Podcast appearances and mentions of Maria W Stewart

Join us today as we speak with Dr. Daniel Hill, Assistant Professor of Christian Theology at Baylor University's George W. Truett Theological Seminary, on the topic of his upcoming book Bearing Witness: What the Church Can Learn from Early Abolitionists. Due out in April 2025, Dr. Hill's new book draws on the rich legacy of nineteenth-century abolitionists David Ruggles, Maria W. Stewart, and William Still, to construct a compelling evangelical framework for public witness, anchored in Scripture and the practice of lament and burden-bearing.

The Massachusetts State Senate recently unveiled a new bust in their renovated chambers in the statehouse. It honors Frederick Douglass – a Black civil rights leader who worked to abolish slavery in the United States. The sculpture puts Douglass in the company of Abraham Lincoln, George Washington, and Ben Franklin, and other historical figures. It's the first permanent bust added to the chamber in over 125 years, and it occupies one of two new spots. State Senate President Karen Spilka says the other spot will go to a woman. Today,  Boston Globe Senior Opinion Writer Kimberly Atkins Stohr joins The Common to discuss Maria W. Stewart, a groundbreaking Black Bostonian who she believes should be honored with a bust in the Senate chambers. Greater Boston's daily podcast where news and culture meet.

Ep.161 features Charles Gaines. A pivotal figure in the field of Conceptual Art, Charles Gaines' body of work engages formulas and systems that interrogate relationships between the objective and the subjective realms. Using a generative approach to create series of works in a variety of mediums, he has built a bridge between the early conceptual artists of the 1960s and 1970s and subsequent generations of artists pushing the limits of conceptualism today. Born in 1944 in Charleston, South Carolina, Gaines began his career as a painter, earning his MFA from the School of Art and Design at the Rochester Institute of Technology in 1967. In the 1970s, Gaines' art shifted dramatically in response to what he would later call ‘the awakening.' Gaines' epiphany materialized in a series called Regression (1973 – 1974), in which he explored the use of mathematical and numeric systems to create soft, numbered marks in ink on a grid, with each drawing built upon the calculations of the last. This methodical approach would carry the artist into the subsequent decades of his artistic journey. Working both within the system and against it, Gaines points to the tensions between the empirical objective and the viewers' subjective response. The concept of identity politics has played a central role within Gaines' oeuvre, and the radical approach he employs addresses issues of race in ways that transcend the limits of representation. His recent work continues to use this system with sociopolitical motivations at the forefront. ‘Faces 1: Identity Politics' (2018) is a triptych of colorful portraits of historical icons and thinkers, from Aristotle to Maria W. Stewart and bell hooks. Gaines reduces the images to pixelated outlines, layered among the faces of the preceding portraits to create a palimpsest of faces, employing this system in a critique of representation and the attachment of meaning to images. Gaines lives and works in Los Angeles. He recently retired from the CalArts School of Art, where he was on faculty for over 30 years and established a fellowship to provide critical scholarship support for Black students in the M.F.A. program. A survey exhibition of his work will be on view at the Institute of Contemporary Art, Miami in the fall of 2023. His work has also been the subject of numerous other exhibitions in the United States and around the world, most notably at Dia:Beacon, San Francisco Museum of Art, The Studio Museum, Harlem NY, and Hammer Museum, Los Angeles CA. His work has also been presented at the 1975 Whitney Biennial and the Venice Biennale in 2007 and 2015. In 2022, Gaines produced a new public art project with Creative Time, entitled ‘Moving Chains,' on Governors Island, New York, along with a music performance and a sculptural installation in Times Square. In addition to his artistic practice, Gaines has published several essays on contemporary art, including ‘Theater of Refusal: Black Art and Mainstream Criticism' (University of California, Irvine, 1993) and ‘The New Cosmopolitanism' (California State University, Fullerton, 2008). In 2019, Gaines received the 60th Edward MacDowell Medal. He was inducted into the National Academy of Design's 2020 class of National Academicians and the American Academy of Arts and Letters in May 2022. Headshot ~ Photograph © 2020 Fredrik Nilsen, All Rights Reserved Hauser & Wirth https://www.hauserwirth.com/artists/21845-charles-gaines/ ICA Miami https://icamiami.org/exhibition/charles-gaines-2023/ Times Square Art http://arts.timessquarenyc.org/times-square-arts/projects/at-the-crossroads/the-american-manifest/index.aspx NYTimes https://www.nytimes.com/2022/10/07/arts/design/charles-gaines-governors-island-public-art-chains.html Creative Time https://creativetime.org/american-manifest-part-two/ The Brooklyn Rail https://brooklynrail.org/2023/03/artseen/Charles-Gaines-Southern-Trees Cultured Mag https://www.culturedmag.com/article/2022/12/08/charles-gaines-creative-time-gala-2022

