Podcasts about Auster

durée : 02:57:02 - Les Nuits de France Culture, archives d'exception - par : Catherine Liber - Trois heures avec cette figure majeure de la littérature américaine qui s'est fait connaître avec sa "Trilogie new-yorkaise". Pour cet entretien réalisé entre Brooklyn et Paris, l'écrivain s'est entouré de nombreux amis : Jacques Dupin, Sophie Calle, Don DeLillo, Hubert Nyssen... - réalisation : Virginie Mourthé - invités : Paul Auster Écrivain américain; Sophie Calle Artiste plasticienne française; Hubert Nyssen Fondateur des éditions Actes Sud; Jacques Dupin; Siri Hustvedt Écrivaine et essayiste; Don DeLillo Écrivain; Philippe Petit Funambule

En Baumgartner, Auster explora los temas de la vejez, la muerte y el duelo. Un hombre, escritor, recorre sus días diez años después de la muerte de su adorada esposa. Es una novela lenta que genera un ambiente de letanía y de un acompañamiento pausado del protagonista. Algunos cambios de género sorprenden, pues no es solo su voz, también la de su mujer, a través de cartas, las que van armando la historia de amor y las personalidades de la pareja. Como invitado especial nos acompaña Robinson Vega.

Skumma kultur har litteraturprofessor Anne Beate Maurseth på besøk, for å snakke om spill og litteratur. Maurseth kom i 2024 ut med boken "Full Pott. Spill og litteratur fra Pascal og Casanova til Auster og Zevin." Intervjuet er ledet av Ebbe, med innspill fra programsjef Synne.

My Story  Talk 3  Home, Family, Christmas & Holidays (1947-1953) Welcome to Talk 3 in our series where I'm reflecting on the goodness of God throughout my life. From what I've said so far it's clear that after the war my life in the 1940s was largely comprised of school and church. I suppose that was true of most Christian children in those days and continues to be so today. And what was true of my years at primary school and Sunday school was also true of the years that followed. Most of my activity was to be centred on school and church. But before I move on to those things in the next talk, I need to say more about my family, because without a doubt our family is by far the strongest influence in the formation of our character, our behaviour, and our outlook on life. And life is not just about our education or work or church. It's about relationships, people, recreation, having fun, and healthy enjoyment of the things God has so graciously lavished upon us. So this talk is about my home, my family, Christmas and holidays.   Home For the first 23 years of my life I lived with my parents in the home in Hornchurch where I was born. It was a fairly standard three bedroomed semidetached house, but it benefited from a rather large garden which backed onto the railway. We weren't disturbed by the noise of the trains because the garden was some 200 feet – about 60 metres – long, but by walking to the end of the garden and looking down the railway embankment we could watch electric trains on the District Line and the steam locomotives on the London, Midland and Scottish Railway. My parents were both keen gardeners and had chosen the house because of the size of the garden. They planted several apple trees, two pear trees, two plum trees, a greengage tree, as well as strawberries, raspberries, gooseberries, blackcurrants and redcurrants. My grandfather had also planted for me an ash tree at the very end of the garden and, by looking at Google Earth, it looks as though it's still there today. Sadly, the large fishpond which I helped my father build when I was about ten seems to have gone.   Family and Friends One of the advantages of having a large garden was that there was a big enough lawn for my father to teach me to play cricket and football. So, although I was an only child, I was never a lonely child. There were always plenty of friends who liked to come and play. I also enjoyed playing board games with my grandad, my mother's father, who lived with us for about five years, and later with my grandmother, my father's mother, who came later to live with us for six years and who died at the age of 86 when I was 16. Having elderly parents living with us for eleven years was not easy for my mother, but she seldom if ever complained, and her example taught me the real meaning of love, a commitment to serving others despite the cost to ourselves. I also got some idea of what it's like to be in your eighties!   Family at Christmas I saw relatively little of other family members as my uncles, aunts and ten cousins all lived too far away for frequent visits. But we did see most of them at Christmas and sometimes during the other school holidays. Because, with one exception, all my cousins were older than I was, Christmas was usually spent with my Auntie Addie – Adelaide actually, but I never heard anyone actually call her that! She was a year or two younger than my mother and had two sons, Brian who was a year older than me, and Geoffrey who was born shortly after the war when Uncle Bert returned from years away fighting in Burma (now known as Myanmar).   We usually alternated where we would spend Christmas, either at our house in Hornchurch or at their prefab in Woodford Green near Walthamstow. Prefabs were prefabricated bungalows introduced after the war to provide housing that could be erected more quickly than by using the usual methods of construction. Originally they were intended to last for, I think, only ten years, but in practice most of them lasted for decades. One of the exciting things about them was that they were all provided with a fridge with a small freezer compartment, so we could have ice-cream whenever we liked. Fridges were a luxury in those days and it was many years later that we ourselves had one. Eileen and I had our first fridge in 1968, six years after we were married. Brian and I had to share a bed every Christmas and I have vivid memories of waking up in the early hours of the morning to see what Santa had left in our ‘stockings' – which were actually pillowcases, as stockings weren't large enough to accommodate the vast number of presents we each received. I don't remember how old I was when I realised that Santa wasn't real, but it must have been well before I left primary school. I do know that some Christians, quite understandably, believe it's wrong to tell their children something which isn't true, fearing especially that, when they finally understand that the whole Santa thing is a myth, they will conclude the Christmas story found in the Bible is a legend too. That's a view that I understand and fully respect, but I can only say that it was never a problem for me, or, as far as I know, for my children and grandchildren for that matter. If we teach our children that what is in the Bible is true, they will soon discover that Father Christmas is nowhere to be found in the Bible, but is just a nice story that, although it isn't true, gave them a lot of fun when they were too young to understand otherwise. But each of us must follow our own conscience in this matter, as we always must when confronted with issues over which Christians disagree. Christmas dinner, as I remember it, was very similar to what most people have today, with one notable exception. I can't remember when we first had turkey, but for several years our celebratory meal was roast chicken. Unlike today, chicken was then very expensive, and Christmas was the only time we had it. At other times our regular Sunday roast was lamb, which, also unlike today, was the cheapest meat you could get. Our typical weekly menu was roast lamb on Sundays, cold lamb on Mondays, minced lamb in the form of shepherd's pie on Tuesdays, and lamb stew with dumplings on Wednesdays. So chicken at Christmas was a real treat! Apart from eating, we spent most of Christmas Day and Boxing Day playing with the games we had received as presents. These were always very competitive and included subuteo football, a form of cricket you could also play on the table, table tennis, darts, and a bagatelle pin board. We also enjoyed heading a balloon to one another and counting how many times we could keep it up. When we later tried it outside with a football we found it was much harder! Another good thing about staying at Auntie Addie's house was that we were able to visit other family members, as three of my aunts lived quite near to her. There was always quite a crowd in the evenings when we all joined together for a party, when we played traditional party games like musical chairs and pass the parcel. Years later I was to discover that some people's idea of a party was a time when you did little more than sit around and drink too much. This shocked me because our parties had never been like that. My parents were both teetotallers and, although most of the rest of the family were not, they respected their wishes and rarely drank in the presence of children and teenagers. Of course, the consumption of alcohol is another of those matters where Christians disagree, but hopefully all would at least agree that abstinence is the best policy in the presence of those who might become addicted. I personally think of myself as an abstainer, but not a total abstainer.  And I'm grateful that, because of the example set by my family, I have always been cautious in these matters and am happy to say that I have never been drunk, something which even some Christians find hard to believe.   Family and Holidays But Christmas was not the only time when I met other family members. There were the summer holidays too. Hotels were too expensive, and we usually spent a couple of weeks away from home staying with family. During my primary school years we went several times to Cowes on the Isle of Wight where my father's sister, Auntie Lil, had a flat overlooking the sea. Her husband, Uncle Ernie, was a lighthouse keeper on the Needles, an impressive rock formation just offshore at the western end of the island. His job required him to live on the lighthouse for several weeks at a time, so sometimes we never saw him at all during the weeks we were on holiday with Auntie Lil. But when he was able to be with us, I remember that he was very generous. We usually had to travel everywhere by bus, but on one occasion he paid for a taxi to take us on a tour of the whole island. Another time, when I was eight, he paid for my father and me to go on a ‘joy-ride', a five minute trip on an aeroplane, an Auster light aircraft with just enough room for Dad and me to sit behind the pilot. I realise that this might not sound very exciting to young people today. Plane travel is so common, and many families take flights abroad for their holidays. But in those days it really was something exceptional. No one in my class at school had ever been in a plane, and my teacher got me to tell them all what it was like. We had only gone up to 1000 feet, but the experience of flying was exhilarating as we looked down on houses that now looked no bigger than a matchbox and were able to see so far into the distance, across to the southern coast of England and beyond. I'm so grateful to Uncle Ernie for making that experience possible for me. (It cost him seven shillings and sixpence which was a lot of money in those days, but which in today's decimal currency equates to 37.5p). Due to his kindness and Auntie Lil's hospitality we always enjoyed our holidays on the Isle of Wight. Another favourite holiday destination, particularly during my early teens, was Canterbury where my mother's sister, another Auntie Lil, lived with her husband Will and her daughter Doreen who was an English teacher in a Grammar School. I remember listening to her discussions with my dad about the nature of language, something I was particularly interested in because by then I was already studying French, Latin, and Greek at school. But more of that later. While in Canterbury we enjoyed visiting its wonderful cathedral and other places of historical interest like the Westgate Tower and the ducking stool where in less enlightened centuries women who scolded their husbands were ducked in the river to teach them a lesson!  We also took advantage of the beautiful countryside around Canterbury and particularly enjoyed walking across the golf course which immediately overlooked my aunt's back garden. Other days were spent taking bus trips to the coastal resorts that lay within easy reach of Canterbury – places like Herne Bay, Margate, and Ramsgate, all lovely places, but nothing of course to compare with the beauty of Devon where I now live! My first holiday in Devon was when I was fifteen – but that's something I'll come back to next time when I talk about my teenage years at church and my life at Brentwood School where I was privileged by God's grace to receive a first-class education.   But finally, I'm conscious that in this talk I've made little mention of God, but I'm reminded that in the book of Esther God isn't mentioned either, yet it's very clear as we read it that he was at work in every detail of the story. So it is with us. His purpose for each of us is different, but he is at work in the ordinary everyday things in our lives, not just in any miracles he may perform for us. So I thank God for the home I grew up in, the family I was part of, and the fun we had together at Christmas and on holiday. These things, I believe, played an important part in my childhood and teenage years enabling me to grow into adulthood, confident to face the future, knowing that God loved me and had a purpose for my life.

