Podcast appearances and mentions of Angelina Jolie

Phil and Emily are joined by writer Elias Isquith (Necessary Fictions blog) to close out the Angelina Jolie Action Films of the 2000s miniseries with the loudest, messiest entry yet: Timur Bekmambetov's Wanted (2008).James McAvoy plays a cubicle drone recruited by Angelina Jolie and Morgan Freeman into a secret fraternity of assassins that takes its orders from a magical loom. Yes, a loom. The movie was a surprise hit the summer it opened alongside WALL-E, weeks before The Dark Knight blew everything away, and none of them had seen it since theaters. Rewatching it in 2026 was a very different experience.The conversation digs into how Wanted plays like a proto-incel power fantasy, a movie that negs its audience for 110 minutes and then stares into the camera asking "what the fuck have you done lately?" They trace the line from Fight Club and The Matrix to this film's confused politics, where the message is "be free and take charge of your life" but also "obey the magic loom or die." Emily breaks down the gendered self-loathing baked into so many films aimed at young men, and Elias connects the movie's hyper-individualism to the toxic masculinity pipeline that would migrate to social media just a year later. They also talk about Angelina Jolie's decision to kill off her own character, why the film's structure feels like a video game with half-assed cutscenes, and how Zack Snyder somehow handles this same territory with more nuance.Follow the show & guests:Podcast Like It's... — https://www.instagram.com/podcastlikeitsPhil Iscove — https://www.instagram.com/pmiscoveEmily St. James — https://www.instagram.com/emilystjamsElias Isquith — NecessaryFictions.blog - https://www.instagram.com/eliasisquith

Full show - Wednesday | Tiny victories | News or Nope - Taylor Swift, Randy Newman, Angelina Jolie, Brad Pitt, Harry Styles, and Zoë Kravitz | Déjà vu | OPP - Using him for Harry Styles | Are you a spanker? | What kind of tea is this? | Using GLP-1s in secret | Slacker could be a Longaberger billionaire | No one has crushes anymore | Stupid stories www.instagram.com/theslackershow www.instagram.com/askslacker www.instagram.com/ericasheaaa www.instagram.com/thackiswack www.instagram.com/radioerin

Here's a TMZ-style episode description: Brad Pitt and Angelina Jolie seemed destined to become Hollywood royalty after falling in love on the set of Mr. & Mrs. Smith, building a global empire of fame, philanthropy, and six children. But behind the glamorous image, cracks were forming that would eventually lead to one of the most bitter and prolonged celebrity breakups in modern history. On this episode of Splits, Derek Kaufman and Katie Hayes trace Brangelina's rise from controversial beginnings to power-couple dominance, then unpack the private struggles, explosive allegations, custody war, and years-long legal battles that turned their separation into an international spectacle. From the infamous plane incident to the ongoing disputes over their French winery, this is the story of how Hollywood's most iconic romance fell apart. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brad Pitt and Angelina Jolie seemed destined to become Hollywood royalty after falling in love on the set of Mr. & Mrs. Smith, building a global empire of fame, philanthropy, and six children. But behind the glamorous image, cracks were forming that would eventually lead to one of the most bitter and prolonged celebrity breakups in modern history. On this episode of Splits, Derek Kaufman and Katie Hayes trace Brangelina's rise from controversial beginnings to power-couple dominance, then unpack the private struggles, explosive allegations, custody war, and years-long legal battles that turned their separation into an international spectacle. From the infamous plane incident to the ongoing disputes over their French winery, this is the story of how Hollywood's most iconic romance fell apart. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Phil and Emily bring in writer Lindsey Romain for the fourth installment of the Angelina Jolie action films miniseries, and it is the one LaToya Ferguson was promised. Lindsey's work has appeared in the Chicago Tribune, Vulture, and Bright Wall/Dark Room, and she saw this movie four times in theaters as a teenager. She still has the promotional pin from when she worked at a movie theater in high school. She is the right person for this.Mr. and Mrs. Smith follows two upper-class assassins who are also, it turns out, married to each other and working for rival agencies. It opened June 10th, 2005 against Madagascar, Star Wars Episode III, The Longest Yard, and The Adventures of Sharkboy and Lavagirl in 3D, and made $487 million on a $110 million budget. The script originated as Simon Kinberg's graduate thesis. Carrie Fisher, Akiva Goldsman, Jez and John Henry Butterworth, Ted Griffin, and Terrence Winter all took passes at it. Angela Bassett and Keith David filmed scenes that were cut entirely. What remained was Brad Pitt and Angelina Jolie, which Roger Ebert correctly identified as the only thing that needed to remain.The conversation covers the Doug Liman of it all, specifically his "we'll make it up as we go along" approach and what that costs the film in its final act. Emily identifies the half hour from when they can't kill each other through the home improvement store sequence as the movie locking in completely, and the final action sequence as where it loses her. Phil compares the last scene to Eyes Wide Shut. The group also gets into how the affair backdrop has shifted what it feels like to watch now, the surprisingly durable premise and its various attempted adaptations, who was responsible for the ex-wife jealousy beat, and where exactly 2005 Brad Pitt ranks in the full Brad Pitt hotness timeline. The answer is not first.This is the fourth installment of the Angelina Jolie action films miniseries. Wanted is next.Follow the show and guests:Podcast Like It's... — https://www.instagram.com/podcastlikeitsPhil Iscove — https://www.instagram.com/pmiscoveEmily St. James — https://www.instagram.com/emilystjamsLindsey Romain — https://www.instagram.com/lindseyromain

What do you do when you pull someone over for texting while driving with their right hand... and then discover they don't actually have a right hand? Apparently, if you're a Florida police officer, you write the ticket anyway.Welcome back to The Treehouse Show, where common sense takes a day off and the headlines get weirder by the minute. In this episode, we break down one of the most ridiculous traffic stops you'll ever hear about and ask the obvious question: how did this make it all the way to a ticket?Also on today's show:

I sin tredje bok Första generationens svensk undersöker journalisten och författaren Elaf Ali hur det är att röra sig i glappet mellan två kulturer, på jakt efter en ny och bredare svenskhet. Möt henne i P1 Kultur med Roger Wilson. Lyssna på alla avsnitt i Sveriges Radios app. DAVID SZALAY HAR SKRIVIT OMDISKUTERADE ”KÖTT”En av vårens mest hyllade och omdebatterade romaner är David Szalays Bookerprisbelönade "Kött". Handlingen kretsar kring ungerske István, som efter en tid i fängelse och senare armén börjar arbeta åt ett rikt par i London. Är det en historia om maskulinitet, klass eller en skildring av Öst- vs Västeuropa? P1 Kulturs Lisa Bergström har träffat David Szalay.ANGELINA JOLIE BROTTAS MED BRÖSTCANCER I PARIS MODEVÄRLD I ”COUTURE”Tre kvinnoöden skildras under den hektiska modeveckan i Paris i bioaktuella ”Couture”. En av kvinnorna spelas av Angelina Jolie vars rollfigur upptäcker att hon har bröstcancer. P1 Kulturs Emma Engström har träffat regissören Alice Winocour, som själv behandlats för bröstcancer.VECKANS KULTUR MED LISA OCH ROGERLisa Bergström och Roger Wilson vaskar fram det mest minnesvärda från kulturveckan som gått – och till sin hjälp har de P3:s musikreporter Tina Mehrafzoon.Programledare: Roger WilsonProducent: Henrik Arvidsson

National Cheese day. Entertainment from 2003. Young Elvis Chosen for postage stamp, Shopping cart invented, Miracle at Dunkirk, ATM invented. Todays birthdays - Clara Blandick, Bruce Dern, Freddie Fender, Michelle Phillips, Parker Stevenson, Keith David, El Debarge, Russell Brand, Angelina Jolie. John Wooden died.Intro - God did good - Dianna Corcoran        https://www.diannacorcoran.com/The cheese song - Juice Music21 Questions - 50 Cent    Nate DoggI believe - Diamond RioBirthdays - In da club - 50 Cent        http://50cent.com/Before the next teardrop falls - Freddie FenderCalifornia dreamin - The Mamas & PapasWho's Johnny - El DebargeExit - Tonight - Toby May        https://tobymayofficial.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days - May Puzzle BookGrace & Grit Christian Country Radio

Denise Richards gets humiliated and is not happy. Dorit and PK are still feuding with she said, he said, she said. Mauricio and Kyle have a new message for PK and Dorit and who is to blame between the two? Gizelle thinks she is Angelina Jolie, Teddi and Tamra have biases and oh, so very much more.  @behindvelvetrope @davidyontef BONUS & AD FREE EPISODES Available at - www.patreon.com/behindthevelvetrope  BROUGHT TO YOU BY: QUINCE - quince.com/velvetrope (Get Free Shipping and 365 Day Returns to As You Indulge In Affordable Luxury)  ZENNI OPTICAL -  zenni.com/podcast (Use Code Podcast15 For 15% Off Your First Order Of The Most Affordable, Stylish Glasses and Sunglasses)  PROGRESSIVE - www.progressive.com (Visit Progressive.com To See If You Could Save On Car Insurance) ADVERTISING INQUIRIES - Please contact David@advertising-execs.com MERCH Available at - https://www.teepublic.com/stores/behind-the-velvet-rope?ref_id=13198 Learn more about your ad choices. Visit megaphone.fm/adchoices

Diane and Sean discuss possibly the grandest Marvel film, Eternals. Episode music is, "Nach Mera Hero", written by Francesca 'Francci' Richard, Celina Sharma, Daniel Stephenson, Vishal Patel, Nana Bediako Rogues, Sara Strudwick, and Tremain Sandhu; performed Celina Sharma and Ramin Djawadi from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Lots of family news today, both uplifhting and not. Brad Pitt contiues to face trouble in his forever split with Angelina Jolie and the kids. Plus, why did Marc Anthony skip J-Lo's kid's graduation? And some Taylor Swift/Travis Kelce updates. If you're ready to feel more rested, head to bioptimizers.com/rosepricks and use my exclusive code ROSEPRICKS to get 15% off any order plus a free bottle of Masszymes worth $20!

