Podcasts about Great American Songbook

It's impossible to overestimate the impact that Edward Kennedy “Duke” Ellington (born April 29, 1899) had on jazz and indeed the world of music in general. Even if his myriad contributions to the Great American Songbook were his only accomplishment, he would be one of its most hallowed creators, but his legacy is far more sweeping. He managed to field an orchestra for several decades consisting of totally unique musical personalities for which he tailored new compositions to feature their individual and combined strengths in a way that was completely original and influenced literally everything that came after him.

On Legal Docket, justice for terror victims; on Moneybeat, unpacking president Trump's showdown with the Fed; and on The Great American Songbook, the music of springtime. Plus the Monday morning newsSupport The World and Everything in It today at wng.org/donate.Additional support comes from I Witness, an immersive audio drama exploring stories of faith and transformation. On podcast apps or at iwitnesspod.comAnd from LIFE International, fighting the scourge of abortion globally, teaching about The Father's Heart for Life. LifeInternational.com

Frizz and Bob enjoy coffee cocktails and dig into one of the raddest, hippest, and hottest albums of all time, Peggy Lee's Black Coffee. Join us as we talk about Lee's inspiring life, her rise to fame, the power in her purr, her defiance of expectations, and her amazing ability to transform throughout her recording career. We also dive into the Great American Songbook and learn a little about what that collection really is. Go brew a pot and join us!

Send us a textDaniel C. Jones has always been drawn to pedal steel guitar. In the early 1970s, he fell in love with the country rock scene at the time. What stuck out to him, though, wasn't the Nashville country scene – it was the alternative country scene.Jones loved the sound of performers such as Jerry Garcia, his project New Riders of the Purple Sage, and Peter E. Kleinow (or “Sneaky Pete”). In 1971, Jones's brother took him to see a performance of Garcia's most well-known band, The Grateful Dead. Waylon Jennings opened that night, joined by Ralph Mooney, pedal steel guitar player for Jennings's group the Waylors.Jones says the instrument called to him because its sound instantly captivated him. Throughout the 1970s, he steadily performed on the road full-time, but by the 1980s, he prioritized his education. He earned a BA in Music from Sonoma State University in California, an MM in Musicology/Music Theory at the University of Colorado (CU) Boulder in 1984, and a Ph.D in Musicology at CU Boulder in 1991.Jones taught musicology at CU Boulder for over twenty years before retiring after the fall 2019 semester. Throughout that time, he performed pedal steel guitar on the side, both by himself and with the instrumental group Standard Deviations.Now, Jones focuses entirely on playing, particularly embracing standards from the Great American Songbook. His original compositions and arrangements are all instrumental, so for him, it's important to find pieces that lie well in the instrument's range. Thank you for listening to The Mountain-Ear Podcast, featuring the news and culture from peak to peak!If you want to be featured in the podcast, contact the host at media@themountainear.com!SUBSCRIBE ONLINE and use the coupon code PODCAST for A 10% DISCOUNT for ALL NEW SUBSCRIBERS! Subscribe at https://www.themtnear.com/subscribe!You can find us online by visiting https://www.themtnear.com!Find us on Facebook @mtnear!Share this podcast around!! Scroll near the bottom of our website's homepage or visit the podcast's main hub at https://themtnearpodcast.buzzsprout.com!You can contact our editor at info@themountainear.com!Thank you for listening!

On Culture Friday, John Stonestreet emphasizes the role of faith in shaping perspectives, Collin Garbarino reviews Disney's remake of Snow White, and Bob Case remembers W.C. Handy, the Father of the Blues. Plus, the Friday morning newsSupport The World and Everything in It today at wng.org/donate.Additional support comes from Dordt University. where engineering students are taught to do more than solve problems; they're equipped to help God's creation flourish. Dordt.eduFrom Pensacola Christian College. Academic excellence, biblical worldview, affordable cost. go.pcci.edu/worldAnd from Barnabas Aid The ministry of Barnabas Aid is to send financial support and practical aid to projects that help Christians where they suffer discrimination, oppression or persecution as a consequence of their faith. The projects aim to strengthen Christian individuals, churches, and their communities by providing material and spiritual support in response to needs identified by local Christian leaders on the ground. More at barnabasaid.org

Eliminating the Department of Education, downsizing the federal workforce, and opening the Great American Songbook. Plus, trolling Ohio State football fans, Cal Thomas on ditching coins, and the Thursday morning news.Support The World and Everything in It today at wng.org/donate. Additional support comes from Ambassadors Impact Network, where entrepreneurs can discover faith-aligned funding opportunities. More at ambassadorsimpact.com

Antonia Bennett, acclaimed jazz songstress and daughter of world renowned vocalist Tony Bennett, to release heart-warming version of the 1929 Fats Waller classic “Ain't Misbehavin” on Friday, February 28th 2025, the first single taken from her forthcoming album titled ‘Expressions'.    Antonia's swingin' piano and vocal rendition will be accompanied by a light-filled intimate family-affair video that will feature Antonia, Antonia's daughter, and husband frolicking through sun-drenched rooms of their home, complete with fancy dress-ups and communal cooking moments in the kitchen.   “Ain't Misbehavin” was first recorded by a Bennett in 1964. Antonia's late father, Tony Bennett performed the classic for his album ‘When Lights Are Low'.    The youngest daughter of Tony Bennett and actress Sandra Grant Bennett, Antonia grew up in Los Angeles and started singing with her father by age four. During that time, Antonia was surrounded by some of the greatest vocalists of all time, including Rosemary Clooney, Ella Fitzgerald, and Frank Sinatra – known to get up and sing at her father's parties during the holidays. Antonia's passion for music grew stronger.   In 2008, Antonia recorded "I've Got My Love to Keep Me Warm" with her father, featured on his album"A Swingin' Christmas". In 2010, she released her own critically acclaimed EP, "Natural," produced by Holly Knight.  All About Jazz praised Antonia's debut, stating the EP "introduces Bennett as a gifted interpreter of jazz classics with an impeccable and accessible vocal style."    Her most recent album "Embrace Me", showcased ten standards from the Great American Songbook, including "All of You," "Embraceable You", "I Can't Give You Anything But Love", and "Nice Work if You Can Get It." 

