Podcast appearances and mentions of Susan Sarandon

Libby Ran 11/06/2026 - I Like My People Weird - שביל הבריחה לאנשים מוזרים Haute & Freddy - I Like My People Weird איפה הילד - אהובה הקטנה The Stranglers - Strange Little Girl Prince - Starfish and Coffee The Doors - People Are Strange Suzanne Vega - Left Of Center ערוץ הכיבוד - מוזרניק כוורת - הבלדה על ארי ודרצ'י The Beatles - The Fool On The Hill גוונים כהים - חייו ומותו של מר גוסקינד איה כורם - אליפלט 2.0 Ed Harcourt - God Protect Your Soul Haute & Freddy - Freaks קורין אלאל, אליעד - זן נדיר Charles Gray, Susan Sarandon, Barry Bostwick - Super Heroes (The Rocky Horror Picture Show)

Patreon preview. Unlock full episode at https://www.patreon.com/stavvysworld   Calling all cinephiles, calling all cinephiles. JP McDade and Anthony Devito return to the pod for a special film buff edition where they discuss the Wachowskis' Speed Racer (2008) after watching it in an NYC theater that had bedbugs at some point in the past. The birth of a series so rich that we had to remove all the spaces from the title in the Youtube video to stay under the character limit. The boys dive deep on the movie, analyzing how Christina Ricci and Susan Sarandon are legendary baddies, whether the little kid is good or annoying, how the story is an allegory for small guys taking on big corporations, and how Eldis was entertained by the monkey. Guest appearances by dear friend of the pod Reece Grover, and one of Stav's mysterious neighbors known only as Neighbor X. The conversation was so rich that Stav, JP and Anthony only had time to take one call, from a guy whose girlfriend wants intimacy during that time of the month, which he hates because of his Pavlovian association with bedbugs.     Follow JP McDade on social media:   https://twitter.com/jp_mcdade https://www.instagram.com/mcdadebaby   Follow Anthony Devito on social media:   http://www.anthonydevitocomedy.com/ http://www.facebook.com/1260596015 https://twitter.com/AnthonyDeVito_ http://instagram.com/comediananthonydevito https://www.youtube.com/@comediananthonydevito       ☎️ Want to be a part of the show? Call 904-800-STAV and leave a voicemail to get advice!  

Oscar-winning actress Susan Sarandon joins Ben Mankiewicz to share unvarnished stories of a life in films– from making Rocky Horror Picture Show, Bull Durham, Witches of Eastwick, and Pretty Baby to navigating the cynical world of showbiz. She argues that every film is political– either challenging the status quo or enforcing it– and reveals her input into the iconic ending of Thelma & Louise which turns 35 this year. Films Mentioned: The Nutty Professor The Accompanist Dead Man Walking Joe Atlantic City Pretty Baby Rocky Horror Picture Show Witches of Eastwick Bull Durham Sirat Afterlife Grapes of Wrath Lord of the Rings Bambi Waiting for Guffman Best in Show Thelma & Louise Being There Butch Cassidy and the Sundance Kid The Front Page, 1974 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dennis is join via Zoom by Linus O'Brien to discuss his new documentary Strange Journey: The Story of Rocky Horror, a joyful and inspiring recounting of the journey of the cultural juggernaut that is The Rocky Horror Picture Show. Linus's father Richard O'Brien created the original show and played Riff Raff both on stage and in the movie and watching father and son interact in the film and try to make sense of what Rocky means to the world is fascinating, funny and quite moving. Linus talks about getting the whole gang back together to talk about the movie (pretty much everyone's still alive but Meat Loaf), the undeniable star quality of Tim Curry as Frank-N-Furter, Susan Sarandon wise and wonderful sound bytes and why he thinks the film never really courted much controversy, even though its themes of sexual and gender liberation are right there front and center. Other topics include: the emotional reactions he's gotten from fans and shadowcast members, the movie theater owner in Portland who played the movie every Friday night during the pandemic so its record as the longest-running movie wouldn't end, his favorite moments in the film, the one souvenir from the movie his father kept from Rocky and what it's like to have the name Linus (Spoiler alert: he loves it).

Dopo la scomparsa della madre, l'italoamericano Joe decide di onorarne la memoria aprendo un ristorante che sappia di casa, di famiglia, di ricordi d'infanzia. Non ha esperienza nel settore, ma vuole far rivivere alle persone i bei momenti di quando, da bambine, mangiavano i piatti fatti in casa. Per farlo, assume non uno, ma ben quattro chef d'eccezione: quattro nonne del quartiere, ognuna con le ricette tipiche della propria regione d'origine. Un film tratto dalla storia vera dell'Enoteca Maria di Staten Island, con Vince Vaugh e Susan Sarandon.See omnystudio.com/listener for privacy information.

Mark Ruffalo, Javier Bardem ya da Susan Sarandon'un Gazze'ye sahip çıkmak için bizden daha fazlasını göze alacağını tahmin edebilir miydiniz? Ya da Roger Waters'ın, Liam Cunningham'ın Gazze'yi kendine dava edineceğini? Celtic takımının defalarca ceza almayı göze alarak kendi evindeki her maçta Gazze'nin yanında saf tutmasını bekler miydiniz? İspanya Başbakanı'nın İsrail'e ve Trump'a karşı müthiş ve çok ustaca siyasi restler çekeceğini? Herhalde bu kadarını hiçbirimiz beklemezdik. Batıya bakışımızda yeterince incelikli gözlemlerde bulunmadığımız anlaşılıyor. Batıda birçok namuslu, dirayetli insan bulunduğuna şahit olduk bu süreçte. Hepsine ve onlar gibi insanlığına sahip çıkan herkese helal

Een kind, een geheim en een heleboel mannen in pakken die daar niet zo heel handig mee omgaan. Deze week spoelen we terug naar The Client, de John Grisham-verfilming waarbij Martin zijn grenzen ook voorbij gaat.Stel je voor… De 11-jarige Mark is getuige van een maffiazelfmoord en hoort vlak voor de knal een geheim dat de hele onderwereld op z'n kop zet. Opeens zit de FBI én de maffia achter hem aan. Zijn enige redding? Susan Sarandon (hoe je het ook uitspreekt) in een vroege jaren '90 outfit.In deze aflevering bespreken we waarom de maffia-boeven in deze film verdacht veel weghebben van de klungels uit Home Alone, en waarom we worden doodgegooid met clichématige shots van kinderhandjes voor de extra traan. We kijken naar de wereld van juridische haantjes, een eenzame vrouw die vecht tegen een leger van witte mannen, en de grote vraag: is de kleding in deze film retro-cool of gewoon... opvallend gedateerd?Is dit een zinderende thriller die de tand des tijds doorstaat, of een serieuze persiflage die we beter op de plank hadden kunnen laten liggen? Sander probeert de spanning er nog in te houden, maar Martin trekt de doos al snel leeg.Te zien via:The Client is in Nederland momenteel (16/5) te zien via Disney+ en Netflix. ----------------------------------------Volg Terugspoelen

63-year-old Richard Glossip was freed from an Oklahoma jail Thursday after nearly 30 years behind bars. He was released on a $500,000 bond while he awaits a new and third trial ordered by the Supreme Court after justices reviewed a 2023 letter by the Oklahoma Attorney General acknowledging the evidence against Glossip “does not support that he is guilty of first degree murder beyond a reasonable doubt.” Hear how Glossip has been twice convicted of murder and why Kim Kardashian, Susan Sarandon and Dr. Phil have been fighting for years to free the man prosecutors still maintain masterminded the brutal beating death of his boss back in 1997.See omnystudio.com/listener for privacy information.

63-year-old Richard Glossip was freed from an Oklahoma jail Thursday after nearly 30 years behind bars. He was released on a $500,000 bond while he awaits a new and third trial ordered by the Supreme Court after justices reviewed a 2023 letter by the Oklahoma Attorney General acknowledging the evidence against Glossip “does not support that he is guilty of first degree murder beyond a reasonable doubt.” Hear how Glossip has been twice convicted of murder and why Kim Kardashian, Susan Sarandon and Dr. Phil have been fighting for years to free the man prosecutors still maintain masterminded the brutal beating death of his boss back in 1997.See omnystudio.com/listener for privacy information.

63-year-old Richard Glossip was freed from an Oklahoma jail Thursday after nearly 30 years behind bars. He was released on a $500,000 bond while he awaits a new and third trial ordered by the Supreme Court after justices reviewed a 2023 letter by the Oklahoma Attorney General acknowledging the evidence against Glossip “does not support that he is guilty of first degree murder beyond a reasonable doubt.” Hear how Glossip has been twice convicted of murder and why Kim Kardashian, Susan Sarandon and Dr. Phil have been fighting for years to free the man prosecutors still maintain masterminded the brutal beating death of his boss back in 1997.See omnystudio.com/listener for privacy information.

63-year-old Richard Glossip was freed from an Oklahoma jail Thursday after nearly 30 years behind bars. He was released on a $500,000 bond while he awaits a new and third trial ordered by the Supreme Court after justices reviewed a 2023 letter by the Oklahoma Attorney General acknowledging the evidence against Glossip “does not support that he is guilty of first degree murder beyond a reasonable doubt.” Hear how Glossip has been twice convicted of murder and why Kim Kardashian, Susan Sarandon and Dr. Phil have been fighting for years to free the man prosecutors still maintain masterminded the brutal beating death of his boss back in 1997.See omnystudio.com/listener for privacy information.

Indul a rendes tudósításunk a cannes-i filmfesztiválról, ahol kiderül, hogy melyek azok a filmek, amelyekről a következő egy évben mindenki beszélni fog. Az első nap még laza programmal indult, először A faun labirintusa huszadik évfordulóját ünnepeltük a rendező Guillermo Del Toróval együtt, aki azóta Oscar-díjat is nyert (A víz érintése) és legutóbb a Netflixnek hozott dicsőséget a Frankenstein feldolgozásával, de az egykoron megkérdőjelezhetetlen menőségéből mára sokat veszített.Del Toro egyedi látványvilága és féktelen kreativitása húsz év után is lenyűgözött bennünket és lelkesedése megfelelő indítást adott a 79. cannes-i fesztiválnak. Hozzá hasonló pályát futott be Peter Jackson is, akit a nyitógálán életműdíjjal tüntettek ki, amit A Gyűrűk Ura Frodója, Elijah Wood adott át. Jackson díjazásának apropója nem volt teljesen világos, hiszen az utóbbi időben alig alkotott emlékezteset, bár a cannes-i programigazgató nagy becsben tarthatja a négy évvel ezelőtti Beatles-dokusorozatát, mert annak a címadó dala, a Get Back a gála zenei csúcspontja is volt.A megnyitón felvonult az idei zsűri is, amit ezúttal a koreai mester, Park Chan-wook vezet, akinek a filmjeiből csodás montázst láthattunk, viszont a koreaiul elmondott köszöntőszavait nem sikerült a közönség számára tolmácsolni. Stellan Skarsgard, Ruth Negga és Chloé Zhao mellett a zsűri legismertebb tagja idén Demi Moore, akit két éve Cannes fedezett fel újra A szer főszerepében. A 63 éves színésznő azonban úgy tűnik, nem a megfelelő tanulságokat vonta volna le a zseniális testhorrorból és mintha kezdené túladagolni azt a szert, amitől csontvázszerűvé vált a megjelenése. Amikor ceremónia végén bejelentették, hogy két nő jön megnyitni a fesztivált, azt lehetett remélni, hogy az idei plakáton lévő Geena Davis és Susan Sarandon (a Thelma és Louise volt a zárófilm itt 1991-ben) lesz az, de nem, Gong Li és Jane Fonda teljesen random párosa érkezett a színpadra. Mindenesetre a hihetetlenül energikus, 88 éves Fonda lelkes ordibálása legalább felébresztette az egybegyűlteket.A lanyha megnyitó után kellemes meglepetés volt a francia nyitófilm, a The Electric Kiss, ami elsőre egy könnyed kis meseszerű limonádénak tűnik, ám fokozatosan feltárulnak a mélységei. Egy szerelmi három-, majd négyszög kerül bemutatásra úgy, ahogy eddig még sosem láthattuk, egyenlő fontosságot adva minden karakter nézőpontjának. A főszerepekben Pio Marmaï, Anaïs Demoustier, Gilles Lellouche és Vimala Pons lenyűgöző alakítást nyújtanak. Közülük Lellouche-t pár nap múlva újra láthatjuk majd, Nemes Jeles László versenyfilmjének (Moulin) a főszereplőjeként. Filmek, amikről szó esik az adásban:A faun labirintusa (Guillermo Del Toro)The Electric Kiss (Pierre Salvadori)Készítette: Varga Ferenc és Onozó RóbertZene: Hegyi OlivérJó szórakozást az adáshoz, és ha tetszik, kérlek⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség! Ha a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

