Podcasts about isolde

This Day in Legal History: Fair Housing ActOn this day in legal history, April 11, 1968, President Lyndon B. Johnson signed the Civil Rights Act of 1968 into law, a pivotal expansion of civil rights protections in the United States. Commonly referred to as the Fair Housing Act, the legislation was enacted just days after the assassination of Dr. Martin Luther King Jr., whose legacy of nonviolent activism heavily influenced its passage. The law made it illegal to discriminate in the sale, rental, financing, or advertising of housing based on race, color, religion, or national origin.It aimed to dismantle the systemic barriers that had long segregated American cities and suburbs, including redlining, racially restrictive covenants, and other discriminatory practices. Title VIII of the Act directly addressed these inequities and empowered the federal government to enforce fair housing standards for the first time. Though political resistance to housing integration had stalled similar legislation for years, the national mourning following Dr. King's death shifted public and congressional sentiment.Johnson, in a nationally televised address, described the signing as a tribute to Dr. King's life and a necessary step toward realizing the full promise of civil rights in America. Subsequent amendments expanded protections to include sex, disability, and familial status, making the Fair Housing Act one of the most comprehensive civil rights laws on the books. Enforcement mechanisms, however, remained a challenge, and litigation over housing discrimination has continued into the present day.The law has been central to major legal battles over zoning laws, gentrification, and access to affordable housing. It also laid the groundwork for subsequent legislation aimed at combating economic and racial segregation. While the Act did not instantly eliminate housing discrimination, it marked a legal turning point that recognized the home as a critical site of equality and opportunity.A small team from the Department of Government Efficiency (DGE), created under Elon Musk's initiative to reduce government spending and staffing, has arrived at the Federal Deposit Insurance Corp. (FDIC), according to an internal email from the agency. While the team is working with FDIC leadership to identify internal efficiencies, it does not have access to sensitive or confidential bank data, including resolution plans, deposit insurance records, or examination materials. The FDIC emphasized that the DGE operatives are full-time federal employees working under formal interagency agreements and have not sought access to confidential information.DGE has previously drawn concern from industry participants during its visit to the Consumer Financial Protection Bureau due to fears over data exposure. The FDIC oversees highly sensitive information about major U.S. banks and their failure plans, which regulators rely on during crises. The number and identity of DGE team members at the FDIC have not been disclosed, and the agency declined to comment further.The agency is also preparing for staff reductions, following the Trump administration's deferred resignation program that has already led to the loss of 500 FDIC employees. Additional buyouts and formal layoffs are expected soon. The timing of DGE's involvement comes as global markets react to new tariffs announced by President Trump, prompting concerns from former officials about weakening regulators' ability to respond to potential financial instability.DOGE Arrives at FDIC but Doesn't Have Access to Bank Data (2)At least three major law firms—Kirkland & Ellis, Latham & Watkins, and Simpson Thacher & Bartlett—are in talks with the Trump administration to reach a joint agreement that would commit over $300 million in pro bono services to causes favored by the White House. The potential deal is also intended to resolve federal investigations into the firms' diversity programs, which the administration has scrutinized for alleged discriminatory practices. If finalized, the arrangement would bring the total pledged in pro bono services from various firms to at least $640 million.President Trump, speaking at a Cabinet meeting, hinted that a handful of firms remain in negotiations, emphasizing that many firms have already paid significant sums or made concessions. He stated that he expects lawyers from participating firms to assist with policy efforts such as implementing tariffs and expanding coal mining.The administration has previously targeted several firms with executive orders for representing causes or clients viewed as oppositional to Trump's agenda. These orders have included punitive measures such as revoking security clearances and restricting federal access. Some firms—like Perkins Coie and Jenner & Block—have successfully blocked these actions in court, while others like Paul Weiss settled by agreeing to pro bono contributions. Firms such as Skadden and Milbank preemptively negotiated similar deals.Trump Talks Deal With Three Massive Law Firms as Others FightA U.S. immigration judge is set to rule today on whether Mahmoud Khalil, a Palestinian student activist at Columbia University, can be deported. Khalil, who holds Algerian citizenship and became a lawful U.S. permanent resident last year, was arrested last month at his New York City apartment and transferred to an immigration jail in rural Louisiana. Secretary of State Marco Rubio has called for Khalil's removal under the 1952 Immigration and Nationality Act, arguing that his presence in the U.S. poses foreign policy risks due to his role in pro-Palestinian campus protests.Rubio's letter to the court claims Khalil was involved in “antisemitic protests and disruptive activities” but does not accuse him of any crimes. Instead, Rubio argues the government can revoke legal status based solely on speech or associations if deemed harmful to U.S. interests. Khalil's attorneys say the case is an attempt to punish constitutionally protected speech and have called the letter politically motivated and authoritarian in tone.They are requesting to subpoena and depose Rubio as part of their defense. The immigration court hearing the case operates under the Department of Justice and is separate from the federal judiciary. Khalil is also suing in a New Jersey federal court, alleging that his arrest, detention, and transfer far from his legal team and family were unconstitutional.US immigration judge to decide whether Columbia student Mahmoud Khalil can be deported | ReutersPresident Trump signed a bill nullifying a revised IRS rule that would have broadened the definition of a “broker” to include decentralized cryptocurrency exchanges, or DeFi platforms. The rule, finalized in the final weeks of the Biden administration, was part of a broader IRS effort to tighten crypto tax enforcement and was rooted in the 2021 Infrastructure Investment and Jobs Act. It would have required DeFi platforms to report user transactions to both the IRS and the users themselves.The crypto industry strongly opposed the rule, arguing that DeFi platforms do not function like traditional brokers and lack access to user identities, making compliance impossible. Centralized exchanges like Coinbase and Kraken, by contrast, already meet these reporting requirements as intermediaries. Both the House and Senate voted in March to repeal the IRS rule through the Congressional Review Act, which allows Congress to overturn recent federal regulations with a majority vote.Trump, who has positioned himself as a pro-crypto candidate, had campaigned on promises to support digital asset innovation. Since taking office, he has formed a federal cryptocurrency working group and signed an executive order to establish a national bitcoin reserve.Trump signs bill to nullify expanded IRS crypto broker rule | ReutersThis week's closing theme takes us back to April 13, 1850, when Richard Wagner's opera Lohengrin premiered in Weimar under the baton of his friend and supporter, Franz Liszt. Wagner, one of the most influential and controversial figures in classical music, was then in political exile, and unable to attend the debut of what would become one of his most iconic works. Known for his revolutionary approach to opera—melding music, drama, and mythology—Wagner crafted Lohengrin as a sweeping, mystical tale of a knight of the Holy Grail who arrives in a swan-drawn boat to defend the innocent Elsa of Brabant. The opera's shimmering textures, leitmotif-driven score, and spiritual overtones would set the stage for his later monumental works like Tristan und Isolde and the Ring Cycle.Lohengrin remains best known for its third-act bridal chorus—“Here Comes the Bride”—but the opera's deeper themes of identity, trust, and the cost of forbidden questions give it lasting emotional and philosophical weight. Set in a quasi-medieval world laced with mystery, the opera tells of a hero who must depart the moment his name is asked, leaving love suspended in silence. Wagner's orchestration in Lohengrin is luminous and patient, often evoking shimmering water and distant prophecy, with long-breathed phrases that seem to float above time.As a closing theme for this week, Lohengrin invites reflection—on belief, on leadership, and on how history so often pivots on names, silence, and the tension between loyalty and doubt. Its premiere on April 13th marks not only a moment in Wagner's evolution as a composer but also a cultural point of departure, where German Romanticism began leaning toward something darker and more transcendental. We end the week, then, with the slow unfurling of Lohengrin's prelude: a gentle, ascending shimmer that begins almost imperceptibly, and rises—like the swan on the river—toward the unknown.This week, we close with the prelude to Lohengrin by Richard Wagner—music of undeniable beauty from a composer whose legacy includes both brilliance and deeply troubling beliefs. We share it for its artistry, not its ideology. Without further ado, Richard Wagner's Lohengrin, the prelude. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Was ist das Leben? Woher kommt es? Woraus entsteht es? Was ist die Grundlage von allem? In seinem opulenten Hörspiel geht Frieder Butzmann diesen Fragen nach und kreiert ein Universum aus Texten und Klängen, in dem die Liebe die Triebkraft allen Lebens ist. Wer das Hörspiel am Radio hören will: Samstag, 05.04.2025, 20.00 Uhr, Radio SRF 2 Kultur Frieder Butzmanns Hörspiel lädt ein zur Entdeckungsreise durch eine sprechende, singende, rauschende Galaxis, die sich um die Liebe dreht. Töne weisen den Weg und verklingen, Liebesgedichte von Sappho, die Sage von Tristan und Isolde, philosophische Texte von Platon und Hannah Arendt sowie wissenschaftliche Beschreibungen der Biologin Lynn Margulis tauchen in diesem Kosmos auf und verschwinden, einzelne Worte schiessen laut wahrnehmbar hervor, um dann wieder in den gesamten Chor der Vielstimmigkeit abzusinken. Das Weltall ist kein leerer, unbelebter Ort, sondern ein brodelnder, sich ständig wandelnder, unbegreiflich riesiger Raum, in dem Leben entsteht. Die «Galaxis der Liebe» ist eine akustische Variante davon. ____________________ Mit: Werner Rehm, Anne Müller, Aram Tafreshian, Eva Brunner, Iman Kamel und dem Chor Judiths Krise ____________________ Musik und Regie: Frieder Butzmann – Dramaturgie: Katrin Zipse ____________________ Produktion: SRF 2019 ____________________ Dauer: 56'

