bunch, and I'm also part of the radio enthusiast of Puget Sound, so we recreate programs every year. So I wasn't able, I wasn't able to be at the one that they did up in Washington State in September, because I was speaking somewhere. But there's going to be another one around. Well at Christmas, it's actually going to be the fifth, fourth, fifth and sixth. I think it is. Of December, we're going to recreate something like 12 or 13 different shows, and that's a lot of fun. Spider Saloff  59:34 Wowza, what are the shows like? What is it comprised of performance or recordings or what? Michael Hingson  59:42 No, no, we're actually going to perform live up in Washington, and people are invited to come and be in the audience, and they'll also be broadcast on yesterday usa.com and yesterday usa.net whichever you go to yesterday, USA is a, is a network. It's, it's got a red net. Work in a blue network, just like NBC used to have, and they play old radio shows and a lot of interviews with people. So there's still some old radio actors who will be there as part of it, Carolyn Grimes, who played Zuzu and it's a wonderful life will be there, and Beverly Washburn, who was on the Jack Benny show, and and there'll be other people, and it's kind of neat. And Larry Albert, who will be doing some of the voices, and who's was Harry Niles for years, and still is, I guess, on NPR and and so on. But it's really fun. Spider Saloff  1:00:39 That's excellent. What a blast. Yeah, it is, wow. Well, have a happy holidays with that. Michael Hingson  1:00:46 And yeah, well, I want to thank you for being here. How do people reach out to you, if they'd like to, to reach out, or if you Spider Saloff  1:00:54 want them to my website, spider jazz, calm, and you can find everything and too much information about me, and then, and if you want to get in touch with me directly, write to my email address. Spider jazz@gmail.com makes it easy. And maybe you can take private lessons, because I teach on Zoom. Ah, there you go. Me how. Yeah, cool. Michael Hingson  1:01:20 Well, thank you for being here, and I want to thank you all for listening today and watching whichever you do or both. Love to hear your thoughts about our conversation. Feel free to email me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, wherever you're monitoring us today, please give us a five star rating, and please give us a review. We love your reviews. We appreciate your input. If you can think of anyone who you think ought to be a guest, and if you listening out there want to be a guest, please reach out to me. We're always looking for more people to come on the podcast. We met spider through someone else who has been on the the podcast as well. And spider, if you know anyone who want who you think ought to be a guest, yep, love to hear from you. I got some ideas, cool. Well, I want to once again. Thank you for being here. This has been absolutely fun. Spider Saloff  1:02:16 Thank you, Michael, what a blast. I'll be talking to you soon. Michael Hingson  1:02:24 Thank you for being here with me on unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about if you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hinkson.com and download my free ebook, blinded by fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning and keep choosing to live with an unstoppable mindset you.

Nat King Cole's transition from a respected jazz pianist to a mainstream icon was a perfect storm of technical brilliance, a groundbreaking vocal style, and a persona that radiated "suave sophistication." While jazz purists sometimes lamented his move toward pop, it was his ability to blend jazz's complexity with pop's accessibility that made him a household name. He delivered hit after hit with a penchant for candidates (or entries from) the Great American Songbook. With this in mind, we'll take this week's show in an direction that honors the songs he became most famous for…from Bobby Troup's Route 66 to Billy Strayhorn's Lush Life…covered by others including some rocking tributes, some ballads in the style of country and bluesy soul numbers from Marvin Gaye and Sam Cooke. We don't stop there.  Join Dave Stroud for another celebration from a hundred years of America's music 

Kate Kortum is a terrific 24-year-old jazz vocalist from Houston, Texas. She blends together bebop, blues, the Great American Songbook, and musical theatre. She's got a fresh, contemporary take on jazz vocals. She's performed at major venues including the Newport Jazz Festival, Birdland, the Blue Note, Dizzy's, SXSW, and Jazz at Lincoln Center. She haș toured internationally and collaborated with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. She's also a member of The Sunhouse Singers, a New York-based vocal trio. They've been featured in projects by Charlie Rosen, Christian Wiggs, and Benny Benack III, each of whom has been a guest on this podcast.  My featured song is “Mi Cachimber All Stars”, my recent single. YouTube link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Voices Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH KATE:www.katekortum.com —--------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Louis sits down with Laufey, Grammy-award winning Icelandic singer and songwriter. Laufey tells Louis about her stratospheric rise to fame on TikTok, partying with Bill Murray, and why everyone can benefit from being a bit bored. Brace yourself for major music geekery.   Warnings: Strong language and adult themes.     Links/Attachments:    Album: A Matter of Time, Laufey (2025)  https://open.spotify.com/album/5rMOCuiWWbEBcHaKM69Hmv     Whiplash (2014)  https://www.imdb.com/title/tt2582802/     “The Great American Songbook”  https://thesongbook.org/about/what-is-the-songbook/     Singing in the Rain (1952)   https://www.imdb.com/title/tt0045152/     An American in Paris (1951)  https://www.imdb.com/title/tt0043278/     On the Town (1949)   https://www.imdb.com/title/tt0041716/     Ziegfeld Follies (1945)  https://www.imdb.com/title/tt0039116/     The Sound of Music (1965)   https://www.imdb.com/title/tt0059742/     Mary Poppins (1964)   https://www.imdb.com/title/tt0058331/     Shirley Temple (1928 – 2014)   https://www.imdb.com/name/nm0000073/     Song: ‘One Note Samba', Antônio Carlos Jobim (1960)  https://open.spotify.com/track/1UJQJz6ZP0qKGU55fRDcyI?si=ef59b3251c18423d     Album: Getz/Gilberto, Stan Getz and João Gilberto (1964)  https://open.spotify.com/album/73ZRKdD3Ds43IjHrhKgucY?si=a1Fe3WkdS7eFZpoH9IYufA     Album: Chet Baker Sings: It Could Happen to You (1958)  https://open.spotify.com/album/5CNRrD9O1kCaBvN1RyHRdt?si=gK_1vEjQQAmSBs3RWeOAKw     Let's Get Lost (1988)  https://www.imdb.com/title/tt0095515/     Song: ‘From The Start', Laufey (2023)  https://open.spotify.com/track/43iIQbw5hx986dUEZbr3eN?si=4f08726cd6fc4307     Song: ‘It Could Happen to You', Chet Baker (1958)  https://open.spotify.com/track/5J8ahRMQ9Y1lRcuAhpP5Fy?si=b55e1844542c44fb     Song: ‘James', Laufey (2021)  https://open.spotify.com/track/2y1NtQ2ZfIq0zBUP3tOlbX?si=15ac3bbfa0c74cf7     Song: ‘Mr. Eclectic', Laufey (2025)   https://open.spotify.com/track/5n934Lu8pAsAHLc155qzck?si=f9ed9e496ee847d7     Song: ‘Goddess', Laufey (2024)   https://open.spotify.com/track/2SEeyc2KS9DIjiJPCYtfgJ?si=a740ddd0858249d6    Song: ‘Creep', Radiohead (1993)  https://open.spotify.com/track/70LcF31zb1H0PyJoS1Sx1r?si=ddeef2a9f1e34bdf     Song: ‘Letter To My 13 Year Old Self', Laufey (2023)  https://open.spotify.com/track/59Y1f3y8FuLjadWY9Bx2LC?si=2a76c204cb644895     Song: ‘How Soon Is Now?', The Smiths (1984)   https://open.spotify.com/track/1YrnDTqvcnUKxAIeXyaEmU?si=05763f85a40041c3     Album: Ella Fitzgerald Sings The Rodgers And Hart Song Book, Ella Fitzgerald (1956)  https://open.spotify.com/album/3DXgUbJhOxidQC3l0tegY9?si=_42fBZG1SZ2WrNwYoL88VA     Song: ‘Miss Otis Regrets', Ella Fitzgerald (1956)   https://open.spotify.com/track/5dvh4M2Lo0aEXp5D0IJGH1?si=fd41d6fba27748df     ‘Santa Baby', Laufey Music Video feat. Bill Murray   https://www.youtube.com/watch?v=6_SsGMeJIHk     Song: ‘Too Little, Too Late', Laufey (2025)   https://open.spotify.com/track/1qJnr4Bm7OAauklV18Vdah?si=6fc52bba5b5f48f5     Song: ‘Hallelujah', Leonard Cohen (1984)  https://open.spotify.com/track/6s1mt6e0n8G7jcNhcxXKzq?si=400cab129f6d4083    Ballet: Giselle, Royal Ballet & Opera (2026)   https://www.rbo.org.uk/tickets-and-events/giselle-marius-petipa-details     Book: ‘How to Be an Artist', Jerry Saltz (2020)  https://www.waterstones.com/book/how-to-be-an-artist/jerry-saltz/9781781577820     Credits:  Producer: Millie Chu   Assistant Producer: Maan al-Yasiri  Production Manager: Francesca Bassett   Music: Miguel D'Oliveira   Audio Mixer: Tom Guest  Video Mixer: Scott Edwards   Shownotes compiled by Elly Young  Executive Producer: Arron Fellows       A Mindhouse Studios Production for Spotify   www.mindhouse.co.uk  Open a Moneybox Cash ISA at https://moneybox.onelink.me/Cqlx/y3xncge Learn more about your ad choices. Visit podcastchoices.com/adchoices