Maria W. Stewart (1803-1879) was a Black woman who defied societal taboos to fight against slavery.  Her passionate speeches and essays furthered the abolitionist movement — and made her one of the first American women to become a public speaker.  This month, we're highlighting Ragers: women who used their anger— often righteous, though not always— to accomplish extraordinary things. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures.  Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Abbey Delk. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

US Congresswoman Barbara Jordan is well-known as an interpreter and defender of the Constitution, particularly through her landmark speech during Richard Nixon's 1974 impeachment hearings. However, before she developed faith in the Constitution, Jordan had faith in Christianity. In "My Faith in the Constitution is Whole" Barbara Jordan and the Politics of Scripture (Georgetown UP, 2022), Robin L. Owens shows how Jordan turned her religious faith and her faith in the Constitution into a powerful civil religious expression of her social activism. Owens begins by examining the lives and work of the nineteenth-century Black female orator-activists Maria W. Stewart and Anna Julia Cooper. Stewart and Cooper fought for emancipation and women's rights by "scripturalizing," or using religious scriptures to engage in political debate. Owens then demonstrates how Jordan built upon this tradition by treating the Constitution as an American "scripture" to advocate for racial justice and gender equality. Case studies of key speeches throughout Jordan's career show how she quoted the Constitution and other founding documents as sacred texts, used them as sociolinguistic resources, and employed a discursive rhetorical strategy of indirection known as "signifying on scriptures." Jordan's particular use of the Constitution--deeply connected with her background and religious, racial, and gender identity--represents the agency and power reflected in her speeches. Jordan's strategies also illustrate a broader phenomenon of scripturalization outside of institutional religion and its rhetorical and interpretive possibilities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

US Congresswoman Barbara Jordan is well-known as an interpreter and defender of the Constitution, particularly through her landmark speech during Richard Nixon's 1974 impeachment hearings. However, before she developed faith in the Constitution, Jordan had faith in Christianity. In "My Faith in the Constitution is Whole" Barbara Jordan and the Politics of Scripture (Georgetown UP, 2022), Robin L. Owens shows how Jordan turned her religious faith and her faith in the Constitution into a powerful civil religious expression of her social activism. Owens begins by examining the lives and work of the nineteenth-century Black female orator-activists Maria W. Stewart and Anna Julia Cooper. Stewart and Cooper fought for emancipation and women's rights by "scripturalizing," or using religious scriptures to engage in political debate. Owens then demonstrates how Jordan built upon this tradition by treating the Constitution as an American "scripture" to advocate for racial justice and gender equality. Case studies of key speeches throughout Jordan's career show how she quoted the Constitution and other founding documents as sacred texts, used them as sociolinguistic resources, and employed a discursive rhetorical strategy of indirection known as "signifying on scriptures." Jordan's particular use of the Constitution--deeply connected with her background and religious, racial, and gender identity--represents the agency and power reflected in her speeches. Jordan's strategies also illustrate a broader phenomenon of scripturalization outside of institutional religion and its rhetorical and interpretive possibilities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