God lillelørdag! I dagens episode hører du Isolde, Anja og Nora snakke om TikTok republiseringer og alt de kan avsløre, Isoldes brannfakkel om scenografi, Nora og Anja får en innføring i ballettens verden, raseri rundt skinnytok og ikke minst hvor man kan nye den kaldeste, deiligste og beste utepilsen i finværet!Nyt sola og kos deg med podden

Een gesprek over de Oekraïnetop in Parijs, het geld voor extra defensie-uitgaven en het bilan van twee maanden Trump.

I dagens episode hører du Nora, Stian og Isolde snakke om Noras romantiske weekend med en mystisk italiensk kar, og vi diskuter hva som er Oslos beste sider man kan vise til en turist. Vi har også snakket om å gå ut av komfortsonen, Isolde sin reise til å bli en filmjente,  kunst laget av grusomme mennesker og en helt episk gruppechat leak. Håper du koser deg med å lytte til dette like mye som vi koste oss med å skravle om det  (-: Takk til Ima på teknikk!

Recorded March 11th, 2025. A lecture by Fergus Sheil (Founding Artistic Director of Irish National Opera) for the Music Composition Centre Talks. Fergus is the founding artistic director of Irish National Opera. He has conducted a wide-ranging repertoire of over 50 different operas in performance, recordings and on film. Highlights include Strauss' Salome, Der Rosenkavalier and Elektra, Rossini's William Tell and La Cenerentola, Brian Irvine and Netia Jones's Least Like The Other, Verdi's Aida, La traviata and Rigoletto as well as Wagner's Tristan und Isolde. Before founding Irish National Opera in 2018, Fergus was Artistic Director of Wide Open Opera, which he founded in 2012 and Opera Theatre Company. He has produced opera in over 30 venues throughout Ireland as well as bringing productions to the UK (Edinburgh International Festival, Royal Opera House and The Barbican), USA, Holland, Luxembourg and Italy. As conductor, Fergus has worked with major orchestras and opera companies in Ireland as well as fulfilling engagements in the USA, Canada, South Africa, Australia, UK, France, Netherlands, Denmark, Sweden, Malta and Estonia. Fergus Sheil studied music at Trinity College, graduating in 1992. While at TCD he founded the Trinity Orchestra. He currently delivers a module in career development at TCD's Music Department and in 2023 he was awarded an honorary Doctor in Letters from TCD. Learn more at www.tcd.ie/trinitylongroomhub

In deze spiksplinternieuwe aflevering van Een toontje lager zijn er nog maar twee vrienden over. Pierre & Galahad moeten het stellen zonder Koen & Wim. Koen violiert al een tijd met het Nederlands Philharmonisch orkest als plaatsvervangend concertmeester, en Wim is sinds kort de nieuwe manager artistieke zaken van Phion, het orkest uit Gelderland & Overijssel. Voor nu een tot ziens maar zeker geen vaarwel! Niet getreurd! Het Rotterdams Philharmonisch Orkest zal goed voor Pierre & Galahad zorgen, en zij natuurlijk voor het orkest. Een beter nieuw begin bestaat er vanzelfsprekend niet dan hun favoriete onderwerp LOVE! In de solistenkamer niemand minder dan vaste gast-dirigent Tarmo Peltokoski. Zijn hart klopt het snelst bij Tristan & Isolde van Wagner. In het verhaal uit de zaal gaan we eens kijken of die vonk ook overspringt bij het publiek tijdens dit speciale Valentijns concert. En hoe kan het ook anders? Alles in deze aflevering geïnspireerd door een quote van de legendarische pianist Arthur Rubinstein: “When I make music I make love” Can I borrow your wife?Fleur op!Gebroken rozen..Het pareltje gevonden was deze keer van de hand van Tarmo Peltokoski:Wagner, Tristan & Isolde, passage uit de 2e akte.Abonneer nu snel op onze podcast en volg ons op:FacebookInstagramTikTokYoutubeRotterdams Philharmonisch Orkest Hosted on Acast. See acast.com/privacy for more information.

