Podcast appearances and mentions of Angelina Jolie

We're back from our summer break with a one-on-one episode. Chris is in Laguna Beach, and Jason is home in Glendale. We chat about admiring the surf on our travels, the power of goggles, Hillstone's Bandera, the counter productivity of complementary chips, Chris's desert updates, how to keep the wrong people out of your restaurant, Taylor's podcast appearance, performative coffee drinking, Justin Bieber came to Glendale for billiards and pics, Lana vs. Eth, Angelina Jolie, and The Breezy Bowl pushes on... twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Bethenny bolts the Hamptons for Florida (but is there more to the story?) Denise Richards' divorce turns ugly with shocking accusations. Jennifer Aniston gets brutally honest about Brad Pitt, Angelina Jolie, and mourning Matthew Perry. RHONJ casting shake-ups have fans buzzing! Melissa teams up with David Yontef (Behind the Velvet Rope) to break down the drama, the rumors, and what's really going on behind the headlines. The only way “Group Text” happens is with YOUR support and support from mm amazing sponsors! Try VIIA! Head to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Viiahemp.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use the code GROUPTEXT This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HurrdatMedia.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hurrdat Media YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

Celebs checking the receipts, Even the First Daughter gets cheated on and Angelina Jolie might be leaving the country. Taylor Swift first ever podcast appearance recap and Ben Katzner joins the show. Details on his Show HereSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Taylor Swift announced a new album, 1st female umpire in the MLB, Sami Sheen almost sex trafficked, Harry & Meghan's new Netflix “deal”, Stuttering John sues WATP Karl, the rise of the idiot interviewer, and Howard Stern's Dana Plato interview. Shawn Windsor dropped another great (but sad) story on the latest ML Soul of Detroit. Taylor Swift has announced a new album is coming. She broke the news on the stupid Kelce Brothers podcast, New Heights. Sports: Jen Pawol has become the first female MLB umpire. She totally BLEW her very first call. Meanwhile, male cheerleaders enter the NFL. This motorcycle crash is insane and totally worth breaking into regular programming. Stuttering Jon Melendez has served Karl Hamburger and Shuli Egar and suing for making fun of him on the internet. Harry and Meghan get another Netflix deal. Podcaster Jennifer Welch absolutely hates Trump supporters. Secretary of Homeland Security Kristi Noem has had a lot of work done. Howard Stern is getting “canceled” now for his 1999 Dana Plato interview. We scrub through the final bit featuring Dana. Even Corey Feldman is piling on the King of All Media. The Detroit Tigers are winning despite Tom Mazawey's hot take. Angelina Jolie is fleeing the US because of Brad Pitt. AI is killing computer science grad's careers. Sophie Rain leaves the OnlyFans Bop House. Sami Sheen won't go away. She believes she was almost sex trafficked. Kate Cassidy remains annoying. Playboy wants nothing to do with Donna D'Errico. Jami Gertz is “unrecognizable”. Babies love going to tennis matches. The Nelk Boys interviewed Benjamin Netanyahu for some reason. It's the rise of the idiot-interview. RIP Bobby Whitlock of Derek and the Dominos. Derek and the Dominos drummer Jim Gordon is dead murderer. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

Untold stories behind Jennifer Aniston and Brad Pitt's break up. What Jen's never shared before about the ‘love triangle' with Angelina Jolie and her divorce aftermath. Then, the death of Kelly Clarkson's ex. Only ET is with Dolly Parton sharing memories of Brandon Blackstock. Plus, Halle Berry's ex shares the shocking reason they divorced. And, Chad Michael Murray reveals a health crisis that nearly killed him. How the childhood illness helped launch his acting career. Then, Real Housewife Larsa Pippen addresses fan concerns over her swollen face. And, why Amy Schumer is using a walker. Plus, getting rETrospective with Alicia Silversone. From her TV start to her music video era, and “Clueless" stories you've never heard as Alicia reveals sequel plans. Then, “Duck Dynasty” meets “Pimp My Ride”? ET's exclusive look at the new show transforming celeb trucks. Plus, exes Joe Jonas and Demi Lovato reunited on stage after a decade-long feud.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Angelina Jolie is selling her multi-million dollar home, Kathy Griffin confirms she got another facelift and Matt Belanger from 5 Eye Witness News comes in to play "News It or Lose It!"See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"For the last two decades, I've made over 20 films about the environment, starting with oil and carbon emissions. Those films, Kiss the Ground and now Common Ground, talk about how we can stabilize the climate, reverse climate change, grow nutrient-dense food, and help farmers make a profit through biodiversity and regenerative practices and principles.There's incredible intelligence in nature; it knows how to be resilient. We thought we could do it better, and in trying to mechanize and industrialize the entire system, we created a linear system that doesn't make sense. We're growing animals to produce food that we can't eat so that we can ship it halfway around the world. It's a system that doesn't work.The way to heal, regenerate, stabilize the climate, and reverse climate change is literally one inch and one acre at a time—through communities waking up to the power of soil and biodiversity to sequester carbon for all of us. The oceans can't handle any more carbon absorption; they're acidifying and heating up. We need to take the carbon we've emitted and put it back into the soil. When we do that, we create thriving ecosystems, biodiversity, and water infiltration, which massively reduces the risks from flooding. It helps reverse desertification and staves off droughts by retaining water like a sponge. Resiliency comes from having genetic diversity rather than just one of everything."Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie,Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"For the last two decades, I've made over 20 films about the environment, starting with oil and carbon emissions. Those films, Kiss the Ground and now Common Ground, talk about how we can stabilize the climate, reverse climate change, grow nutrient-dense food, and help farmers make a profit through biodiversity and regenerative practices and principles.There's incredible intelligence in nature; it knows how to be resilient. We thought we could do it better, and in trying to mechanize and industrialize the entire system, we created a linear system that doesn't make sense. We're growing animals to produce food that we can't eat so that we can ship it halfway around the world. It's a system that doesn't work.The way to heal, regenerate, stabilize the climate, and reverse climate change is literally one inch and one acre at a time—through communities waking up to the power of soil and biodiversity to sequester carbon for all of us. The oceans can't handle any more carbon absorption; they're acidifying and heating up. We need to take the carbon we've emitted and put it back into the soil. When we do that, we create thriving ecosystems, biodiversity, and water infiltration, which massively reduces the risks from flooding. It helps reverse desertification and staves off droughts by retaining water like a sponge. Resiliency comes from having genetic diversity rather than just one of everything."Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie,Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"For the last two decades, I've made over 20 films about the environment, starting with oil and carbon emissions. Those films, Kiss the Ground and now Common Ground, talk about how we can stabilize the climate, reverse climate change, grow nutrient-dense food, and help farmers make a profit through biodiversity and regenerative practices and principles.There's incredible intelligence in nature; it knows how to be resilient. We thought we could do it better, and in trying to mechanize and industrialize the entire system, we created a linear system that doesn't make sense. We're growing animals to produce food that we can't eat so that we can ship it halfway around the world. It's a system that doesn't work.The way to heal, regenerate, stabilize the climate, and reverse climate change is literally one inch and one acre at a time—through communities waking up to the power of soil and biodiversity to sequester carbon for all of us. The oceans can't handle any more carbon absorption; they're acidifying and heating up. We need to take the carbon we've emitted and put it back into the soil. When we do that, we create thriving ecosystems, biodiversity, and water infiltration, which massively reduces the risks from flooding. It helps reverse desertification and staves off droughts by retaining water like a sponge. Resiliency comes from having genetic diversity rather than just one of everything."Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie,Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"For the last two decades, I've made over 20 films about the environment, starting with oil and carbon emissions. Those films, Kiss the Ground and now Common Ground, talk about how we can stabilize the climate, reverse climate change, grow nutrient-dense food, and help farmers make a profit through biodiversity and regenerative practices and principles.There's incredible intelligence in nature; it knows how to be resilient. We thought we could do it better, and in trying to mechanize and industrialize the entire system, we created a linear system that doesn't make sense. We're growing animals to produce food that we can't eat so that we can ship it halfway around the world. It's a system that doesn't work.The way to heal, regenerate, stabilize the climate, and reverse climate change is literally one inch and one acre at a time—through communities waking up to the power of soil and biodiversity to sequester carbon for all of us. The oceans can't handle any more carbon absorption; they're acidifying and heating up. We need to take the carbon we've emitted and put it back into the soil. When we do that, we create thriving ecosystems, biodiversity, and water infiltration, which massively reduces the risks from flooding. It helps reverse desertification and staves off droughts by retaining water like a sponge. Resiliency comes from having genetic diversity rather than just one of everything."Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie,Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"For the last two decades, I've made over 20 films about the environment, starting with oil and carbon emissions. Those films, Kiss the Ground and now Common Ground, talk about how we can stabilize the climate, reverse climate change, grow nutrient-dense food, and help farmers make a profit through biodiversity and regenerative practices and principles.There's incredible intelligence in nature; it knows how to be resilient. We thought we could do it better, and in trying to mechanize and industrialize the entire system, we created a linear system that doesn't make sense. We're growing animals to produce food that we can't eat so that we can ship it halfway around the world. It's a system that doesn't work.The way to heal, regenerate, stabilize the climate, and reverse climate change is literally one inch and one acre at a time—through communities waking up to the power of soil and biodiversity to sequester carbon for all of us. The oceans can't handle any more carbon absorption; they're acidifying and heating up. We need to take the carbon we've emitted and put it back into the soil. When we do that, we create thriving ecosystems, biodiversity, and water infiltration, which massively reduces the risks from flooding. It helps reverse desertification and staves off droughts by retaining water like a sponge. Resiliency comes from having genetic diversity rather than just one of everything."Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie,Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"For the last two decades, I've made over 20 films about the environment, starting with oil and carbon emissions. Those films, Kiss the Ground and now Common Ground, talk about how we can stabilize the climate, reverse climate change, grow nutrient-dense food, and help farmers make a profit through biodiversity and regenerative practices and principles.There's incredible intelligence in nature; it knows how to be resilient. We thought we could do it better, and in trying to mechanize and industrialize the entire system, we created a linear system that doesn't make sense. We're growing animals to produce food that we can't eat so that we can ship it halfway around the world. It's a system that doesn't work.The way to heal, regenerate, stabilize the climate, and reverse climate change is literally one inch and one acre at a time—through communities waking up to the power of soil and biodiversity to sequester carbon for all of us. The oceans can't handle any more carbon absorption; they're acidifying and heating up. We need to take the carbon we've emitted and put it back into the soil. When we do that, we create thriving ecosystems, biodiversity, and water infiltration, which massively reduces the risks from flooding. It helps reverse desertification and staves off droughts by retaining water like a sponge. Resiliency comes from having genetic diversity rather than just one of everything."Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie,Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