Legendary vocalist Sandi Patty joins host Tom Alvarez for a warm, candid conversation about music, family, and what's next in her remarkable career. The two reflect on Patty's deep connection to Indiana and preview her upcoming performance with Michael Feinstein at the The Palladium at the Center for the Performing Arts on April 17.Patty shares how much she enjoys collaborating with Feinstein—one of the leading ambassadors of the Great American Songbook—and hints that the evening will include Broadway favorites, classic standards, and a few special duets. She also reflects on past performances with the Indianapolis Symphony Orchestra and the influence of her longtime collaborator Jack Everly.Beyond the concert stage, Patty opens up about life today: spending more time with her growing family (including 12 grandchildren), choosing projects more selectively, and enjoying everyday moments in Indiana. She also reveals an exclusive piece of news—she's working on a brand-new music project connected to Bill Gaither and Gloria Gaither, with new singles expected to release in the fall and a full album planned for January.Throughout the conversation, Patty reflects on how music helped her overcome childhood shyness and why she believes love and kindness are the most powerful messages artists can share. The interview also touches on her faith roots, memorable performances of classics like “How Great Thou Art,” and her belief that music will always remain central to her life—whether she's performing on stage or simply singing for her own soul.The episode wraps with lighthearted moments, including a surprise cameo from Patty's husband during the interview and a discussion about road trips, audiobooks, and social media.This heartfelt conversation offers fans a glimpse into Sandi Patty's life today—celebrating her legacy while revealing exciting new music and a special upcoming concert in Central Indiana.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:59:53 - Chaque lundi, le club Jazzafip dévoile son album favori. Cette semaine nous mettons en lumière le disque de la jeune lauréate du concours international Sarah Vaughan 2025 qui navigue entre bebop, blues et le Great American Songbook. - réalisation : Marjolaine Portier-Kaltenbach, François Lacharme, Denis Soula Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Celebrating 10 Years of Magic Thread Cabaret | Featuring Hampton CallawayIn this episode of On the Aisle, host Tom Alvarez sits down with longtime collaborator Dustin Klein to celebrate a major milestone—10 years of Magic Thread Cabaret. The two reflect on how their creative partnership began with the original musical Calder the Musical, inspired by the life of artist Alexander Calder. After the show's success at the Indianapolis Fringe Festival, they realized that producing a full-scale musical beyond the local stage required resources they didn't have. Instead, they channeled their passion for the Great American Songbook and intimate performance into a new venture—Magic Thread Cabaret—dedicated to producing original cabaret shows and nurturing emerging talent.Over the past decade, Magic Thread Cabaret has produced more than 20 shows and worked with hundreds of performers and musicians, building a reputation for blending artistic excellence with mentorship. Their productions celebrate diversity and storytelling through music, giving local and rising artists opportunities to perform in professional settings while honoring the rich traditions of cabaret and the American Songbook.The conversation also highlights a special March 20 benefit concert in Indianapolis, featuring acclaimed singer-pianist Ann Hampton Callaway. The performance will take place at The Cabaret and will showcase music by legendary songwriter Cole Porter. The evening will also honor the memory of Indianapolis arts supporter Ben Solomon and feature rising performers from Magic Thread Cabaret. In addition to Callaway's performance, audiences will hear selections from the upcoming production Cabaret Latino: Songs of the Americas, celebrating the influence of Latin American music on American culture.Looking ahead, Alvarez and Klein share exciting plans for the future. In 2026 they will present an expanded version of Cabaret Latino, and in 2027 they hope to revisit their original work Calder the Musical in a concert format with a live orchestra at the Tobey Theater at Newfields.In the second half of the episode, Alvarez welcomes acclaimed Indianapolis jazz pianist Sean Baker, known as “Sean Baker the Music Maker.” Baker discusses his role leading the trio that will accompany Callaway for the benefit concert. A respected pianist, songwriter, and arranger, Baker explains how his deep knowledge of jazz and the Great American Songbook makes him a natural musical partner for Callaway's performances.Together, the conversations highlight the power of collaboration, mentorship, and live music—showcasing how a small arts organization can create lasting cultural impact while celebrating both emerging artists and world-class performers.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vrijdag 13 maart presenteren Maarten Hogenhuis (sax), Phil Donkin (bas) en Mark Schilders (drums) hun nieuwe album COLE. in Jazzpodium de Tor. Een album waarin ze teruggrijpen op de muziek van een van de belangrijkste componisten/songschrijvers van de vorige eeuw: Cole Porter. Aanleiding voor Willem Habers om in deze TORcast een dik uur lang te duiken in de rijke muzikale erfenis van Cole Porter onder de titel “Cole’s Cool”. Playlist: Maarten Hogenhuis trio: Begin the Beguine; Frank Sinatra: Night and Day Dubbelaar: Ella Fitzgerald: I Get A Kick Out Of You; Patricia Barber: I Get A Kick Out Of You; Clifford Brown, Max Roach Quintet feat. Sonny Rollins: What is This Thing Called Love?; Sarah Vaughan: Ev’ry Time We Say Goodbye; Chet Baker: You’d Be So Nice To Come Home To; Dubbelaar: Cannonball Adderly: Love For Sale; Eartha Kitt: Love For Sale; Mel Torme: It’s De-Lovely; Miles Davis Quintet: All Of You; Maarten Hogenhuis trio: It’s Allright With Me. Cole Porter Cole Porter (1891–1964) behoort tot de meest verfijnde en invloedrijke componisten uit het American Songbook. Zijn oeuvre—rijk aan melodische elegantie, harmonische verfijning en een ongeëvenaarde lyrische spitsvondigheid—heeft een blijvende stempel gedrukt op zowel de populaire muziek als de jazz. Waar veel tijdgenoten zich specialiseerden in óf tekst óf muziek, beheerste Porter beide disciplines op uitzonderlijk niveau. Zijn liederen zijn niet alleen cultureel iconisch, maar vormen ook een onuitputtelijke bron voor jazzmusici die op zoek zijn naar harmonische rijkdom en melodische flexibiliteit. Porters bijdrage aan de populaire muziek Een unieke combinatie van verfijning en toegankelijkheid Porters liederen waren tegelijk elegant en catchy. Hij schreef voor Broadway en Hollywood, maar zijn muziek overstijgt het theater: de songs zijn op zichzelf kleine kunstwerken. Zijn melodieën zijn vloeiend en herkenbaar, maar nooit simplistisch. Daardoor bleven ze decennialang populair bij zowel het grote publiek als professionele zangers.  Teksten die grenzen verlegden Porter was een meester van dubbelzinnigheid, ironie en subtiele erotiek. Hij speelde met taal op een manier die in de populaire muziek van zijn tijd ongekend was. Zijn teksten bevatten culturele verwijzingen, woordspelingen en ritmische verrassingen die de standaard voor songwriting blijvend verhoogden. Een kosmopolitische stijl Porters muziek ademt wereldsheid: Europese invloeden, Latijns-Amerikaanse ritmes, jazzharmonieën en Broadway-theatraliteit vloeien samen. Die mengvorm maakte hem tot een van de eerste echt internationale popcomponisten. Porters invloed op de jazz Harmonische rijkdom als speelveld voor improvisatie Jazzmusici omarmen Porters werk omdat zijn harmonieën uitdagend en inventief zijn. Songs als “Night and Day” of “What Is This Thing Called Love?” bevatten modulaties, chromatiek en akkoordprogressies die uitnodigen tot improvisatie. Veel van zijn composities zijn uitgegroeid tot jazzstandards. Flexibele melodieën Porters melodieën zijn sterk genoeg om herkenbaar te blijven, maar open genoeg om te variëren. Dat maakt ze ideaal voor jazzinterpretaties: van swing tot bebop, van cool jazz tot moderne vocale jazz. Een brug tussen Broadway en jazzclubs Porter hielp de kloof te overbruggen tussen de populaire muziek van het theater en de improvisatiecultuur van de jazz. Zijn liederen werden door zowel crooners als instrumentalisten omarmd, wat bijdroeg aan de canonisering van het Great American Songbook als fundament van de jazztraditie. Cole Porter was een componist die de grenzen van populaire muziek verlegde en tegelijkertijd een fundament legde voor de jazztraditie. Zijn liederen zijn melodisch sterk, harmonisch uitdagend en tekstueel briljant. Daardoor blijven ze aantrekkelijk voor zowel luisteraars als uitvoerders, en vormen ze een essentieel onderdeel van het muzikale erfgoed van de 20e eeuw. Zijn invloed is nog altijd hoorbaar in hedendaagse pop, musicaltheater en jazz—een bewijs van de tijdloze kracht van zijn werk.