I saw three movies this week. One about thieves, one about sheep, one about iconic women who work for a magazine. I also watched Euphoria and Hacks. Shakira has the last laugh now with the country of Spain. They have to pay her $55 million after she was acquitted for tax fraud. Katy Perry isn't the only pop star whose music is having a resurgence. Jlo's song On The Floor is now getting millions of streams a day. Skims delivery driving was delivering more than just underwear. British police found $8.4 million dollars worth of drugs in the Skims shipment. Selling Sunset is currently going through a cast shake up, with a lot of the main cast allegedly being fired. And lastly Angelina Jolie is saying goodbye to her beloved LA home. Thanks for listening!

On this episode I chatted with Amy founder and CEO of Flower Moxie. Amy grew up in the country, went to UCO to study science after watching the Bone Collector and wanting to be Angelina Jolie. After some discovery years later Amy starts a business with her sister as wedding planners, leading her to fill a need for a bride who didn't have the budget for a florist. Flower Moxie was born. Listen for more or go to the website below. www.flowermoxie.com Huge thank you to our sponsors. The Oklahoma Hall of Fame at the Gaylord-Pickens Museum telling Oklahoma's story through its people since 1927. For more information go to www.oklahomahof.com and for daily updates go to www.instagram.com/oklahomahof  The Chickasaw Nation is economically strong, culturally vibrant and full of energetic people dedicated to the preservation of family, community and heritage. www.chickasaw.net Dog House OKC - When it comes to furry four-legged care, our 24/7 supervised cage free play and overnight boarding services make The Dog House OKC in Oklahoma City the best place to be, at least, when they're not in their own backyard. With over 6,000 square feet of combined indoor/outdoor play areas our dog daycare enriches spirit, increases social skills, builds confidence, and offers hours of exercise and stimulation for your dog http://www.thedoghouseokc.com Metro Ford of OKC is proudly serving Oklahoma City with vehicles you can rely on and service you can trust. It's also why they're Oklahoma's Number One Performance Dealership. Shop the inventory today at metrofordofokc.com where the difference is Real. #thisisoklahoma

Phil and Emily continue the Angelina Jolie action films miniseries with Lara Croft: Tomb Raider — The Cradle of Life (2003), joined by Carson Betts and Caroline Thompson, co-hosts of the How Have You Not Seen It podcast. All four participants are watching this film for the first time. This is relevant information.The Cradle of Life follows Lara Croft racing to find Pandora's Box before a rogue scientist with strong Peter Thiel energy can use it as a biological weapon, with complications provided by her ex-lover Terry Sheridan, played by Gerard Butler. It cost $95 million, grossed $160 million worldwide, and opened July 25th, 2003 against Spy Kids 3D, Pirates of the Caribbean, Bad Boys 2, and Seabiscuit. It received three stars from Roger Ebert, which nearly convinced Emily to see it in theaters that summer. She saw The League of Extraordinary Gentlemen instead. Phil does not believe she made the better choice. The film was also banned in China for giving the impression of a country in chaos overrun by secret societies. Hollywood had not yet figured that out.The consensus is that this movie is more competent than the first Tomb Raider along nearly every axis, which somehow makes it less enjoyable. Phil calls it dumb and not fun, as opposed to the first film, which was dumb and fun. Emily notes the big action set piece in the middle is a shootout in a lab, which she finds strange given the title. The group also covers Jan de Bont's filmography and what it means that this was his final film, the Sasquatch creatures that the script introduces and then declines to explain, and the actual Cradle of Life, which turns out to be visually underwhelming in a way that Carson compares to a YouTube video that will not load.The true climax, Carson argues, was always going to be in Lara's heart.This is the third installment of the miniseries on Angelina Jolie's 2000s action films, following Gone in 60 Seconds and Lara Croft: Tomb Raider.Follow the show and guests:Podcast Like It's... — https://www.instagram.com/podcastlikeitsPhil Iscove — https://www.instagram.com/pmiscoveEmily St. James — https://www.instagram.com/emilystjamsCarson Betts — https://www.instagram.com/carsonlbettsCaroline Thompson — https://www.instagram.com/sportclimbbarbieHow Have You Not Seen It — https://www.instagram.com/hhynspod

Tous les matins, à 7H10 et 9H45, on vous donne les bonnes nouvelles du jour.

Scooter Braun says he barely knew Taylor Swift before buying Big Machine in 2019, claiming they met only three times and that he still does not understand why the masters dispute escalated into one of the music industry's biggest controversies. Angelina Jolie and Brad Pitt's son Maddox has filed to legally remove “Pitt” from his surname, following several of his siblings who have also distanced themselves from the family name amid ongoing family tensions. Eight Houston-area students were safely rescued after spending about four hours stranded nearly 100 feet in the air when the Iron Shark roller coaster at Galveston's Pleasure Pier malfunctioned and stopped during its ascent. Hosts: Branson Quirke, Courtney Doucette Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tous les matins, à 7H10 et 9H45, on vous donne les bonnes nouvelles du jour.

American Music Awards bored, The Crash's Mackenzie Shirilla's prison girlfriend speaks, Paul McCartney SNL extras, and Donald Trump loves muscles. PLUS: WATP Karl with Corey Feldman on local radio, Kevin Hart roast fallout, Big Jay Oakerson v. DL Hughley, and Akaash Singh's fallout with Andrew Schulz. RIP Phil Rudd.. er, Kyle Busch. The New York Knicks are in the NBA Finals after destroying the Eastern Conference. Jaxson Dart introduced Donald Trump at a rally. Teammate Abdul Carter is none too pleased. The American Music Awards happened last night. It featured a lot of K-Pop and Billy Idol.  The Black Eyed Peas had one of the dumbest speeches ever for a made up award. Paul McCartney sang a bunch after SNL. Famous people in LA hate Spencer Pratt. Spencer plays the Epstein card. Karl from WATP drops by to introduce us to a new lolcow, promote StutJo's comedy gigs, Akaash Singh vs Andrew Schulz, feuds following the Roast of Kevin Hart, check out Corey Feldman on local radio and more. The new Michael Jackson doc on Netflix might actually change some minds about the pedophile. Shannon Elizabeth is putting boring pictures on her OnlyFans. Drew predicts Danielle Fishel will head over to OnlyFans due to her trauma. Brad Pitt and Angelina Jolie's brat looks funny. Tiger Woods is back in rehab after checking on Vanessa Trump's boobs. People Magazine has a much different take than we do. Mackenzie Shirilla's prison lover pops off in an interview. Her messages with boyfriend, Dom, are being released. Ryan Reynolds is going to eventually dump Blake Lively. Her beauty brand at Target is failing. Her premium booze has already failed. Merch is for sale! Buy it. Or don't. But do. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley, BranDon, and Roberto).

Taylor Swift and Travis Kelce turned Madison Square Garden into the hottest celebrity date spot in New York, while “Jeopardy!” legend Ken Jennings revealed the surprisingly simple trick behind his success. Meanwhile, Brad Pitt is swearing off marriage for good after his painful split from Angelina Jolie and ongoing family heartbreak. Rob’s latest exclusives and insider reporting can be found at robshuter.substack.com My novel, It Started With A Whisper, is available now See omnystudio.com/listener for privacy information.

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2008 retrospective continues with Clint Eastwood's "Changeling," starring Angelina Jolie, John Malkovich, Jeffrey Donovan, Colm Feore, Michael Kelly, Jason Butler Harner, Gattlin Griffith & Eddie Alderson. Premiering at the Cannes Film Festival in 2008, the film was based on actual events, specifically the 1928 Wineville Chicken Coop murders in Mira Loma, California, and was written by J. Michael Straczynski. The film received positive reviews, and Angelina Jolie was nominated for Best Actress for her performance, along with two other craft nominations for the cinematography and art direction. What do we think of it all these years later? Tune in as Sara Clements, Dan Bayer, Alyssa Christian, and I talk about the Eastwood's direction, Jolie's performance, the cinematography, the score, its awards season run, and more in our SPOILER-FILLED review. Please check out our past review for “Frost/Nixon” and "Doubt." We appreciate your support and hope you enjoy our review! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and Emily continue the Angelina Jolie action films miniseries with Lara Croft: Tomb Raider (2001), joined by BJ Colangelo and Harmony Colangelo, co-hosts of the This Ends at Prom podcast. BJ and Harmony previously joined the show for Hard-Boiled, which Phil describes as a superior action movie. Harmony agrees with everything about that sentence.Tomb Raider follows aristocrat archaeologist Lara Croft racing against the villainous Illuminati to retrieve the two halves of the Triangle of Light before a rare planetary alignment allows them to unlock its power over time. It cost $150 million, grossed $274 million worldwide, and opened June 15th, 2001 against Atlantis: The Lost Empire, Shrek, Swordfish, Pearl Harbor, and Evolution. Paramount had purchased the video game rights in 1998. No fewer than seven screenwriters took a pass at the script before Simon West stitched something together and pointed a camera at Angelina Jolie.The group agrees on several things: Jolie is perfectly cast, clearly having a blast, and simply is Lara Croft in a way that very few actors embody a character that completely. They do not agree on much else. Phil's issues are with the script, specifically a 45-minute delay before the film bothers to explain what is actually at stake. Harmony's defense is that this is video game logic, anything is possible, and sometimes you just want to watch someone cool do cool things. Emily ran into Angelina Jolie at a grocery store once and has thoughts.Daniel Craig is also in this movie. Nobody can identify what accent he is doing. Emily has a theory involving one specific block in Lincoln, Nebraska.This is the second installment of the miniseries on Angelina Jolie's 2000s action films, following Gone in 60 Seconds.Follow the show and guests:Podcast Like It's... — https://www.instagram.com/podcastlikeitsPhil Iscove — https://www.instagram.com/pmiscoveEmily St. James — https://www.instagram.com/emilystjamsBJ Colangelo — https://www.instagram.com/bjcolangeloHarmony Colangelo — https://www.instagram.com/harmonycolangeloThis Ends at Prom — https://www.instagram.com/thisendsatprom