De ontmoeting tussen Trump en Zelensky, een mogelijke handelsoorlog en de vrijwillige legerdienst.

Det er fredag, min venn! Andreas forteller hva du bør gjøre denne helga, Ida om hva du skal le av denne helga og Isolde om hvordan du feirer fastelaven (denne helga). Mikkel skal feste denne helga. Lytt, for pokker!

Velkommen til en episode stappfull av kultur. Gjør deg klar til å hilse på vår nye skumpis: Eva! I denne episoden blir vennskap satt på prøve, standaren på bussetikette blir satt. Det blir rantet om IFO, (ikke fra oslo-folk) som har vært på nationaltheateret, og vi kommer med våre aller beste boktips! Dette MÅ du få med deg :)I studio hører du Isolde, Eva, Eskil, og Victor. Takk til Quang på teknikk

In this special Boat Night episode of Marriage Therapy Radio, Zach brings listeners into an intimate, long-standing tradition—conversations between close friends about relationships, personal growth, and the realities of marriage. Joined by longtime friends Sean and Greg, the three discuss the importance of having deep, open friendships where men can talk candidly about their relationships, struggles, and personal evolution. The conversation explores whether it's okay to vent about your partner, how relationships evolve through multiple “marriages” within the same partnership, and the role of death and rebirth in love—not just metaphorically, but through real-life transitions. They also reflect on the greatest love stories of all time, challenging traditional narratives and examining what makes a relationship stand the test of time. With humor, vulnerability, and philosophical insight, Zach, Sean, and Greg navigate topics ranging from romantic expectations to identity and care in relationships, offering listeners a rare glimpse into the kinds of conversations that deepen friendships and marriages alike. Key Takeaways The Importance of Male Friendships and Spaces for Honesty Boat Night is a long-standing tradition where male friends gather to talk candidly about their relationships, families, and personal struggles. Having a trusted space to process relationship challenges doesn't mean bashing your partner—it means seeking perspective and growth. Are You Allowed to Vent About Your Partner? The difference between "talking sh*t" about your spouse and "talking honestly" about struggles is intention. Healthy venting involves seeking understanding, not just resentment or validation from others. The Reality of Multiple Marriages Within a Marriage Long-term relationships go through different “marriages”—seasons of deep change where partners must recommit to each other in new ways. “If you've been married four times to the same person, that means three marriages had to die.” The Greatest Love Stories of All Time Aren't What You Think Traditional narratives like Romeo and Juliet or Tristan and Isolde romanticize young, dramatic love, but real love stories are about long-term commitment, sacrifice, and growth. "In any love story, something has to die—fantasies, expectations, or parts of yourself—to make room for real love.” The Fear of Expressing Desire in Relationships Zach reflects on how he encourages couples to be direct about their needs, yet struggles with openly expressing his own. Many people hesitate to voice their desires because it makes them vulnerable to rejection—or because they're unsure what they truly want. Who Cares for the Caregiver? As a therapist, Zach often supports others but wonders where he himself finds care and support. He wrestles with the tension between wanting to be strong for others and needing space to be vulnerable himself. Learn more about your ad choices. Visit megaphone.fm/adchoices

(La version française a été diffusée le 21 avril 2022)Anne Ghesquière welcomes Don Miguel Ruiz, Mexican author of Toltec spiritualist and neoshamanistic texts.Orpheus and Eurydice, Tristan and Isolde, Romeo and Juliet... Who has never heard or told these myths and legends? Passionate love, love that fascinates or scares, love that heals or, on the contrary, kills.Since the world was created, the same stories have been passed on from parent to child, through education, culture or religion. What if all our beliefs about love were false? What if they were only mirages that we maintain to avoid asking ourselves the real questions? What if we came back to the original love, the unconditional love?My incredible and exclusive guest on Metamorphose is a spiritual leader followed by millions of people and the author of the "Four Toltec Agreements", the famous best-seller translated into 46 languages. This time he addresses the issue of love in 5 courses for a true inner metamorphosis, 5 courses collected in a book entitled "Eros - A return to unconditional love".[REDIFFUSION - BEST OF - METAMORPHOSE] Some quotes from the podcast with Don Miguel Ruiz :‘By loving with condition, little by little we move away from our authenticity.'‘Life is the teacher, we are the apprentices in the discovery of the mysteries in each moment.'‘To rediscover unconditional love it's important to unlearn everything we've learned.'Topics covered in the podcast with Don Miguel Ruiz : 00:00 Introduction03:29 What is a ‘mystery school'?04:31 What is love?07:46 Can unconditional love happen for us humans?13:18 The parable of the broken mirror.17:39 Accepting the reality of others.19:15 Can we know ourselves?22:42 How can we connect with unconditional love in our daily lives?25:05 The secret: being emotionally sincere.27:30 What place is there for carnal and sentimental love?29:30 The experience of a heart attack by Don Miguel Ruiz.32:30 Can unconditional love heal us?32:37 How can we love ourselves?35:37 Writing a letter to your body.37:04 What hope for the future?38:00 Is humanity living in a special moment?39:44 The secret of unconditional love.41:07 How can we achieve total surrender?42:30 How can we connect with faith?Foreword and precautions when listening to the podcast Discover Objectif Métamorphose, our 12-step programme for meeting yourself.Receive the Métamorphose newsletter every other Wednesday with exclusive information about the podcast and Anne's inspirations.Take the free Metamorphosis Wheel TEST with 9 pillars of your life!Follow us on Insta, Facebook & TikTokSubscribe on Apple Podcast / Spotify / Deezer / CastBox/ YoutubeSupport Métamorphose by joining the Métamorphose Tribe Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

God valentinsdag! I denne episoden snakker Isolde, Herman og Nora om kjærlighet. Vi geleider deg gjennom hvordan du kan ha en hyggelig, men også billig date, våre beste sjekketriks, dos and donts på date og ikke minst ble Isolde overrasket med en blinddate på luften. Dette MÅ du få med deg. Ha en nyyydelig alle hjerters dag

Eigentlich sind die schweren Bariton-Partien von Richard Wagner seine Spezialität; als Telramund im Lohengrin oder als Kurwenal in Tristan und Isolde feierte Martin Gantner auf den grossen Bühnen der Welt Erfolge. Auch in Zürich ist er seit über 20 Jahren ein sehr gern gesehener Gast. Hier wird er nun erstmals als Graf Danilo in der Lustigen Witwe auftreten. Ob das Leichte auch für ihn zum Schwersten gehört und warum es Spass macht, auf der Bühne ein Bösewicht zu sein, darüber spricht Martin Gantner in unserem nächsten Podcast.

Een gesprek over de nakende federale regering en de moeizame onderhandelingen van de afgelopen 7 maanden.

