Podcasts about Wirth

Es gibt Menschen, die kennst Du schon länger über LinkedIn, aber irgendwie klappt es mit einem Treffen erst Jahre später. Diese für mich nicht ganz neue Erkenntnis trifft im Speziellen auf Kathrin Wirth-Ueberschär zu. Auf dem JOI-Design-Übergabe-Event, wo Corinna Kretschmar-Joehnk und Peter Joehnk ihre Nachfolger vorstellten, begann es also mit uns. Und das werde ich nie vergessen, weil 1. sonst immer ich die Leute so anquatsche und 2. daraus ein regelmäßiger Austausch entstanden ist, den ich nicht missen möchte. Wenn man sich dann noch anschaut, wie Kathrins Karriere in die Hotellerie mündete, ist das schon einen Podcast wert (Ihr werdet es auch so sehen - da bin ich sicher!). Wir klären also auf, wie ... ihre HSV-Liebe entstand ... sie wegen ihrer Hockey-Liebe ein Studium begann ... sich als junge Frau gleich nach der Wende in den (Süd)Westen aufmachte, um dort nicht nur einen völlig neuen Kulturkreis, sondern auch die Hotellerie kennen-, nein, liebenzulernen ... wie sich nach spannenden Stationen in Düsseldorf, Berlin und Stolpe Hamburg als ihre Stadtliebe durchsetze ... Kathrin vier Pre-Openings nacheinander absolvierte (darunter das damals höchstumstrittene Mövenpick Sternschanze. Da gibt es Geschichte, meine Güte!) ... sich die einmalige Chance bot, das legendäre Reichshofhotel leiten zu dürfen und Kathrin dort noch lange nicht fertig ist... Dies wird garniert mit persönlichen Einblicken, viel Lachen und einer hohen, gegenseitigen Sympathie. Es ist also alles wie immer oder? Gutes Hören bei der Folge Nr. 110 aus dem Hotel, das fast zeitgleich mit dem gegenüberliegenden Hauptbahnhof erbaut wurde...

Plus AUCUN dev ne sait écrire du code performant.

A Petőfi Irodalmi Múzeum Belív című, havontajelentkező új irodalmi podcastjában nem állunk meg a borítónál. A sorozat célja, hogy betekintést adjon a legérdekesebb friss kiadványok világába és amögöttük rejlő szerzői szándékokba. Negyedik alkalommal Modor Bálint és Szántó Tiborkérdezi Wirth Imrét Falkland című verseskötetéről, Borgesről,labirintusról és a Minótaurosz szerepről, a falklandi-háború következményeiről, beletörődéskultúráról, Margaret Thatcherről, egyéni és történelmi időről, szigethatásról, húsz-harminc éve íródott szövegek helyének megtalálásáról, illetve megtudhatjuk azt is, hogy „mire jó” a versírás, és hogy szemlélhetjük-e bukolikus derűvel a saját életünket. A következő adásban Hajós-Szabó Dóra grafikusművésszel és képregényalkotóval, valamint Gregor Lilla szerkesztővel fogunk beszélgetni A vihar titka című képregény apropóján. Host: Modor Bálint és Szántó TiborVágó, szerkesztő: Szántó TiborHangmérnök: Szabó Attila, Király PéterProdukciós vezető: Mezei KristófGrafikus: Rimanóczy AndreaZene: Tanos Márton

Wirth, Gabriel www.deutschlandfunk.de, Wirtschaftspresseschau

Wirth, Gabriel www.deutschlandfunk.de, Wirtschaftspresseschau

Send us a textWhat happens when a mountain athlete chooses meaning over metrics? We sit down with ski mountaineer and mountain runner Michael Wirth for a rare, candid conversation about privacy, purpose, and why FKTs feel more honest than podiums. Michael traces his path from the Roaring Fork Valley to a brief stint in consulting, then into a life shaped by long tours, sketchy weather windows, and the strange pressure of being recognized for what you do in quiet places.We dive into the gritty details of his November push on the Tonto Traverse—training alongside David, the tendon flare-up that arrived five days out, the decision to keep moving until it didn't make sense, and the bittersweet satisfaction of seeing a partner set the record. Michael explains why FKTs pull him more than racing: logistics and judgment matter, terrain asks real questions, and the reward lives in moving across a landscape with speed and care. He also opens up about social media's tradeoffs—how YouTube can tell richer stories than Instagram, why follower counts too often shape contracts, and how protecting your relationship with the mountains sometimes means posting less.From scouting the North Cascades High Route and a scary black bear encounter to training blocks built on threshold, VO2 efforts, and the occasional treadmill sufferfest, Michael's outlook is equal parts frank and thoughtful. He's eyeing future ski objectives, possibly a renewed push on the High Route with friends, and a career path that might include climate tech or even farming—all while keeping the flame for big, meaningful days outside. If you care about the soul of mountain sport, the pull of place, and the balance between craft and commerce, this one hits home.If the conversation resonates, follow the show, share it with a friend, and leave a quick review. It helps more curious listeners find these stories and keeps the stoke going.Follow Michael on IG - @michaelcwirthFollow Michael on Youtube - @michaelcwirthFollow James on IG - @jameslauriello Follow the Steep Stuff Podcast on IG - @steepstuff_pod Use code steepstuffpod for 25% off your cart at UltimateDirection.com!