US Congresswoman Barbara Jordan is well-known as an interpreter and defender of the Constitution, particularly through her landmark speech during Richard Nixon's 1974 impeachment hearings. However, before she developed faith in the Constitution, Jordan had faith in Christianity. In "My Faith in the Constitution is Whole" Barbara Jordan and the Politics of Scripture (Georgetown UP, 2022), Robin L. Owens shows how Jordan turned her religious faith and her faith in the Constitution into a powerful civil religious expression of her social activism. Owens begins by examining the lives and work of the nineteenth-century Black female orator-activists Maria W. Stewart and Anna Julia Cooper. Stewart and Cooper fought for emancipation and women's rights by "scripturalizing," or using religious scriptures to engage in political debate. Owens then demonstrates how Jordan built upon this tradition by treating the Constitution as an American "scripture" to advocate for racial justice and gender equality. Case studies of key speeches throughout Jordan's career show how she quoted the Constitution and other founding documents as sacred texts, used them as sociolinguistic resources, and employed a discursive rhetorical strategy of indirection known as "signifying on scriptures." Jordan's particular use of the Constitution--deeply connected with her background and religious, racial, and gender identity--represents the agency and power reflected in her speeches. Jordan's strategies also illustrate a broader phenomenon of scripturalization outside of institutional religion and its rhetorical and interpretive possibilities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

US Congresswoman Barbara Jordan is well-known as an interpreter and defender of the Constitution, particularly through her landmark speech during Richard Nixon's 1974 impeachment hearings. However, before she developed faith in the Constitution, Jordan had faith in Christianity. In "My Faith in the Constitution is Whole" Barbara Jordan and the Politics of Scripture (Georgetown UP, 2022), Robin L. Owens shows how Jordan turned her religious faith and her faith in the Constitution into a powerful civil religious expression of her social activism. Owens begins by examining the lives and work of the nineteenth-century Black female orator-activists Maria W. Stewart and Anna Julia Cooper. Stewart and Cooper fought for emancipation and women's rights by "scripturalizing," or using religious scriptures to engage in political debate. Owens then demonstrates how Jordan built upon this tradition by treating the Constitution as an American "scripture" to advocate for racial justice and gender equality. Case studies of key speeches throughout Jordan's career show how she quoted the Constitution and other founding documents as sacred texts, used them as sociolinguistic resources, and employed a discursive rhetorical strategy of indirection known as "signifying on scriptures." Jordan's particular use of the Constitution--deeply connected with her background and religious, racial, and gender identity--represents the agency and power reflected in her speeches. Jordan's strategies also illustrate a broader phenomenon of scripturalization outside of institutional religion and its rhetorical and interpretive possibilities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

US Congresswoman Barbara Jordan is well-known as an interpreter and defender of the Constitution, particularly through her landmark speech during Richard Nixon's 1974 impeachment hearings. However, before she developed faith in the Constitution, Jordan had faith in Christianity. In "My Faith in the Constitution is Whole" Barbara Jordan and the Politics of Scripture (Georgetown UP, 2022), Robin L. Owens shows how Jordan turned her religious faith and her faith in the Constitution into a powerful civil religious expression of her social activism. Owens begins by examining the lives and work of the nineteenth-century Black female orator-activists Maria W. Stewart and Anna Julia Cooper. Stewart and Cooper fought for emancipation and women's rights by "scripturalizing," or using religious scriptures to engage in political debate. Owens then demonstrates how Jordan built upon this tradition by treating the Constitution as an American "scripture" to advocate for racial justice and gender equality. Case studies of key speeches throughout Jordan's career show how she quoted the Constitution and other founding documents as sacred texts, used them as sociolinguistic resources, and employed a discursive rhetorical strategy of indirection known as "signifying on scriptures." Jordan's particular use of the Constitution--deeply connected with her background and religious, racial, and gender identity--represents the agency and power reflected in her speeches. Jordan's strategies also illustrate a broader phenomenon of scripturalization outside of institutional religion and its rhetorical and interpretive possibilities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

US Congresswoman Barbara Jordan is well-known as an interpreter and defender of the Constitution, particularly through her landmark speech during Richard Nixon's 1974 impeachment hearings. However, before she developed faith in the Constitution, Jordan had faith in Christianity. In "My Faith in the Constitution is Whole" Barbara Jordan and the Politics of Scripture (Georgetown UP, 2022), Robin L. Owens shows how Jordan turned her religious faith and her faith in the Constitution into a powerful civil religious expression of her social activism. Owens begins by examining the lives and work of the nineteenth-century Black female orator-activists Maria W. Stewart and Anna Julia Cooper. Stewart and Cooper fought for emancipation and women's rights by "scripturalizing," or using religious scriptures to engage in political debate. Owens then demonstrates how Jordan built upon this tradition by treating the Constitution as an American "scripture" to advocate for racial justice and gender equality. Case studies of key speeches throughout Jordan's career show how she quoted the Constitution and other founding documents as sacred texts, used them as sociolinguistic resources, and employed a discursive rhetorical strategy of indirection known as "signifying on scriptures." Jordan's particular use of the Constitution--deeply connected with her background and religious, racial, and gender identity--represents the agency and power reflected in her speeches. Jordan's strategies also illustrate a broader phenomenon of scripturalization outside of institutional religion and its rhetorical and interpretive possibilities. Learn more about your ad choices. Visit megaphone.fm/adchoices