How Does Rebranding Shape Gym Success? Welcome to the Gym Marketing Made Simple podcast, your go-to resource for exploring the strategies that boutique fitness gyms need to thrive. In this episode, Chris Auster from Third Coast Movement shares his inspiring journey from running boot camps to evolving into a one-on-one functional training gym. Chris highlights the significance of organic marketing and a strong client intake funnel in building a sustainable fitness gym. After transitioning to paid marketing strategies, he experienced a notable increase in client sign-ups, with closures rising from 5-6 per month to 9-11. He sheds light on how individualized coaching, movement assessments, and consistent follow-up have transformed his approach, helping clients address pain management and personalized fitness goals. He also underscores the impact of business coaching and structured systems, stressing the necessity of having solid operational foundations before exploring paid advertising. Suppose you're navigating the challenges of rebranding or considering paid marketing. In that case, this episode provides practical lessons on enhancing your systems, refining your intake process, and ensuring that every lead is met with professionalism and care. 00:00 Intro 00:10 Chris's Gym Journey and Challenges 05:47 Transition to Organic Marketing and Improved Results 08:38 Differences in Paid Marketing Approaches 12:10 Importance of Long-Term Marketing and Sales Processes 22:05 Advice for Gym Owners Considering Paid Marketing Tune in to discover actionable insights from Chris's experience that can help your gym grow effectively without compromising client experience.

Paul Auster idazleari omenaldia egin zioten Villa Albertine liburu-denda txairoan. Siri Husvedt haren alargunak hitz egin zuen aurrena, bikain. Ondotik, itzultzaileek, editoreek, irakurleek hartu zuten hitza. Azkena, Philipe Petit funanbulista izan zen. Titiriteroak kontatu zuen gaztetan ezagutu zutela elkar Auster eta biak Parisen. Petitek Notre Dame katedrala punta batetik bestera kable baten gainean igaro nahi zuen, legez kanpo, eta idazleak trasteak eramaten lagundu zion. Geroztik, betirako lagun.