Season three of Talking Pictures is back, with a brand new lineup of guests celebrating the movies they love, this time on video. Host Ben Mankiewicz invites some of the most iconic figures in Hollywood for an intimate conversation at his home studio. Guests like Sally Field, Edgar Wright, and Susan Sarandon open up about the moments that made them, the movies that informed them, and share behind-the-scenes stories that haven't been told. Of course, every episode ends with the Super 8, where they reveal the movies that make them laugh, cry, and that they can't forget. From TCM and HBO Max, this is Season 3 of Talking Pictures: A Movie Memories Podcast, hosted by Ben Mankiewicz. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Speed Racer - Ep. 394 Start your engines and hit the neon highway because the Normies are going full throttle for Speed Racer! This week the crew dives into Lana Wachowski and Lilly Wachowski's hyper-stylized live-action adaptation of the classic anime, a movie that went from misunderstood flop to beloved cult classic. Join the gang as they discuss candy-colored visuals, family values, corporate corruption, ninja monkeys, and whether Speed Racer truly belongs in the pantheon of great sports movie heroes. Is this movie too fast for its own good, or was the world simply not ready? Buckle up for another turbo-charged episode of Normies Like Us! Podcaster X says subscribe Insta @Normies_Like_Us https://www.instagram.com/normies_like_us/ @jacob https://www.instagram.com/_j__a___c___o__b_/ @Mike_Has_Insta https://www.instagram.com/mike_has_insta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

Il manifesto della 79ª edizione del Festival di Cannes è dedicato a Thelma e Louise, il road movie diretto da Ridley Scott nel 1991, con Susan Sarandon e Geena Davis, diventato nel tempo un cult assoluto, caposaldo della cultura femminista. A 35 anni dall'uscita, ne parliamo insieme.Iscriviti al canale YouTube del podcast per non perderti live e contenuti ulteriori rispetto a quelli settimanali pubblicati qui su Spotify: https://youtube.com/@blowupodcast?si=I1-WJcv_pDSZaACd

EPISODE SUMMARY: Adam Taylor, President and CEO of APM Music, shares his non-linear career path from chemist and perfumer to producing landmark TV for Lifetime and PBS, co-founding a direct marketing enterprise, and becoming the driving force behind APM Music. He explains how he champions composers, shapes production-music strategy, and builds longevity in media. Expect behind-the-scenes TV stories, leadership lessons for broadcasters and creatives, and actionable career takeaways. On this episode of Chachi Loves Everybody, Chachi talks to Adam about: Becoming the head of his family business, Caswell-Massey, and its legacy as the oldest chemist and perfumer in America What he learned about marketing top-shelf intellectual property His pivot into the entertainment industry and how he started Goldman Taylor, producing movies and TV Working with scientists to market their ideas as the founder of Taylor Fox Getting hired as the head of APM, how he modernized the company, and what a day in his life is like The impact of AI on the world of production music and his vision for the future Chairing the Production Music Association and how he creates community, educates, and advocates for the production music industry How he gives back through community engagement and philanthropy His advice for aspiring composers And More! ABOUT THIS EPISODE'S GUEST: With over three decades of experience in the music and intellectual property sectors, Adam Taylor has been instrumental in helping companies, organizations, and individuals harness the value of their copyrights, trademarks, and patents. For the past twenty-two years, he has led APM Music, the world’s premier production music company, renowned for delivering high-quality scores, themes, and background music across various media platforms. Since its inception in 1983, APM has provided an extensive catalog that spans genres from contemporary urban and rock to classical and archival recordings, shaping the soundtracks of countless TV shows, films, commercials, and video games. Before his tenure at APM Music, Adam co-founded Taylor/Fox Enterprises, collaborating with innovators to market unique, patent-protected inventions. He also played a key role as a co-founding partner at Goldman/Taylor Entertainment, where he developed significant television properties, including the Lifetime series “Confessions of Crime” and the acclaimed PBS series “Joseph Campbell – Mythos,” featuring Academy Award® winner Susan Sarandon. Adam’s career began at Caswell-Massey, the oldest chemists and perfumers in the U.S., where he served as President/CEO for a decade. In addition to his leadership in the music industry, Adam is dedicated to humanitarian efforts. He serves on the Board of Advisors for IsraAid, focusing on crisis response and community recovery, and is involved with the Council of Advisors for the Zelikow School for Jewish Non-Profit Management and the Advisory Board of Creative Community for Peace. His commitment to both the arts and social impact underscores his influential role in today’s cultural landscape. LINKS: Brightlight Kenya https://www.brightlightkenya.org/ Tomfoolery SpongeBob Remix https://www.youtube.com/watch?v=4qXVIbs4CR0 Sosh and Mosh https://www.instagram.com/soshmosh?igsh=MWF1OGl6cGQ3ZmdrYw== Groove Factory https://www.groovefactory.group/ Somebody Call Sean Penn https://nymag.com/intelligencer/article/sean-penn-battle-jacob-ostreicher-bolivia-prison.html ABOUT THE PODCAST: Chachi Loves Everybody is brought to you by Benztown and hosted by the President of Benztown, Dave “Chachi” Denes. Get a behind-the-scenes look at the myths and legends of the radio and broadcast industry and beyond as they share their unique career paths. Hear how a variety of innovative leaders grow businesses, develop iconic brands, and entertain audiences in this in-depth interview podcast. ABOUT BENZTOWN: Benztown is a leading international audio imaging, production library, voiceover, programming, podcasting, and jingle production company with over 3,000 affiliations on six different continents. Benztown provides audio brands and radio stations of all formats with end-to-end imaging and production, making high-quality sound and world- class audio branding a reality for radio stations of all market sizes and budgets. Benztown was named to the prestigious Inc. 5000 by Inc. magazine for five consecutive years as one of America’s Fastest-Growing Privately Held Companies. With studios in Los Angeles and Stuttgart, Benztown offers the highest quality audio imaging work parts for 23 libraries across 14 music and spoken word formats including AC, Hot AC, CHR, Country, Hip Hop and R&B, Rhythmic, Classic Hits, Rock, News/Talk, Sports, and JACK. Benztown’s Audio Architecture is one of the only commercial libraries that is built exclusively for radio spots to provide the right music for radio commercials. Benztown provides custom VO and imaging across all formats, including commercial VO and copywriting in partnership with Yamanair Creative. Benztown Radio Networks produces, markets, and distributes high-quality programming and services to radio stations around the world, including: The Rick Dees Weekly Top 40 Countdown, The Todd-N-Tyler Radio Empire, Hot Mix, Sunday Night Slow Jams with R Dub!, Flashback, Top 10 Now & Then, Hey, Morton, StudioTexter, The Rooster Show Prep, and AmeriCountry. Benztown + McVay Media Podcast Networks produces and markets premium podcasts including: IEX: Boxes and Lines and Molecular Moments. Web: benztown.com Facebook: facebook.com/benztownradio Twitter: @benztownradio LinkedIn: linkedin.com/company/benztown Instagram: instagram.com/benztownradioSee omnystudio.com/listener for privacy information.

This week on Forgotten Cinema, the Mikes take on "Dead Man Walking", the powerful drama directed by Tim Robbins.Both Mike Butler and Mike Field really like this film, praising its thoughtful approach to the very difficult topic of the death penalty. Rather than forcing a clear stance, "Dead Man Walking" presents the death penalty in a balanced and human way, allowing the audience to wrestle with the moral questions alongside the characters.The film is elevated by strong direction, striking cinematography, and especially the performances from Susan Sarandon and Sean Penn. Both deliver deeply emotional and nuanced work that anchors the story and gives weight to every moment.With very little to criticize, "Dead Man Walking" stands as a compelling, well-crafted film that remains impactful and worth revisiting.

This Week in Horror History for April 27–May 3 dives into a packed week of horror movie history, horror release date anniversaries, cult horror films, monster movies, vampire cinema, Stephen King adaptations, teen witch horror, found-footage horror, fake true crime, and killer-plant sci-fi horror — from Godzilla, King of the Monsters!(1956), The Hunger (1983), Creepshow 2 (1987), and The Craft (1996) to this week's Deep-Cut Spotlight, The Poughkeepsie Tapes (2007). If you love classic horror movies, '80s horror, '90s horror, gothic vampire films, anthology horror, cult classics, scary movie anniversaries, horror trivia, and hidden horror gems worth revisiting, this episode is built for you.Inside this episode:April 27, 1956 — Godzilla, King of the Monsters!: the American cut that helped turn Japan's atomic monster into a worldwide horror icon, reshaping Gojira for U.S. audiences and introducing countless viewers to Godzilla's radioactive roar, city-smashing spectacle, and nuclear-age creature-feature terror.Where to watch (U.S., this week): Criterion Channel and Cinemax channels; rentable on Apple TV.April 29, 1983 — The Hunger: Tony Scott's stylish vampire cult film, starring Catherine Deneuve, David Bowie, and Susan Sarandon in a cold, glamorous nightmare about immortality, obsession, desire, aging, and the terrible fine print of living forever.Where to watch (U.S., this week): Tubi and Hoopla; rentable on Amazon Video, Apple TV, and Fandango at Home.May 1, 1987 — Creepshow 2: Stephen King and George Romero return to EC Comics-style anthology horror with “Old Chief Wood'nhead,” “The Raft,” and “The Hitchhiker,” delivering revenge horror, lake terror, roadside dread, comic-book punishment, and one of the nastiest killer-blob sequences of the decade.Where to watch (U.S., this week): Prime Video, Prime Video with Ads, Shout! Factory Amazon Channel, Roku Channel, Pluto TV, and Prime Video Free with Ads; rentable on Amazon, Apple TV, and Fandango at Home.May 3, 1996 — The Craft: the definitive '90s teen witch horror classic, starring Robin Tunney, Fairuza Balk, Neve Campbell, and Rachel True, turning pain, power, outsider identity, high school revenge, black-lipstick rebellion, and occult coming-of-age horror into one of the most enduring cult favorites of the decade.Where to watch (U.S., this week): rentable on Amazon Video, Apple TV, Fandango at Home, and Plex.Deep-Cut Spotlight — April 27, 2007: The Poughkeepsie Tapes: a fake true-crime found-footage nightmare that premiered at Tribeca, vanished into distribution limbo, leaked into horror fandom, and built its reputation like a cursed tape passed hand to hand. If you're fascinated by disturbing horror movies, mockumentary horror, serial-killer fiction, faux-documentary dread, and movies that feel like evidence you were never supposed to see, this one still has a nasty little legend around it.Where to watch (U.S., this week): Prime Video; free with ads on Tubi and the Roku Channel.Birthday Roll: Lisa Wilcox, Carolyn Jones, Michelle Pfeiffer, and Kirsten Dunst.Weekly Recommendation — The Day of the Triffids (1963): a pulpy sci-fi horror killer-plant apocalypse where spring turns predatory, a meteor shower blinds much of humanity, and the natural world starts moving in for the kill. It's perfect for fans of classic creature features, British apocalypse horror, killer plants, survival sci-fi, and vintage horror oddities.Where to watch (U.S., this week): Tubi, Roku Channel, and Plex.From Godzilla's radioactive monster-movie legacy and The Hunger's gothic vampire glamour to Creepshow 2's Stephen King anthology horror, The Craft's teen witch cult status, The Poughkeepsie Tapes' found-footage true-crime dread, and The Day of the Triffids' killer-plant apocalypse, this episode tracks how one week between April and May delivered a wildly varied run of horror history. Follow the Weekly Spooky feed for more horror podcasts, scary stories, horror movie discussion, cult horror recommendations, spooky deep dives, release date anniversaries, horror trivia, and genre history every week.

Nel 1994, a un anno dalla sua pubblicazione, il thriller di John Grisham diventa un film con Susan Sarandon nei panni di un'avvocatessa alle prese con un giovanissimo cliente: un ragazzino di 11 anni che ha accidentalmente assistito al suicidio di un avvocato della mafia, confidatosi con lui prima di morire, e che ora si trova alle calcagna tanto la malavita quanto l'FBI.See omnystudio.com/listener for privacy information.