Send us a message, so we know what you're thinking! Linda Ronstadt has been described as the most successful and certainly the most durable and most gifted woman rock singer of her era. We look at her impact on music (and us!). Our "Album You Must Listen to Before You Die" is 10cc's “Sheet Music”, their 2nd album which announced to the world that they were a force to be reckoned with.  Did we like the album?  You bet! Plus, more on Jeff's current fixation with Bad Bunny's impact on America today. Lots of fun.  You're going to love it!  PS. We said we'd give you a link to Annie Liebovitz, but there's so much on-line that you can easily find stuff yourself.  Do it, You'll be pleased you did.  References: Lola, Fleetwood Mac, “Rumours”, Super Bowl #60, 1001 Albums You Must Hear before You Die, Robert Dimery, Sheet Music, Hipgnosis, Strawberry Studios, Lol Creme, Kevin Godley, Graeme Gouldman, Eric Stewart, The Gizmotron, Wall Street Shuffle, Mike McGear, Ella Fitzgerald, Billie Holliday, The Stone Poneys, Different Drum, Mike Nesmith, The Eagles, Jackson Browne, Waddy Wachtel, Warren Zevon, Neil Young, Judy Henske, “Heart Like a Wheel”, Anna McGarrigle, When Will I Be Loved, Dr Hook & The Medicine Show, Hasten Down the Wind, “Simple Dreams”, Blue Bayou, It's so Easy, Poor Poor Pitiful Me, Carmelita, Pirates of Penzance, la Boheme, The Great American Songbook, Nelson Riddle, Canciones de mi Padre, James Ingram, Somewhere out There, An American Tail, Bette Midler, All I Need to Know  Playlist Charlie Puth National Anthem Bad Bunny half time show Super Bowl food   

Last week I published an episode about Black Pop Singers who emigrated to Europe in the 1950s and 1960s. Most of these gentlemen settled in the German-speaking countries, where there was a ready market for the “otherness” and exoticism that they embodied. The one outlier on that episode was Henry Wright, born in 1933, who in the late 1950s toured Italy with Lionel Hampton's band and elected to remain there. With a voice as suave and seductive as any of the great crooners of the 1950s and 1960s, Henry Wright first came to international prominence as the voice on the record to which Sophia Loren performed her legendary striptease in the 1962 film Ieri, oggi, domani [Yesterday, Today and Tomorrow]. He went on to make a great impact on Italian pop music throughout the 1960s. A couple years ago I began collecting the ultra-rare (and costly) records of Henry Wright, which formed the basis of two separate Countermelody episodes. Here is the second of those episodes, first published as a bonus episode nearly three years ago now, which is devoted to Henry Wright's recordings of pop standards, most of them from the so-called Great American Songbook, but a few of them English-language adaptations of favorite songs originally in Italian. The program begins with one of Henry Wright's first Italian recordings, which features standards by Duke Ellington and Harold Arlen. The majority of the music on the program, however, is from Henry Wright's 1967 LP, Prisoner of Amore, in which he is joined by the doodling pianism of Romano Mussolini (youngest son of the late dictator), and the somewhat overwrought arrangements of Giulio Libano. In spite of the excesses of his colleagues, Henry Wright still manages to make a positive showing in this, (as far as I know!) his final recording. In the course of the episode, I go down a number of rabbit holes that go off in a number of interesting directions: the songs of Harry Warren, the early pop stylings of Gérard Souzay in the first flush of youth as a pop crooner on the French airwaves, and the fascinating life and times of the pre-hippie Eden Ahbez, best known as the composer of “Nature Boy,” whose further compositions were performed by (among others) the sophisticated and cosmopolitan Eartha Kitt and Ahbez himself. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