Big stars slimmed down but fired up. After dropping 65 pounds, the headlines that sent Jack Osbourne into a profanity-laced meltdown. And, Jelly Roll keeps shrinking. The country star reveals the ‘big guy' problems he's left behind. Then,  “CSI: Miami” star David Caruso's surprising life today. Plus, special delivery from a former child star? Why “Who's the Boss” star Danny Pintauro is now working for Amazon. And, a first look at Angelina Jolie's emotional new film as ex Brad Pitt reveals a new look alongside girlfriend Ines. Then, Queen Latifah's big year. Booked, busy, and beaming about motherhood. Plus, she spills exclusive new details on the “Girls Trip” sequel. And, an all new ET Then & Now with “A Different World's” Dawnn Lewis. Stories from the set and her career after the groundbreaking series you may not know about. Then, “New Girl” turns 15. Jake Johnson on the milestone and his new series filled with sex, scams, and secrets. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Outlouders, enjoy this free taster of Mia Freedman, Holly Wainwright and Emily Vernem on our subscribers only episode. You can listen to the full conversation: 'The 'Normal Girlfriend' Dating Dilemma' What do you mean, you're not a subscriber yet? Solve that problem HERE. Jacob Elordi and Kendall Jenner have gone on a double date with Kylie Jenner and Timothée Chalamet and we are obsessed. So is it all part of ‘Momager’ Kris Jenner’s grand plan? Em Vernem has a theory. Support independent women's media - SUBSCRIBE HERE Plus, Prince William is tackling the housing crisis and we need Royal Correspondent Holly to tell us exactly what a 'Duchy' is. And, is Megan trying to be Angelina Jolie and is it working? Also, we discuss Reese Witherspoon, Mel Robbins, Demi Moore and the 'girlbossifying' AI debate. New Mamamia subscribers get $40 off — $20 off an annual membership and $20 off your TWOOBS order. Click here to subscribe. Already a subscriber? Click here for your $20 TWOOBS discount code. T&C's apply What To Listen To Next: Listen to our latest episode: The 'Dog Year' Relationship Theory That Explains Your Ex Listen: UNPACKED: Famesick - Lena Dunham Listen: A Zero Birthday Freak Out & You've Got Something On Your Face Listen: Wait, There Are Four Styles of Friendship? Listen: A Fashion F-Up & The Ryan Reynolds Of It All Listen: Scurrilous Gossip: The Royal Affair No One Saw Coming Listen: How To Be Liked By Absolutely Everyone Connect your subscription to Apple Podcasts Got questions or things you'd like Mia to talk about? Email us at outloud@mamamia.com.au Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. SUBSCRIBE here: Support independent women's media You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see Mamamia Out Loud on Apple What to read: Pete Davidson's latest relationship has just had its official hard launch. Timothée Chalamet and the reason guy's guys can't be heartthrobs. 'The specific word Timothée Chalamet keeps using has me second guessing every relationship I've had.' Meghan Markle has only just arrived in Australia, but the most damning story about her has already been written. THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Brad Pitt & Angelina Jolie's child Zahara dropped Pitt's last name in her college graduation. Wiz Khalifa is mad that Erewhon removed the Hailey Bieber smoothie from their stores.See omnystudio.com/listener for privacy information.

Welcome back to another episode of Poppin' Off (About Pop Culture)! This week we're doing a deep dive into Brad Pitt and Angelina Jolie's relationship. It's all going down, so get ready to pop off with us!Follow us on Instagram:Poppin' Off About Pop Culture (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@poppinoffaboutpopculture⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Maggie's socials:Twitter: kale queen (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@literallymaggie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Instagram: ✨maggie✨ (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@literallymaggie_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Stephen's socials:Twitter: stephen gaedcke (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@sgaedcke99⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Instagram: Stephen Gaedcke (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@sgaedcke99⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)Don't forget to rate us 5 stars and leave a comment. We want to hear from you!

Eddie Murphy won't let his kids work in showbiz until age 18. Cannes Film Festival is going on, and Sarah thinks Vinnie will love the animated surf movie that Netflix just bought. It's the famous kids graduation season! Angelina Jolie's daughter, Zahara Marley Jolie, graduated from college. Brad Pitt was nowhere to be found. Nick Cannon has double standards for his children. The 37% rule says this is how you should pick your partner. Bottom line, we should look up Vinnie's high school girlfriend.

Hour 1: Sarah is bringing back a long lost bit to annoy Vinnie. Detective Mark Fuhrman, infamous from the OJ Simpson trial, has passed away. America's 250th birthday is coming up, and Wheel of Fortune is celebrating! Let's eat some headlines: Amy Schumer's botched colonoscopy, Pete Davidson might be a deadbeat, Anderson Cooper is saying good-bye to 60 Minutes. Vinnie opens up about suffering from girl-orrhea. Imagine you had a magic watch that could stop time, what would you do? TSA says you can't bring liquids, but you can bring as many rotisserie chickens as you want! Where are we getting our pizza in bulk these days? Hour 2: What's the perfect amount of fame? Kylie Jenner arranged the double date of pop culture dreams. HBO already has to recast one of the Harry Potter kids. Sarah finds an excuse to say Milly Bobby Brown Jovi. Ebola, you don't want it. Scott Budman is on the show! Whether he knows it or not. Don't meet your heroes, unless it's Scott Budman. The verdict is in over Elon Musk V.s OpenAI, and it's really just about missing a deadline. Microsoft AI chief says in 18 months all white-collar work will be automated by AI. No wonder all the college graduates continue to boo. Hour 3: Eddie Murphy won't let his kids work in showbiz until age 18. Cannes Film Festival is going on, and Sarah thinks Vinnie will love the animated surf movie that Netflix just bought. It's the famous kids graduation season! Angelina Jolie's daughter, Zahara Marley Jolie, graduated from college. Brad Pitt was nowhere to be found. Nick Cannon has double standards for his children. The 37% rule says this is how you should pick your partner. Bottom line, we should look up Vinnie's high school girlfriend. Hour 4: BTS is playing in SF tonight - have fun! Spain said Shakira owes them $70 Million. Now they owe her. Ella Langley continues to make history on the Billboard charts. Tyler White from ‘Love on the Spectrum' released his first country music single. There's a new way to watch some of this year's biggest festivals from your couch. Bob won't give up on finding Vinnie's favorite ex-girlfriend. Matty has never been to Disney World! No wife, no problem. Plus, a story about a naked man and How Old Is That Guy?

Today we continue our videogame adaptation season by tackling 2001's Lara Croft: Tomb Raider, an early-noughties action flick starring megastar Angelina Jolie in the lead role, alongside pre-Bond Daniel Craig, a very young and very handsome Iain Glen and also Chris Barrie from Red Dwarf. Can it be the first videogame movie we've watched that isn't terrible? Hosted on Acast. See acast.com/privacy for more information.

Send us a text or a voicemailA woman, employed as a website content moderator, comes across a series of offensive audio podcasts that have been reported by listeners. She is torn between sending them a take down notification and subscribing. On Episode 720 of Trick or Treat Radio our feature film discussion is the re-imagining of the cult classic Faces of Death from director Daniel Goldhaber! We also talk about the original viral videos from early VHS shockumentaries, we talk about old commercials, and we react to trailers for the films; The Voices of Our Mother, and The Dead Place. So grab your old VHS copy of Faces of Death, try not to imitate any of its videos, and strap on for the world's most dangerous podcast!Stuff we talk about: Horror authors, Stephen King, Edgar Allan Poe, writers of terror, Dan Ackroyd, big twinkies, Bloodsport, Revenge of the Nerds, RIP Donald Gibb, Old Taco Bell commercials, Mike Mignola, Bee Gees, Andy Gibb, King of the Zombies, Nightmare in Wax, Child of Glass, The House Where Evil Dwells, Conan the Barbarian, The Evil Within, Heavy Mental: A Rock and Roll Bloodbath, Sophia Coppola, Frankenweenie, The Entity, The Day the Time Ended, The Amityville Horror, Kingdom of the Spiders, Natasha Ryan, Danny Huston, Clash of the Titans, 30 Day of Night, Tim Roth, Planet of the Apes, Dark Water, Rob Tapert, Robert Zemeckis, The Frighteners, Tales From the Crypt, Joe Zito, Friday the 13th: The Final Chapter, The Prowler, George Lucas, William Friedkin, Victor Miller, Richard Deacon, Howard the Duck, Top Secret, Real Genius, Val Kilmer, Fassbender, X-Men: Apocalypse, Nunsploitation, Mr. Destiny, The Voices of Our Mother, The Dead Place, David Howard Thornton, Destiny Plays the Radio, The Golden Girls, Quentin Tarantino, Dr. Frances B. Gross, Faces of Death, Traces of Death, Shockumentary, Mondo Films, Hackers, Angelina Jolie, Dacre Montgomery, Barbie Ferreira, Charlie XCX, copycat killers, Censor, video nasties, i screen you screen we all screen for green screen, and traumatized and desensitized.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Phil and Emily are joined by LaToya Ferguson to kick off a new miniseries on Angelina Jolie's action films of the 2000s, beginning with Gone in 60 Seconds (2000). LaToya is a TV writer, critic, and co-host of the Empire Diaries podcast. She has appeared on the show before, covering The Other Sister and Ladybugs on previous installments. She wanted to cover Mr. and Mrs. Smith. She did not get Mr. and Mrs. Smith.Gone in 60 Seconds follows retired master car thief Memphis Raines, forced back into the game to steal 50 high-end cars in one night to save his brother from a ruthless crime boss. It cost $100 million, grossed $237 million worldwide, outperforming both Remember the Titans and Coyote Ugly from the same Bruckheimer production year. Angelina Jolie had just won the Oscar. The film was sold entirely on her. She is barely in it. Nicolas Cage plays the lead, does not radiate car energy, and shares with Jolie what Emily describes as the opposite of chemistry. The movie goes dull at exactly the moment it should not, Frances Fisher has less screen time than the dog, and Christopher Eccleston delivers the villain line "it never rains, but it pours" with complete conviction.Phil makes the case for where this sits in the Bruckheimer era and why it signals the end of something, Emily misses the era of movies that made audiences want to steal cars, and LaToya has thoughts about Nicolas Cage, Billy Bob Thornton, and what actual dirtbag energy looks like on screen. They also get into whether Gone in 60 Seconds quietly paved the way for Fast and Furious, and why Phil rides for Sorcerer's Apprentice to the dismay of everyone present.This episode opens the miniseries on Angelina Jolie's 2000s action films, with Lara Croft: Tomb Raider up next.Follow the show and guests:Podcast Like It's... — https://www.instagram.com/podcastlikeitsPhil Iscove — https://www.instagram.com/pmiscoveEmily St. James — https://www.instagram.com/emilystjamsLaToya Ferguson — https://www.instagram.com/thelafergs