Still Comfy? is an in-depth look at our favorite comfort shows and movies. After a conversation about the themes presented in the selected show, we then discuss how the show holds up against our Tolerator and Jelly Pops morals and viewpoints. You can watch Still Comfy? on our YouTube Channel How to Support TATMITB:Want more TATMITB content? We just revamped all of our tiers on Patreon! Our Patreon is now the one stop shop for written content, the monthly newsletter, social content, bonus episodes, ad-free listening, and more! You can join our free tier or try out a free trial for our paid tiers here.We are also still keeping our Instagram and TikTok accounts active so feel free to follow the show on those as well!

Welcome to Decorating the Set: From Hollywood to Your Home with Beth Kushnick!  This week on Decorating the Set, Beth and Caroline sit down with actor, writer, director and producer of 2022's Forty Winks and 2025's Atrabilious, William Atticus Parker. Will is here to discuss his new movie, The Auction, which is in pre-production (and which Beth is Production Designer), and his journey to becoming a filmmaker in a changing industry. As Beth says in the interview, young filmmakers like Will give us hope for the future of the industry. Don’t miss this interview! The Interview with Will begins at Time Code: 3:37 Join the Decorating the Set Community by subscribing to our Official Facebook Group (https://www.facebook.com/groups/decoratingthesetpodcast)! Interact with Beth, Caroline, Producer Mike, and all of the DTS listeners! GUEST BIO: WILLIAM ATTICUS PARKER   William Atticus Parker is a writer, director, producer, and actor living in Brooklyn, New York. At twenty-one years old, he has already written, directed, and produced two micro-low-budget feature films. Forty Winks, starring Justin Marcel McManus and Susan Sarandon, had a successful festival run and is now streaming on Prime Video, Tubi, Roku, and more. Atrabilious, starring Leon Addison Brown, Mark Boone Junior, Jeffrey Wright, and Whoopi Goldberg, had a successful festival run and will release on Prime Video July 18th, 2025. Forty Winks was filmed in Black & White with Atrabilious drenched in a neon color palette. Despite technical and financial limitations, both films did very well with critics and audiences alike. Forty Winks was filmed in less than a week with a budget of $5,000 when he was 17 and Atrabilious was filmed in a week and a half with a budget of $20,000 when he was 18 – both films were entirely self-funded. The Auction, his upcoming third feature starring Raúl Castillo & Mary-Louise Parker, is set to take his small-scale darkly comedic thrillers to a science-fiction horror spectacle. His acting career began as a seven-frame cameo in Forty Winks. He has now taken on roles in The Gray House (directed by Roland Joffe), Obstacle (short film with Megan Boone) and Their Town (written by Mark Duplass) as well as being set to appear in The Auction. His inspirations include Jordan Peele, Ari Aster, Donald Glover, Spike Lee, Wes Anderson and Joel & Ethan Coen. Follow Will on Instagram: @riverstyxproductions ### For over 35 years, Beth Kushnick has created character-driven settings for countless award-winning television series and feature films. As a Set Decorator, she’s composed visuals that both capture and enhance any story. Now, she wants to help you capture and enhance YOUR story. Join Beth and her co-host, Caroline Daley, each week as they go behind the scenes of Hollywood's magic, and give you approachable, yet sophisticated tips to realize the space that best expresses who you are. ### Follow Beth Kushnick on Social Media:  Instagram: @bethkushnick Twitter: @bethkushnick Website: BethKushnick.com Beth is the Decorator By Your Side and now, you can shop her Amazon Store! CLICK HERE! Follow Caroline Daley on Social Media: Twitter: @Tweet2Caroline Website: PodClubhouse.com ### Credits: “Giraffes” by Harrison Amer, licensed by Pod Clubhouse. This is an original production of Pod Clubhouse Productions, LLC. Produced, engineered and edited at Pod Clubhouse Studios. For more information, visit our Website.