In the spotlight is the late, great novelist Paul Auster and one of his friends and biographers, I.B. Siegumfeldt, who spent three years logging conversations between herself and Paul Auster and compiling those conversations into a book titled A LIFE IN WORDS — a wide-ranging dialogue between Auster and the Danish professor, in what has been called a “remarkably candid and sharply focused investigation” into Auster's art, craft and life. In total, Paul Auster wrote more than 30 books, some translated into more than forty languages, as well as writing the screenplays for a selection of films. We discuss: >> The first sentence of his novels>> His imaginative characters and storytelling>> Work style>> Popularity in Europe>> The Paul Auster Research Library and The Paul Auster Society>> His passion for and involvement in cinema>> Etc. Learn more about Paul Auster here: https://www.faber.co.uk/author/paul-auster Learn more about I.B. “Gita” Siegumfeldt here: https://researchprofiles.ku.dk/en/persons/inge-birgitte-siegumfeldtNovelist Spotlight is produced and hosted by Mike Consol. Check out his novels here: https://snip.ly/yz18no   Write to Mike Consol at novelistspotlight@gmail.com

Warum wir anderen vertrauen sollten ; Wie riskant ist der Umgang mit TikTok? ; Blutwerte - Immer Vitamine und Spurenelemente checken? ; Mühsame Kleinarbeit - Wiederansiedelung von Austern und Korallen ; Düfte im Zimmer - Mehr Gefahr als Wohlfühlen? ; Amazonas Regenwald - Weniger Gewalt durch Umweltgesetze ; Wie bleibt man möglichst lange fit? ; Moderation: Marija Bakker. Von WDR 5.

To commemorate the start of our fifth season, we revisit a conversation we had almost two years ago about the wisdom of Simon Auster, MD. Simon was a family physician and psychiatrist who inspired the conversations we've been having with each other and with guests on every episode.  “Simonisms” embody Simon's insights: pithy observations about the practice of medicine that are never cliché, challenge commonly held assumptions and offer fresh perspectives. We share -- and reflect on -- these pearls because we believe they can help many doctors, those in training, and those who train them, find joy and meaning in their work.  You can learn about Simon, who died in 2020, in an online (open access) essay about his life, published in The Pharos, the journal of the AOA medical honor society. 

Die Themen in den Wissensnachrichten: +++ Zum Spielverhalten gehört bei Delfinen auch das Lächeln +++ Geschenke bieten manchmal größeren emotionalen Support +++ Europäische Auster bildete lange Riffe +++**********Weiterführende Quellen zu dieser Folge:Update ErdeSmiling underwater: Exploring playful signals and rapid mimicry in bottlenose dolphins/ iScience, 02.10.2024Money can buy me love: Gifts are a more effective form of acute social support than conversations/ Journal of Consumer Psychology, 16.08.2024Records reveal the vast historical extent of European oyster reef ecosystems/ Nature Sustainability, 03.10.2024NASA Turns Off Science Instrument to Save Voyager 2 Power/ Nasa Jet Propulsion Labaratory, 01.10.2024Alle Quellen findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: Tiktok und Instagram.

Na semana em que a floresta ardeu, a estante-sombra registou a chegada de um livro que faz o elogio dos passeios na Natureza: “Devaneios do Caminhante Solitário”, de Jean-Jacques Rousseau; também folheámos, evocando um dos temas centrais da política norte-americana em tempo de eleições, o último livro do recentemente desaparecido Paul Auster: “Banho de Sangue Americano”; entretivemo-nos com mangá nos três volumes de “Sunny”, de Taiyo Matsumoto; e evocámos duas exposições evocativas dos 50 anos do 25 de Abril, a partir dos respectivos catálogos: uma do cartoonista António, a outra em torno da figura de Amílcar Cabral: “Cabral Ka Mori”.See omnystudio.com/listener for privacy information.

durée : 02:56:59 - Les Nuits de France Culture - Trois heures avec cette figure majeure de la littérature américaine qui s'est fait connaître avec sa "Trilogie new-yorkaise". Pour cet entretien réalisé entre Brooklyn et Paris, l'écrivain s'est entouré de nombreux amis : Jacques Dupin, Sophie Calle, Don DeLillo, Hubert Nyssen... - invités : Paul Auster Écrivain américain; Sophie Calle Artiste plasticienne française; Hubert Nyssen Fondateur des éditions Actes Sud; Jacques Dupin; Siri Hustvedt Écrivaine et essayiste; Don DeLillo Écrivain; Philippe Petit Funambule

On this month's World Book Club, Harriett Gilbert will be talking to bestselling American writer Paul Auster about his acclaimed work The New York Trilogy. In three brilliant variations on the classic detective story, Auster makes the well-traversed terrain of New York City his own. Each interconnected tale exploits the elements of standard detective fiction to achieve an entirely new genre that was ground-breaking when it was published three decades ago. In each story the search for clues leads to remarkable coincidences in the universe as the simple act of trailing a man ultimately becomes a startling investigation of identity and what it means to be human. Hear what readers made of Paul and his novel and what happened when another Paul Auster stood up to introduce himself to the Paul Auster on the stage.

Karaoke: Hey, solo en la playa, De vacaciones. Gracias a Dios.  Viene mi mujer, quiere un paseo, le digo que no: sólo quiero leer, Sólo quiero leer.Volver a textos de Proust y ser feliz con Chejov, darle a lo mainstream con Carmen Posadas o Annie Ernaux, Comerme a Dickens, A Twain, Le Carré, Murakami, Bernard  Shaw…Splash!!!La multitud. Carnes al aire, doscientas mil tablets, solazo a rabiar y tu ahí en la sombra, remoto y tranquilo, releyendo a Clarín,terminando un Camus. Los niños quieren jugar, tú dices siempre que sí…Tienes un tocho del gran Saramago que es tu souvenir. Ni Gloria Fuertes ni JD, Busca un hueco para Auster.Resiste muchacho, piensa en cultureta, deja el iPhone y coge a la Bovary, pon Cortázar y Brontes y Cela…Lee a Dikinson Emily. Lo lailo lo lai lia…

Karaoke: Hey, solo en la playa, De vacaciones. Gracias a Dios.  Viene mi mujer, quiere un paseo, le digo que no: sólo quiero leer, Sólo quiero leer.Volver a textos de Proust y ser feliz con Chejov, darle a lo mainstream con Carmen Posadas o Annie Ernaux, Comerme a Dickens, A Twain, Le Carré, Murakami, Bernard  Shaw…Splash!!!La multitud. Carnes al aire, doscientas mil tablets, solazo a rabiar y tu ahí en la sombra, remoto y tranquilo, releyendo a Clarín,terminando un Camus. Los niños quieren jugar, tú dices siempre que sí…Tienes un tocho del gran Saramago que es tu souvenir. Ni Gloria Fuertes ni JD, Busca un hueco para Auster.Resiste muchacho, piensa en cultureta, deja el iPhone y coge a la Bovary, pon Cortázar y Brontes y Cela…Lee a Dikinson Emily. Lo lailo lo lai lia…

Perlen findet man in Austern nicht. Aber leckeres Fleisch. Wie kommt man dran?