Ein extremes Paar, das sich nur im Tod vereinen kann – dazu eine Musik, die unter die Haut geht. „Tristan ist ein Trip!“ – „Eine Hormonvergiftung!“ – „Das Scheitern an Idealvorstellungen!“ Das sagen Regisseurin Eva-Maria Höckmayr, Generalmusikdirektor Daniel Cohen und Sopranistin Magdalena Anna Hofmann über Richard Wagners Oper „Tristan und Isolde“. Sie sprechen in dieser Podcast-Folge über die neue Inszenierung am Staatstheater Darmstadt (Premiere am 2. Februar) und die emotional aufwühlende Probenarbeit. Podcast-Host Mariela Milkowa möchte von ihren Gästen wissen: Wieviel Tristan und Isolde stecken in jedem von uns? Warum scheitert ideale Liebe? Und wie geht man mit so einem schweren Stoff um? Infos und Tickets zu „Tristan und Isolde“Bio Eva-Maria HöckmayrBio Magdalena Anna HofmannBio Daniel Cohen Hosted on Acast. See acast.com/privacy for more information.

Friedrich, Uwe www.deutschlandfunk.de, Kultur heute

In this episode of On the Soul's Terms, I sit down with Béa Gonzalez, a novelist, teacher, and Jungian thinker, for a deeply enriching exploration of astrology, mythology, and storytelling.Béa introduces her concept of the "unresolved note," those dynamic tensions in life—reflected in astrological squares—that drive personal growth and transformation. We discuss how these unresolved notes, though uncomfortable, are essential to finding balance and depth. Béa shares how this theme weaves through her latest novel, Invocation, a story about the clash and eventual integration of differing worldviews.Our conversation flows through:The interplay of Venus and Mars as archetypes of connection and separation, and how they symbolize the constant dance between the feminine and masculine within us all.How astrology offers a language to engage with these archetypal forces, including squares as sites of unresolved, creative tension.The healing power of myth, storytelling, and dreams in a disenchanted world.The timeless relevance of mythology and its ability to bring deeper meaning to modern life.Whether it's the myth of Tristan and Isolde, the discordant notes in Wagner's Tristan chord, or the rich symbolism of Venus and Mars in their mythological dramas, this episode dives deep into how we navigate the unresolved and find creative possibilities within it.I hope you enjoy this inspiring conversation as much as I did.Image: Henry John Stock - The Poet's Dream: 'The Pursuit of the Ideal'Links to Béa:Sophia Cycles WebsiteUpcoming Course at the Jung Academy on VenusInstagram, facebook, X (Twitter), Threads, BlueSkyPlus her three books...! Talk about prolific!Podcast Musician: Marlia CoeurPlease consider becoming a Patron to support the show!Go to OnTheSoulsTerms.com for more.

A partir de la version signée de Gottfried de Strasbourg du mythe de Tristan et Isolde, Wagner compose, dans l'euphorie de sa passion pour Mathilde Wesendonck, le plus bel hymne à l'amour du répertoire lyrique.Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

La representación máxima del romanticismo alemán Tristan und Isolde, de Richard Wagner, paradigma e hito fundamental de la historia lírica cuyo preludio abrió definitivamente las puertas de un nuevo camino compositivo, llega a Bibao. En este 'Hoy por Hoy Bilbao-Bizkaia' repasamos este drama musical en tres actos con libreto que abre el año de ópera en Euskalduna Bilbao

In this episode, JF and Phil examine the myth of the vampire through the lens of Robert Eggers' latest film, Nosferatu, a reimagining of F. W. Murnau's German Expressionist masterpiece. Topics covered include the nature of vampires, the symbolism of evil, the implicit theology of Eggers' film (compared with that of Coppola's Bram Stoker's Dracula), the need for shadow work, as well as the power of real introspection and self-sacrifice. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Robert Eggers (dir.), Nosferatu (https://www.imdb.com/title/tt5040012/) F. W. Murnau (dir.), Nosferatu (https://www.imdb.com/title/tt0013442/) Mel Brooks (dir.), Dracula: Dead and Loving It (https://www.imdb.com/title/tt0112896/) Francis Ford Coppola (dir.), Bram Stoker's Dracula (https://www.imdb.com/title/tt0103874/) Bram Stoker, Dracula (https://bookshop.org/a/18799/9780141439846) Richard Wagner, [Tristan und Isolde](https://en.wikipedia.org/wiki/TristanundIsolde) David James Smith, “The Archaeologist Couple who Unearthed a Field Full of Vampires” (https://www.thetimes.com/world/europe/article/vampires-poland-field-archaeology-secrets-svm5mt26v) Robert Eggers, The Witch (https://www.imdb.com/title/tt4263482/) Richard Strauss, Salome (https://en.wikipedia.org/wiki/Salome_(opera)) Weird Studies, Episode 156 on “The Secret History” (https://www.weirdstudies.com/156) Rudolf Steiner, “Lucifer and Ahriman” (https://rsarchive.org/Lectures/LucAhr_index.html) Richard Wagner, Ring Cycle (https://en.wikipedia.org/wiki/Der_Ring_des_Nibelungen)

Een stand van zaken over de federale formatie met Isolde Van den Eynde. Abderrahim Lahlali en Theo Francken in debat over de aanpak van relschoppers. En Xavier Taveirne over zijn consumentenprogramma WinWin, nu ook op televisie.

This week we break things down to the quark level to bring you mythical love stories (featuring a king named Mark), ghost-written historical romances, interminable sentences, and Joycean numerology. Jackie Mahoney joins the team and expertly weaves their way through questions of whether chapter 2.4 is about Tristan and Isolde, or if it's more about about the four perverts leering at them from the dock, and we finish up with a rousing consideration of Joyce as Beyoncé, the author as God, squelchy onomatopoeia, and, inevitably, the music of Evanescence. Trigger warning: descriptions of bodily noises. (Apologies for the sound quality on Toby's mic, it's an ongoing problem that will be fixed) This week's readers: Jackie Mahoney, TJ Young, Toby Malone Progress: 399 pages complete, 229 pages to go; 63.54% read. For early drops, community and show notes, join us at our free Patreon, at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/wakepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or check out our Linktree, at ⁠⁠⁠https://linktr.ee/wake.pod⁠⁠⁠. We welcome comments from everyone: even, nay, especially, the dreaded purists. Come and "um actually" us!