Sergio Pérez y Alma Espinosa entrevistan a Jim Sheridan, Maribel Verdú, Louis Garrel, Hombres G y al equipo de Yo no moriré de amor. Además, Series.

Cuenta atrás para el inicio del Festival de Cannes en una edición marcada por la histórica presencia del cine español, por la variedad del cine de autor y por la ausencia de grandes producciones americanas. En este episodio analizamos las claves de este certamen y comentamos los estrenos de la semana, como 'Couture (Alta costura)', el drama de Angelina Jolie ambientado en la Semana de la Moda de París. Además, hay comedias como 'Las ovejas detectives', documentales musicales y la gran triunfadora del Festival de Málaga, 'Yo no moriré de amor', la mirada a los cuidados de Marta Matute. En televisión repasamos los últimos estrenos, como la polémica 'Half man', la nueva serie del creador de 'Mi reno de peluche'.

Sergio Pérez habla de Couture, Recreación de un asesinato, Mortal Kombat 2, Bajo tus pies, Los mejores años de nuestra vida, Yo no moriré de amor...

Sergio Pérez entrevista durante el festival de San Sebastián al actor francés por Couture junto a Angelina Jolie. Y lanza un mensaje a Almodóvar.

Sergio Pérez entrevista en el festival de San Sebastián a la directora por esta película con Angelina Jolie a cuyo personaje le diagnostican cáncer.

Le novità sul caso Garlasco che sappiamo contro la nostra volontà. Addio al magnate Ted Turner, il New York Times e il successo degli abbonati. Le cuffie col filo son tornate di moda. Bezos vuole vendere la sua barchetta da 500 milioni di dollari, Angelina Jolie la sua casa. Ospite in studio Serena Brancale.

We got some updates on the Blake Lively and Justin Baldoni settlement – but that's not the only celebrity lawsuit to discuss. We've got the latest on Angelina Jolie vs. Brad PittSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Did you watch? see photos from? engage with? The Met Ball last night? We probably did! (But sadly this was taped yesterday...) Hopefully your group chat was blowing up! Update: Luke Evans Worrier: stand back! Plus, Dannielynn Birkhead stole the Kentucky Derby (per usual), Olivia Jade teased her makeup line (finally) and celebs celebrated... drinks? at the Beverage Forum in Manhattan Beach: Ian's booze, Robin's high-ABV and Troye does wine: plus, a quiz! Then, Gizelle from RHOP hangs out with Angelina Jolie at college, Shannon Elizabeth launches an OnlyFans and Dr. Dre holes hands with an unlikely reality star. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week, we review Cyborg 2: Glass Shadow (1993), Michael Schroeder's cyberpunk sci-fi action B-movie set in a future dominated by corporate warfare and synthetic humans. Angelina Jolie and Elias Koteas star as Cash Reese and Colt Ricks — a cyborg assassin and her combat trainer — in a story that explores identity, autonomy, and what it means to be human. With Cash literally packed with a liquid explosive called "Glass Shadow" and used as a walking weapon by the ruthless Pinwheel Corporation, this film raises intriguing questions about who truly owns your body — and your soul.Is this Jolie's most explosive early role, or just a blast from the B-movie past? Listen on to find out!Join Colin & Niall as we embrace the weird, the wonderful, and the downright awful of cinema!Contact us: itwasamoviepodcast@gmail.comSpotify: It was a movie..Spotify pageFollow, rate & review us here:https://linktr.ee/itwasamovieYoutube: It was a movie channel...Facebook: https://www.facebook.com/itwasamovieInstagram: https://www.instagram.com/itwasamoviepodcast/X: https://x.com/itwasamoviepodTikTok clips & highlights: https://www.tiktok.com/@itwasamoviepodSee all our ratings & reviews: Google SpreadsheetIMDb List: IMDb | Letterboxd: Letterboxd

EXCLUSIVE: Angelina Jolie V George Clooney - In France! How Rival A-Listers Are Set to Clash Over European Turf WarAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

1. Second Audio Clip From ‘Summer House' Reunion Leaks (Reality Blurb) (24:33) 2. Dr. Dre, 61, holds hands with ‘The Valley' star Michelle Saniei, 37, on unexpected date night (Page Six) (36:58) 3. Angelina Jolie and Gizelle Bryant Pose Alongside Their Daughters as They Attend Sorority Event in Atlanta (PEOPLE) (42:31) 4. Michael Rubin moves famed July 4 party so it doesn't clash with Taylor Swift's wedding (Page Six) (45:30) 5. ‘Verity' Trailer: Anne Hathaway and Dakota Johnson Play Seductive Mind Games in Colleen Hoover Thriller (Variety) (58:31) - Dear Toasters Advice Segment (1:02:13) The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) ⁠⁠⁠The Toast Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Toast Merch ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Girl With No Job by Claudia Oshry ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Camper & The Counselor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lean In⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Hack the planet! Mark and Professor Mike Dillon discuss the 1995 cyber thriller Hackers. Directed by Iain Softley, and starring Jonny Lee Miller, Angelina Jolie, Fisher Stevens and a supercomputer, the movie focuses on what happens when a group of hackers battle a legendary hacker named Eugene. In this episode, they also talk about likable characters, 1990s fashion, and hacking planets. Enjoy!

Megan Thee Stallion goes savage accusing her now ex of cheating. The break up hitting hard as she sheds tears on her Broadway stage. Then, when Harry met Zoe… Harry Styles pops the question to Zoe Kravitz and wait til you see the ring. Plus, Dr. Dre steps out with a reality star? The pairing no one saw coming. And, how Cyndi Lauper put a heckler on notice. Then, two comedy giants, one epic ET roast. Chelsea Handler vs. Kevin Hart. The face off you'll only see on ET. Plus, star daughters and their proud mamas. From P!nk's Broadway beauty, to Angelina Jolie's bond with eldest daughter, Zahara on display. And, trouble in TV paradise. Helena Bonham Carter checks out of “The White Lotus”. And the reason is so Hollywood. Then, a “Big Bang Theory” announcement. Your first look at the new spin-off with a multiverse twist. And in what universe the OG cast could come back.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

EXCLUSIVE: Angelina Jolie Facing Brutal Accusation She's 'Dragging Out' Her and Brad Pitt's Epic Winery Battle to 'Keep Her Tied to A-List Ex'Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ted Gibson and Jason Backe Live at ABS ChicagoSome conversations remind you why you got into this industry in the first place. This is one of them.Recorded live at ABS Chicago with co-host Geno Chapman, Corey sits down with Ted Gibson and Jason Backe for an hour covering three decades of hustle, heartbreak, reinvention, and beauty from the inside out.The Roads That Led HereNeither Ted nor Jason took a straight path in. Jason was a raver kid in Minneapolis who walked into beauty school and for the first time felt seen by a teacher. Ted was a Texas athlete who walked into a salon called Zan and Friends, saw a room full of stylish people in starched Wranglers, and decided that was the life. What followed was barber school, a cross-country move seeking fame, a detour to Atlanta to answer phones while switching his license, and a room with Confederate flags on the wall. He stayed anyway. The sacrifices nobody sees are always the foundation of the success they do.What Fame Actually CostsSaying yes to Angelina Jolie's hair for Tomb Raider changed everything. Vogue. Marie Claire. A PR firm that told them to drop the name Fame and call it Ted Gibson. A Fifth Avenue salon. A DC licensing deal tied to the Real Housewives. A move to LA where they gambled everything and learned more than they earned. Three years in Palm Springs that have brought more inspiration than anywhere else they've lived. Success is not linear. It never was.The Client Relationship... and When It EndsTed's rule: treat every client like it's the first time you've seen her. She is a different person. Jason goes deeper, describing 20 years of New York clients who didn't care what it cost, and how COVID ended it overnight. He had to create a new category... client friends. Losing them felt like grief. It changed how he understood his work entirely.Ted Gibson Beauty Wellness ScienceAfter Ted's mom was diagnosed with dementia, they dove into brain health and found lion's mane mushroom. They felt it. They kept going. A scientist in Oregon with 30 years studying fungi and algae helped them build a superfood powder: lion's mane, chaga, reishi, tremella, and blue-green algae in a coconut milk base with vanilla and coffee. Tremella is shown to be 100 times more effective than hyaluronic acid at moisture retention. Mix it into anything. A book is coming.Convergence: Beauty Wellness Science SummitMay 2-3 in Palm Springs. Professionals and consumers in the same room to collaborate, not compete. Mainstage education in cut, color, and dressing. Panel discussions including Guts, Brains and Beauty and Stars, Shrooms and Psychedelics. Breakout rooms. A cocktail party. The Beauty in Motion Evening Performance headlined by Ted and his artistic team. Day two is all professional education with business coaching from Steve Gomez. Blue Zones leads a purpose workshop for the Palm Springs community. Hotel reservations at the Marriott via the link in bio.@tedgibson... @jasonbacke... @genochapmanSponsored by Serious Business. January 16-18, 2027 in New Orleans. Tickets at seriousbuisness.net

