Podcasts about Ludovic Bource

Un Oscar, un César, un Golden Globes (et plein d'autres récompenses) pour la bande-originale du film "The Artist"... c'est dire si la bande originale du film de Michel Hazanavicius a contribué au succès du film ! Véritable challenge pour le compositeur qui collabore alors pour la 4e fois avec le réalisateurs(après "Mes amis" et les trois "OSS 117" : faire du neuf avec du vieux et donner une âme à un film qui ne comporte aucun dialogue. Entretien avec Ludovic Bource qui nous raconte comment il a composé cette musique. Crédits musique : - In the stairs - Ludovic Bource - L'ombre des flammes - Ludovic Bource- At the Kinograph Studios - Ludovic Bource - Pretty Peppy - Ludovic Bource - Jubilee Stomp - Ludovic Bource - Comme une rosée de larmes - Ludovic Bource - Fantasie d'amour - Ludovic Bource

Con la Marisoul, las Hermanas Jiménez, Tina y Tesa, Jean-Francois Berger, Clavel y Jazmín, Caludia con Ramón y sus Showmen, Serge Gainsbourg, Silvie Vartan & Frankie Jordan, Sophia Loren & Peter Sellers, Francis Lai, Ludovic Bource, los Hermanos Castro, Profesor Popsnuggle, los Manbo Jambo, Jorge Fendermole y Rita Payés

"Faites monter" de Alain Bashung est extrait de lʹalbum "L'Imprudence" paru en 2002 chez Barclay. Les paroles sont de Alain Bashung, Ludovic Bource et Jean Marie Fauque. Pour Didier Guex, cette chanson fait écho à une expérience antérieure quʹil revit aujourdʹhui dans une situation similaire. Une séquence de David Golan.

"Faites monter" de Alain Bashung est extrait de lʹalbum "L'Imprudence" paru en 2002 chez Barclay. Les paroles sont de Alain Bashung, Ludovic Bource et Jean Marie Fauque. Pour Didier Guex, cette chanson fait écho à une expérience antérieure quʹil revit aujourdʹhui dans une situation similaire. Une séquence de David Golan.

Best Pick with John Dorney, Jessica Regan and Tom Salinsky. Episode 40: The Artist (2011) Released 31 July 2019 For this episode, we watched The Artist, written and directed by Michel Hazanavicius with music by Ludovic Bource and starring Jean Dujardin and Bérénice Bejo. From ten nominations, it managed five awards, for Hazanavicius as director, for Dujardin, for its costumes and its score as well as Best Picture. Paperman https://youtu.be/Z4dIgUgYCxQ Harold Lloyd remakes Safety Last with sound https://youtu.be/3nVzewhsmM0 Begin the Beguine https://youtu.be/nZPndC-F5SE?t=57 Next time we will be discussing Rain Man. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). Our third-ever live show is on 15 September at King's Place at 12:00pm. We'll be watching, assessing and taking your questions and comments on Alfred Hitchcock's Rebecca. Tickets are on sale now. To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our new website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n.

Best Pick with John Dorney, Jessica Regan and Tom Salinsky. Episode 40: The Artist (2011) Released 31 July 2019 For this episode, we watched The Artist, written and directed by Michel Hazanavicius with music by Ludovic Bource and starring Jean Dujardin and Bérénice Bejo. From ten nominations, it managed five awards, for Hazanavicius as director, for Dujardin, for its costumes and its score as well as Best Picture. Paperman https://youtu.be/Z4dIgUgYCxQ Harold Lloyd remakes Safety Last with sound https://youtu.be/3nVzewhsmM0 Begin the Beguine https://youtu.be/nZPndC-F5SE?t=57 Next time we will be discussing Rain Man. If you want to watch it before listening to the next episode you can buy the DVD or Blu-Ray on Amazon.co.uk, or Amazon.com, or you can download it via iTunes (UK) or iTunes (USA). Our third-ever live show is on 15 September at King’s Place at 12:00pm. We’ll be watching, assessing and taking your questions and comments on Alfred Hitchcock’s Rebecca. Tickets are on sale now. To send in your questions, comments, thoughts and ideas, you can join our Facebook group, Tweet us on @bestpickpod or email us on bestpickpod@gmail.com. You can also Tweet us individually, @MrJohnDorney, @ItsJessRegan or @TomSalinsky. You should also visit our new website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n.

The film may be silent but we are certainly not on this week's episode of comPOSERS, as we discuss the critically acclaimed score for the equally praised film, "The Artist", composed by Ludovic Bource.

