Podcasts about Fullerton

On today's episode of The Greatness Machine, Darius is flying solo, sharing a unique story he experienced about the time a chance get-together with a friend lead to an encounter with Elon Musk... a meeting that still leaves him with deep questions. You'll discover a little of Darius' background growing up in Fullerton, California around the time that serial killer Richard Ramirez was active. You'll learn why we need to really think about how we speak to people we don't know, because a chance meeting with an influential person could happen at any time. You'll also discover why relying on easy small talk could lead to missed opportunities.  Join Darius as he shares his fascinating and eye-opening story. Enjoy! What You'll Learn in this Show: A little of Darius' background growing up in Fullerton, California around the time that serial killer Richard Ramirez was active. Why we need to rethink how we speak to people we don't know, because a chance meeting with an influential person could happen at any time. Why relying on easy small talk could lead to missed opportunities. And so much more... Connect with Darius: Website: https://therealdarius.com/ Linkedin: https://www.linkedin.com/in/dariusmirshahzadeh/ Instagram: https://www.instagram.com/imthedarius/ YouTube: https://www.youtube.com/@Thegreatnessmachine  Book: The Core Value Equation https://www.amazon.com/Core-Value-Equation-Framework-Limitless/dp/1544506708 Write a review for The Greatness Machine using this link: https://ratethispodcast.com/spreadinggreatness. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's podcast features a live webinar where Brian Fullerton and experts from LMN demonstrate business management software for landscaping and snow removal professionals. The discussion centers on the LMN platform, specifically highlighting its budgeting, estimating, and CRM tools as essential for companies looking to transition from guesswork to data-driven profitability. Representatives Troy Woodham and Stephen Bennett explain the software's features, including a new crew app for field tracking and integrated e-learning through Greenius. Fullerton shares his personal experience adopting the technology and invites you to participate in a live weinar on Saturday, June 6, 2026.

Deacon Victor Valenzuela is assigned to St. Mary Church in Fullerton.  He is married, with two adult children.  He is a licensed social worker who is retired from 31 years of employment at Kaiser Permanente.  He is a former seminarian who has worked in a variety of ministries.  His wife is Diane.  Today, he continues his conversation with guests Megan Morris and Sebastian Jaime. Support the show

The economy was designed to serve life. At some point, it forgot. This article traces how that happened - through colonial extraction, currency manipulation, and centuries of treating the Earth as an inexhaustible resource - and more importantly, what is already being built in its place. It is also worth naming what is being built against it. Central Bank Digital Currencies (CBDC), digital identity systems, and the broader technocratic agenda advancing through institutions like the World Economic Forum represent a competing vision of the future - one where economic participation is surveilled, programmable, and ultimately controlled by the few. That is not a regenerative economy. It is the extractive economy in a new interface. The regenerative economy moves in the opposite direction: toward decentralization, sovereignty, reciprocity, and life. From Time Banks in New York to community currencies in Ecuador to worker cooperatives in Spain, it is not a future vision. It is a present reality, waiting to be joined. And while blockchain and regenerative finance are real and important parts of this picture, the regenerative economy is bigger than any single technology. It is a whole-systems redesign - cultural, spiritual, and practical - of how human beings relate to value, to each other, and to all living beings on Earth.A System Feature | Designed to ExtractA president steps up to the podium in Manila, praising the economic progress their country has fulfilled after, what many of us call “ the plandemic”. Outside the auditorium, a young mother carries her child on her hip, knocking on car windows at a red light, eyes down, asking for alms. The applause inside the hall doesn't reach her. It never does.The president says the currency has strengthened. That prices are coming down. Meanwhile, across the city, a farmer named Rodrigo is standing in the field he has worked for thirty years, calculating whether this harvest will cover the loan he took out before the last typhoon swept his crop away. It didn't. This is not an exception to the economic system. It is a feature of it. A reflection of a culture that does not care about those actually in need.Many nations measure their health through GDP - Gross Domestic Product - which essentially dictates whether or not an economy is “progressing.” It runs under one quiet assumption: that the Earth will keep giving. Indefinitely. Without asking anything in return. That before the calculations around supply, demand, and the balance of everything else, all the raw materials are already ideally supplied.The Earth is answering. Typhoons that once came once a generation now arrive like clockwork. Harvests that fed communities for centuries are failing across the Andes, the Sahel, the Mekong delta. The seasons that indigenous peoples read as living calendars have become erratic, unreliable, grieving. None of this is random. It is a response - accurate and proportional - to an economy built on the assumption that extraction has no cost.If we were truly “abundant” financially, we would not have billions of people at risk of starvation, homelessness, and other manifestations of neglect and poverty. The economy was supposed to serve all life. It has forgotten this. And in forgetting it, it has begun to abandon human life itself.The Story We InheritedMoney was supposed to be a promissory note for the gold reserves one actually held. The paper was a symbol - pointing at something real, something held in a vault somewhere, something that could be touched.Then the notes began circulating. And the longer they circulated, the more people forgot what they were pointing to. Eventually, the circulation gave rise to the idea of turning the notes into currency itself. The symbol became the standard. It became backed not by gold, but by story - a story so strong, so repeated, so programmed into every transaction of daily life, that we began to mistake it for the truth.We placed a middleman between ourselves and our needs. And somewhere along the way, we forgot we had done it. Perhaps, by design. Here is what the story never tells you: the gold itself did not arrive innocently.In 1302, Pope Boniface VIII issued Unam Sanctam, declaring papal authority supreme over all earthly power - making the Earth itself, philosophically, ownable. A century and a half later, that claim became economic policy. Dum Diversas (1452) authorized the enslavement of non-Christians across the globe. Romanus Pontifex (1455) granted Portugal the right to colonize and extract across Africa and the New World. Inter Caetera (1493) extended the same to Spain and the Americas.These were the founding economic legislation of the extractive world we live in - all cloaked in religious language.What followed was centuries of forced extraction. Economists Flynn and Giráldez have documented that colonial American silver - mined through indigenous forced labor in Potosí and across Peru and Mexico - became the standard monetary foundation of early global trade. The gold in the vault was never simply there. It was coercively taken.And then, on August 15, 1971, even that material trace was erased. President Nixon closed the gold window, ending the Bretton Woods system and severing the dollar's convertibility to gold. According to the Federal Reserve's own record, the international community was not consulted. From that moment, currency was backed by nothing but the authority of the government printing it.Knowing that we wrote ourselves into this story, we are now remembering that we can write ourselves out of it. Not only by writing new stories, but by reconnecting with stories that existed long before our current economic situation - stories that are still alive, still practiced, still remembered by the communities that never abandoned them.What Has Always WorkedBefore the conquest of certain nations to centralize power into their hands, other societies practiced more communal and regenerative ways of exchanging value. To them, considering other people and the Earth itself was not an ethical add-on. It was integral to the flourishing of their economies.Pre-colonial PhilippinesLong before the Spaniards arrived, the Philippine archipelago was a major hub in the maritime Silk Road - one of Asia's most active trade networks. Communities exchanged with Chinese, Japanese, Arab, and Indian traders at coastal ports and river settlements.The archipelagic geography made it impossible to consolidate wealth in any single place. Different tribes like the Maranao exchanged surplus agricultural produce, textiles, metalware, and forest products through robust barter systems built on kinship ties and alliances among polities. Value moved between two people who chose to relate. No middleman. Mutual trust was the economic infrastructure.Andean PeoplesThe Quechua people organized their economy around a relational foundation that lives in the language itself. Ayni - sacred reciprocity. Minka - collective community work. Randi-Randi - generalized reciprocity, the understanding that what circulates returns. All three connect to the broader principle of Sumak Kawsay: good living in right relationship with community, land, and the living world.Sumak Kawsay does not separate prosperity from the wellbeing of ecosystems. It understands them as one thing. This recognition runs so deep that Ecuador enshrined it as the central guiding principle for its national development in its 2008 constitution - the living legal inheritance of an ancient economy that knew how to stay.Haudenosaunee in North AmericaIn their 1981 formal statement to the United Nations, the Haudenosaunee Council of Chiefs articulated what their communities had practiced for centuries: that the earth was created for all to use, forever - not for the present generation to exhaust. Under their law, land is held by the women of each clan, who farm and care for it for the benefit of future generations.The Haudenosaunee saw land as a responsibility to be stewarded in trust. Anthropologist Kurt Jordan from Cornell University documented their economic practices and described them as “a reasonably sustainable, localized economy” even under intense external pressure. They had embodied communal stewardship long before theories about such things were written down.Southern Africa“I am because we are.”This is Ubuntu - the philosophy at the core of both social and economic life across Southern Africa. Communities in South Africa and Mozambique relied on mutual aid networks, intergenerational knowledge systems, and participatory rituals as practical economic infrastructure. These systems enhanced community cohesion and collective resilience precisely in the moments when extractive economies failed them. They understood, bone-deep, that no human being thrives in isolation.Diversity of Regen Economic SystemsMany communities across continents are actively rebuilding economic systems beyond the extractive model. The following are not theoretical. They are actively running. Hence, the more diversity of economic systems each person and community practices, the more abundant, unbreakable and independent we are from degenerative systems from governments and corporations that want to control it all. The Commons FoundationOne body of research forms the intellectual foundation for nearly all of them: the life's work of Elinor Ostrom, the first woman to receive the Nobel Prize in Economics. Ostrom spent decades documenting over 800 cases of communities successfully governing shared resources - in Switzerland, Kenya, Guatemala, Nepal, and beyond - without either privatization or state control.Her conclusion was simple and radical: communities do not inevitably destroy what they share. Given the right institutional design, they protect it and pass this duty to the next generation. And her eight design principles for successful commons governance - the framework that emerged from all that fieldwork - describe, as she herself acknowledged, the same governance systems that indigenous communities had been practicing for centuries.Her work is not a new idea. It is a confirmation of ancient ones.Regenerative Economics | Beyond ReFi - The Whole-Systems VisionWhen most people first encounter the term “regenerative economy,” they arrive through crypto. Through ReFi - regenerative finance - and the promise of blockchain as a tool for funding ecological restoration, decentralizing power, and making impact transparent. These are real contributions. They matter.But John Fullerton, founder of the Capital Institute and one of the most rigorous thinkers in this field, spent two decades on Wall Street before arriving at a different and more fundamental question: what if the entire framework of modern finance is running in conflict with how life actually works?Fullerton's work focuses on building an economic framework that supports the long-term health of people, communities, and the planet - not by tweaking the existing system, but by replacing its underlying logic. His core argument is that we are running our society in conflict with the patterns and principles that explain how life works.His answer is what he calls regenerative economics: eight principles drawn from living systems science that describe how healthy economies - like healthy ecosystems - actually function. Diversity. Balance. Circular flow. Robust circulation. Surplus financial capital, in his framework, needs to be recycled and regenerated into other forms of capital - natural, social, and cultural. Not hoarded nor extracted. Composted back into the living system that produced it.ReFi, in Fullerton's framing, is one tool within this larger architecture. Blockchain can decentralize power. Tokenized nature credits can make ecological value legible to markets. Community currencies can circulate value locally. But the technology is only as regenerative as the values underneath it. A crypto project built on extraction logic is still extraction, regardless of the chain it runs on.Regenerative economy is not a financial product. It is a civilizational shift - in how we measure wealth, in what we decide to protect, in whose voices count when decisions are made. ReFi is welcome in that shift. It is one current in a much larger river.Time BanksIn Jackson Heights, Queens, a retired nurse named Gloria hasn't touched the formal economy in months for the things that matter most to her. She spends three hours teaching English to a recent immigrant. Those hours become credits. She spends them on home repairs from a neighbor who knows carpentry. He spends his credits on childcare. The loop keeps moving.This is a Time Bank - a community exchange system built on one radical premise: everyone's time is worth the same. One hour of legal advice equals one hour of gardening equals one hour of emotional support. The hierarchy of market wages disappears. What remains is a web of people who need each other.Edgar Cahn, who developed Time Banking in the 1980s after surviving a near-fatal heart attack, called it “co-production” - the idea that the economy needs what the market can never price: care, community, civic participation, the work of raising children and holding elders. Time Banks make that invisible labor visible, and circulate it back into the community that produced it.Today there are over 500 Time Banks operating in more than 30 countries. Some have formalized into neighborhood institutions. Others run through apps. All of them rest on the same foundation the Quechua called Ayni - sacred reciprocity - translated into the language of modern urban life.Mondragon CorporationThe Mondragon Corporation in Spain's Basque region remains the most studied proof that democratic ownership functions at scale. Founded by six worker-owners in 1956, it now comprises 96 cooperatives employing over 70,000 people, with annual revenues exceeding €11 billion. Workers own the company collectively, vote on strategy at general assemblies, and operate under a constitutionally capped pay ratio of 6-to-1 between the highest and lowest earners.Traditional Dream FactoryIn a 25-hectare village in Alentejo, Portugal, Traditional Dream Factory is a living prototype of the self-sustaining regenerative community - blending collective ownership, ecological restoration, intentional community, and decentralized economy in one working place. They have raised over €1.25 million in total capital across 280+ token holders. Their 2026 build phase is completing co-living rooms, artist studios, a farm-to-table restaurant, a mushroom farm, and a biopool wellness space.AtreyuInvestment, as most of us have encountered it, prioritizes short-term financial returns above all else. Atreyu challenges this at the root by approaching investment through living systems principles and deep relational due diligence. They support their investees to ensure that both the enterprises and the ecosystems they steward realize their potential - together. They focus on early-stage businesses and actively encourage steward-ownership models that enshrine self-governance and purpose orientation.Muyu CoinOne of the first social coins in South America, Based in Ecuador - Muyu serves as an alternative exchange system rooted in community trust and an understanding of sacred economy. It protects the sovereignty of communities in their production, distribution, exchange, consumption, and post-consumption - keeping the loop of value inside the community rather than extracting it outward. It uses Cyclos, an enchrypted platform, a base.It first did an attempt to start in 2015, but not many people showed interest. It then came back very strong in 2020, due to the “plandemic”. People felt the need to have alternative ways to transact that was not controlled by limiting governments. Giving communities complete independence. Currently with over 150+ members who are exchanging goods and services in different nodes throughout the country. From food produce, clothing and art -to- car mechanic, dentists and school teachers serving to the community.Grassroots EconomicsFounded in Kenya, Grassroots Economics supports communities in building their own self-sustaining economies - even when national currency is scarce - through a model called Commitment Pooling.Consider Wanjiru, a vegetable seller in Mombasa's Bangla Pesa network. During a slow week when Kenyan shillings are tight, she issues a Community Asset Voucher - a commitment to provide vegetables - and deposits it into a communal pool. Her neighbor, a carpenter named Kamau, redeems it. He offers his own labor in return. The loop closes. Food reaches a family that needed it. A roof gets repaired. No national currency changes hands.This is not a workaround. It is a return to how value was always supposed to move.Since Grassroots Economics was established in 2010, they have supported 26,600 people across 290+ communities, issuing over 2,140 vouchers. Their protocol is inspired by indigenous Rotational Labor Associations similar to Kenya's mwethya and harambee traditions. It is open-source and blockchain-agnostic - meaning any community, anywhere, can deploy it.The Choice in Front of UsThese regenerative endeavors share one answer to the core assumption of the extractive economy: the economy does not need to extract in order to function. Value can circulate and regenerate rather than accumulate. Ecological health, community resilience, and the wellbeing of the next generations are not costs to minimize - they are the actual metrics that demonstrate economic success.The question is no longer whether it is possible. It is happening. The question is whether enough of us choose to participate in building it, and whether we remember our roles as stewards of the Earth that has always sustained us.We get to choose the future we want for ourselves, our children, and the seven generations that come after.Your Role in the Regenerative EconomyReading this is already a kind of remembering. The question that follows is simple: where do you begin?The regenerative economy is not waiting to be invented. It is waiting to be joined. Every one of the models described here started with a small group of people who decided to practice a different relationship with value - before it was proven, before it was popular, before it was funded.Here are real entry points, available now:Start with your immediate circle. Identify three skills or resources you have in excess - time, knowledge, food from a garden, tools sitting unused. Offer them. Ask for what you need in return. This is Ayni. It requires no platform, no signup, no permission.Relocalize your spending. Every dollar (fiat currency) that circulates inside a local economy multiplies its impact without leaving the community. Farmers markets, community-supported agriculture, local cooperatives, regenerative small businesses - these are not lifestyle choices. They are votes for a different system, cast weekly.Find or start a Time Bank in your area. hOurworld.org and TimeBanks.org maintain active directories. If nothing exists near you, starting one requires little more than a spreadsheet and a Telegram/Whatsapp group.Join a community working on this. It can be our Regenerative Leadership Community from www.regenerativeculture.life is one place. There are others - transition towns, ecovillages, commons networks - in most regions of the world. Find your people. The regenerative economy is, at its root, a relationship economy. It does not work alone.Learn the language. Permaculture design, commons governance, cooperative economics, sacred reciprocity - these are not abstract concepts. They are practical skills with deep traditions behind them. The more fluent you become, the more useful you are to the communities building this.The scale of what needs to change can feel paralyzing. It is not meant to. The models described in this article did not begin at scale. Mondragon began with six people. Grassroots Economics began in one neighborhood in Mombasa. The Quechua did not design Ayni for a movement - they designed it for a harvest.Start where you are. With what you have. With whoever is near you. That has always been enough to begin. It's not easy, but it is possible.Written by Gertie Farenas and Yoshi Pantera - 90% by us humans and 10% AI assisted.This Audio is recorded by a true voice - Yoshi PanteraThis article is part of the Regenerative Culture Chronicle - a publication exploring the ideas, practices, and communities building a world that benefits all life.Learn more at RegenerativeCulture.LifeThanks for reading Regenerative Culture Chronicle! This post is public so feel free to share it.Regenerative Culture Chronicle is a reader-supported publication. To receive new posts and support our work, consider becoming a free or paid subscriber. Thank you! Get full access to Regenerative Culture Chronicle at regenerativecultureworld.substack.com/subscribe