US Congresswoman Barbara Jordan is well-known as an interpreter and defender of the Constitution, particularly through her landmark speech during Richard Nixon's 1974 impeachment hearings. However, before she developed faith in the Constitution, Jordan had faith in Christianity. In "My Faith in the Constitution is Whole" Barbara Jordan and the Politics of Scripture (Georgetown UP, 2022), Robin L. Owens shows how Jordan turned her religious faith and her faith in the Constitution into a powerful civil religious expression of her social activism. Owens begins by examining the lives and work of the nineteenth-century Black female orator-activists Maria W. Stewart and Anna Julia Cooper. Stewart and Cooper fought for emancipation and women's rights by "scripturalizing," or using religious scriptures to engage in political debate. Owens then demonstrates how Jordan built upon this tradition by treating the Constitution as an American "scripture" to advocate for racial justice and gender equality. Case studies of key speeches throughout Jordan's career show how she quoted the Constitution and other founding documents as sacred texts, used them as sociolinguistic resources, and employed a discursive rhetorical strategy of indirection known as "signifying on scriptures." Jordan's particular use of the Constitution--deeply connected with her background and religious, racial, and gender identity--represents the agency and power reflected in her speeches. Jordan's strategies also illustrate a broader phenomenon of scripturalization outside of institutional religion and its rhetorical and interpretive possibilities. Learn more about your ad choices. Visit megaphone.fm/adchoices

US Congresswoman Barbara Jordan is well-known as an interpreter and defender of the Constitution, particularly through her landmark speech during Richard Nixon's 1974 impeachment hearings. However, before she developed faith in the Constitution, Jordan had faith in Christianity. In "My Faith in the Constitution is Whole" Barbara Jordan and the Politics of Scripture (Georgetown UP, 2022), Robin L. Owens shows how Jordan turned her religious faith and her faith in the Constitution into a powerful civil religious expression of her social activism. Owens begins by examining the lives and work of the nineteenth-century Black female orator-activists Maria W. Stewart and Anna Julia Cooper. Stewart and Cooper fought for emancipation and women's rights by "scripturalizing," or using religious scriptures to engage in political debate. Owens then demonstrates how Jordan built upon this tradition by treating the Constitution as an American "scripture" to advocate for racial justice and gender equality. Case studies of key speeches throughout Jordan's career show how she quoted the Constitution and other founding documents as sacred texts, used them as sociolinguistic resources, and employed a discursive rhetorical strategy of indirection known as "signifying on scriptures." Jordan's particular use of the Constitution--deeply connected with her background and religious, racial, and gender identity--represents the agency and power reflected in her speeches. Jordan's strategies also illustrate a broader phenomenon of scripturalization outside of institutional religion and its rhetorical and interpretive possibilities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

In this episode, Élaina interview Kristin Waters, the author of Maria W. Stewart and the Roots of Black Political Thought about combatting epistemicide and choosing to write on philosophy of race as a white woman in the US. You can buy Kristin's book and learn more about her work on her website: www.kristin-waters.com Listen to the Gilmore Girls tie-in episode of Women of Questionable Morals: Race and Politics and GG, Oh My! Texts mentioned in the episode (All links are affiliated to Bookshop.org UK and any purchases made through them will generate a small commission that helps to support the podcast): Maria W. Stewart and the Roots of Black Political Thought, by Kristin Waters Black Women's Intellectual Traditions: Speaking Their Minds, ed. Kristin Waters and Carol b. Conaway The History of Black Studies, by Abdul Alkalimat Maria W. Stewart, America's First Black Woman Political Writer: Essays and Speeches, ed. Marilyn Richardson Black Feminist Thought, by Patricia Hill Collins Radical Theory, Caribbean Reality, by Charles W. Mills The Case for Rage: Why Anger is Essential to Anti-racist Struggle, by Myisha Cherry Decolonizing Feminism: Transnational Feminism and Globalization, ed. Margaret A. McLaren Freedom Dreams: The Black Radical Imagination, by Robin D.G. Kelley Barbaric Culture and Black Critique: Black Antislavery Writers, Religion, and the Slaveholding Atlantic, by Stefan M. Wheelock Ethics and Insurrection: A Pragmatism for the Oppressed, by Lee A. McBride III Association of Black Women Historians Black Perspectives Blog Subscribe to Philosophy Casting Call and leave it a 5-star review wherever you can! Follow Philosophy Casting Call on Twitter and Instagram @philoCCpod Read the full episode transcripts at www.elainagauthiermamaril.com Support the podcast by becoming a monthly donor on Ko-Fi.com Follow Élaina on Twitter @ElainaGMamaril