Hello, Can You Hear Me? is an audio storytelling project that was funded by Wakefield Council as part of Our Year – Wakefield District 2024 It features ten folktales re-created by the storyteller, Beccy Dye. These were arranged on a period telephone which was then toured across the District. People simply dialled a number to reach a story, each story was broken up into parts, so if they wanted listens could create story mash-ups.The project included a live, family-friendly performance which launched the exhibition in each venue.Sounds Used in This EpisodeBeanstalks growing: Plant Growing by IENBA -- https://freesound.org/s/648958/ -- License: Creative Commons 0Prehistoric ambience: Jungle Mystic Ambient Mastered.wav by szegvari -- https://freesound.org/s/559471/ -- License: Creative Commons 0Landing: Landing On The Ground [6] by SoundDesignForYou -- https://freesound.org/s/646663/ -- License: Creative Commons 0Dinosaur: Dinosaur call by Alessandrobraz -- https://freesound.org/s/708641/ -- License: Creative Commons 0Digging: Digging20200426-125956_01.wav by szegvari -- https://freesound.org/s/515087/ -- License: Creative Commons 0Tree falls: Big Tree Fall in Forest by Kinoton -- https://freesound.org/s/494071/ -- License: Creative Commons 0Yawn: Yawning by rowlification -- https://freesound.org/s/701090/ -- License: Creative Commons 0Lying down: couch quick rise up 4_bip.wav by muses212 -- https://freesound.org/s/77255/ -- License: Creative Commons 0Mining single: dig3.mp3 by igroglaz -- https://freesound.org/s/593893/ -- License: Creative Commons 0Mining lots: PICCONE 3 MURO.WAV by lollosound -- https://freesound.org/s/387001/ -- License: Creative Commons 0Birds: Bird Noise - 12.wav by SpaceJoe -- https://freesound.org/s/507254/ -- License: Creative Commons 0Stone carving: R26-21-Metal Hand Tools on Stone.wav by craigsmith -- https://freesound.org/s/487084/ -- License: Creative Commons 0Rolling boulder: RockFall1b.wav by AlanCat -- https://freesound.org/s/381645/ -- License: Creative Commons 0Woodland ambience: Woodland Atmos 05 03-06-2022.wav by apintofmild -- https://freesound.org/s/640188/ -- License: Creative Commons 0Intro/Outro music for podcast episode: Folk Guitar Music Track by Dvideoguy -- https://freesound.org/s/246315/ -- License: Creative Commons 0

Welcome to the DMF. Where I try to find out what motivates people behind the scenes in the world of acting and entertainment. Today on the podcast I am talking to Paul Todisco. He is a director and we are finishing my Inside The Actor's Studio questions. As always you can reach me on Twitter, Instagram, and Facebook with my name Justin Younts. Thank you for listening and sit back and enjoy. What are you listening to right now? This question opens the door to a world of musical exploration and personal connection. In this video, I, Justin Yontz, share my deep love for music, highlighting some of my all-time favorite composers and pieces that have profoundly impacted my life. From the ethereal sounds of Kate Bush to the haunting beauty of Wagner's 'Tristan and Isolde,' I delve into the emotional landscapes these works create. Music is not just a backdrop; it's a transformative experience that can evoke tears and joy alike. I also reflect on my passion for film scores, reminiscing about the days when John Williams and Jerry Goldsmith were the soundtrack to my youth. Their compositions shaped my understanding of storytelling through music. As I discuss my cinematic tastes, I reveal my admiration for classic films and directors like Robert Altman, Ingmar Bergman, and the raw charm of 70s grindhouse cinema. Each film and score I mention holds a special place in my heart, representing a unique blend of artistry and emotion. I invite you to join me on this journey of discovery, where we explore the music and films that resonate with our souls. Whether you're a seasoned aficionado or just beginning to explore, there's something here for everyone. Let's celebrate the power of music and film together, and perhaps you'll find your next favorite piece or film in the process. 00:00:00 - Introduction 00:00:04 - Music Preferences 00:01:06 - Film Scores 00:01:52 - Current Watchlist 00:03:08 - Appreciation for Low Budget Films 00:05:58 - Discussion on Artistic Struggle 00:07:00 - More on Current Watchlist 00:08:20 - Discussion on Ingmar Bergman's Films 00:09:30 - Discussion on Paul's Films 00:11:53 - Contact Information

With the help of Galahad, Hoshino, and Arguile, Shanks realizes that connecting with Zechs requires speaking to him rather than at him. They have a heartfelt conversation that brings them closer than ever. Arguile dreams from the perspective of a man named Urich, interacting with his mother, Dorna, in the strange land of Narkorua. Galahad receives a vision guiding him to a Uniluum warrior in Drose. The group then encounters a floating stone face, offering three questions. Through these, they gain prophecies about the future, including insights into Zechs's situation with Malar.As the group navigates these revelations, Shanks dreams of an orcish figure, and Glad encounters her alternate self in a vivid interaction about her faith and the death of her husband. Various group members have visions and dreams tied to their past and future, including Hoshino seeing a mysterious woman and Salix communicating with a Void Dragon. Once they arrive in Drose, they meet Chantico, the protector of the Eternal Flame, and are split up to complete their tasks. Galahad is tasked with mentoring Xoco, a Guardian of Drose, and the rest of the group meets Tozi, who provides them with crucial historical insights.As they explore the city, Arguile and Shanks are robbed by an old man and his cat but successfully retrieve their stolen goods after a tense exchange. Zechs meets Isolde, a tiefling scholar, who gives him essential knowledge about Malar and his role within the Pantheran Pantheon. The group reconnects later, sharing updates on their tasks and planning their next steps. Galahad takes on his role as Xoco's mentor, and the group prepares to face new challenges in Drose.There's so much happening, and we pick up with arc 22, “ The Second Coming”. How will the rest of this story unfold? Find out next time on the Medusa's Cascade: Collateral Damage!Theme music is written and performed by The Floating LighthouseRead & Mixed by Thomas Lapierre IIICheck out the show at themedusascascade.com

Musikalisch erwies sich die "Tristan"-Premiere in Regensburg als Glücksfall: Generalmusikdirektor Stefan Veselka lieferte aus dem Orchestergraben jede Menge Starkstrom für fulminante Rollenporträts der Solisten. Szenisch blieb der Abend allerdings blass.

durée : 00:19:27 - Disques de légende du lundi 23 septembre 2024 - Pour quelqu'un comme Karajan, wagnérien passionné, Tristan und Isolde était de ces œuvres dont on ne s'approche pas sans trembler.

Der Beginn von Wagners erotischster Oper beschäftigt seit der Uraufführung 1865 die Experten. Denn der berühmte Tristan-Akkord sprengt die Gesetze der Tonalität und öffnet die Tore zur Moderne. Das Werk der Extreme galt lange als unaufführbar, bis Ludwig II. von Bayern als Sponsor einsprang. Von Michael Lohse.

Es ist eine der folgenreichsten Zugfahrten der Musikgeschichte: Im Mai 1865 reist Anton Bruckner nach München, um Wagners "Tristan und Isolde" zu hören – ein Ereignis, das sein Leben für immer verändern wird.