"For the last two decades, I've made over 20 films about the environment, starting with oil and carbon emissions. Those films, Kiss the Ground and now Common Ground, talk about how we can stabilize the climate, reverse climate change, grow nutrient-dense food, and help farmers make a profit through biodiversity and regenerative practices and principles.There's incredible intelligence in nature; it knows how to be resilient. We thought we could do it better, and in trying to mechanize and industrialize the entire system, we created a linear system that doesn't make sense. We're growing animals to produce food that we can't eat so that we can ship it halfway around the world. It's a system that doesn't work.The way to heal, regenerate, stabilize the climate, and reverse climate change is literally one inch and one acre at a time—through communities waking up to the power of soil and biodiversity to sequester carbon for all of us. The oceans can't handle any more carbon absorption; they're acidifying and heating up. We need to take the carbon we've emitted and put it back into the soil. When we do that, we create thriving ecosystems, biodiversity, and water infiltration, which massively reduces the risks from flooding. It helps reverse desertification and staves off droughts by retaining water like a sponge. Resiliency comes from having genetic diversity rather than just one of everything."Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie,Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Shauna reveals her deep but temporary jealousy of Olivia, because of her amazing experience seeing Lady Gaga in concert, but is soon over it. Then the Junkies get right to the topic: that specific genre of mainstream movies where at least one member of a married couple desperately want to kill someone - maybe even their spouse. Thinking all the way back to the 1980s to movies like The Shining and War of the Roses, to The Roses, the upcoming remake of that film starring Olivia Colman and Benedict Cumberbatch, Olivia and Shauna explore those movies where a marriage can literally be murder. YoYou can watch the Pop Culture Junkie Podcast on YouTube! Click here: https://www.youtube.com/@popculturejunkiepod/videos We have affordable and rewarding Patreon tiers! Be the first to hear new and uncensored content, if you dare! Click here: https://www.patreon.com/popculturejunkiepodcast/posts Apple Podcast: https://podcasts.apple.com/us/podcast/pop-culture-junkie/id1536737728 Spotify: https://open.spotify.com/show/7k2pUxzNDBXNCHzFM7EL8W Website: www.popculturejunkie.comFacebook: PopCultureJunkiePodcastInstagram: @pop.culturejunkieThreads: @pop.culturejunkieBluesky: @pop-culture-junkie.bsky.socialEmail: junkies@popculturejunkie.com Shauna on Instagram: @shaunatrinidad  Shauna on Threads: @shaunatrinidad Olivia on Instagram: @livimariez

Wir begrüßen im HTGH-Studio echte Superstars der Gen Z: Julien, Luis und Bene von den ELEVATOR BOYS. Was für die 5 Content-Creator mit einem TikTok im Aufzug begann, ist heute ein multimediales Phänomen geworden: eine Maison in Berlin, Millionen von Followern, internationale Fashion Weeks, eine eigene Investment Holding, eine Music Company, ein Filmprojekt mit Amazon Prime und nun endlich ihre ersten eigenen Songs. Hinter den Kameras, Likes und Red Carpets stehen fünf enge Freunde, drei davon erzählen uns heute, wie man zwischen Social Media, Musikbusiness und Dauerpräsenz auf dem roten Teppich bleibt und wie alles angefangen hat.Außerdem sprechen wir mit den ELEVATOR BOYS über ihre Freundschaft, Hater-Kommentare, das Influencer-Leben, mit welchen Stars sie schon im Aufzug eingecheckt sind, ihr ehemaliges WG-Leben, was Erfolg für sie bedeutet, welche Girlbands und Newcomer*innen sie abfeiern und warum Musik gerade zur Leidenschaft für sie wird.Es geht um Social Media Auszeiten, Brüderschaft, mentale Gesundheit, Bildschirmzeiten und Klickzahlen, Umgang mit Hate und ihre neue Single „California“Wenn die ELEVATOR BOYS nicht gerade von ihrer ersten Welt-Tournee träumen, würden sie gerne mal mit Angelina Jolie oder Natalie Portmann im Aufzug stecken bleiben.Bühne frei für ELEVATOR BOYS: They´re HERE TO GET HEARD!Dies ist eine Produktion von SENTAHOOD in Zusammenarbeit mit THOMANN supported by SHURE.LINKS:Hier findet ihr uns auf YouTube:https://www.youtube.com/@heretogetheardELEVATOR BOYS:https://www.instagram.com/elevatorboys/https://www.tiktok.com/@elevatorboys?lang=de-DEHate Aid: https://www.instagram.com/hateaidorg/THOMANN:https://www.thomann.de/de/index.htmlhttps://www.tiktok.com/@thomann.musichttps://www.instagram.com/thomann.musichttps://www.youtube.com/@ThomannMusicBLOG:https://www.thomann.de/blog/de/here-to-get-heard-buehne-frei-fuer-staffel-4-des-musikpodcasts/SHURE:https://www.thomann.de/de/social_shure-podcast-creator-gear.htmlSENTA-SOFIA DELLIPONTI:https://sentamusic.de/SENTAHOOD:https://www.sentahood.de/ Hosted on Acast. See acast.com/privacy for more information.

Send us a textJosh and Rich dive into hilariously candid stories about Josh's experiences training Hollywood stars Angelina Jolie and Kate Winslet, revealing the human side of celebrities that fans rarely get to see.• Training Angelina Jolie for Tomb Raider, transforming her from struggling with seven push-ups to doing 20 chin-ups in 12 weeks• Angelina's revelation that "the best high she ever had was being fit" during her physical transformation• The awkward wrestling sessions with Angelina and her stunt double Eunice Huthart• Josh's embarrassing close encounter with Angelina's unexpected bodily function during training• Kate Winslet's undercover visits to an exclusive men's gym as "Sally from Cincinnati" complete with fake American accent• Kate calling Josh regularly from the Titanic set in Mexico, sharing stories about the challenging filming conditions• The complicated dynamics when Josh began dating someone else while Kate seemed to have deeper feelings• Josh's similar experiences training Scarlett Johansson and other celebrities• The unique position of fitness trainers who become confidants to stars during vulnerable career momentsSupport the showSpotify Apple podcastsAmazon Music all other streaming services

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I didn't really appreciate bees until I became a farmer, and then I started to understand how essential bees are for our food. They pollinate 70% of our food, and that feeds 90% of the world. There's a whole world of insects that creates the color in our food; it's what creates the flavor in our food. It's part of our biodiversity, and it's essential for human life on Earth to protect and understand how to protect these bees and pollinators.If you look at the COP, the Conference of the Parties, they haven't even been talking about soil regeneration at all, and they've been holding these conferences in oil-rich countries, then talking about reducing carbon emissions. Soil has the power, through photosynthesis, to draw down carbon from the atmosphere. It's called biosequestration. It takes that carbon down into the roots, and then it turns it into healthy humus. That is the food for life in the soil. It needs that carbon. And so that is the purpose of plants. They breathe in the carbon and breathe out the oxygen. As we've been watching carbon levels increase in our atmosphere, we've been watching the ocean try to absorb as much of it as it can and become acidified as a result, leading to great losses to our ocean habitat and coral reefs.We've forgotten that simple tool of the solution that's right beneath our feet called soil health and soil regeneration. Not only does it draw down carbon, it's the only place we can put that teraton of carbon that we've emitted. There's only one place for it, and it's in the soil. So why isn't that the main conversation of every climate conversation? You not only bring the soil back to life, but you are creating nutrient-dense food. You're giving plants the ability to work in symbiosis with the soil that it co-evolved with. That then allows for it not only to be resilient and have a strong immune system, but also to absorb nutrition, which, in turn, we eat and absorb that nutrition. Like I said, we're a reflection of the soil.”Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Watch hol+ by Dr. Taz MD on YouTube: https://www.youtube.com/@DrTazMD/podcastsThe incidence of breast cancer is rising and has now surpassed lung cancer as the leading cancer worldwide. This script features a comprehensive discussion between the host and Dr. Kristi Funk, a double board-certified breast cancer surgeon and lifestyle medicine doctor. The conversation covers the rising rates of breast cancer, key risk factors such as diet, exercise, and lifestyle choices, and the role of early detection and screening. Dr. Funk shares her personal experiences, insights on how younger and older women can reduce their risk, the impact of hormone replacement therapy, and the importance of lifestyle modifications. Additionally, advancements in breast cancer treatments, including immunotherapy and personalized medicine, are explored as hopeful developments in the fight against breast cancer.About Dr. Kristi FunkKristi Funk, M.D. is a double board-certified breast cancer surgeon, and lifestyle medicine doctor, bestselling author, and international speaker. She graduated from Stanford University in 1991, received her medical degree from UC Davis, completed her surgical residency in Seattle, and a breast cancer fellowship at Cedars-Sinai in Los Angeles. She excelled as a Director of the Cedars-Sinai Breast Center until 2009 when Dr. Funk co-founded the the Pink Lotus Breast Center in Los Angeles where she currently practices. She has helped thousands of women navigate breast issues, including celebrities like Angelina Jolie and Sheryl Crow. Dr. Funk's nutritional science expertise sparked twin passions: the online women's social network, Pink Lotus Power Up, and her annual in-person or virtual Cancer-Kicking! Summits. She is the go-to breast expert for Good Morning America and Dr. Phil's Merit Street Media; she was a co-host of The Doctors tv show, and has repeatedly appeared on Today, Rachael Ray, The Dr. Oz Show, CNN, The View, and more. She resides in Los Angeles, CA, with her husband and triplet sons.Stay ConnectedSubscribe to the audio podcast: https://holplus.transistor.fm/subscribeSubscribe to the video podcast: https://www.youtube.com/@DrTazMD/podcastsFollow Dr. Taz on Instagram: https://www.instagram.com/drtazmd/https://www.instagram.com/liveholplus/Join the conversation on X: https://x.com/@drtazmdTikTok: https://www.tiktok.com/@drtazmdFacebook: https://www.facebook.com/drtazmd/Connect with Dr. Kristi Funk:https://www.instagram.com/drkristifunkhttps://pinklotus.com/Host & Production TeamHost: Dr. Taz; Produced by Rainbow Creative (Executive Producer: Matthew Jones; Lead Producer: Lauren Feighan; Editors: Jeremiah Schultz and Patrick Edwards)Don't forget to like, subscribe, and hit the notification bell to stay updated on future episodes of hol+Time Stamps02:53 Current Trends and Statistics in Breast Cancer06:27 The Role of Genetics and Lifestyle in Breast Cancer09:33 Diet, Exercise, and Environmental Factors35:06 The Impact of Emotional Health on Breast Cancer41:22 Breast Cancer Screening for Young Women47:47 The Debate on Mammograms and Ultrasounds50:39 Understanding DCIS: Overdiagnosis and Overtreatment58:41 Hormone Replacement Therapy and Breast Cancer01:13:41 Future of Breast Cancer Care and Treatment

When a digital creator gets 50,000 views talking about a landmark NYC streetart spot that has been a cesspool of antisemitic blood libelous hate for the last 700 days like it's some fancy shmancy bougie ass boutique with amazing art on the front......well FACT fucking matter. And while Angelina Jolie has done fuckall to address the garbage on the facade of Basquiats home allow me to address what is really going on on the walls of what was once a global streetart destination and is now a joke of hypocritical af conveniently performative silent when it comes to jew hate lame ass artists. No ill will toward Lucy McOrban and the mic is always open. But those street art community bridges have been burned beyond rebuilding. Thanks for listening. Follow along on the gram @doodlehedz

This week on the Exciting & New podcast, Jason and Andy try to go at it without Dana for a week as they discuss the 1985 crime drama Runaway Train.  Angelina Jolie and Emma Robert's dads break out of jail and hop a train to freedom.  Except no one is driving the train!! Rebecca DeMornay is also on the train for... reasons?  Listen to the podcats to hear our experts discuss how they think a train works, and also a short Ozzy tribute they forgot to do in the Mini.  Enjoy the podcast.