I sat down with Janie Barnett, a singer, songwriter, arranger, and educator whose career reflects a steady commitment to saying yes to what fits and no to what does not.We begin with her roots in the Greater Washington area, where summers at the Smithsonian Folklife Festival and early exposure to roots music shaped her ear. Moving to New York was a shock. The city carried a gritty, post-Patti Smith energy and felt like a long search for a new urban Americana sound. Janie found her footing through community, especially friendships with Robin Batteau and Kenny White. Session work, including jingles, gave her financial stability and the freedom to keep her songwriting honest rather than chasing a paycheck through her own music.We talk about life behind the scenes and what it taught her about leadership. Janie shares stories from sessions with Linda Ronstadt and a career highlight singing background vocals on Saturday Night Live with Rickie Lee Jones, one of her musical heroes. Being on the team shaped how she leads her own bands, creating rooms where musicians feel respected and invited to contribute.She also reflects on how becoming a parent changed her artistry. Her songs deepened, her priorities clarified, and the work stopped feeling precious in the face of real life.We spend time on her project Under My Skin, a reimagining of Cole Porter through an acoustic Americana lens. What began as a guitar idea for I've Got You Under My Skin grew into a pandemic-era collaboration with an extraordinary group of musicians, including Carmela Ramsey and Jerry Douglas, many of whom recorded from home studios. The album proves Porter's writing is timeless, and Janie's voice brings it all together.We close with her work at Berklee, where she mentors singer-songwriters and leads ensembles. She speaks candidly about the pressures of constant content and social media, and the importance of building real community and a live musical life. Looking ahead, she is planning a vinyl release of the Cole Porter project, aiming for a show around Porter's birthday in June, and working toward a new record of original songs with a clearer strategy for getting it into the world.Music from the Episode:LIfe Is Long and Then It's Not (Janie Barnett)Delaware Bridge (Janie Barnett)If You Were Here (Janie Barnett)I've Got You Under My Skin (Janie Barnett)Night and Day  (Janie Barnett with Keith Sewell)You're the Top (Janie Barnett with Catherine Russell)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Time marches on, and so does our exploration of the American musical's first century. In this episode, we say a bittersweet farewell to the musical comedy as it existed in the 20s and 30s, the era of the Great American Songbook, and the partnership of Richard Rodgers & Lorenz Hart. Join us as we discuss "My Funny Valentine" from 1937's Babes in Arms. All clips are from a 1953's Chet Baker Sings and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Warning: This episode contains discussions of substance abuse and mental illness. Listener discretion is advised. Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com Recommended Reading/Viewing: Rodgers & Hart reconsidered Rodgers & Hart's Dysfunctional Partnership Ethan Mordden, Anything Goes: A History of American Musical Theater (Mordden's other volumes are also excellent resources for more in-depth discussion)Broadway: The American Musical

From Broadway to the Heartland: Don Farrell's Journey of Art, Risk & Reinvention In this wide-ranging and deeply personal conversation, host Tom Alvarez sits down with acclaimed performer, director, and producer Don Farrell to explore a career built on talent, fearlessness, and community.Don traces his journey from growing up in the South to training at the University of Cincinnati College–Conservatory of Music, then spending over a decade working professionally in New York City. Along the way, he learned a defining lesson: don't wait for permission—create your own opportunities.That philosophy led Don, alongside Judy Fitzgerald and Cindy Collins, to co-found Actors Theatre of Indiana, taking a leap of faith that helped shape Central Indiana into a nationally respected arts destination. Don reflects on the risks, mentors, setbacks, and belief systems that made ATI possible—and how visionary civic leadership in Carmel helped turn bold ideas into reality.The conversation also dives into Don's evolution as a performer and creative entrepreneur, including the launch of Crossroads Entertainment and his acclaimed docu-cabaret shows at Feinstein's at Hotel Carmichael—intimate performances that blend music, storytelling, and history, especially celebrating icons of the Great American Songbook.Beyond career milestones, Don opens up about:The power of mentorship and collaborationWhy great art can thrive anywhere, not just New York or ChicagoHow passion, humility, and authenticity fuel lasting successThe emotional reward of connecting with audiences one story at a timeHe also shares touching reflections on fatherhood, performing with his daughter Lizzy, and how legacy—both personal and artistic—matters more than fame.Big reveal: Don announces his return to Actors Theatre of Indiana, starring as Max opposite Norma Desmond in Sunset Boulevard—a full-circle moment that perfectly captures the theme of the episode.Bottom line: This episode is a masterclass in reinvention, creative courage, and why the arts—when supported by community—can transform lives and cities alike.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Stella Cole joins the podcast to discuss her unique journey from a musical-theatre-obsessed child in Springfield, Illinois, to a global jazz sensation. She opens up about the "old soul" label she has carried since infancy and how she navigated a high-pressure academic environment at Northwestern University while privately yearning for the music of Judy Garland and Doris Day. Stella shares the vulnerable story of nearly quitting singing altogether before finding her voice again during the 2020 lockdown, leading to a meteoric rise on TikTok that felt more like a "fake little thing" on her phone than a career-changing event. The conversation dives deep into the realities of being a touring artist in the modern age, from the scrappy days of singing for dinner in Brooklyn to signing with a major label and recording with a full string orchestra at Power Station. Stella discusses the profound emotional power of the Great American Songbook, her transition from viral creator to live performer, and her future aspirations to return to her theater roots. She offers insightful reflections on mental health, the dangers of social media overstimulation, and why she still keeps the idea of law school in the back of her mind just in case. Stella Cole is a vocalist and recording artist who first gained international attention through her viral performances of jazz standards on social media. A graduate of Northwestern University, she has toured extensively as a featured performer with Postmodern Jukebox and has sold out prestigious venues in New York, London, and beyond. Her discography includes her self-titled debut project and the 2024 album It's Magic, featuring arrangements by Grammy winner Alan Broadbent. Connect with Stella: Website: stellacole.net Instagram: @stellakcole TikTok: @stellakcole Listen to My Funny Valentine" EP out via Decca Records US Make sure to catch Stella's second residency at NYC's Café Carlyle, running May 12–16, 2026! Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Saxofonist Maarten Hogenhuis is een Nederlandse jazzsaxofonist, componist en producer. Op 30 januari 2026 verscheen zijn nieuwe album 'Cole', een eerbetoon aan het Great American Songbook en in het bijzonder aan de Amerikaanse componist Cole Porter. 

Adelaide Hall (1901 – 1993), entertainer extraordinaire, really had it all: voice, talent, beauty, dancing chops, charisma, joie de vivre and sophistication. She was the first Black performer to attain international stardom, even before Joséphine Baker, with whom she shared a number of similarities (though Hall probably had the superior voice). She was the first singer to scat on record; she helped popularize both the Charleston and the Black Bottom and was considered the epitome of the Flapper; she introduced the world to a number of now-standard songs from the Great American Songbook; she appeared on a rare 1935 Vitaphone short that featured all Black performers; she and her husband owned and ran various night clubs in three different countries, as well as headlining at the legendary Cotton Club; and she headlined the sensational revue Blackbirds of 1928 and several other ground-breaking shows in the 1920s and 1930s. I got to know her work many years back when I happened to find a late-career LP of hers in the basement of an apartment building I was living in. I have been a fan ever since. The number of great musicians with whom she rubbed shoulders is almost mind-boggling (Duke Ellington, Fats Waller, Louis Armstrong, Fela Sowande, Joe Turner, and Art Tatum, for starters), and she continued to perform with gusto and sophistication into her late eighties, occasionally returning to her native US from London, where she settled in 1938 and lived until her death. Her range of influence is truly far-flung and her many recordings, made between 1927 and 1989, a generous sampling of which are offered on this episode, continue to bring consistent delight and surprise. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