Das warme und feuchte Augustwetter begünstigt Pilzerkrankungen an Pflanzen. Im Gartenratsch mit Edith Schowalter gibt Hubert Siegler von der Bayerischen Gartenakademie Tipps, wie Sie Mehltau und Krautfäule in Schach halten und beantwortet Hörerfragen. Begleitet wird er von der Gartenbautechnikerin aus Veitshöchheim, Isolde Keil-Vierheilig.

durée : 01:28:27 - Relax ! du mardi 27 août 2024 - par : Lionel Esparza - Votre serviteur se rendait cet été à Bayreuth à la découverte du Festspielhaus et de ses environs et surtout du programme du festival avec " Tristan et Isolde " mené par un Semyon Bychkov exceptionnel, " L'or du Rhin " et " La Walkyrie " avec la prise de rôle de Michael Spyres en Sigmund.

Mit der Premiere von „Tristan und Isolde” wurden die Bayreuther Festspiele eröffnet. „Es wird sehr viel rumgestanden”, bemängelt SWR-Opernredakteur Bernd Künzig.

(00:00:42) Zum Auftakt der Wagner-Festspiele wurde gestern eine neue Inszenierung des Liebedramas «Tristan und Isolde» gezeigt. Wie kam die Neuproduktion des isländischen Regisseurs Thor Anarsson beim Publikum an? (00:04:11) «Parco Scherrer» – Wie ein Deutschschweizer im Tessin ein Stück Kastanienwald in einen Garten der Wunder verwandelte. (00:09:19) Wie sieht die Welt von oben aus? Der Schweizer Fotograf Eduard Spelterini hat von den ersten Heissluftballonen aus, den Blick auf die Welt umgedreht. (00:13:18) «Daaaaaalì» - Der neue Film von Quentin Dupieux ist eine Hommage an den surrealistischen Maler Salvador Dalì, die ihm wohl Freude machen würde. (00:17:42) Unterirdische Kunst in Neapel – nicht negativ gemeint, sondern in den Metrostationen.

Schon wieder ein neuer "Tristan" in Bayreuth: Nach nur zwei Jahren ersetzt Festspielchefin Katharina Wagner die überzeugende Inszenierung von Roland Schwab durch eine Neuproduktion. Ob sich der isländische Regisseur Thor Arnarsson mit seiner Lesart dagegen behaupten kann? Am 25. Juli wurden damit die Bayreuther Festspiele 2024 eröffnet.

Die Wagner-Festspiele in Bayreuth sind mit der Premiere von „Tristan und Isolde“ des isländischen Regisseurs Thorleifur Örn Arnarsson eröffnet worden. Die Inszenierung ist enorm schwach und geprägt durch Pathos, die Musik eine Lautstärke-Schlacht. Fuchs, Jörn Florian www.deutschlandfunkkultur.de, Fazit

Auch in diesem Jahr finden sie statt: Die Bayreuther Festspiele. Mit "Tristan und Isolde" werden sie eröffnet, und wieder mit großer Spannung erwartet wird "Der Ring des Nibelungen". Dieses Mal unter neuer musikalischer Leitung: Die australische Dirigentin Simone Young steht am Pult. Seit 2022 ist sie die Chefdirigentin des Sydney Symphony Orchestra, sie ist international unterwegs, hat auf den wichtigsten Podien weltweit dirigiert und im Norden ist sie bestens bekannt. Von 2005 bis 2015 war sie in Personalunion die Intendantin der Staatsoper Hamburg und Generalmusikdirektorin des Philharmonischen Staatsorchesters. Über ihre Arbeit, über Richard Wagner und die Bayreuther Festspiele spricht Simone Young mit Friederike Westerhaus in "NDR Kultur à la carte".

Sobre su trabajo, Félix Romeo había escrito: «Cuando leo los libros de Julián Rodríguez siento que tienen una potencia aérea: ese misterio de que el acero pueda moverse rápidamente entre las nubes». Además de escritor, codirector de la editorial Periférica; director de la galería de arte «Casa sin fin»; de la revista de arte y estética «Sub rosa» o Premio Ojo Crítico de Narrativa de RNE en 2016, entre muchas otras cosas. Hace cinco años que falleció Julián Rodríguez Marcos, siempre en nuestro recuerdo. Cello Suite No. 2 in D Minor, BWV 1008 - Transcr. for Viola: 1. Prélude                de Johann Sebastian Bach, Kim Kashkashian            J.S. Bach: Six Suites for Viola SoloRothko Chapel 5                    Morton Feldman        Rothko ChapelTristan und Isolde, WWV 90 / Act I: Prelude to Act I de Richard Wagner, Gewandhausorchester, Kurt Masur   The Unreleased MastersSonata in D Minor, K. 32                   Domenico Scarlatti, Khatia Buniatishvili       LabyrinthClouds            Adam Baldych, Vincent Courtois, Rogier Telderman           CloudsRêverie, L. 68 de Claude Debussy    Werner Haas  Classical Piano: ImpressionsMon'ami                    Tiganá Santana          Tempo & MagmaCaring            Mathias Eick   CaringFlamenco sketches Miles Davis Kind of Blue LegacyEscuchar audio

We cut to Arguile and Shanks gathering materials for alchemy when they stumble upon a blue cat. As they continue to walk, they find a concerned-looking gentleman searching for the cat, and the two help the older gentleman reunite with his companion. Only a few moments later, they realize that Shanks' bag of supplies and Arguile's haversack are missing. The old man and his cat pickpocketed them. The two split up alongside Scyra, Arguile's familiar, to track down the man and their stolen goods. Elsewhere, Zechs meets Isolde in the Scholar's Ward, who is expecting him. She greets him and Duo and asks him to discuss with her what's been happening to him, sparing no detail as she is in no rush, and the more information she has, the easier it is for her to aid him, if possible. Zechs indulges her and goes on, over some tea and snacks, everything, including Malar. She clarifies what he knows about Malar and the Pantheran Patheon, as well as about his origin and part in all this. The Pantheon are not his siblings but his creation. Zechs is grateful for all the information and thanks her for her time and generosity. Before leaving, she hands him a pendant, tells him to seek out the group that carries the symbol upon it, and gives him a tarot card reading that is appreciated but leaves him much more to ponder. We pick back up to Shanks and Arguile, tracking down the abode of the thief and his cat. Arguile uses Scyra to look at the abode above, and the gentleman suddenly appears in view. There's so much happening, and that's where we pick up… Find out what happens next in this episode of the Medusa's Cascade: Collateral Damage! Theme Music is written and performed by The Floating Lighthouse Mixed by Thomas Lapierre III Check out the show at themedusascascade.com