In questa intervista Cristiana Mennella ci racconta la sua lunga esperienza come traduttrice di Paul Auster e cosa ha significato per lei misurarsi con Baumgartner, l'ultimo libro dello scrittore americano, scomparso il 30 aprile del 2024. Baumgartner è un romanzo esile, ma raffinato, "dalle mille sfaccettature", lo definisce Mennella, in cui il protagonista ci trasporta nelle pieghe della memoria e in quelle della scrittura, attività che accompagna le sue giornate aiutandolo ad affrontare il presente e sostenendo il suo desiderio di futuro.Dystopia © 2024 by Giovanni Cascavilla is licensed under Creative Commons Attribution-NoDerivatives 4.0 International. To view a copy of this license, visit https://creativecommons.org/licenses/by-nd/4.0/

durée : 00:51:25 - Certains l'aiment Fip - L' icône littéraire de New York, décédée à Brooklyn le 30 avril, était aussi acteur, scénariste et réalisateur. De "La Musique du Hasard" à "La vie intérieure de Martin Frost", en passant par "Smoke" ou "Lulu on the bridge", on se ballade dans les B.O de sa vie.

Thursday, 13 June 2024   From there we circled round and reached Rhegium. And after one day the south wind blew; and the next day we came to Puteoli, Acts 28:13   A more literal translation is, “From where, having gone around, we arrived at Rhegium. And after one day, having come upon an Auster, the second day we came to Puteoli” (CG).   Luke just noted that they had landed at Syracuse and stayed three days. Now, the journey to Rome continues with, “From where, having gone around.”   The words “from where” refer to Syracuse which is on the southeast corner of Sicily. Leaving that port, they had to make a bit of a sweeping motion. Of the words, “having gone around,” the KJV says, “And from thence we fetched a compass.” The Berean Study Bible says, “From there we weighed anchor.”   It is generally accepted that the Greek term is speaking of making a circuitous route around Sicily. As Syracuse is on the southeast corner of the island, and they need to head northward to the Italian peninsula, they set sail and worked off the coast of Sicily to reach their destination.   It was probably a west or a northwest wind at this time and this caused them to head out to sea in order to catch the winds while traveling north. Thus, one gets the idea of circling around, or going around, instead of traveling straight to their destination. From there, it next says, “we arrived at Rhegium.”   Rhegium, now known as Reggio, is on the southwest extremity of the toe of Italy. According to Wikipedia, Reggio “commonly and officially referred to as Reggio Calabria, or simply Reggio by its inhabitants, is the largest city in Calabria as well as the seat of the Regional Council of Calabria. It has an estimated population between 150,000 and 200,000 and is the twenty-first most populous city in Italy, after Modena and other Italian cities, and the 100th most populated city in Europe. Reggio Calabria is located near the center of the Mediterranean and is known for its climate, ethnic and cultural diversity. It is the third economic centre of mainland Southern Italy. About 560,000 people live in the metropolitan area, recognised in 2015 by Italy as a metropolitan city.”   The city is right at the southern opening of the Straits of Messina. These straits pass between Sicily and Italy. They connect the Tyrrhenian Sea to the north with the Ionian Sea to the south. At its narrowest point, it measures 1.9 miles in width. However, near the town of Messina the width is some 3.2 miles. It has a maximum depth of 830 feet.   Certainly because of the narrowness of the straits and the contrary wind, they stopped at Rhegium. However, Luke next records, “And after one day, having come upon an Auster.”   The words “having come upon” are from a word found only here in Scripture, epiginomai. It is derived from two words signifying “upon” and “to come about.” The word translated as Auster is the same word as in Acts 27:13, notos. It signifies the South and thus a south wind. A single English word which corresponds to this is Auster, a south wind. Once this favorable wind came upon them, it next says, “the second day we came to Puteoli.”   Here is another word unique to Scripture, deuteraios. It is derived from deuteros, second, and signifies the second day. With the favorable wind that came from the south, it allowed them to pass through the straits. Once through the straits, they were able to sail all the way to Puteoli.   This is the modern city known as Pozzuoli. It is located very near Naples and was once a port city. Today, however, it is too shallow for large ships to arrive at. Its name means “The wells.” Being known for its warm baths, it is supposed that is how it got its name. Some relevant information from the era that these men arrived there is found in Wikipedia –   “Puteoli became the great emporium for the Alexandrian grain ships and other ships from all over the Roman world. It also was the main hub for goods exported from Campania, including blown glass, mosaics, wrought iron, and marble. Lucilius wrote in about 125 BC that it was second only to Delos in importance, then the greatest harbour of the ancient world. Many inscriptions show that a polyglot population established companies (stationes) for trade and transport and formed professional guilds for arts, crafts and religious associations for foreign cults; they included Greeks from the islands and the coast of Asia, Jews and later Christians. Under the Roman Empire, it was the greatest emporium of foreign trade in all of Italy. Trade with Tyre was so important that the Tyrians established a factory there in 174.”   Life application: In one verse, travel has gone from Syracuse to Rhegium to Puteoli. The population of these three cities totals about four hundred thousand people. Think of how many of them may have never heard of Jesus. Now imagine that you encounter people just like them throughout the week or even every day. They may never have heard of Jesus. Who is going to tell them? If not you, then who?   If you are saved, hooray for Jesus in your life. But be sure to now tell others about what He has done for you, and indeed for all the people of the world. Without hearing about Him, people cannot be saved. Hopefully, you will be affected enough about their plight to at least try to share what you know.   Lord God, help us to be responsible in sharing our faith in Jesus. We have family, friends, and acquaintances that need to hear the good news. We go to restaurants and are served by people that may have never been told the simple message of Your goodness to us in sending Jesus. Help us, O God, to faithfully proclaim what we know. Amen.  

2024 yılının Mayıs ayında kaybettiğimiz Amerikalı yazar Paul Auster'ın anısına bir bölümle geliyor bu kez “ben okurum” kulaklarınıza. Yazarın 14 kitabını dilimize kazandıran deneyimli çevirmen Seçkin Selvi'nin konuk olduğu programda Auster'ın hastalığı sırasında yazdığı son romanı Baumgartner merkeze alınıyor ama sohbet ister istemez genişliyor, genelleşiyor ve bir saygı duruşuna dönüşüyor. Deniz Yüce Başarır'ın, romandan okuduğu bölümlerle de dinleyenleri duygulandırıyor.