In this episode, host Tom Alvarez sits down with Austin Campagna, Director of Sales & Marketing at Hotel Carmichael and Feinstein's at Hotel Carmichael, for an inside look at one of Indiana's most distinctive arts and hospitality destinations. Austin shares his journey from rural Indiana and Purdue's top-ranked hospitality program to helping shape the brand, programming, and guest experience at the luxury Autograph Collection hotel. The conversation dives into the vision behind Hotel Carmichael and Feinstein's—from its deep connection to the Great American Songbook and Michael Feinstein's hands-on influence, to the intimate, transportive cabaret experience that draws audiences from around the world. Austin also announces an exciting new Allied Solutions–sponsored performance series, bringing nationally recognized artists to Carmel, including Maggie Baugh, Morgan James, Casey Abrams & Hunter, and Will Hoge. Listeners get a behind-the-scenes look at how Feinstein's balances national talent with beloved local favorites like Don Farrell, dueling pianos, and the ever-popular Drag Brunch, while continuously elevating food, cocktails, and service. The episode wraps with a passionate discussion about the power of cabaret, the accessibility of world-class entertainment in Central Indiana, and why Feinstein's offers a “not a bad seat in the house” experience for newcomers and regulars alike. An essential listen for arts lovers, cabaret fans, and anyone curious about how Carmel became a Midwest cultural hotspot.Follow host Tom Alvarez on Facebook, Instagram, Twitter, and TikTok.Watch Tom every other Thursday on Lifestyle Live on WISH-TV, and listen every week on the All- Indiana Podcast Network.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bria Skonberg is a Canadian born, Juno award winning extraordinary trumpeter and vocalist. She's a 10x Downbeat Rising Star, a Jazz at Lincoln Center Swing! Awardee, and the recipient of the "Legend" Award by the Society for the Preservation of the Great American Songbook. She's been a featured artist at hundreds of festivals and stages all over the world, including the New Orleans, Monterey, Newport, and Montreal Jazz Festivals. My featured song is “Mi Cachimber”, my recent single. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH BRIA:www.briaskonberg.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

We remember Bob Weir, founding member of the Grateful Dead, who died last week at 78. The guitarist spoke with Fresh Air Executive Producer Sam Briger in 2016 about working on a ranch, learning to ride, and getting to know cowboys. Also, we remember jazz singer Rebecca Kilgore, who was known for her interpretations of the Great American Songbook. She died at age 76. Kilgore often performed and recorded with pianist Dave Frishberg. We listen to excerpts of their in-studio concerts with Terry Gross. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Today's episode reveals and celebrates the opera queen in me: it's a program entitled “A Smattering of Sopranos” that features twenty-five different singers who “happen to be” sopranos and whom have not yet been featured in full episodes of the podcast. I love producing these “potpourri” episodes, which allow me to offer a marvelous sampling of singers in a wide-ranging repertoire from French, German, Italian, (and Polish!) opera to religious music to orchestral song to Deutsche Schlager to Lieder and melodies to Russian romances to the Great American Songbook. Singers heard include Suzanne Danco, Rita Shane, Raina Kabaivanska, Françoise Pollet, Maggie Teyte, Phyllis Curtin, Jarmila Novotná, Florence Quartararo, Janine Micheau, Stefania Woytowicz, Olive Moorefield, Elisabeth Rethberg, and the late Stefka Evstatieva, among many others and each one puts her distinctive stamp on the material. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

We remember Bob Weir, founding member of the Grateful Dead, who died last week at 78. The guitarist spoke with Fresh Air Executive Producer Sam Briger in 2016 about working on a ranch, learning to ride, and getting to know cowboys. Also, we remember jazz singer Rebecca Kilgore, who was known for her interpretations of the Great American Songbook. She died at age 76. Kilgore often performed and recorded with pianist Dave Frishberg. We listen to excerpts of their in-studio concerts with Terry Gross. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Maggie & John C. Reilly discuss “What's Not to Love?” Mister Romantic's debut album out now on Eternal Magic Recordings is a collection of beloved songs from the American Songbook reimagined by Reilly and his Grammy-winning band. “What's Not To Love?” was recorded in 2024 in Los Angeles at Nest Recorders and was co-produced by Reilly and Davíd Garza. In addition to Garza on piano and guitar, the band also includes Gabe Witcher on violin, Sebastian Steinberg on bass, and Charles De Castro on accordion and cornet.  CREATED BY JOHN C. REILLY“I looked at our weary world a few years ago and tried to think of a way I could spread love and empathy. I decided the most fun way to do that was through performing and singing and telling people I love them…so the emotional vaudeville show Mister Romantic was born, out of both hope and despair.”From studying theater as a kid growing up in Chicago, to amateur clowning as a teen and studying acting at The Theatre School at DePaul University, to his Oscar-nominated role starring in the film adaptation of Chicago and beloved performance starring in Walk Hard: The Dewey Cox Story, to his TONY-nominated performance in Sam Shepard's True West, and more, theater and music have been pillars of John's career. What's Not To Love? is a collection of gorgeous renditions of songs from the Great American Songbook backed by a band of multiple GRAMMY®-winners. On lead single “Dream” Reilly delivers a gentle, dreamy sea-side cover of the 1944 Johnny Mercer song, which has previously been recorded by Frank Sinatra and Roy Orbison.The album was recorded in 2024 in Los Angeles at Nest Recorders and was co-produced by Reilly and Davíd Garza (Fiona Apple, Sharon Van Etten). In addition to Garza on piano and guitar, the band also includes Gabe Witcher on violin (Punch Brothers, Rosanne Cash), Sebastian Steinberg on bass (Fiona Apple, Phoebe Bridgers), and Charles De Castro on accordion and cornet (Keb' Mo'). The 13 tracks include a pair of Irving Berlin songs, a trio of Tom Waits songs and many songs made famous by Louis Armstrong, Frank Sinatra, Jo Stafford and more. Reilly and this special band reimagine and re-embrace these beloved tunes and bring them again to another generation.About the Live Show:Prepare to be captivated by the incomparable John C. Reilly in Mister Romantic, a vaudeville show that has already garnered critical acclaim and captured the public's imagination. The New York Times calls the show "wryly funny, sometimes tender and sad, but always sincere" and Vanity Fair describes it as “fiercely funny” and says "John C. Reilly is one hell of a singer." Mister Romantic asks you to open your heart to the love all around you and marks a new chapter in Reilly's acclaimed career. Source: https://www.misterromantic.com/Source: https://www.steppenwolf.org/tickets--events/seasons-/2025-26/mister-romantic/Source: https://www.misterromantic.com/musicHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

Episode Summary: In this episode of Backstage Bay Area, host Steve Roby sits down with vocalist and composer Michael Mayo to discuss his whirlwind year. Fresh off two Grammy nominations—Best Jazz Vocal Album for Fly and Best Jazz Performance for "Four"—Michael opens up about the surreal moment he got the news in Paris. We dive into his viral NPR Tiny Desk Concert, his philosophy on using looper pedals versus acoustic arrangements,and his deep musical lineage. Michael also previews his upcoming year-end show at SFJAZZ, part of the Terence Blanchard-curated "UpSwing" series.In This Episode:The Grammy Moment: Michael shares his reaction to receiving two nominations while soundchecking in Paris.NPR Tiny Desk: How he turned the audience into a choir and the importance of community in his performances.Song Breakdown - "Four": Reimagining a Miles Davis classic by adding "mischief" and a new rhythmic feel without changing the harmony.Song Breakdown - "Just Friends": Finding the universal heartbreak in a Great American Songbook standard.Tech vs. Tradition: How Michael balances his signature looper pedal techniques with a traditional jazz quartet setup.Musical Roots: Growing up with parents who worked with Earth, Wind & Fire and Diana Ross, and knowing from age three that music was his path.Featured Music:"Four" - Fly (Deluxe Edition)"Just Friends" - Fly (Deluxe Edition)Show Links & Tickets:Live at SFJAZZ: Michael Mayo & Sasha Berliner (UpSwing Double Bill)Date: Saturday, December 27, 2025Venue: Miner Auditorium, San FranciscoTickets: https://www.sfjazz.org/tickets/productions/25-26/upswing-sasha-berliner-michael-mayo/Connect with Michael Mayo:Website: michaelmayomusic.comInstagram: @themichaelmayoFacebook: Michael Mayo MusicYouTube: Michael Mayo

Music is an integral part of any Christmas celebration and over the years, jazz musicians and popular songwriters have contributed their art to celebrate the season. The repertoire includes traditional carols done up in jazz style as well as Great American Songbook tunes written especially for the season of light. At St. Michael's by-the-Sea on December 14th, our Jazz Family Christmas event includes a special performance of the Jazz Evensong Quintet with the string orchestra of the Renaissance Institute of Music.