Today on The Art Bystander, I speak with Marlies Wirth, Curator for Digital Culture and Head of the Design Collection at the MAK in Vienna, about one of the most quietly radical figures of late-20th- and early-21st-century culture: Helmut Lang. Our conversation turns not to his later sculptural practice, but to the architecture of a legacy that reshaped how we understand design, communication, identity, and the very idea of what a fashion house could be.The MAK's new exhibition, Excerpts from the MAK Helmut Lang Archive — running 10.12.2025 → 03.05.2026 — reflects on the years 1986–2005, a period in which Lang's vision dissolved the boundaries between disciplines. His work unfolded across clothing, graphics, architecture, staging, branding, and digital experimentation — not as separate gestures, but as parts of a single cultural language. Long before he stepped away from fashion, Lang had already begun to operate like an artist moving across mediums, using every surface as a site of meaning.This retrospective reveals how deeply his ideas anticipated the world we now take for granted. It recalls the moment he livestreamed a runway before the internet had become a stage; the years when he turned New York itself into an extension of his voice; the way his presentations and stores became environments rather than commercial spaces. Lang's legacy is not simply a story of minimalism or aesthetic restraint — it is a study in how form can become communication, and how identity can be constructed with both precision and quiet intensity.In speaking with Marlies, the past becomes newly vivid: not nostalgic, but architectural. We explore how Lang's decisions — from the shape of a jacket to the rhythm of a campaign, to the destruction of his own archive — can be understood as part of a larger narrative about authorship, memory, and the courage to redefine oneself.This episode looks back at the cultural landscape Helmut Lang helped build, and the echoes of his vision that continue to structure how we see and experience the world today. Hosted on Acast. See acast.com/privacy for more information.

Saturday from 10 am we go on a journey with Eamon as he meets with people across the Premier Country on Down Your Way.

Special guests:Dennis Curley, Katy Hays, Tony Wirth join Mark and Ali on "Jimmy Buffett" Music Trivia with Mark Stary & Ali Gray!

Der Mainzer Oberbürgermeister Nino Haase äußert sich zu den Wirth und Listmann Schließungen, der Kreis Mainz-Bingen soll doch keine neue Schule erhalten und Mainz 05 sichert sich einen Punkt im Abstiegskampf. Das und mehr heute im Podcast. Alle Hintergründe zu den Nachrichten des Tages finden Sie hier: https://www.allgemeine-zeitung.de/lokales/mainz/stadt-mainz/wirth-und-listmann-aus-was-heisst-das-fuer-den-einzelhandel-5163749 https://www.allgemeine-zeitung.de/lokales/kreis-mainz-bingen/landkreis-mainz-bingen/keine-neue-schule-in-mainz-bingen-das-sagen-die-fraktionen-5155075 https://www.allgemeine-zeitung.de/lokales/mainz/stadt-mainz/platz-fuer-275-gefluechtete-neue-unterkunft-in-mainz-5171008 https://www.allgemeine-zeitung.de/lokales/rheinhessen/polizistin-vergewaltigt-landgericht-mainz-zieht-bilanz-5178390 https://www.allgemeine-zeitung.de/sport/fussball/fussball-bundesliga/rekord-rot-fuer-kohr-mainz-05-bleibt-ohne-liga-heimsieg-5166589 Ein Angebot der VRM.

Father shares how to explain the Mass to non-Catholics

Joining Mike in the Lumpen Radio studio is nationally recognized journalist and communications expert, Meredith Shiner. We'll be unpacking the widening rift within the Democratic Party over the vote to end the government shutdown.

Chevron CEO Mike Wirth joins Bloomberg Markets: The Close to discuss the oil giant's plan to begin its first project providing natural gas-fired power to a data center at a site in West Texas. Its the beginning of a new line of business for Chevron to capitalize on the boom in artificial intelligence. The company is in exclusive talks with the data center’s end user, which it didn’t name, and anticipates making a final investment decision early next year, according to a statement and presentation released ahead of Chevron’s investor day on Wednesday. The facility is expected to be operational in 2027, and will have capacity to generate as much as 5,000 megawatts in the future. Wirth speaks with Romaine Bostick and Katie Greifeld about the data center project, his outlook for oil prices in 2026, and more.See omnystudio.com/listener for privacy information.

Join us as we hear from Shoshana Wirth about her business Allergy Relief Care. She has a deeply personal experience about the work that she does and the relief that she is providing to so many. She has been able to treat people with allergies and sensitivities successfully since opening her practice earlier this year in Easthampton. She holds an MBA, BSN, and RN degrees as a foundation for her alternative health care practice. By using high tech allergy mapping/acupressure she can find what patients are allergic to and tell the body to calm down. She works directly with the relationship between major organs, symptoms, and overreactions to substances. Check out her website: www.allergyreliefcare.com for more information.

Join us as we hear from Shoshana Wirth about her business Allergy Relief Care. She has a deeply personal experience about the work that she does and the relief that she is providing to so many. She has been able to treat people with allergies and sensitivities successfully since opening her practice earlier this year in Easthampton. She holds an MBA, BSN, and RN degrees as a foundation for her alternative health care practice. By using high tech allergy mapping/acupressure she can find what patients are allergic to and tell the body to calm down. She works directly with the relationship between major organs, symptoms, and overreactions to substances. Check out her website: www.allergyreliefcare.com for more information.