Tom Nelson is a pianist, composer, arranger and bandleader. He is a busy freelance musician, performing with some of the top jazz and classical musicians in New York City. He is also the house pianist at the University Club. Tom performs all styles of music ranging from classical to jazz to rock to Broadway, but is especially fond of the Great American Songbook repertoire featuring such composers as George Gershwin, Cole Porter and Richard Rogers.Born in Logan, Utah, Tom received a Bachelor's of Jazz Studies from the University of North Texas and a Master's of Jazz Composition from the Manhattan School of Music. He has composed works for string quartet, jazz orchestra and chamber jazz ensemble, songs for soprano, violin and piano and composed for small jazz ensemble as well. Tom is also active as a Musical Director on the New York cabaret scene and works as a rehearsal pianist and dance accompanist. He lives in Manhattan with his wife and two daughters. www.tomdnelson.com

It's been a tough week all around, not just nationally and internationally, but also personally for me and my family. Because I did not have the time or energy to put out a brand-new episode today, I am presenting to you a former bonus episode first published sometime in the past couple years which features a collection of some of the finest late career recordings of pop standards that Eileen Farrell made between 1988 and 1991 arranged and music directed by Loonis McGlohon or Robert Farnon. The songs all stem from the tradition of the Great American Songbook, whether well-known or more obscure, whether originally written for Broadway shows, for Hollywood, or simply straight from Tin Pan Alley. Backed by either a small combo or an orchestra, Farrell sounds remarkably youthful and always deeply connected to the style and essence of this music, which is no surprise since she had been singing this repertoire from her earliest days and is one of the very finest all-around singers this country has ever produced. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Actually a very active lifeLife-long art lover Ted Pfohl of Little Falls wholeheartedly recommends that people see the work of Charles Gilbert Kapsner while it's on view at Studio Pintura Fine Art Gallery in the Northrup King Building in northeast Minneapolis. Kapsner is based in Little Falls but trained in Florence, Italy in the studio of Nerina Simi (1890-1987). The retrospective includes over 30 still lives, portraits and other works, gathered under the title of “Odyssey — A 50-Year Artist's Journey: Not a Still Life!” The show's run has been extended through Feb 8. Ted Pfohl muses on the odyssey of Kapsner's work: I can in all integrity state that I am captivated by the stories within the works of Master Artist Kapsner, a designation earned within and from his colleagues in the world of fine art. Today, he voyages within oil and charcoal. He has been at several harbors within fresco. He has created a monument of paintings honoring the five branches of the United States military. Each carefully chosen and curated piece provides glimpses into the creativity of a gifted helmsperson. There are flowers, bottles of wine, his wife — whom he calls Lady Catherine — still lives and portraits. As I was moving within the currents of the visuals before me, there were several times where my feet would not move as my gaze rested upon the piece before me.— Ted PfohlTickets to ParadiseJewelry artist and silversmith Jessica Prill of Faribault works across the street from the Paradise Center for the Arts, and she says the exhibits there are always a source of inspiration. She recommends taking in the new visual arts show, which opened this week and features painters Laura Andrews and Montana Becker as well as stained-glass artist Bob Vogel in the main gallery. Art by students of Bethlehem Academy will be featured in the Creger Gallery, which often features student work. There is an artist reception on Friday from 5-7 p.m., and the exhibit runs through Feb. 15. Speaking about the stained glass art of Bob Vogel of St. Peter, Jessica Prill says: [His work] blows my mind. He has done stuff with glass that I didn't know was possible. He has found a way to make it look like he's painting with glass. He uses the patterns in the glass like brush strokes. He does lamps, panels, fused glass: they're just incredible.— Jessica PrillRemember: They're on Thursday nightDana Drazenovich of St. Cloud loves live music, and she wants people to know about Monday Night Jazz, a band that has been performing jazz for 20 years in St. Cloud. Despite its name — a holdover from a previous location that was open on Monday nights — the sextet plays most Thursdays from 7 p.m. to 9:30 p.m. at the Veranda Lounge in St Cloud. Dana says: I feel like Monday Night Jazz is just a gift to St. Cloud's music scene, because I'm sure it's introduced plenty of people to the genre, and it's probably even made fans out of people who might not have otherwise even heard jazz performed live. They take a lot from the Great American Songbook, Rodgers and Hart, Rodgers and Hammerstein. You'll hear songs like “All the Things You Are” and “Mood Indigo.” They throw in a few originals here and there, too. They've got drums, piano, bass, guitar, sax and trumpet, so it's a big, full sound. And if you're lucky, you'll get to hear guitar player and vocalist, Muggsy Lauer, scat. There's a lot of laughing between songs, a lot of joking back and forth and they just put out the tip jar and go.— Dana Drazenovich

Will Friedwald does it all -- books on Sinatra, Nat "King" Cole, jazz vocalists and the Great American Songbook; articles in publications including the Wall Street Journal; his own broadcasting platform and Substack, Slouching Towards Birdland. He speaks as winner of the 2024 JJA Jazz Award for Lifetime Achievement in Jazz Journalism to Chicago-based writer, broadcaster and JJA board member and Neil Tesser.

Today's episode, “Anna Moffo und die leichte Muse,” continues the delicious theme of opera singers “letting down their hair” begun with “Hadley in Wien,” and it also forms a complement and a supplement to the “Anna Moffo Reappraised” episode that I published exactly two years ago. Anna Moffo's recording career divides into three separate eras and markets: Italy in the late 1950s and early 1960s; which overlapped with the US in the 1960s; and finally Germany in the 1970s and beyond. Each of these eras in the Moffo career was represented on disc in different ways: jazz arrangements of standards from the Great American Songbook in her earliest (and rarest) Italian recordings, followed by breathy Italian pop songs (some even composed by Moffo herself); early twentieth century Broadway operettas and MGM movie musicals in the US when her voice was at its peak; and Viennese operetta for the German-speaking market, as her vocal instrument became more fragile, while it still represented her finest work of that period. Each of these eras and genres is thoroughly explored in this episode. She is partnered in all of this repertoire by some impressive co-stars: Sergio Franchi, René Kollo, Rudolf Schock, and Robert Merrill as duet partners, with musical direction by Ennio Morricone, Henri René, Lehman Engel, and Skitch Henderson. Recordings range from 1960 through 1983, with the vast majority coming from the 1960s. In spite of the vocal and technical frailty displayed in the later recordings, Moffo's ability to communicate in this repertoire never flagged. And of course throughout her entire career, no singer so consistently presented a more striking image of vocal and physical glamour than did Anna Moffo. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

The bird flu spreads to dairy cows, U.S. math scores drop, and a Christian family avoids Christmas. Plus, the Great American Songbook with some popular songs about winter from the past, pardoning a pair of pigs, and the Tuesday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Season 2 of I-Witness: Silent Night, the student-led podcast drama following time-travelers to the first Christmas. On podcast apps or at: iwitnesspod.comAnd from Asbury University. Enrollment is now open for January online grad and undergrad classes. Asbury—where Christ is central.