Conductor Devin Patrick Hughes sits down with author and USC musicology instructor Tim Greiving to dive into John Williams: A Composer's Life (OUP)—the first full-scale biography of the world's most beloved film composer. Greiving traces a lifelong fandom that began with a Jurassic Park cassette, then details the five-year journey of the book: 5:30 a.m. writing rituals, a year of archival research, and rare long-form conversations with Williams at the Amblin bungalow. Together they explore Williams' jazz and Great American Songbook roots, his Brahms-leaning aesthetic, and how he revived—and refined—the classic Hollywood symphonic tradition with Spielberg and Star Wars. You'll hear why Greiving calls Williams “closer to a church composer,” how the E.T. finale let the music lead picture, why the orchestra is truly timeless, and the astonishing revelation about Williams' grandfather, Thomas Nagel, a silent-era cinema music director. Close with a lightning round on favorite themes, underrated scores, and the one word that captures John Williams. Featured music: Star Wars Main Title • “Fascinatin' Rhythm” (arr. JW) • Jurassic Park Theme • “Baubles, Bangles, and Beads” (JW Trio) • “Hatikvah” from Munich • “Luke & Leia” • The Quiet Man Main Title • Seven Years in Tibet Main Theme (w/ Yo-Yo Ma) • Superman Main Theme • Schindler's List Theme (Itzhak Perlman) • Piano Concerto No. 1 (Ax/BSO) • Violin Concerto No. 2: II “Rounds” (Mutter/BSO) • “Harry's Wondrous World” • “Adventures on Earth” (VPO) • “Flight to Neverland” (VPO) • Close Encounters excerpts (VPO) • “Hedwig's Theme” • “Flying” (E.T.) • “Throne Room & Finale” (Berlin Phil)  

AGT, CNN, The ViewLots of Great Stuff Happening for Landau, International Travel, New Music, Family & Fatherhood! Landau Eugene Murphy Jr. first burst onto the national conscience as the Sinatra-and-Soul singing  on NBC TV's “America's Got Talent with his incredible voice, undeniable charisma and unparalleled showmanship.  And a decade later, he's still going strong.Seeing Landau in concert is a revelation; backed by the dynamic Landau Big Band, you'll always hear swinging arrangements of Great American Songbook classics from Frank Sinatra, Dean Martin, Nat ‘King' Cole and many more, along with a dusting of that special Motown Magic that is sure to move your feet and make you sing along.And after the show, every show, you'll always have the opportunity to meet Landau one-on-one for photos and have the chance to talk with him about his incredible rags-to-riches story.  “It's my favorite part of the night; it's something we always do. Sometimes I'm the last one at the venue, talking to fans and friends. The janitor is waiting on me to lock up!”Landau was born into extreme poverty in the Appalachian coalfields of southern West Virginia. His parents split while he was in elementary school, and Landau was shipped off to Detroit in the middle of the night. He woke up in the Motor Cities notoriously gang and drug-riddled “7 Mile” neighborhood. Landau likes to say that he went from Almost Heaven to Little Baghdad overnight!“I loved to play basketball in Detroit, and these guys were good. Some of them went onto the NBA. But we were in the hood; it wasn't anything to see guns drawn on the court after the game, so to keep people cool and laughing, when I'd dunk on someone, I'd sing a Frank Sinatra song like “Fly Me To The Moon” and everyone would laugh and put their guns away.”At the end of his rope, Landau tied a knot and pulled himself back up by auditioning for NBC TV's “America's Got Talent” with thousands of others. After months of competition, Landau emerged the winner, scoring a million dollars, a recording contract, and America's hearts, and he's never looked back.Landau's Columbia Records debut album “That's Life” reached number one on the Billboard Jazz Charts and was followed by “Christmas Made For Two”, “Landau” and his latest “Landau Live In Las Vegas” recorded during a performance at the legendary Caesar's Palace.  Landau has made dozens of TV appearances including “The Today Show”, “The View”, CNN, “Fox and Friends”, “The Talk”, the Macy's Thanksgiving Day Parade, and the Hollywood Christmas Parade.He's helped raise millions of dollars for charities, many in his home state of West Virginia where he serves on the Board of Directors for the Children's Home Society of West Virginia and was named “West Virginian of the Year” by the Governor's office and the state's largest newspaper.I Landau proudly released LANDAU LIVE IN LAS VEGAS a pre-pandemic recording at Caesars Palace that includes several never-before-released tracks. Enjoy Landau's unique take on the Great American Songbook as well as classic R&B, all backed by his long-time stellar musicians in LANDAU'S LITTLE BIG BAND, with guest background vocals by former Temptations and Four Tops lead singer Theo Peoples!© 2025 Building Abundant Success!!2025 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23bAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

In our final episode of season 7, Lisa interviews Joan Ellison, songstress and revivalist of the Great American Songbook. Joan is known internationally for her restoration and revival of Judy Garland's repertoire from her golden Hollywood years, live concerts, studio recordings, and television shows. Joan shares how she became a part of the “Judy Garland Family” and reflects on the importance of musical places in her own musical journey, from Judy Garland's childhood home to Severance Hall. Co-host George Blake picks up the themes of musical place in Joan's conversation within the fabric of the concepts of “home” and “away” in “There's No Place Like Home” and “Over the Rainbow” in The Wizard of Oz.Thank you to our audio engineer Davey Berris, Lead Digital Video Specialist at MediaVision at CWRU for his work as audio engineer on this podcast. We're grateful to CWRU PhD student Lauren Hodgson for her work behind the scenes with editing transcripts. Thanks to CWRU Music Dept. chair Nate Kruse for his departmental support. Gratitude to CWRU for supporting this season of Parenting Musically.Joan's WebsiteJoan's Facebook and InstagramJoan's Touring ScheduleJoan Ellison sings “Over the Rainbow”Joan Ellison Sings "Chicago" in the National Concert Hall in DublinJames Rhodes Parenting Musically podcast episode (discussed in Episode 51)

I've been working at one of the premiere jazz stations in the country since the summer of 2022. In the spring of 2024 I was given a twice a week two hour radio program called The Song Break to program. I brought my existing knowledge of The Great American Songbook and the classic vocalists who are best known for interpreting it to the table. The other side of the equation is the modern day songbook. This required some research into newer singers. Along the way I found one in my own state who was masterfully interpreting the classics AND writing new ones.Olivia Van Goor is a gifted artist and vocalist and I love making new fans out of anyone willing to listen. It is my belief that she will be a breakout national jazz artist at some point, not just one who performs regionally. She has the "IT" factor.Joined by her friend and talented bassist Reuben Stump, Olivia chats about her 4th release "Waiting For Santa." If you aren't in the mood for Holiday music, please at least listen to the conversation and skip the songs until you are ready, but among the 4 songs performed only one is a cover and it's not one you hear over and over and over.Please enjoy this session with Olivia and Reuben and please check her out live sometime. You won't be disappointed.Songs written by Olivia Van Goor except where noted:Santa, Did You Get My Letter?Holiday Traditions (OVG and Reuben Stump)Hermey's Blues (OVG and Mike Harrison)There's Always Tomorrow (Johnny Marks)Do yourself a favor and check out Olivia on line at: https://www.oliviavangoor.com/Want to learn more and support Acoustic Alternatives? https://johnmbommarito.wixsite.com/johnbommarito/acoustic-alternativesNone of it, I mean NONE of it happens without the support of Grove Studios:https://grovestudios.space/