Join us as we hear from Shoshana Wirth about her business Allergy Relief Care. She has a deeply personal experience about the work that she does and the relief that she is providing to so many. She has been able to treat people with allergies and sensitivities successfully since opening her practice earlier this year in Easthampton. She holds an MBA, BSN, and RN degrees as a foundation for her alternative health care practice. By using high tech allergy mapping/acupressure she can find what patients are allergic to and tell the body to calm down. She works directly with the relationship between major organs, symptoms, and overreactions to substances. Check out her website: www.allergyreliefcare.com for more information.

Join us as we hear from Shoshana Wirth about her business Allergy Relief Care. She has a deeply personal experience about the work that she does and the relief that she is providing to so many. She has been able to treat people with allergies and sensitivities successfully since opening her practice earlier this year in Easthampton. She holds an MBA, BSN, and RN degrees as a foundation for her alternative health care practice. By using high tech allergy mapping/acupressure she can find what patients are allergic to and tell the body to calm down. She works directly with the relationship between major organs, symptoms, and overreactions to substances. Check out her website: www.allergyreliefcare.com for more information.

Zaczynamy w Czeskim Cieszynie – w Księgarni u Wirthów, gdzie gościem cyklu spotkań autorskich był Zbigniew Rokita, autor głośnej książki „Kajś. Opowieść o Górnym Śląsku”. Tym razem przywiózł na Zaolzie swoje nowe dzieło – „Aglo. Banką po Śląsku”. Rozmawiamy o podróżach tramwajem przez śląską aglomerację i o wyobrażonym tramwaju cieszyńskim. Z Czeskiego Cieszyna przeniesiemy się do Bystrzycy, gdzie po generalnym remoncie otwarto salę kinową w MUZI-KU. Nowe kino zainaugurowało działalność dokładnie w setną rocznicę pierwszej projekcji filmowej w gminie. A na zakończenie – muzyczna zapowiedź Święta Niepodległości. We wtorek w Jabłonkowie odbędzie się koncert „Tęsknota…” z udziałem Natalii Bujak, Karola Drozda i Leszka Zdunia, a dziś w „Strzelnicy” finał plebiscytu Kongresu Polaków „Tacy Jesteśmy” oraz koncert Teatru Piosenki im. Romana Kołakowskiego „Moje serce zostało we Lwowie”.

Deutschlands Nr.1 Spielerberater Thorsten Wirth (ROOF) spricht über die Wahrheit hinter den größten Fußball-Deals der Welt. Von Havertz bis van Dijk: Wie entstehen Millionen-Verträge, was treibt die Stars wirklich an – und welche Strategien führen im Business zum Erfolg?

This episode, we are thrilled to be joined by the artist Camille Henrot.Camille examines the intersections of anthropology, mythology, technology, and emotion, creating works that question how humans make sense of an increasingly complex world.At the center of her practice is an interest in what it means to be both a private individual and a global subject.She draws on a range of references including literature, psychoanalysis, and social media in order to probe these questions. In one of her most famous works, Grosse Fatigue from 2013, Camille explored the collection and structuring of information and knowledge. Created as part of the Smithsonian Artists Research Fellowship Program in Washington, DC, the 13-minute-long video is set on a computer desktop, where countless windows containing images, data, Web pages, and videos continually open, accumulate, and close. The work received the Silver Lion at the 55th Venice Biennale.Camille has also maintained a creative approach to how she works with museums. For instance, in 2017 she took over the Palais de Tokyo in Paris with an exhibition called Days are Dogs.And, most recently here in New York, Camille debuted a new body of bronze sculptures at Hauser and Wirth. Some artists and writers discussed in this episode:Pierre HuygheSigmar PolkeMarcel ProustJames JoyceMarcel DuchampCamille is represented by Mennour and Hauser and Wirth.https://mennour.com/artist/camille-henrot https://www.hauserwirth.com/artists/35528-camille-henrot/

Corporations were built for stability, hierarchy, and control—but the world now moves in networks, flows, and continuous change.In this episode of The Value Creators Podcast, Hunter Hastings speaks with Dr. Ross Wirth, a world-renowned organizational transformation expert with decades of experience in the energy industry, in academia, and in hands-on consulting. Wirth explains why “change management” as a project is doomed, why old structures suffocate adaptability, and how radical decentralization and entrepreneurial intent can reshape organizations for the future.Key insights include:Why industrial-era mindsets create rigidity—and how to replace them with continuous adaptability.How radical decentralization and autonomy empower teams far beyond “delegated authority.”Why organizations must evolve—not through revolution, but by systematically removing barriers to freedom and innovation.This is a blueprint for leaders who want to shift from outdated structures to dynamic ecosystems where entrepreneurship thrives inside the firm.Resources:➡️ Learn What They Didn't Teach You In Business School: The Value Creators Online Business CourseArticles by Dr Ross Wirth on LinkedIn:Constraints on Organizational Adaptability The Org-change Manifesto for the New EraFrom Change-as-persuasion to Change-as-cocreationConnect with Dr. Ross Wirth on LinkedInConnect with Hunter Hastings on LinkedInSubscribe to The Value Creators on Substack