We dove headfirst into the craziest celeb couples—from Pamela Anderson and Liam Neeson (yes, really) to Tom Cruise and Cher (what in the 80s fever dream?). There’s speculation around Katy Perry and Justin Trudeau, and we took a detour through Angelina Jolie’s trampoline room and Kris Jenner’s $250K facelift.See omnystudio.com/listener for privacy information.

We finally made it to the new myTalk studio! We catch up on our farmers market weekends. The blinds are full of hot gossip about Angelina Jolie. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

After a rocky relationship between Deep Cut and Mr. Pablo Larrain, we come back to the final film in Larrain's “important 20th century white women” trilogy (as Ben describes it). Will Larrain redeem himself with a portrait of the final days of Maria Callas' life? Or will he and Stephen Knight sh*t the bed again? Wilson praises Angelina Jolie's comeback performance, Ben praises how pretty the film is, and Eli praises the prop glasses, but is all that enough to get the film over the line? Listen to find out. Links:Thomas Flight: Do Musical Biopics Have a Fatal Flaw?Sing our praises at our free patreon, discord server, and our socials @ www.deepcutpod.comTimestamps:00:00 Intro03:33 General reactions10:05 Saving graces of the film14:10 Narrative22:33 The Mandrax of it all24:53 Supporting characters27:36 Flashbacks and musical biopics30:50 We pitch Maria Callas biopics33:01 Pablo Larrain power ranking38:18 Outro

#MattLeinart opens up about his fumbled shot with #Rihanna! Plus, #WakaFlockaFlame allegedly gets the boot from a venue after a heated incident! #SalmaHayek & #AngelinaJolie keep it low-key on commercial flight? We dish with KJ Smith and Crystal Renee Hayslett about the new season of "Sistas"!

No, not the Angelina Jolie one, the one with the guy who played Patton.Welcome to the Movies to Watch Before You Die Podcast with Gab and Dylan!Movies To Watch Before You Die merch here - https://moviestowatchbeforeyoudie-shop.fourthwall.com/Look up the movie here - https://www.imdb.com/title/tt0095705/Find us everywhere here - https://linktr.ee/moviestowatchbeforeyoudie00:00 Welcome02:10 What's it about?13:18 Opinion Time40:33 Let's get to the facts53:53 Mail Time55:35 VerdictsWe're a member of the Hall of Pods, find links for our podcasting friends here - https://linktr.ee/hallofpodsWho are we: A former actress and video editor but more than anything we're movie fans like you.Why listen? Why not! We're gonna talk about movies you love, movies you hate, and movies you've never heard of. We can't wait to hear what you think of them too. If you want to tell us your opinion on whether or not a movie is one we should watch before we die, tell us we're wrong, or tell us you like the show send us an email or voice message at moviestowatchbeforeyoudie@gmail.com . We can't wait to hear from you and we can't wait to talk movies!Thanks to Scott Interrante for the music in our intro!Thanks to Brian Maneely for our artwork!Movies Dylan and Gab agree you should watch before you die: Vampire's Kiss, Die Hard, Tropic Thunder, Wag the Dog, The Legend of Billie Jean, You've Got Mail, True Lies, The Room, Game Night, The Truman Show, The Great Gatsby, Whiplash, The Lost Boys, The Fugitive, Spider-Man: Into the Spider-Verse, My Cousin Vinny, Shutter Island, Starship Troopers, Big, Joy Ride, The Jerk, Alien/Aliens, Best in Show, Freaky Friday, Over the Garden Wall, North, Catch Me If You Can, Clue, Jerry Maguire, Groundhog Day, The Great Mouse Detective, Chicago, Wall-E, Teenage Mutant Ninja Turtles, Breakdown, Cool Runnings, Ruthless People, Mean Girls, Borat, A League of Their Own, City Slickers, Jingle All the Way, Saw, The Lion King, Little Big League, The Naked Gun, Young Frankenstein, and Tootsie