Melissa Stylianou is a superb jazz singer. She's Canadian born, with Irish and Greek Cypriot roots. Her material runs the gamut from the Great American Songbook to Johnny Cash. She has performed at numerous festivals and clubs and toured internationally. And she's also a member of the award winning vocal trio Duchess.My featured song is “Tessa” from the album East Side Sessions by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MELISSA:www.melissastylianou.com—----------------------------------------ROBERT'S NEW SINGLE:“MI CACHIMBER” is Robert's new single. It's Robert's homage to his father who played the trumpet and loved Latin music.. Featuring World Class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S RECENT SINGLE:“SUNDAY SLIDE” is Robert's recent single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

John C. Reilly joins to discuss Mr. Romantic, his theatrical tribute to the Great American Songbook that treats Irving Berlin and Tom Waits as equals in the canon of timeless American song. Reilly recorded live in one room with his band using vintage ribbon microphones, embracing the squeaks and imperfections while layering in cinematic sound effects—crickets outside a lover's window, a collect call from prison—to transform each standard into an immersive scene. But what makes a song from the 1920s feel eternal? Music data scientist Chris Della Riva, author of the forthcoming Uncharted Territory and the newsletter Can't Get Much Higher, breaks down how composers like the Gershwins wrote for amateur musicians playing sheet music at home, creating universal lyrics and AABA structures where the hook comes first. That accessibility is precisely what draws Reilly to this repertoire. He sees himself in the lineage of interpreters like Sinatra, not selling his own story but passing along music that already belongs to all of us, like holding up a seashell and saying, "Isn't this one beautiful?" More Get Chris Della Riva's book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves Subscribe to Chris Della Riva's Can't Get Much Higher Songs Discussed Taylor Swift "The Last Great American Dynasty" George Gershwin "I Got Rhythm" Village People "Y.M.C.A." Billie Eilish "Bad Guy" Frank Sinatra "On the Sunny Side of the Street" Judy Garland "Over the Rainbow" Ella Fitzgerald "My Romance" George Gershwin "But Not for Me" Elvis Presley "Are You Lonesome Tonight" The Beatles "We Can Work It Out" The Beatles "Get Back" The Beatles "Yesterday" John C. Reilly "Moonlight Serenade" John C. Reilly "Dreams" John C. Reilly "Johnsburg, Illinois" John C. Reilly "Falling in Love Again" John C. Reilly "What'll I Do" John C. Reilly "Picture in a Frame" John C. Reilly "Just Another Sucker on the Vine" Randy Newman "Ragtime" John C. Reilly & David Garza "What's Not To Love" Harry Nilsson "Coconut" Judy Garland "Somewhere Over the Rainbow" Dooley Wilson "As Time Goes By" The New Vaudeville Band "Winchester Cathedral" Andy Williams "The Days of Wine and Roses" Nat King Cole "The Frim Fram Sauce" Learn more about your ad choices. Visit podcastchoices.com/adchoices

Labi Siffre talks with Sodajerker about his career in music and his songwriting process. The celebrated singer-songwriter reflects on his love of blues, jazz, and the Great American Songbook, shares the stories behind beloved hits like ‘(Something Inside) So Strong' and ‘It Must Be Love', and explains why, after many years away from music, he still has an enduring passion for writing meaningful songs.

Ann Hampton Callaway is a Musical Star and a remarkably gifted artist. She's a leading champion of the Great American Songbook, and she's known for her work as a singer, pianist, composer, lyricist, actress, TV host, and producer.Her resume is off the charts. Ann was voted by Broadwayworld as “Celebrity of the Year” and two years in a row as “Best Jazz Vocalist”. On Broadway she was nominated for a Tony award for her performance in the hit musical “Swing!” On TV she was the one who wrote and sings the theme song for the hit series “The Nanny.”  In film she starred opposite Angelina Jolie and Matt Damon in “The Good Shepherd”. As a songwriter she is a multi-platinum artist whose songs have been featured on seven of Barbra Streisand's CD's, and her songs have also been recorded by Michael Feinstein, Carole King and Liza Minelli. As a recording artist she has released 83 CDs. And she's won just about every award that there is out there. On top of all this she has a new album now called “Finding Beauty, Originals Vol. 1” which features 16 of her songs.My featured song is “No One's Fool” from the album East Side Sessions by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ANN:www.annhamptoncallaway.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Jake Chisenhall joins the pod to talk about his debut EP Be Steel, My Heart, a lush collection of songs pulling from the Beach Boys and classic Great American Songbook influences. We also dive into his work in music journalism, favorite classic album covers, Bob Dylan, his work in other projects like Sunset Honor Unit and Floral Portrait, and plenty more.

Benny Benack III - BB3 - is a phenomenal, extraordinarily talented, Emmy nominated, double threat guy. He's a world class trumpet player and a world class singer/crooner all in one. He's a consummate showman too and he lights up the room. He's carrying on the tradition of the great crooners. Sinatra would be proud of him. He was a finalist in the Thelonious Monk Competition on trumpet, and he also won a prize in the Sarah Vaughan Vocal Competition. I saw Benny perform this summer at Tanglewood in Massachusetts with three other world class trumpeters: Randy Brecker, Jon Faddis and Bria Skonberg, and invited him to be a guest on the podcast. I'm pleased to say that Benny performs as a Guest Artist on my upcoming single!My featured song is “The Rich Ones”, my recent single with guest artist Randy Brecker. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH BENNY:www.bennybenackjazz.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

GANJ COO Steven Puchik & St. Joseph's Health Foundation Senior VP & CDO Robert Budelman join Sid to discuss an upcoming benefit concert supporting St. Joseph's Health Foundation. The event will take place next Friday night at Annunciation Hall at St. Elizabeth University in Morristown, New Jersey. The concert honors the memories of Steven's nephew, Ryan. Steven shares his preparations for the concert, including performances of songs from the Great American Songbook and Italian Neapolitan songs. Budelman highlights the hospital's efforts in treating heart disease and other specialties. Tickets for the event are available at givetostjosephs.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

Juliet Ewing is rapidly becoming known as an exciting, masterful interpreter of the Great American Songbook. Equally at home in jazz clubs and on concert stages, she is following in the footsteps of Ella Fitzgerald and Peggy Lee in that she can swing when she so desires, yet always stays connected to the rich and musically diverse songbook singing tradition that these great ladies of song exemplified. Fun yet elegant, Juliet enjoys singing the full spectrum of popular song, from the musical chestnuts of George Gershwin and Cole Porter to the contemporary stylings of Sting, Laufey, and Sade. Perhaps the word that best exemplifies Juliet's artistry is “timeless.” Juliet regularly performs as a soloist or with her trio “The Juliet Set” in and around NYC in jazz clubs and private events. marked by a golden voice that resonates with warmth and clarity, captivating audiences with every note. On September 12, she released her album Simply 'S Wonderful-The Magic of Gershwin.