UPPLÄSNING: Etienne Glaser ÖVERSÄTTNING: Ragnar Strömberg Lyssna på alla avsnitt i Sveriges Radio Play. DIKT: ”Till minne av mig själv” av Paul AusterDIKTSAMLING: Samlade dikter (Lind & Co, 2009)MUSIK: Nicola Matteis den yngre: Fantasia för violin a-moll EXEKUTÖR: Isabelle Faust

Paul Auster was a true giant of American literature. Acclaimed for his best-selling works of fiction, nonfiction and poetry, including The New York Trilogy, Invisible, and The Brooklyn Follies, Auster wrote complex and daring tales of humans experiencing, anticipating or searching for something lost, something they are struggling to comprehend.  In his 2021 book, Burning Boy, he turned his eye to the 19th-century bad boy of American literature, Stephen Crane. Crane is known for popularising American naturalism, a literary movement that has influenced generations of writers (including Auster himself). But he was as daring off the page as he was on it.  Throughout his short life, Crane cavorted from one high-stakes situation to the next: from engaging in political journalism that disrupted the course of the 1892 presidential campaign, to entering a common-law marriage with the proprietress of Jacksonville's most elegant bawdyhouse, to surviving a shipwreck that nearly drowned him, and eventually relocating to England, where Joseph Conrad became his closest friend and Henry James wept over his tragic, early death.  In November 2021, Auster joined host Corrie Perkin for a conversation about Burning Boy and the nature of creative legacy. What are the questions one master chooses to ask of another? And what is there to learn from a life lived so bright it burned? This conversation was originally released as a digital event as part of The Wheeler Centre's 'Postcard's From Abroad' series on Wednesday 3 November 2021.The official bookseller was Hill of Content bookshop. Featured music is 'Traveling again' by Sarah the illstrumentalist.Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donateSee omnystudio.com/listener for privacy information.

We were saddened to learn of Paul Auster's passing on April 30, at the age of 77. In his memory, revisit this interview, which originally ran on November 5, 2021, on the late author's favorite writer: Stephen Crane. Exploding the Canon will return next week. In his decades-long career, the writer Paul Auster has turned his hand to poems, essays, plays, novels, translations, screenplays, memoirs—and now biography. Burning Boy explores the life and work of Stephen Crane, whose short time on earth sputtered out at age 28 from tuberculosis. Like his biographer, Crane, too, spanned genres—poetry, novels, short stories, war reporting, and semi-fictional newspaper “sketches”—striking it big in 1895 with The Red Badge of Courage, which was widely celebrated at the time and is still regarded as his best work. But in Auster's estimation, the rest of Crane's output (and there is a surprising amount of it) is sorely neglected, and the pleasure of Burning Boy lies in reading one of the 19th century's finest writers alongside one of today's. Paul Auster joins the podcast to talk about the task of restoring Stephen Crane to the American canon.Go beyond the episode:Paul Auster's Burning BoyRead Steven G. Kellman's review, “Poet of the Extreme”Eager for a taste of Stephen Crane beyond the novels? We recommend The Black Riders and Other Lines and “The Open Boat”Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS FeedHosted by Stephanie Bastek. Theme music by Nathan Prillaman. Have suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us wherever you listen! Hosted on Acast. See acast.com/privacy for more information.

Decine di migliaia di georgiani sono arrivati nella capitale Tbilisi il primo maggio per manifestare contro il progetto di legge sull'influenza straniera” approvato dal parlamento. Il 30 aprile è morto Paul Auster, uno dei più importanti e noti scrittori statunitensi contemporanei. CONMarilisa Lorusso, corrispondente dell'Osservatorio Balcani e Caucaso TranseuropaAndrea Canobbio, scrittore e editorGeorgia: https://www.youtube.com/watch?v=ZBK5wY5O1p4Auster: https://www.youtube.com/watch?v=pLhVjsczcb8Copertina: Un'infanzia al telefono https://www.internazionale.it/sommarioFilm della settimana: Una spiegazione per tutto, di Gábor Reisz.Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Consulenza editoriale di Chiara Nielsen.Produzione di Claudio Balboni e Vincenzo De Simone.Musiche di Tommaso Colliva e Raffaele Scogna.Direzione creativa di Jonathan Zenti.

durée : 00:03:20 - Le Regard culturel - par : Lucile Commeaux - L'écrivain américain, dont on a appris le décès le 1er mai dernier, venait de faire paraître en France "Baumgartner", récit court obsédé par l'idée de finir sa vie, un parfait dernier livre.

FLASHBACK! Paul Karasik and David Mazzucchelli's comics version of City of Glass, a 1985 novel by Paul Auster, is an amazing adaptation of an unfilmable novel. Tim and Kumar assess the herculean task of adapting it, in probably the only medium capable of doing so: comics! We re-present this episode in observance of Auster's passing … Continue reading #167 “City of Glass”: Adapting a Novel to Comics

durée : 00:50:07 - Grand Canal - par : Eva Bester - Les amis de l'auteur disparu Paul Auster lui rendent hommage. Se sont réunis ce soir le biographe Gérard de Cortanze, l'artiste Sophie Calle, la journaliste Laure Adler, l'autrice Nancy Huston et Marie-Catherine Vacher, son éditrice historique chez Actes Sud.

In seiner "New-York-Trilogie" ziehe Paul Auster dem Leser den Boden unter den Füßen weg, sagt Literaturkritikerin Sigrid Löffler. Das Spiel zwischen Narrativ und Meta-Narrativ wurde zum Markenzeichen des US-Autors. Er ist mit 77 Jahren gestorben. Löffler, Sigrid www.deutschlandfunkkultur.de, Lesart

It is said that people never die until the last person says their name. In memory of the writer and director Paul Auster, who passed away this week, we're sharing this conversation we had back in 2017 after the publication of his novel 4 3, 2, 1. Auster reflects on his body of work, life, and creative process.Paul Auster was the bestselling author of Winter Journal, Sunset Park, Invisible, The Book of Illusions, and The New York Trilogy, among many other works. He has been awarded the Prince of Asturias Award for Literature, the Prix Médicis étranger, an Independent Spirit Award, and the Premio Napoli. He is a member of the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and is a Commandeur de l'Ordre des Arts et des Lettres. He has also penned several screenplays for films such as Smoke (1995), as well as Lulu on the Bridge (1998) and The Inner Life of Martin Frost (2007), which he also directed.“But what happens is a space is created. And maybe it's the only space of its kind in the world in which two absolute strangers can meet each other on terms of absolute intimacy. I think this is what is at the heart of the experience and why once you become a reader that you want to repeat that experience, that very deep total communication with that invisible stranger who has written the book that you're holding in your hands. And that's why I think, in spite of everything, novels are not going to stop being written, no matter what the circumstances. We need stories. We're all human beings, and it's stories from the moment we're able to talk.”We apologize for the quality of the recording since it was not originally meant to be aired as a podcast. Portrait of Paul Auster by Mia Funk, inspired by his novel 4,3,2,1.www.penguinrandomhouse.com/authors/1045/paul-austerwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