As Christmas nears, we caught up with the legendary rock vocalist Steve Perry, a certified Rock & Roll Hall of Famer who first made his name as the former lead singer for Journey before going on to a successful solo career with era-defining '80s hits like "Oh Sherrie" and "Foolish Heart." The occasion for this chat is the release of Perry's Holiday themed album of sentimental standards, The Season 3 (his first for Dark Horse Records). Since Steve doesn't do many interviews, Paul seized the opportunity to ask Perry about singing for the late great Quincy Jones on "We Are The World," or the story behind Journey's "Don't Stop Believin'" ending up in the finale of HBO's The Sopranos. Paul even made sure to ask Steve to weigh in on the whole Yacht Rock discourse.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com)   Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Musician Jerron Paxton is known for performing music from the 1920s and '30s. He just came out with an album of his own songs, called Things Done Changed. Paxton brought some of his instruments to his conversation with Sam Briger. Also, Terry Gross talks with author Michael Owen about Ira Gershwin, the lyricist behind many of the most enduring songs in The Great American Songbook. TV critic David Bianculli reviews the documentary Beatles '64.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Musician Jerron Paxton is known for performing music from the 1920s and '30s. He just came out with an album of his own songs, called Things Done Changed. Paxton brought some of his instruments to his conversation with Sam Briger. Also, Terry Gross talks with author Michael Owen about Ira Gershwin, the lyricist behind many of the most enduring songs in The Great American Songbook. TV critic David Bianculli reviews the documentary Beatles '64.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Life after Thursday's cease-fire between Israel and Lebanon, political conversations with those “on the other side,” and The Great American Songbook with Bob Case. Plus, Cal Thomas on true thanksgiving, an unexpected guest for dinner, and the Thursday morning newsSupport The World and Everything in It today at wng.org/donate.Additional support comes from Knox Theological Seminary. Reformed, flexible, integrated certificate and post-graduate degree programs designed for you and your calling in ministry. Request more information about our fully online, accredited programs at Knoxseminary.edu/world.And from Dordt University. Service opportunities at Dordt give students a chance to gain practical wisdom for lives of service – until all is made new.

Ira Gershwin wrote the lyrics for some of the most enduring songs in the Great American Songbook, including "I Got Rhythm," "S'Wonderful," "Embraceable You," "Love is Here to Stay," and "Let's Call the Whole Thing Off." Biographer Michael Owen talks about Ira's collaboration with his brother George, his writing process, and the line he added to "Somewhere Over the Rainbow." Later, jazz historian Kevin Whitehead remembers drummer Roy Haynes.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On Washington Wednesday, competing priorities for Republicans in Congress; on World Tour, news from Angola, Uruguay, Laos, and France; and a hostage's story of survival. Plus, a presidential turkey pardon, introducing a new music feature, The Great American Songbook, Janie B. Cheaney on the relative calm since the election, and the Wednesday morning newsSupport The World and Everything in It today at wng.org/donate.Additional support comes from Dordt University, where students are invited into God's story of restoration; to live, learn, and work together with joyful purpose in all of life - until all is made new.And from Knox Theological Seminary. Reformed, flexible, integrated certificate and post-graduate degree programs designed for you and your calling in ministry. Request more information about our fully online, accredited programs at Knoxseminary.edu/world.

Anderson Cooper, AGT Winner, The View, CNN, Macy's Thanksgiving Parade, Fox, The Talk.Happy Thanksgiving!!!I Talk with Landau about his Succesful His Career & What He is Grateful For! His is a true rags to riches story; car wash rags. When Landau Eugene Murphy Jr. showed up to audition for America's Got Talent, he was singing to pass the time while grinding out a living washing cars. The only “nice” clothes he owned were the ones on his back: a pair of jeans, a modest button down striped shirt, and jacket. Fortunately, you don't need a large wardrobe to win America's heart.He's performed all over the world, from China to New York City, Los Angeles to Europe where he had the honor to perform for U.S. servicemen and their families stationed there. He's sung the national anthem prior to games by the Los Angeles Lakers, Washington Wizards, New York Rangers, Baltimore Orioles, Oklahoma City Thunder, Washington Nationals, and his beloved West Virginia University Mountaineers during a nationally televised homecoming game.You need talent, and Landau has truckloads of that. Since wowing the judges with his interpretations of classics by the likes of Frank Sinatra and Dean Martin and walking away with the million dollar grand prize in front of 14 million weekly viewers on AGT, Landau has released his Columbia Records debut “That's Life” (the CD hit #1 on the Billboard Jazz chart and was produced by Grammy winner Steve Tyrell, who also helmed Rod Stewart's Great American Songbook album). Landau has performed all over the country, from the California State Fair to New York's famous Apollo Theatre, Caesars Palace in Las Vegas to the Marina Civic Center in Florida and all points in between. Along the way, he has appeared on The Today Show, The View, CNN, Fox and Friends, The Wendy Williams Show, The Talk, Anderson Cooper, Tom Joyner, Sirius XM, NPR, and dozens of other outlets. Landau was named “West Virginian of the Year” by his home state where he has performed a series of sold out concerts helping raise over a half million dollars for state charities. He's played a special command performance at the Governors Inauguration, won Reality TV Personality of the Year in Hollywood, and was honored to perform with his band for U.S. Troops in Germany. He is currently on tour with Glenn Leonard,formally of The Temptations; Joe Blunt,formally of The Drifters and Joe Coleman, formally of The Platters. But all that success hasn't made Landau forget his roots. He was born in the Mountain State of West Virginia and continues to live there rather than move to entertainment industry hubs like Los Angeles or New York. “West Virginia will always be my home,” says Landau, “and home and family are the most important thing in the world to me. I can always fly out to LA or New York for work, but being here helps keep me humble and grounded. I'm just very fortunate to be living my dream.”Recently, Landau and award winning co-author Rick Robinson have written America's Got Talent Winner Landau Eugene Murphy Jr.: From Washing Cars to Hollywood Star, a book chronicling Landau's All-American success story. He's also completed an album full of holiday favorites, Christmas Made For Two. His touring schedule stays booked with shows all over the country including numerous CD and book signing appearances. He and the incredibly talented “Landau Eugene Murphy Jr. Big Band” are currently beginning his Classic Christmas Crooners Tour with a full slate of concerts at home and abroad. All Rights Reserved© 2024 Building Abundant Success!! 2024 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBAS 

