Podcast appearances and mentions of matt sakakeeny

El silencio es parte indispensable de la música, aunque se trate terminológicamente hablando de “la ausencia total de sonido”, y está presente en mayor o menor medida en cualquier composición musical. El silencio también es el punto de confluencia de músicos como los del colectivo Wandelweiser._____Has escuchadoDedekind Duos (2003) / Antoine Beuger. Carl Ludwig Hübsch, tuba; Pierre-Yves Martel, viola da gamba. Inexhaustible Editions (2020)Empty Rooms (2016) / Raf Mur Ros. DRAMA! Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 7 de diciembre de 2016Fields Have Ears (2019) / Michael Pisaro. Cristián Alvear, guitarra (e-guitar). Autoedición (2020)I Listened to the Wind Again (2017) / Jürg Frey. Hélène Fauchère, soprano; Carol Robinson, clarinete; Nathalie Chabot, violín; Agnès Vesterman, violonchelo; Garth Knox, viola; Sylvain Lemêtre, percusión. Louth Contemporary Music Society (2021)Abgemalt (2009) / Eva-Maria Houben. R. Andrew Lee, piano. Irritable Hedgehog (2013)_____Selección bibliográficaBURNARD, Pamela, et al., “Identifying New Parameters Informing the Relationship Between Silence and Sound in diverse musical performance practices and perception”. IJMSTA, vol. 3, n.º 1 (2021), pp. 7-17*DEAVILLE, James, “The Well-Mannered Auditor: Zones of Attention and the Imposition of Silence in the Salon of the Nineteenth Century”. En: The Oxford Handbook of Music Listening in the 19th and 20th Centuries. Editado por Christian Thorau y Hansjakob Ziemer. Oxford University Press, 2019*DENZLER, Bertrand y Jean-Luc Guionnet (eds.), The Practice of Musical Improvisation: Dialogues with Contemporary Musical Improvisers. Bloomsbury Academic, 2020*ENGELHARDT, Jeffers, “Vibrating, and Silent: Listening to the Material Acoustics of Tintinnabulation”. En: Arvo Pärt: Sounding the Sacred. Editado por Peter C. Bouteneff, Jeffers Engelhardt y Robert Saler. Fordham University Press, 2020EPSTEIN, Nomi, “Musical Fragility: A Phenomenological Examination”. Tempo, vol. 71, n.º 281 (2017), pp. 39-52*GOTTSCHALK, Jennie, Experimental Music Since 1970. Bloomsbury Academic, 2016*HAINGE, Greg, “Sound is Silence”. En: The Oxford Handbook of Sound Art. Editado por Jane Grant, John Matthias y David Prior. Oxford University Press, 2021*JUDKINS, Jennifer, “Silence, Sound, Noise and Music”. En: The Routledge Companion to Philosophy and Music. Editado por Theodore Gracyk, Andrew Kania, et al. Routledge, 2011*KAHN, Douglas, “John Cage: Silence and Silencing”. The Musical Quarterly, vol. 81, n.º 4 (1997), pp. 556-598*KELLY, Caleb, Sound. Whitechapel Gallery; MIT Press, 2011*MARGULIS, Elizabeth Hellmuth, “Moved by Nothing: Listening to Musical Silence”. Journal of Music Theory, vol. 51, n.º 2 (2007), pp. 245-276*MCKINNON, Dugal, “Dead Silence: Ecological Silencing and Environmentally Engaged Sound Art”. Leonardo Music Journal, vol. 23 (2013), pp. 71-74*METZER, David, “Modern Silence”. The Journal of Musicology, vol. 23, n.º 3 (2006), pp. 331-374*OCHOA, Ana María, “Silence”. En: Keywords in Sound. Editado por David Novak y Matt Sakakeeny. Duke University Press, 2015*ROSS, Alex, “The Composers of Quiet: The Wandelweiser Collective Makes Music between Sound and Silence”. The New Yorker, 29 de agosto 2016, consultado el 20 de junio de 2023: [Web]TOOP, David, Inflamed Invisible: Collected Writings on Art and Sound, 1976-2018. Goldsmiths Press, 2019*VOEGELIN, Salomé, Listening to Noise and Silence: Towards a Philosophy of Sound Art. Continuum, 2010* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Ghislaine Comeau is a PhD student in the English department at Concordia University. Her SSHRC funded doctoral project, inspired by the recent Global Middle Ages movement, focuses on re-examining texts from the early medieval period to further investigate direct references and allusions to “Saracens.” In addition to her more “traditional” approaches to scholarly work, she has recently discovered that she has a great appreciation for and desire to consume and produce research-creation projects that can serve a wider audience – popular or pedagogical.Works Cited / Featured Audio Creed, Robert Payson. “The Ruin (Modern English).” YouTube, uploaded by YouTube and provided by Smithsonian Folkways Recordings, 30 May 2015. https://www.youtube.com/watch?v=1CSWnfuyzyM .Cronan, Dennis. “Cædmon's Audience.” Studies in Philology, vol. 109, no. 4, 2012, p 336. DOI: https://doi.org/10.1353/sip.2012.0028.The Fyrdsman. “Anglo-Saxon Poetry: The Ruin (Reading).” YouTube, uploaded by thefyrdsman9590, 9 Nov. 2022, https://www.youtube.com/watch?v=8FRRny7oyLg&t=318s .Hammill, Peter. “Imperial Walls (2006 Digital Remaster).” YouTube, uploaded by YouTube and provided by Universal Music Group, 24 Aug. 2018, https://www.youtube.com/watch?v=W0KW9CMFC_E .Magennis, Hugh. “Chapter 1 Approaching Anglo-Saxon Literature.” The Cambridge Introduction to Anglo-Saxon Literature, Cambridge UP, 2011, pp. 1-35.Raffel, Burton. “The Ruin (Old English).” YouTube, uploaded by YouTube and provided by Smithsonian Folkways Recordings, 30 May 2015. https://www.youtube.com/watch?v=M-dtP_73WTs&t=110s .Smith, Mark M. “Echo.” Keywords in Sound, edited by David Novak and Matt Sakakeeny, Duke UP, 2015, pp. 55-64.Silence is Leaden. “The Ruin: An Anglo-Saxon Poem.” YouTube, uploaded by silenceisleaden188, 20 Jan. 2021, https://www.youtube.com/watch?v=D68n9F8Yozc&t=25s .Staniforth, Daniel (aka Luna Trick). “The Ruin.” YouTube, uploaded by lunatrick7098, 28 Jun. 2010, https://www.youtube.com/watch?v=-IIoZfOR5MQ .