Sermon from Worship Service on September 7, 2025

"Who Said That?" - Jim Wirth, 9/14/2025 by Oakton Church

Ep #88: Everything is Mutual Aid with Autumn BreonSummary of the episodeIn this episode of noseyAF, I sit down with Los Angeles-based artist Autumn Breon to talk about what it really means to redefine Black excellence. Autumn's work lives at the intersection of Black feminist praxis, historical memory, and speculative futures—spanning performance, installation, and public art.We talk about portals to other realities, the importance of rest and care in creative work, and why Black excellence must be understood beyond traditional measures of success. Autumn's perspective challenges the pressures of perfectionism and productivity, urging us to embrace creativity, community, and well-being as true markers of success.Whether you're an artist, activist, or just curious about new ways of thinking about liberation, this conversation will leave you inspired to imagine and live differently.What we talk aboutThe origins of Autumn's visionary project, The Care Machine, and how it reimagines what community support can look likeWhy Black excellence needs a redefinition that centers emotional, physical, and spiritual well-being—not just achievementHow denim, space travel, and performance art weave into Autumn's creative practice and storytellingThe power of leisure, portals, and speculative imagination in reshaping culture and careChapters:• 00:00 - Introduction to Autumn Breon and Her Art• 08:55 - Redefining Success and Creativity• 11:22 - The Birth of the Care Machine• 25:28 - Redefining Black Excellence• 25:39 - Redefining Excellence: A Conversation on Black Identity• 34:23 - The Ethos of Care and Abolition• 39:34 - Exploring Performance Art and Collaboration• 46:27 - Exploring Portals to Other Realities• 52:50 - The Importance of Rest and Leisure in Creative Work• 57:30 - Transitioning to Mutual Aid in Space• 01:03:43 - The Importance of Care in Community and Culture• 01:07:55 - The Cultural Significance of Denim• 01:10:45 - The Cultural Significance of Denim in HistoryThings We MentionedWalk the Block Artist Festival – SeattleThe Care Machine ProjectGap Jeans Ad -Better In DenimBernice RobinsonAll about... AutumnYou're gonna love Autumn—she's a portal-maker, care-weaver, and creative force reimagining what freedom can look like.Autumn Breon is a Los Angeles-based artist whose work engages Black feminist praxis, historical memory, and speculative futures. Her practice spans performance, installation, and public art that centers liberation and care. Inspired by ancestral technologies and maroon ecologies, she creates portals to other realities through ritual, research, and play. Autumn studied Aeronautics and Astronautics at Stanford University and her work often explores spatial freedom beyond Earth. She's exhibited at institutions like Hauser & Wirth, LACMA, and the Oakland Museum.Sponsor Shoutout

In dieser Folge unseres Kunst-Podcasts war so viel los wie noch nie: Klaus und Tom Lohner begrüßen gleich mehrere Gäste am Tisch – Melanie und Konrad Breznik von der Partnergalerie Gleis4, Wolfgang Gangl mit spannenden Einblicken in seine aktuelle Vernissage und die exklusive kommende Ausstellung im Private Member Club „Shed“ in Zug.Wir sprechen darüber, wie Konrad Breznik nach seiner Zeit bei Hauser & Wirth – einer der Top-3-Galerien weltweit – den Schritt in die Selbstständigkeit wagte, warum Bahnhöfe wie Zug oder Basel zu Hotspots für zeitgenössische Kunst werden, weshalb Gleis4 im Winter regelmäßig in St. Moritz präsent ist und welche Rolle er heute als Industry Advisor bei iazzu spielt. Dass wir jemanden mit so viel Insider-Wissen aus der internationalen Kunstwelt ans Mikrofon bekommen, ist ein echtes Highlight dieser Folge.Wolfgang Gangl erzählt von seiner künstlerischen Reise und warum gerade Orte mit besonderer Atmosphäre wie der „Shed“ den perfekten Rahmen für seine Werke bieten.Und weil Kunst nicht nur Menschen, sondern auch Tiere verbindet: Immer wieder ist im Hintergrund das sanfte Schnarchen des Galeriehundes zu hören – die wohl charmanteste Soundkulisse, die wir je hatten.Eine Folge voller Geschichten, Hintergründe und Zukunftsvisionen – lebendig, kontrovers und mit einer ordentlichen Portion Insiderblick in die aktuelle Kunstszene.

VVrkshop founder Paddy Johnson and artist William Powhida dive into their impressions of the 2025 Armory Art Fair in New York. In this episode, we explore how Frieze's new ownership has changed the fair's feel, from stricter security to the notable absence of mega galleries like Hauser & Wirth and Gagosian. We break down the numbers - more than half of 2024's exhibitors didn't return, LA galleries dropped by 26%, and smaller works dominated booths as galleries adapted to market realities. The conversation covers standout pieces that caught our attention, from Nick Farhi's provocative glory hole installation at Europa to Nikita Gale's politically charged "Interceptor" barricade at 56 Henry. We also dig into emerging art trends, including the rise of "art history textbook painting" where artists render historical styles in abstract brushstrokes, and discuss the troubling vacuum in art criticism. The episode touches on the political climate's impact on art-making and whether we're seeing the end of an era for large-scale art fair presentations. Relevant Links: The Armory Show Tim Van Laere Gallery (Rinus Van de Velde) Victoria Miro (Doron Langberg, Flora Yukhnovich) Peter Blum Gallery (Marha Tuttle) Europa (Nick Farhi) 56 Henry (Nikita Gale) Yancey Richardson Gallery (Marilyn Minter) Corbett vs. Dempsey (Cauleen Smith) What If The World Gallery (Mia Chaplin) Uffner & Lui (Talia Levitt) Marinaro (Ever Baldwin) Hess Flatow (Emma Safir) Dastan Gallery (Tehran artists) P40D Gallery (Piper Bangs) Anton Kern Gallery (David Shrigley) James Cohan (Simon Evans)