Today on another episode of the Rarified Heir Podcast, we are talking to Phil Crosby Jr., son of actor/singer Phil Crosby and grandson of Der Bingle himself, Bing Crosby. And if that isn't enough, he's the nephew of Gary Crosby, the stepson of Jack Klugman, the grandson of 1920's and 30s film star Dixie Lee and we haven't even told you all of his familial connections. Gee, ya think he was born into this? Phil spoke to us about his family but also his career as an in demand singer of jazz and songs from the Great American Songbook. As you will soon hear, we learn how he went from a blues, prog band 11:11 playing at spots like the much beloved The Palamino Club to in Los Angeles to a jazz club in Borneo, We get into it. Not one to pull punches, Phil also spoke to us about the troubled family history that has made the rounds over the years. He's quite open about it in fact and is fine talking about some of the claims his uncle Gary Crosby made in his tell-all book years ago. We also hear the flip side of that as he later found peace at the end of his life when he got sober. Along the way we hear about how his mother, actress Peggy Crosby Klugman, dated Dean Martin, how a trip to McDonald's turned Dino's car into a sardine can, how he and his father were estranged for much of his life until the birth of his first child, why he never met Bing, the two Christmas songs he's currently working on with another guest of the podcast and much more. This is the Rarified heir Podcast and everyone has a story. Take a listen.

This week on Sibling Rivalry, Bob and Monét get lyrical as they dive into the songs, singers, and moments they can't stop thinking about. They discuss whether great singing is fact or subjective, which queens are always doing a bit, and if AI content is getting harder to clock. Bob brings a new music game to the table, and they battle to sing songs with specific words in them. They talk jazz legends, their favorite Whitney songs, and what qualifies as a Great American Songbook entry (is WAP in there?). Plus, they debate Beyoncé's best awards show moment, revisit the Gaga album that caused drama among the Monsters, and try to prove who really knows every lyric—and who's the ultimate Little Monster. Want to see exclusive Sibling Rivalry Bonus Content? Head over to ⁠⁠⁠⁠⁠⁠⁠www.patreon.com/siblingrivalrypodcast⁠⁠⁠⁠⁠⁠⁠ to be the first to see our latest Sibling Rivalry Podcast Videos! @BobTheDragQueen @MonetXChange Learn more about your ad choices. Visit ⁠⁠⁠⁠⁠⁠⁠megaphone.fm/adchoices⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

For over 40 years, Helena Bonham Carter has delighted us with roles including Lucy Honeychurch in Room with a View, Princess Margaret in The Crown and Harry Potter's much-loved villain, Bellatrix Lestrange. She joined Nuala McGovern to discuss her latest role in new film, Four Letters of Love, based on the bestselling book of the same name. Eight babies have been born in the UK using genetic material from three people to prevent devastating and often fatal conditions. The method, pioneered by UK scientists, combines the egg and sperm from a mum and dad with a second egg from a donor woman. The technique has been legal in the UK for a decade but this is the first proof it is leading to children born free of incurable mitochondrial disease, which is normally passed from mother to child. Anita Rani was joined by Kat Kitto who has two daughters, one of whom has mitochondrial disease, and Louise Hyslop, consultant embryologist at the Newcastle Fertility Centre to discuss.A new report by London's Victims' Commissioner, Claire Waxman, says that victims are being forced to quit the criminal justice system in huge numbers amid record court delays and traumatic process. She joined Nuala to explain why they are saying 'there is a near total failure in seeing offenders brought to justice', especially when it comes to female victims of violence. In the second part of our series about women and gaming, we find out more about the impact gaming can have on women's lives. Nuala heads to the Virgin Media Gamepad at the O2 to meet some of the women from the Black Girl Gamers community, who have over 10,000 members around the world. The bestselling author Louise Candlish joined Anita to talk about her latest novel - A Neighbour's Guide to Murder - which explores the practice of sex for rent and a trial by social media. The American jazz singer Samara Joy has five Grammy awards to her name and is quickly gaining superstar status in the jazz world. She is making her debut at the BBC Proms tonight, where she will be backed by the BBC Concert Orchestra, in a special tribute to the Great American Songbook. The Prom will be also be live on Radio 3, on BBC Four and iPlayer.Presenter: Anita Rani Producer: Annette Wells Editor: Deiniol Buxton

The bestselling author Louise Candlish joins Anita Rani to talk about her latest novel - A Neighbour's Guide to Murder - which explores the practice of sex for rent and a trial by social media. Louise reflects on her career and explains why she's so interested in writing about the homes and streets we live in.The Government has announced it will spend £53 million on a new programme to tackle domestic violence. Anita discusses the plans with Kyla Kirkpatrick, who works with the charity Safe Lives and is the Director of the Drive Partnership Programme that works with perpetrators, and Ellie Butt, Head of Policy at Refuge.The American jazz vocal powerhouse Samara Joy has five Grammy awards to her name and is quickly gaining superstar status in the jazz world. She is making her debut at the BBC Proms on Saturday 19 July, where she will be backed by the BBC Concert Orchestra, in a special tribute to the Great American Songbook. The Prom will be also be live on Radio 3, on BBC Four and iPlayer. In the next in our Women and Gaming series we look at the wider impact gaming can have on society. Anita talks to the BBC's Technology Editor Zoe Kleinman, and Emily Mitchell, winner of the BAFTA Young Game Designer award in 2017, and creator of Fractured Minds, an immersive puzzle game which confronts the daily challenges of living with anxiety.Presented by Anita Rani Produced by Louise Corley

GGACP celebrates Pride Month by revisiting this 2022 interview with Grammy and Emmy-nominated musician and historian Michael Feinstein. In this episode, Michael serenades Gilbert and Frank with classic tunes from the “Great American Songbook” and talks about performing at Hollywood parties, dining with Frank Sinatra, “accompanying” Judy Garland, befriending Rosemary Clooney and Ira Gershwin and recording the album “Gershwin Country.” Also, Paul Lynde gets plastered, Liberace morphs into Carol Channing, Irving Berlin begs Groucho not to perform his songs and Vincent Price carries on the memory of Dolores del Rio. PLUS: Bert Lahr! The music of Hugh Martin! The genius of Yip Harburg! Peter Lorre meets…Peter Lorre! Uncle Hymie inspires Inigo Montoya! And Michael favors the boys with “I Love a Piano” and “Lydia the Tattooed Lady”!  Learn more about your ad choices. Visit megaphone.fm/adchoices

On Legal Docket, justice for terror victims; on Moneybeat, unpacking president Trump's showdown with the Fed; and on The Great American Songbook, the music of springtime. Plus the Monday morning newsSupport The World and Everything in It today at wng.org/donate.Additional support comes from I Witness, an immersive audio drama exploring stories of faith and transformation. On podcast apps or at iwitnesspod.comAnd from LIFE International, fighting the scourge of abortion globally, teaching about The Father's Heart for Life. LifeInternational.com

On Culture Friday, John Stonestreet emphasizes the role of faith in shaping perspectives, Collin Garbarino reviews Disney's remake of Snow White, and Bob Case remembers W.C. Handy, the Father of the Blues. Plus, the Friday morning newsSupport The World and Everything in It today at wng.org/donate.Additional support comes from Dordt University. where engineering students are taught to do more than solve problems; they're equipped to help God's creation flourish. Dordt.eduFrom Pensacola Christian College. Academic excellence, biblical worldview, affordable cost. go.pcci.edu/worldAnd from Barnabas Aid The ministry of Barnabas Aid is to send financial support and practical aid to projects that help Christians where they suffer discrimination, oppression or persecution as a consequence of their faith. The projects aim to strengthen Christian individuals, churches, and their communities by providing material and spiritual support in response to needs identified by local Christian leaders on the ground. More at barnabasaid.org