United States v. Fullerton

Dr. Tara Suwinyattichaiporn is a tenured professor of Human Communication Studies at California State University, Fullerton, where she specializes in sexual and relational communication, online communication, and interpersonal relationships. Her work focuses on how people talk about intimacy, dating, culture, and long-term partnership and how communication shapes everything from attraction and compatibility to emotional connection and relationship longevity. Dr. Tara earned her Ph.D. in Interpersonal Communication from Arizona State University after completing her graduate studies in human communication in California. Her academic research explores the science behind how people form, maintain, and sometimes lose meaningful relationships in a rapidly changing social and technological world. Beyond the classroom, Dr. Tara has become a widely recognized relationship and sex expert, frequently appearing in major media outlets including Forbes, Cosmopolitan, Insider, and Men's Health, and serving as a dating expert on the television series Celebs Go Dating. She is also the host of the Luvbites by Dr. Tara podcast, a columnist for Women's Health Magazine, and a co-host of the iconic relationship advice radio show Loveline. Through her research, media work, and public education, Dr. Tara bridges academic science with real-world conversations about love, intimacy, communication, sexuality, and human connection, helping people better understand how relationships work and how healthier communication can transform the way we love. Shawn Ryan Show Sponsors: Control Body Odor ANYWHERE with @shop.mando and get 20% off with promo code SRS at https://shopmando.com! #mandopod Upgrade your wallet today! Get up to 40% off at Ridge during their Father's Day Sale when you go to https://www.Ridge.com/SRS #Ridgepod Head to https://superpower.com and use code SRS at checkout for $20 off your membership. Unlock your new health intelligence with 100+ biomarkers tested every year. Go to https://shopbeam.com/SRS and use code SRS to get up to 50% off Beam Dream, the sleep formula designed to help you recover and wake up refreshed. Search onX Offroad in the App Store or Google Play to access an off-road navigation app with trail maps, land boundaries, camping info, and offline capability. https://www.onxmaps.com/offroad/app Live better longer with BUBS Naturals. Get 20% OFF on collagen, MCT creamers, and more with code SHAWN at https://bubsnaturals.com/srs Dr. Tara Suwinyattichaiporn Links: IG - https://www.instagram.com/luvbites.co TikTok - https://www.tiktok.com/@luvbites.co YT - https://www.youtube.com/@Luvbitesco WEB - https://www.luvbites.co/about Women's Health Column - https://www.womenshealthmag.com/uk/sexplore-dr-tara LOVELINE - https://www.audacy.com/kroq/latest/loveline-is-back-on-kroq-listen-to-the-first-episode-now Learn more about your ad choices. Visit podcastchoices.com/adchoices

Deacon Victor Valenzuela is assigned to St. Mary Church in Fullerton.  He is married, with two adult children.  He is a licensed social worker who is retired from 31 years of employment at Kaiser Permanente.  He is a former seminarian who has worked in a variety of ministries.  His wife is Diane.  Today, speaks with guests Megan Morris and Sebastian Jaime. Support the show

The Deslondes son una de las bandas más atrayentes de la escena de Nueva Orleans. Lo son por su forma de manejar las influencias del country, el soul, el folk y las músicas tradicionales con un enfoque contemporáneo. Lo son por su calidad como instrumentistas y la calidez de sus juegos de voces. Y lo son por su capacidad para coger canciones de héroes y amigos y llevarlas por completo a su sonido y sus emocionales atmósferas. Lo demuestran en “Don’t let it die Vol.1” (New West), un disco de versiones para soñar y perderse en él.(Foto del podcast por Selwyn Figg; The Deslondes)Playlist;THE DESLONDES “The world beyond” (Don’t let it die vol.1)THE DESLONDES “The ballad of Boot Hill” (Don’t let it die vol.1)THE DESLONDES “I’m coming home” (Don’t let it die vol.1)Versión y Original; CLIFTON CHENIER “I’m coming home” (1970)THE DESLONDES “Moving” (Don’t let it die vol.1)Versión y Original; LEONIE EVANS “Moving” (2020)THE DESLONDES “Don’t let it die” (Don’t let it die vol.1)Versión y Original; HURRICANE SMITH “Don’t let it die” (1971)SIMON LOVE “Coventry”THE HANGING STARS “Let it slide”SLIPPERS “Wasted tonight”THE GNOMES “Don’t worry”FAST KIDS “Summer Eagle”ZACK KEIM “Canyon”DALLAS GOOD and RICHARD REED PARRY “Echo the part”JESSE WELLES “Masks off”A.J. FULLERTON and LAUREN FRIHAUF “Expectations”Escuchar audio

This is episode 843. Read the complete transcription on the Sales Game Changers Podcast website. This is an Office Hours: Sales Professors Unplugged sub-brand of the Sales Game Changers Podcast. Watch the video of this podcast on YouTube here. The Sales Game Changers Podcast was recognized by YesWare as the top sales podcast. Read the announcement here. FeedSpot named the Sales Game Changers Podcast at a top 20 Sales Podcast and top 8 Sales Leadership Podcast! Subscribe to the Sales Game Changers Podcast now on Apple Podcasts! Purchase Fred Diamond's best-sellers Love, Hope, Lyme: What Family Members, Partners, and Friends Who Love a Chronic Lyme Survivor Need to Know and Insights for Sales Game Changers now! On today's show, Fred meets with Brad Anderson, Director of the Sales Leadership Center at California State University, Fullerton, and Marketing Committee Member for the University Sales Center Alliance. Find Brad on LinkedIn.  BRAD'S TIP: "You've got to be coachable, you've got to have grit, you've got to be willing to continue to learn and grow as everything evolves."

The Man Who Invented the Boutique Amp: The Tragic Genius of Bob CrooksBefore Dumble was a household name, and before Mesa/Boogie revolutionized the high-gain stack, there was Standel.In today's video, we're diving into the legendary twenty-year original run of Bob Crooks, the man who provided the sonic blueprint for the 1950s, yet spent his final years feeling like the industry had robbed him blind.High Fidelity in a Low-Fi WorldFrom his early days at Lockheed to his "almost" collaboration with Paul Bigsby, Bob Crooks didn't just build amplifiers; he engineered precision instruments. We explore how Standel became the "must-have" rig for the Mount Rushmore of 1950s legends, providing the pristine, hi-fi clarity demanded by icons like Merle Travis, Chet Atkins, Joe Maphis, Speedy West, and Buddy Emmons.The Innovations Leo Fender "Borrowed"According to guitar historian Deke Dickerson, Crooks was a man fueled by deep-seated bitterness in his later years. The reason? Many of the features we now consider "Golden Era" standards were pioneered in the Standel workshop long before they appeared in Fullerton. We're talking about:Separate Treble and Bass controls (at a time when most amps had a single "Tone" knob).Forward-facing controls for ease of use on stage.Tolex covering and Piggyback head/cab designs.The integration of premium JBL speakers as a standard.The Great Pivot: Tubes to TransistorsWe also examine Crooks' controversial shift in the early 1960s. As an early adopter of hybrid and eventually full solid-state circuitry, Crooks inadvertently chased "perfect" clean headroom just as the rest of the world was falling in love with the warmth of tube distortion. It was a classic case of a genius being too right for the wrong era.The Rebirth: 1997 to TodayFinally, we cover the modern resurrection of the brand.1997: The initial rebirth with Danny McKinney and Bob Crooks himself back at the helm, focusing on the legendary 25L15.2023: The new chapter under Owen Duffy, who has begun producing reissues of Standel's later catalog, bringing much-needed attention to the overlooked masterpieces of the brand's twilight years.Support the show

Thank you to SQUARESPACE - Check out https://www.squarespace.com/TRASHTUESDAY to save 10% off your first purchase of a website or domain using code TRASHTUESDAY BTS, BONUS CONTENT AND MORE! Only on Patreon: https://www.patreon.com/c/TrashTuesdayPodcast GET IT BEFORE ITS GONE - https://trashtuesday.myshopify.com/ OOPS! We only have stand-ups in the house!? Rosebud Baker, Stewart Fullerton, and Gabby Bryan are here to talk about divorce, dating, where to find rich men, Justin Bieber, and which one of us is superior and has perfect mental health??Rosebud's book, Fully Baked: A Messy Memoir, is available for pre-order now! https://www.simonandschuster.com/books/Fully-Baked/Rosebud-Baker/9781668016220?utm_source=author_post&utm_medium=gallery_author_social&utm_campaign=fully_baked&utm_content= MORE ROSEBUD! https://www.instagram.com/rosebudbaker/?hl=en https://rosebudbaker.com/ MORE GABBY! https://www.instagram.com/gabbyisbryan/?hl=en https://gabbybryantour.com/ MORE STEWART! https://www.instagram.com/stewartandchill/ Thank you to our sponsors:Thank you to HERS - Visit Https://forhers.com/trashtuesday to get personalized, affordable care that gets you. Thank you to HOME CHEF - For a limited time, Home Chef is offering our listeners 50% OFF and free shipping for your first box PLUS free dessert for life! Go to https://www.homechef.com/trashtuesday *Ebb Ocean Club is NOW IN SEPHORA* https://www.sephora.com/brand/ebb-ocean-club for Khalyla's reef safe and biodegradable hair products!*Listen to Esther's New Solo Pod!* https://www.esthersgrouptherapy.substack.com FOLLOW TRASH ON SOCIALS: Instagram: https://www.instagram.com/itstrashtuesday Tiktok: https://www.tiktok.com/@itstrashtuesday MORE ESTHER:TikTok: https://www.tiktok.com/@esthermonster Instagram: https://www.instagram.com/esthermonster/ MORE KHALYLA:Instagram: https://www.instagram.com/khalamityk/ Tigerbelly Podcast: https://www.youtube.com/@UCIyIoM_Nd8HtY19fuR_ov2A PRODUCTION:Studio Ten42: https://www.instagram.com/studioten42/ Guy Robinson: https://www.instagram.com/grobfps/ Arielle Jade (Editor): https://www.instagram.com/jade.rabbit.cce/ Elisa Hernandez Kohler: https://www.instagram.com/ellie.lianna/ Megan Clements: https://www.instagram.com/egggymeg/ See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Don and Alexandra (Alex) Flecky were married in 1980 and quickly discovered that baggage from their families of origin showed up in their relationship. They, like many other couples, found that their love for each other was hijacked by their reactionary interpretation of each other's communication.   Their personal experience figuring out how to change their own communication patterns, along with their professional experience working with couples, led Don and Alex to co-author CoupleTalk: Cracking the Code to an Amazing Relationship. In this podcast, they explain why and how their workshop is different than other programs.  They currently head the Relationship Research Foundation, Inc., a nonprofit organization that applies proven relationship-strengthening techniques and develops innovative resources to help today's couples improve their marriages. Previously, the Fleckys served as Shepherds of Marriage Ministries at their home church, Fullerton Free Church (California). Don is licensed as a pastor in the Evangelical Free Church of America and does pastoral counseling. Alex has B.A. and M.A. degrees in Communication Studies, with a focus on Argument and Persuasion, and has taught communication courses at California State University, Fullerton. For over 35 years, they have taught and coached thousands of couples on six continents. They regularly speak at conferences, churches, ministerial groups, marriage retreats, and community events. They are sought out by various churches and non-profit organizations to teach couples classes, train class leaders, develop cutting-edge methods to help couples, and launch specialized couples programs. The Fleckys love using stories from their own marital struggles to give hope to couples. They have three adult children, one granddaughter, and a Sheepadoodle.  They enjoy jet skiing, traveling, and getting a rush out of helping couples. Resources: CoupleTalk: Coupletalk.com Relationship Research Foundation, Inc.: USrelationships.org The Third Option: thethirdoptionoc.com     Website: https://www.changemyrelationship.com/ Facebook: https://www.facebook.com/ChangeMyRelationship YouTube: https://www.youtube.com/@changemyrelationship Watch this video on YouTube: https://youtu.be/kLjZJaof2aY

In Part 1 of this two-part episode of the Trident Room Podcast, TRP host Lt. Anthony Castillo interviews Rear Adm. Michael S. Mattis. The conversation explores Rear Admiral Mattis's diverse background, from his upbringing in Fullerton, California, to his expansive naval career and his educational experiences at the U.S. Naval Academy and Oxford University. The discussion delves deep into his passion for literature, highlighting how his time at Oxford cultivated a love for Shakespeare, medieval drama, and multisensory learning.