APEX Express is a weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight, host Isabel Li speaks with actresses Amielynn Abellera and Kristin Villanueva, who respectively play Nurse Perlah and Nurse Princess on the HBO Max medical drama, The Pitt. Abellera and Villanueva talk about their Filipino heritage and backgrounds and how they represent Filipina healthcare professionals on the show. See also: Filipinos on the Frontline Amielynn Abellera: Instagram Kristin Villanueva: Instagram Transcript [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.  00:00:52 Isabel Li  Thank you for tuning in to Apex Express. Last Thursday, season 2 of the HBO Max medical drama The Pitt released its season 2 finale, including a hectic season following medical professionals in the emergency room and giving a realistic depiction of real-world issues in hospitals. I'm Isabel Li, one of the hosts here on APEX Express, and I'm so honored to be joined by two members of that cast tonight who play the two Filipina nurses on The Pitt. They were recently awarded the Actor Award for Outstanding Performance by an Ensemble in a Drama Series.  00:01:28 Isabel Li  First, let's hear from actress Amielynn Abellera, who plays Nurse Perla, a Muslim Filipina nurse on the show.  00:01:36 Isabel Li  Hi Amielynn, what an honor it is to be speaking to you today. Welcome to Apex Express.  00:01:41 Amielynn Abellera  Thank you. Thank you for having me. I'm excited to be speaking with you, too.  00:01:45 Isabel Li  So many of our listeners might know you from the HBO Max show, The Pitt, which I have so very much enjoyed. This is actually the first medical show that I have watched, and I really, really admire, like, all of the ensemble casts and, you know, everything coming to life. And you play the Muslim Filipina nurse, Perlah Alawi. We'll talk more about your performance and your character in a little bit, but first, this is a question that I ask all my guests: Can you tell us, how do you identify? And is there a story that you think really encapsulates your identity?  00:02:17 Amielynn Abellera  Gosh, I identify as Amielynn Dumac Abellera. She, her, hers. I'm a Filipino American, daughter of two immigrants. And I'm so thrilled and happy to be talking to you and to sharing my experience of my life.  00:02:42 Isabel Li  Absolutely. Of course, The Pitt is a medical show. And is it true that you come from a medical background yourself? Like I heard that you were a psychobiology major in undergrad.  00:02:51 Amielynn Abellera  Yeah, I was pursuing medicine for a long time. I studied pre-med in undergrad at Santa Clara University, majoring in psychobiology, which is psychology with basically a minor in biology. I really wanted to get into neuroscience and or be an oncologist. And I was pursuing that all the way till I graduated and applying to medical school and getting interviews. But ever since I was a kid, for as long as I can remember, I was really also passionate about acting and theater and film and television and being on stage. But it was really just seen as a hobby in my mind and in sort of my environment's mind. I never really prioritized it as a career, and it was never seen as a possible career. Um, so I just had it on the back burner. And, you know, I was getting, getting closer and closer to medical school and getting more and more anxious that I would regret not pursuing acting. And so sort of after waffling for many years, I decided to audition for a master's in fine arts and acting. And that was because I didn't really have any formal training in acting. I didn't study it in undergrad or, you know, in my younger years. It was just all through life experience and being in plays and art and everything like that. And so I thought if I get into one of these programs, maybe that means I have something to offer. And I was going to take that as the sign that I needed to give myself a chance. And so I got into two programs, and I was thrilled. And I moved to LA to attend the University of Southern California's MFA program. And the rest is history. Here I am.  00:04:47 Isabel Li  Wow. How does being a former pre-med influence your current role as a nurse on the show? Do you remember any like terms from science classes that you're like, oh, wow, I remember that in those lines.  00:05:00 Amielynn Abellera  Yeah, yeah, totally. And you know, I spent a lot of time in hospitals and clinics and my dad is a former family practitioner. He had his own medical practice and my mom is a nurse practitioner and she worked in the CCU in the hospital for many years. So I was really familiar with how nurses interacted with patients and hearing the terminology and the medical language a lot.  So it is a cool throwback and always a really, I love how it's so familiar to me 'cause it's, I still have to work at it quite a bit when, you know, when it's all coming at me and I have to have it down for when we're filming, but I'm not as, as intimidated by it as I probably would be if I didn't have a background.  00:05:50 Isabel Li  And out of curiosity, when you got the audition for the pit, did you have to sort of immerse yourself back into that realm of science and that medical background in order to bring out that character when you were  first being introduced to Nurse Perlah?  00:06:04 Amielynn Abellera  Yeah, a little bit. And I feel that with any role, you kind of, before you go in for the audition or even when you're now filming or you have a part, you just have to kind of get into that world, obviously and really put yourself in the actual experience of what this person's going through. And it did help me to be able to use my imagination so vividly from my previous experience of being in an OR and being in a hospital.  I remember when I was doing an internship when I was sort of in the break between graduating undergrad and pursuing medical school, I remember watching a C-section. And I remember — I remember the doctors talking, the surgeons talking, the anesthetic going in, the blood everywhere, the scalpels, the blood pressures, the oxymeter dropping. So, it really — I think back to the real-life fear that I had in all of those those procedures and I just, you know, bring it to Nurse Perlah.  00:07:16 Isabel Li  It's incredible. I want to start off by talking about, for Nurse Perlah specifically, that Perlah's identity is a Filipina and a Muslim nurse.  What did you do to prepare for a role that is so specific in terms of these cultural representations?  00:07:33 Amielynn Abellera  Sure. Thank you for asking that. I am thrilled that Perlah is on television. She is a Filipino American Muslim woman nurse. And I have never seen that. And it's just rarely ever seen on mainstream media. So, in preparing for it, I mean, truly, I had two weeks before we started filming by the time I got the role. And it was go time already. So I didn't have a ton of time, but I did my best to sort of deep dive into learning about the Muslim faith, trying to reach out to different Filipino American Muslims in my community to kind of just hear their experience. And, you know, I quickly learned that it would be impossible for me to sort of understand the full experience completely. And so I just kind of, I realized that the only question that I needed to answer for myself going into filming as Perlah was, is there anything about the Muslim way of life that would influence or adjust or be a part of their nursing or would it shift it at all? And or how would it affect their job?  And, you know, after talking to several Filipino American Muslim nurses, there, there wasn't anything that it would do to either to shift or do anything to get in the way of their patient care. They are, it's still their priority just to care relentlessly for this patient and have as much empathy as possible. And to be honest, I'm still learning as I go along with playing Perlah and as scripts come in and I still ask a lot of questions of how would Perlah specifically understand this procedure or understand this text or understand what she's doing and just keep asking questions.  00:09:30 Isabel Li  And the majority of The Pitt itself takes place on a hospital set. I'm wondering if you had a vision of what Perlah does outside of the hospital?  00:09:39 Amielynn Abellera  Well, I think Perlah is, she's been at this hospital, PTMC, pretty much, this was her first job, she really wanted to work there in this urban setting.  And she's been there probably for over eight years or something, like through COVID. I think she is a single mom and she has two children who are both under the age of 10. So I think she's exhausted, but she loves nursing. She loves her kids. And she is just, she knows how to compartmentalize and work hard and like protect herself. She knows how to leave, at least she thinks she knows how to leave the job at the door in order to go home and be with her children.  00:10:24 Isabel Li  Uh-huh. And is this something, also, I'm just curious, like, is this something that you had to imagine yourself or did some of the writers sort of drop some hints during production?  00:10:35 Amielynn Abellera  I mean, a little bit of both, I think. There are only some hints in the script in the pilot and the first season where it's dropping like, oh, she has some kids and she's exhausted and kind of eye-rolling — Yeah, and pets — And sort of eye-rolling exhausted by what's happening at home. And it's, I am a mother of a five and a half year old. She's almost six right now. So I sort of understand that exhaustion, but like deep love for my child. But it's like, I'm happy to go to work and have them at school, but I'm also missing them. It's just this like journey of a mother. So it was a bit of me sort of creating that backstory, but also just from the hints of the writers.  00:11:23 Isabel Li  Definitely. I think something that's so special about The Pitt as a medical show is its accuracy in depicting the very hectic lives of healthcare professionals, especially in an emergency room setting. So Nurse Perlah is often mediating like some sort of communication and really emphasizing medical jargon or reading off data. What was it like memorizing all of these different lines and delivering it in a way that felt authentic to the way that healthcare professionals might?  00:11:50 Amielynn Abellera  Sure. Oh my gosh. It's really challenging. I think as soon as I get the scripts, and again, thank goodness I have a sort of familiarity with having a little bit of a medical background, but you know, that was years ago. So anytime I get a script, I immediately go to the hard stuff and get that in my brain as soon as possible. And a trick that I do is, as soon as I have it memorized, I'm just saying it all day and doing things with my hands. Like I do it when I'm folding laundry. I do it when I'm washing dishes. I do it when I'm cooking. I'm doing it when I'm driving, just because as soon as it's second nature, and that's the thing about healthcare professionals, they're constantly, like they're not thinking about what they're saying. They're, it's so awesomely competent in their brain, that is not difficult. That's actually like them just having a conversation.  So I love trying to get to that point and showing how Perlah is just so competent in all of that stuff and doesn't even have to think about it while putting in an IV.  00:13:00 Isabel Li  Absolutely. Oh my gosh. And I think like a lot of our listeners, maybe if they watch The Pitt and a lot of audience members really enjoy the lighthearted moments that you share with Princess, also another Filipina nurse played by Kristin Villanueva, especially that Nurse Perlah code-switches with her using Tagalog as a language.  Can you tell our listeners what that code-switching feels like to you and how you relate to Tagalog as a language?  00:13:25 Amielynn Abellera  Yeah, totally. Thank you for asking. I, as Amielynn Abellera, the actor, I grew up, I was born and raised in Stockton, California, and my parents spoke Tagalog and Ilocano at home all the time. And unfortunately, they didn't teach me. So I'm actually not fluent in Tagalog at home.  I'm that Filipino American who later in life got voracious about wanting to embrace her heritage and learn it like in her adult life. And I think that translates with Perlah. I do, I think that Perlah is also, was also born and raised in the United States to two Filipinos who came from Mindanao. And even though she had the ear for it, I think that she's learning it later in life. And I think she absolutely is so happy to have, Princess as her buddy because she can practice.  Um, because I think like the only way to learn is to constantly be talking every day. And I think Perlah does that. I think she finds any opportunity to celebrate joyfully her heritage by speaking the language with Princess. I think they both do. So it's really close to, to my own personal experience with Tagalog because right now I am learning Tagalog on my own, taking lessons and things like that in order to teach my daughter as well, just to have it in our life more. But I think that is also what Perlah is doing.  00:14:58 Isabel Li  Yeah. And for you specifically, how and when did you start learning Tagalog?  00:15:03 Amielynn Abellera  Yeah, I think it really is. Like I said, my parents came in the '70s to Stockton, California, as a doctor and a nurse. And, you know, that generation, at that time, their priority was assimilation, so they didn't really teach me. And our Filipino-ness was a little bit second place, in terms of, not in a negative way, but it just was, it took a little bit of second priority as opposed to assimilating to our environment in Stockton, California. And so, however, whatever seeds were planted in there to not really pursue Tagalog or pursue, to learn and be curious about my Filipino heritage, that was sort of the majority of my childhood and into my college years. And it wasn't until, I think, college and beyond when I started to Honestly, I think it was when I was exposed to Filipino cultural night in university, at Santa Clara University, where, all of a sudden, I was with all these other Filipino-Americans who had such a voracious sort of celebration and wanting to learn like the dances, the language, the style, the textiles, the clothing, the music, and they would study it and we would, they would just be so passionate about it.  And that really was an experience for me of, oh my gosh, I didn't, it wasn't like I was neglecting it on purpose. It's just, that wasn't in my life. So when that was happening for me, I slowly, slowly really wanted to start learning the language and started taking lessons probably in my twenties. And then, you know, but again, it's a lifelong process to learn another language. It's challenging. Um, and I wish, I wish I was, I wish I was at the level of Perlah where she has a buddy all the time to practice, practice, practice. But I don't have that in my home or in my workplace right now, except with Princess at the hospital.  00:17:28 Isabel Li  Gotcha, gotcha. And currently, at the time of this interview, season two of The Pitt is in progress, and you had some really emotionally nuanced moments in the 12 o'clock episode. I'm not going to spoil it too much, but when Perlah reacts to losing a long-term patient, I'm wondering for you, as an actress, can you tell us about how you're able to switch from some, you know, more lighthearted scenes to moments that really emphasize the darker, heavier aspects of being in medicine, like death and disease.  How do you portray and balance that?  00:18:02 Amielynn Abellera  Sure. Yeah. Thank you for asking. I think nurses are amazing in that way where I don't know if it's a blessing or a curse to be able to compartmentalize such extremes of feeling and experiences of loss of patients on the hour, every hour, and being able to move on to sort of uplift and help other patients on the hour, every hour. But I think Perlah, as such an experienced, competent nurse, has learned how to switch it on, switch it off, but I do feel that something that episode 206 was trying to shine a light on is what of that armor has cracks or what of that armor isn't as strong for certain patients or she or what of that armor is, uh, what if that punch… I'm not able to recover as easily as I usually am? So, um, and I think that must happen all the time with healthcare professionals of what they have to do. I think they have to experience losing loved ones and patients and friends who are patients all the time. And how is it that they get back up to be there for the next one?  So I was– it was ultimately challenging, but I'm so glad that that episode showed that dynamic.  00:19:34 Isabel Li  Speaking of a hospital setting, I imagine it's quite a unique set to be one, and The Pitt definitely emphasizes the realism of being in a hospital. Like, we see lots of different types of medical equipment, hand sanitizer, very relevant, pressing things that make us feel like we're almost, like, engaging with the show in a sense. How do you describe that set?  00:19:56 Amielynn Abellera  To me, I really feel like it's a real hospital. Everything pretty much works almost like the real thing, but it doesn't, right? So like the water fountain looks, smells, feels like a real water fountain and it is until it just doesn't shoot out water, right? Like everything is so amazing.  And I think that's what Nina Ruscio, our set designer wanted to build and working with all the executives was they wanted to build this entire whole hospital to really immerse us in the reality of it. And there, a lot of times there are real needles that we have to close up on, but then when we do something actually, we switch it out for a dull needle. So it is, it's really very, this balance and like a real scalpel that needs to look so sharp, but then as soon as it's, actually near the skin, it is a dull scalpel, and then that's also a prosthetic. So sometimes I can't tell what's real and not real. I just kind of…I just have to jump in and kind of engage with it. And then if it's the real thing, not be freaked out. So yeah, but it's, it's, it's a part of the…It's so, it's so incredibly fun.   I'm so fascinated by this hospital that I basically go to work to like a real nurse at 5:00 in the morning every day for a 12-hour shift. And I put on the scrubs, and then I take off the scrubs. So I kind of feel like so much like a real nurse, but also not.  00:21:42 Isabel Li  How do you think The Pitt has influenced you as an actress? After being on this show, have your goals as an actress changed? What do you see yourself doing in the future?  00:21:52 Amielynn Abellera  Yeah, So, I mean, I am really in a dream right now. It feels…like I probably had this dream of, you know, really being invited on a show from its initial season, initial episode, and being a part of a team from the very beginning, originating a role that is representing so many different cultural dimensions, like across the board. And also the show being so successful and having an impact globally, not only for healthcare workers, but, you know, the diversity that is the reality of the world.  So it's hard to think ahead. I kind of just want this to last as long as possible for Nurse Perlah and for Amielynn. And, you know, I've learned to be in my acting career just putting one foot in front of the other and trusting that where it's going will lead to the next piece in my universe. And I– the moment I try to plan something or want something to happen, it will not happen. I think I just have to trust the journey and how the universe will put what's meant to be in front of me.  00:23:17 Isabel Li  And as an actress, what are you the most passionate about doing in any role that you play?  00:23:23 Amielynn Abellera  Well, I love the human experience. I love what that did to me as a young artist and as a young kid and what that ignited in me watching like an actor go through it and it'd be so real and me be so moved. And I love being that vehicle for other audience members. And as the actor, I can feel if I'm hitting a stride with it. And it's a really exhilarating process. And it just reignites why I love being an actor.  00:24:06 Isabel Li  For all the listeners who have watched The Pitt, or for those of our listeners who have yet to watch The Pitt, and they definitely will after hearing this episode — what do you want the listeners or the audience members to take away from watching The Pitt, from seeing you as Nurse Perlah in it?  00:24:23 Amielynn Abellera  Yeah, well, first off, I hope you go home and turn on your HBO Max and watch The Pitt to all of you who haven't seen it yet. And I hope you enjoy it. And I just hope that you watch it and are entertained, but also you walk away with learning something about humanity and our healthcare workers and also laughing and crying and being fascinated as much as we are behind the scenes. We're really having such an excellent time creating this show. And we're so thrilled that audience members love it as much as we love making it.  So I hope you have that same exhilaration and elation as we all do here.  00:25:10 Isabel Li  I'll put a link to your social media on kpfa.org so our listeners can follow you there. And thank you so much, Amielynn, for joining me on Apex Express today.  00:25:20 Amielynn Abellera  Well, thank you for having me. I'm excited to talk to you and to share my story. And thank you for listening.  00:25:27 Isabel Li  That was actress Amielynn Abellera, who plays Nurse Perlah, one of the Filipina nurses on The Pitt. And we're about to hear from one more actress from the show. But before that, here's a music break with 7000 Miles by Ruby Ibarra.  00:25:59 [MUSIC: 7000 Miles by Ruby Ibarra]  00:30:07 Isabel Li  And that was the song 7,000 Miles by Ruby Avara here on KPFA.  00:30:11 Isabel Li  Thanks for tuning in to Apex Express tonight, where our next guest is the actress Kristin Villanueva, who plays Nurse Princess De La Cruz, another Filipina nurse on the HBO Max medical show, The Pitt. Hi Kristin, welcome to APEX Express.  00:30:29 Kristin Villanueva  Hi Isabel, thanks for having me.  00:30:32 Isabel Li  Absolutely. My first question for you is, how do you identify and what's your story?  00:30:37 Kristin Villanueva  I am Filipino American. I was born and raised in Manila, Philippines, and I moved to the Washington DC area when I was 15.  00:30:47 Isabel Li  How did you get into becoming an actress?  00:30:50 Kristin Villanueva  Kind of by accident. When I moved to the States and I was at my new high school. I joined the drama program just because we didn't have that in my school in the Philippines and that was something I've always been interested in. So yeah, I auditioned and I didn't know that the drama teacher was a very serious one. Like, you either join the drama club or you play softball, you can't have both. So yeah, that's how I got introduced.  00:31:27 Isabel Li  And at a young age, what kinds of films or movies really inspired you to pursue drama?  00:31:33 Kristin Villanueva  I don't think it inspired me to pursue drama, but my choice of movies, my favorite movies when I was younger is, I would say, is a little bit peculiar for an eight-year-old, for a 10-year-old. But I remember watching Kramer vs. Kramer with Dustin Hoffman and Meryl Streep and it having such an effect in my little eight-year-old self. I was so moved by it. And also Legends of the Fall with Anthony Hopkins, Aidan Quinn and Brad Pitt.  And like, what does a 10-year-old Filipino girl have anything in common with these turn of the century, 19th century, you know, Montana cowboys? You know, it's just so random, but for some reason I just fell in love with it. Maybe I just fell in love with Brad Pitt, but, yeah, those heavy dramas had an impact in me, even though I didn't know exactly what it was.  00:32:35 Isabel Li  So you play Nurse Princess on the HBO Max medical show The Pitt, and which, at the time of this interview, we're, you know, getting towards the finale of season two very, very quickly. I've really been enjoying season two. And first of all, congratulations on winning Outstanding Performance by an ensemble in a drama series. That's so incredible.  00:32:54 Kristin Villanueva  Thank you so much. Yeah, it's been a wild ride.  00:32:57 Isabel Li  Yeah. Can I just say, Princess is such an energetic and confident character, and it's really fun watching you play a healthcare professional in such a hectic setting of an emergency room. What do you do to get in character of Princess?  00:33:11 Kristin Villanueva  Ooh, that's a great question. She has such a vibrant energy when she's at the ED, and I don't need a lot to prep myself to get to that level because I'm just excited to be at the Warner Brothers lot, and being on set and being with very kind people. So it doesn't take a lot to get in that mindset. Maybe if it's a 5.30am call, maybe I need a little bit more coffee to get there. But in terms of my emotion and excitement and energy, I don't need to do that much because, yeah, it kind of, it's parallel in my real life and in Princess's life of just doing what they both want to do. But in terms of, I would say, the difference is, I wish I had Princess's confidence in my life more. You know, she's very confident in everything that she does. You know, she knows she's good, and she isn't shy to show it. Because I think when she shows it, it's not to show. It's just to do, you know? Um, so I wish I have more and more of that in my life.  00:34:35 Isabel Li  For you, what's the most challenging part of playing Princess?  00:34:39 Kristin Villanueva  I would say, well, first, the lines, the medical jargon and the technicality of things. So, thankfully, we have amazing med techs that are always right next to us, correcting us, you know, making us feel more confident, guiding us, answering all our questions. So, yeah, making sure that I look like I know what I'm doing. So that would be, I would say, the hardest part.  00:35:08 Isabel Li  Yeah, and on that note, like in many of her moments, Princess is so often mediating communication for medical information in so many different ways. How do you prepare for a role like that where you have to, I mean, you mentioned some things about needing to like look and act the part and you have some people helping you, but what are some other things that you do to really have you, you know, help practice sounding like a healthcare professional?  00:35:35 Kristin Villanueva  First, I Google everything. And then I make sure I'm able to explain it in my own words, so whatever the procedure is. Don't ask me anything now, because once I'm done filming, it leaves my brain. So yes, I research everything. And then when it comes to memorization, if it's, the nurses have a lot of numbers. We may not have a lot of the long words, Latin words, medicine words that the doctors do, but we have to say a lot of different numbers, you know, BP 160 over 20 and all of that. So what I do is I would record the other people's lines, make leave a space for my lines and just play it all day, every day. When I'm walking the dog, when I'm doing dishes, when I'm folding laundry. So I can get it in my body while I'm doing different things. Because I notice that if I'm just sitting down and memorizing my lines, and then I get to set the next day, and all of a sudden, you know, I'm given all these choreography and I'm moving, or they change the choreography in the middle, that gets really tricky. So doing my lines while moving helps a lot. And then of course, the things that I can Google as much as I can, but then I take advantage of having, like I said, the med techs on set. Then I ask them about their emotional experiences behind procedures. So things I start with, okay, is this procedure an everyday thing? How often do you see it? How often do you deal with it? And then from there, I ask if it's something interesting that it's like they've only heard of but never actually seen in practice. What would you do? They say, if you're not busy, you run to that room and watch it, that kind of thing. And if it's an emotional scene, then I ask them, how do you deal with these things? Then I get to hear their experiences and how they cope with it after the shift.  00:37:53 Isabel Li  Did you know anything about medicine or the emergency room before this role?  00:37:59 Kristin Villanueva  No, I think I'm one of those very rare Filipinos that don't really have a lot of healthcare professionals in their families. I do have a cousin who's a radiologist and my husband's side of family. There are a lot of nurses and that's my mother-in-law included, but no, I have zero.  00:38:20 Isabel Li  Oh, wow. So I watched some of your other interviews and I found it really interesting that you had talked about like telling your agent not to submit you to roles on nurses, on projects, unless it was specifically featured.  Can you tell us more about that and how you navigate like the Filipino representation in medical shows, especially in The Pitt as an actress yourself?  00:38:41 Kristin Villanueva  Sure. I was getting a lot of, I wouldn't say a lot, but I would often get auditions for nurses in medical shows or non-medical shows. And I've played them before and I've been very grateful for those experiences. One of them was a movie opposite Susan Sarandon.  So Susan Sarandon was also playing a nurse. So all of my scenes was with her. So those are very cool experiences. But because I've played them a number of times, then I told my agents at one point, hey, unless, like you said, the nurse part is more featured or has more lines other than yes, doctor, then sure, I would audition because I've done it.  And I also didn't want to perpetuate that sad practice of, you know, okay, let's have one Filipino or one Asian nurse and check that box off.  Because it does feel that way. And it's just not the real world. So when The Pitt came and I saw the breakdown, it's a heftier breakdown for the part of Nurse Princess. I mean, and just looking at her name, Princess de la Cruz, I was like, somebody did the research. I'm like, all right, okay, I'll put myself on tape for this.  00:39:59 Isabel Li  Yeah, and I love how Princess as a character is written to be such a crucial part of the team. Very competent, very quick on her feet. Are there any ways where you, yourself, got to influence how Princess was portrayed, maybe beyond the scripts or, you know, in any ways that you could add to that character?  00:40:19 Kristin Villanueva  I think so? I'm not sure, but I have noticed that in season two, on the scripts, Princess's, looks, eye rolls, stares were now written. Whereas before, I was just doing it. So yes, I think so. Because I didn't have a lot of lines. I still don't have a lot of lines, but that doesn't mean she doesn't have an opinion. And yeah, I was just being truthful in all those moments. So if I feel like something's off or, you know, I don't think Princess has a good poker face. So that made its way into the script recently.  00:41:05 Isabel Li  Oh, I see. Well, the show primarily takes place in a hospital setting. But for you, when you're playing Princess, do you imagine what she does, like, outside of the hospital? Like, who is she outside of work?  00:41:16 Kristin Villanueva  I think when there is an after party or somebody's birthday, someone's baptism, or, I think she's the same. I think she's a work hard, party harder kind of girl. But I can also see her turning everything off and having a lot of deep, quiet solo time that she doesn't talk about much often.  00:41:44 Isabel Li  Yeah, something so cool about Princess is the fact that she can apparently speak six languages. But I wanted to talk about the fact that you, as Princess, code-switched to Tagalog in many scenes, especially with Amielynn Abellera, who plays Nurse Perlah. For you, can you tell our listeners how it feels for you switching from English to Tagalog?  00:42:05 Kristin Villanueva  Well, first off, the first word that comes to mind is it's fun. You know, you get to use that skill or use that — used to be a very familiar part of myself again. But I also feel extremely vulnerable because I don't get to do that often. I don't think I've, maybe I've acted once in Tagalog, but I can't remember any other significant roles where I was able to do that. So to do that on The Pitt is, yeah, it's pretty vulnerable just in terms of sharing that part of myself that I haven't shared really acting-wise.  But it's also fun. Because it comes naturally. And I get to there's so many nuances that I would think only Filipinos would get, but it's also so gratifying to hear from from other folks who are not Filipinos that get it. You know, even though they don't understand, um, the Filipino jokes, but they have their own — they have their own version in their own culture. So it's — it's really fun to hear that.  00:43:18 Isabel Li  Just out of curiosity for you, how do you relate to Tagalog as a language? Do you speak it often?  00:43:24 Kristin Villanueva  I don't speak it often, unfortunately. I do still speak it with my family, and we Zoom once, twice a week. But other than that, no, I don't speak it often.  And it's kind of sad, because I feel like some words are leaving my memory. But yeah.  00:43:45 Isabel Li  Yeah, wow. So when they're written in the script, do you translate, or are they already words in Tagalog that you already know?  00:43:54 Kristin Villanueva  When they're written in the script, they're written in English. And season one, I used to translate it for myself. And then season two, we have a coach who gave us a lot more options. But what's wonderful about working with the writers is they're not precious with their own phrases.  They defer to us to translate it as close to the gist of, let's say it's a joke, but if I were to translate it in Tagalog, word per word, it's not going to land the same way as it would in American, in English. Do you know what I mean? So they much rather have us say it in whatever's parallel in Tagalog. So yeah. And I applaud the writers for doing that, 'cause that's one of my pet peeves sometimes when I'm, you know, watching other shows, translation of, it's not quite that, you know, or it's too literal. If it's too literal, then it's, that's not how we talk.  00:44:59 Isabel Li  Right. And putting that in the context of Princess as a character, who is a polyglot, there are some moments where she speaks French and does sign language.  00:45:08 Isabel Li  How did you navigate these multilingual exchanges communicating in different languages, essentially. Oh, I look forward to it. I look forward to them so badly. It's one of the things I got really excited about auditioning for the part, 'cause it was written in her breakdown that she speaks six languages. Um, I personally don't, but I am so enamored by polyglots. Like if I were to meet someone who can speak three languages plus, I'm just, I follow them like a puppy. I don't know, I just find it so sexy and intriguing. And it's like something that I aspire to be, but just haven't had the time to do it. So yes, I look forward to them.  00:45:52 Isabel Li  Yeah, and how do you practice? Like, did you have to practice some French and some ASL?  00:45:57 Kristin Villanueva  Oh, um, for the French, since there's only one line, we didn't hire a coach, but we did hire, um, coaches for ASL. Oh, yeah, I just practiced the hell out of them. Um, but there's also that nuance of, um, how fluent or how good is your pronunciation for someone who doesn't speak it all the time, you know? You got to, like, factor that in as well. But, yes, I just practice it all the time.  00:46:24 Isabel Li  Gotcha. And speaking of that, I love how Princess and Perlah add some lighthearted humor and back and forths and gossip throughout the series. How do you switch from humorous moments to more serious ones?  00:46:36 Kristin Villanueva  I mean, you don't really think about it in life, right? Like one minute you're crying and then something happens and then you find it hilarious. You just go with the flow on set. You don't really ever plan, okay, this beat is a funny beat, and this one is a dramatic beat. You don't. As long as you keep it honest, those colors would come out naturally.  00:47:02 Isabel Li  The Pitt is very current. Like there are so many current events and everyday sort of issues mirrored in the series. What is your experience working with a set and a story that feels like it is very much set in the everyday?  00:47:21 Kristin Villanueva  It hasn't been an issue. It's never– if anything, sometimes it's tougher because you can't escape the real world, right? It's not like when I get to do a Shakespeare comedy, there's a reprieve from, you know, the sad current events that are happening. So yeah, that's– I would say that's the only downside, but there's a lot more upside to that, which is you get to present and work through real life situations. You know, that I'm happy that a TV show like The Pitt, you know, something that's made for entertainment can actually dive into these really serious topics. And what I love about The Pitt is that I don't think it's preachy. I don't think it tackles headlines of the day in a way that it makes you want to turn the TV off. If anything, it shows how, it shows the repercussions on the everyday people. And hopefully audiences that don't have anything to do, like I'll give you an example, like for nurses strikes, right? If you see that on the headline and you don't work, you're not a healthcare worker, you'll probably just, you know, skip that video or not read that article because you think it doesn't affect you.  But hopefully by watching The Pitt, you'll see, oh no, it will affect me if God forbid I have to go to the hospital, if my loved one has to go to the hospital and you don't get seen for 10 hours, or there were mistakes in, the medicine, or it's just not top care that you think you deserve. It's not because the nurses or the doctors or the staff are bad. They're understaffed, period. Right? They haven't had a day off in 12 days. So no, it's a privilege to be able to do a show, have a job that actually reflects what's happening in real life.  00:49:40 Isabel Li  Yeah, thank you for sharing about that. And finally, I want to touch upon your work in general. As an actress, would you say there's something that you're most passionate about doing?  00:49:50 Kristin Villanueva  Ooh. Are we talking about material or medium? Because I would say everything. I do miss doing plays. I haven't done a play since, my gosh, I think pre-COVID. So it's been a while. So I really love doing plays. I have more experience in theater than TV and film combined. A really good material is so inspiring to do, whether it be a classic like Chekhov or any new contemporary plays. You know, there's so many playwrights, those plays I want to do so badly. There's something electric about working on a brand new play when the playwright is in the room. But also, it's also really amazing to work on juicy Shakespearean tragedies. You know, when I get to play Shakespeare ingenues, in those three hours, you've lived a lifetime. You know, usually in a Shakespearean comedy, you meet the ingenue before they fall in love. And then they fall in love, and then they get their hearts broken. And then by the end, they're kind of this new person who's a little bit more learned, but not the same 16-year-old that you met three hours ago. So getting to do those parts are a complete joy.  00:51:29 Isabel Li  I'm wondering, do you have a dream role that you'd like to play in the future? Like either in theater or in film? Who would it be and who would you like to work with?  00:51:37 Kristin Villanueva  I love this question. My imagination just starts going everywhere. Yes. My dream role for the theater would be Martha from Edward Albee's Who's Afraid of Virginia Woolf? I got to do that play a few years ago, but as Honey, as one of the other characters. But I would love to play Martha someday. Another theater role would be Arkadina from The Seagull or Nina, but I think I've aged out of Nina. And in terms for like TV, gosh, I'm obsessed with Narcos, obsessed. And I've always, I've written a part from, if Narcos was ever to do a season about the Philippines, I have a role that I wrote for myself. Cause I don't, you know, you look at my face, like, my face is too round and I'm too short and I smile too much for a show like Narcos or The Wire, which are, like, one of my top, top favorite TV shows.  And I don't have a part for them 'cause I don't look the part, but I found a way to write myself in Narcos season, I don't know, season five Philippines.  00:53:09 Isabel Li  One last question for you. These are such incredible answers. Thank you so much for sharing. One last question for you. Out of your entire acting career right now, what has been the most rewarding moment for you?  00:53:22 Kristin Villanueva  I mean, besides The Pitt, mainly because of the reach and mainly because a lot of Filipino nurses have become so happy just to be seen and represented. And that means so, so much, another role that I am most proud of is this play — I wouldn't even say play — it's more of a performance art piece called The Courtroom. The theater company called Waterwell produced it in New York. And The Courtroom is about a Filipino immigrant to the US who accidentally voted when she was still only on a green card. So she wasn't supposed to vote, but she did not do it maliciously. So the play is about her filing appeal after appeal to stay in the U.S. and not be deported. So I was pretty proud of that. We used, the lines were straight out of the court transcripts. And yeah, I wish we could do it again, especially with, you know, the current climate.  00:54:38 Isabel Li  Yeah, definitely. Well, thank you so much, Kristin, for sharing her story and all of your various experiences. Do you have anything else you'd like to share with our listeners?  00:54:47 Kristin Villanueva  Oh, just thank you so much for watching The Pitt and, you know, for all the nice words about the show. And I hope you keep watching.  00:55:00 Isabel Li  And that was Kristin Villanueva, who plays Nurse Princess De La Cruz on The Pitt, which just released its season 2 finale last week at this time.  Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our two guests tonight, Kristin and Amielynn. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.  00:55:31 Isabel Li  Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala-Shekar and Swati Rayasam. Tonight's show is produced and edited by me, Isabel Li. Have a great evening and thanks so much for listening.  The post APEX Express – 4.23.26 – Nurses of The Pitt appeared first on KPFA.