Quaranteam-Northwest: Part 2 The Start of Something New Based on a post by Break The Bar. Listen to the ► Podcast at Explicit Novels. Grierson finally sat forward, meeting me energy-to-energy as he kept my gaze locked in. "And yet, here we are, Mr. Black. We can either come up with a deal, or I swear to Christ and all the Saints that the government will seize this land for eminent domain under the emergency provisions of the pandemic and you won't be able to do a fucking thing about it." "Sell, or die," I said. "So you can build a 'resettlement camp?' Jesus Christ, yourself. If you know so much about my family history, you know building a fucking 'camp' of any sort on this land would be the absolute last thing I would bend over for." "I didn't say 'camp.'" Grierson said. "No matter what your Native, and Japanese, forebears had to go through, listen to me; this is the farthest thing from that." I was 1/32nd native from my father's side and 1/16th Japanese from my mother's side. Again, not the hardest thing to dig up, but while I had the black hair of both those ancestries, I mostly just looked like a tall white guy with a pretty generic last name. No one ever assumed I was anything else in passing. "What does that even mean?" Erica asked. "It means we aren't building concentration camps," Grierson said, glancing over at her. "We aren't building a reservation, or an internment camp, or any of the other shitty things our and other governments have done to people." He looked back at me again. "We're going to develop this land into a neighborhood. The God damned fanciest kind of gated community you can think of. Big houses, big properties, for people who do or did important work to settle in safety and stability as we try to survive this shit show virus." "None of this answers why," I said. "Why should I agree to this? Why shouldn't I make it so fucking annoying that you go find a different patch of land and leave me alone?" Grierson frowned, though I had the feeling he'd been planning this from the start. He wanted me to work to peel back the layers of information, to earn the answers because that would make me believe them more. It would tick off boxes in my psychology and experience. The fucking problem was even though I knew he was doing it, it was also working. "Because you'd be saving lives," Grierson answered. "Our pilot development down in California is called New Eden; the place is only two-thirds built to starting specs, and we're already out of room on the next five phases of development once it's opened. Now it's my job to set up the next locations and get them rolling because our current projections are that within the next six months, the death toll is only going to skyrocket. We can't even get a grasp on what the numbers might reasonably be because the range is so fucking staggering. Millions is the easy number, Mr. Black." It was my turn to say it. "Fuck." "Now, you're not going to hear that on the TV," Walters said. "You won't hear it from the CDC, or the other health agencies. The only reason we are cleared to tell you this is because folks in our circles have developed the preference to work with reasonable people when they are useful. And also, who would fucking believe you?" "Here's our offer," Grierson said, pulling out a slip of folded paper from inside his suit jacket and putting it on the coffee table. "That's the hard cash number we've designated for this deal. No taxes. Straight transfer from us to you. There will also be other perks, including homes inside the settlement for you and Mr. Lacoste. Things are about to get really weird in the world. Have you heard anything about the Tier system?" "Nothing," I said, but Leo spoke up. "I saw some rumors. It's supposed to be some kind of a terrifying triage, right?" he asked. "Who's the most worthy kind of shit. People started protesting, but I thought it got debunked." Grierson nodded. "Oh, we stopped the protests, but it's all too real. I won't hide it; I find the entire thing absolutely un-American. It's the kind of shit the Chinese government operates, but it is what it is." Walters drained the last of his coffee and set the mug onto the coaster on the coffee table politely. "Suffice it to say, it's a sort of social karma system. The more important you are to society, the more protections and comforts you're afforded as we roll out our limited resources on quarantine defenses. There's 5 tiers, one being the lowest and five the highest. Most of society will land in the 1's and 2's, including all three of you. This development we'll be building is mostly going to house 3's and 4's. As part of the deal, we'll place Leo at tier 3 for resettlement purposes, and you Harrison would be placed at tier 4 despite your lack of qualification in the matter." This entire conversation felt like I was running downhill trying to keep up with an avalanche. "That sounds an awful lot like a really great way to set up for corruption," I said. "A fucking caste society? Really?" "It's already done," Grierson said. "Believe me, there were a lot of in-the-know people against the idea. But it's the only idea that works in this situation. We've gamed it out to the Nth degree. Leo, your description is pretty much the best that we were able to make internally. We're triaging society to make sure it stays together and can weather this hurricane." "What would we tier at without this?" Leo asked. "Leo Lacoste," Grierson said, talking as if he were reading directly off of a portfolio even though he rattled it off without referencing anything. "Positives: Early thirties age bracket, relatively fit and healthy. Low-to-Mid career path; carpentry skills of moderate qualification. No criminal record. Negatives: No community investment. Likely rating: Tier 1." "Harrison Black," he continued. "Positives: Early thirties age bracket, relatively fit and healthy. Former military service including Military Police service, honorable discharge at the rank of MP Investigations Special Agent, no known psychological impacts. No criminal record. Negatives: No community investment, null-rank career; freelance artist. Likely rating: Tier 1." "To be fair, there is a big question mark on your file that we couldn't fill," Walters said. "Your honorable discharge happened mid-tour, without any reported incidents or injuries. It's surprising you haven't been called back into at least reserve service with the Emergencies Acts. A decent answer would probably bump you up to tier two." "I can't talk about it," I said. Erica snorted and rolled her eyes, and both men looked at her. "Erica," I warned her. "What?" she demanded. "They just called you 'low tier,' Harri. If you're not going to tell them then I will." "I can't talk about it," I said again. "Harrison knocked out an Air Force bigwig when he was an MP and stationed in Germany," Leo cut in. "The guy was abusing and trying to blackmail a female subordinate into sex. The only reason we know is because she tracked Harri down a few years ago and we met her in a bar in Portland." "The bigwig was politically protected and nothing happened in the end," Erica said. "At least, that's what she said. He got shuffled around, and Harrison got the boot." "I got an honorable discharge instead of a court martial for striking a very superior officer of a different branch," I said. "And part of that deal was that I not talk about it." "Well that explains some things," Grierson said. "It wouldn't change anything though. If you were doing something more useful with your life than painting little pictures, you might have made tier two or three without this offer." "Says you," Erica scoffed. "Art is useful. And important!" Grierson pursed his lips slightly. "Erica Lacoste. Not an official resident of the property, but I know enough. Positives: Early thirties age bracket, relatively fit and healthy. Negatives: Criminal record, including battery, two counts of public drunkenness, and public urination. No community investment. Null rank career; tattoo artist. Likely rating: Tier 1." "Hey, fuck you too," Erica said, and pointed her middle finger at Grierson, along with a scowl to go with it. Honestly, none of that was surprising news about Erica for me except for the Battery charge, I definitely needed to get that story out of her. "Okay, we get it," I said, interrupting what I had a feeling was about to become a degenerating path of conversation. "You know about us. You do realize this is all a little much, right? It comes across as insane." "Of course it does," Grierson sighed. "But a year ago, only bored analysts tripping on LSD were asked to think about these kinds of situations. Now we're in it, right in the damned middle of the clusterfuck." "You should really look at the offer," Walters said, gesturing to the folded paper I hadn't looked into yet. It sat on the coffee table like an accusing finger pointed at me by my father, and his father before him. How dare I even consider this? "So it's a butt load of cash," I said, still not opening the paper. "And we get treated like what, royalty? And in exchange, I lose my family legacy." "Royalty is a stretch; you're selling us land, not curing cancer. We'll take care of you like valued members of society. You'll also get early access to the vaccine," Grierson said. "There's a vaccine?" Leo immediately asked. "Social media has been wild with rumors but,” "It's still experimental," Walters said. "And undergoing trials. But it's functioning, with some unconventional side effects. They're still doing long-term tests down in California, but we're going to start rolling it out down there any day now once the doctors are happy with the plan. That's how bad we need it, FDA bullshit be damned." I took a deep breath and let it out slowly. "Flipside, stick. If I don't cut a deal, you'll use the might of the US government to bend me over and rip my family legacy right out of my ass." "You got it. But like I said, we prefer working with people. There's always a silver lining to making friends," Walters said. "Fuck," I said again. Then I flipped one half of the paper open and looked at the number written on the inside. There were a damn lot of zeros. "I need to call my sister," I said. "But pending her approval, I'll lease it to you. All 560 acres, for a hundred years less a day; that's what people do, right? And Leo and I get to pick where our houses are built." "That's not how this works," Walters said. "It's my counter offer," I said. "Hold on," Grierson said, raising a hand to his partner. He narrowed his eyes as he looked me over again. He was a man who made judgment calls on the fly, despite his ability to reel off memorized facts like he'd been living with them for years. I could practically see the rusty old gears turning behind his grizzled facade. "Fuck it," he finally said. "We need to survive the next six months, year, five years and decade before anyone will be worrying about next century. Make your call." "You're really doing this?" Leo asked me as I stood up and fished in my pocket for my cell. "My family has had to defend this land from everything and everyone except the federal government," I said. "Up until now, they might be the only people who haven't thought they had some claim to it. Obviously, this will all need to be in writing before I make a final agreement, but look at the news; everything they're saying makes some sort of terrible sense. And I'd rather get the carrot than a stick so far up my ass it's tickling my brain stem." I went outside to the porch to make the call to Valerie, my older sister. It was quicker than I thought it would be; Val and her husband Brad were hearing horror stories from their nursing friends in the local hospitals, and she immediately understood the position we were in. We hadn't always gotten along the best growing up, but if Val had one thing it was a practical head on her shoulders. When I came back inside, I nodded to Grierson. "Add in another house for my sister and her family, and we've got a deal." "In exchange for the Lease, and the extra house," Walters said, "We're going to need your help in identifying the landscape. I assume you know it fairly well; we'll want you to walk our surveyors through to show any odd landscape elements, seasonal issues like flood areas, that sort of thing." "Done, as long as I can point out the shit they shouldn't fuck with and they actually listen," I said. "There are some pretty big old growth trees out there that would be a fucking shame to cut down." "I understand your concerns, son," Grierson said, as he stood and offered his hand. "But believe me when I say this; we aren't looking to build any high rises or pave over the place. These developments are for people important to society for one reason or another, and that means we're making sure to give them the best we can. Landscape included." One last deep breath and I reached out and hovered my own hand near his. "In writing before it's official." "The contract will be done by this afternoon and we'll email it over. Our lawyers work on our timeline, not their own," he said and grasped my hand in his. We both had larger hands than most, but I could immediately tell he had the grip of a man made from the iron bones of a hard life. I'd like to think he felt the same in my grip, but I had a feeling he'd shaken hands with much harder and scarier people than me. "When can we get vaccinated?" Leo asked. "If we're going to be working with surveyors and shit, shouldn't we all be as safe as we can?" "We have a testing site opening up in Portland as we speak, so it can get done as soon as possible," Walters said. "Though, as I mentioned, things are a little bit unorthodox right now. Harrison and Leo, you'll need these codes. Get online this afternoon, go to the website and fill out the questionnaire. It's extremely important you are entirely truthful. Your answers will affect how your tier ranking will play out for you as we roll it out over the next few months across the west coast." He pulled out two business cards from a pocket, each with their names, an URL and a twenty-five-digit passcode, and handed them to Leo and me. "What about me?" Erica asked. "Vaccination side effects and implementation are different between men and women," Grierson said. "Just like the virus is overly affecting men, the vaccine has different effects. If you want your vaccine immediately, Miss Lacoste, you're going to need to fly with us back up to Portland and attend the information session this afternoon that some of our volunteer human guinea pigs are doing. Then, if you agree to the risks and side effects, we can have you immunized as soon as tomorrow morning." Things moved quickly after that. Erica went to pack an overnight bag and put on her 'going out into the world' gear that she usually wore for grocery trips into town; she'd be put up in a quarantine hotel while in Portland for the night before she returned the next day. Within ten minutes she was ready to go and Walters was escorting her out, and the helicopter was warming up its rotors with a whining hum in the front yard. "I'm glad you agreed to the deal," Grierson said, offering his hand to me again, which I shook. "You may not fully understand what you've agreed to yet, but when you do I expect a more enthusiastic thank you. I get that the cash wasn't the important factor with you, son. I grew up on a ranch in North Dakota, I know what family land means. This place is going to do a lot of good for people." "Are you managing the development?" I asked, raising my voice to be heard over the rising thrum of the helicopter. "Not a chance," he said. "It'll be managed by the Air Force, they've been spearheading with the CDC on all these efforts. I'm just the pre-show, but I'll be around to check in on the progress every once in a while, and do the problem solving other people can't handle." "What does that look like?" I asked. "Any way it needs to," he grinned, and I saw the look that all veteran soldiers had. An acceptance that violence could come easily into the life of a person, and that they knew how to handle it when it came. "And don't be alarmed, but we've already had a crew starting to widen your driveway down at the highway. They'll work through the night and probably make it up here by tomorrow morning." "What's the rush?" I asked. Grierson barked a laugh as he started backing away from me towards the open helicopter door. Sour-puss lady was leaning out, holding onto the door and looking like she was about to try and scold Grierson for keeping them waiting. "Kid, in two weeks' time there's going to be well over a thousand lumberjacks, construction workers, surveyors and architects up here. Government moves slow, but OGA were designed to do the opposite. Your life is about to get a little crazy, I'd strap in." I had too many questions to even start one as Grierson hopped into the dark interior of the helicopter. The door slammed, the motor whined at a higher pitch, and it leapt into the sky and started heading north. "Hey, does this questionnaire strike you as way too fucking personal?" "Hmm?" I asked. I was sitting on the front porch with my laptop open, but I hadn't even keyed in the website URL. Instead, I'd been sitting there for over an hour just looking out at the trees, wondering if I'd just betrayed six generations of my family in under thirty minutes. "These questions," Leo said, holding up his own laptop. He'd stepped out the front door and had a look of confusion plastered on his face. "It's like... sex stuff. Shit I wouldn't talk to you about, let alone the government." "What?" I asked. "Are you sure you're on the right site? It's supposed to be about the tier thing." "Yeah, I'm sure. Dot-Gov link and everything." "Fucking OGA," I grimaced. "You and that Agent dude kept saying that. What does it mean?" I sighed. "Other Government Agency. It's kind of a military meme for when someone from the CIA doesn't want to say they are from the CIA. Or, if you're into conspiracies, it's completely separate from the CIA but they're so secretive they don't even have a name." Leo just shook his head and sighed before sitting down in the other deck chair. He joined me in looking out at the forested hills that had surrounded us for the last five years. "Did I fuck everything up?" I asked him. "What? No," he said. "Well, I mean, it's hard to know. But no, I don't think so." "This is all going to go away," I said, gesturing out to the wilds that had been my childhood, and our shared backyard. "My family has been on this land for over a hundred and fifty years, and I just agreed to let the government wipe it out." "It's not like you had much of a choice, Harrison. Carrot and stick, like you said. And whether those guys were CIA or something else, they definitely seemed to have a really big fucking stick. They flew in on a damn helicopter." "Still," I said. "I feel like I'm selling out my childhood." We talked for a while, reminiscing. Leo let me tell some old family stories he'd already heard a half dozen times before. We joked about the shit we'd gotten up to, living out in our backwoods paradise. "Maybe it's time for a change," I sighed. "This was never going to last forever." "Felt like it though, didn't it?" Leo asked. "Yeah, it did." Poing! Leo's laptop, sitting forgotten, made a horrible noise. He glanced at it, "Ah, shit. I timed out. Now I gotta start all over again." He started typing away, and I finally opened my own laptop. The first thing I did was open my emails, and sitting right at the top, already marked with an 'important' star, was the email with the contract. Everything is as discussed. Print and sign, someone will be by tomorrow to collect. Make sure you fill out the questionnaire!; Walters. "Jesus," I muttered. "They really are putting a lot of emphasis on this thing." I opened up the website, starting by filling out all the basic information. Then, just like Leo said, it started to get weird. It was like filling out the most invasive and specific dating app ever. "I feel like they're going to try and 3D Print me a girlfriend," Leo laughed at one point. "Maybe it's cloning," I snickered. "That's fair. I wonder if they can clone me an Angelina Jolie?" "Gone in 60 Seconds Jolie, or Wanted Jolie?" I asked. He snorted. "Mr. and Mrs. Smith Jolie will always be my peak. Or Tomb Raider." "Ugh," I scoffed. We went back and forth like that, laughing at the ridiculousness of the questions and suggestions. The list of kinks we were attracted to, or turned off by was immense. We had to help each other even figure out what some of them were. I found myself ticking off some that surprised me because I'd never considered them before but they sounded hot. Other stuff I down voted hard, and I couldn't believe someone would ever admit to the government that they were into them. Hell, one of the suggested kinks was the government. Who the fuck got hot under the collar about bureaucracy and paperwork? I mean, I guess someone would, somewhere, or it wouldn't have been on the list. "What did you put for that last one?" Leo asked me as I was closing my laptop. "The relationship style scale?" I asked. "Yeah. I put a full 10, polyamory all the way. How hot would it be to be some sheikh with a harem of ladies?" "I went for a 6," I said. "I'm not going to turn down a threesome or anything if that's what my girl wants, but I'm also not into the idea of sharing with another boner." Leo shrugged, closing his eyes and leaning back in his chair. "I don't know, my dude. The Agents did say the world is changing. Maybe the norm will be great big orgies next year, and we'll all be smashing like it's our jobs." I snorted and smirked. "Yeah, sure. Society threatens to collapse and we all devolve into Eyes Wide Shut perverts." "One can dream," Leo laughed. We spent the evening starting to pack. It was tough, since we weren't really sure what the actual plan was. The contract fully outlined that we'd be getting new residences in the development, which was being called 'Valhalla,' but it wasn't exactly clear what the timeline was. I pushed for Leo to get packing sooner than later. My days