Separated from her family and trained as a child soldier, Loung Ung's unbreakable spirit helped her survive Pol Pot's regime, which killed nearly a quarter of Cambodia's population.In the Chinese tradition of Loung Ung's mother, the element of fire was dangerous in a daughter: too bold, too defiant, too difficult to control. And, according to her, Loung had been born with ‘too much' of it. But when the Khmer Rouge seized power in April 1975, that fire became key to Loung's survival. Between 1975 and 1979, up to 2 million Cambodians died through execution, famine and disease. Forced into the countryside to do hard labour, Loung's family struggled. As their world was torn apart, Loung was told by her mother to run away. Loung would end up as a child soldier, separated from the rest of her siblings. Once the regime fell, she became the only child from the family chosen to go to the USA for a better life. But it was a dangerous journey and Loung would suffer with PTSD for years afterwards. The plan was to reunite the family within a few years, though due to financial constraints that wasn't possible. As an adult, Loung has worked on campaigns addressing violence against women, the use of child soldiers and landmine eradication worldwide and has managed to reunite with her siblings. Her story was eventually made into a film, directed by Angelina Jolie, named after Loung's memoir of the same name: First They Killed My Father. Loung has written two other memoirs: Lucky Child and Lulu in the Sky. Presenter: Asya Fouks Producer: Emily NaylorLives Less Ordinary is a podcast from the BBC World Service that brings you the most incredible true stories from around the world. Each episode a guest shares their most dramatic, moving, personal story. Listen for unbelievable twists, mysteries uncovered, and inspiring journeys - spanning the entire human experience. Step into someone else's life and expect the unexpected.   Got a story to tell? Send an email to liveslessordinary@bbc.co.uk or message us via WhatsApp: 0044 330 678 2784   You can read our privacy notice here: https://www.bbc.co.uk/programmes/articles/5YD3hBqmw26B8WMHt6GkQxG/lives-less-ordinary-privacy-notice

The world's okayest morning radio show offers you the entire broadcast from today with none of the music and limited commercials. Try to enjoy!

James Swanwick is an Australian-American investor, entrepreneur, speaker and former SportsCenter anchor on ESPN. He is the creator of Alcohol Free Lifestyle and the creator of "Project 90", which helps high achievers get lifetime power over alcohol, and creator of blue-light blocking glasses Swannies by Swanwick Sleep, which improve your sleep. He has interviewed celebrities including Brad Pitt, Angelina Jolie, Kobe Bryant, David Beckham and Arnold Schwarzenegger. Top 3 Value Bombs 1. Even one drink a day could be silently costing entrepreneurs millions in lost clarity, productivity, and revenue. 2. Quitting alcohol can create a powerful domino effect, better sleep, more energy, improved mindset, and stronger relationships. 3. Daily gratitude and intentional habits are more than just routines, they're foundations for sustained success. Check out the website to learn more and start your alcohol-free journey - Alcohol-Free Lifestyle Sponsors HighLevel - The ultimate all-in-one platform for entrepreneurs, marketers, coaches, and agencies. Learn more at HighLevelFire.com. 50 - Join JLD on his free '50 days to something' video series on YouTube and create something special in 50 days. Framer - A website builder that offers real-time collaboration, a robust CMS with everything you need for great SEO, and advanced analytics that include integrated A/B testing. Get started building for free today at Framer.com/fire. For 30 percent a Framer Pro annual plan use code FIRE. Revenued - Built for small business owners who need fast, flexible access to working capital, without relying on your personal credit score. Apply now at Revenued.com/fire.  

Robert DeNiro's The Good Shepherd  This week we springboard off of Robert DeNiro's 2006 spy film, The Good Shepherd, profiling the birth of the Central Intelligence Agency and its role throughout the second half of the 20th Century. From its origins during the end of World War II thru The Cold War, The Bay of Pigs, and the early days of the Kennedy administration, DeNiro's passion project is a thought-provoking, detailed, and troubling  examination of U.S. Foreign Policy. Mr. Chavez & I - as is our habit and purpose - use this film to examine our own impressions of the C.I.A., American National & Foreign policy, and the Class System that allows all of it to exist and prosper. From the secretive Yale society, Skull & Bones, that has given us at least two presidents, numerous senators and congressman, and untold CEOs, thru secret and illegal actions designed to topple governments, The Good Shepherd is forcing questions that we are eager to answer. Featuring an all-star cast including: Matt Damon, Angelina Jolie, William Hurt, Michael Gambon, Eddie Redmayne, Keir Dullea, John Turturro, Timothy Hutton, Alec Baldwin, and a briliant Joe Pesci. Take a listen and let us know what you think. Questions, Comments, Complaints, & Suggestions can be directed to gondoramos@yahoo.com - Many, Many Thanks for Your Continued Support.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