The crew goes live and immediately loses direction over new cafe policies and a "storm of the century" that barely sprinkles. Between Coral's first official lesbian night out and a deep dive into the haunted mansions and "vibrating duck" trade-outs of Bad Girls Club production, this episode is a love letter to messy industry stories and a roast of the most unholy protein meal ever consumed. This Week's Insanity:The "And Destroy" Commandments: Jeff addresses the new seating fees and purchase requirements, explaining why a communal space for trading card games can't survive as a "public library" for non-paying patrons. Gay News: Allegations fly between Ruby Rose and Katy Perry, while the crew recounts taking Coral to her first "lesbian night" at Personal Best—only to end the night at The Eagle's "Meat Rack" surrounded by stacks of pizza. Coachella Critiques: A roast of Sabrina Carpenter's "ice skater" aesthetic and why the group had to click away from Susan Sarandon's 20-minute drive-in monologue. Reality TV Trauma Dump (BGC Edition): Jeff relives the chaos of seasons 1 through 10, featuring hair chandeliers, white chocolate busts, and a haunted Atlanta mansion where shop vacs turned themselves on in the middle of the night. The "Art" of the Set: A look back at the days of "trade-outs" from sex toy companies and the financial disaster that ensued when a cast member threw bleach on actual gallery-loaned artwork. Coral's Corner: The group debates the "abomination" of Coral's dietary habits—specifically eating lemon pepper tuna out of a bag and washing it down with a chocolate peanut butter protein shake to hit her macros. Loose, chaotic, and deeply high-protein — this episode is what happens when you survive fifteen seasons of reality TV and realize your bone density is thanks to a childhood of "taco milk." New episodes every week.Only at Revenge Of — where the vibes are queer, the art is bleached, and we always follow the pecking order.