in the military had me trained to expect 'hurry up and wait' to never mean waiting on the little guy, and right now we were definitely the little guy. We were woken up in the middle of the night by the sound of machinery, and we got dressed and rode the ATVs down the driveway. The gravel trail stretched about a half mile from the highway up to the house, but we only made it around a couple of bends before we came to the lights and action. "Stop right there," someone with a megaphone called to us, and we pulled our rides to a halt and cut the engines. "Who the fuck are you?" the voice asked. "Harrison Black. You're on my,” I had to stop myself. As of that evening, I'd signed the contract. It wasn't mine anymore. "We live here," I corrected. "Oh, it's you," said the voice. One of the workers stepped forward. He had on a big, bright orange reflective vest, and had a clipboard in one hand and the megaphone in the other. "Keep working, boys!" he shouted, and the machinery ground into action again. He approached us and stopped about ten feet away, despite needing to shout to be heard over the machinery. "Sorry about the noise. We've got orders to get this road done up to your house by tomorrow." "We heard," Leo said. "How does this all work?" I asked. "Shouldn't you guys be in quarantine gear or something?" "We got tested twice over the last two days in preparation for the job," the guy said. "Everyone on the crew is clean, and we all damn well needed the work. Fastest turnaround and the highest pay I've ever seen. Still, we're supposed to keep our distance from anyone other than the team. You guys get tested?" "No," I shouted back. "But the Government guys who set this up didn't seem to care." "Yeah, they did that with us, too. Acted like they were immune. Hell, maybe they are," the worker said. "You hear about what that idiot in the White House said yesterday?" We traded some stories we'd heard. It was strange, usually Leo and I were pretty private with strangers, but after so long in isolation with just each other and Erica, and the fucking weird encounter with the Agents, it was nice to just shoot the shit with someone new and normal. Even if it was shouting over the sound of machinery. Williams was the foreman of the operation that was clearing the trees to either side of the road. Another crew was working behind them, and trucks were already dumping off heavy set gravel at the entrance to widen it into a three-lane road. By morning they expected to have all of the trees, stumps and all, ripped out and stacked up for processing, and the driveway would be graded and levelled by lunch. The speed at which the crew worked was almost frightening. They were all experienced hands and did everything safely, but it was clear that they were motivated. While we were talking, Leo and I had to back up our ATVs twice to clear space for the crew to move ahead. Eventually, we said good night to Williams and headed back up to the house. I went back to bed, wondering if I'd made a terrible mistake. True to their words, by the time Leo and I woke up in the early morning, the clanging and crashing was just fifty yards from the front door. We made a couple big pots of coffee and brought it out to the guys, and one at a time they all walked over to the stump we used as a table and poured it into their thermoses while we stayed back. I had to make two more trips with more fresh coffee to cover everyone; in the dark it had been hard to tell how many people were working stretched out along the driveway. The clearing crew itself had to be thirty people, and a tired but thankful Williams said the gravel grading and levelling crew was probably just as big. "I'm sure we'll see you around," Williams called as the workers started packing up their equipment and prepping their heavier machinery for transport. "Supposed to be lots more work to do up here, yeah?" "Guess so," I called back. "Where are you guys headed now?" "They set us up in a motel about 20 minutes south. We've got guys on the crew from all over; they recruited all of us to fly out for this work, all expenses paid. Gotta tell you, it felt like hitting the lottery after sitting around in quarantine with my savings siphoning away." They left behind stacks of logs and stumps along the side of the now widened driveway area, and soon Leo and I were prepping a whole new serving of coffee as the morning wore on and the grading crew made its way up my old driveway. The guys on that crew were a little more hesitant to chat since they felt like they were running behind schedule, but they were happy enough to take the hot coffee after a whole night of work. It was around noon when one of the grading crew came up and knocked on the front door of the house. I'd been busy cleaning out the attic; one of those jobs I'd always had on my list of things to do around the property but never got around to. If there was anything up there worth saving, I hadn't found it yet, but it was worth the look. I came down to the front door covered in dust. The guy took one look at me from where he'd backed to 'social distance' and started laughing. I took one look at him, covered in gravel dust with rings of sweat from where he'd taken off his hard hat, and laughed right back. "Sir," he finally said after a minute, "We just thought you should know that the crew down at the far end of the road said someone in a green pickup truck drove by real slow a few times. The third time they pulled over and asked what was going on, but the boys down there followed orders and didn't tell him anything, so he peeled out. Just figured we'd let you know." "I appreciate that," I said, and sighed in the way that only old family history could make me sigh. Deep, long and aggravated. "And I think I know who it probably was. Thanks for letting me know." He nodded and went back to work. I didn't even think to ask what all was going on down at the end of the new road they had installed until he was already at the other end of the yard. "What's up?" Leo asked when I went to join him in the barn. "One of the crew guys said they saw a green pickup doing drive-buys." "Hah! Well, I guess that's not going to be your problem anymore, is it?" Leo laughed. I smirked. "Not legally. I'm sure I'm still going to be on Kara's shit-list and get a fucking earful though." I ended up spending the early afternoon helping Leo pack up a bunch of his woodworking equipment. The smaller stuff was fairly easy, but he needed the extra body for some of the larger presses and table-mounted saws. It felt like we'd barely made a dent when the double-honk of a car broke our concentration. We both headed around the side of the barn to find Erica getting out of the passenger seat of a black town car that had eaten a whole lot of the fresh gravel dust and now looked like someone had dusted it with flour. Sour-puss Agent Maggie was getting out of the driver's seat. "Hey, sis, how was it?" Leo asked. "Umm-Hmm," Erica said, shaking her head and holding up a finger to keep him from hugging her. "I need to talk to both of you inside." She had nervous energy going on, bouncing her weight on one leg and chewing on the corner of her lower lip. "Give me twenty; no, give me thirty minutes." "Is everything alright?" I asked. Erica was already moving quickly into the house. She'd had a look on her face like she was sick, and flushed with a fever or something. I turned to Agent Maggie. "Did something happen? She didn't catch the virus, did she?" "No," sour-puss said, that permanent sneer never breaking. "She knows everything she needs to, and needs to talk. Just do what she says." "What are you talking about?" I asked. Leo had followed Erica inside to make sure she was Okay. "Look, prick. Your little 'send her to the car' thing yesterday made me look bad, and now I'm stuck as a glorified cab driver while my boss and my partner are off to another shitty corner of the country like this one to bribe someone else into handing over their property to the government. Just fuck off inside and enjoy your new fucking world, you Mamoa-wannabe jerk." She got back in her car and slammed the door closed, then started to peel away and spin the car around before slamming the breaks and rolling down the window. "I'll be back again in a few hours with Lacosta's partner. He needs to be here waiting." "What?" I asked. She just flashed me her middle finger as she drove away. God damn woman, I sighed, watching her kick up dust and loose stones as she drove way too fast down the brand new gravel road. I shook my head and went inside. Erica was already upstairs and I could hear the shower running. Leo just shook his head and shrugged, "She wouldn't say anything. Just muttered about needing to get ready for something." "This is weird," I said. "I'm really fucking hoping this whole thing isn't going to blow up in our faces." "If it is, we might as well take it head on. Too late to do anything else," Leo said. "That's too fucking true, my friend," I said. Thirty-five minutes later Erica, dressed in a pair of her tight jeans with all the holes 'stylishly' cut into them down the legs and a black Metallica hoodie, strutted down the stairs and immediately began pacing and fidgeting with the strings of her sweater hood. She had done her full makeup, and seeing her like that was almost as shocking as the first time she'd gone without it; it had been a month since she had bothered with makeup at all, since even when she went out on grocery runs she was entirely covered up. "Sit," she demanded when we joined her in the living room, pointing me to my usual chair and Leo to the couch. He furrowed his brow as he watched his sister's nervous energy, but I wasn't sure it was because he was worried or didn't like her ordering him around. Their whole twin thing had always been more bouncing off each other than working in parallel. "Alright, alright," I said, hands up as I went to sit. "What's going on, E?" She stopped pacing and looked at both of us, transferring her energy into tapping her foot. I'd only ever seen her like this once before, right before we'd had our big group conversation about her staying indefinitely through the quarantine. Later, she'd elaborated to me a little bit more as to why she'd been so nervous; beyond the pandemic dangers, and feeling alone if she left, Erica had been chipping in for groceries with us, but that was it; the woman couldn't work during the pandemic, and tattooing hadn't exactly fueled her savings accounts. Everything all piling on at once had turned her into a nervous wreck, the opposite of her usual self. So what was doing this to her now? "Erica," Leo said, snapping her out of the train of thought she'd lost herself in staring at me. Her gaze was intense, only added to by her sexy post-punk look. It was like she'd erected a wall of armor around herself, or was taking on a persona that she'd let drop. "Right, sorry, I'm just really fucking distracted," she said. "Look, there's no way to say this easily without sounding sort of crazy at first, Okay? So I'm just going to say it, and you both need to listen cause I'm only explaining it once, alright?" Leo and I both nodded. "Alright, so the vaccine isn't just like, a shot. Well, it is for women. I got it this morning, and I'm something like 97% immune to the virus. But for men it isn't a shot. I did that information session and they showed us a bunch of research I only half-understood thanks to my AP bio classes back in high school, but I definitely got the video. The vaccine is pretty much lethal for men, and it has some weird side effects for women. They couldn't remove those aspects, so they modified it in other ways to try and adjust." "So how are we supposed to get vaccinated?" Leo asked. Erica licked her lips, and I realized she was sweating slightly. She glared at her brother, then looked at me and her eyes softened, then hardened, and I couldn't tell if she was angry at me or what. Then she glared back at her brother again. "They basically turned the vaccine into an STD, and it's the only way for men to get vaccinated. It's not permanent and needs frequent upkeep in both men and women, and it turns women fucking horny as hell if they go without for too long." "I'm sorry, what!?" Leo burst out. "And you took the shot?" "Just shut up, Leo!" Erica tried to shout him down. "I heard all the evidence, I weighed my options, and I decided this was the best thing to do. The whole tier system thing? I did the same questionnaire as you guys did, and they gave me a list of good matches. People I could go become a partner of. Like, sexually, and maybe romantically. We'd live together in quarantine, screw each other into immunity, and be that way for the foreseeable future until they fix this vaccine." "That's so fucked up," I said. "They wanted you to just shack up with someone you didn't know?" "Yeah, except someone I did know was on my list," she said. "Who?" Leo asked. "Are you moving back to Portland?" Erica turned from her brother and looked right at me. "Oh, no," Leo said. "No, no, no. You two are not becoming fuck buddies. We discussed this, Erica!" "Wait, what?" I said. "You discussed,” "Not important!" Leo shouted. "It's not important. It's not happening." "It's too late, Leo," Erica said. Then she turned to me. "At least, it is if you're into it. Look, Harrison, you can say no. I can't make you do this. What's-her-name will come back and get me, and I'll pick someone else on that list they gave me, and I'll go stay with them wherever they are. No hard feelings, you've done so much for me already that I can't even start to say thank you properly. But fuck I really want to fuck you. I've been getting off thinking about you almost exclusively for weeks, and the only reason I never asked you out in all these years is because I promised Leo back in high school I wouldn't ever date his friends." "And this is better?!" Leo squawked. "Shut up, Leo!" Erica shouted back at him. "You're not seriously considering this, are you?" Leo asked me. "You can't; Why; Come on, dude. She's my twin sister, it would be like... ugh!" He threw his hands up in the air in frustration. I rubbed my face with both hands and took in a deep breath before looking back at the siblings. "Alright," I said slowly. "First off, Erica, is this the vaccine talking? Just try and focus, cause this sounds an awful lot like some crazy date-rape drug and not a vaccine." "God, fuck. Why do men have to make things so hard?" she said. "I've wanted to fuck you for ages, Harrison. You being on my compatibility list at the vaccine center just made the decision fucking convenient instead of a fantasy." I turned to Leo. "Would you rather it be me, or some freak you know nothing about?" "I'd rather it be no one!" Leo said. "That's not an option anymore," Erica growled. "I've already got the shot. I'm just going to get hornier and hornier until I fucking snap, Leo. Then I'll fuck anything that fucking moves, that's the way it works. I need to bond with someone or I'll lose my goddamn mind. There are still a few days before I apparently go full-on bitch-in-heat feral, but I'm already feeling an itch all over and the only thing that I know, I know, is going to relieve that itch is cock." "Jaysus," I muttered, sitting back. Erica turned back to me, hugging herself. "Please, Harrison? Just; just tell me yes or no. Standing here without an answer is killing me, cause I don't know if I need to fight the feeling or I can give in." "I; Erica, you are absolutely gorgeous. I always assumed you weren't interested in me, or just wanted a friend. Honestly, I sort of thought you were gay with the comments you make about the women you work on in your shop. You're always talking about perky tits and firm asses and stuff like that," I said. "I'm Bi," she clarified. "And I work with people's bodies all day. I know what's hot and what's not for me, and Harri, you've fucking revved my engine since that first weekend Leo introduced us. I just want to rub my body all over,” "Erica!" Leo interrupted her. "Sorry, sorry, too much," she said. "I told you, this fucking vaccine is damn distracting right now. I need some relief here." "I'll do it," I said. "I just; this feels like the drug or whatever talking, Erica. Are you absolutely sure?" She was on me, straddling my lap and pressing her mouth to mine. Erica grabbed my head in her hands as she started forcefully making out with me, muttering 'Thank you' over and over into my lips. Her tongue pushed against mine, and then she grabbed my hands with hers and pulled them around to grab her ass. It was wonderfully firm, with a good amount of muscle that kept it looking full even if it wasn't particularly plump. "At least go get a room," Leo growled loudly. I pushed Erica back far enough that we could look each other in the eyes. Hers were bright, lucid, and silently pleading with me in a way that made her seem smaller and more vulnerable than the tough chick I'd come to know. "Let's go upstairs," I said to her. "I didn't mean literally get a room, right now," Leo said. "We need to talk this over! You made me a promise, Erica." "Shut up, Leo," Erica said. "I'll make it up to you, this isn't the end of the world. Probably. I think." She grabbed my hand, scrambled out of my lap and started pulling me up out of my chair. "What the fuck am I supposed to do?" Leo asked. "How am I getting vaccinated?" "Whenever they find someone who actually wants to fuck you, dorkus," Erica told her brother. "That lady agent said she'd be back in a few hours with your 'partner,'" I told him as I passed by, still getting pulled by Erica towards the stairs. "I didn't know what she meant at the time, but I guess;?" "Is she hot?" Leo asked me. I was already getting pulled up the stairs. "How am I supposed to know?" I yelled down to him. It's funny how energy can rise and fall at the drop of a hat. Erica pulled me into the guest bedroom she'd been using as her bedroom, slammed the door shut and turned to me; and stopped. She bit her lip, one leg bouncing at the knee as she shifted her weight. "Second thoughts?" I asked. "No, no," Erica said, shaking her head. "Definitely not. God, fuck, no. I didn't want to get into it in front of Leo like that, but you're also just being so you that I feel like I need to explain myself more." "So tell me," I said, sitting down on the bed. Erica started pacing again but stopped after one back-and-forth. "Okay, look. What I said down there is true. I would have asked you out years ago, after that first time we met at Burleson's when Leo brought you around." "The pub around the corner from your shop? That wasn't the first time we met," I said. "I know," she replied. "That was when you were moving into Leo's apartment. We passed each other in the building lobby and I saw you glance at my tits. I thought you were just another fuckboy asshole." "Wait, I don't remember that," I said. "Why didn't you ever tell me that happened? I thought the first time was when you gave Leo the fish tattoo on his side." "That's the first time we actually spoke," Erica said. "And you had an uphill fucking battle to try and change my mind about my first impression of you. You only made it far enough that I didn't bitch about Leo bringing you to the pub a couple nights later. That was when I got to actually focus on talking to you instead of chatting while I was at work. I also remember being super fucking pissed at Leo that night, because I asked him if I could go back on our deal from high school and hook up with you, and he said no." "Okay, whoa; we could have been having sex for seven years and you held to an agreement you made in high school? What was this fucking thing, a treaty ratified by the Pope?" Erica snorted a laugh and ran her fingers through her hair in frustration. "No, it was stupid. And honestly, looking back, we probably would have had a lot better of a time if he and I had agreed on the opposite. But Leo was a jock, and I was a scene girl, and we made an agreement that we didn't want each other messing with our friend groups. So no dating, no crushing, no nothing if the other twin claimed them first. We wanted to guard what we had, instead of helping each other out." I huffed a soft laugh. "Sounds like teenage bullshit to me." "Yeah, well, I'll just claim twin loyalty, Okay?" Erica said. "But that's not the really fucked up thing about this. When you invited me down from the city to stay with you guys, Leo and I had a separate talk. Harrison, my brother fucking loves you. Not like in a sexual way, but you're the best friend he's ever had. Period. No doubt about it. And he may not have ever said it to you but he was really worried that I would screw up the dynamic you guys have; and now here I am doing it." Erica squeezed her eyes shut and tilted her face to the ceiling. "Shit, maybe this was a bad idea after all. Fuck, he's never going to forgive me, I,” "Hey, hey," I said, standing and pulling her into a hug. Erica was a tall woman, easily 5'9 or a bit more, but I still towered over her with my 6'6". She clung to the sides of my shirt instead of hugging back, but buried her face into my chest. "I didn't know any of this, E. But we're all adults, we can handle this better than making promises we don't want to keep." "I know," she mumbled into my shirt, and slowly let go of my sides and slid her arms around until she was hugging me back. "You should know that I would have asked you out in a second if I thought you were interested," I said. "I'm still not exactly comfortable with the big picture on all of this, but this right here? I will definitely take this silver lining." "God, you make me so hot, Harrison," Erica said, and she looked up into my eyes. I kissed her as we held each other. Her considerable chest was pressing against my sternum, and as she shifted her arms up to wrap them around my neck and pull me closer to her, I lowered mine until I hooked my fingers into the belt loops of her jeans. We held that for a while, eyes closed and enjoying the feeling like we were teenagers again. God, we're both over thirty, I laughed in my head. We should be a lot bet