Ira Gershwin wrote the lyrics for some of the most enduring songs in the Great American Songbook, including "I Got Rhythm," "S'Wonderful," "Embraceable You," "Love is Here to Stay," and "Let's Call the Whole Thing Off." Biographer Michael Owen talks about Ira's collaboration with his brother George, his writing process, and the line he added to "Somewhere Over the Rainbow." Later, jazz historian Kevin Whitehead remembers drummer Roy Haynes.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this episode of Working Class Audio, Matt reconnects with Grammy-winning producer and engineer J.J. Blair, last featured in Episode 96. J.J. shares the challenges of building a state-of-the-art recording studio in the Hollywood Hills and offers insights from his popular "Microphone Mondays" series. He also opens up about his recent heart surgery and recovery, emphasizing the importance of prioritizing health in a demanding profession. J.J.'s impressive credits include producing and mixing the Grammy-winning album Press On by June Carter Cash, engineering Rod Stewart's Grammy-winning and #1 Billboard album The Great American Songbook, Vol. 3, and engineering and mixing Joanna Connor's #1 Billboard Blues album, 4801 South Indiana Avenue. In This Episode, We Discuss: "Microphone Mondays" series Building a state-of-the-art recording studio Acoustic design, soundproofing, and the science of great studio environments Incorporating vintage and modern gear, including a custom Rupert Neve console Adapting production techniques for genres from Motown to modern rock Reflections on heart surgery, health, and maintaining resilience in the industry The importance of studying hit productions and what makes songs stand out J.J.'s experience with social media success and connecting with audiences Links and Show Notes: J.J. on Instagram J.J.'s Website Credits: Guest: J.J. Blair Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell

NBC's AGT, CNNLots of Great Stuff Happening for Landau, International Travel, New Music, & Fatherhood!  Part 1Landau Eugene Murphy Jr. first burst onto the national conscience as the Sinatra-and-Soul singing  on NBC TV's “America's Got Talent with his incredible voice, undeniable charisma and unparalleled showmanship.  And a decade later, he's still going strong.Seeing Landau in concert is a revelation; backed by the dynamic Landau Big Band, you'll always hear swinging arrangements of Great American Songbook classics from Frank Sinatra, Dean Martin, Nat ‘King' Cole and many more, along with a dusting of that special Motown Magic that is sure to move your feet and make you sing along.And after the show, every show, you'll always have the opportunity to meet Landau one-on-one for photos and have the chance to talk with him about his incredible rags-to-riches story.  “It's my favorite part of the night; it's something we always do. Sometimes I'm the last one at the venue, talking to fans and friends. The janitor is waiting on me to lock up!”Landau was born into extreme poverty in the Appalachian coalfields of southern West Virginia. His parents split while he was in elementary school, and Landau was shipped off to Detroit in the middle of the night. He woke up in the Motor Cities notoriously gang and drug-riddled “7 Mile” neighborhood. Landau likes to say that he went from Almost Heaven to Little Baghdad overnight!After a series of dead-end jobs, run-ins with the police and a too-soon failed marriage, Landau eventually found himself homeless and sleeping in his car. Then, his voice became his calling card.“I loved to play basketball in Detroit, and these guys were good. Some of them went onto the NBA. But we were in the hood; it wasn't anything to see guns drawn on the court after the game, so to keep people cool and laughing, when I'd dunk on someone, I'd sing a Frank Sinatra song like “Fly Me To The Moon” and everyone would laugh and put their guns away.”At the end of his rope, Landau tied a knot and pulled himself back up by auditioning for NBC TV's “America's Got Talent” with thousands of others. After months of competition, Landau emerged the winner, scoring a million dollars, a recording contract, and America's hearts, and he's never looked back.Landau's Columbia Records debut album “That's Life” reached number one on the Billboard Jazz Charts and was followed by “Christmas Made For Two”, “Landau” and his latest “Landau Live In Las Vegas” recorded during a performance at the legendary Caesar's Palace.  Landau has made dozens of TV appearances including “The Today Show”, “The View”, CNN, “Fox and Friends”, “The Talk”, the Macy's Thanksgiving Day Parade, and the Hollywood Christmas Parade.In 2021 Landau proudly released LANDAU LIVE IN LAS VEGAS a pre-pandemic recording at Caesars Palace that includes several never-before-released tracks. Enjoy Landau's unique take on the Great American Songbook as well as classic R&B, all backed by his long-time stellar musicians in LANDAU'S LITTLE BIG BAND, with guest background vocals by former Temptations and Four Tops lead singer Theo Peoples!© 2024 Building Abundant Success!!2024 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23bAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Michael Bublé is a Canadian singer and songwriter. Born in Burnaby, British Columbia, he is often credited for helping to renew public interest and appreciation for traditional pop standards and the Great American Songbook. Michael Bublé OFFICIAL Website : https://www.michaelbuble.com/ Howie Mandel Does Stuff available on every podcast platform Visit the Official Howie Mandel Website for more: https://www.howiemandel.com/ Howie Mandel Does Stuff Merchandise available on Amazon.com here https://www.amazon.com/shop/howiemandeldoesstuff Join the "Official Howie Mandel Does Stuff" Reddit: https://www.reddit.com/r/HowieMandelPodcast/ Say Hello to our house band Sunny and the Black Pack! Follow them here! YouTube: https://www.youtube.com/@BlackMediaPresents TikTok: https://www.tiktok.com/@blackmediapresents Spotify: https://open.spotify.com/artist/01uFmntCHwOW438t7enYOO?si=0Oc-_QJdQ0CrMkWii42BWA&nd=1&dlsi=a9792af062844b4f Facebook: https://www.facebook.com/SunnyAndTheBlackPack/ Instagram: https://www.instagram.com/blackmediapresents/ Twitch: https://www.twitch.tv/blackmediapresents Twitter: twitter.com/blackmedia https://youtu.be/t_VPZuS2Yak @howiemandel @jackelynshultz  @michaelbuble 

Erin Livingston sings The Great American Songbook at her show at the Blue Water Theater in Wayzata next Saturday November 9 at 7pm. With pianist Dale Alexander and bassist Gary Raynor, Erin will sing the likes of Ella Fitzgerald, and Nat King Cole. Whichever songs Erin is singing, she brings a love of great lyrics, as she told Phil Nusbaum.