Become an Emsolation Extra Member - access BONUS eps & other exclusives NOW @ https://emsolation.supercast.com/ Get tickets to Em's new show 'Addicted to Love' at the Adelaide Cabaret Festival June 5 & 6 NOW @ https://cabaret.adelaidefestivalcentre.com.au/ Get new Emsolation merch for a LIMITED TIME @ https://emrusciano.store/ Em and Michael have finished the first draft of their musical ‘The Baroness', which means Em has it on hand at all times, regardless of the risks of random writers or unemployed actors spotting it. Meanwhile weekend one of Coachella has come and gone and the 90s nostalgia is real enough for Em to declare her and Michael officially too old for Coachella, unless they can accommodate some very specific and hilarious tweaks. Inside they cover off everything from the 90s fashion, to the contrast between Justin Bieber and Sabrina Carpenter's shows, and the cameos from Susan Sarandon, Will Ferrell, Billy Corgan, Vanessa Carlton, J'Lo and more. There's rumours Mother Madge, aka Madonna is primed for this weekend too…SQUEAL! Em also needs to acknowledge how hectic her algorithm is because it's serving up all sorts of everything thanks to her Baroness research, her love of Korean group Katseye, and Elio's obsession over straight white men on mountain bikes wearing GoPros. Plus there's also some love for the first ep of the final season of ‘Hacks' and a few other recommended viewing options as well. Then in our Sealed Section, on our premium service Emsolation Extra, Em and Michael ‘Okay, Stop!' J'Lo at Coachella, there's also another contender for most unhinged dating profile EVER, plus Michael's got a surprise ‘Okay, Stop!' for Em with the trailer for the new movie ‘The Invite'. Get access for just $1.87 a week, or watch the full video of both episodes back to back using the link above or via the Supercast website for $2.50 a week at emsolation.supercast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

 Brian Edwards carved his path alongside icons like Donna Summer and Joan Rivers. Over the decades, he built a reputation as a multi-award-winning talent executive, client relations rep, producer, writer, and occasional performer – working with some of the most recognizable names in show business: Cindy Crawford, Susan Sarandon, Melissa Rivers, Whoopi Goldberg, Farrah Fawcett, Shirley Jones, Naomi Judd, and Vanessa Williams—just to name a few. As a tribute to his work with the legendary Queen of Disco, his legacy even takes the stage in the Tony-nominated Summer: The Donna Summer Musical, where Edwards is portrayed—reminding us that the voices behind the scenes deserve to be honored just as boldly as those in front of them.Edwards has now released his third collection of life stories, Come Sit With Me and Let's Talk—an unfiltered, heartfelt companion to his multi-award winning books, Enter Miss Thang (2013) and I Might Have Been Queen (2019). This latest volume distills Edwards' singular journey into the intimacy of a heart-to-heart, blending the most memorable stories from his earlier books with fresh recollections, untold chapters, and photos. He shares the triumphs and trials that shaped a career defined by resilience, recognition, and influence—offering perspective, encouragement, and the kind of advice that only comes from living it.Support the show

It’s Harry and Meghan week in Australia, and we’re hoping for some big news in Jam World. A lot has changed since the last time they were here and Clare Stephens waited outside the Opera House to touch Prince Harry’s hand. So what can we expect from the royal-not-royal tour? Bieberchella has broken the internet and healed a lot of Millennial hearts. Between a $10 million pay check and a setlist that involved Justin dueting with his childhood self, Em Vernem is asking: Is this a profound moment of healing, or just a very expensive therapy session we were all forced to watch? In other business, Melania Trump decided that this chaotic moment in world affairs was the right moment to make an unprompted address about her "friendship" with Jeffrey Epstein. And Lena Dunham is releasing a memoir reflecting on fast fame. Her honesty about what peak spotlight did to her coupled with one of the world’s most profitable writers finally revealing her identity, Holly Wainwright is asking: If you could make the art and the money without the fame, why on earth would you choose to be known? Oh, and as the Federal Government launches a campaign telling us all to do our bit for a potential fuel crisis, are you guilty of pantry-maxxing? What To Listen To Next: Listen to the Out Loud episode Holly mentions where they talk abotu Lena Denham here: Are We Done Being Bitchy About Lena Dunham? Listen to our latest episode: 'The Chatbot History That Ruined My Relationship’ Listen: The Hollywood Star Who Hates Everyone Listen: The One Number That Says Absolutely Everything About You Listen: A Lil' Treat: Jessie’s Ready To Tell Her Twin Birth Story Listen: The Co-stars Refusing To Fake It & The Hell Of Organised Fun Listen: Ghost Stories, Celebrity Facelifts & The Real iPad Babies Listen: Mia's Babble: The Very Best Bit About Bum Checks Listen: The Great Petrol Panic & Royal Reality TV Rumours Listen: Polyamory, Cheating & The Marriage No One Wants To Believe Listen: An Unhinged List Of Rules No One Asked For Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to watch.Mamamia Out Loud on Apple What to read: Before you criticise Justin Bieber's Coachella performance, here's the point everyone's missing. Did you grow up in a 'communal towel' or 'dictator towel' family? It says a lot about you. A brutally honest review of Lena Dunham's new Netflix rom-com Too Much. HOLLY WAINWRIGHT: The one number that says absolutely everything about you. 'The "blurred lip" trend is everywhere. But I'm going to say what no one else will.' THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud CREDITS: Hosts: Holly Wainwright, Clare Stephens & Emily Vernem Group Executive Producer: Ruth Devine Executive Producer: Sasha Tannock Video Producer: Josh Green Junior Content Producer: Tessa Kotowicz Social Producer: Gemma Donohoe Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

THE LONG AWAITED FINAL EDITION OF THE DANCING BETWEEN THE RAINDROPS TRILOGY, FEATURING BEHIND-THE-SCENES, NEVER-BEFORE-TOLD CELEBRITY ANECDOTES & “THE MAGNIFICENT MR. & MRS. MAPLE,” OUT IN TIME FOR EARTH DAY Nelson Aspen is releasing the last edition of his best-selling trilogy, "Dancing Between The Raindrops,” with “Happily Ever After,” following the most recent release of “The Hollywood Years." The books are loosely based on his own life, filled with larger-than-life stories from Hollywood and New York. "Dancing Between the Raindrops: Happily Ever After?” is the third installment in my steamy, star-studded semi-autobiographical series. Possible topics to discuss include: *** Jackie was Nelson's writing mentor. Tutored him on when to use a real name and when to use a faux name. Advising ... — "Don't be afraid to get your hands dirty handling cash. Books don't sell themselves.” — “Dont shy away from sexy scenes in your — Even if they claim they don't read that sort of thing, they'll be curious about it … if only to judge you for it!” *** Covering all the major awards, including the Oscars and Golden Globes. *** Other great personal anecdotes about … — Nicole Kidman's wedding to Keith Urban — Michael Jackson's death and subsequent investigation, funeral, and trial of Conrad Murray. — Robin Williams' and Heath Ledgers death. — The Arrest of Hugh Grant — Pulling a joke on Jodie Foster and having a prank pulled on Nelso by Tina Fey & Margot Robbie — Soap opera kinships with Julianne Moore & Sitcom star Jennifer Aniston — Friendship with Jamie Lee Curtis *** Nelson has many cute personal stories about other personalities including — Interviews with Dick Van Dyke, Julie Andrews, Farrah Fawcett, Whitney Houston, Harrison Ford, Betty White, Naomi Watts, Jeff Bloomberg, Reese Witherspoon, Jason Momoa, Barbara Eden, Debra Messing, Tony Bennett, Olivia Newton-John, Cate Blanchett, Hugh Jackman, Miley Cyrus, Susan Sarandon, Lynda Carter, Michael Buble', Loretta Lynn, etc *** In addition to his novel "Kindred Spirits: A Titanic Tale" being adapted as a screenplay by Award-winning writer Jude Gerard Prest, Nelson is also currently rehearsing a play by Joanna Pickering, "Sylvie & Sly." He and stage & screen star Ilene Kristen play the title characters in this outrageous two-person comedy being shot for screen and developed for vertical video. After leaving his long running position as Host of “Sunrise," Nelson published the first of the "Dancing Between the Raindrops" book series. Tracing Nelson's three-decade-long career as a reporter, the final tome in the trilogy (in 'fictionalised' form), 'Happily Ever After'. Book Description: "Dancing Between the Raindrops: Happily Ever After?" is the final installment in Nelson Aspen's steamy autobiographical trilogy which chronicles his alter-ego contending with a cutthroat showbiz nemesis and a forced reinvention in middle age all while searching for elusive, lasting love. From Tinseltown to Broadway, with glamorous international destinations in between, not even a global pandemic can keep our optimistic playboy from his determination to live "happily ever after." "Dancing Between The Raindrops: Happily Ever After” By Nelson Aspen Publisher: Red Sky Presents Hardcover/Paperback and/or Kindle. Paperback and Kindle. Audible soon. Pub Date: Jan 7 2026 ISBN: 979-8242694101 Size: 6 x 0.79 x 9 inches Price: $16.99 Pages: 347 ALSO ANNOUNCING THE PENDING RELEASE: In Time For Earth Day, April 22, 2026 *Release of "The Magnificent Mr. & Mrs. Maple" (slated for Earth Day, April 22). This is his 11th published book, but first one for kids! It is a children's book for kids 8-12 to open the discussion about fractured/separated families.