What makes a character so compelling that readers will forgive almost anything about the plot? How do you move beyond vague flaws and generic descriptions to create people who feel pulled from real life? In this solo episode, I share 15 actionable tips for writing deep characters, curated from past interviews on the podcast. In the intro, thoughts from London Book Fair [Instagram reel @jfpennauthor; Publishing Perspectives; Audible; Spotify]; Insights from a 7-figure author business [BookBub]. This show is supported by my Patrons. Join my Community and get articles, discounts, and extra audio and video tutorials on writing craft, author business, and AI tools, at Patreon.com/thecreativepenn This episode has been created from previous episodes of The Creative Penn Podcast, curated by Joanna Penn, as well as chapters from How to Write a Novel: From Idea to Book. Links to the individual episodes are included in the transcript below. In this episode: Master the ‘Believe, Care, Invest' trifecta, how to hook readers on the very first page Define the Dramatic Question: Who is your character when the chips are down? Absolute specificity. Why “she's controlling” isn't good enough Understand the Heroine's Journey, strength through connection, not solo action Use ‘Metaphor Families' to anchor dialogue and give every character a distinctive voice Find the Diagnostic Detail, the moments that prove a character is real Writing pain onto the page without writing memoir Write diverse characters as real people, not stereotypes or plot devices Give your protagonist a morally neutral ‘hero' status. Compelling beats likeable. Build vibrant side characters for series longevity and spin-off potential Use voice as a rhythmic tool Link character and plot until they're inseparable Why discovery writers can write out of order and still build deep character Find the sensory details that make characters live and breathe More help with how to write fiction here, or in my book, How to Write a Novel. Writing Characters: 15 Tips for Writing Deep Character in Your Fiction In today's episode, I'm sharing fifteen tips for writing deep characters, synthesised from some of the most insightful interviews on The Creative Penn Podcast over the past few years, combined with what I've learned across more than forty books of my own. I'll be referencing episodes with Matt Bird, Will Storr, Gail Carriger, Barbara Nickless, and Sarah Elisabeth Sawyer. I'll also draw on my own book, How to Write a Novel, which covers these fundamentals in detail. Whether you're writing your first novel or your fiftieth, whether you're a plotter or a discovery writer like me, these tips will help you create characters that readers believe in, care about, and invest in—and keep coming back for more. Let's get into it. 1. Master the ‘Believe, Care, Invest' Trifecta When I spoke with Matt Bird on episode 624, he laid out the three things you need to achieve on the very first page of your book or in the first ten minutes of a film. He calls it “Believe, Care, and Invest.” First, the reader must believe the character is a real person, somehow proving they are not a cardboard imitation of a human being, not just a generic type walking through a generic plot. Second, the reader must care about the character's circumstances. And third, the reader must invest in the character's ability to solve the story's central problem. Matt used The Hunger Games as his primary example, and it's brilliant. On the very first page, we believe Katniss's voice. Suzanne Collins writes in first person with a staccato rhythm—lots of periods, short declarative sentences—that immediately grounds us in a survivalist mentality. We care because Katniss is starving. She's protecting her little sister. And we invest because she is out there bow hunting, which Matt pointed out is one of the most badass things a character can do. She even kills a lynx two pages in and sells the pelt. We invest in her resourcefulness and grit before the plot has even begun. Matt was very clear that this has nothing to do with the character being “likable.” He said his subtitle, Writing a Hero Anyone Will Love, doesn't mean the character has to be a good person. He described “hero” as both gender-neutral and morally neutral. A hero can be totally evil or totally good. What matters is that we believe, care, and invest. He demonstrated this beautifully by breaking down the first ten minutes of WeCrashed, where the characters of Adam and Rebekah Neumann are absolutely not likable, but we are completely hooked. Adam steals his neighbour's Chinese food through a carefully orchestrated con involving an imaginary beer. It's not admirable behaviour, but the tradecraft involved, as Matt put it—using a term from spy movies—makes us invest in him. We see a character trying to solve the big problem of his life, which is that he's poor and wants to be rich, and we want to see if he can pull it off. Actionable step: Go to the first page of your current work in progress. Does it achieve all three? Does the reader believe this is a real person with a distinctive voice? Do they care about the character's circumstances? And do they invest in the character's ability to handle what's coming? If even one of those three is missing, that's your revision priority. 2. Define the Dramatic Question: Who Are They Really? Will Storr, author of The Science of Storytelling, came on episode 490 and gave one of the most powerful frameworks I've ever heard for character-driven fiction. He explained that the human brain evolved language primarily to swap social information—in other words, to gossip. We are wired to monitor other people, to ask the question: who is this person when the chips are down? That's what Will calls the Dramatic Question, and it's what he believes lies at the heart of all compelling storytelling. It's not a question about plot. It's a question about the character's soul. And every scene in your novel should force the character to answer it. His example of Lawrence of Arabia is unforgettable. The Dramatic Question for the entire film is: who are you, Lawrence? Are you ordinary or are you extraordinary? At the beginning, Lawrence is a cocky, rebellious young soldier who believes his rebelliousness makes him superior. Every iconic scene in that three-hour film tests that belief. Sometimes Lawrence acts as though he truly is extraordinary—leading the Arabs into battle, being hailed as a god—and sometimes the world strips him bare and he sees himself as ordinary. Because it's a tragedy, he never overcomes his flaw. He doubles down on his belief that he's extraordinary until he becomes monstrous, culminating in that iconic scene where he lifts a bloody dagger and sees his own reflection with horror. Will also used Jaws to demonstrate how this works in a pure action thriller. Brody's dramatic question is simple: are you going to be old Brody who is terrified of the water, or new Brody who can overcome that fear? Every scene where the shark appears is really asking that question. And the last moment of the film isn't the shark blowing up. It's Brody swimming back through the water, saying he used to be scared of the water and he can't imagine why. Actionable step: Write down the Dramatic Question for your protagonist in a single sentence. Is it “Are you ordinary or extraordinary?” or “Are you brave enough to love again?” or “Will you sacrifice your principles for survival?” If you can't answer this with specificity, your character might still be a sketch rather than a person. 3. Get rid of Vague Flaws, and use Absolute Specificity This was one of Will Storr's most important points. He said that vague thinking about characters is really the enemy. When he teaches workshops and asks writers to describe their character's flaw, most of them say something like “they're very controlling.” And Will's response is: that's not good enough. Everyone is controlling. How are they controlling? What's the specific mechanism? He gave the example of a profile he read of Theresa May during the UK's Brexit chaos. Someone who knew her said that Theresa May's problem was that she always thinks she's the only adult in every room she goes into. Will said that stopped him in his tracks because it's so precise. If you define a character with that level of specificity, you can take them and put them in any genre, any situation—a spaceship, a Victorian drawing room, a school playground—and you will know exactly how they're going to behave. The same applies to Arthur Miller's Willy Loman in Death of a Salesman, as Will described it: a man who believes absolutely in capitalistic success and the idea that when you die, you're going to be weighed on a scale, just as God weighs you for sin, but now you're weighed for success. That's not a vague flaw. That's a worldview you can drop into any story and watch it combust. Will made another counterintuitive point that I found really valuable: writers often think that piling on multiple traits will create a complex character, but the opposite is true. Starting with one highly specific flaw and running it through the demands of a relentless plot is what generates complexity. You end up with a far more nuanced, original character than if you'd started with a laundry list of vague attributes. Actionable step: Take your protagonist's flaw and pressure-test it. Is it specific enough that you could place this character in any situation and predict their behaviour? If you're stuck at “she's stubborn” or “he's insecure,” keep pushing. What kind of stubborn? What kind of insecure? Find the diagnostic sentence—the Theresa May level of precision. 4. Understand the Heroine's Journey: Strength Through Connection Gail Carriger came on episode 550 to discuss her nonfiction book, The Heroine's Journey, and it completely reframed how I think about some of my own fiction. Gail explained that the core difference between the Hero's Journey and the Heroine's Journey comes down to how strength and victory are defined. The Hero's Journey is about strength through solo action. The hero must be continually isolated to get stronger. He goes out of civilisation, faces strife alone, and achieves victory through physical prowess and self-actualisation. The Heroine's Journey is the opposite. The heroine achieves her goals by activating a network. She's a delegator, a general. She identifies where she can't do something alone, finds the people who can help, and portions out the work for mutual gain. Gail put it simply: the heroine is very good at asking for help, which our culture tends to devalue but which is actually a powerful form of strength. Crucially, Gail stressed that gender is irrelevant to which journey you're writing. Her go-to examples are striking: the recent Wonder Woman film is practically a beat-for-beat hero's journey—Gilgamesh on screen, as Gail described it. Meanwhile, Harry Potter, both the first book and the series as a whole, is a classic heroine's journey. Harry's power comes from his network—Dumbledore's Army, the Order of the Phoenix, his friendships with Ron and Hermione. He doesn't defeat Voldemort alone. He defeats Voldemort because of love and connection. This distinction has real practical consequences for writers. If you're writing a hero's journey and you hit writer's block, Gail said, the solution is usually to isolate your hero further and pile on more strife. But if you're writing a heroine's journey, the solution is probably to throw a new character into the scene—someone who has advice to offer or a skill the heroine lacks. The actual solutions to writer's block are different depending on which narrative you're writing. As I reflected on my own work, I realised that my ARKANE thriller protagonist, Morgan Sierra, follows a hero's journey—she's a solo operative, a lone wolf like Jack Reacher or James Bond. But my Mapwalker fantasy series follows a heroine's journey, with Sienna and her group of friends working together. I hadn't consciously chosen those paths; the stories led me there. But understanding the framework helps me write more intentionally now. Actionable step: Identify which journey your protagonist is on. Does your character gain strength by being alone (hero) or by building connections (heroine)? This will inform every plot decision you make, from how they face obstacles to how your story ends. 5. Use ‘Metaphor Families' to Anchor Dialogue and Voice One of the most practical techniques Matt Bird shared on episode 624 is the idea of assigning each character a “metaphor family”—a specific well of language that they draw from. This gives each character a distinctive voice that goes beyond accent or dialect. Matt explained how in The Wire, one of the most beloved TV shows of all time, every character has a different metaphor family. What struck him was that Omar, this iconic character, never utters a single curse word in the entire series. His metaphor family is pirate. He talks about parlays, uses language that feels like it belongs in Pirates of the Caribbean, and it creates this incredible ironic counterpoint against his urban setting. It tells us immediately that this is a character who sees himself in a tradition of people that doesn't match his immediate surroundings. Matt also referenced the UK version of The Office, where Gareth works at a paper company but aspires to the military. So all of his language is drawn from a military metaphor family. He doesn't talk about filing and photocopying; he talks about tactics and discipline and being on the front line. This tells us that the character has a life and dreams beyond the immediate scene—and it's the gap between aspiration and reality that makes him both funny and believable. He pointed out that a metaphor family sometimes comes from a character's background, but it's often more interesting when it comes from their aspirations. What does your character want to be? What world do they fantasise about inhabiting? That's where their language should come from. In Star Wars, Obi-Wan Kenobi is a spiritual hermit, but his metaphor family is military. He uses the language of generals and commanders, and that ironic counterpoint is part of what makes him feel so rich. Actionable step: Assign each of your main characters a metaphor family. It could be based on their job, their background, or—more interestingly—their secret aspirations. Then go through your dialogue and make sure each character is consistently drawing from that well of language. If two characters sound the same when you strip away the dialogue tags, this is the fix. 6. Find the Diagnostic Detail: The Diagonal Toast Avoid clichéd character tags—the random scar, the eye patch, the mysterious limp—unless they serve a deep narrative purpose. Matt Bird on episode 