We start with introductions being made between Xoco and the party. There is a recognition of Arguile's Guardian's Rapier blade, and Xoco expresses that the more she learns of the party, the more odd and incredible they seem. Arguile takes his blade and uses burning hands on it; upon finishing the spell, he feels a resonance with the blade, like a tuning fork. Galahad clarifies his role with Xoco in helping her find her oath. Zechs has another dream with what he now recognizes as the Pantheran pantheon of Nymora and gains insight into their connection with Malar. The next morning, the group informs Xoco about some of their group's shared history, realizing that each time they tell a story, it needs context, and that context is another long story. Arguile has a conversation with Arioch that leaves Arguile feeling like he's not getting the full scope of what Arioch has in store for him. Arioch informs him that, eventually, the time will come when he will have to decide to leave the party and get to his mother before the creatures that are inevitably inbound to take over Nakoroa do so. Shanks confirms with Xoco about the orc ranger he will meet for his training as a ranger. Zechs is directed to a Tielfing woman named Isolde, who is in the Scholar's Enclave and could help him answer his questions about Malar and the pantheon and what to do next. There's so much happening, and that's where we pick up… Find out what happens next in this episode of the Medusa's Cascade: Collateral Damage! Theme Music is written and performed by The Floating Lighthouse Mixed by Thomas Lapierre III Check out the show at themedusascascade.com

Send us a Text Message.This is the final episode--sort of*--of a multi-part series about medieval adultery in literature, history, and popular culture. My co-host Professor Larissa 'Kat' Tracey and I review how adultery has been dealt with in movies about the Middle Ages. We begin with three Hollywood medieval epics, "The Kingdom of Heaven," "Braveheart," and "The Last Duel," and then turn to the focus of our previous episodes, movies about Lancelot and Guinevere and Tristan and Iseult.*I will be posting a short episode on the film adaptation of Sigrid Undset's Nobel Prize winning novel Kristin Lavransdatter. That really will be our last word on medieval adultery.This episode includes sound clips  from the following movies:"Kingdom of Heaven" (2006), dir. Ridley Scott: Baldwin IV offers Balian command of the armies of Jerusalem and marriage to his sister (unfortunately the recording is not the best quality)"The Last Duel" (2021), dir. Ridley Scott: musical score (comp: Harry Gregson Williams)"Knights of the Round Table" (1953), dir. Richard Thorpe: musical score (comp: Miklós Rózsa)"Excalibur" (1982), dir. John Boorman: musical score (Predlude to the Liebestod, from Wagner's Tristan und Isolde)"Lovespell (1981), dir. Tom Donovon: musical score (comp. Paddy Moloney)Works consulted:Susan Aronstein, Hollywood Knights: Arthurian Cinema and the Politics of Nostalgia . Palgrave, 2005.Virginia Blanton, Martha M. Johnson-Olin, and Charlene Miller Avrich, eds., Medieval Women in Film: An Annotated Handlist and Reference Guide. Medieval Feminist ForumSubsidia Series, 2014. Kevin J. Harty, ed., Cinema Arthuriana.  McFarland, 2002.Kevin J. Harty, ed., Medieval Women on Film. McFarland, 2020.Bert Olton, Arthurian Legends on Film and Television. McFarland, 2000.Listen on Podurama https://podurama.com Intro and exit music are by Alexander NakaradaIf you have questions, feel free to contact me at richard.abels54@gmail.com

American tenor, Bryan Register, has received great critical acclaim for his portrayal of roles including Tristan, Lohengrin and Enée, and has performed in many of the most prestigious theatres in Europe including, the Bavarian State Opera, the Semperoper Dresden, Festspielhaus Baden-Baden, The Opéra Bastille and La Monnaie. In the 2022/23 season he sang Verdi's Otello with the Taipei Symphony Orchestra under the baton of Marco Boemi, and returned to the roles of Florestan in Fidelio at the Nationale Reisopera in the Netherlands, as well as Tristan in the new production at Cottbus State Theater and in a concert performance with the Orquesta Sinfónica de Xalapa in Mexico. Also in the upcoming season 2023/24, he will be singing the male titular lead in Tristan und Isolde, this time at the Aalto Theater in Essen. Amongst others, he will also appear as Parsifal with the Orquesta y Coro Nacionales de España under the baton of David Afkham and as Erik in Der Fliegende Holländer at Pittsburgh Opera. My gratitude goes out to Hannah Boissonneault who edits our Masterclass episodes and to Juanitos and Scott Holmes for the music featured in this episode. You can help support the creation of these episodes when you join the Sybaritic Camerata on Patreon. Get started at patreon.com/mezzoihnen. Be on the Studio Class Podcast Megan Ihnen is a professional mezzo-soprano, teacher, writer, and arts entrepreneur who is passionate about helping other musicians and creative professionals live their best lives. Studio Class is an outgrowth of her popular #29DaystoDiva series from The Sybaritic Singer. Let your emerging professionals be part of the podcast! Invite Megan to your studio class for a taping of an episode. Your students ask questions and informative, fun conversation ensues. Special Guest: Bryan Register.

Send us a Text Message.This is the third of a multi-episode series in which I chat with Dr. Larissa ‘Kat' Tracey about literary representations of medieval adultery and its reality. In this episode Kat and I survey and discuss the major nineteenth- and twentieth-century literary treatments of medieval adultery, focusing on the stories of La(u)ncelot and Guinevere and of Tristan/Tristram and Isolde/Isolt/Iseult  The episode begins with an opera, Richard Wagner's extremely influential retelling of the tale, Tristan und Isolde. Although composed between 1857 and 1859, the opera did not premiere until 1865, because it was deemed too expensive to stage and its complex, innovative music was thought to be unperformable. We consider how Wagner reconceived his medieval source, Gottfried of Strassburg's thirteenth-century romance, through the lens of Schopenhauer's life-denying philosophy, and how in its composition art imitated life, as Wagner engaged in what was the very least an emotional affair with his wealthy Swiss patron's wife.  Kat and I then discuss the very different treatments of these Arthurian stories about adultery by three leading Victorian poets and one early twentieth-century American: the poet Laureate Alfred Lord Tennyson, the decadent aesthete Algernon Swinburne, the Pre-Raphaelite artist and author William Morris, and the popular American poet Edwin Arlington Robinson, whose now all-but-forgotten best-selling poem Tristram won the Pulitzer Prize in 1928. We then turn to how twentieth-century novelists have handled the moral issues arising from medieval adultery in their renditions of the Arthurian legend. The episode concludes with an analysis of adultery in a non-Arthurian medieval novel, Sigrid Undset's historical trilogy about fourteenth-century Norway, Kristin Lavransdatter (1920-1923), which earned the author the Noble Prize for Literature in 1928, the same year that Robinson's very different Tristram won the Pulitzer. Kat and I began this episode with the intention of covering both modern literature and movies dealing with medieval adultery. But it became clear as we were recording that a single episode would be very long. So we decided to talk about medieval adultery on film in a final, fourth episode, which I will be releasing in about a week's time. And that will be it for medieval adultery, although I plan to have Kat return in future to talk about a subject on which she has written extensively, torture and cruelty in medieval literature. As I have jokingly told her, she is my go to person for medieval perversities.  This episode contains two musical snippets:Wagner's “Prelude to the Liebestod [Love Death]” from his opera Tristan und Isolde, conducted by Arturo Toscanini (https://www.youtube.com/watch?v=lBFcDGTzgAI) “If Ever I Would Leave You” from the musical Camelot, lyrics and music by Lerner and Loewe and sung by Robert Goulet as Lancelot (https://www.youtube.com/watch?v=xL52hEArSfM) In my discussion of the literary texts, I drew upon the researches of several scholars, among them:John Deathridge, Wagner Beyond Good and Evil, University of California Press,  2008R.J.A. Kilbourn, “Redemption Revalued in Tristan und Isolde: Schopenhauer, Wagner, Nietzsche,” in University of Toronto Quarterly, Volume 67, Number 4, Fall 1998, pp. 781-788“Tristan und Isolde,” Wikipedia (yes, I do consult Wikipedia)“Listen on Podurama https://podurama.com Intro and exit music are by Alexander NakaradaIf you have questions, feel free to contact me at richard.abels54@gmail.com