Martha Trujillo joins Dr. Sandie Morgan to ask what changes when communities stop seeing vulnerable youth as problems to be managed and start seeing them as young people in need of support.About Martha Trujillo Martha Trujillo is the founder of Full Circle Orange County, an organization dedicated to supporting risk-impacted and at-risk students through mentorship, education, and community. Her work is informed by lived experience: she grew up in Orange County and faced significant challenges as a young person, including foster care, gang involvement, expulsion from school, juvenile detention, substance use, and victimization. She now uses her story to guide and empower students facing similar obstacles. Trujillo holds a master's degree in criminology from UC Irvine and a bachelor's degree in criminal justice from California State University, Fullerton, and is preparing to pursue a doctorate in education at UC Irvine. Through Full Circle, she practices “diversion through mentorship,” combining workshops, re-entry support, and one-on-one guidance for youth in schools, group homes, and detention centers across Orange County and beyond.Chapters (00:00) - Introduction (01:09) - Know More, Do Better and Full Circle Orange County (05:50) - Martha's Journey: Foster Care, Gangs, and Juvenile Hall (12:49) - Feeding Before Teaching: An Approach Built on Lived Experience (15:39) - Why Prevention Must Start Earlier (21:15) - Mentorship, Lived Experience, and Dual Status Kids (27:53) - Hopes for Full Circle and Coming Full Circle Key Points • Full Circle Orange County's mission is preventing youth incarceration in adulthood by helping kids be identified early as victims rather than written off as criminals.• Martha's “feeding before teaching” approach — breaking bread with youth before any workshop — builds trust and recognizes the unmet basic needs that often shape kids' behavior.• Lived experience is one of three pillars (alongside academic training and direct work with youth) that shapes how Martha builds rapport with students no one else has been able to reach.• Early human trafficking prevention should begin between ages 9 and 14, in language that's age-appropriate but not avoidant — and not reserved only for kids in poverty-stricken environments.• “Dual status” youth (both foster and probation-involved) need support that recognizes them as children first, not as labels — and the juvenile justice system has resources to help them, if we use them well.• Mentors who share appropriate pieces of their own story give kids something to relate to; without that connection, real rapport is rarely possible.• Survivors going through religious rites of passage may be carrying hidden trauma; faith communities have a vital role in trauma-informed prevention conversations.• Coming full circle: Martha was expelled from Nicolas Junior High in eighth grade — and years later returned to receive an honorary promotion certificate alongside its current eighth graders.Resources • Full Circle Orange County• Know More, Do Better (OC Human Trafficking Task Force)• Global Center for Women and Justice (Vanguard University)• CASA of Orange County

Desde Long Island, The Lemon Twigs con “Look for your mind!”. Desde Reino Unido, Simon Love con “The one true prince of Wales” (Hurrah! Música). Dos interesantes acercamientos al pop de reminiscencia sixties, a las melodías con energía y al viejo arte de hacer canciones. The Hanging Stars también juegan en esa liga, The Rolling Stones lo hacen en la suya propia, y The Black Keys con su nuevo disco de versiones nos permiten recordar que no se puede ganar siempre.(Foto del podcast; Ike Turner y Jackie Brenston)Playlist;(sintonía) THE ROUTES “There she goes again” (Play)THE LEMON TWIGS “Look for your mind” (Look for your mind!)THE LEMON TWIGS “Gather round” (Look for your mind!)SIMON LOVE “Everything is S4C” (The one true prince of Wales)SIMON LOVE “Green man blues” (The one true prince of Wales)A.J. FULLERTON with KIND HEARTED STRANGERS “Sweet Halle”THE HANGING STARS “All your yesterdays” (Just a day)MARION RAW “Adios”LENNY KAYE “Goin’ local” (Goin’ local)THE ROLLING STONES “In the stars” (Foreign tongues)THE BLACK KEYS “You got to lose” (Peaches!)JACKIE BRENSTON and HIS DELTA CATS “Rocket 88” (1951)IKE TURNER and THE KINGS OF RHYTHM “You’ve got to lose” (grabado en 1958, inédito hasta 1981)Versión y Original; JACKIE BRENSTEN with IKE TURNER and ORCHESTRA “Trouble up the road” (1961)Escuchar audio

State lawmakers say California isn't facing a fuel shortage right now, but don't expect gas prices to go down. Rancho Palos Verdes has rejected plans to build more cell towers. How a new Apple TV series is putting the spotlight on... Fullerton. Plus, more from Evening Edition. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

"Here I am once more in this scene of dissipation & vice, and I begin already to find my morals corrupted." —Jane Austen, 1796, letter to Cassandra on arriving in LondonJane Austen was very aware of life's darker side, and beneath the genteel polish and decorum of her novels lurks a world of adultery, theft, seduction, dueling, poaching, smuggling, and more. In this episode, guest Susannah Fullerton, president of the Jane Austen Society of Australia, guides us through the sordid underbelly of Georgian and Regency society and explores how Austen uses various crimes and wrongdoing to advance her plots, shape her characters, and add color to her narrative landscapes.Susannah Fullerton, a literary historian and author, has been president of the Jane Austen Society of Australia (JASA) since 1996. She has lectured extensively on Jane Austen's life and novels, and her books include Jane Austen and Crime, A Dance with Jane Austen, Happily Ever After: Celebrating Jane Austen's Pride and Prejudice, Jane & I: A Tale of Austen Addiction, and Great Writers and the Cats Who Owned Them, among others. Fullerton holds the Order of Australia Medal and is a Fellow of the Royal Society of New South Wales. She is also Patron of the Kipling Society of Australia, a founding member of the NSW Dickens Society and of the Australian Brontë Association, and a Lady Patroness of the International Heyer Society.For an edited transcript and show notes, visit https://jasna.org/austen/podcast/ep35*********Visit our website: www.jasna.orgFollow us on Instagram and FacebookSubscribe to the podcast on our YouTube channelEmail: podcast@jasna.org

Why advocates are worried about the future of LA city's streets. We'll bring you an update on a $10 million dollar fundraiser to preserve land near Big Bear's famous bald eagle nest. And we'll talk about a new Apple TV series that puts a spotlight on the city of Fullerton. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

Nate Akin hosts a panel discussion on Ministry and Missions in the 21st Century with Greg Gilbert, Ryan Fullerton, Andrew Walker, and Tom Schreiner at the 2026 Pillar Intensive at The Southern Baptist Theological Seminary in Louisville, KY.

Caldo sonoro cocinado con discos y singles favoritos entre las novedades que hemos presentado en el mes de abril.Playlist;SHORTY’S SWINGIN’ COCONUTS “The call of Tangaroa” (Mai Tai in Hi-Fi pt.2 EP)JIM JONES ALL STARS “I’m on fire” (Cat fight)AL DUAL “Revolution”MIKE SANCHEZ and DREW DAVIES RHYTHM QUARTET “Lydia” (Hey now!, 2025)DOCTOR VELVET “Road to nowhere” (New breed, 2025)BRAD MARINO “Voodoo” (Agent of chaos)MARC VALENTINE “Temporary buzz” (Uncommon side effects)RUBY and THE CLUMSY DOLLIES “Mad” (New and improved)SICK SHOOTERS “Heartbreaker soulshaker” (Super sonic rock saga)IGUANA DEATH CULT “Reckless running” (Guns out)JACK WHITE “GOD and the broken ribs”JON SPENCER “Knock em out”DENIZ TEK “The beat” (The Beat)THE WAVES “Summer breeze” (Summer of sunshine, 2025)RADIO DAYS “Bang Bang”TAMI NEILSON “Are you sure”LAUREL AITKEN and THE MIGHTY MEGATONS “Angel baby” (Love and understanding)PALMYRA DELRAN and “Hold tight”A.J. FULLERTON and LAUREN FRIHAUF “I don’t want to grow up”Escuchar audio

Tracy Fullerton, M.F.A. is an experimental game designer, professor and director emeritus of the USC Games program. Her research center, the Game Innovation Lab, has produced several influential independent games, including Cloud, flOw, Darfur is Dying, The Night Journey, with artist Bill Viola and Walden, a game, a simulation of Henry David Thoreau's experiment at Walden Pond which was named “Game of the Year” at Games for Change 2017 and “Developer Choice” at IndieCade 2017. Tracy is the author of “Game Design Workshop: A Playcentric Approach to Creating Innovative Games,” a design textbook used at game programs worldwide, and holder of the Electronic Arts Endowed Chair in Interactive Entertainment. In addition to her teaching and design, she is a member of the Board of Directors for Square Enix Holdings, Co. and Games for Change.Prior to joining the USC faculty, she was president and founder of the interactive television game developer, Spiderdance, Inc. Spiderdance's games included NBC's Weakest Link, MTV's webRIOT, The WB's No Boundaries, History Channel's History IQ, Sony Game Show Network's Inquizition and TBS's Cyber Bond. Before starting Spiderdance, Tracy was a founding member of the New York design firm R/GA Interactive. As a producer and creative director she created games and interactive products for clients including Sony, Intel, Microsoft, AdAge, Ticketmaster, Compaq, and Warner Bros. among many others. Notable projects include Sony's Multiplayer Jeopardy! and Multiplayer Wheel of Fortune and MSN's NetWits, the first multiplayer casual game. Additionally, Tracy was Creative Director at the interactive film studio Interfilm, where she wrote and co-directed the “cinematic game” Ride for Your Life, starring Adam West and Matthew Lillard. She began her career as a designer at Bob Abel's company Synapse, where she worked on the interactive documentary Columbus: Encounter, Discovery and Beyond and other early interactive projects.Tracy's work has received numerous industry honors including an Emmy nomination for interactive television, best Family/Board Game from the Academy of Interactive Arts & Sciences, most “sublime experience,” the “Impact” and “Trailblazer” awards from the Indiecade Festival, ID Magazine's Interactive Design Review, Communication Arts Interactive Design Annual, several New Media Invision awards, iMix Best of Show, the Digital Coast Innovation Award, IBC's Nombre D'Or, Time Magazine's Best of the Web and the Hollywood Reporter's Women in Entertainment Power 100.Matthew Farber, Ed.D. is Associate Professor of Educational Technology and Codirector of the Gaming SEL Lab at the University of Northern Colorado. He is a play theorist who studies how games can foster empathy, compassion, perspective-taking, and ethical decision-making. He was a contributing writer for Origin101, the official learning companion for Ava DuVernay's critically acclaimed film Origin. Author of several books and articles, Dr. Farber writes for Edutopia, has been invited to the White House and to keynote for UNESCO, and has been interviewed by NPR, The Washington Post, APA Monitor on Psychology, EdSurge, The Denver Post, Fast Company, USA Today, and The Wall Street Journal. He has codeveloped game-based lessons with Tracy Fullerton for her award-winning Walden, a game EDU. In The Well-Read Game: On Playing Thoughtfully, Fullerton and Farber explore how personal and subjective meanings are evoked through a new theory of player response.Links: https://matthewfarber.com/https://mitpress.mit.edu/9780262552233/the-well-read-game/https://www.tracyfullerton.com/https://www.gamesforchange.org/ Hosted on Acast. See acast.com/privacy for more information.

Tim Conway Jr. Hour 4 (4.27)

Leyenda viva, Deniz Tek. Eterno guitarrista de Radio Birdman y gran maestro del high energy. Lanza su nuevo álbum “The Beat” (Wild Honey), forjado a partir de unas grabaciones que realizó junto a su amigo –y recientemente fallecido-, el batería Ric Parnell.También hay nuevo disco del padrino del ska, Laurel Aitken, que llega veinte años después de su muerte. “Love and Understanding” (Liquidator) nace de grabaciones de voz de canciones inéditas que han sido instrumentalizadas con mucho amor y conocimiento de causa por los sublimes Mighty Megatons.En el camino recordamos los orígenes del “House of the rising sun” gracias a la enésima versión del clásico, esta vez a manos de Billy Childish and The North Kent Folkways Revival.Playlist;DENIZ TEK “War is over”SMOKED SALMON (KIM SALMON) “Fully sick and tired”THE ON AND ONS “Speck of smiling faces”UNI BOYS “Look on the bright side”BRAD MARINO “Murder and violence”TEENAGE BOTTLEROCKET “The invisible man”KEPI GHOULIE “I can talk to the animals”MARC VALENTINE “When the light is gone”PETER CASE “A million miles away”A.J. FULLERTON and JAKE FRIEL “Sittin’ on top of the world”WILD BILLY CHILDISH and THE NORTH KENT FOLKWAYS REVIVAL feat JUJU CLAUDIUS “House of the risin’ sun”Versión y Original; CLARENCE TOM ASHLEY and GWEN FOSTER “Rising sun blues” (1933)LAUREL AITKEN and THE MIGHTY MEGATONS “Let me know baby”LAUREL AITKEN and THE MIGHTY MEGATONS “Angel baby”THE FISHSKA “Beggars and thieves”Escuchar audio

Episode Summary: Are you weary from constantly striving, juggling endless responsibilities, and living at a pace that leaves you burned out and exhausted? You’re not alone. In this episode of Your Hope-Filled Perspective, I’m joined by Dr. Portia Preston, a public health expert, two-time TEDx speaker, and author of Hustle, Flow, or Let It Go? Her compassionate, shame-free approach to wellness helps us release hustle culture and create sustainable wellness so we can live with greater balance, peace, and joy. Quotables from the episode: This chronic stress is when I lose connection with myself. That's really the best way I know. Where am I in relation to myself and the things that I value most? If I am being irritable in my relationships, something's off. Because these are people that I love. If you had asked me a decade ago about my experience with burnout, I would have pointed directly to my career. And always feeling like it was on me to provide because who else would do it? But it's only been in recent years when I've found that burnout extends to all facets of my life. Surrender isn't about what you can do. The to-do list narrows our perspective. It's asking us to show up as the person who does these things. So immediately we are taken out of connection with our reality and our capacity. And we've been conditioned to say, well, that's the way that it should be. So, if what I have today doesn't measure up to that, then I'm the problem. And I'm not saying the list is bad. There is a saying that says that we are human beings, not human doings. You were born with worth. That it was a part of you. And it's not something that can be taken away from you. God never designed us to go full speed all the time. And recognizing the rhythm of the seasons frees us to honor time of work and time of rest. Scripture References: Isaiah 30:15 (NLT) “This is what the Sovereign Lord, the Holy One of Israel, says: ‘Only in returning to me and resting in me will you be saved. In quietness and confidence is your strength.’” Ecclesiastes 3:1 (NRSV) “For everything there is a season, and a time for every matter under heaven.” Recommended Resources: Hustle, Flow, or Let It Go? A Guide to Shame-Free Wellness That Honors Your Reality and Gives You Life by Portia Preston, DrPH Sacred Scars: Resting in God’s Promise That Your Past Is Not Wasted by Dr. Michelle Bengtson The Hem of His Garment: Reaching Out To God When Pain Overwhelms by Dr. Michelle Bengtson Today is Going to be a Good Day: 90 Promises from God to Start Your Day Off Right by Dr. Michelle Bengtson Breaking Anxiety’s Grip: How to Reclaim the Peace God Promises by Dr. Michelle Bengtson Breaking Anxiety’s Grip Free Study Guide Free PDF Resource: How to Fight Fearful/Anxious Thoughts and Win Hope Prevails: Insights from a Doctor’s Personal Journey Through Depression by Dr. Michelle Bengtson Hope Prevails Bible Study by Dr. Michelle Bengtson Free Webinar: Help for When You’re Feeling Blue Social Media Links for Host and Guest: Connect with Dr. Portia Preston: Website / Instagram Connect with Dr. Bengtson: Order Book Sacred Scars / Order Book The Hem of His Garment / Order Book Today is Going to be a Good Day / Order Book Breaking Anxiety’s Grip / Order Book Hope Prevails / Website / Blog / Facebook / Twitter (@DrMBengtson) / LinkedIn / Instagram / Pinterest / YouTube / Podcast on Apple Guest: Dr. Portia Preston is a public health expert, two-time TEDx speaker, and founder of Empowered to Exhale. She holds degrees from Stanford, the University of Michigan, and UCLA, and currently serves as a faculty member at California State University, Fullerton. Through her groundbreaking work, Dr. Preston helps individuals and organizations create a culture of sustainable wellness and performance. Her new book, Hustle, Flow, or Let It Go?, offers a compassionate, shame-free roadmap to releasing hustle culture and embracing wellness that truly honors our unique realities. Hosted By: Dr. Michelle Bengtson Audio Technical Support: Ashton Bengtson Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Deacon Victor Valenzuela is assigned to St. Mary Church in Fullerton.  He is married, with two adult children.  He is a licensed social worker who is retired from 31 years of employment at Kaiser Permanente.  He is a former seminarian who has worked in a variety of ministries.  His wife is Diane.  Today, Deacon Victor continues his discussion with guest Dr. Paul Chang. Support the show