In this episode I am talking directly to my people! I share some thoughts with my community and give some tips that I think will help the Black community achieve even more greatness than we naturally have. Take a listen this is a great episode. Check out more information about the things taking place in my business below: CULTURAL TIDBIT: The two Black Abolitionist mentioned in the episode: 1. Maria W. Stewart (1803-1879) 2. William L. Still (1821-1902) MONTHLY NEWSLETTER INFORMATION: If you aren't subscribed to my newsletter you are truly missing out. Check it out on my website. https://www.bloomintoyourbestself.com/NewsletterSubscriptions.en.html MY ONLINE STORE: You can check out all of my cultural goodies at my online store through the link below. In my store you will find my cultural workbook, cultural planner, cultural trainings, and many more cultural goodies. Take a look and find something that will help you stay culturally aware, sensitive, and vigilant. https://www.bloomintoyourbestself.com/online-store THE SERVICES OFFERED THROUGH CULTURE1ST: To find out more about our cultural training program and how our therapeutic services are culturally centered. Feel free to look at our website: www.culture1st.org --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston's Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination. Between 1831 and 1833, Stewart's intellectual productions, as she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker's Appeal to the Coloured Citizens of the World, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today―insurrectionist ethics. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston's Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination. Between 1831 and 1833, Stewart's intellectual productions, as she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker's Appeal to the Coloured Citizens of the World, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today―insurrectionist ethics. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston's Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination. Between 1831 and 1833, Stewart's intellectual productions, as she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker's Appeal to the Coloured Citizens of the World, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today―insurrectionist ethics. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston's Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination. Between 1831 and 1833, Stewart's intellectual productions, as she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker's Appeal to the Coloured Citizens of the World, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today―insurrectionist ethics. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston's Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination. Between 1831 and 1833, Stewart's intellectual productions, as she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker's Appeal to the Coloured Citizens of the World, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today―insurrectionist ethics. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston's Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination. Between 1831 and 1833, Stewart's intellectual productions, as she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker's Appeal to the Coloured Citizens of the World, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today―insurrectionist ethics. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston's Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination. Between 1831 and 1833, Stewart's intellectual productions, as she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker's Appeal to the Coloured Citizens of the World, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today―insurrectionist ethics. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston's Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination. Between 1831 and 1833, Stewart's intellectual productions, as she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker's Appeal to the Coloured Citizens of the World, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today―insurrectionist ethics. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kristin Waters' book Maria W. Stewart and the Roots of Black Political Thought (U Mississippi Press, 2021) tells a crucial, almost-forgotten story of African Americans of early nineteenth-century America. In 1833, Maria W. Stewart (1803–1879) told a gathering at the African Masonic Hall on Boston's Beacon Hill: “African rights and liberty is a subject that ought to fire the breast of every free man of color in these United States.” She exhorted her audience to embrace the idea that the founding principles of the nation must extend to people of color. Otherwise, those truths are merely the hypocritical expression of an ungodly white power, a travesty of original democratic ideals. Like her mentor, David Walker, Stewart illustrated the practical inconsistencies of classical liberalism as enacted in the US and delivered a call to action for ending racism and addressing gender discrimination. Between 1831 and 1833, Stewart's intellectual productions, as she called them, ranged across topics from true emancipation for African Americans, the Black convention movement, the hypocrisy of white Christianity, Black liberation theology, and gender inequity. Along with Walker's Appeal to the Coloured Citizens of the World, her body of work constitutes a significant foundation for a moral and political theory that is finding new resonance today―insurrectionist ethics. Jane Scimeca is Professor of History at Brookdale Community College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Abolitionist and women's rights advocate Maria W. Stewart was one of the first women of any race to speak in public in the United States. She was also the first Black American woman to write and publish a political manifesto. Her calls for Black people to resist slavery, oppression, and exploitation were radical. Stewart's thinking and speaking style even influenced Frederick Douglass & Sojourner Truth. Tune into this episode to learn more about this Christian of History.   Find us on: Email: doxologypodcast@gmail.com Twitter: @doxologypodcast Instagram: @doxologypodcast