What is sound design? This is the question Miranda Eastwood, current Sound Designer of The SpokenWeb Podcast, is looking to find out. Exploring soundscapes of all shapes and forms, Miranda draws from interviews with friends, colleagues, and academics, as well as Caroline Levine's Forms: Whole, Rhythm, Hierarchy, Network to tackle this particularly tangled question. From sonic literature to audio walks, podcasting to music, this episode is a deep dive into what it means to “sound out” any and all audio texts, and the affective power afforded to sound as a medium of art and communication. Show NotesJames Healey's music: https://thejupitermachine.bandcamp.com/album/soulless-daysKaitlyn Staveley's music: https://www.youtube.com/@theradiokaityshow1481 Works CitedBijker, W. E. and Law, J. 1992. ‘General Introduction', in W. E. Bijker and J. Law (eds.), Shaping Technology/Building Society. Cambridge, Mass.: MIT Press.Brinkmann, M. (2018) The 'audio walk' as a format of experiential walking, Phenomenological research in education. Available at: https://paed.ophen.org/2018/06/25/gehen-spazieren-flanieren-das-format-audiowalk-als-erfahrungsgang/Cardiff, J. and Miller, G.B. (no date) Walks, Janet Cardiff & George Bures Miller. Available at: https://cardiffmiller.com/walks/Grint, K. and Woolgar, S. 1997. The Machine At Work. Cambridge: Polity.Hutchby, Ian. “Technologies, Texts and Affordances.” Sociology, vol. 35, no. 2, 2001, pp. 441–56. JSTOR, http://www.jstor.org/stable/42856294. Accessed 13 Dec. 2022.Kellough, Kaie, et al. “‘Small Stones': A Work in Poetry, Sound, Music and Typography.” “Small Stones”: a Work in Poetry, Sound, Music and Typography - SpokenWeb Archive of the Present, https://archiveofthepresent.spokenweb.ca/small-stones-a-work-in-poetry-sound-music-and-typography/.Levine, Caroline. Forms: Whole, Rhythm, Hierarchy, Network. Princeton University Press, 2015.McLeod, Katherine, host. “The Voice That Is The Poem, ft. Kaie Kellough.” The SpokenWeb Podcast, ShortCuts, Season 3, Episode 5.Mills, Mara. Novak, David, and Matt Sakakeeny, editors. Keywords in Sound. Duke University Press, 2015. “deafness” p.45-54.Ricci, Stephanie. The Making of "Small Stones" (2021) SpokenWeb Archive of the Present. SpokenWeb.

Tulane School of Liberal Arts professor Matt Sakakeeny discusses the many aspects of New Orleans brass bands that set them apart. We explore the genre's African and European origins, their important role in neighborhood social aid and pleasure clubs, and how new generations carry on the tradition while adding their own mark to the music. For more information on Sakakeeny's research, visit his website. To learn more about The Roots of Music, visit their website.