NEW PLOTTY TIME ALERT!!! This week Chump Slap and Poppascotch wrestle yet again with the dreaded scheduling issues and put out an episode where they discuss the 2001 Video game movie Tomb Raider starring megasuperstar Angelina Jolie. Listen now to hear what we thought about it! Anywhere you get podcasts! Check us out on YouTube too!

REDIFF - Brad Pitt et Angelina Jolie ont formé pendant douze ans le couple le plus glamour et le plus médiatisé au monde. En 2016, l'annonce de leur séparation fait l'effet d'une bombe à Hollywood et dans toute la planète people. C'est aussi l'image de leur famille parfaite qui vole en éclat... Un livre "Les secrets du divorce du siècle", de Laurence Pieau et Hervé Tropéa, révèle des détails inédits sur les heures fatidiques qui ont précédé la rupture. Au cœur de la discorde du couple, il y a un petit bout de France : le Château de Miraval et son incroyable domaine viticole dans le Var. "C'est là où tout a commencé et tout a terminé pour eux", estime le journaliste Hervé Tropéa.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Además...Salma hayek y Angelina Jolie en Catemaco, VeracruzRoast de Ricardo PeraltaKiss CAM del concierto de Coldplay Florinda Meza Chicharito Hernández Backstreet boys en The Sphere en Las Vegas