Today's guest makes me feel old fashioned. Or maybe I want to drink an Old Fashioned. Either way I am fortunate enough to have Stella Cole on the podcast! She blew up TikTok with her faithful renditions of the Great American Songbook. She tells me about how she became obsessed with old music and musicals from an early age. But she was always cautious about pursuing music as a career. Like when she was attending Northwestern University; she double majored in theater and international relations as a way of hedging her bets. She also minored in German (and even she isn't sure why)! But some bad experiences there really shook her confidence and she stopped singing for quite a while. Then the pandemic hit and she moved back home. That's when her dad suggested she record some videos of herself singing the music she loved. She chose TikTok because it was a new platform and she figured none of her friends would be on it. Well she now has over a million followers all over social media. She talks about her meteoric rise and how she has rebuilt her confidence. She's on tour supporting her debut album, P.S. I Love You and has recorded a Christmas album! Follow her @stellakcole on socials. Go to stellacole.net to buy her album P.S. I Love You, or her Christmas album, Snow. Follow us @PerformanceAnx on socials. Our merch is at performanceanx.threadless.com. Fuel us at ko-fi.com/performanceanxiety. Now let's step back in time with Stella Cole on Performance Anxiety on the Pantheon Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe Iconis is a musical theater writer and performer. He has been nominated for a Tony Award, two Drama Desk Awards and a Lucille Lortel Award, is the recipient of an Ed Kleban Award, Jonathan Larson Award and Richard Rodgers Award.  Joe's musical Be More Chill (with Joe Tracz) opened this season at Broadway's Lyceum Theatre, following a sold-out Off-Broadway run at The Pershing Square Signature Center and a world premiere at Two River Theatre. He is the author of Broadway Bounty Hunter (with Lance Rubin and Jason SweetTooth Williams; Barrington Stage Company and Greenwich House Theater Off-Broadway), Bloodsong of Love (Ars Nova, NAMT), The Black Suits (Center Theater Group, Barrington Stage Company), ReWrite (Urban Stages, Goodspeed Opera House), Theaterworks USA's The Plant That Ate Dirty Socks and We The People. Musicals currently in development include The Untitled Unauthorized Hunter S. Thompson Musical (for La Jolla Playhouse), Punk Rock Girl, and Love In Hate Nation. His music appeared on Season 2 of NBC's “Smash,” with his song “Broadway, Here I Come!” hailed by The New York Times as a new entry in The Great American Songbook. Albums: Be More Chill (OCR), which has been streamed over 220 million times; Things To Ruin (OCR); Two-Player Game; and The Joe Iconis Rock and Roll Jamboree all available on Sh-K-Boom/Ghostlight Records. His concert act, Joe Iconis and Family, frequently plays Feinstein's/54 Below, The Laurie Beechman Theater, Weston Playhouse, and other venues around the country. Joe is deliriously inspired by Robert Altman, Dolly Parton, Martin Scorsese, Sardi's, The Rolling Stones, whiskey, The Muppets, and The Family of artists he frequently surrounds himself with.

The Academy of Lifelong Learning is hosting the “Arts for ALL” series which are free, public presentations that feature the beauty and uniqueness of all people through the arts. On Oct. 2, Dorothy Paige Turner and Joel Ross will perform at the Trutter Center on the Lincoln Land Community College Springfield campus. Turner spoke to Community Voices about the performance which will explain the roots of jazz among enslaved Africans. She also talked about her love of the Great American Songbook and how she used music to reach students.For more information on Arts for ALL visit: https://www.llcc.edu/news/llcc-arts-for-all

The only son of Frank Sinatra, Jr. was a singer, musician, composer and conductor who took his material from The Great American Songbook. Some thought he simply rode the old man's coat tails. Not True! Sinatra Jr. as hard working and determined as his old man. He ran the show for his father as his health and confidence waned. Listen here for the story of one of the least appreciated singers of the modern era.

Discover the enchanting voice of Celia Berk, an award-winning vocalist based in Manhattan who has captivated audiences worldwide. Renowned for her intimate interpretations, warm cello sound, and a penchant for uncovering hidden gems by great songwriters, Celia's music resonates deeply with listeners. Influenced by iconic vocalists of the Great American Songbook and musical theatre, including Rosemary Clooney, Barbara Cook, and Margaret Whiting, Celia has garnered high praise from prominent music champions. Michael Feinstein admires her exquisite vocal style and song choices, Rex Reed hails her as "one of the best singers I've heard in a long time," and Stephen Holden notes her ability to evoke the same emotions for New York as a Cole Porter song does for Paris. Celia's latest album, NOW THAT I HAVE EVERYTHING, was included on the 2023 Grammy Awards Preliminary Ballot and earned accolades as one of the top 10 Vocalist Recordings of 2022. Celia Berk is Someone You Should Know. Tip Jar:Click here to buy the Rik Anthony a cold one.Show Links:Click here to go to Celia's WebsiteClick here to go to Celia's FacebookClick here to go to Celia's InstagramClick here to go to Celia's X/TwitterClick here to go to Celia's YouTube ChannelAll music used by permission from the artistSomeone You Should Know 2024 // CatGotYourTongueStudios 2024Send us a textHow to Contact Us:Official Website: https://Someoneyoushouldknowpodcast.comGmail: Someoneyoushouldknowpodcast@gmail.comTwitter: @RIKANTHONY1Facebook: https://www.facebook.com/rikanthonyInstagram: https://www.instagram.com/someoneyoushouldknowpodcast/LinkedIn: https://www.linkedin.com/in/rik-anthony2019/TikTok: @SomeoneYouShouldKnow2023YouTube: https://www.youtube.com/@someoneyoushouldknowpodcastThank you for listening!Theme music "Welcome to the Show" by Kevin MacLeod was used per the standard license agreement.