On this episode, Jason Miller interviews Makenzie Wirth, the newest member of our Journey to an ESOP team. From a career in public accounting to her current role in ESOP advisory, Makenzie discusses her journey in learning about employee ownership over the last several months. The podcast highlights her fresh perspective on ESOPs and employee ownership and includes a sneak peak of what she will bring to the podcast in future episodes. 

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This episode, we are thrilled to be joined by the artist William Kentridge. Born in 1955 in Johannesburg, South Africa - a city where he also now lives and works - William grew up under the pall of Apartheid. This experience deeply informs his practice, which frequently questions the historical record and examines the inequities and absurdities of our world.Working across multiple media, he combines drawing, writing, film, performance, and other collaborative practices to create works of art that are grounded in history, yet maintain a space for contradiction and uncertainty.In one of his now-signature techniques, William photographs his charcoal drawings and paper collages over time, recording scenes as they evolve. Working without a script or storyboard, he plots out each animated film, preserving every addition and erasure. This is visible, for instance, in the series Self Portrait as a Coffee Pot, which William launched on the online streaming service MUBI last year. In this nine-part series, he opens the doors to his Johannesburg studio to lay bare his creative process, reflecting on culture, history, and political memory as he does so.William's genre defying talents have also led him to create operas and theatrical productions since the 1990s. Of his many productions, we've been lucky to see a few, including his 2010 production for the Metropolitan Opera of Shostakovich's The Nose, as well as his 2023 production in Paris of "Waiting for the Sibyl."William's work has been exhibited in museums around the world, including the MoMA in New York, the Albertina in Vienna, the Louvre in Paris, and the Royal Academy of Arts in London, among many others. He is also, of course, in the collections of major museums across the globe. Most recently, here in New York, William presented a solo exhibition at Hauser and Wirth titled, “A Natural History of the Studio.”William is represented by Hauser and Wirth and Goodman Galleryhttps://www.hauserwirth.com/artists/william-kentridge/https://goodman-gallery.com/artists/william-kentridgeFollow us on Instagram for episode updates and exclusive behind the scenes content https://www.instagram.com/artfromtheoutsidepodcastSome artists discussed in this episodeHenri MatisseAlberto GiacomettiJackson PollockJacques Lecoq

Jeffrey Gibson talks to Ben Luke, welcome to A brush with… about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work.Gibson—born in 1972 in Colorado Springs, in the US, and based today in Germantown, New York—has created a visual language which fuses text, high colour and rich pattern, and a diverse materiality to evoke joy and exuberance as well as critique and resistance. A member of the Mississippi Band of Choctaw Indians and of Cherokee descent, Jeffrey brings together Indigenous languages and histories, queer aesthetics, an abiding concern with broader ancient, historic, Modern and contemporary visual culture, and a profound engagement with popular music and literature. His works range from painting, in which he trained, to myriad sculptural forms, performances and installations and video. With this interdisciplinary practice, he deliberately confronts orthodoxies in the art world and art history, questioning biases regarding taste, value and legitimacy, confronting and subverting stereotypes of Indigenous people and culture, and proposing a radical interaction with the objects and spaces he creates. He reflects on his work's overarching collage aesthetic, the deliberate confrontation in his work with decorative and craft traditions, and the role of colour in his work generally and in his new works for an exhibition at Hauser & Wirth in Paris. He discusses the early impact of Henri Matisse, his love of Magdalena Abakanowicz's textile sculptures, the importance to him of Frank Bowling and David Hammons. He talks about his connection with the poet Layli Long Soldier, whose poem inspired the title for his US pavilion presentation at the Venice Biennale in 2024, and recalls a remarkable and formative encounter with the writer and critic Hélène Cixous. He also discusses the experience of encountering the music of Goldie and drum and bass in London in the 1990s and how it is reflected in his work today. Plus, he gives insight into his studio life and answers our usual questions, including the ultimate, what is art for?Jeffrey Gibson: THIS IS DEDICATED TO THE ONE I LOVE, Hauser & Wirth, Paris, 20 October-20 December; The Genesis Facade Commission, Jeffrey Gibson: The Animal That Therefore I Am, Metropolitan Museum of Art, New York,12 September–May 2026; Jeffrey Gibson: the space in which to place me, The Broad, Los Angeles, until 28 September; Jeffrey Gibson: POWER FULL BECAUSE WE'RE DIFFERENT, MASS MoCA, North Adams, US, until September 2026; Jeffrey Gibson: boshullichi / inlʋchi / we will continue to change, Kunsthaus Zürich, Switzerland, until December 2026; An Indigenous Present, co-curated by Jeffrey Gibson, ICA Boston, 9 October-8 March 2026; Frist Art Museum, Nashville, 26 June-27 September 2026, Frye Art Museum, Seattle, 7 November 2026-14 February 2027. Hosted on Acast. See acast.com/privacy for more information.