It is said that people never die until the last person says their name. In memory of the writer and director Paul Auster, who passed away this week, we're sharing this conversation we had back in 2017 after the publication of his novel 4 3, 2, 1. Auster reflects on his body of work, life, and creative process.Paul Auster was the bestselling author of Winter Journal, Sunset Park, Invisible, The Book of Illusions, and The New York Trilogy, among many other works. He has been awarded the Prince of Asturias Award for Literature, the Prix Médicis étranger, an Independent Spirit Award, and the Premio Napoli. He is a member of the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and is a Commandeur de l'Ordre des Arts et des Lettres. He has also penned several screenplays for films such as Smoke (1995), as well as Lulu on the Bridge (1998) and The Inner Life of Martin Frost (2007), which he also directed.“But what happens is a space is created. And maybe it's the only space of its kind in the world in which two absolute strangers can meet each other on terms of absolute intimacy. I think this is what is at the heart of the experience and why once you become a reader that you want to repeat that experience, that very deep total communication with that invisible stranger who has written the book that you're holding in your hands. And that's why I think, in spite of everything, novels are not going to stop being written, no matter what the circumstances. We need stories. We're all human beings, and it's stories from the moment we're able to talk.”We apologize for the quality of the recording since it was not originally meant to be aired as a podcast. Portrait of Paul Auster by Mia Funk, inspired by his novel 4,3,2,1.www.penguinrandomhouse.com/authors/1045/paul-austerwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

It is said that people never die until the last person says their name. In memory of the writer and director Paul Auster, who passed away this week, we're sharing this conversation we had back in 2017 after the publication of his novel 4 3, 2, 1. Auster reflects on his body of work, life, and creative process.Paul Auster was the bestselling author of Winter Journal, Sunset Park, Invisible, The Book of Illusions, and The New York Trilogy, among many other works. He has been awarded the Prince of Asturias Award for Literature, the Prix Médicis étranger, an Independent Spirit Award, and the Premio Napoli. He is a member of the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and is a Commandeur de l'Ordre des Arts et des Lettres. He has also penned several screenplays for films such as Smoke (1995), as well as Lulu on the Bridge (1998) and The Inner Life of Martin Frost (2007), which he also directed.“But what happens is a space is created. And maybe it's the only space of its kind in the world in which two absolute strangers can meet each other on terms of absolute intimacy. I think this is what is at the heart of the experience and why once you become a reader that you want to repeat that experience, that very deep total communication with that invisible stranger who has written the book that you're holding in your hands. And that's why I think, in spite of everything, novels are not going to stop being written, no matter what the circumstances. We need stories. We're all human beings, and it's stories from the moment we're able to talk.”We apologize for the quality of the recording since it was not originally meant to be aired as a podcast. Portrait of Paul Auster by Mia Funk, inspired by his novel 4,3,2,1.www.penguinrandomhouse.com/authors/1045/paul-austerwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

Paul Auster was the bestselling author of “Sunset Park,” “Invisible,” “The Brooklyn Follies,” “The Book of Illusions,” and “The New York Trilogy,” among many other works. He died of complications from lung cancer yesterday. He was 77. We spoke with him on The Book Show in 2013. Having recalled his life through the story of his physical self in 2012's “Winter Journal,” Auster remembered the experience of his development from within in “Report from the Interior.”

It is said that people never die until the last person says their name. In memory of the writer and director Paul Auster, who passed away this week, we're sharing this conversation we had back in 2017 after the publication of his novel 4 3 2 1. Auster reflects on his body of work, life, and creative process.

It is said that people never die until the last person says their name. In memory of the writer and director Paul Auster, who passed away this week, we're sharing this conversation we had back in 2017 after the publication of his novel 4 3, 2, 1. Auster reflects on his body of work, life, and creative process.Paul Auster was the bestselling author of Winter Journal, Sunset Park, Invisible, The Book of Illusions, and The New York Trilogy, among many other works. He has been awarded the Prince of Asturias Award for Literature, the Prix Médicis étranger, an Independent Spirit Award, and the Premio Napoli. He is a member of the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and is a Commandeur de l'Ordre des Arts et des Lettres. He has also penned several screenplays for films such as Smoke (1995), as well as Lulu on the Bridge (1998) and The Inner Life of Martin Frost (2007), which he also directed.“But what happens is a space is created. And maybe it's the only space of its kind in the world in which two absolute strangers can meet each other on terms of absolute intimacy. I think this is what is at the heart of the experience and why once you become a reader that you want to repeat that experience, that very deep total communication with that invisible stranger who has written the book that you're holding in your hands. And that's why I think, in spite of everything, novels are not going to stop being written, no matter what the circumstances. We need stories. We're all human beings, and it's stories from the moment we're able to talk.”We apologize for the quality of the recording since it was not originally meant to be aired as a podcast. Portrait of Paul Auster by Mia Funk, inspired by his novel 4,3,2,1.www.penguinrandomhouse.com/authors/1045/paul-austerwww.creativeprocess.infowww.oneplanetpodcast.orgIG www.instagram.com/creativeprocesspodcast

durée : 00:15:40 - Journal de 8 h - Le New York Times et d'autres médias annoncent la mort de Paul Auster. Le célèbre auteur américain avait 77 ans et souffrait d'un cancer. Son portrait dans cette édition.

durée : 00:36:03 - France Culture va plus loin (l'Invité(e) des Matins) - par : Guillaume Erner - En ce 1er mai, nous nous intéressons à la pensée de la philosophe Hannah Arendt, et plus particulièrement à sa conception du travail et de la condition humaine. En deuxième partie, les Matins rendent hommage à Paul Auster. - invités : Perrine Simon-Nahum Docteure en histoire, directrice de recherches au CNRS et professeure attachée au département de philosophie de l'Ecole normale supérieure; Gérard de Cortanze Écrivain, essayiste, traducteur, critique littéraire; Sophie Vallas Professeure de littérature des États-Unis à Aix-Marseille Université.

durée : 02:29:40 - Les Matins - par : Guillaume Erner - .

durée : 00:52:39 - L'Heure bleue - par : Laure Adler - Avec des si, on peut peut-être tout commencer, recommencer mais ne pas regretter. Vous êtes-vous déjà demandé ce qu'il serait arrivé si vous aviez pris à gauche plutôt qu'à droite ?