In the second hour of "Connections with Evan Dawson" on Wednesday, September 11, 2024, we sit down with former WXXI Classical “Fascinatin' Rhythm” host Michael Lasser to discuss his new book, “Say It with a Beautiful Song: The Art and Craft of the Great American Songbook.”

In this engaging episode of Backstage Sonoma, host Steve Roby had the pleasure of sitting down with the legendary Judy Collins, a distinguished singer-songwriter whose career spans over five decades. Judy begins by recounting her early influences, sharing how her father's career in radio introduced her to the Great American Songbook while her path led her to folk music. Her passion for music, which she sparked in childhood, continues to drive her today, as evidenced by her recent Grammy-nominated album "Spellbound," which features all original material inspired by a long-standing suggestion from Leonard Cohen.  As the conversation unfolds, Judy reflects on the evolution of her music over the years. She credits her broad experiences and serendipitous encounters with influential artists for much of her success. Judy vividly describes how she was first introduced to Joni Mitchell's "Both Sides Now," a song that became a significant part of her repertoire. She also touches on her podcast "Since You Asked," which allows her to explore and share stories with her audience, highlighting a memorable interview with Clive Davis about the artists who have slipped through his fingers. Judy's multidimensional creative life, which encompasses music, painting, filmmaking, and social activism, is a testament to her versatility. She reveals how these different forms of expression intertwine and enrich her artistry. Finally, Judy gives a sneak peek into her upcoming U.S. fall tour, promising fresh shows with a mix of familiar hits and new material from "Spellbound." Her candid advice to aspiring artists underscores the realities of a music career, emphasizing the need for perseverance and a love for the craft. The interview concludes with Roby expressing gratitude for Judy's immense contributions to music, leaving listeners excited for her performance at the Mystic Theater in Petaluma.

Howard Fishman is a regular contributor to The New Yorker and The New York Times, where he has published essays on music, film, theater, literature, travel, and culture. His bylines have also appeared in the The Boston Glove, Rolling Stone, The Telegraph, Vanity Fair, The Washington Post, Artforum, San Francisco Chronicle, Mojo, The Village Voice, Jazziz, and Salmagundi. His play, A Star Has Burnt My Eye, was a New York Times “Critics Pick.” As a performing songwriter and bandleader, Fishman has toured internationally as a headlining artist for over two decades. He has released eleven albums to date, and is the producer of the album Connie's Piano Songs: The Art Songs of Elizabeth “Connie” Converse. His book, To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse, was shortlisted for the Plutarch Award for Best Biography of 2023. To Anyone Who Ever Asks The mysterious true story of Connie Converse—a mid-century New York City songwriter, singer, and composer whose haunting music never found broad recognition—and one writer's quest to understand her life. This is the mesmerizing story of an enigmatic life. When musician and New Yorker contributor Howard Fishman first heard Connie Converse's voice on a recording, he was convinced she could not be real. Her recordings were too good not to know, and too out of place for the 1950s to make sense—a singer who seemed to bridge the gap between traditional Americana (country, blues, folk, jazz, and gospel), the Great American Songbook, and the singer-songwriter movement that exploded a decade later with Bob Dylan and Joni Mitchell. And then there was the bizarre legend about Connie Converse that had become the prevailing narrative of her life: that in 1974, at the age of fifty, she simply drove off one day and was never heard from again. Could this have been true? Who was Connie Converse, really? Connie Converse, Schenectady, NY, 1955 Supported by a dozen years of research, travel to everywhere she lived, and hundreds of extensive interviews, Fishman approaches Converse's story as both a fan and a journalist, and expertly weaves a narrative of her life and music, and of how it has come to speak to him as both an artist and a person. Ultimately, he places her in the canon as a significant outsider artist, a missing link between a now old-fashioned kind of American music and the reflective, complex, arresting music that transformed the 1960s and music forever. But this is also a story of deeply secretive New England traditions, of a woman who fiercely strove for independence and success when the odds were against her; a story that includes suicide, mental illness, statistics, siblings, oil paintings, acoustic guitars, cross-country road trips, 1950s Greenwich Village, an America marching into the Cold War, questions about sexuality, and visionary, forward thinking about race, class, and conflict. It's a story and subject that is by turn hopeful, inspiring, melancholy, and chilling. Credits for Talkin' Like You and Birthday song excerpt: The Musick Group. Age of Noon: Produced by Howard Fishman.

Welcome back listeners! Tara and EmKay celebrate the 85th anniversary of MGM's "The Wizard of Oz" by deep diving into one of the greatest songs of all time, "Over the Rainbow"! Rabbit holes include some of Tara and EmKay's favorite renditions, memories of seeing the song performed live, and much more.Show Notes:Liza Minnelli - Never Never Land/Over the Rainbow 6/6/02The Demensions - Over The RainbowElla Fitzgerald - Somewhere Over The RainbowPatti LaBelle & The Bluebells - Somewhere Over the Rainbow 1966Patti LaBelle sings 'Over The Rainbow' 2014 LiveSomewhere over the Rainbow - Israel "IZ" KamakawiwoʻoleRay Charles feat. Johnny Mathis - Over The RainbowIngrid Michaelson - Over The RainbowRufus Wainwright - Over The RainbowWillie Nelson - Over the RainbowAriana Grande - Somewhere Over the Rainbow (Live at One Love Manchester)Kristin Chenoweth: Over The RainbowCeltic Woman - Over The Rainbow“Somewhere Over the Rainbow” - Swankified Stairwell Sessions (feat. Nichelle Lewis)Instagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay Shrader