Welcome to Season 6, Episode 15! Today our guests are two of the co-authors of the very cool new book Auntie Kristina's Guide to Asian American Activism… Jenessa Joffe and Professor Theodore Chao. Jenessa Joffe is a Los Angeles-based writer, director, producer, and mother who is passionate about creating social change through comedic, kid-focused content. Theodore Chao is an Assistant Professor in the Department of Elementary and Bilingual Education at California State University, Fullerton. His research centers on Digital Mathematics Storytelling to amplify counter-narratives that challenge harmful stereotypes in mathematics education. Auntie Kristina's Guide to Asian American Activism is an entertaining and informative book designed for kids from approximately aged 10-14. It's witty and inspiring, and discusses the Asian American community, past and present; explores allyship with other communities of color; finds a place in national and global movements; and turns inward so young readers can practice love and self-care. In our conversation, Jenessa and Theodore share a little about how the book came to be, some of the challenges and benefits to putting Auntie Kristina in print, the intentionality in designing activities, and more. The book will release on April 14, but if some outlets are already shipping it! To learn more about Auntie Kristina's Guide to Asian American Activism, Theodore, Jenessa, or the other two authors Kristina Wong and Anna Michelle Wang, we've listed their details below: bookshop.org link link to Auntie Kristina's Guide to Asian American Activism Instagram for the book: @AuntieKristinaGuide Website: www.theodorechao.com  Instagram: @professorteds Website: www.jenessajoffe.com Instagram: @jenessajoffe Website: www.kristinawong.com  Instagram: @mskristinawong Website: www.annawang.com  Instagram: @_annamichellewang Watch Radical Cram School If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or our links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

“New and improved” (Folc) es el debut de los neoyorquinos Ruby and the Clumsy Dollies. Un disco de cartuchos inmediatos que beben sin nostalgia del punk rock, la new wave y el filo y las melodías de los 60. Suenan nuevas canciones de Lemon Twigs, Dynamite Shakers o Zack Keim, Redd Kross en acústico o A.J. Fullerton versionando a Tom Waits. Y desde los hornos de Discos Mapaches nos llega una bonita reedición y trabajo arqueológico que nos descubre a la banda belga de los sesenta Early Christian.Playlist;RUBY and THE CLUMSY DOLLIES “On the deuce” (New and improved)RUBY and THE CLUMSY DOLLIES “Darling cowboy” (New and improved)RUBY and THE CLUMSY DOLLIES “Mad” (New and improved)THE LEMON TWIGS “2 or 3” (Look for your mind)RADIO DAYS “Bang bang”REDD KROSS “I’ll take you’re word for it (acoustic)” (Split)MINIBÚS INTERGALÀCTIC “Barqueta” (Moviment Oscil·lant Polinòmic y=1/x)EARLY CHRISTIAN “Automatic fly” (1969, reed 2026)EARLY CHRISTIAN “Fire” (1969, reed 2026)JESSE ROPER “Green eyed lady”A.J. FULLERTON and LAUREN FRIHAUF “I don’t wanna grow up”Versión y Original: TOM WAITS “I don’t wanna grow up” (Bone machine, 1992)BRAD MARINO “Lost without you” (Agent of chaos)DYNAMITE SHAKERS “Cinéma”ZACK KEIM “Weekend blues”COLE BERLINER “The black door” (The Black Door)Escuchar audio

This Episode is Sponsored by: City National Bank  What exactly is the Capability Era, and how is leadership changing within it? John Linehan, president of Irresistible Foods Group, explains how organizational charts are being supplanted and how a new vision of leadership is growing within the food and beverage industry in this episode guest hosted by City National Bank's Shahe Kassardjian.  More about John Linehan: John Linehan has over thirty years of experience in consumer goods and related industries. He has consistently developed and executed corporate and brand strategic plans that have accelerated successful and sustainable growth in revenue, profit and brand valuations. John currently serves as President of Irresistible Foods Group.  More about Shahe Kassardjian: Shahe Kassardjian is a Managing Director with City National Bank's Food & Beverage Group. Based out of Irvine, California, he works with City National's team of experts to provide cash flow, asset-based lending, real estate and equipment financing expertise to businesses in the food and beverage industry.  Mr. Kassardjian has more than twenty years of financial services experience and has covered the food and beverage industry for over fifteen years. Prior to joining City National, he served as a senior vice president with GE Capital's food and beverage group.  Mr. Kassardjian earned his bachelor's degree in Economics from California State University, Fullerton. Active in the community, he volunteers with the Second Harvest Food Bank of Orange County. He lives in Santa Ana, California, with his wife, Amy, and their two boys.  More about City National Bank: City National Bank, member FDIC, is a subsidiary of Royal Bank of Canada (RBC), and the largest bank headquartered in Los Angeles with $99 billion in assets as of January 31, 2026. Founded in 1954, City National is a regional bank specializing in Wealth Management and Private Banking, Entertainment & Sports Banking, Commercial Banking, and Consumer Banking, with branches and locations in Los Angeles, Orange County, San Diego, the San Francisco Bay Area, New York City, Las Vegas, Nashville, Atlanta, North Carolina and South Carolina, Delaware, Washington D.C. and Miami.* In addition, the company and its investment affiliates manage or administer $109 billion in client investment assets. City National is dedicated to strengthening local communities. In 2025 alone, the company made charitable contributions of more than $10 million to nonprofits that support the communities it serves. For more information about City National, visit the company's website at cnb.com.  *City National Bank does business in the state of Florida as CN Bank.

Send us Fan MailWhat does it actually take to build and scale a business to this level?In this fireside chat, Tim Cohen shares the real story behind scaling a company — from early struggles and setbacks to building a high-performance team and operating at scale.Tim is the Founder and CEO of Eggs Unlimited and a 20+ year veteran of the egg industry. Often referred to as “The Egg Whisperer,” he has built the business alongside a talented team into one of the most respected operators in the space.This is not theory — it's a candid breakdown of what actually drives growth, and what quietly holds most companies back.

Deacon Victor Valenzuela is assigned to St. Mary Church in Fullerton.  He is married, with two adult children.  He is a licensed social worker who is retired from 31 years of employment at Kaiser Permanente.  He is a former seminarian who has worked in a variety of ministries.  His wife is Diane.  Today, Deacon Victor speaks with guest Dr. Paul Chang. Support the show

Our ‘Women Leading with Heart' series for Women's History Month continues with Dr. Khalilah Doss, the Vice President for Student Affairs and Strategic Enrollment Management at California State University, Fullerton. This first-generation Jamaican track scholar became an educational trailblazer who simply wanted to “be who I needed.” Dr. Doss shares why seeing the humanity in students—as someone's children—guides every decision she makes. She models heart-led leadership and relationship-building with a deep commitment to ensuring students never feel like a bother—only seen, valued, and supported. Find out why asking for help, admitting “I don't know,” and understanding that seeking support is actually a strength, not a weakness. ⁠ Dr. Doss completed her Ph.D. in Educational Administration and Higher Education at Southern Illinois University, Carbondale, and she received her Bachelor of Business Administration in Economics, Finance and Marketing at McKendree University. She has been in the field of student affairs for over 20 years and most recently served as the Vice President for Student Affairs and Dean of Students at Middle Tennessee State University (MTSU). In this capacity, Dr. Doss had oversight for a portfolio of units that are germane to the successful transition, support, and engagement of the students who call MTSU home. Throughout her career, Dr. Doss has been successful in developing and executing innovative programs that are rooted in diversity and inclusion; and has been known to foster a culture of evidence-based decision making, that is tied to community and campus wide partnerships on the campuses she has served. To learn more about Dr. Doss, connect with her via email at kdoss@fullerton.edu or visit her at Fullerton.edu.

What does it actually take to spend three months a year cycle touring through Europe? This week, Alison Fullerton shares how she and her husband make it happen every single year . She talks about the budgeting, the fitness worries, the accommodation, navigating trains with bikes, and the mindset that has turned their bike adventure dreams into a yearly reality.The thing I love is that Alison and her husband are retirees and they are making this work for them, but her tips are relevant regardless of your age  If you've been telling yourself a big cycling adventure isn't possible yet,  or isn't possible anymore, Alison's story might just change your mind.Follow Alison on Instagram: @loose.spokes Check out Old Man Mountain's new Manzanita Handlebar Cradle  Support the showBuy me a coffee!I'm an affiliate for a few brands I genuinely use and recommend including:

Episode #117 Empowering Narratives: Insights from Kay A. Oliver Storytelling, working in Hollywood, leaving Hollywood to go her own way, and championing women's resilience are just a few of the things we talked about on this episode. Kay A. Oliver, is a dynamic storyteller holding degrees in Radio/TV/Film from California State University, Fullerton, and an MBA in Business. With over 3 decades in entertainment, spanning studios and TV stations, she produced, wrote, and directed films. Defying gender biases and the notion that female-centric stories lack marketability in Hollywood, Oliver leaped into authorship, championing women's resilience and intelligence in her novels. Characters, often professionals such as archeologists and anthropologists, navigate life's challenges with humor despite their imperfections. Passionate about storytelling, Kay's literary journey began with the success of "Disturbed Tombs," evolving into a compelling series. Fifteen books later, Oliver is still winning awards for her stories.  Her latest, "Fear Struck," won two literary awards just months after its release.  Honored in Marquis' Who's Who in America 2024, Oliver's legacy as a legendary storyteller is cemented.

"God and Our Dogs" Bonus Treat with Lisa Fullerton - When Emotions Lie Has your heart ever lied to you? In this bonus conversation, Lisa Fullerton (CEO of A Novel Idea, featured in Show #115) shares powerful insights about the command "STOP" and why we need God's truth as our plumb line when emotions threaten to lead us astray. Lisa trained her Labrador retrievers and discovered profound parallels about obedience, boundaries, and truth. Just as her dog Bentley stops on command, we need to learn when to stop and listen to God's guidance—especially when our feelings are most intense. Key Topics: ✓ Why the "STOP" command matters for dogs AND people ✓ How feelings can deceive us ✓ The difference between subjective truth vs. absolute truth ✓ Building a biblical worldview as your plumb line ✓ Why training matters in our relationship with God ✓ Walking the talk in Christian community About the Show: God and Our Dogs helps discover a new perspective to rely on God the way our dogs rely on us. Stories of time, training, and trust with our dogs demonstrate transformation in relationships and faith. YouTube Timeline: 0:00 - Welcome & Introduction 0:25 - What are Bonus Treats? 0:50 - Lisa's favorite command: STOP 1:25 - Why "Stop" is Lisa's most admired command 2:00 - Wishing God would say "Stop" audibly 2:41 - When feelings lie to us 3:05 - How to hear from God when anxious 3:48 - Using discomfort as God's "stop" signal 4:18 - The importance of a plumb line 4:38 - Training creates the plumb line 5:00 - Knowing God through relationship 5:13 - We don't have to navigate life alone 5:33 - Subjective truth vs. absolute truth 6:26 - "Don't lean on your own understanding" (Proverbs 3:5-6) 6:43 - Why feelings can deceive us 7:33 - The law of non-contradiction 8:02 - Community and relationship matter 8:26 - Words must match behavior 8:46 - Meeting people where they are 9:06 - The peace of obedience to Christ 9:46 - Thought to Ponder (PAW-nder) 10:08 - Closing & Where to Find the Show Host: Meg Grier - Stories@GodAndOurDogs.com Website: www.facebook.com/profile.php?id=100072683640098 God and Our Dogs airs every Saturday at 11:15am on Boerne Radio 103.9FM - www.boerneradio.com. Air Date: 03/14/26See omnystudio.com/listener for privacy information.