durée : 00:39:27 - Le 18/20 · Un jour dans le monde - par : Fabienne Sintes - Paul Auster, le plus français des romanciers newyorkais est mort à 77 ans. Hommage ce soir avec son ami François Bunel et l'écrivaine Celine Curiol - réalisé par : Tristan Gratalon

durée : 00:15:40 - Journal de 8 h - Le New York Times et d'autres médias annoncent la mort de Paul Auster. Le célèbre auteur américain avait 77 ans et souffrait d'un cancer. Son portrait dans cette édition.

durée : 00:39:27 - Le 18/20 · Un jour dans le monde - par : Fabienne Sintes - Paul Auster, le plus français des romanciers newyorkais est mort à 77 ans. Hommage ce soir avec son ami François Bunel et l'écrivaine Celine Curiol - réalisé par : Tristan Gratalon

durée : 02:58:45 - Le 7/10 - par : Nicolas Demorand, Léa Salamé, Sonia Devillers, Anne-Laure Sugier - Les invités de la Matinale de France Inter ce mercredi 1er mai 2024 sont : Françoise Nyssen / Marylise Léon /François Samuelson x Arnaud Viviant / Juliette Binoche / Julien Creuzet

durée : 00:20:33 - Journal de 12h30 - Auteur américain prolifique et icône de la scène littéraire new-yorkaise, Paul Auster est mort mardi soir de complications d'un cancer du poumon à l'âge de 77 ans.

durée : 00:15:40 - Journal de 8 h - Le New York Times et d'autres médias annoncent la mort de Paul Auster. Le célèbre auteur américain avait 77 ans et souffrait d'un cancer. Son portrait dans cette édition.

FRANCE 24's culture editor Eve Jackson tells us about the life and work of US writer Paul Auster, who has died aged 77. Best known for "The New York Trilogy" mystery novels, Auster wrote more than 30 books that were translated into 40 languages. He had a particularly big following in France.

Tuesday, 30 April 2024   When the south wind blew softly, supposing that they had obtained their desire, putting out to sea, they sailed close by Crete. Acts 27:13   Although quite obscure in some of the wording, a more literal rendering of the Greek would be, “And Auster, having wafted, having thought to have obtained the purpose, having hoisted they laid beside near Crete” (CG).   Luke just noted that the majority had come together and decided th ey would try to reach Phoenix, a harbor of Crete. This now will take place. The next words, therefore, say, “And Auster, having wafted.”   The Greek word notos is used. It signifies the South. Thus, it implies here “the south wind.” A single English word to describe that is Auster. It specifically refers to the south wind. Of this Auster, it is said to have “wafted.”   Again, it is a single word used to describe another single word from the Greek, hupopneó. It is derived from hupo, under or about, and pneo, to breathe or blow (as the wind). This word is only found here in Scripture and apparently is found nowhere else in ancient Greek literature.    With this seemingly favorable turn of events, Luke next records, “having thought to have obtained the purpose.”   The word prothesis is used. It signifies a setting forth. In the synoptic gospels and in Hebrews, it is translated as “showbread,” meaning the bread set forth in the Tabernacle before the Lord. It comes from two words signifying “before” and “purposefully set forth.” Paul uses it several times in his epistles when referring to the purpose of God. It thus speaks of the providential workings of God. For example –   “And we know that all things work together for good to those who love God, to those who are the called according to His purpose [prothesis].” Romans 8:28   These men, having received this wafting Auster, thought that their predetermined purpose of reaching Phoenix would be realized, therefore, it says, “having hoisted they laid beside near Crete.”   The words “having hoisted” are referring to the anchor that had been weighed in the harbor of Fair Havens. With this gentle Auster wafting away, the men thought this was their best chance to proceed, heading out and toward Phoenix. However, they carefully kept close to the island, knowing that things could devolve quickly if the winds turned contrary.   In these words, the second and last use of paralegomai is used, translated as “laid beside.” Luke used it in Acts 27:8 and now it is retired from Scripture. Also, there is a notable error to be found in some translations.   Older versions, and continuing on in the Douay-Rheims Bible, read differently, saying something like, “...when they had loosed from Asson, they sailed close by Crete.”   The error is assuming that the Greek word assos, which is found only here in Scripture, is speaking of a location known as Asson. However, this place was much further to the north. The error was corrected in the Geneva Bible, translating asson as “very near” or “close.” It is not a place being referred to, but the ship in relation to the coast. The sailors, as noted above, kept close to the coast in order to not get swept out to see if a seasonal storm suddenly arose and tossed them about.   Life application: As always, it is recommended that you read different translations of the Bible. People are fallible and errors are easy to make based on a lack of knowledge concerning words in the text, geography, metallurgy, gemology, etc.   Different people have different understandings of various subjects and may realize that something translated in one way is actually not possible. For example, the older versions of Deuteronomy 8:9 say something like the poorly rendered King James Version –   “A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass.”   Not understanding metallurgy, the KJV translated the Hebrew word signifying copper as brass. Brass cannot be dug from the ground as it is an alloy produced by man. What thou mayest dig from the ground is copper. That is then combined with zinc to produce brass, and – wah-lah – one has a great-sounding cymbal.   Be sure to not get captivated by a single translation. Thou mayest be misdirected in thy understanding of various subjects that arise within the pages of this precious gift, the Holy Bible.   Glorious Lord God, how blessed we are to be living in a time when we can read fifty or more translations right on the internet, comparing what they say so that we can get a better understanding of how things should be properly translated in Your wonderful word. Thank You for the many resources available to us right at our fingertips. May we take full advantage of these things as we continue to learn and grow in Your word. Amen.  