In this episode, I recap my recent 5-day jazz vocal camp, where singers of all backgrounds came together to master the art of jazz. We broke down the essentials, from swing rhythms to jazz harmony, and tackled common myths about jazz singing. Whether you think jazz is too hard or not your style, this episode will change your mind. You'll learn how repetition, practice, and embracing your unique voice can lead to incredible progress in just a short time. Plus, I share personal insights from my own journey in jazz and how it parallels the experience of learning something new, no matter your background.RESOURCES: If you are enjoying the podcast, I think you'll enjoy my Mic Masters Newsletter. Get weekly insights, mindset changes, useable information and so much more for professional and aspiring singers. Join today. For more information on how to work with me, send inquiries to : info@moniquebthomas.comMusically,Monique

Welcome back listeners! Tara and EmKay celebrate the 85th anniversary of MGM's "The Wizard of Oz" by deep diving into one of the greatest songs of all time, "Over the Rainbow"! Rabbit holes include a  history of the creation of the song, backstory of Harold Arlen and Yip Harburg, the song's journey of almost being cut from the film, and so much more.Stay tuned for Part 2 dropping this Wednesday!Show Notes:Who Put the Rainbow in The Wizard of Oz?: Yip Harburg, LyricistThe Road to Oz: The Evolution, Creation, and Legacy of a Motion Picture MasterpieceScandal in Oz: Was “Over the Rainbow” Plagiarized?Marina V ArtOctopeauxInstagram: @downtheyellowbrickpod#DownTheYBPTara: @taratagticklesEmKay: www.emilykayshrader.netPatreon: https://www.patreon.com/downtheyellowbrickpodEtsy: https://www.etsy.com/market/down_the_yellow_brick_podMusic by: Shane ChapmanEdited by: Emily Kay Shrader

In this episode, join us for an inspiring conversation with Marvin Parks, a multifaceted artist who has captivated audiences with his soulful voice, comedic flair, and unwavering commitment to community outreach. Marvin shares his journey from an aspiring jazz singer to a performer who connects with people in the Paris Metro, blending jazz, humor, and personal stories to build a unique brand. Discover how Marvin turned street performances into meaningful engagements, and learn about his dedication to creating his own platform. No matter where you are in your artistic journey, Marvin's story will inspire you to pursue your art on your own terms and to believe in the transformative power of community.RESOURCES :Discography:Marvin ParksThe Very Thought of You(2012)Self-releasedThe Rongetz ProjectBrooklyn Butterfly Sessions(2012)Heavenly Sweetness Nicola ConteFree Souls(2014)Schema Records Social Media: Youtube: https://www.youtube.com/c/JazzduMétroMediaInstagram: https://www.instagram.com/jazzdumetro.media/and https://www.instagram.com/pupdumetro/TikTok: https://www.tiktok.com/@jdm_mediaSpotify: https://open.spotify.com/artist/6M1xcnsqPHglzcyYgK09hC?si=WX6_t8tMQ6SIJFQZefnpawIf you are enjoying the podcast, I think you'll enjoy my Mic Masters Newsletter. Get weekly insights, mindset changes, useable information and so much more for professional and aspiring singers. Join today.Musically,Monique

This week, Ira spoke with San Francisco based saxophonist, composer, recording artist, and educator Jason Hainsworth, performing with his quintet at Vic's Las Vegas (August 2-3 at 7 and 8:30.) In this episode of “Talk About Las Vegas With Ira,” Jason talks about the “efficient” reason why he started playing the saxophone; how he became a band “nerd”; how he started to listen to more jazz music; learning “tricks of the trade”; the influence of legendary jazz educator Ellis Marsalis and saxophonist Victor Goines; the camaraderie of jazz musicians; balancing between performing and musical education; his role as a teacher; working hard but still having fun; how performing jazz is “crafted chaos”; and why the “Great American Songbook” is part of the DNA of jazz. (Also Watch Full Podcast Video)

Local mainstay and friend of the station Ginger Commodore came to visit Sean McPherson on Friday's Afternoon Cruise to discuss her new 4-show series "And the Melodies Still Linger On". The series launches on Thursday, August 1 at Crooners. Ms. Commodore discussed how she picks songs, accompanists and why she has been so focused on celebrating and expanding the Great American Songbook in the last handful of years.

Acclaimed genre-crossing songwriter and interpreter Madeleine Peyroux takes stock of her songwriting over the years and shares insights into the creation of her latest album. PART ONEPaul and Scott talk music books, the value of recording, and whether or not performers should stick to a strict or loose interpretation of a song when performing live. PART TWOOur in-depth conversation with Madeleine PeyrouxABOUT MADELEINE PEYROUXMadeleine Peyroux moved to Paris with her mother at the age of 12 and began singing with street musicians while still a teenager. She eventually joined the Lost Wandering Blues and Jazz Band, with whom she toured Europe. After being discovered by Atlantic Records she released her debut album, Dreamland, in 1996. Madeleine's commercial breakthrough came with the Gold-selling album Careless Love in 2004 and it's single, the self-penned “Don't Wait Too Long,” which was released by Rounder Records and topped the jazz charts. The follow-up album, Half the Perfect World, hit the Top 40 on Billboard's US album chart. Her 2009 album, Bare Bones, was the first to feature all original material. She moved to Decca Records for the Standing on the Rooftop album in 2011 and has since released four additional studio albums. Her latest effort, Let's Walk, features all original material and continues to showcase her masterful blending of jazz, blues, folk, pop, and more. 