Raven gives a brief history of Maria W. Stewart, the first Black American woman to deliver public speeches, and performs a fiery read of an excerpt from Stewart's lecture "Why Sit Ye Here and Die?".   References: Maria W. Stewart: Powerful Public Orator for Black Women's Rights https://kentakepage.com/maria-w-stewart-powerful-public-orator-for-black-womens-rights/   (1832) MARIA W. STEWART, “WHY SIT YE HERE AND DIE?” https://www.blackpast.org/african-american-history/1832-maria-w-stewart-why-sit-ye-here-and-die/   Social media: Twitter @I_squaredpod, Facebook page, Instagram.   Music Credits: Thanks to purple-planet.com for the intro music. Author Intro Background: "Night Cave" Kevin MacLeod (incompetech.com) Reading Background: "Spirit of the Girl" Kevin MacLeod (incompetech.com)

If Maria W. Stewart was living today, she would have had to deactivate her Instagram account. Learn how to look past popularity to pave a new way. #ThePitch #INICIVOX

Maria W. Stewart’s public addresses bring the concerns of African American women into the struggle against racial prejudice.

The first installment of Inner Hoe Uprising’s Black History Month Series. Discussing black women's role in American Anti-Rape movements. Akua, Rodecka & Sam are together in to discuss: Bae(s) of The Week: Shirley Chisholm, Claudette Colvin, Pauli Murray Hoe(s) of the Week: Samantha G, Destiny R, Alli B, Bryan, Louanne A, Akeem, Maroussia J, G, Tawanna S & Jessica M Self Care Tips: Archive your ancestors Fuck That (Current Events): ‘Drag Race’ Star, Peppermint To Make History As A Trans Leading Lady On Broadway Fuck It (Topic of the Day): The OGs of the #MeToo Movement: A conversation on black women’s anti rape activism in America (and the americas), Maria W. Stewart, Sexual assault during American Slavery, Abolitionist movement, Mary Prince, slave narratives, Harriet Jacobs, Incidents in the Life of a Slave Girl, Rape Laws, The Civil War, Lincolns Liber Code, the Jezebel stereotype, the Black women are unrapeable myth, Crystal Fiester, Danielle McGuire, Tarana Burke, Reconstruction, lynchings, the KKK, Black Male Brute sterotype, Ida B Wells, Racial Terror on economically thriving black communities, Memphis Massacre of 1866, Black women’s clubs, suffrage, Frances Thompson, Harriet Simrl, Rosa Parks extensive anti rape activism, Recy Taylor, Gertrude Perkins, sexual assault at the hands of the police, Betty J Owens, Black student activism, Mary Ruth Reed, slut shaming, the defense of white purity, Fannie Lou Hamer, Daniel Holtzclaw, Domestic Violence, the Rape Crisis movement of the 1970s & a discussion on historical education in public school TRIGGER WARNING(S) :26:20- the end of the episode The entire topic of the day portion of this episode will be a discussion on rape and anti rape activism set forth by black women in American history. RELEVANT LINKS AND NOTES "What if I Am a Woman?: Black Women’s Campaigns for Sexual Justice and Citizenship” by Crystal Feimster "It Was Like All of Us Had Been Raped" by Danielle L McGuire "At the Dark End of the Street: Black Women, Rape and Resistance" by Danielle L McGuire WEBSITE
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Opening: “Queen S%!T” SheReal https://soundcloud.com/shereal/04-queen-s-t-produced-by 
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