624 was very funny about this: he pointed out that Nick Fury, Odin, and eventually Thor all have eye patches in the Marvel Cinematic Universe. Eye patches are done, he said. You cannot do eye patches anymore. Instead, look for what I'm calling the “diagonal toast” detail, after a scene Matt described from Captain Marvel. In the film, Captain Marvel is trying to determine whether Nick Fury is who he says he is. She asks him to prove he isn't a shapeshifting alien. Fury shares biographical details—his history, his mother—but then she pushes further and says, name one more thing you couldn't possibly have made up about yourself. And Fury says: if toast is cut diagonally, I can't eat it. Matt said that detail is gold for a writer because it feels pulled from a real life. You can pull it from your own life and gift it to your characters, and the reader can tell it's not manufactured. He gave another example from The Sopranos: Tony Soprano's mother won't answer the phone after dark. The show's creator, David Chase, confirmed on the DVD commentary that this came from his own mother, who genuinely would not answer the phone after dark and couldn't explain why. Matt's practical advice was to keep a journal. Write down the strange, specific things that people do or say. Mine your own life for those hyper-specific details. You just need one per book. In my own writing, I've used this approach. In my ARKANE thrillers, my character Morgan Sierra has always been Angelina Jolie in my mind—specifically Jolie in Lara Croft or Mr and Mrs Smith. And Blake Daniel in my crime thriller series was based on Jesse Williams from Grey's Anatomy. I paste pictures of actors into my Scrivener projects. It helps with visuals, but also with the sense of the character, their energy and physicality. But visual details only take you so far. It's the behavioural quirks—the diagonal toast moments—that make a character feel genuinely alive. That said, physical character tags can work brilliantly when they serve the story. As I discuss in How to Write a Novel, Robert Galbraith's Cormoran Strike is an amputee, and his pain and the physical challenges of his prosthesis are a key part of every story—it's not a cosmetic detail, it's woven into the action and the character's psychology. My character Blake Daniel always wears gloves to cover the scars on his hands, which provides an angle into his wounded past as well as a visual cue for the reader. And of course, Harry Potter's lightning-shaped scar isn't just a mark—it's a direct connection to his nemesis and the mythology of the entire series. The rule of thumb is: if the tag tells us something about the character's interior life or connects to the plot, it's earning its place. If it's just there to make the character visually distinctive, it's probably a crutch. Game of Thrones takes character tags further with the family houses, each with their own mottos and sigils. The Starks say “Winter is coming” and their sigil is a dire wolf. Those aren't just labels—they're worldview made visible. Actionable step: Start a “diagonal toast” notebook. Every time you notice something strange and specific about someone's behaviour—something that feels too real to be made up—write it down. Then gift it to a character who needs more texture. 7. Displace Your Own Trauma into the Work Barbara Nickless shared something deeply personal on episode 732 that fundamentally changed how I think about putting pain onto the page. While starting At First Light, the first book in her Dr. Evan Wilding series, she lost her son to epilepsy—something called SUDEP, Sudden Unexplained Death in Epilepsy. One day he was there, and the next day he was gone. Barbara said that writing helped her cope with the trauma, that doing a deep dive into Old English literature and the Viking Age for the book's research became a lifeline. But here's what's important: she didn't give Dr. Evan Wilding her exact trauma. Evan Wilding is four feet five inches, and Barbara described how he has to walk through a world that won't adjust to him. That's its own form of learning to cope when circumstances are beyond your control. She displaced her genuine grief into the character's different but parallel struggle. When I asked her about the difference between writing for therapy and writing for an audience, she drew on her experience teaching creative writing to veterans through a collaboration between the US Department of Defense and the National Endowment for the Arts. She said she's found that she can pour her heartache into her characters and process it through them, even when writing professionally, and that the genuine emotion is what touches readers. We've all been through our own losses and griefs, so seeing how a character copes can be deeply meaningful. I've always found that putting my own pain onto the page is the most direct way to connect with a reader's soul. My character Morgan Sierra's musings on religion and the supernatural are often my own. Her restlessness, her fascination with the darker edges of faith—those come from me. But her Krav Maga fighting skills and her ability to kill the bad guys are definitely her own. That gap between what's mine and what's hers is where the fiction lives. Barbara also said something on that episode that I wrote down and stuck on my wall. She said the act of producing itself is a balm to the soul. I've been thinking about that ever since. On my own wall, I have “Measure your life by what you create.” Different words, same truth. Actionable step: If you're carrying something heavy—grief, anger, fear, regret—consider how you might displace it into a character's different but emotionally parallel struggle. Don't copy your exact situation; transform it. The emotion will be genuine, and the reader will feel it. 8. Write Diverse Characters as Real People When I spoke with Sarah Elisabeth Sawyer on episode 673—Sarah is Choctaw and a historical fiction author honoured by the Smithsonian's National Museum of the American Indian—she offered a perspective that every fiction writer needs to hear. The key message was to move away from stereotypes. Don't write your American Indian character as the “Wise Guide” who exists solely to dispense mystic wisdom to the white protagonist. Don't limit diverse characters to historical settings, as though they only exist in the past. Place them in normal, contemporary roles. Your spaceship captain, your forensic scientist, your small-town baker—any of them can be American Indian, or Nigerian, or Japanese, and their heritage should be a lived-in part of their identity, not the sole reason they exist in the story. I write international thrillers and dark fantasy, and my fiction is populated with characters from all over the world. I have a multi-cultural family and I've lived in many places and travelled widely, so I've met, worked with, and had relationships with people from different cultures. I find story ideas through travel, and if I set my books in a certain place, then the story is naturally populated with the people who live there. As I discuss in my book, How to Write a Novel, the world is a diverse place, so your fiction needs to be populated with all kinds of people. If I only populated my fiction with characters like me, they would be boring novels. There are many dimensions of difference—race, nationality, sex, age, body type, ability, religion, gender, sexual orientation, socio-economic status, class, culture, education level—and even then, don't assume that similar types of people think the same way. Some authors worry they will make mistakes. We live in a time of outrage, and some authors have been criticised for writing outside their own experience. So is it too dangerous to try? Of course not. The media amplifies outliers, and most authors include diverse characters in every book without causing offence because they work hard to get it right. It's about awareness, research, and intent. Actionable step: Audit the cast of your current work in progress. Have you written a mono-cultural perspective for all of them? If so, consider who could bring a different background, perspective, or set of cultural specifics to the story. Not as a token addition, but as a real person with a real life. 9. Respect Tribal and Cultural Specificity Sarah Elisabeth Sawyer on episode 673 was emphatic about one thing: never treat diverse groups as monolithic. If you're writing a Native American character, you must research the specific nation. Choctaw is not Navajo, just as British is not French. Sarah described the distinct cultural markers of the Choctaw people—the diamond pattern you'll see on traditional shirts and dresses, which represents the diamondback rattlesnake. They have distinct dances and songs. She said that if she saw someone in traditional dress at a distance, she would know whether they were Choctaw based on what they were wearing. She encouraged writers who want to write specifically about a nation to get to know those people. Go to events, go to a powwow, learn about the individual culture. She noted that a big misconception is that American Indians exist only in the past—she stressed that they are still here, still living their cultures, and fiction should reflect that present reality. I took a similar approach when writing Destroyer of Worlds, which is set mostly in India. I read books about Hindu myth, watched documentaries about the sadhus, and had one of my Indian readers from Mumbai check my cultural references. For Risen Gods, set in New Zealand with a young Maori protagonist, I studied books about Maori mythology and fiction by Maori authors, and had a male Maori reader check for cultural issues. Research is simply an act of empathy. The practical takeaway is this: if you're going to include a character from a specific cultural background, do the work. Use specific cultural details rather than generic signifiers. Sarah talked about how even she fell into stereotypes when she was first writing, until her mother pointed them out. If someone from within a culture can fall into those traps, the rest of us certainly can. Do the research, try your best, ask for help, and apologise if you need to. Actionable step: If you're writing a character from a specific culture, identify three to five sensory or behavioural details that are particular to that culture—not the generic version, but the real, researched, lived-in version. Consider hiring a sensitivity reader from that community to check your work. 10. Give Your Protagonist a Morally Neutral ‘Hero' Status Matt Bird was clear about this on episode 624: the word “hero” simply means the protagonist, the person we follow through the story. It's a functional role, not a moral label. We don't have to like them. We don't even have to root for their goals in a moral sense. We just have to find them compelling enough to invest our attention in their problem-solving. Think of Succession, where every member of the Roy family is varying degrees of awful, and yet the show was utterly compelling. Or WeCrashed, where Adam Neumann is a narcissistic con artist, but we can't look away because he's trying to solve the enormous problem of building an empire from nothing, and the tradecraft he employs is fascinating. As I wrote in How to Write a Novel, readers must want to spend time with your characters. They don't have to be lovable or even likable—that will depend on your genre and story choices—but they have to be captivating enough that we want to spend time with them. A character who is trying to solve a massive problem will naturally draw investment from the audience, even if we wouldn't want to have tea with them. Will Storr extended this idea by pointing out that the audience will actually root for a character to solve their problem even if the audience doesn't actually want the character's goal to be achieved in the real world. We don't really want more billionaires, but we invested in Adam Neumann's rise because that was the problem the story posed, and our brains are wired to invest in problem-solving. This connects to something deeper: what does your character want, and why? As I explore in How to Write a Novel, desire operates on multiple levels. Take a character like Phil, who joins the military during wartime. On the surface, she wants to serve her country. But she also wants to escape her dead-end town and learn new skills. Deeper still, her father and grandfather served, and by joining up, she hopes to finally earn their respect. And perhaps deepest of all, her father died on a mission under mysterious circumstances, and she wants to find out what happened from the inside. That layering of motivation is what turns a flat character into a three-dimensional one. The audience doesn't need to be told all of this explicitly. It can emerge through action, dialogue, and the choices the character makes under pressure. But you, the writer, need to know it. You need to know what your character really wants deep down, because that desire—more than any external plot device—is what drives the story forward. And your antagonist needs the same depth. They also want something, often diametrically opposed to your protagonist, and they need a reason that makes sense to them. In my ARKANE thriller Tree of Life, my antagonist is the heiress of a Brazilian mining empire who wants to restore the Earth to its original state to atone for the destruction caused by her father's company. She's part of a radical ecological group who believe the only way to restore Nature is to end all human life. It's extreme, but in an era of climate change, it's a motivation readers can understand—even if they disagree with the solution. Actionable step: If you're struggling to make a morally grey character work, make sure their problem is big enough and their methods are specific and interesting enough that we invest in the how, even if we're ambivalent about the what. 11. Build Vibrant Side Characters Gail Carriger made a point on episode 550 that was equal parts craft advice and business strategy. In a Heroine's Journey model, side characters aren't just fodder to be killed off to motivate the hero. They form a network. And because you don't have to kill them—unlike in a hero's journey, where allies are often betrayed or removed so the hero can be further isolated—you can pick up those side characters and give them their own books. Gail said this creates a really voracious reader base. You write one series with vivid side characters, and then readers fall in love with those side characters and want their stories. So you write spin-offs. The romance genre does this brilliantly—think of the Bridgerton books, where each sibling gets their own novel. The side character in one book becomes the protagonist in the next. Barbara