 If you lose a spouse, you're a widow. If you lose your parents, an orphan. But we don't have the language for someone who lost a sibling – your first friend, your first ally, your first enemy (probably, at least temporarily). Grief always feels like a gut punch, but losing a sibling is a unique kind of pain that we don't talk about enough.  So today, I'm joined by Steph Wittels Wachs, former TTFA guest and sister of comedy legend Harris Wittels, who died in 2015 of an accidental overdose. We're talking about what losing a sibling means and sharing the notes, advice and insights from people who know what it's like to live in the world without their siblings. Cited in this episode: Rogne, S., Grotta, A., Liu, C., Berg, L., Saarela, J., Kawachi, I., Hiyoshi, A., & Rostila, M. (2025). All-cause mortality around the anniversary of a sibling's death: findings from Swedish National Register Data. AMERICAN JOURNAL OF EPIDEMIOLOGY. https://doi.org/10.1093/aje/kwaf213  Tatjana Gazibara, Katherine A Ornstein, Christina Gillezeau, Melissa Aldridge, Mogens Groenvold, Merete Nordentoft, Lau Caspar Thygesen, Bereavement Among Adult Siblings: An Examination of Health Services Utilization and Mental Health Outcomes, American Journal of Epidemiology, Volume 190, Issue 12, December 2021, Pages 2571–2581, https://doi.org/10.1093/aje/kwab212  Davidson, D. (2018). Sibling loss - disenfranchised grief and forgotten mourners. Bereavement Care, 37(3), 124–130. https://doi.org/10.1080/02682621.2018.1535882   Herberman Mash, H. B., Fullerton, C. S., & Ursano, R. J. (2013). Complicated Grief and Bereavement in Young Adults Following Close Friend and Sibling Loss. Depression & Anxiety (1091-4269), 30(12), 1202–1210. https://doi.org/10.1002/da.22068     Watch us on YouTube here! Get this episode ad-free here! Listen to Geoffrey's album on Spotify and Apple! LINKS TO RELATED EPISODES! https://feelingsand.co/podcasts/terrible-thanks-for-asking/86-sundays/  https://feelingsand.co/podcasts/terrible-thanks-for-asking/what-does-all-this-loss-mean/  Don't you want someone to take care of you?  _ Right now, go to Quince.com/TFA for free shipping and 365-day returns. That's a full year to wear it and love it. And you will. Now available in Canada, too. Don't keep settling for clothes that don't last. Go to Quince.com/TFA for free shipping and 365-day returns. Quince.com/TFA Shop my favorite bras and underwear at SKIMS.com. After you place your order, be sure to let them know we sent you! Select podcast in the survey and be sure to select our show in the dropdown menu that follows. Right now, our listeners get an additional 15% off any annual membership at MASTERCLASS.com/TFA. That's 15% off at MASTERCLASS.com/TFA. With evening and weekend course options, Fordham's online MSW lets you keep working while earning your degree, completing the program in as few as 16 months. Learn more and apply at fordham.edu/TTFA. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kimberly speaks with Self-Realization Fellowship's (SRF) Sister Draupadi as they explore spiritual wisdom, the nature of fear, love, and friendship, and practical ways to live a fearless, loving, and spiritually connected life inspired by Paramahansa Yogananda's teachings.Chapters00:00 Introduction and Connection02:01 Spirituality vs. Religion05:00 Understanding Fear and Its Impact09:45 Overcoming Fear and Embracing Peace14:39 The Nature of Attachment and Love19:47 Navigating Relationships and Dependency24:37 The Role of Compassion and Understanding29:35 Cultivating Positive Qualities in Ourselves38:05 The Golden Rule and Its Importance38:35 Harnessing Willpower with Wisdom40:01 Training the Mind and Cultivating Willpower42:10 Listening to Inner Wisdom and Intuition45:07 Meditation as a Tool for Clarity51:57 Reconnecting with the Higher Self54:51 The Pursuit of Lasting Happiness01:00:32 The Role of Faith in Overcoming Challenges01:09:28 Navigating Friendships and Setting BoundariesSponsors: FATTY15 OFFER: Fatty15 is on a mission to replenish your C15 levels and restore your long-term health. You can get an additional 15% off their 90-day subscription Starter Kit by going to fatty15.com/KIMBERLY and using code KIMBERLY at checkout.USE LINK: fatty15.com/KIMBERLY LMNTOFFER: Right now, for my listeners LMNT is offering a free sample pack with any LMNT drink mix purchase at DrinkLMNT.com/FEELGOOD. That's 8 single serving packets FREE with any LMNT any LMNT drink mix purchase. This deal is only available through my link so. Also try the new LMNT Sparkling — a bold, 16-ounce can of sparkling electrolyte water.USE LINK: DrinkLMNT.com/FEELGOOD Sister Draupardi Resources: Books: The Spiritual Expression of Friendship by Paramahansa Yogananda. Solving the Mystery of Life by Paramahansa Yogananda. Website: yogananda.orgBio: Sister Draupadi, whose name means spiritual ardor, has been a member of the Self-Realization Fellowship (SRF) monastic community, established by Paramahansa Yogananda, for more than 40 years. Currently she serves in a variety of capacities at the society's international headquarters atop Mt. Washington in Los Angeles. In addition to her position as a secretary to SRF's president, Sri Mrinalini Mata, she handles various responsibilities for the society's sister organization in India, Yogoda Satsanga Society, and is involved in the training of nuns to lead spiritual retreats. Sister Draupadi has conducted inspirational services and led retreats at SRF meditation centers in the United States, as well as in Italy, Germany, Puerto Rico and the Dominican Republic. She was born and raised in Fullerton, California, and studied at California State University before entering the Self-Realization Fellowship ashram in 1973.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Car Con Carne, James VanOsdol welcomes Josh Chicoine, the creative force behind Cult Canyon, to discuss the release of the debut album, Smoke Tricks. The conversation delves into the evolution of Josh's musical projects, from the raw energy of the M's and the acoustic harmonies of Cloudbirds to the collaborative and sophisticated sound of Cult Canyon. Key Highlights: The Making of Smoke Tricks: Josh explains how the album, initially inspired by string arrangements recorded in 2019, was brought to life through a grant from the Department of Cultural Affairs and Special Events (DCASE). Creative Collaborations: The album features contributions from talented musicians like Alison Chesley, Susan Voelz, and Dave Max Crawford, as well as backup vocals from Melissa Busch-Wolford and Lindsay Weinberg. DIY Spirit: Josh shares his experiences with the DIY approach to music, from producing and promoting records to filming music videos with a GoPro and a vintage VHS filter. The Influence of Chicago: The city of Chicago serves as a backdrop for the album, with Josh reflecting on his relationship with the city and the local music scene. Second Hand News: Josh and James discuss his involvement in the Fleetwood Mac tribute band, Second Hand News, and the transgenerational appeal of the legendary band's music. Album Information: Item Details Artist Cult Canyon Album Title Smoke Tricks Release Date March 13, 2026 Label Rattleback Records Release Show The Hideout, March 14, 2026     This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote. Episode Transcript James VanOsdol: This right here is Car Con Carne. Car Con Carne is a Q101 podcast. I'm James VanOsdol. Car Con Carne is brought to you by Exploding House Printing. They're based in Hermosa and they specialize in screen printing, embroidery, and custom merch for bands and brands. Check them out on explodinghouseprinting.com. Get a quote, see all the people, businesses, bands, and brands that they've worked with. Explodinghouseprinting.com. (Theme song plays) James VanOsdol: So, after the Golden Line EP a few years ago, Cult Canyon is set to release its debut album, Smoke Tricks, on March 13th. The album will be released on lovely vinyl via Rattleback Records and the release will be celebrated with a live show at The Hideout the following night. Josh Chicoine, whose creative resume is deep, impressive, and familiar, joins me in the car on a rainy, dreary, just kind of shitty transitional winter-into-spring night. Josh Chicoine: Muck, winter mix. James VanOsdol: Let's talk about Cult Canyon. We're here, the album's almost out as we're sitting here talking about it. Josh Chicoine: It is. James VanOsdol: A lot of us came to know you from your time with the M's earlier this century. Have you metaphorically moved from the garage to the living room with these projects? Josh Chicoine: It feels like I have. I mean, there was definitely a lot of garage influences happening with the M's. Certainly a DIY spirit. James VanOsdol: That kind of raw immediacy. Josh Chicoine: Yeah, I think we were trying to—well, it was of the time too. So this was the early 2000s, there was a lot of that stuff rolling around. And we kind of fit into that mix and just wanted to bring our own little flavor, which is heavily melodic, a lot of singing, a lot of gang vocals, which is one of my favorite things to do. And still, I guess, pop ethos, you know? Major and minor chords, nothing crazy. But yeah, we got done with that and I started a three-piece singing group called Cloudbirds and did that for about three years with a couple of guys that were in the M's also, Joey King and Glenn Russell. And that was definitely in the living room. That was acoustic guitars, sometimes we had electric, but mostly acoustic music and three-part harmonies and very folky. And it was a real welcome relief, I'd say, to almost 10 years of loud guitars and bashing drums and shouting vocals. James VanOsdol: You weren't pounding kids anymore. Josh Chicoine: We were not. We were not, and we kind of got started late anyway. So by the time 2009 rolled around, I was probably in my mid-30s, early 30s, everybody was kind of getting into their 30s. So being on the road was just awful. I think I was about ready to have my first child. And so yeah, the whole kind of idea shifted. And so we just couldn't sustain that. So being in a singing group and just three guys, a lot easier to organize practices and singing some sweet melodies and harmonies, and that was more my style. And I kind of chased that for a little while, and then I had a new band called Sabres and I tried to do the rock thing again in 2014 and self-released that record, put a lot of time into that record. And it was another big record. And I found out I was just really tired. The DIY thing is that you have to do it yourself. So that means producing the record, promoting the record, getting all the artwork together, getting five people—now more grown people—to get together for any rehearsal, any show. I thought it was going to maybe be a bit easier, but it just wasn't. It wasn't easy, so I had to put that down. James VanOsdol: DIY is hard. We're doing DIY right now in a car on urban radio in 2026. I do it in my car with a couple of cheap—see how the world has shifted for us both. Josh Chicoine: It has. I might say for the better. James VanOsdol: One would argue or could argue that, yeah. We're our own bosses. Josh Chicoine: I think so. Yeah, there you go. James VanOsdol: You're the CEO of Cult Canyon. Josh Chicoine: I am the CEO of Cult Canyon. I have a lot of contributors and collaborators, which I'm very thankful for. James VanOsdol: Let's talk about some of them. Alison Chesley is a contributor. Josh Chicoine: She is. She is actually appearing on the latest record. To go back to the Golden Line EP in 2019, so right before COVID, I released an EP called Josh Chicoine and it was called Dream Believers. And I was imagining this trajectory where the next bunch of songs would include a string quartet. And so in 2019, early 2019, I recorded three songs including with Susan Voelz, who's a good friend also. James VanOsdol: She's delightful. Josh Chicoine: Yeah, she's delightful, she's an old friend, she's a great contributor, what a great spirit. And with her and a few other string players. And then COVID came, so I sat on this thing. And I sat on this thing for quite a while because part of the DIY situation that we're in now is that there's so much noise and there's so many competing avenues for attention, including your couch doing nothing. That's a big one. James VanOsdol: Yeah. Josh Chicoine: Yeah, so I sat on it and I didn't know what I was going to do. And so I applied for a grant. It was really the Department of Cultural Affairs and Special Events here in Chicago, they have an individual artist program, DCASE. James VanOsdol: DCASE. Shout out to DCASE. Josh Chicoine: They have a grant program every year, and I applied and I said, you know, I'm coming back into making things and this is what I want to do. I want to make a rock record in the city of Chicago using Chicago musicians out of Chicago studios. And that was really the kind of impetus to be like, okay, what do I want this Cult Canyon thing to be? And so that's when I looked back at those Golden Line songs, which are really lush string arrangements done by our good friend Dave Max Crawford of Poi Dog Pondering and the Total Pro Horns. And he does a fantastic job. I've been collaborating with him since the M's, he did a lot of those string arrangements and horn arrangements and stuff, so he's really adept and really tasteful. And so I was just like, why not bring it into everything that I'm doing and make Cult Canyon more of a catch-all and a place where, for one, I can do what I want and I can do it with others that I want to do it with, people that I love. And yeah, Alison Chesley, I met her through Susan because playing with quartets, you end up having a large stable of artists because people are busy or they want more money than you want to give them or can give them on any given night. So I was able to meet and reach out to a bunch of string players and continually find new ones in town that can fill a role for a time. And happily, Alison is on this record on a tune called Good Bad Habits. James VanOsdol: I love it. And the album sounds great. Now, we're recording this right before it comes out, like I said. The album is Smoke Tricks. We've had—we, the public—have experienced some of it already. Real Sublime is a single. You shot a video for this one. Josh Chicoine: I did. James VanOsdol: Was that your house you shot it in? Josh Chicoine: That was at my house, yeah. James VanOsdol: Very tastefully appointed. Josh Chicoine: Thank you. That's all due to my wife. James VanOsdol: You've got you in a convertible on the lakefront. Josh Chicoine: That's my buddy Al's '67 Oldsmobile. James VanOsdol: That's badass. Josh Chicoine: Pretty badass. We all need a buddy like Al. Al's the best. James VanOsdol: Convertible on the drive, clearly different time of year from when we're recording this. Josh Chicoine: Yeah. James VanOsdol: And is that the lake you jumped into or did you shoot that— Josh Chicoine: Yeah, jumped into the lake. Another good friend of mine is a Great Lake jumper, Dan O'Conor. James VanOsdol: He's a celebrated Great Lake jumper. Josh Chicoine: They continually celebrate Great Lake jumper. I think he did it for five years straight every day. And yeah, so I started going out there and doing that. So it wasn't so far afield to imagine, because what are videos now? I don't even know what they are. But for this one, it was like, all right, Al, let's get in a car, let's drive around. I got this GoPro, I'll stick it to your car, drive around, and then let's go to the lake and let's jump in the lake. James VanOsdol: So it doesn't necessarily tie back to the lyrics or the theme? Josh Chicoine: I don't think so. I mean, but maybe somebody sees something that I don't. I think that's part of my MO, at least, is to leave enough fog to allow for some interpretation. But yeah, this is more of kind of a performance, roll around, get some good footage, put a 1989 VHS filter on it and make it look cool and get it out. James VanOsdol: And you're a fan of film and what can be done with movies. Josh Chicoine: Yeah, for sure. I mean, I love film, I love movies, I love music movies. For eight years I was the co-founder and director of the Chicago International Movies and Music Festival. And we were all over the place throughout the city. And we would show movies from all over the world, like 33 countries usually were represented each year. And that was just, for me, was fascinating to figure out how to build something like that that could last and to raise money for it, you know, practicing all these adult skills that being in a van in a band on tour you're not really practicing too much. James VanOsdol: Do you miss doing CIMMfest? Josh Chicoine: There's a lot of it that I do. I really miss just the people and the spirit. I mean, we had an incredible group of volunteers that would come every year and really they were the ones that were able to activate this thing. And so I loved sitting around and dreaming, I loved building marketing materials, if only because then I could have something to go and take to people that I knew and a network that I was building. And I thought it was really a cool thing for the city and it really got me in touch with a lot of old friends and made so many new friends and it kept me—this was right after the M's, and the M's were kind of media darlings and played a lot of shows and, you know, I knew a lot of club owners and I knew publicists and I knew all that network. So it kind of allowed me personally to stay connected to that world. And coming out of there, that's what my kind of career goals were. I was just like, okay, I want to stay in this world, I want to stay connected to these people. So it was my friend Ilko Davidov, who's a Bulgarian filmmaker, and it was his concept. And I was just sort of the right person that was able to come and hoodwink a bunch of people into coming on board and giving me a bunch of money and being able to try to make this thing into a sustainable institution. We never quite got there. It's always