durée : 00:47:25 - Le masque et la plume - par : Rebecca Manzoni - Les critiques littéraire du Masque & la Plume ont lu "Baumgartner" de Paul Auster, "Le témoin" de Joy Sorman, "D'or et de jungle" de Jean-Christophe Rufin, "Aliène" de Phoebe Hadjimarkos Clarke et "L'origine des larmes" de Jean-Paul Dubois. - invités : Laurent CHALUMEAU, Nelly KAPRIELIAN, Arnaud Viviant, Patricia Martin - Laurent Chalumeau : Journaliste rock, scénariste, dialoguiste, romancier, Nelly Kaprielian : Journaliste et critique littéraire chez Les Inrocks, Arnaud Viviant : Critique littéraire chez Transfuge et Regard, Patricia Martin : Journaliste, critique littéraire et productrice chez France Inter - réalisé par : Lilian ALLEAUME

durée : 00:47:42 - Le masque et la plume - par : Rebecca Manzoni - Les critiques littéraire du Masque & la Plume ont lu "Baumgartner" de Paul Auster, "Le témoin" de Joy Sorman, "D'or et de jungle" de Jean-Christophe Rufin, "Aliène" de Phoebe Hadjimarkos Clarke et "L'origine des larmes" de Jean-Paul Dubois. - invités : Laurent CHALUMEAU, Nelly KAPRIELIAN, Arnaud Viviant, Patricia Martin - Laurent Chalumeau : Journaliste rock, scénariste, dialoguiste, romancier, Nelly Kaprielian : Journaliste et critique littéraire chez Les Inrocks, Arnaud Viviant : Critique littéraire chez Transfuge et Regard, Patricia Martin : Journaliste, critique littéraire et productrice chez France Inter - réalisé par : Lilian ALLEAUME

Sara Auster is a world-renowned sound therapist, meditation teacher, and author. She has spent the past decade introducing sound baths to diverse audiences and unique environments across the globe. Her transformative experiences and original teaching method have made her a leader in the health and wellness space, bringing deep listening and sound meditation to the mainstream. Named one of 50 Innovators Shaping the Future of Wellness by Sonima and recognized as a top meditation expert by Oprah magazine, she has also been featured in print, online, and on television, including Billboard, TIME Magazine, The New York Times, VICE, and Vogue.  Auster's work explores how sound and listening transform space — both physically and psychologically — for the purpose of creating connection and healing. She has facilitated intimate sound bath events in public schools, hospitals, boardrooms, and nonprofits, and has guided large-scale mass meditations at sites like the Museum of Modern Art, Lincoln Center, Central Park SummerStage, and Madison Square Garden. She has built an international following by offering sound baths at Paris's Palais de Tokyo; partnering on events with the New York Philharmonic, London's Sonos, and Amsterdam's Nike; and facilitating retreats in Italy and Morocco. She is working with the World Health Organization to create its first Public Health Leadership course.   Sara Auster's first book, SOUND BATH: Meditate, Heal and Connect through Listening — an unprecedented and comprehensive guide to sound baths — was published by Simon & Schuster in November 2019. She has been leading the development of new experiences at the intersection of sound, meditation, and technology, partnering with Audible for a series of recordings designed to help listeners access deep and restful sleep. https://saraauster.com/ Natalie Brown: http://www.soundshealstudio.com http://www.facebook.com/soundshealstudio.com http://www.instagram.com/nataliebrownsoundsheal http://www.youtube.com/soundshealstudio Music by Natalie Brown, Hope & Heart http://www.youtu.be/hZPx6zJX6yA This episode is sponsored by The Om Shoppe. The OM Shoppe & Spa offers a vast array of Sound Healing and Vibrational Medicine tools for serious professionals and for those ready to make sound and vibration part of their ongoing lifestyle. More and more we are coming to understand that our individual wellness is a direct reflection of our personal vibration. How we care for ourselves, our physical bodies, our minds and our spirits. The OM Shoppe is ready to help you today in a variety of ways. They offer the countries largest showroom of Quartz Crystal Singing bowls, sound healing instruments and vibrational medicine tools. If you are ready to uplevel your sound healing practice The OM Shoppe is a great place to get guidance and direction. They are available to consult with you directly by phone or you can shop online. They really enjoy getting to know their clients and customers one on one to better help recommend the right sound healing tools in the right tones for you. Call them today or visit them at http://www.theomshoppe.com. If you are ever near Sarasota, Florida, do consider stopping in and visiting with them or enjoy a luxury spa treatment such as sound healing, energy work, massage, vibroacoustics or hypnotherapy. They truly offer a full holistic experience for practitioners and those seeking healing through natural means. 2024 ISTA Wave Makers Conference https://istasounds.org/events-conferences/

„Regényem főhőse egy mániás depressziós ember, aki belefáradt a betegségével és önmagával évtizedek óta vívott harcba, ezért öngyilkosságra szánja el magát. Nincs mit tagadni rajta: az elbeszélő én magam vagyok.” – szól a fülszövege a tavalyi év egyik legfelkavaróbb és legemlékezetesebb hazai regényének, a Pokoljárás Bipoláriábannak.  Kácsor Zsolt radikális őszinteséggel írt arról, hogy az életét évtizedek óta meghatározó betegség hogyan feszítette szét a mindennapjait, a társas kapcsolatait, és hogy hogyan tolta el őt a falig. A Nem rossz könyvek podcast új részének vendége a tavaly az év tíz legjobb könyve közé is beválogatott regény szerzője.  A tartalomból: 00.00 Mi van akkor, ha épp nem esik annyira jól az olvasás? Mindenkivel előfordul, de még ilyenkor is előkerülhet Auster, Roth és Coetzee.  3.55 Egy friss nagy élmény: Juan Rulfo - Pedro Páramo és egy jól induló kötet: Adam Shatz - Writers and Missionaries 9.50 Témánk a depresszió és az irodalom. Két friss világirodalmi példa: Meg Mason - Öröm és bánat, és Knausgård - Tavasz 15.35 És egy hazai: Pokoljárás Bipoláriában 17.40 Vendégünk az író, Kácsor Zsolt 19.40 Különbség az írás és a beszéd között 21.05 Regényírás, mint terápia 22.25 Hogyan lehet megírni egy betegség történetét?  27.20 Küzdelem a szöveg felett 28.30 A konyhapadlón talált csírázó lencse története: ez igazából egy humanista, életigenlő könyv?  30.35 Kiknek született ez a regény? És milyen volt útjára engedni a könyvet? Továbbra is várjuk a könyv- és témaötleteket a facebookos csoportunkban! Addig is, további könyves tartalmakért ajánljuk Anna Instagramját és Bence Nemrosszkönyvek Instagramját, ahonnan a podcast nevét is kölcsönöztük. A műsor meghallgatható a 444 Spotify- és Apple Podcast-csatornáján is, az eddigi részek: #1 Kedvenc könyveink korábbi életszakaszainkból. #2 Miért szeretjük annyira a skandináv irodalmat? #3 Mit tud kezdeni az irodalom a magyar politikával? #4 Mit olvasol, amikor gyereked születik? – anyaság az irodalomban #5 Ezek voltak a kedvenc könyveink 2023-ban #6 Hogy lesz egy könyv az év legjobb könyve? #7 Hogyan érdemes Krasznahorkait olvasni? Címlapkép: Botos Tamás, vágó: Fórizs MátyásSee omnystudio.com/listener for privacy information.