The two-man tandem of curiosity wobbles its way down the rock and roll cyclepath pausing here to admire the view … … “We're captive on the carousel of TIME-AH!!”: tuneless Northern club singer Reg “Reg” Snipton performs Ver Greats. … is going to gigs alone becoming a thing? ... why Phil Oakey was a better musician than any of ELP. … Seven Nation Army in football stadiums - and does Jack White make any money from it? … what rock stars spend their fortunes on. … people who are ‘jewellery-blind' (eg D Hepworth). … the scariest intention a musician can announce.   … Dutch fans dancing. … the poignancy of all John Lennon's possessions. … how to wreck the Great American Songbook (may involve xylophone solo). … from the Euros to a trip on the tube: how selfies have invaded our space. … the strange, unfinished story of John Lennon's Patek, “the El Dorado of lost watches”. … you're never alone with an iPhone. … and does virtuoso musicianship ruin pop music, asks birthday guest Guy Constant? (Answer: yes).Find out more about how you can help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The two-man tandem of curiosity wobbles its way down the rock and roll cyclepath pausing here to admire the view … … “We're captive on the carousel of TIME-AH!!”: tuneless Northern club singer Reg “Reg” Snipton performs Ver Greats. … is going to gigs alone becoming a thing? ... why Phil Oakey was a better musician than any of ELP. … Seven Nation Army in football stadiums - and does Jack White make any money from it? … what rock stars spend their fortunes on. … people who are ‘jewellery-blind' (eg D Hepworth). … the scariest intention a musician can announce.   … Dutch fans dancing. … the poignancy of all John Lennon's possessions. … how to wreck the Great American Songbook (may involve xylophone solo). … from the Euros to a trip on the tube: how selfies have invaded our space. … the strange, unfinished story of John Lennon's Patek, “the El Dorado of lost watches”. … you're never alone with an iPhone. … and does virtuoso musicianship ruin pop music, asks birthday guest Guy Constant? (Answer: yes).Find out more about how you can help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Hello everyone. We lost a very special vocalist this past March. Steve Lawrence passed away at the age of 88. He had been ill with Alzheimer's Disease for the last few years. I usually play big bands and vocalists associated with the Big Bands but Steve came up during the last years of the Big band era so I wanted to do a tribute to this great vocalist. Most of the songs on the show today are from the Great American Songbook. We will also learn about his career as I pay a tribute to the late, great vocalist Steve Lawrence. Please visit this podcast at http://bigbandbashfm.blogspot.com

In this episode of “Tales from Hollywoodland,” hosts Steve, Arthur, and Julian are joined by guest  Jimmy Scalia to explore the great American songbook and its influential male pop singers. The discussion highlights Bobby Darin’s significant impact on the genre, with Jimmy Scalia sharing his personal connection to Darin and his efforts to preserve his […] The post The Great American Songbook Chapter One: Male Pop Singers | Tales From Hollywoodland appeared first on The ESO Network.

When the jazz singer Cécile McLorin Salvant was profiled in The New Yorker, Wynton Marsalis described her as the kind of talent who comes along only “once in a generation or two.” Salvant's work is rooted in jazz—in the tradition of Ella Fitzgerald and Sarah Vaughan and Abbey Lincoln—and she has won three Grammy Awards for Best Jazz Vocal Album. But her interests and her repertoire reach across eras and continents. She studied Baroque music and jazz at conservatory, and performs songs in French, Occitan, and Haitian Kreyòl.  “I think I have the spirit of a kind of a radio D.J. slash curator,” she tells David Remnick. “It's almost like making a mixtape for someone and only putting deep cuts.” And even when singing the standards, she aims “to find the gems that haven't been sung and sung and sung over and over again.” During a summer tour, she visited the studio at WNYC to perform “Don't Rain on My Parade,” made famous by Barbra Streisand; “Can She Excuse My Wrongs,” by John Dowland, the English composer of the Elizabethan era; and “Moon Song,” an original from Salvant's album “Ghost Song.”

Episode 303, The Great American Songbook, features males performing 17 songs from Broadway and Hollywood productions, including Kismet, The King & I, South Pacific, Do Re Mi, and Pal Joey. Performers include Mel Torme, Frank... Read More The post Episode 303, The Great American Songbook appeared first on Sam Waldron.

Finally, the first in my long-promised series on the contralto voice! The contralto is a rara avis in the today's opera and classical music scene, and yet back in the day, there seem to have been more of them before the public. And of course contraltos have always been a powerful presence on the popular music scene, whether in blues, disco, jazz, or as purveyors of the Great American Songbook. There is no way that I can cover all of the great (and near-great) contraltos in recorded history, but that doesn't mean I'm not going to try! Today's selections span a wide chronological range , even for this podcast: nearly 120 years, and include voices both fleet and monolithic (and sometimes both). We begin with a tribute to the late Polish coloratura contralto Ewa Podleś and along with way we hear the most famous contraltos like Kathleen Ferrier and Marian Anderson, and jazz and pop contraltos like Nina Simone and Cassandra Wilson. We also sample singers from the earlier twentieth century such as Ernestine Schumann-Heink, Cloe Elmo, Clara Butt, Eugenia Mantelli, Kerstin Thorborg, and Sigrid Onégin (about whom I spill some major tea!) Throughout the episode are sprinkled some of the most beautiful voices of any kind that I have ever heard: the Scottish Caroline Kaart, the Romanian Florica Cristofereanu, the Czech Věra Soukupová, the Dutch Aafje Heynis, the French Germaine Cernay, the British Norma Procter, and the Russian Valentina Levko. And if like me you have despaired of ever hearing another true contralto again in our lifetime, we hear in young Jasmin White cause for rejoicing. And if your favorites are not heard today, fear not, for this is the tip of the iceberg: many more great singers will follow when the series continues in two weeks. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Vocalist and songwriter Lizz Wright is usually referred to as a jazz or gospel singer, and she certainly does sing both of those styles. But she's also comfortable with blues and R&B and the Great American Songbook. Her latest album is called Shadow, and it features striking versions of songs by Cole Porter, Sandy Denny, and others. The record also includes a number of Lizz Wright's own songs, which draw inspiration from her Southern upbringing in Georgia, and wander freely among the many styles of American music. “Shadow” happens to be Wright's studio debut under her label, Blues & Greens Records, a new step in her artistic freedom, and without the genre constraints imposed by record labels. Lizz Wright and her band perform some of these acoustic songs, in-studio.  Set list: 1. Sparrow 2. Circling 3. Your Love

In this episode, Brent tackles a question from an inner circle member named Paul about determining the correct melody when faced with various interpretations of jazz standards.  He emphasizes the importance of learning melodies by ear rather than solely relying on sheet music, as it enhances ear training and allows for a deeper understanding of musical expression.He provides valuable insights into identifying the true melody of a jazz standard, suggesting that for Great American Songbook tunes, singers like Frank Sinatra serve as reliable sources for straight renditions of melodies. Additionally, Brent advises turning to original recordings by jazz legends for jazz originals, highlighting the authenticity and intended interpretations found in these recordings. By prioritizing ear-based learning and seeking guidance from iconic recordings, musicians can develop a deeper connection to jazz standards and hone their improvisational skills. Important Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastLearn Jazz Standards Inner Circle: Get 50% off your first month! Want to get your jazz question answered on the podcast? Click here.