resource-light and operations-heavy. And never quite got there, but still just some great memories and really happy and really proud of what we were able to build. James VanOsdol: Thinking about film and music and making short music films, I've wondered this out loud on this podcast before, but I feel like this is a golden moment. This is the time for artists to explore that side of things. I mean, it's not like the 1980s when I grew up, when videos were bankrolled by record labels and there were millions of dollars. Like, you grabbed a GoPro, you sit it on the dash—like, this is a real opportunity for creative expression, I think. I just don't know if enough independent artists are taking advantage of it. Josh Chicoine: I mean, if you look at—I'll have to disagree, I feel like, you know, the barriers are down and people now, everybody's got a pretty decent camera in their pocket at all times. Since the barriers are down and since everybody's got a camera, you can do whatever you want, put it up there, and not going to say it's good, most of it's not, most of it's schlock. But you at least have the opportunity to make something that's decent and the technology affords it. You don't even need to be great at editing. You can cobble stuff together. You really can. I mean, I use a really cheap editing software. James VanOsdol: Can I ask? Josh Chicoine: It's called CapCut. And the same company, I can't remember what they're called, the TikTok corporation, ByteDance. It's a ByteDance product. And I got it because it was cheap and another friend of mine was using it. And he was making some cool stuff, so I was just like, all right, I'm just going to dive in and start doing stuff. And so that's what I did. James VanOsdol: That's DIY. Roll up your sleeves, let's get to it. Josh Chicoine: Yeah, it's just—I had spent CIMMfest was so much about favors and so much about waiting for favors from people that you were either getting a deep discount from or not paying at all. And I know the pain, you know? And it's real. So if you have any kind of means by which you can get a hold of this stuff, then it's just about putting the work in and, you know, time is mine to give or throw away. So, yeah, it's just sort of—I keep getting better and better, I mean other people can be the judge of that, but I feel pretty good about what I've been able to do with hardly any resources. James VanOsdol: It's pretty cool. Josh Chicoine: Yeah, it's pretty cool. James VanOsdol: All right, going back to this album Smoke Tricks again, available on March 13th. Bitter Birdies is how we begin. If you listen close, actually you don't even need to listen that closely, there are dogs barking at the beginning of the song. Josh Chicoine: Yeah, Ralfy. James VanOsdol: I was going to ask. Josh Chicoine: It's my doggie. James VanOsdol: And you were aware when you were recording the dog was part of it, right? Josh Chicoine: Yeah, well, my producer, my co-producer on this was Todd Rittmann and Todd Rittmann was in US Maple. I don't know if you remember that band. Affiliated with Cheer-Accident, of course. James VanOsdol: Of course, always interesting. Josh Chicoine: Yes. Now he's in Dead Rider, for everybody out there who's watching, check out Dead Rider. Yeah, he's fascinating, he's got a great little studio called Shy Diamond Studio down in Logan, just north of Fullerton. And, you know, him and I kind of cobbled this thing together. And I never expected that the piano tracks were the final. So I would just make demos at my house and then I would send them to Todd and I'd be like, "Here's what I'm thinking for this song," and then we would try and fit it in somehow. And he was just—he's like a maestro. He was just like, "I love it, you're never taking away the dog's bark. We're keeping it in there 100%." So I was like, "All right, let's go." Piano sounded fine, sounded good, it's my piano in my living room. I loved it, and that's my boy Ralfy. So he's my spirit animal and I'm glad he's on the record too. James VanOsdol: Good boy, Ralfy. Josh Chicoine: He's a very good boy. James VanOsdol: On this song, I know you want people to interpret songs as, you know, as any artist would suggest, like you want to feel a connection, right? But you do mention "stuck here in Chicago" in that song. Were you feeling—do you feel a weird relationship with the city? Josh Chicoine: I think I love Chicago. It's my favorite city. It's especially my favorite city to come back to. I don't know if you've ever leave for like a little while, but when you come back, it's just like—ah. Especially when you're driving back home and like you catch that first glimpse of the skyline. That is a moment. It's real. So, I mean, when I got that grant from DCASE, it was like, "Oh no, now I got to write a record." They called your bluff. Every time for me, at least, I decide to write a record, I have to figure out how to write a record again. And that—it's like a lot of introspection and a lot of like, "Who am I now? What am I going to write about now?" And it takes a long—it took me a long time. And Bitter Birdies kind of came about based upon that piano that opens it up. I had that piece for a long time, but sort of like lyrically I wasn't quite sure. And my wife and I are going to be married 25 years in June. James VanOsdol: Congratulations, that's a big milestone. Josh Chicoine: Thank you. It's been wonderful. But seven years into our relationship, there was a breakup. Post-college, I mean I was dating her since I was 19. I've known her for a long time. So yeah, moved to Chicago, joined a band, you know, our lives were diverging. And so we broke up. And she went—she quit her job, she was like working at a financial firm downtown. I was in a band, so you can see divergence. For sure. But yeah, she quit her job, she went on walkabout in Europe for six months. And I took myself back to that time. And that time was sort of very freeing and very fun at the beginning, and then the longing just really set in and, you know, the longer my notes and messages would go to her, the shorter and shorter that they came back to me. So it appeared like she was moving on and there was something really heart-wrenching about that for me. So yeah, that song was about that. So, you know, she was having this really great experience and seeing all new things and new people and I was here stuck in Chicago. So I was living in a loft space where Salvage One is now off of Hubbard, between Wood and Wolcott. With these crazy artist people and there were raves and I was making a bunch of music. So it was just like this Kevin Bacon Quicksilver life that I was living. And I just started to really miss her, no matter what I was just like, "What if she came back here and she lived with me in this hovel and we could do this together?" And that's sort of the kind of emotional impulse that I felt from writing that and wanting to get out of it, you know, wanting to get out of that space. So nothing against Chicago, I love Chicago, but you know there's definitely moments where you're just like, "Okay, get me out of here." James VanOsdol: Write what you know. Josh Chicoine: That's I think what I came back to and when I was confronted with that idea and I keep a quote book and Louise Bourgeois said that, "If you're not writing about yourself, then it doesn't mean anything." And I'm parsing—I'm screwing that quote up, but I really took that to heart. So I was like, "Okay, well then I am going to write about myself and my experiences because it's all that I have really that I could feel a connection with." Oh, it's okay up there. I got an ambulance. Ambulance, police car, normal stuff. Stuck in Chicago. Here we are. James VanOsdol: Run Red Lights, which I don't recommend. I mean, I recommend the song. Who's doing the backup vocals on that? Josh Chicoine: Yeah, so that's my friend Melissa and Lindsay. Melissa Busch-Wolford and Lindsay Weinberg. And they play with me in a Fleetwood Mac tribute band called Second Hand News. James VanOsdol: Good segue. I was going to ask about that. Because the backup vocals have a really nice texture in that song in particular. Josh Chicoine: Thanks. James VanOsdol: And that actually dovetails perfectly to the question about working and being part of Second Hand News because you play with those harmonies which are magical. Clearly you bring some of that back to Cult Canyon. Josh Chicoine: Yeah, I think it for me it's always sort of been there. You can hear it in the M's, you can hear it if you listen to Sabres, you can hear it there too. Certainly with Cloudbirds it was very much about the harmonies. And yeah, as I started to enter into this promo world of Cult Canyon, I was just trying to like think about things that were a common thread. And harmonies, singing—that's how I kind of come up with ideas. I just kind of start with the voice, have something on the guitar that's fine. I'm a mediocre guitar player but it's really about voice and vocals. And so when I started playing in Second Hand News, you know, I had never been in a band with women before. I've played music with women before, but not in a band. So it was sort of like, "Oh, this whole another resource that I would love to bring into this project." And they were so game and, you know, they brought their whole selves to it and I think it really shows in the recording. James VanOsdol: I love it. Since we're on the topic of Fleetwood Mac, Tusk. Misunderstood classic or big awful mess? Josh Chicoine: Can it be both? Depends on which side you're on, yeah. I was really naive about Tusk and I had it in my record collection just from a bunch of records that somebody gave me. And I think at one point the—because there's two record sleeves in it—they both got kind of separated. So all of a sudden I had four record sleeves separated and I was like, "Wait a minute, this is a quadruple album? This is crazy." But it wasn't. There's a record sleeve that hides another record sleeve that has the record in it. That's how much money and wasteful money that they had. Because that's coming off Rumours. Like, they could do whatever they wanted. Lindsey Buckingham could do whatever he wanted. And he really did. He really did. And some of it, you know, it could be argued that he shouldn't have done it, but we still play a bunch of jams off of there. The title track to me is still one of the coolest songs of the 1970s. Super cool. I mean, there's a lot on there that are really unheralded. Think About Me is another really good one that we love to play. James VanOsdol: Sara's on that too, right? Josh Chicoine: Oh God, I'm going to get killed by my bandmates. Sara's on there, yeah, it's on there. Let's say yeah, when no one's looking it up. But yeah, we play Sara all the time and it's like seven minutes long and the audience loves it and Melissa crushes it. And yeah, those are just really fun songs to play. And the audiences are crazy. It's like there's 18-year-olds there. James VanOsdol: I was going to say. Josh Chicoine: There's 88-year-olds there. James VanOsdol: It's one of those bands that is transgenerational. My daughter, who's heading towards 21, Stevie Nicks is probably a top five artist for her. For her birthday a few years ago I took her to see Stevie Nicks at the United Center and it was this magical night for her. Like, we walked out of the United Center and she said, "I only cried three times." I'm like, "What do you mean you cried?" "Well, you know, during Gold Dust Woman and... oh gosh, what else did she cry during? Dreams, Rhiannon, and Landslide." Of course, classics. But I mean it is interesting how maybe millennials didn't give a shit, but suddenly like Gen Z is full on board with Stevie Nicks. Josh Chicoine: I take it back to that dude who was on the skateboard chugging cranberry juice and all of a sudden Dreams became something. But it just feels like it's cyclical. It keeps coming back, those songs are just so classic. Timeless, absolutely timeless. And the recordings of them were amazing. So it just seems like they're just not going to go away, which is great for Second Hand News. Yeah, I mean we played the Metro a couple weeks ago. That's amazing. James VanOsdol: That's nuts. Josh Chicoine: Yeah. I love it. James VanOsdol: And to your point, like all ages get into it. That's something you don't get to experience necessarily in the M's or Cult Canyon. Josh Chicoine: It's different. Yeah, it's different for sure. And I think that we—I've been told this by a lot of audience members after the show and they're just like glowing coming out after scream-singing at us for two hours. And they just say like, "You bring so much joy." And I really feel that. Like, we do. I mean the band is killer. And so the band in Second Hand News, the guitar player, bassist, drummer, Mike, Mike, and Dan, they play in Cult Canyon too. So they're the ones who are the backing band on this Cult Canyon record. So I just was just enamored with this whole group and just because we had such good times together on stage and in front of giant crowds and harmonizing and singing and playing those classic songs. So it was just kind of a natural little pivot to bring them into my songwriting and I was really happy that they did. James VanOsdol: I love that. So Rattleback Records, easily a favorite record store of mine. Josh Chicoine: Mm-hmm. James VanOsdol: Releasing the album on vinyl. How important was it for you to have this as a record, as an LP? Josh Chicoine: It was critical for me. I think one of the things—so I released the Sabres record in 2014. And it kind of, like many, many, many, many, many records out there, it just kind of gets—it's like, "Okay, it's out there," and then you tell your friends and then it just doesn't really go anywhere. James VanOsdol: And that ambitious ordering of 500 records turns into, "Okay, we're still sitting on 250." Josh Chicoine: I have a lot of CDs. Let's put it to you that way. Hit me up if you want a CD by Sabres. I'll just give it to you. It's got—anyway. Yeah, so I think I was determined to at least try and make a stink with this Cult Canyon record. And I really liked it. And so one of the first things I did was I talked to my friends in the AM Slingers, who are another Rattleback band and they're friends of mine too. And I knew that Paul over at Rattleback had put out a 7-inch of theirs. And by put out, I mean he paid for it. So he facilitated the production and then, you know, created a connection between the band and the record store. Really love that idea, you know? It's going to be DIY anyway, it's all about building community bit by bit by bit. So I was introduced to Paul kind of—I don't even remember when, it's probably a year ago now, if not more. And he was really intrigued and I sent him a bunch of songs including the Golden Line EP, which he really loved. And that just gave me a lot of confidence, and so I took this Smoke Tricks record and I was like, "I'm really looking for somebody to help me out with this." And he was game and continues to be game. James VanOsdol: I love that. Josh Chicoine: It was his dream to have a boutique record store. And that happened, and then it was his dream to have a boutique little tiny record label. So that happened. James VanOsdol: I've never been in that store, by the way, where it hasn't been busy. Josh Chicoine: Oh good. James VanOsdol: No, I mean I love going there. Like, they've got one of the best, I think, mixes of new and used and their prices are very reasonable. Josh Chicoine: I agree. I agree. Yeah, they have a lot of cool chotchkies around, good t-shirt collection. It's like a proper record store. James VanOsdol: And I mean if you're one of those budget-bin divers like there's dollar records, you'll hurt your knees going through them, but I mean there's occasionally gold to find in there. Josh Chicoine: I agree. It's everywhere. James VanOsdol: But yeah, it's a cool place, I mean right over there on Clark Street. And I love just that kind of brand extension for Rattleback. Like it makes so much sense. Josh Chicoine: I love that. I love that for Paul, I love that we were able to become a part of that and we're putting on a showcase of Rattleback Records artists May 29th at the Burlington. James VanOsdol: Nice. Which for the record, one of the loudest rooms in Chicago. Josh Chicoine: That's right. We'll do what we can, but I mean it's hard, it's like a lot of hard flat surfaces and they didn't do any soundproofing or nothing. So, yeah. James VanOsdol: That's good. That's part of its charm. Josh Chicoine: It's part of the charm. Yeah, yeah, you know what you're getting into when you go back there. Just bring earplugs, what's the big deal? James VanOsdol: Just bring ear—that's—if you bring earplugs, you're good. Josh Chicoine: Yeah, that's right. James VanOsdol: But if you go deaf, I mean who better to go deaf from? Josh Chicoine: Yeah, that's a badge of honor. It's a badge of honor. I mean it's not a good recommendation, I would say. But if you want good earplugs, just go to Sensaphonics down there on Milwaukee Avenue. Shout out. Yesterday was National Hearing Day and I got myself fitted for a new pair of earplugs. James VanOsdol: Smart. Josh Chicoine: And it basically—it's no joke. No, it's no joke if you listen to a lot of live music. It basically just turns the volume down. The clarity is still there versus sticking toilet paper in your ears or those foam things. James VanOsdol: Exactly what they feel like. Or those like pool noodles shrunk down. Josh Chicoine: Yeah, that's right. They're good if you want to sleep. If you're like on tour and everybody else snores in your hotel room, then those are really effective. James VanOsdol: For sure. All right, so Smoke Tricks is the album. It's awesome. It comes out on March 13th. The Hideout is the release show on March 14th. And onward and upward. What a great record, you really did it. Josh Chicoine: Thanks, man. I really appreciate it. That was nice talking to you. Are we done? Is this the wrap? James VanOsdol: This is the wrap. Josh Chicoine: All right, love it.