Mike 1 has returned for this Oscar Race Checkpoint, covering his Hollywood vacation stories, the TIFF Galas & Special Presentations announcements and a fun catch-up on a bunch of incredible trailers from After The Hunt & Bugonia to Project Hail Mary & Downton Abbey to Predator Badlands & Keeper. Top of the Show - Mike 1 Returns! He recaps his vacation, pneumonia & comeback. THE TIFF LINEUP (+++ More Los Angeles Anecdotes from Mike1) Hamnet (& Mike talks about Room Service in LA Hotels) - 9:07 Our Lost Bus & Wake-Up Dead Man Oscar Bets - 11:00 The Roofman will debut in Toronto & we review the trailer - 13:39 Why Rental Family with Brendan Fraser could be a sleeper contender - 16:03 Ralph Fiennes in The Choral & Agnieska Holland's Franz - 19:26 Sundance & Cannes Carryovers (+ M1 & Swell do The Grove) - 22:32 Good Fortune, Ballad of a Small Player, Frankenstein, Hedda & Smashing Machine - 29:20 Sydney Sweeny is Christie + the next from Angelina Jolie & Al Pacino - 33:28 Unlikely genre choices for Miles Teller's Eternity & Amanda Seyfried's Anne Lee - 37:09 Actors turn Directors w/ Alex Winter, James McAvoy, Brian Cox & Maude Apatow - 38:42 Saoirse Ronan's next, a Fuze lit in Hot Fuzz & Nuremberg will not be funny - 41:04 Chris Evans in Sacrifice, Scarlet for Animated Feature & Swiped on Bumble - 44:21 TRAILER BREAKDOWNS: Julia Roberts in Luca Guadagnino's After The Hunt - 47:25 Bugonia stars Emma Stone, Jesse Plemons & Fish Eye Lens for Yorgos - 51:49 Dakota Johnson appears perfect & awesome again in Splitsville - 54:42 Downton Abbey: The Grand Finale launches its Best Picture campaign on MMO - 56:00 Ryan Gosling's Project Hail Mary sets trailer viewing records - 58:34 Weapons is the one script that got away from Jordan Peele - 1:01:32 Glen Powell's The Running Man feels very Purge-esque - 1:02:52 Mortal Kombat 2 is the ultimate middle aged white guy fantasy - 1:06:07 Predator: Badlands is a must see for Mike, Mike and Alien listeners - 1:07:50 Keeper puts Osgood Perkins in M. Night Shyamalan territory as a horror filmmaker - 1:10:20 OUTRO: M2 refuses to jinx future episodes. But of course, we do hope to be back soon with both Mikes on more episodes very very soon. There are a bunch of film studies, Oscar Race Checkpoints, and Boogie Mikes episodes that we want to record ASAFP, and God willing, we will do so. https://linktr.ee/mikemikeandoscar

Dawn's got an update on Malcom-Jamal Warner's tragic passing. Bradley's got a story about Angelina Jolie and Salma Hayek on a commercial jet?! Stormer's Dirt Alert . The blinds are full of hot gossip about See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

¡Feliz día del perr@, saludos a todos sus perritos! Se junto la banda morenista aclaman a Adán Augusto: ¡No estás solo! La alcaldesa de Acapulco, Abelina López quiere darse un chapuzón al puro estilo de la quebrada en playas declaradas no aptas. Nuestro estaquita está triste, el América volvió a comer chorizo toluqueño. Y se armó el #SwingerFest, con más de 1000 participantes. Neymar Jr. gasta una millonada en un Batimóvil. Salma Hayek lleva a Angelina Jolie por un lechero a Veracruz.

El episodio de infidelidad descubierto en el concierto de Coldplay sigue dando de qué hablar. ¿Qué está pasando con sus protagonistas? ¿Qué pasa con sus empleos?  ¿Qué pasará con sus fortunas?Y además en El Gordo y La Flaca: Banda El Recodo y las Horóscopos de Durango se presentaron en Los Ángeles con gran éxito y esto nos contaron. 

Corría el año 1989 y Black Sabbath se iba a presentar en San Luís Potosí ECDQEMSD podcast episodio 6090 El día que Back Sabbath No Tocó Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Noticias del Mundo: Trump y la pregunta a Zelenski - La ministra cubana y los mendigos - Un pedazo de Marte - Un Apple vintage - Tesoros a subasta - Salma Hayek y Angelina Jolie en Veracruz - Pronóstico del Tiempo - Más películas Historias Desintegradas: Lista que tiende al infinito - Marilyn Manson en la feria potosina 2025 - Diseño con la Arrolladora - Hablemos sin límite - Misma compañía telefónica - El amor se hizo caro - Prueba de amor - La Vaquita Marina y Leonardo Di Caprio - Día Nelson Mandela y más... En Caso De Que El Mundo Se Desintegre - Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados!! NO AI: ECDQEMSD Podcast no utiliza ninguna inteligencia artificial de manera directa para su realización. Diseño, guionado, música, edición y voces son de  nuestra completa intervención humana.

When we think of movies with Hollywood defining legacies, Mr. & Mrs. Smith wouldn't be the first that springs to mind.A fun, comedic mid-2000s action flick, capitalising on the chemistry of its two stunningly beautiful leads; it became the movie that defined a generation of celebrity culture, and sold hundreds of thousands of gossip magazines.But it all could have been very different, had it not been for The Stepford Wives.The film's inception, a chaotic filming schedule that resulted in significant budget overruns, and a constantly changing script pale in comparison to the media circus that followed Brad Pitt and Angelina Jolie, affectionately given the portmanteau 'Brangelina', and how their relationship flourished as they played married assassins; oblivious to each other's secret lives until they're pitted against one another to finish their respective jobs. Not to mention his previous marriage failing at about the same time they were filming this movie - surely it's all a coincidence?Their journey from co-stars to Hollywood power couple to eventually married and sharing six children would not lead to their happily ever after, unlike John and Jane Smith.I would love to hear your thoughts on Mr. & Mrs. Smith (2005) !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique StudioPatrons: Simon, Laurel, Derek, Cat, Andy, Mike, Luke, Michael, Scott, Brendan, Ian, Lisa, Sam, Jack, Stuart, Nicholas, Zo, Kev, Heather, Danny, Stu, Brett, Philip M, Xenos, Sean, Ryno, Philip K, Adam, Elaine, Kyle and Aaron.This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacyOP3 - https://op3.dev/privacy

Jeff Bezos tiene tanto dinero que puede gastarlo en cualquier cosa. Desde darle un paseo por el espacio a su novia o alquilar casi toda una ciudad para su boda. ¿En qué cosas extrañas gasta Jeff Bezos sus millones?En otras noticias: A raíz de las redadas migratorias, las calles y los negocios de varias ciudades se están quedando vacías. Tanya Charry nos cuenta cómo está el panorama en los famosos callejones de Los Ángeles.Tres meses después del colapso de la discoteca Jet Set, uno de los testigos claves en la investigación rompió el silencio, señalando que había hecho varias advertencias sobre los problemas físicos del club.Lamine Yamal firmó un nuevo y millonario contrato por varios años y respondió a la polémica por su fiesta de cumpleaños. 

This episode we're talking about 2 Albert Pyun cyborg movies! First up, things get awkward with an underage Angelina Jolie in CYBORG 2. Then, Terminator rip offs everywhere in NEMESIS.

The search continues for 26-year-old German backpacker Carolina Wilga after her van was found abandoned in remote bushland in WA; A woman has died and two others are seriously injured after a car mounted the footpath and hit three pedestrians in Melbourne; Childcare worker Joshua Dale Brown filled in as a cook at Papilio Early Learning in Essendon weeks before being charged with food contamination and dozens of sex offences; Former Sydney councillor-turned-MAGA commentator Nick Adams has been nominated by Donald Trump to become US Ambassador to Malaysia; Brad Pitt has demanded private communications from Angelina Jolie in their ongoing legal fight over their $762 million winery. The Quicky is the easiest and most enjoyable way to get across the news every day. And it’s delivered straight to your ears in a daily podcast so you can listen whenever you want, wherever you want...at the gym, on the train, in the playground or at night while you're making dinner. Support independent women's media CREDITS Host/Producer: Tahli Blackman Audio Production: Lu HillBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