We are back and butterier than ever with an Academically special chat all about Oscars the Grouch: The Academy in a "Post #OscarsSoWhite World?"! Hold onto your cornholes, because we're gonna take you down the ol' history bucket in this salty spectacular! GUESTS: Mr & Mrs Katie. UNCREDITED: Geezer; Dennis. SPOILERS: Oscar Nomnoms. MUSIC: Adult Problems by Richard and the Julians Copyright Richard and the Julians 2015 - Popcorn Frog by MC Chris Copyright mc chris llc 2013 - Ludovic Bource 2011 Copyright Sony Classical Records - Return of the Jedi OST John Williams 1983 Copyright RSO - I make negative dollars on this podcast

For our fourth episode, we’re moving to a different great director-composer collaboration from a different era. It’s Alfred Hitchcock and Bernard Herrmann with perhaps their greatest work: 1958’s Vertigo. This film recently dethroned Citizen Kane as the greatest of all time according to the American Film Insitute – but how good is Herrmann’s score, and how does it work? Join us as we take a look at the central musical ideas at work here – and how Bernard Herrmann creates a musical landscape of the subconscious. Episode Notes: 3:25 – Historical context for the film and the Hitchcock-Herrmann relationship 5:00 – Why did people dislike Vertigo at the time? 8:10 – Herrmann’s compositional style 9:30 – The musical landscapes of Hitchcock-Herrmann films 11:00 – Nick on conducting Psycho live in concert, 13:10 – The Vertigo main titles 16:20 – The ‘Hitchcock chord’ 20:15 – Musical spirals in Vertigo reflecting visual and thematic spirals 26:30 – The love theme 29:40 – The sad romance of the love theme 31:35 – Nick blows our minds by revealing that the love theme is hidden in the Prelude 32:50 – Similarities to Wagner’s Tristan and Isolde and the inability for the music to truly resolve 37:25 – Close analysis of the Scene D’Amour 39:40 – Discussion of Ludovic Bource’s score for The Artist 42:25 – Did Herrmann reference and develop this musical idea in other Hitchcock films? 46:10 – Is Herrmann developing a musical language or is he self-plagiarising? 47:10 – Torn Curtain 50:35 – The Ostinato motif in Vertigo 52:40 – The Habañera rhythm 55:45 – A link to Ravel 58:20 – The development of the Herrmann-Hitchcock ostinato across other films 1:03:00 – The Hitchcock style versus the Herrmann style? 1:05:05 – Alternating polychords in the tower sequence and similarities to The Matrix 1:06:45 – Danny Elfman’s inspiration from Herrmann 1:08:13 – Source music and Mozart in Vertigo 1:12:10 – The musical resolution at the beach 1:14:00 – The film’s finale and musical conclusion – is Herrmann’s music less ambiguous than the images? 1:17:20 – Hitchcock crediting Herrmann with the quality of Vertigo We’d love to hear from our listeners – get in touch via Twitter, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.

Un Radio Chalet qui pèse avec Adrien Ménielle, Julien Josselin, Valentin Vincent, le très très fort Niels Arestrup, l'oscarisé Ludovic Bource, et Natoo et Kemar !Abonnez-vous (っ°‿°)っ http://bit.ly/LOriginaleYT| Tipeee o/ www.tipeee.com/l-originaleTrois jours au Festival de Cinéma Européen des Arcs avec Julfou, Valentin Vincent et Adrien Ménielle, trois jours à la montagne avec des guests surprise, trois jours de tendresse avec des live surprise rien que pour vous :) ENJOY !!Le Festival: http://lesarcs-filmfest.com/index.php?FB: http://www.facebook.com/fromloriginaleFORUM: http://www.loriginale.net

The Academy must have lowered their standards, because this year an experiment with old fashioned cinema took home five awards, including best picture, best actor and best score. Yes, Michel Hazanavicius is doing it again. After his success with the 'OSS 117' films, he is now pushing his record further back in time, to the Hollywood of the late 1920s. To guarantee that his new spoof 'The Artist' attracted widespread attention, Hazanavicius referenced 'Singin' in the Rain' and 'A Star is Born' in his production of a black-and-white silent melodrama. With the help of French actor Jean Dujardin and composer Ludovic Bource, Michel Hazanavicius had his way again at the Hollywood and Highland Center. Hazanavicius is indebted to Jean Dujardin, whose talking eyebrows and charming smile prevent the audience from dozing off. Ludovic Bource's score works to the same effect, providing constant stimulus to viewers whose brains remain largely unchallenged by a flaccid storyline. Some might consider 'The Artist' a silent film and a tribute to the good old days (and ways). But I'd rather look at it as a director's experiment with creatively traditional filming methods. Strictly speaking, 'The Artist' is not a silent movie. Although Hazanavicius did try to create an impression of the 1920s silent films, for example he shot the movie at a lower frame rate of 22 fps to mimic the speed, the techniques he employed are actually more modern than they are archaic. More importantly, the characters in the movie are allowed to talk, on two specific occasions: one in the form of a dream, the other at the end of the film. I like the part in the dream when a feather shakes the earth with ear-splitting sound, quite a vivid portrayal of the anxiety of the male lead whose prosperous career as a popular silent movie star is about to be cut short by the advent of talkies. There are many other smart maneuvers in the film, all testifying to the fact that Hazanavicius boldly experiments with whatever idea and gimmick he can manage, in an effort to make a different film, while remaining unhindered by any need to express anything in particular. The richness of scattered patches of ingenuity, combined with a so-so story and the absence of a main theme, makes the movie seem like a Frankenstein. Well, a Frankenstein with the best engineered arms and legs, but a Frankenstein nonetheless. 'The Artist' is a clever film, but remains one step away from greatness. Perhaps I'll watch it again, to admire the acting and the director's nostalgic originality and, more importantly, to find out what exactly the critics were impressed by. One a scale from one to ten, I give 'The Artist' a 6.5.