On this episode, Bo reacts to Susan Sarandon's claim that Hollywood blacklisted her for her activism while examining the broader political hypocrisy inside the entertainment industry. He also breaks down controversial immigration issues, including a Detroit police officer suspended after contacting Border Patrol, the debate over sanctuary policies, and how immigration impacts congressional representation and political power in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nat'l Media , Historic EventI am BOTH a Northerner & present Washingtonian who was born after the Historic Marches for My Civil Rights to Vote, Education, Public Accommodations,Transportation & EmploymentMajor Media Nationally & Internationally covered in the Marches. Citizens & Celebrities also participated:Joan Baez, James Baldwin, Harry Belafonte, Tony Bennett, Leonard Bernstein, Sammy Davis, Jr., Billy Eckstein, Dick Gregory, Lena Home, Mahalia Jackson, William Marshall, Johnny Mathis, Nina Simone, Susan Sarandon, Pernell Roberts, Peter,Paul & Mary....My Guest is the Reverend Clarence Varner who was in Grade School when he joined the Marches for Civil Rights in the 1960's. Although it cost Him is Part-Time Job while a Teenager, He held on to his Beliefs to Stay in the Fight, even getting Arrested Several times & Tear Gassed, Cattle Prod Shocked, Attack Dogs & Fire Hosed because he stood with others to Petition the the Governor for the Right for Blacks to Vote.Rev. Clarence Varner served  The United States in the Marine Corps for 8 years & served in during Vietnam during the War , he was wounded. Today he serves his God,  Country & Community in the continued fight for Civil Rights*In 1965, Blacks could not: *go to eat, Blacks were served at the Side or Back Door.*Social Movie Theatres, & Clubs too*Schools in the South & other State were Segregated*Housing was Segregated in Much of America. Redlining was the norm.* Thriving Middle Class Black Business's in Black Communities were forced out of Business due to the Federal Highway's that were built OVER that land.* Separate water Fountains & Bathrooms*Separate Transportation on Buses & Trains, etc.* Upper Corporate Jobs were not opened to most Blacks These Marches were ignited by the Death of SCLC local Jimmie Lee JacksonWhat did Jimmie Lee Jackson accomplish?Jimmie Lee Jackson, was a Vietnam veteran, Baptist deacon, activist and martyr of the Civil Rights Movement. Jackson, active in the fight for equal rights, had tried multiple times to register to vote in Alabama and was denied each time.When Jimmie Lee Jackson saw his frail 80-year-old grandfather rudely turned away from the registrar's office in 1962 after attempting to register to vote in Marion, Ala. He knew he had to join the civil rights movement.On Feb. 18, 1965, he was among more than 200 people participating in a night march in Marion. Before they had walked a block, they were confronted by state troopers and the police chief, who ordered them to disperse.Jackson and his mother huddled for safety in a café. When Jackson's grandfather entered the café bloodied and beaten, the young man tried to take him to a hospital. But they were quickly shoved back by a crowd of club-swinging troopers and terrified marchers. Another trooper pulled his pistol and shot Jackson in the stomach. It was two hours before Jackson arrived at the hospital in Selma. He died eight days later.At one of two services for Jackson, Dr. Martin Luther King Jr. told a crowd of 2,000: “Jimmie Lee Jackson's death says to us that we must work passionately and unrelentingly to make the American dream a reality. His death must prove that unmerited suffering does not go unredeemed.”© 2026 Building Abundant Success!!2026 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

El podcast perennial de la (re)generación del trigger. Tertulia cultural y sociológica acerca de lo divino y de lo humano de la mano de Popy Blasco. Esta semana charlando animadamente acerca de los Goyas, Susan Sarandon del PSOE, Rosalía con Bjork en los Brit Awards, Scream 7, el ataque a Irán, Tamara Gorro peluquera, Laura Zapata verus Oriana, Lily Allen con el bisnieto de Freud, Demi Moore Trinity, Gucci by Demna, Madonna con Anne Wintour, Isabel Coixet flipada y maravillas mil. Emitiendo desde la potentísima señal de Subterfuge Radio. Hosted on Acast. See acast.com/privacy for more information.

Canlı yayında ilgimizi çeken haber ve videoları yorumluyoruz, boş yapmak için fırsat kolluyoruz. 00:00 | Giriş 05:25 | Hasan'ın Tshirt'ü08:30 | 100 Bin TL'lik Forma 14:30 | Berlin Duvarı Yıkıldı da Ne Oldu?16:00 | 3. Dünya Savaşı'nda mıyız? 19:45 | İsrail'i Savunan Argümanlar26:20 | Haydut Devletlere Beddua Zinciri50:10 | Direnişler ve Yapay Zeka 55:50 | Susan Sarandon'a Ambargo1:04:50 | Çift Yayını Ne Zaman?1:05:35 | Timothée Chalamet'ye Bok Şoku   1:09:50 | Sansasyonel Bok Anları1:15:05 | Hasan'ın Rock'n Coke Fotoğrafı1:25:05 | U2 Rezilliği, Arctic Monkeys Hayalkırıklığı1:28:30 | Mersinlilere Önemli Bir Soru 1:29:50 | Tatlı Muhabbeti Başladı 1:40:25 | Dertsiz İsveç'in Dertleri 1:53:15 | Teşekkürler

Programa especial de De película en el que Yolanda Flores y su equipo nos lo cuentan todo sobre la alfombra roja y la ceremonia de entrega de los Premios Goya 2026. Cuenta con los comentarios de Elio Castro, Conchita Casanovas, Teresa Montoro y Rubén Vidal con las redes sociales, se ofrecen las primeras impresiones de los ganadores y se suma a los homenajes a Susan Sarandon y Gonzalo Suárez.Escuchar audio

Hoy comenzamos El ojo crítico pendientes de Barcelona, donde Susan Sarandon está dando una rueda de prensa con motivo de su Goya de Honor 2026. Yolanda Flores retransmite desde allí. Día de cine, porque repasamos las favoritas a la 40ª edición de la gala de los Goya, que se celebra el 28 de febrero. Lo hacemos con Daniel Gallego. Y Conxita Casanovas nos trae los estrenos de la semana. En compañía de Elena Rosillo, doctora del Underground, repasamos la vida y obra de la música, escritora y directora Beatriz Alonso Aranzabal. Y Jonay Armas pone música a la historia del pequeño Punch, el monito del zoo de Tokio que ha robado el corazón a todos los que han escuchado su caso.Escuchar audio

Desde historias personales e íntimas a relatos universales, la cartelera y De película esta semana llega cargada de cintas muy interesantes. Islas, de Marina Seresesky es la vuelta a la gran pantalla de Ana Belén tras años alejada de ella. Una película de personajes, silencios, humor negro y melancolía, de todo ello hablamos con su protagonista Ana Belén. Otro estreno a destacar es Hasta la montaña, el drama canadiense-francés de Sophie Deraspe, su película más personal, un relato sobre los retos y las conexiones humanas con la naturaleza.Desde el cine iberoamericano nos llega Manas, un drama brasileño dirigido por Marianna Brennand que ha tenido un recorrido muy interesante por festivales y es una de las cinco películas que aspira a llevarse el Goya. Manas retrata, a partir de historias reales, la violencia sexual estructural que sufren las mujeres y niñas en la isla de Marajó, un territorio marcado por el aislamiento. Otros títulos en los que nos detenemos es Orwell dos más dos igual a cinco del cineasta haitiano Raoul Peck y "Los miserables: El origen" de Éric Besnard, una mirada más fresca al clásico de Víctor Hugo.Todo esto además de las secciones Habituales, el repaso al palmarés de la 51 edición de los premios Cesar y un avance de lo que deparará la 40 edición de los premios Goya que se celebra el sábado 28 de Febrero en De Película escuchamos a los dos premios que ya conocemos, el Goya de Honor Gonzalo Suarez y el Goya internacional Susan Sarandon.Escuchar audio

Johnny Spoiler dives deep into White Palace (1990) — the controversial erotic romance starring Susan Sarandon and James Spader that dared to mix sex, class warfare, grief, and hamburgers into one unforgettable adult drama.Set in working-class St. Louis, White Palace follows Max Baron (Spader), a grieving yuppie ad exec, who falls hard for Nora Baker (Sarandon), a loud, unapologetic diner waitress from Dogtown. What starts as raw attraction turns into a full-blown class collision — country clubs vs. coffee counters, reputation vs. desire.We break down:The infamous intimate scene that nearly pushed the film toward NC-17Why White Castle refused to license the original titleThe real St. Louis locations (including Dogtown and the Hi-Pointe Theatre)The deleted scenes that changed the endingRobert Downey Jr.'s alternate-universe screen testAnd whether Max destroying his social status for love is romance… or self-sabotagePlus:Home Video Headlines on Dawson's Creek, Robert Duvall's late-career legacy, and why Wuthering Heights' $83M box office surge could signal the return of messy, obsessive romance in Hollywood.Staff Pick rewind: 10 Things I Hate About You — and why one infamous classroom gag hits very differently today.Is White Palace a forgotten erotic drama classic?Does adult romance still have a place in modern Hollywood?And would you torch your status for love?Binge Now? Binge Later? Binge Never?Hit play and find out.The perfect gift for car lovers? Try Modello Turbo https://tr.ee/CarArtJohnny

Hope your lover season is hot and heavy—because if it's not, Johnny Spoiler is breaking down toxic love, lonely men, and Paul Schrader sadness after dark.In this movie reaction episode, we dive into Light Sleeper (1992), Paul Schrader's most personal entry in his unofficial trilogy of men who hate their jobs (Taxi Driver, American Gigolo). Willem Dafoe prowls a damp, neon-soaked New York as a drug dealer facing addiction, aging, and emotional extinction, while Susan Sarandon plays a quiet, hypnotic queenpin who feels more like a memory than a boss. Dana Delany surprises, Sam Rockwell and David Spade pop in, and Schrader turns midlife crisis into mood.Before the main event: Common Toxic Love Traits (2026 Edition)—weaponized therapy-speak, soft-launched relationships, digital surveillance romance, manifesting instead of communicating, and why millennials don't get divorced… they just divide Paramount+ and DVD collections after the free trial ends.Plus:Pluto TV quietly dominating horror month (Friday the 13th, Scream, Children of the Corn overload)Fan service hot takes on Mad Max and Back to the FutureA comedy cooldown with I Love You, ManAnd a closing reminder that the real party moved appsIf you're into movie reactions, toxic romance, '90s crime films, Paul Schrader deep cuts, or watching Willem Dafoe Dafoe around NYC at night—this episode's for you.More toxic love next time. Bye bye. Stream Vampire in Brooklyn on Paramount+ with my Johnny Spoiler affiliate linkhttps://tr.ee/ParamountJohnny

El próximo 28 de febrero la actriz Susan Sarandón recibirá el Goya internacional a toda su trayectoria. Por su personalidad activista Hollywood le colgó el cartel de problemática y, aunque tiene numerosos premios en su haber, el Oscar le llegó por su interpretación en la película "Pena de muerte".

Para marzo, la jornada de 35 horas busca implantarse. En Huelva, se celebra el funeral por las 45 víctimas del accidente de Adamuz, al que asisten los Reyes de España y Luis Argüello. El ministro Puente no acude, ya que comparece en el Senado por citación del PP. La borrasca Christine deja lluvias y tormentas en media España, con más de 50 carreteras cortadas. En '¡Buenos días, Javi y Mar!' en CADENA 100, Fernando Martín presenta su encuesta. Meta confirma una versión de pago de WhatsApp con inteligencia artificial y sin publicidad, lo que abre el debate sobre su aceptación. Susan Sarandon recibirá el Goya Internacional el 28 de febrero en Barcelona. Los oyentes comparten vivencias por no ir preparados para el clima en viajes, mientras se debate el récord Guinness de Trufena Mutoni, que abraza un árbol 72 horas por los bosques. El programa cierra con un juego con una oyente.

La borrasca Christine provoca lluvias en España y tormentas en el norte. Se celebra el funeral por las 45 víctimas del accidente de tren de Adamut en Huelva, con los Reyes y el ministro Óscar Puente compareciendo en el Senado. Adif reabrirá la línea Madrid-Sevilla en diez días. La Reserva Federal de EEUU mantiene los tipos, afectando al Euríbor. España logra mínimos históricos en abandono escolar, pese a tasas más altas en Murcia, Castilla La Mancha y Andalucía. En '¡Buenos días, Javi y Mar!', se comentan "propuestas raras" (empadronamiento, fotos eróticas, carreras de radiocontrol) y Bad Bunny desaconseja carillas dentales. Leire Martínez reflexiona sobre su carrera en solitario y la erotomanía se debate. Jimeno recoge visiones infantiles de China. El Ministerio de Trabajo propone un salario mínimo de 1.221 euros. Susan Sarandon recibirá el Goya Internacional.