MUSICA content creator in the U.K. isolated Ozzy Osbourne's live vocals from his final performance of "Mama, I'm Coming Home" last Saturday. You can hear how emotional it was for him to sing it. It brought many in the audience to tears. https://loudwire.com/ozzy-osbourne-isolated-vocals-farewell-concert/ It'll be 40 years this Sunday since Live Aid made music history. And while over 75 artists performed, there are some pretty BIG names that turned down the invite. https://www.mentalfloss.com/entertainment/music/artists-who-refused-to-play-live-aid Nicki Minaj has been GOING OFF on Jay-Z in a series of social media posts. And it seems to be all about the money. https://brobible.com/culture/article/nicki-minaj-jay-z-megan-thee-stallion/ Wolfgang Van Halen's Mammoth will drop their third album, 'The End', on October 24th. https://blabbermouth.net/news/wolfgang-van-halen-announces-third-mammoth-album-the-end-shares-the-spell-single RIP: Founding Monster Magnet drummer Tim Cronin has passed at 63 after a battle with the neurodegenerative disease ALS. https://blabbermouth.net/news/founding-monster-magnet-drummer-tim-cronin-dies-after-battle-with-als TVNetflix's Queer Eye is coming to an end after 10 seasons. https://variety.com/2025/tv/news/queer-eye-end-netflix-season-10-1236450911/ EA Sports College Football 26 is here … It's game time for college football fans. EA Sports College Football 26 officially drops today (Thursday). This year's edition builds on the super success of last year's version, with over 2800 new plays, real-life coaches, and a revamped transfer portal that adds more drama to Dynasty Mode. Gamers will see more mascots, traditions, and game day vibes. This thing is supposedly everything fans loved last year – just bigger and better. The next installment of Ryan Murphy's Netflix series 'Monster' will focus on Lizzie Borden, who was accused of murdering her parents with an ax in 1892. https://consequence.net/2025/07/monster-season-4-lizzie-borden-ryan-murphy/ Check out the Season 2 trailer for "Wednesday". Part one of the hit Netflix series premieres Aug. 6. https://www.hollywoodreporter.com/tv/tv-news/wednesday-season-2-part-1-trailer-jenna-ortega-emma-myers-1236309892/ MOVING ON INTO MOVIE NEWS:There's a new "Night at the Museum" movie in the works. https://www.hollywoodreporter.com/movies/movie-news/night-at-the-museum-movie-in-the-works-1236310340/ Possible new couple alert? Angelina Jolie and Johnny Depp have reportedly formed a strong connection and have been meeting frequently. https://www.realitytea.com/2025/07/09/angelina-jolie-johnny-depp-meeting-close/ RICH PEOPLE MONEY NEWSJJ Watt and his wife, Kealia Ohai, are helping the victims of the Texas flooding disaster. https://people.com/jj-watt-and-wife-kealia-donate-usd100-000-to-texas-restaurant-11768135 Peter Jackson will always be associated with "The Lord of the Rings", but maybe he should have been part of the "Jurassic Park" franchise instead. Because his latest project involves reviving an extinct species. But at least it's not a dinosaur. https://ew.com/lord-of-the-rings-director-peter-jackson-wants-to-revive-extinct-bird-11768897 MISCBreakthrough Barbies … Mattel has introduced its first Barbie with Type 1 diabetes. The doll, created in collaboration with Breakthrough T1D, features realistic medical accessories such as an insulin pump, a continuous glucose monitor (CGM), heart-shaped medical tape, and a smartphone displaying a CGM app. She's wearing a blue polka dot outfit, symbolizing diabetes awareness. https://www.today.com/health/type-1-diabetes-barbie-doll-rcna217696 AND FINALLYSuper box office … Where will Superman land on the list of all-time superhero movies?Other notables on the list include the 1989 original Batman at number 6, Black Panther at number 10, The Incredibles at number 11 and the original X-Men movie at number 18. AND THAT IS YOUR CRAP ON CELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Director Peter Jackson has weird side hustle, nearly 1/3 of Americans think they can do a good British accent and Donna has a hard time saying "Angelina Jolie."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A realtor from Milwaukee has been charged with the horrific crime of allegedly holding women as sex slaves and is slated to go to trial. Brad Pitt is seeking private communications from his ex-wife Angelina Jolie as part of their ongoing legal dispute over Château Miraval.See omnystudio.com/listener for privacy information.

Charlie takes an hour of questions live from CK Exclusives subscribers, including: -What should a parent do if their child is falling down an anti-semitic rabbit hole? -Do Charlie or his staff have a recommended reading list? -What should a young women do if she's looking to find a man to marry while still young? Become an Exclusives subscriber and ask Charlie a question on-air by going to members.charliekirk.com. Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

聊中西文化，也聊很多东西！ 第七十六期，大家每年去体检吗？从安吉丽娜朱莉切掉乳腺和卵巢开始聊起，谈一谈对癌症预防的小小想法。 00:37 安吉丽娜·朱莉因于2013和2015年分别切除乳腺与卵巢 03:38 不同国家的体检差异 07:00 2022年WTO癌症数据 12:00 呼吁关注健康 欢迎给我们来信： ttmiChinese@gmail.com Have online class with Candice, please email candicex2018@gmail.com YouTube: Candice X Chinese Mandarin Instagram: CandiceXMandarin2022 免费学习资料 Free study materials please visit Patreon: https://www.patreon.com/candicex PDF full script for episode 76: https://www.patreon.com/posts/133444274 Full subtitles with Pinyin for episode 76: https://youtu.be/RDudz2IXYAQ

MUSICRIP: Mick Ralphs, the guitarist and co-founding member of Bad Company, died yesterday following complications from cancer and a stroke suffered days after the band completed a UK tour in October 2016. He was 81. Jaden Smith was spotted sitting on a park bench in Paris at 3:00 a.m., with a bong. Smith was seen wearing a white t-shirt under a bright yellow coat with baggy light blue jeans for the outing. The musician was also seen carrying a black bag as he left the park bench with his friend, who was clad in a black hat, black shirt and black pants. TVFans will get to say goodbye to Anne Burrell through one of her most successful ventures. Karate Kid actor and Cobra Kai star Martin Kove was asked to leave a fan convention over the weekend after biting his co-star Alicia Hannah-Kim during a VIP meet-and-greet. MOVING ON INTO MOVIE NEWS:Mahershala Ali would still like to be the next Blade in the Marvel Universe. During a recent interview, Ali said, "Call Marvel. I'm ready. Let them know I'm ready." Tom Cruise is showing support for Brad Pitt at the premiere of his new movie F1! The two A-list stars walked the red carpet together at the premiere event on Monday in London. Brad Pitt needed to make some changes after his divorce from Angelina Jolie, so he went to Alcoholics Anonymous. On Dax Shepard's "Armchair Expert" podcast, he said, quote, "I was pretty much on my knees, and I was really open. I was trying anything and everyone. · After scaring up $60 million at the box office during its June 20th opening weekend, 'Movie Web' says Danny Boyles' zombie horror flick '28 Years Later' should come to streaming just before Halloween. By now you've probably heard that we're getting a fourth "Meet the Parents". So far, Ben Stiller, Robert De Niro, and Owen Wilson are returning, along with the addition of Ariana Grande. For some reason, people are trying to make news out of the fact that Scarlett Johansson kissed her openly gay "Jurassic World" co-star on the lips in front of her husband Colin Jost.· AND FINALLYUltimateClassicRock.com ranked the best summer-themed rock songs.AND THAT IS YOUR CRAP ON CELEBRITIES! Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

#WeirdDarknessRadio WEEK OF JUNE 22, 2025 = At the isolated crossing of Rideau Ferry in the 1800s, travelers who arrived after dark at Mr. Oliver's house were promised safe passage come morning — but many were never seen alive again, and when his buildings were finally torn down decades later, the horrifying truth of what happened to those missing souls was supposedly revealed beneath the floorboards.==========HOUR ONE: A 178-year-old mystery comes to the surface in a Philadelphia suburb. (Grandfather's Ghost Story Leads to Mass Grave) *** Recently a wrecking crew began tearing down and old building in Rhode Island. But the big burly men on the crew got so frightened they refused to continue the work. Does reconstruction of a home or building anger the souls who once lived there? (Does Remodeling Your Home Disturb The Spirits Who Died There?) *** The way life has grown on our planet requires that all living things feed off each other and must kill others in order to survive.  That's the way of the world if you want to live for any more than a few days. But some people are now claiming they can live without food at all… indefinitely. (Life Without Food) *** Three men were in a shed selling gardening supplies when some strange powder suddenly hit the ceiling. Before they had time to react, a small jug on a shelf abruptly flew across the room. One man picked up the jug and placed it a covered box. Instantly, the jug was...somehow...back on the floor. And that was just the beginning of the strange haunting of a community's garden shed. (The Poltergeist In The Allotment Shed) *** In the movie Salt, Angelina Jolie plays a double-agent who is mind-controlled by scary remnants of the USSR secret service. And in real life, the 1940s bombshell Candy Jones was apparently brainwashed with drugs and used as a CIA covert operative.  (The Supermodel Who Was Brainwashed Into Becoming a Spy) *** No one knows exactly when she was born. Some think, maybe, she was a gypsy. Others say she was the seventh daughter of a seventh daughter. The life of Elizabeth Barnes is a mysterious one, filled with many loves, losses, and prognostications. (The Witch of Plum Hollow) *** Some travelers, arriving late at night to board Oliver's Ferry the next day, stayed at Oliver's house. But they were never seen making the ferry crossing the next morning. Is it possible that the rumors are true – that they never left the house alive? (The Frights of Oliver's Ferry)==========HOUR TWO: An eerie tombstone stands watch over one of Portland Oregon's oldest cemeteries. And the story behind that tombstone is a strange one. (The Guardians of Lone Fir Cemetery) *** Don't take a gift from Little Gracie's grave... or her life-like statue might cry tears of blood. (The Ghost of Gracie Watson) *** When it came to her daughter's Elsa doll, one mom was eager and ready to “Let It Go”. But the doll supernaturally refused to be let go! (Haunted Elsa Doll) *** An ancient stone cross is said by locals to be cursed, and the curse infects anyone who dares to disrespect it. (Curse of the Saxon Stone Cross) *** Christopher Slaughterford was seemingly a completely ordinary young Englishman – but he has earned an unenviable place in the legal books. (T
he Trials of Christopher Slaughterford) *** Two authors reported a very strange encounter with a mysterious entity they believed was not of this world. What did they see and why were they under the impression this being was not of this world? (An Author's Encounter With A Not-Of-This-World Entity)==========SUDDEN DEATH OVERTIME: For Allen Taylor, January 15, 1919 was just another day on his farm near Prescott, Iowa. That is, until his 15-year-old neighbor Irene Hoskins came stumbling down the lane with a gash in the side of her head.  (The Hoskins Family Murders) *** How did someone get the job of an executioner in medieval times? We'll find out! (To Become An Executioner) ==========SOURCES AND REFERENCES FROM TONIGHT'S SHOW:“Schoolhouse Demon Attack” from Paranormality Magazine“Grandfather's Ghost Story Leads to Mass Grave” by Meghan Rafferty for CNN: https://tinyurl.com/ravfceh“Does Remodeling Your Home Disturb The Spirits Who Died There?” by Kelly Roncace for NJ.com: https://tinyurl.com/sn7vpsg“Life Without Food” by Michael Grosso for Consciousness Abound: https://tinyurl.com/r38yxh6“The Poltergeist In The Allotment Shed” from Strange Company: https://tinyurl.com/vzlgcj9“The Supermodel Who Was Brainwashed Into Becoming a Spy” by Annalee Newitz for Gizmodo: https://tinyurl.com/sgh73da“The Witch of Plum Hollow” by James Morgan for North Country Public Radio: https://tinyurl.com/u3x3sxu“The Frights of Oliver's Ferry” by Ken Watson for Rideau-Info: https://tinyurl.com/vj96awj==========(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for material I use whenever possible. If I have overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it immediately. Some links may benefit me financially through qualifying purchases.)=========="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46==========WeirdDarkness®, WeirdDarkness© 2025==========To become a Weird Darkness Radio Show affiliate, contact Radio America at affiliates@radioamerica.com, or call 800-807-4703 (press 2 or dial ext 250).https://weirddarkness.com/WDR20250622