Chief's Cadence:  Ethical Leadership in EMS with Attorney Steve Wirth   In this episode of The Chief's Cadence, Chief Shane Wheeler sits down with Attorney Steve Wirth, a pioneering paramedic turned attorney and EMS leader, to uncover the complexities of ethical leadership in emergency medical services. Drawing from decades of hands-on experience, Steve explores the hard choices EMS professionals face daily—from patient care errors and scarce resources to the challenge of maintaining compassion amid burnout. They discuss the vital role leaders play in modeling integrity, fostering transparency, and building a culture that empowers staff to speak up about mistakes. Steve also highlights mentorship as a powerful tool for guiding the next generation of EMS leaders through the ethical “gray zones” that often arise. 

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Feeling stuck with your fantasy roster? It's time to make moves!

Join us as we chat with Kisha Zullo founder of Women In Business Summit, Michelle Wirth founder of FeelGood Shop Local and Co-Owner of Mercedes Benz, and Jessi Kirley Founder and Owner of JKirley Collective. WIB, now in its 20th year, will be held on September 25th in Springfield. The annual event has drawn hundreds of women from around the Northeast to celebrate issues, causes, and uplift the power of women's voices. The event is titled: Community and Connection. Tune in to hear what that means to each of these powerful women and why they are involved in WIB Summit. There is a VIP reception, a wellness lounge, sponsor tables, raffles, food, and over 15 speakers to fill your heads and hearts with ideas and tools to move past what blocks you. I feel energized to call these SHERO'S friends. Thanks for listening.

Join us as we chat with Kisha Zullo founder of Women In Business Summit, Michelle Wirth founder of FeelGood Shop Local and Co-Owner of Mercedes Benz, and Jessi Kirley Founder and Owner of JKirley Collective. WIB, now in its 20th year, will be held on September 25th in Springfield. The annual event has drawn hundreds of women from around the Northeast to celebrate issues, causes, and uplift the power of women's voices. The event is titled: Community and Connection. Tune in to hear what that means to each of these powerful women and why they are involved in WIB Summit. There is a VIP reception, a wellness lounge, sponsor tables, raffles, food, and over 15 speakers to fill your heads and hearts with ideas and tools to move past what blocks you. I feel energized to call these SHERO'S friends. Thanks for listening.

Join us as we chat with Kisha Zullo founder of Women In Business Summit, Michelle Wirth founder of FeelGood Shop Local and Co-Owner of Mercedes Benz, and Jessi Kirley Founder and Owner of JKirley Collective. WIB, now in its 20th year, will be held on September 25th in Springfield. The annual event has drawn hundreds of women from around the Northeast to celebrate issues, causes, and uplift the power of women's voices. The event is titled: Community and Connection. Tune in to hear what that means to each of these powerful women and why they are involved in WIB Summit. There is a VIP reception, a wellness lounge, sponsor tables, raffles, food, and over 15 speakers to fill your heads and hearts with ideas and tools to move past what blocks you. I feel energized to call these SHERO'S friends. Thanks for listening.

Join us as we chat with Kisha Zullo founder of Women In Business Summit, Michelle Wirth founder of FeelGood Shop Local and Co-Owner of Mercedes Benz, and Jessi Kirley Founder and Owner of JKirley Collective. WIB, now in its 20th year, will be held on September 25th in Springfield. The annual event has drawn hundreds of women from around the Northeast to celebrate issues, causes, and uplift the power of women's voices. The event is titled: Community and Connection. Tune in to hear what that means to each of these powerful women and why they are involved in WIB Summit. There is a VIP reception, a wellness lounge, sponsor tables, raffles, food, and over 15 speakers to fill your heads and hearts with ideas and tools to move past what blocks you. I feel energized to call these SHERO'S friends. Thanks for listening.

This week on the Missouri Woods & Water Podcast Nate gets the chance to talk with Joe Wirth of Close Encounter Predator Hunts about summer coyotes.  We talk about hunting them in crop heavy areas, how pups are acting abou this time of the year, shotguns, rifles, ammo, and all kinds of other things.  Joe is an absolute hammer of a coyote hunter and a wealth of knowledge.  Make sure to check his YouTube Channel out below!  Thanks for listening!Close Encounter Predator Hunts YouTube Check out the MWW Website for shows, partner discounts, and more!!! Subscribe To Our YouTube Channel!!!  HUXWRX Athlon Optics  Midwest Gun Works Lucky Buck  OnX  Use code MWW20 for 20% off  Camofire Black Ovis:  Use code MWW10 for 10% off Reveal Cameras by Tactacam  Jason Patterson Land Team - Whitetail Properties 816-824-6282 jason.patterson@whitetailproperties.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Missouri Woods & Water Podcast Nate gets the chance to talk with Joe Wirth of Close Encounter Predator Hunts about summer coyotes.  We talk about hunting them in crop heavy areas, how pups are acting abou this time of the year, shotguns, rifles, ammo, and all kinds of other things.  Joe is an absolute hammer of a coyote hunter and a wealth of knowledge.  Make sure to check his YouTube Channel out below!  Thanks for listening! Close Encounter Predator Hunts YouTube Check out the MWW Website for shows, partner discounts, and more!!!Subscribe To Our YouTube Channel!!!HUXWRXAthlon OpticsMidwest Gun WorksLucky BuckOnX  Use code MWW20 for 20% off CamofireBlack Ovis:  Use code MWW10 for 10% offReveal Cameras by TactacamJason Patterson Land Team - Whitetail Properties816-824-6282jason.patterson@whitetailproperties.com