Nickless experienced this firsthand with her Dr. Evan Wilding series. She has River Wilding, Evan's adventurous brother, and Diana, the axe-throwing research assistant, and her editor has already expressed interest in a spin-off series with those characters. Barbara described creating characters she wants to spend time with, or characters who give her nightmares but also intrigue her. That's the dual test: are they interesting enough for you to write, and interesting enough for readers to demand more? As I wrote in How to Write a Novel, characters that span series can deepen the reader's relationship with them as you expand their backstory into new plots. Readers will remember the character more than the plot or the book title, and look forward to the next instalment because they want more time with those people. British crime author Angela Marsons described it as readers feeling like returning to her characters is like putting on a pair of old slippers. Actionable step: Look at your supporting cast. Is there a side character who is vivid enough to carry their own story? If not, what could you add—a specific hobby, a distinct voice, a compelling backstory—that would make readers want more of them? 12. Use Voice as a Rhythmic Tool Voice is one of the most important elements of novel writing, and Matt Bird helped me think about it in a technical, mechanical way that I found really useful. He pointed out that the ratio of periods to commas defines a character's internal reality. A staccato rhythm—lots of periods, short sentences—suggests a character who is certain, grounded, or perhaps survivalist and traumatised. Katniss in The Hunger Games has a period-heavy voice. She's in survival mode. She doesn't have time for complexity or qualification. A flowing, comma-heavy style suggests someone more academic, more nuanced, or possibly more scattered and manipulative. The character who qualifies everything, who adds sub-clauses and digressions, is a different kind of person from the character who speaks in declarations. This is something you can actually measure. Pull up a passage of your character's dialogue or internal monologue and count the periods versus the commas. If the rhythm doesn't match who the character is supposed to be, you've found a mismatch you can fix. Sentence length is the heartbeat of your character's persona. And voice extends beyond rhythm to the words themselves. As I discussed in the metaphor families tip, each character should draw from a distinctive well of language. But voice also encompasses their relationship to silence. Some characters talk around the thing they mean; others say it straight. Some are self-deprecating; others are blunt to the point of rudeness. All of these choices are character choices, not just style choices. I find it useful to read my dialogue aloud—and not just to check for naturalness, but to hear whether each character sounds distinct. If you could swap dialogue lines between two characters and nobody would notice, you have a voice problem. One practical test: cover the dialogue tags and see if you can tell who's speaking from the words alone. Actionable step: Choose a key passage from your protagonist's point of view and read it aloud. Does the rhythm match the character? A soldier under fire should not sound like a philosophy professor at a wine tasting. Adjust the ratio of periods to commas until the voice feels right. 13. Link Character and Plot Until They're Inseparable Will Storr made the case on episode 490 that the number one problem he sees in the writing he encounters—in workshops, in submissions, even in published books—is that the characters and the plots are unconnected. There's a story happening, and there are people in it, but the story isn't a product of who those people are. He said a story should be like life. In our lives, the plots are intimately connected to who we are as characters. The goals we pursue, the obstacles we face, the same problems that keep recurring—these are products of our personalities, our flaws, our specific ways of being in the world. His framework is that your plot should be designed specifically to plot against your character. You've got a character with a particular flaw; the plot exists to test that flaw over and over until the character either transforms or doubles down and explodes. Jaws is the perfect example. Brody is afraid of water. A shark shows up in the coastal town he's responsible for protecting. The entire plot is engineered to force him to confront the one thing he cannot face. Will pointed out that the whole plot of Jaws is structured around Brody's flaw. It begins with the shark arriving, the midpoint is when Brody finally gets the courage to go into the water, and the very final scene isn't the shark blowing up—it's Brody swimming back through the water. Even a film that's ninety-eight percent action is, at its core, structured around a character with a character flaw. This is the standard I aspire to in my own work, even in my action-heavy thrillers. The external plot should be a mirror of the internal struggle. When those two are aligned, the story becomes irresistible. Will also made an important point about series fiction, which is where most commercial authors live. I asked him how this works when your character can't be transformed at the end of every book because there has to be a next book. His answer was elegant: you don't cure them. Episodic TV characters like Fleabag or David Brent or Basil Fawlty never truly change—and the fact that they don't change is actually the source of the comedy. But every episode throws a new story event at them that tests and exposes their flaw. You just keep throwing story events at them again and again. That's a soap opera, a sitcom, and a book series. As I wrote in How to Write a Novel, character flaws are aspects of personality that affect the person so much that facing and overcoming them becomes central to the plot. In Jaws, the protagonist Brody is afraid of the water, but he has to overcome that flaw to destroy the killer shark and save the town. But remember, your characters should feel like real people, so never define them purely by their flaws. The character addicted to painkillers might also be a brilliant and successful female lawyer who gets up at four in the morning to work out at the gym, likes eighties music, and volunteers at the local dog shelter at weekends. Character wounds are different from flaws. They're formed from life experience and are part of your character's backstory—traumatic events that happened before the events of your novel but shape the character's reactions in the present. In my ARKANE thrillers, Morgan Sierra's husband Elian died in her arms during a military operation. This happened before the series begins, but her memories of it recur when she faces a firefight, and she struggles to find happiness again for fear of losing someone she loves once more. And then there's the perennial advice: show, don't tell. Most writers have heard this so many times that it's easy to nod and then promptly write scenes that tell rather than show. Basically, you need to reveal your character through action and dialogue, rather than explanation. In my thriller Day of the Vikings, Morgan Sierra fights a Neo-Viking in the halls of the British Museum and brings him down with Krav Maga. That fight scene isn't just about showing action. It opens up questions about her backstory, demonstrates character, and moves the plot forward. Telling would be something like: “Morgan was an expert in Krav Maga.” Showing is the reader discovering it through the scene itself. Actionable step: Look at the main plot events of your novel. For each major turning point, ask: does this scene specifically test my protagonist's flaw? If not, can you redesign the scene so that it does? The tighter the connection between character and plot, the more powerful the story. 14. The ‘Maestra' Approach: Write Out of Order If you're a discovery writer like me, you may feel like the deep character work I've been describing sounds more suited to plotters. But Barbara Nickless gave me a beautiful metaphor on episode 732 that reframes it entirely. Barbara described her evolving writing process as being like a maestra standing in front of an orchestra. Sometimes you bring in the horns—a certain theme—and sometimes you bring in the strings—a certain character—and sometimes you turn to the soloist. It's a more organic and jumping-around process than linear writing, and Barbara said she's only recently given herself permission to work this way. When I told her that I use Scrivener to write in scenes out of order and then drag and drop them into a structure later, she was genuinely intrigued. And this is how I've always worked. I'll see the story in my mind like a movie trailer—flashes of the big emotional scenes, the pivotal confrontations, the moments of revelation—and I write those first. I don't know how they hang together until quite late in the process. Then I'll move scenes around, print the whole thing out, and figure out the connective tissue. The point is that discovery writers can absolutely build deep characters. Sometimes writing the big emotional scenes first is how you discover who the character is before you fill in the rest. You don't need a twenty-page character worksheet or a 200-page outline like Jeffery Deaver. You need to be willing to follow the character into the unknown and trust that the structure will emerge. As Barbara said, she writes to know what she's thinking. That's the discovery writer's credo. And I would add: I write to know who my characters are. Actionable step: If you're stuck on your current chapter, skip it. Write the scene that's burning in your imagination, even if it's from the middle or the end. That scene might be the key to unlocking who your character really is. 15. Use Research to Help with Empathy Research shouldn't just be about factual accuracy—it's a tool for finding the sensory details that create empathy. Barbara Nickless described research as almost an excuse to explore things that fascinate her, and I feel exactly the same way. I would go so far as to say that writing is an excuse for me to explore the things that interest me. Barbara and I both travel for our stories. For her Dr. Evan Wilding books, she did deep research into Old English literature and the Viking Age. For my thriller End of Days, I transcribed hours of video from Appalachian snake-handling churches on YouTube to understand the worldview of the worshippers, because my antagonist was brought up in that tradition. I couldn't just make that up. I had to hear their language, feel their conviction, understand why they would hold venomous serpents as an act of faith. Barbara also mentioned getting to Israel and the West Bank for research, and I've been to both places too. Finding that one specific sensory detail—the smell of a particular location, the specific way an expert handles a tool, the sound of a particular kind of music—makes the character's life feel lived-in. It's the difference between a character who is described as living in a place and a character who inhabits it. As I wrote in How to Write a Novel, don't write what you know. Write what you want to learn about. I love research. It's part of why I'm an author in the first place. I take any excuse to dive into a world different from my own. Research using books, films, podcasts, and travel, and focus particularly on sources produced by people from the worldview you want to understand. Actionable step: For your next piece of character research, go beyond reading. Watch a documentary, visit a location, talk to someone who lives the experience. Find one sensory detail—a smell, a sound, a texture—that you couldn't have invented. That detail will make your character feel real. Bonus: Measure Your Life by What You Create In an age of AI and a tsunami of content, your ultimate brand protection is the quality of your human creation. Barbara Nickless said that the act of producing itself is a balm to the soul, and I believe that with every fibre of my being. Don't be afraid to take that step back, like I did with my deadlifting. Take the time to master these deeper craft skills. It might feel like you're slowing down or going backwards by not chasing the latest marketing trend, but it's the only way to step forward into a sustainable, high-quality career. Your characters are your signature. No AI can replicate the specificity of your lived experience, the emotional truth of your displaced trauma, or the sensory details you've gathered from a life of curiosity and travel. Those are yours. Pour them into your characters, and they will resonate for years to come. Actionable Takeaway: Identify the Dramatic Question for your current protagonist. Can you state it in a single sentence with the kind of specificity Will Storr described? Is it as clear as “Are you ordinary or extraordinary?” or “Are you the only adult in the room?” If you can't answer it with that kind of precision, your character might still be a sketch. Give them a diagonal toast moment today. Find the one hyper-specific detail that proves they are not an imitation of life. And then ask yourself: does your plot test your character's flaw in every major scene? If you can align those two things—a precisely defined character and a plot that exists to test them—you will have a story that readers cannot put down. References and Deep Dives The episodes I've referenced today are all available with full transcripts at TheCreativePenn.com: Episode 732 — Facing Fears, and Writing Unique Characters with Barbara Nickless Episode 673 — Writing Choctaw Characters and Diversity in Fiction with Sarah Elisabeth Sawyer Episode 624 — Writing Characters with Matt Bird Episode 550 — The Heroine's Journey with Gail Carriger Episode 490 — How Character Flaws Shape Story with Will Storr Books mentioned: The Secrets of Character: Writing a Hero Anyone Will Love by Matt Bird The Science of Storytelling by Will Storr The Heroine's Journey by Gail Carriger How to Write a Novel: From Idea to Book by Joanna Penn You can find all my books for authors at CreativePennBooks.com and my fiction and memoir at JFPennBooks.com Happy writing! How was this episode created? This episode was initiated created by NotebookLM based on YouTube videos of the episodes linked above from YouTube/TheCreativePenn, plus my text chapters on character from How to Write a Novel. NotebookLM created a blog post from the material and then I expanded it and fact checked it with Claude.ai 4.6 Opus, and then I used my voice clone at ElevenLabs to narrate it. The post Writing Characters: 15 Actionable Tips For Writing Deep Character first appeared on The Creative Penn.