In this episode of Car Con Carne, James VanOsdol welcomes Josh Chicoine, the creative force behind Cult Canyon, to discuss the release of the debut album, Smoke Tricks. The conversation delves into the evolution of Josh's musical projects, from the raw energy of the M's and the acoustic harmonies of Cloudbirds to the collaborative and sophisticated sound of Cult Canyon. Key Highlights: The Making of Smoke Tricks: Josh explains how the album, initially inspired by string arrangements recorded in 2019, was brought to life through a grant from the Department of Cultural Affairs and Special Events (DCASE). Creative Collaborations: The album features contributions from talented musicians like Alison Chesley, Susan Voelz, and Dave Max Crawford, as well as backup vocals from Melissa Busch-Wolford and Lindsay Weinberg. DIY Spirit: Josh shares his experiences with the DIY approach to music, from producing and promoting records to filming music videos with a GoPro and a vintage VHS filter. The Influence of Chicago: The city of Chicago serves as a backdrop for the album, with Josh reflecting on his relationship with the city and the local music scene. Second Hand News: Josh and James discuss his involvement in the Fleetwood Mac tribute band, Second Hand News, and the transgenerational appeal of the legendary band's music. Album Information: Item Details Artist Cult Canyon Album Title Smoke Tricks Release Date March 13, 2026 Label Rattleback Records Release Show The Hideout, March 14, 2026 This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote. Episode Transcript (Note: Auto-generated transcript; errors are possible) James VanOsdol: This right here is Car Con Carne. Car Con Carne is a Q101 podcast. I'm James VanOsdol. Car Con Carne is brought to you by Exploding House Printing. They’re based in Hermosa and they specialize in screen printing, embroidery, and custom merch for bands and brands. Check them out on explodinghouseprinting.com. Get a quote, see all the people, businesses, bands, and brands that they’ve worked with. Explodinghouseprinting.com. (Theme song plays) James VanOsdol: So, after the Golden Line EP a few years ago, Cult Canyon is set to release its debut album, Smoke Tricks, on March 13th. The album will be released on lovely vinyl via Rattleback Records and the release will be celebrated with a live show at The Hideout the following night. Josh Chicoine, whose creative resume is deep, impressive, and familiar, joins me in the car on a rainy, dreary, just kind of shitty transitional winter-into-spring night. Josh Chicoine: Muck, winter mix. James VanOsdol: Let’s talk about Cult Canyon. We’re here, the album’s almost out as we’re sitting here talking about it. Josh Chicoine: It is. James VanOsdol: A lot of us came to know you from your time with the M’s earlier this century. Have you metaphorically moved from the garage to the living room with these projects? Josh Chicoine: It feels like I have. I mean, there was definitely a lot of garage influences happening with the M's. Certainly a DIY spirit. James VanOsdol: That kind of raw immediacy. Josh Chicoine: Yeah, I think we were trying to—well, it was of the time too. So this was the early 2000s, there was a lot of that stuff rolling around. And we kind of fit into that mix and just wanted to bring our own little flavor, which is heavily melodic, a lot of singing, a lot of gang vocals, which is one of my favorite things to do. And still, I guess, pop ethos, you know? Major and minor chords, nothing crazy. But yeah, we got done with that and I started a three-piece singing group called Cloudbirds and did that for about three years with a couple of guys that were in the M’s also, Joey King and Glenn Russell. And that was definitely in the living room. That was acoustic guitars, sometimes we had electric, but mostly acoustic music and three-part harmonies and very folky. And it was a real welcome relief, I’d say, to almost 10 years of loud guitars and bashing drums and shouting vocals. James VanOsdol: You weren’t pounding kids anymore. Josh Chicoine: We were not. We were not, and we kind of got started late anyway. So by the time 2009 rolled around, I was probably in my mid-30s, early 30s, everybody was kind of getting into their 30s. So being on the road was just awful. I think I was about ready to have my first child. And so yeah, the whole kind of idea shifted. And so we just couldn’t sustain that. So being in a singing group and just three guys, a lot easier to organize practices and singing some sweet melodies and harmonies, and that was more my style. And I kind of chased that for a little while, and then I had a new band called Sabres and I tried to do the rock thing again in 2014 and self-released that record, put a lot of time into that record. And it was another big record. And I found out I was just really tired. The DIY thing is that you have to do it yourself. So that means producing the record, promoting the record, getting all the artwork together, getting five people—now more grown people—to get together for any rehearsal, any show. I thought it was going to maybe be a bit easier, but it just wasn't. It wasn't easy, so I had to put that down. James VanOsdol: DIY is hard. We’re doing DIY right now in a car on urban radio in 2026. I do it in my car with a couple of cheap—see how the world has shifted for us both. Josh Chicoine: It has. I might say for the better. James VanOsdol: One would argue or could argue that, yeah. We’re our own bosses. Josh Chicoine: I think so. Yeah, there you go. James VanOsdol: You’re the CEO of Cult Canyon. Josh Chicoine: I am the CEO of Cult Canyon. I have a lot of contributors and collaborators, which I’m very thankful for. James VanOsdol: Let’s talk about some of them. Alison Chesley is a contributor. Josh Chicoine: She is. She is actually appearing on the latest record. To go back to the Golden Line EP in 2019, so right before COVID, I released an EP called Josh Chicoine and it was called Dream Believers. And I was imagining this trajectory where the next bunch of songs would include a string quartet. And so in 2019, early 2019, I recorded three songs including with Susan Voelz, who’s a good friend also. James VanOsdol: She’s delightful. Josh Chicoine: Yeah, she’s delightful, she’s an old friend, she’s a great contributor, what a great spirit. And with her and a few other string players. And then COVID came, so I sat on this thing. And I sat on this thing for quite a while because part of the DIY situation that we’re in now is that there’s so much noise and there’s so many competing avenues for attention, including your couch doing nothing. That’s a big one. James VanOsdol: Yeah. Josh Chicoine: Yeah, so I sat on it and I didn’t know what I was going to do. And so I applied for a grant. It was really the Department of Cultural Affairs and Special Events here in Chicago, they have an individual artist program, DCASE. James VanOsdol: DCASE. Shout out to DCASE. Josh Chicoine: They have a grant program every year, and I applied and I said, you know, I’m coming back into making things and this is what I want to do. I want to make a rock record in the city of Chicago using Chicago musicians out of Chicago studios. And that was really the kind of impetus to be like, okay, what do I want this Cult Canyon thing to be? And so that’s when I looked back at those Golden Line songs, which are really lush string arrangements done by our good friend Dave Max Crawford of Poi Dog Pondering and the Total Pro Horns. And he does a fantastic job. I’ve been collaborating with him since the M’s, he did a lot of those string arrangements and horn arrangements and stuff, so he’s really adept and really tasteful. And so I was just like, why not bring it into everything that I’m doing and make Cult Canyon more of a catch-all and a place where, for one, I can do what I want and I can do it with others that I want to do it with, people that I love. And yeah, Alison Chesley, I met her through Susan because playing with quartets, you end up having a large stable of artists because people are busy or they want more money than you want to give them or can give them on any given night. So I was able to meet and reach out to a bunch of string players and continually find new ones in town that can fill a role for a time. And happily, Alison is on this record on a tune called Good Bad Habits. James VanOsdol: I love it. And the album sounds great. Now, we’re recording this right before it comes out, like I said. The album is Smoke Tricks. We’ve had—we, the public—have experienced some of it already. Real Sublime is a single. You shot a video for this one. Josh Chicoine: I did. James VanOsdol: Was that your house you shot it in? Josh Chicoine: That was at my house, yeah. James VanOsdol: Very tastefully appointed. Josh Chicoine: Thank you. That’s all due to my wife. James VanOsdol: You’ve got you in a convertible on the lakefront. Josh Chicoine: That’s my buddy Al’s ‘67 Oldsmobile. James VanOsdol: That’s badass. Josh Chicoine: Pretty badass. We all need a buddy like Al. Al’s the best. James VanOsdol: Convertible on the drive, clearly different time of year from when we’re recording this. Josh Chicoine: Yeah. James VanOsdol: And is that the lake you jumped into or did you shoot that— Josh Chicoine: Yeah, jumped into the lake. Another good friend of mine is a Great Lake jumper, Dan O’Conor. James VanOsdol: He’s a celebrated Great Lake jumper. Josh Chicoine: They continually celebrate Great Lake jumper. I think he did it for five years straight every day. And yeah, so I started going out there and doing that. So it wasn’t so far afield to imagine, because what are videos now? I don’t even know what they are. But for this one, it was like, all right, Al, let’s get in a car, let’s drive around. I got this GoPro, I’ll stick it to your car, drive around, and then let’s go to the lake and let’s jump in the lake. James VanOsdol: So it doesn’t necessarily tie back to the lyrics or the theme? Josh Chicoine: I don’t think so. I mean, but maybe somebody sees something that I don’t. I think that’s part of my MO, at least, is to leave enough fog to allow for some interpretation. But yeah, this is more of kind of a performance, roll around, get some good footage, put a 1989 VHS filter on it and make it look cool and get it out. James VanOsdol: And you’re a fan of film and what can be done with movies. Josh Chicoine: Yeah, for sure. I mean, I love film, I love movies, I love music movies. For eight years I was the co-founder and director of the Chicago International Movies and Music Festival. And we were all over the place throughout the city. And we would show movies from all over the world, like 33 countries usually were represented each year. And that was just, for me, was fascinating to figure out how to build something like that that could last and to raise money for it, you know, practicing all these adult skills that being in a van in a band on tour you’re not really practicing too much. James VanOsdol: Do you miss doing CIMMfest? Josh Chicoine: There’s a lot of it that I do. I really miss just the people and the spirit. I mean, we had an incredible group of volunteers that would come every year and really they were the ones that were able to activate this thing. And so I loved sitting around and dreaming, I loved building marketing materials, if only because then I could have something to go and take to people that I knew and a network that I was building. And I thought it was really a cool thing for the city and it really got me in touch with a lot of old friends and made so many new friends and it kept me—this was right after the M’s, and the M’s were kind of media darlings and played a lot of shows and, you know, I knew a lot of club owners and I knew publicists and I knew all that network. So it kind of allowed me personally to stay connected to that world. And coming out of there, that’s what my kind of career goals were. I was just like, okay, I want to stay in this world, I want to stay connected to these people. So it was my friend Ilko Davidov, who’s a Bulgarian filmmaker, and it was his concept. And I was just sort of the right person that was able to come and hoodwink a bunch of people into coming on board and giving me a bunch of money and being able to try to make this thing into a sustainable institution. We never quite got there. It’s always resource-light and operations-heavy. And never quite got there, but still just some great memories and really happy and really proud of what we were able to build. James VanOsdol: Thinking about film and music and making short music films, I’ve wondered this out loud on this podcast before, but I feel like this is a golden moment. This is the time for artists to explore that side of things. I mean, it’s not like the 1980s when I grew up, when videos were bankrolled by record labels and there were millions of dollars. Like, you grabbed a GoPro, you sit it on the dash—like, this is a real opportunity for creative expression, I think. I just don’t know if enough independent artists are taking advantage of it. Josh Chicoine: I mean, if you look at—I’ll have to disagree, I feel like, you know, the barriers are down and people now, everybody’s got a pretty decent camera in their pocket at all times. Since the barriers are down and since everybody’s got a camera, you can do whatever you want, put it up there, and not going to say it’s good, most of it’s not, most of it’s schlock. But you at least have the opportunity to make something that’s decent and the technology affords it. You don't even need to be great at editing. You can cobble stuff together. You really can. I mean, I use a really cheap editing software. James VanOsdol: Can I ask? Josh Chicoine: It’s called CapCut. And the same company, I can’t remember what they’re called, the TikTok corporation, ByteDance. It’s a ByteDance product. And I got it because it was cheap and another friend of mine was using it. And he was making some cool stuff, so I was just like, all right, I’m just going to dive in and start doing stuff. And so that’s what I did. James VanOsdol: That’s DIY. Roll up your sleeves, let’s get to it. Josh Chicoine: Yeah, it’s just—I had spent CIMMfest was so much about favors and so much about waiting for favors from people that you were either getting a deep discount from or not paying at all. And I know the pain, you know? And it’s real. So if you have any kind of means by which you can get a hold of this stuff, then it’s just about putting the work in and, you know, time is mine to give or throw away. So, yeah, it’s just sort of—I keep getting better and better, I mean other people can be the judge of that, but I feel pretty good about what I’ve been able to do with hardly any resources. James VanOsdol: It’s pretty cool. Josh Chicoine: Yeah, it’s pretty cool. James VanOsdol: All right, going back to this album Smoke Tricks again, available on March 13th. Bitter Birdies is how we begin. If you listen close, actually you don’t even need to listen that closely, there are dogs barking at the beginning of the song. Josh Chicoine: Yeah, Ralfy. James VanOsdol: I was going to ask. Josh Chicoine: It’s my doggie. James VanOsdol: And you were aware when you were recording the dog was part of it, right? Josh Chicoine: Yeah, well, my producer, my co-producer on this was Todd Rittmann and Todd Rittmann was in US Maple. I don’t know if you remember that band. Affiliated with Cheer-Accident, of course. James VanOsdol: Of course, always interesting. Josh Chicoine: Yes. Now he’s in Dead Rider, for everybody out there who’s watching, check out Dead Rider. Yeah, he’s fascinating, he’s got a great little studio called Shy Diamond Studio down in Logan, just north of Fullerton. And, you know, him and I kind of cobbled this thing together. And I never expected that the piano tracks were the final. So I would just make demos at my house and then I would send them to Todd and I’d be like, “Here’s what I’m thinking for this song,” and then we would try and fit it in somehow. And he was just—he’s like a maestro. He was just like, “I love it, you’re never taking away the dog’s bark. We’re keeping it in there 100%.” So I was like, “All right, let’s go.” Piano sounded fine, sounded good, it’s my piano in my living room. I loved it, and that’s my boy Ralfy. So he’s my spirit animal and I’m glad he’s on the record too. James VanOsdol: Good boy, Ralfy. Josh Chicoine: He’s a very good boy. James VanOsdol: On this song, I know you want people to interpret songs as, you know, as any artist would suggest, like you want to feel a connection, right? But you do mention “stuck here in Chicago” in that song. Were you feeling—do you feel a weird relationship with the city? Josh Chicoine: I think I love Chicago. It’s my favorite city. It’s especially my favorite city to come back to. I don’t know if you’ve ever leave for like a little while, but when you come back, it’s just like—ah. Especially when you’re driving back home and like you catch that first glimpse of the skyline. That is a moment. It’s real. So, I mean, when I got that grant from DCASE, it was like, “Oh no, now I got to write a record.” They called your bluff. Every time for me, at least, I decide to write a record, I have to figure out how to write a record again. And that—it’s like a lot of introspection and a lot of like, “Who am I now? What am I going to write about now?” And it takes a long—it took me a long time. And Bitter Birdies kind of came about based upon that piano that opens it up. I had that piece for a long time, but sort of like lyrically I wasn’t quite sure. And my wife and I are going to be married 25 years in June. James VanOsdol: Congratulations, that’s a big milestone. Josh Chicoine: Thank you. It’s been wonderful. But seven years into our relationship, there was a breakup. Post-college, I mean I was dating her since I was 19. I’ve known her for a long time. So yeah, moved to Chicago, joined a band, you know, our lives were diverging. And so we broke up. And she went—she quit her job, she was like working at a financial firm downtown. I was in a band, so you can see divergence. For sure. But yeah, she quit her job, she went on walkabout in Europe for six months. And I took myself back to that time. And that time was sort of very freeing and very fun at the beginning, and then the longing just really set in and, you know, the longer my notes and messages would go to her, the shorter and shorter that they came back to me. So it appeared like she was moving on and there was something really heart-wrenching about that for me. So yeah, that song was about that. So, you know, she was having this really great experience and seeing all new things and new people and I was here stuck in Chicago. So I was living in a loft space where Salvage One is now off of Hubbard, between Wood and Wolcott. With these crazy artist people and there were raves and I was making a bunch of music. So it was just like this Kevin Bacon Quicksilver life that I was living. And I just started to really miss her, no matter what I was just like, “What if she came back here and she lived with me in this hovel and we could do this together?” And that’s sort of the kind of emotional impulse that I felt from writing that and wanting to get out of it, you know, wanting to get out of that space. So nothing against Chicago, I love Chicago, but you know there’s definitely moments where you’re just like, “Okay, get me out of here.” James VanOsdol: Write what you know. Josh Chicoine: That’s I think what I came back to and when I was confronted with that idea and I keep a quote book and Louise Bourgeois said that, “If you’re not writing about yourself, then it doesn’t mean anything.” And I’m parsing—I’m screwing that quote up, but I really took that to heart. So I was like, “Okay, well then I am going to write about myself and my experiences because it’s all that I have really that I could feel a connection with.” Oh, it’s okay up there. I got an ambulance. Ambulance, police car, normal stuff. Stuck in Chicago. Here we are. James VanOsdol: Run Red Lights, which I don’t recommend. I mean, I recommend the song. Who’s doing the backup vocals on that? Josh Chicoine: Yeah, so that’s my friend Melissa and Lindsay. Melissa Busch-Wolford and Lindsay Weinberg. And they play with me in a Fleetwood Mac tribute band called Second Hand News. James VanOsdol: Good segue. I was going to ask about that. Because the backup vocals have a really nice texture in that song in particular. Josh Chicoine: Thanks. James VanOsdol: And that actually dovetails perfectly to the question about working and being part of Second Hand News because you play with those harmonies which are magical. Clearly you bring some of that back to Cult Canyon. Josh Chicoine: Yeah, I think it for me it’s always sort of been there. You can hear it in the M’s, you can hear it if you listen to Sabres, you can hear it there too. Certainly with Cloudbirds it was very much about the harmonies. And yeah, as I started to enter into this promo world of Cult Canyon, I was just trying to like think about things that were a common thread. And harmonies, singing—that’s how I kind of come up with ideas. I just kind of start with the voice, have something on the guitar that’s fine. I’m a mediocre guitar player but it’s really about voice and vocals. And so when I started playing in Second Hand News, you know, I had never been in a band with women before. I’ve played music with women before, but not in a band. So it was sort of like, “Oh, this whole another resource that I would love to bring into this project.” And they were so game and, you know, they brought their whole selves to it and I think it really shows in the recording. James VanOsdol: I love it. Since we’re on the topic of Fleetwood Mac, Tusk. Misunderstood classic or big awful mess? Josh Chicoine: Can it be both? Depends on which side you’re on, yeah. I was really naive about Tusk and I had it in my record collection just from a bunch of records that somebody gave me. And I think at one point the—because there’s two record sleeves in it—they both got kind of separated. So all of a sudden I had four record sleeves separated and I was like, “Wait a minute, this is a quadruple album? This is crazy.” But it wasn’t. There’s a record sleeve that hides another record sleeve that has the record in it. That’s how much money and wasteful money that they had. Because that’s coming off Rumours. Like, they could do whatever they wanted. Lindsey Buckingham could do whatever he wanted. And he really did. He really did. And some of it, you know, it could be argued that he shouldn’t have done it, but we still play a bunch of jams off of there. The title track to me is still one of the coolest songs of the 1970s. Super cool. I mean, there’s a lot on there that are really unheralded. Think About Me is another really good one that we love to play. James VanOsdol: Sara’s on that too, right? Josh Chicoine: Oh God, I’m going to get killed by my bandmates. Sara’s on there, yeah, it’s on there. Let’s say yeah, when no one’s looking it up. But yeah, we play Sara all the time and it’s like seven minutes long and the audience loves it and Melissa crushes it. And yeah, those are just really fun songs to play. And the audiences are crazy. It’s like there’s 18-year-olds there. James VanOsdol: I was going to say. Josh Chicoine: There’s 88-year-olds there. James VanOsdol: It’s one of those bands that is transgenerational. My daughter, who’s heading towards 21, Stevie Nicks is probably a top five artist for her. For her birthday a few years ago I took her to see Stevie Nicks at the United Center and it was this magical night for her. Like, we walked out of the United Center and she said, “I only cried three times.” I’m like, “What do you mean you cried?” “Well, you know, during Gold Dust Woman and... oh gosh, what else did she cry during? Dreams, Rhiannon, and Landslide.” Of course, classics. But I mean it is interesting how maybe millennials didn’t give a shit, but suddenly like Gen Z is full on board with Stevie Nicks. Josh Chicoine: I take it back to that dude who was on the skateboard chugging cranberry juice and all of a sudden Dreams became something. But it just feels like it’s cyclical. It keeps coming back, those songs are just so classic. Timeless, absolutely timeless. And the recordings of them were amazing. So it just seems like they’re just not going to go away, which is great for Second Hand News. Yeah, I mean we played the Metro a couple weeks ago. That’s amazing. James VanOsdol: That’s nuts. Josh Chicoine: Yeah. I love it. James VanOsdol: And to your point, like all ages get into it. That’s something you don’t get to experience necessarily in the M’s or Cult Canyon. Josh Chicoine: It’s different. Yeah, it’s different for sure. And I think that we—I’ve been told this by a lot of audience members after the show and they’re just like glowing coming out after scream-singing at us for two hours. And they just say like, “You bring so much joy.” And I really feel that. Like, we do. I mean the band is killer. And so the band in Second Hand News, the guitar player, bassist, drummer, Mike, Mike, and Dan, they play in Cult Canyon too. So they’re the ones who are the backing band on this Cult Canyon record. So I just was just enamored with this whole group and just because we had such good times together on stage and in front of giant crowds and harmonizing and singing and playing those classic songs. So it was just kind of a natural little pivot to bring them into my songwriting and I was really happy that they did. James VanOsdol: I love that. So Rattleback Records, easily a favorite record store of mine. Josh Chicoine: Mm-hmm. James VanOsdol: Releasing the album on vinyl. How important was it for you to have this as a record, as an LP? Josh Chicoine: It was critical for me. I think one of the things—so I released the Sabres record in 2014. And it kind of, like many, many, many, many, many records out there, it just kind of gets—it’s like, “Okay, it’s out there,” and then you tell your friends and then it just doesn’t really go anywhere. James VanOsdol: And that ambitious ordering of 500 records turns into, “Okay, we’re still sitting on 250.” Josh Chicoine: I have a lot of CDs. Let’s put it to you that way. Hit me up if you want a CD by Sabres. I’ll just give it to you. It’s got—anyway. Yeah, so I think I was determined to at least try and make a stink with this Cult Canyon record. And I really liked it. And so one of the first things I did was I talked to my friends in the AM Slingers, who are another Rattleback band and they’re friends of mine too. And I knew that Paul over at Rattleback had put out a 7-inch of theirs. And by put out, I mean he paid for it. So he facilitated the production and then, you know, created a connection between the band and the record store. Really love that idea, you know? It’s going to be DIY anyway, it’s all about building community bit by bit by bit. So I was introduced to Paul kind of—I don’t even remember when, it’s probably a year ago now, if not more. And he was really intrigued and I sent him a bunch of songs including the Golden Line EP, which he really loved. And that just gave me a lot of confidence, and so I took this Smoke Tricks record and I was like, “I’m really looking for somebody to help me out with this.” And he was game and continues to be game. James VanOsdol: I love that. Josh Chicoine: It was his dream to have a boutique record store. And that happened, and then it was his dream to have a boutique little tiny record label. So that happened. James VanOsdol: I’ve never been in that store, by the way, where it hasn’t been busy. Josh Chicoine: Oh good. James VanOsdol: No, I mean I love going there. Like, they’ve got one of the best, I think, mixes of new and used and their prices are very reasonable. Josh Chicoine: I agree. I agree. Yeah, they have a lot of cool chotchkies around, good t-shirt collection. It’s like a proper record store. James VanOsdol: And I mean if you’re one of those budget-bin divers like there’s dollar records, you’ll hurt your knees going through them, but I mean there’s occasionally gold to find in there. Josh Chicoine: I agree. It’s everywhere. James VanOsdol: But yeah, it’s a cool place, I mean right over there on Clark Street. And I love just that kind of brand extension for Rattleback. Like it makes so much sense. Josh Chicoine: I love that. I love that for Paul, I love that we were able to become a part of that and we’re putting on a showcase of Rattleback Records artists May 29th at the Burlington. James VanOsdol: Nice. Which for the record, one of the loudest rooms in Chicago. Josh Chicoine: That’s right. We’ll do what we can, but I mean it’s hard, it’s like a lot of hard flat surfaces and they didn’t do any soundproofing or nothing. So, yeah. James VanOsdol: That’s good. That’s part of its charm. Josh Chicoine: It’s part of the charm. Yeah, yeah, you know what you’re getting into when you go back there. Just bring earplugs, what’s the big deal? James VanOsdol: Just bring ear—that’s—if you bring earplugs, you’re good. Josh Chicoine: Yeah, that’s right. James VanOsdol: But if you go deaf, I mean who better to go deaf from? Josh Chicoine: Yeah, that’s a badge of honor. It’s a badge of honor. I mean it’s not a good recommendation, I would say. But if you want good earplugs, just go to Sensaphonics down there on Milwaukee Avenue. Shout out. Yesterday was National Hearing Day and I got myself fitted for a new pair of earplugs. James VanOsdol: Smart. Josh Chicoine: And it basically—it’s no joke. No, it’s no joke if you listen to a lot of live music. It basically just turns the volume down. The clarity is still there versus sticking toilet paper in your ears or those foam things. James VanOsdol: Exactly what they feel like. Or those like pool noodles shrunk down. Josh Chicoine: Yeah, that’s right. They’re good if you want to sleep. If you’re like on tour and everybody else snores in your hotel room, then those are really effective. James VanOsdol: For sure. All right, so Smoke Tricks is the album. It’s awesome. It comes out on March 13th. The Hideout is the release show on March 14th. And onward and upward. What a great record, you really did it. Josh Chicoine: Thanks, man. I really appreciate it. That was nice talking to you. Are we done? Is this the wrap? James VanOsdol: This is the wrap. Josh Chicoine: All right, love it. See omnystudio.com/listener for privacy information.