In this podcast, recorded in a New York City yellow cab weaving through traffic, the host recounts their delayed arrival from an airplane-themed perspective, shares thoughts on the oppressive city heat, and compares JFK, LaGuardia, and Newark airports. The discussion meanders into a detailed preview of upcoming art shows in the galleries of New York, reflecting a mix of enthusiasm and critique about commercial art. The narrative then pivots to a critique of the art industry, focusing on the high-profile move of Hauser & Wirth's owners from the UK to Switzerland amidst tax changes, finding dark humor in the logistics of art storage and LA's gentrification struggles. The monologue concludes with reflections on authenticity in art appreciation, emphasizing the value of personal connection over commercial validation.

At first this episode was titled “There Is No Rigor In Perfection, There Is Rigor In Your Play”. In a recent episode of one of my favorite podcasts Hidden Brain, psychologist Paul Bloom describes why play is an essential choreography of aliveness for most human and non-human species. He says it's essential because it's a container for “safe practice”. I keep thinking about this phrase, “safe practice”. Oftentimes perfectionism is mistaken for rigor. These two are NOT the same. Perfectionism stops us from starting, rigor invites us to try. The fear rooted in perfectionism is an indication of feeling unsafe inside our practice. My intention inside this episode is to offer spells for cultivating a felt sense of safety inside our practice through rigorous play. ResourcesLet's Work Together 1:1 On Launching Your Newsletter in 8 Weeks: https://www.seedaschool.com/coachingSubscribe to the Seeda School Substack: ⁠https://seedaschool.substack.com/⁠Follow Ayana on Instagram: ⁠⁠@ayzaco⁠⁠Follow Ayana on Threads: ⁠⁠@ayzaco⁠⁠Follow Seeda School on Instagram: ⁠⁠@seedaschool⁠Citations“God Owes Me A Favor: Let's Collectively Call It In” by Ayana Zaire Cotton“Ouch! That Feels Great”, Hidden Brain Podcast Episode with psychologist Paul Bloom and Shankar VedantamAlexis Pauline Gumbs on Finding CeremonyZora Neale Hurston, “The Dream is the Truth” in Their Eyes Were Watching Godnènè myriam konaté's Substack, Instagram and Manifest(o) RetreatOcean Vuong on being "summoned, despite yourself"Cover Art: Lorna Simpson, did time elapse (2024) Materials: Acrylic and screenprint on gessoed fiberglass Dimensions: 259.1 x 365.8 x 3.5 cm / 102 x 144 x 1 3/8 in. "Together, Simpson's incandescent paintings draw attention to the danger hidden in beauty and, conversely, the beauty hidden in danger. Bringing us face to face with phenomena rarely witnessed by the human eye, they ask us to locate ourselves in the context of the cosmos." (Source: Hauser & Wirth)

I am so excited to say that my guest on the GWA podcast is the renowned psychologist Lisa Wenger, who is also – very excitingly – the niece of the artist we are going to be discussing today: Meret Oppeheim! Having collected and copied thousands of letters, notes, and documents from acquaintances of the German-Swiss artist – famed for her paintings, sculptures, collages, and more, who was commonly associated with the Surrealists – Wenger is something of a world expert on her aunt. The author and co-author of numerous books, including the award-winning “do not wrap words in poisonous letters” as well as “Meret Oppenheim - My Album” - Wenger is also responsible for updating the catalogue raisonne of her aunt, and co-running the estate, which has of late seen Oppenheim have major retrospectives at the Museum of Modern Art, Kunstmuseum Bern, and others that has put the trailblazing artist firmly in the spotlight. Born in 1913 in Berlin, at the inception of the first world war, Oppenheim was raised with her maternal grandmother in Switzerland. An interest in Jung as a teenager led to her life-long fascination with dreams, informing her art practice and involvement with the surrealists, who she met in Paris after venturing there aged 18 in the 1930s. Here, she created some of her most iconic artworks, such as the fur-lined teacup and saucer which she called Object (1936), that attracts as it does repulses and still divides opinion today, and ‘my nurse', a pair of white high-heeled shoes turned upside-down to evoke a chicken on a tray, which plays with gender stereotypes, femininity and the domestic sphere. But, with the outbreak of the second world war, it was back to Switzerland, which proved to be a very different environment to Paris… But, never not creating, Oppenheim made dream-like paintings, sculptures, and collages that reflected her dreams, as well as a woman stifled by her lack of freedom. Over the decades, Oppenheim built up a output that would become some of the most pioneering in Europe, after all, she said: “nobody will give you freedom, you have to take it” Today, I meet Lisa in Casa Constanza, in Carona, surrounded by Meret's possessions and spirit - and ahead of the new exhibition at Hauser & Wirth (4 June – 19 July 2025). Let's find out more! https://www.hauserwirth.com/hauser-wirth-exhibitions/meret-oppenheim/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield

Why is a cute Star Wars fan website now redirecting to the CIA? How come Cambodia has become the world's hotspot for scam call centres? And can a WhatsApp image really drain your bank account with a single download, or is it just a load of hacker hokum?All this and much more is discussed in the latest edition of the award-winning "Smashing Security" podcast by computer security veterans Graham Cluley and Carole Theriault, joined this week by Allan Liska.Warning: This podcast may contain nuts, adult themes, and rude language.Episode links:How I found a Star Wars website made by the CIA - Ciro Santilli on YouTube.How the CIA failed Iranian informants in its secret war with Tehran - Reuters.Isis and al-Qaeda sending coded messages through eBay, pornography and Reddit - Independent.Games Without Frontiers: Investigating Video Games as a Covert Channel - IEEE.General David Petraeus used clever Gmail trick during affair - Network World.Cambodia is home to world's most powerful criminal network: report - SCMP.How to protect yourself from suspicious messages and scams- WhatsApp.Is WhatsApp Safe? Tips for Staying Secure - WhatsApp.Hacked on WhatsApp – how to stay safe when using the messaging app - BBC.Just a GIF Image Could Have Hacked Your Android Phone Using WhatsApp - The Hacker News.Kon-Tiki: The Epic Raft Journey Across the Pacific - YouTube.Still Standing with Jonny Harris - CBC.Niki de Saint Phalle & Jean Tinguely - Myths & Machines - Hauser & Wirth.Smashing Security merchandise (t-shirts, mugs, stickers and stuff)Sponsored by:Vanta– Expand the scope of your security program with market-leading compliance automation… while saving time and money. Smashing Security listeners get $1000 off!

I am so excited to say that my guest on the GWA Podcast is one of the most exciting painters working in the world today, Michaela Yearwood-Dan. Hailed for her works that bloom, dance, and come alive when you are witness to them, with an abundance of textures, weathers, colours, mark-makings, and more, Yearwood-Dan intertwines the botanical with abstraction, and brings painting back to its natural-like essence. Never restricting herself to just one medium, Yearwood-Dan works across ceramics, sound, installation, performance, and all-encompassing paintings that can range from small to the colossal, with some measuring up to 8-metres-wide. See them in the flesh and it's like seeing an entire ecosystem unfold, embedded with hidden languages, whether it be the symbolism she uses or the small elements of text, poetry and song lyrics, that add another dimension to her rich, embellished worlds. Raised in London as the youngest of three girls, by parents and grandparents that taught her about craft, weaving, seamstressing, Yearwood-Dan completed her studies at Brighton from 2013–2016, where she graduated top of her class, before going onto experiment with an artistic language that has constantly been growing and reinventing, and pushing paint to its limits. While early work – at the time I met her in around 2019, when she invited me for a studio visit when we were both in our mid 20s – explored more interior images intertwined with house plants, it has been incredible to watch her work mould into spaces of abundance, possibility and exhilaration. And indeed, her work has been described by the renowned writer and curator Ekow Eshun as having “a sense of boundless possibility”, which feels apt for a time like today, when it feels more than ever for art to be our guide to expanding our imagination, and also joy in times of despair. This is exactly the topic of Yearwood-Dan's new exhibition, opening at Hauser & Wirth in London on 13 May, titled No Time for Despair, referencing a line from Toni Morrison's 2004 article for The Nation, which states, “in times of dread, artists must never choose to remain silent.” – and I can't wait to find out more… Exhibition page: https://www.hauserwirth.com/hauser-wirth-exhibitions/michaela-yearwood-dan-no-time-for-despair/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

#831. Kaitlyn is joined by a very special guest — Chandler, her best friend Kat's adorable 3-year-old son. In this heart-melting first half, Chandler shares his favorite foods (he's a sushi guy), talks about playing soccer with his dad, and gives surprisingly solid advice on how to make friends and share toys. His tiny voice and big personality are guaranteed to make you smile.Then Chandler's dad, Wirth, hops on the mic — and brings the heat with a roast aimed directly at Kaitlyn. Of course, she doesn't take it lying down. The second half turns into a hilarious back-and-forth that proves no one is safe when the mic is hot.From tiny truths to total takedowns, this episode is pure feel-good chaos in the best way.If you're LOVING this podcast, please follow and leave a rating and review below! PLUS, FOLLOW OUR PODCAST INSTAGRAM HERE!Thank you to our Sponsors! Check out these deals!Covergirl: Superboost your lashes with NEW Lash Blast Supercloud Mascara from COVERGIRL! Clump-free, smudge-free, and lasts up to 24 hours—perfect for any look! Only from Easy, Breezy, Beautiful COVERGIRL.Nutrafol: Nutrafol is offering our listeners $10 off any order! Enjoy free shipping when you subscribe. Go to Nutrafol.com and enter the promo code VINEGIFT.Quince: Go to QUINCE.com/vine to get free shipping and 365-day returns.Apartments.com: The Place to find a place! EPISODE HIGHLIGHTS:(3:12) - Chandler talks about his favorite food, sushi, and his sophisticated taste.(11:58) - Chandler remembers when Fairy (Kaitlyn) dressed up as Buzz Lightyear to play with him.(19:23) - Wirth roasts Kaitlyn, kicking off a hilarious back-and-forth between the two.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.