Hi everybody! What you're lookin' at here is our 2hr tip of the hat to New Orleans. We did it for a number of reasons, the most important being that we remembered to do it in time for Fat Tuesday/Mardi Gras/Pancake Day. We cover lots of ground here, takin' in a number of different styles from The Big Easy and music from the last 90ish years and even an Ant-Valentines Day mini-mix for the broken-hearted.Remember! You can also get in touch to ask for request or shout-out at;nighttrain93.2[at]gmail[dot]com or https://www.twitter.com/RadioNightTrain on the tweets.Please do, as this means we have something to mention when we're recording links. Some ideas are... where you're listening from, what you enjoyed, what your other half said about the nonsense we play. That kinda thing!To experience the show (sorta) live n direct.. tune into Sheffield Live, Sundays 9pm-11pm on 93.2FM, via the TuneIn Radio App or www.sheffieldlive.orgSHOW NOTESReMastered: The Two Killings of Sam Cookehttps://www.netflix.com/gb/title/80191045Theme Time Radio Hourhttps://www.themetimeradio.com/In New Orleans, 'Indian Red' Is The Anthemic Sound Of Traditionhttps://www.npr.org/2019/03/31/705972111/in-new-orleans-indian-red-is-the-anthemic-sound-of-traditionLouis Armstrong & His Hot Seven - Melancholy Blueshttps://youtu.be/cnHcdqoQDcYLenny Kravitz, Mos Def and More Jam for Gulf Aidhttps://www.youtube.com/watch?v=MHHcpao52DQTNT's Allen Toussaint Specialshttps://www.mixcloud.com/RadioNightTrain/allen-toussaint-special-12th-november-2015/https://www.mixcloud.com/RadioNightTrain/49-allen-toussaint-tribute-show-vol-2-10th-nov-2016/Mr. Teardrops: New Orleans Balladshttps://www.mixcloud.com/agent45/mr-teardrops-new-orleans-ballads/Funky 16 Cornershttps://funky16corners.com/Matt Sakakeeny's Brass Band Websitehttps://mattsakakeeny.com/

Featuring twenty entries on subjects such as music, voice, noise, shape and the body Keywords in Sound (Duke, 2015) pushes at the boundaries of ‘sound studies’ through its intellectual overviews and suggested openings on each of the key words. In this podcast we speak to the book’s editors David Novak and Matt Sakakeeny. David Novak is Associate Professor of Music at the University of California, Santa Barbara whilst Matt Sakakeeny is Associate Professor of Music at Tulane University.

Featuring twenty entries on subjects such as music, voice, noise, shape and the body Keywords in Sound (Duke, 2015) pushes at the boundaries of ‘sound studies’ through its intellectual overviews and suggested openings on each of the key words. In this podcast we speak to the book’s editors David Novak... Learn more about your ad choices. Visit megaphone.fm/adchoices

Featuring twenty entries on subjects such as music, voice, noise, shape and the body Keywords in Sound (Duke, 2015) pushes at the boundaries of ‘sound studies’ through its intellectual overviews and suggested openings on each of the key words. In this podcast we speak to the book’s editors David Novak and Matt Sakakeeny. David Novak is Associate Professor of Music at the University of California, Santa Barbara whilst Matt Sakakeeny is Associate Professor of Music at Tulane University. Ian Cook is a Research Fellow at the Centre for Media, Data and Society at the Central European University, Budapest and also the host of Online Gods: A Podcast about Digital Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices

Featuring twenty entries on subjects such as music, voice, noise, shape and the body Keywords in Sound (Duke, 2015) pushes at the boundaries of ‘sound studies’ through its intellectual overviews and suggested openings on each of the key words. In this podcast we speak to the book’s editors David Novak and Matt Sakakeeny. David Novak is Associate Professor of Music at the University of California, Santa Barbara whilst Matt Sakakeeny is Associate Professor of Music at Tulane University. Ian Cook is a Research Fellow at the Centre for Media, Data and Society at the Central European University, Budapest and also the host of Online Gods: A Podcast about Digital Cultures. Learn more about your ad choices. Visit megaphone.fm/adchoices

Will Roper takes a listen to the evolution of the Brass Band sound of New Orleans. In an interview with expert Matt Sakakeeny, we hear how the tradition has changed from its early roots from slavery, through to its importance mingling with the sounds of jazz and later R&B, funk and hip-hop. We hear songs and stories of the key bands, and how the music highlights topics such as race relations in the US, police brutality, community spirit, gender roles and musics role in post-Katrina New Orleans. Matt Sakakeeny is a Professor at Tulane University, researcher and author of 'Roll With It: Brass Bands in the Streets of New Orleans' http://mattsakakeeny.com/ Originally broadcast as part of BYOB's Brass Band Takeover on Resonance Extra with SOAS Radio on 18th Feb.2016 Playlist Stooges Brass Band -Where Ya From? Bunk Johnson & Bunk's Brass Band - Bye & Bye Jelly Roll Morton - Funeral Marches The Young Tuxedo Brass Band - Free As A Bird/Near My God To Thee Leroy Jones - Just A Little While To Stay Here Dirty Dozen Brass Band - My Feet Can't Fail Me Now Eureka Brass Band - Lady Be Good Dirty Dozen Brass Band - Cissy Strut Rebirth Brass Band - Feel Like Funkin' It Up Deff Generation - Running With The Second Line Soul Rebels Brass Band - Let Your Mind Be Free Rebirth Brass Band ft Soulja Slim - You Don't Wanna Go To War Hot 8 Brass Band - RastaFunk Hot 8 - Ray Nagin (You Bang We Bang Bang) The Stooges Brass Band - Why They Have To Kill Him? Free Agents Brass Band - We Made It Through That Water TBC Brass Band - Encore New Breed Brass Band ft. 5h Ward Weebie - Whatcha Werkin It Fa The Pinettes - Get A Life Rebirth Brass Band - Here To Stay