Jessye Norman Conductor: Seiji Ozawa San Francisco Symphony Orchestra 21 May 1975 Broadcast

This is the second of a three part series with my very special co-host, Dr. Larissa 'Kat' Tracy, about adultery in the Middle Ages. In the previous episode, Kat and I talked about the Lancelot and Guinevere story. In this episode, we tackle the other great medieval tale of adulterous love, Tristan and Iseult. We begin, however, with a possible contemporary historical analogue, a scandal involving Countess Elizabeth of Vermandois, wife of Count Philip of Flanders, and a very unfortunate household knight.  If true, the adultery of the countess and the vengeance taken by her husband emphasizes the difference between literature and reality--but, the "if" is very much in question.  In the third and concluding episode, we will look at how the stories of Lancelot and Guinevere and Tristan and Iseult have been used in modern literature and movies.If you are enjoying this podcast, please share it with friends and family who might be interested in things medieval. And if you are listening on a platform that allows ratings and reviews, such as Apple podcasts, please take the time to rate and review it. I am told that is the best way of spreading the good news.This episode includes an orchestral snippet of Arturo Toscanini conducting the Liebestod  from Richard Wagner's opera "Tristan und Isolde" (https://www.youtube.com/watch?v=lBFcDGTzgAI)Listen on Podurama https://podurama.com Intro and exit music are by Alexander NakaradaIf you have questions, feel free to contact me at richard.abels54@gmail.com

Sir Antonio Pappano is one of the world's most acclaimed conductors. He started work at the age of ten as an accompanist for his father, who worked as a singing teacher. After leading orchestras in Brussels and Oslo, Pappano was appointed as musical director of the Royal Opera House in 2002. Stepping down after 22 years leading Covent Garden, he has joined the London Symphony Orchestra as chief conductor. Antonio Pappano was knighted in 2012 and conducted the orchestra at the coronation of King Charles III in 2023. An award winning recording artist, he has conducted on over 70 live and studio albums.Antonio Pappano tells John Wilson about his upbringing in a central London council flat, the son of Italian immigrants, and his love of music from an early age. He recalls the significance of receiving his grade 5 piano examination result by post, "a lightbulb moment” in which he realised what he wanted to do with his life. He also describes his parents' grief after the death of his baby sister, which led to the Pappano family moving to Connecticut, where Antonio continued his musical tuition under a local piano teacher called Norma Verrilli and composer Arnold Franchetti. His professional career was nurtured by conductor and pianist Daniel Barenboim who employed Pappano as his assistant for six years, a period in which he learned the art of conducting. He also looks back at his 22 years leading the Royal Opera at Covent Garden and talks candidly of his concerns about the funding and championing of opera in the UK.Producer: Edwina PitmanMusic and archive:Puccini, Turandot, Act 1 Ah! per l'ultima volta! Liszt, Consolations S.172 for piano no.3 in D flat major; Lento placid Monteverdi, Dolci miei sospiri Gershwin, The Man I love Prokofiev, Symphony No.1 in D Major, Op.25 for two pianos Mozart, Piano Concerto No. 20 in D Minor, K. 466 I. Allegro Wagner, Das Rheingold, Act 1, Rheingold, Rheingold! Wagner, Tristan und Isolde, WWV 90, Act 3 Scene 2 O diese Sonne! Götterdämmerung, Act 3 Siegfrieds Trauermarsch Following Pappano, BBC Radio 4, September 2017 Puccini, La_Boheme, Act 1, Che gelida manina Strauss, Ariadne auf Naxos, Opera Handel, Zadok the Priest, HWV 258 Mozart, Le Nozze di Figaro, Act 3 Sull'aria che soave zeffiretto Vaughan Williams, Fantasia_on_a_Theme_by_Thomas_Tallis Ades, Three-piece Suite from Powder Her Face - Suite No.1

The party's investigation of Crowbash and Kis is going nowhere fast, but it's good to be back in Androgor and able to use magic again! The Honey Balers take up at the Blackfish Inn to keep an eye on the seemingly mundane Founders, and check in with Isolde for some sugary treats.

Many spirits can dwell among us - it is about getting connected to who you are trying to reach by speaking their names. Once you have opened the portal to the spirit world, you have to push your energy towards the spirit that you are trying to get to come into your presence. In last year's contact with Dr. Heldore, we were told her name was Isolde -- the big reveal that she was a woman. Many who listened believed that her predictions for 2023 were darker and focused on war and scorched earth policies. She was blunt about how things are all going to be some unrecognizable blood, guts, and affluent in the gutters. Disasters where bodies cannot be identified because they are nothing but quivering masses of burnt meat. There is no real band-aid or cure and no one is there to declare that the patient is dead. Tonight on Ground Zero, Clyde Lewis talks with Tricia Myers and Psychic Medium Cheri about DR. HELDORE - THIS WON'T HURT A BIT. #GroundZero #ClydeLewis #Dr.Heldore #Paranormal https://groundzeromedia.org/11-1-23-dr-heldore-this-wont.../ Ground Zero with Clyde Lewis is live M-F from 7-10pm, pacific time, and streamed for free at https://groundzero.radio and talkstreamlive.com. For radio affiliates near you, go to talkmedianetwork.com. To leave a message, call our toll-free line at 866-536-7469. To listen by phone: 717-734-6922. To call the live show: 503-225-0860. For Android and iPhones, download the apps: For additional show information, go to groundzeromedia.org. To access Ground Zero's exclusive digital library which includes webinars, archived shows/podcasts, research groups, videos, documents, and more, you need to sign up at aftermath.media. Subscriptions start at $7/month. Check out the yearly specials!