For the first time a soundtrack for a video game has been nominated for a Grammy Award in the category usually reserved for movie scores. The composer Austin Wintory's score for the wildly popular PlayStation 3 game "Journey" has been given a nod for "Best Score Soundtrack For Visual Media," pitting him against film-score giants like Ludovic Bource, Howard Shore, John Williams and Hans Zimmer. The awards take place this Sunday in Los Angeles. The nomination comes as video game scores play increasingly well with symphony orchestras. Concerts of music from "Final Fantasy," "Halo" and "Zelda" are staples of pops concert programming. In the past year, the London Philharmonic Orchestra and the Montreal chamber group La Pieta have released albums of game music, the former of which debuted at No. 23 on the Billboard 200 chart. One of the most popular violinists on YouTube is Lindsey Stirling, whose interpretations of video game scores have received hundreds of millions of views. All of this is possible because video games often feature full-length orchestral scores. Composers who once specialized in film music, including Danny Elfman and Howard Shore, are also applying their talents to the game medium. There are many potential benefits, said writer Dan Visconti. "One of the ways that orchestras can stay relevant," he said, "is engaging the same level of sensory stimulation that a lot of video game players are accustomed to already." The game scores also raise questions about the medium's artistic merits and its potential to build new audiences for classical music. In this podcast, host Naomi Lewin puts these questions to three guests: Austin Wintory, composer of the Grammy-nominated score to the game "Journey" Tanner Smith, a program director of the Atlanta Symphony Orchestra, which will be presenting a concert of music from the game “Final Fantasy" for the second time in June. Dan Visconti, a composer and writer who has covered the game music phenomenon for Symphony magazine Weigh in: Do you listen to video game scores? Do you find them as valid as traditional concert music? Leave your thoughts below.

Continuiamo ad esplorare con Ludovic Bource il favoloso mondo della musica nel cinema.

In studio con noi Ludovic Bource, premio Oscar per la migliore colonna sonora per 'The Artist'!

Nessa edição, meu convidado é o músico e Mestre em música Marcio Guedes, e falamos das Trilhas Sonoras indicadas ao Oscar 2012: “O Espião que Sabia Demais” (Alberto Iglesias); “Cavalo de Guerra” e “As Aventuras de Tintim” (John Williams), “A Invenção de Hugo Cabret” (Howard Shore”) e “O Artista” (Ludovic Bource).

Nessa edição, meu convidado é o músico e Mestre em música Marcio Guedes, e falamos das Trilhas Sonoras indicadas ao Oscar 2012: “O Espião que Sabia Demais” (Alberto Iglesias); “Cavalo de Guerra” e “As Aventuras de Tintim” (John Williams), “A Invenção de Hugo Cabret” (Howard Shore”) e “O Artista” (Ludovic Bource).

Esta semana además de los Oscar, comentamos los estrenos de la semana, que hay muchos. Entre ellos destacamos la primera película como directora de Angelina Jolie, En tiera de sangre y miel, Indomable de Steven Soderbergh y Luces Rojas de Rodrigo Cortés. En el programa de hoy tenemos también las secciones habituales de noticias, trola y pis-tas e Isaac nos recuerda la trayectoria de la gran Meryl Streep. De regalo un tema de la banda sonora ganadora del Oscar: The artist, de Ludovic Bource, Waltz for Peppy.

Programa # 13 de la tercera temporada de "Sons de soundtrack" de Sants3ràdio dedicat a la BANDA SONORA: THE ARTIST del compositor Ludovic Bource.

Programa # 7 de la tercera temporada de "Sons de soundtrack" de Sants3ràdio dedicat a la BANDA SONORA: THE ARTIST del compositor Ludovic Bource.

Programa dedicado a la película que ha dejado sin palabras al mundo entero: “The Artist”. Ganadora del Globo de Oro a Mejor Banda Sonora, compuesta por Ludovic Bource. Además, cápsula especial sobre la canción “Masterpiece” de Madonna, también ganadora de un Globo de Oro.