Jueves 29 de enero. La borrasca Christine trae lluvia y tormentas a Extremadura, Castilla-La Mancha, Madrid, sur de Castilla y León y Andalucía. En Huelva, funeral real por las 45 víctimas del accidente de tren de Alamuz. El ministro Óscar Puente comparece en el Senado, mientras Adif reconstruye la vía Madrid-Sevilla. La Reserva Federal mantiene tipos de interés. España registra la menor tasa de abandono escolar histórico, aunque Murcia, Castilla-La Mancha y Andalucía presentan cifras altas. El País Vasco revacuna pacientes por vacuna caducada. El Gobierno tramita la jornada de 35 horas para la Administración. Se anuncian los Goya para Susan Sarandon. Se abordan bromas de pareja y hábitos de ducha españoles. Música de Sabrina Carpenter, One Direction, Nil Moliner, Alex Gaudino, Enrique Iglesias, Sebastián Yatra, Lady Gaga, Bruno Mars, Juanes y Maldita Nerea.

Gary Numan - Cry The Clock Said Immersion - On The Longest Day Stephin Merritt - Listen, The Snow Is Falling The Bug - Militants (The Rocket, Holloway) שיר אלוני - פתאום בלעדיו The The - Valhalla Lorelle Meets The Obsolete - Reanimar El Cuerpo Adrian Sherwood - Hiroshima Dub Match שי בן צור - ישועה Drop Nineteens - Back In Our Old Bed Richard Thompson - The Kibosh Eartheater - Macroev Stoneburner - This Big Hush Ghost Dubs - Down Steven Brown - Pyramides Steven Brown - Panic In Detroit Tuxedomoon - Again Tuxedomoon - Ice Benign Nick Cave & The Bad Seeds - Cabin Fever Scenic - Hole In The Wall Prolapse - Ghost In The Chair צוף, זוהר, ענבל - נשפך על אמריקה Orbit Service - Hold You Down גיא פריצקי - אור בור Gina Birch - Train Platform Clock DVA - Discontentment Alison Clancy - The Valley נבו - מחשבה + זמן Ryan Adams - Blue Monday Scott Walker - Epizootics Kronos Quartet, Mariana Sadovska - Chernobyl. The Harvest I. Doroha. (The Road) Eros & Rosa Anschutz - Schlag, Spiel Mir In Die Hande Mark Stewart - Stable Song Barry Bostwick, Susan Sarandon & Charles Gray - Super Heroes Weird Biscuit Teatime - Cathode Cathedral https://www.facebook.com/fingeredfloodgate

New year, new episode, so let's do the time warp again! It's a Tim Curry house party double feature celebration, and this first part focuses on The Rocky Horror Picture Show for its 50th anniversary. Mark welcomes old friends Katie Bruno and Jackie Renne back to the show to journey to Transsexual, Transylvania and give themselves over to absolute pleasure! They rave about Curry's iconic performance and look as Dr. Frank-N-Furter, along with Meat Loaf, Susan Sarandon, and oh Rocky! Shout-out to Camp John Waters as the trio reflects on their recent experience there.

In today's episode, I'm sitting down with Eva Amurri, the daughter of Susan Sarandon, for an honest, layered conversation about motherhood, identity, and what it really looks like to rebuild your life when everything changes at once.Eva opens up about navigating separation and divorce while pregnant with her third child, and what that season of her life actually looked like behind the scenes. We talk candidly about the emotional and logistical challenges of divorce during pregnancy, the pressure many women feel to “hold it together,” and why she ultimately believes that staying together “for the kids” can sometimes do more harm than good. Eva shares how therapy helped her gain clarity, how she approached co-parenting with intention, and why she now views her relationship with her ex as a long-term partnership centered around their children — even when it requires constant communication, boundaries, and work.We also spend time unpacking Eva's experience growing up as the daughter of the iconic actress Susan Sarandon. Eva reflects on what it was like to be raised in the public eye before social media, how fame shaped her sense of self, and how those early experiences continue to influence her parenting choices today. We dive into the “nepo baby” conversation, the complicated mix of access and insecurity that can come with having famous parents, and how Eva's relationship to that label has evolved as she's built her own career outside of acting.Throughout the conversation, Eva shares thoughtful insights about motherhood, dating after divorce, finding love again, and redefining success in your forties. We talk about breaking generational patterns, letting go of perfection, and accepting that parenting, like life, is often about doing your best with the information you have at the time.This episode is for anyone who has gone through a major life transition, questioned old narratives about family and success, or is trying to create something healthier for themselves and their kids. Eva is incredibly reflective, grounded, and refreshingly honest, and I think so many listeners will see pieces of themselves in her story.If you've ever navigated divorce, co-parenting, pregnancy during a crisis, or growing up under the weight of expectations, this conversation will stay with you.Watch this episode in video form on YouTube: https://www.youtube.com/playlist?list=PLjmevEcbh5h5FEX0pazPEtN86t7eb2OgX To apply to be a guest on the show, visit luciefink.com/apply and send us your story. I also want to extend a special thank you to East Love for the show's theme song, Rolling Stone. Follow the show on Instagram: https://www.instagram.com/therealstuffpod Find Lucie here: Instagram: https://www.instagram.com/luciebfink/ TikTok: https://www.tiktok.com/@luciebfink YouTube: https://www.youtube.com/luciebfinkWebsite: https://luciefink.com/ Subscribe to my free newsletter "The Lucie List" here: https://thelucielist.beehiiv.com/subscribeSubscribe to "The Creator Confidential": http://www.luciefink.com/confidentialExecutive Producer: Cloud10Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

An episode 50 years in the making has us shivering with antici… pation. In this month's Patreon Exclusive commentary episode, we're meeting Dr. Frank-N-Furter and his horny chorus of Transylvanians in Jim Sharman's THE ROCKY HORROR PICTURE SHOW. This episode is available to our Maniac Patrons. Subscribe now for monthly commentary episodes, plus additional bonus content and perks. Subscribe on Apple Podcasts, Spotify, and YouTubeFor bonus content and commentaries, check out our PatreonFollow the show on Instagram, TikTok, and FacebookWant to support the show and save 20% on Fangoria? Visit Fangoria and enter PROMO CODE: HOWIMETYOURMONSTER at checkout!Looking for How I Met Your Monster merch? Check out TeePublic for shirts, stickers, mugs, and more!Questions and comments: howimetyourmonsterpodcast@gmail.com

Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!!The contentious world of the courtroom and intense legal battles are on full display in our November series as Jeannine has selected a handful of gripping 90s legal thrillers adapted from the pen of JOHN GRISHAM!A deep south pressure cooker from a child's point of view as the John Grisham series takes an interesting different spin as Jeannine and Morgan talk mother/son dynamics, mob killings and a wily district attorney in Joel Schumacher's THE CLIENT (1994) starring Susan Sarandon, Tommy Lee Jones, Brad Renfro & Mary Louise Parker!Our YouTube Channel for all our regular videos:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Keep being wonderful!!

Spit out that cherry pit and get ready to meet a horny little devil because we're discussing George Miller's 1987 adaptation of John Updike's satirical feminist(?) novel The Witches of Eastwick!Join us as we go all in on the production troubles this film had. From the studio putting the pressure on Miller to some casting snafus with Susan Sarandon and Cher, it's a wonder this thing turned out as well as it did! Plus: Jack Nicholson's scene-stealing performance, gagging over cherry pit-laden vomit, debating sequel ideas, and wondering why Michelle Pfeiffer has nothing to do in this movie?Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or the Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Brent and Johnny welcome Katie Cook to The Challenge, where they craft 5-6 different conceptual ideas for writing a song titled "Add A Little Cowboy". Katie started as an on-air talent at MTV in 2001. Then she became an on-air host at CMT for 23 years, where she interviewed Keith Urban, Nicole Kidman, Reese Witherspoon, Gwen Stefani, Susan Sarandon, Dolly Parton, George Clooney, and many more. Katie and her husband, Adam Shoenfeld, have an incredible musical duo project called SunKat, where you can experience her songwriting, singing, and musicianship skills. Additionally, Katie is a children's book author and painter. Her latest project is co-hosting the syndicated overnight country radio show, Up All Night with Scott Gaines. Connect With Our Guest, Katie Cook, Here: Facebook: @TheKatieCook Instagram: @TheKatieCook TikTok: @TheKatieCook Spotify: SunKat The C.L.I.M.B. Show is dedicated to helping singers, songwriters, indie artists and industry pros "Create Leverage In The Music Business." We want you to win! About the hosts: Brent Baxter is an award-winning hit songwriter with cuts by Alan Jackson (“Monday Morning Church”), Randy Travis, Lady A, Joe Nichols, Ray Stevens, Gord Bamford and more.  He helps songwriters turn pro by helping them WRITE like a pro, DO BUSINESS like a pro and CONNECT to the pros.  You can find Brent at SongwritingPro.com/Baxter and  SongwritingPro.com. Johnny Dwinell owns Daredevil Production and helps artists increase their streams, blow up their video views, sell more live show tickets, and get discovered by new fans, TV and music industry pros. Daredevil has worked with artists including Collin Raye, Tracy Lawrence, Ty Herndon, Ronnie McDowell and others.  You can find Johnny at TheCLIMBshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

BOOK NOW FOR OUR LA SHOW - Nov 12 at Sinai Temple with special guest Ronen Bergman. Last stop for 2025! Use the coupon code UIH20 to get a discount on your tickets: ⁠⁠https://unpacked.bio/UIHLA25 So much of what we read about Israel is politics and war. This episode asks a different question: what does it feel like to live through this moment? Noam sits down with writer and Times of Israel editor Sarah Tuttle-Singer, author of Jerusalem Drawn and Quartered, for a raw, empathetic conversation about daily life in Jerusalem after October 7. They talk about euphoria and grief around hostage returns, the “toxic resilience” many Israelis carry, and the small acts of kindness that still break through. Sarah describes how she vacillates between hope and rage and urges American Jews to come visit Israel to talk a wide-range of people and experience what life is really like.  This episode of Unpacking Israeli History is generously sponsored by Debra and Avi Naider. BREAKING: Deep Concern Grows for Susan Sarandon, Mark Ruffalo, and Roger Waters https://blogs.timesofisrael.com/author/sarah-tuttle-singer/ Jerusalem, Drawn and Quartered: One Woman's Year in the Heart of the Christian, Muslim, Armenian, and Jewish Quarters of Old Jerusalem  Check us out on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube.⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This podcast was brought to you by Unpacked, an OpenDor Media brand. ------------------- For other podcasts from Unpacked, check out: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jewish History Nerds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Soulful Jewish Living⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stars of David with Elon Gold ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wondering Jews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

This week, TIMMY NO BRAKES is sitting down to talk everything from Susan Sarandon knockers to acne to, well, other stuff. ‪@TIMMYNOBRAKES‬ And That's What's Up! ++++++++++++ Follow Adam Ray: Official Website: https://adamraycomedy.com/ Membership: https://www.AdamRay.Live Facebook:   / adamraycomedy   TikTok:   / adamraycomedy.  . Instagram:   / adamraycomedy   Twitter:   / adamraycomedy   YouTube: @adamraycomedy https://bit.ly/adamraycomedy Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Hey Spirit, we're revisiting one of the most powerful readings with the incredible Susan Sarandon. Despite living so much of her life in the public eye, Susan came into this experience with an open heart, allowing Spirit to deliver healing messages that were as unexpected as they were emotional. From her brother's sudden passing to deeply personal validations about her mother and family, Spirit brought forward comfort, closure, and undeniable signs of connection. You'll even hear how Spirit aligned messages with real-life moments in ways that left us all speechless. Whether you've heard this episode before or are experiencing it for the first time, you won't want to miss this moving reminder that our loved ones are always with us, guiding and protecting us from the other side. Call 1-866-TCAPUTO for your chance at a reading on Hey Spirit! Stay in touch with Theresa! Facebook - Instagram - Twitter - TikTok www.theresacaputo.com Learn more about your ad choices. Visit megaphone.fm/adchoices