Deacon Victor Valenzuela is assigned to St. Mary Church in Fullerton.  He is married, with two adult children.  He is a licensed social worker who is retired from 31 years of employment at Kaiser Permanente.  He is a former seminarian who has worked in a variety of ministries.  His wife is Diane.  Today, Deacon Victor continues his conversation with guests Susan & Matt Heffron. Support the show

The Jim Rome Show HR 2 - 3/2/26 Jim reviews the NFL Combine with the winners and losers from Indianapolis. Then, Jim breaks down After Hour co-host, Adam Rank's viral clip from the Cal State Fullerton loss from over the weekend. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tim Conway Jr. Show Hour 1 (2.27) Today it’s hot as hell outside, so just live your life and be free from concerns regarding global warming — ’cause there isn’t a damn thing you can do about it. Warners signs the deal with Paramount, making it one big-ass studio. Netflix stock went through the roof, up almost 14%. Today, pop icon Neil Sedaka passed away at the age of 86. Remember a few weeks back, when a toddler fell out of an SUV as her mother was driving through an intersection? Well, that moment in Fullerton was captured on video and now the woman has now been arrested and charged, and she’s not allowed within five yards of her toddler. See omnystudio.com/listener for privacy information.

The crew is LIVE from Visionworks in Fullerton today! They react to last night's Lakers loss - another missed buzzer-beater - was that embarrassing... or just predictable? Berg asks if Luka should be subbed out for defensive purposes at the end of games? If they do that... what does it say about Luka and being the best player on the team? Can you be the best player if the other side of the ball is non-existent? Austin Reaves only had 14 points, and Luka had 41 - is Reaves really supposed to be the No.2 that the Lakers build around with Luka?? The crew is joined by Visionworks General Manager Brea Mike Sujishi who presets Kap with his new prescription glasses! Learn more about your ad choices. Visit podcastchoices.com/adchoices

LIVE from Visionworks in Fullerton. Beto Duran is here! Kap asks Beto how the postgame show went last night after the Lakers' disastrous loss and as a man of the people, he lays it all out! Do the Lakers have a coaching problem? Beto has some insight… ESPN's Jay Williams had some strong words for Luka - he doesn't think he can lead a championship team, is he right? The crew debates - Have any of the role players showed they have a place on this team next year? Learn more about your ad choices. Visit podcastchoices.com/adchoices

LIVE from Visionworks in Fullerton. For the YouTube Hour, Morales hands the mic over to some listeners, including the one and only Cambone! ESPNLA Kings Insider Sam Betesh stops by and talks about what happened at last night's Kings game. The Lindsey Segment! Producer Lindsey asks the guys if they return their shopping carts at the grocery store parking lot. Dr. Alice Pang, Optometrist at Fullerton Visionworks joins the show and the crew talks about their experience getting their eye exams and brand new frames! Morales gives social producer Dean 60 seconds for his best take on the Lakers - and it leads to him glazing LeBron. For Dealer's Choice presented by Sellers Advantage he thanks everyone at Visionworks! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Backcountry skiing safety comes into focus — why avalanches are one of the deadliest risks in the mountains, and what people think they’re prepared for versus what actually saves lives (training, terrain choices, and having the right rescue gear). A devastating update out of the Sierra: an avalanche near Lake Tahoe’s Castle Peak area left eight backcountry skiers dead, with one person still missing, according to authorities. Back at home, the latest storms bring a mess of wind and rain across Southern California — downed trees, dangerous road conditions, and the kind of weather that turns normal streets into swift-water hazards. Fullerton in particular got hammered, with multiple large trees coming down in a neighborhood. See omnystudio.com/listener for privacy information.

Why do so many of our prayers seem to go unanswered? John Mark tackles one of the most difficult tensions in the Christian life: how to square Jesus's bold promise of "ask anything in my name and I will do it" with the reality of unanswered prayer. He explores fifteen reasons our prayers might not be answered the way we expect and closes by introducing the ancient practice of lament as a way to meet God honestly in our pain.Key Scripture Passages: John 14v12-14; John 15v7, 16; John 16v23-24; Psalm 13; Psalm 66v18; Isaiah 58This podcast and its episodes are paid for by The Circle, our community of monthly givers. Special thanks for this episode goes to: Matthew from Fullerton, California; Kree from Bismarck, North Dakota; Lee from Newcastle-under-Lyme, Staffordshire; Benjamin from Conroe, Texas; and Amy from Wilton, New York. Thank you all so much!If you'd like to pay it forward and contribute toward future resources, you can learn more at practicingtheway.org/give.

This week on Herbal Radio, we are joined again by the educator, gardener, author, and 2022 recipient of the Grants 4 Plants program, Tyrone Ledford. Join host Lucretia Van Dyke and Tyrone as they explore: Navigating life through trauma: adolescence into adulthood Community gardening to grow awareness of wellness How enslaved Africans cultivated American agriculture Bridging the gap between the person and the plant Tyrone's new book, Cultivating Abundance in Harsh Climates: A Guide to Desert Gardening As always, we thank you for joining us on another botanical adventure and are so honored to have you tag along with us on this ride. Remember, we want to hear from you! Your questions, ideas, and who you want to hear from are an invaluable piece to our podcast. Email us at podcast@mountainroseherbs.com to let us know what solutions we should uncover next within the vast world of herbalism. Learn more about Tyrone and Lucretia below! 

What is wrong with men with nieces, men with thousands of plants, and men who rock climb? NYC comedian Stewart Fullerton is here with her official list of red flags for the unfairer sex and we are laughing through all of it. (Spoiler, we're not full-on misandrists we just love a giggle!) We also talk about toxic boy moms, car sex in LA, Stewart's rules for dating within a friend group, and how putting an intentional pause on her dating life has helped her career soar. If you date boys we highly recommend this episode and if you ARE a boy (are you a boy??) we challenge you to listen to it ALL THE WAY THROUGH. We promise, there will be a big payoff! Love How C*m? -- RATE, REVIEW & SUBSCRIBE  Follow Stewart @stewartandchill Follow / DM us at @HowCumPodcast @RemyKassimir Support the podcast/ get extras on Patreon Check out our website for extra info & merch!