Podcasts about ruin

This week's Yankee highlights include all of the reaction to Trent Grisham accepting the qualifying offer to return to the Bronx. Boomer doesn't see the big deal, and Sal says it shouldn't impact the team's spending this winter. But BT believes this could be the start of an awful Yankees offseason, and C-Mac says the heat is now on Hal Steinbrenner to spend.

This week's Yankee highlights include all of the reaction to Trent Grisham accepting the qualifying offer to return to the Bronx. Boomer doesn't see the big deal, and Sal says it shouldn't impact the team's spending this winter. But BT believes this could be the start of an awful Yankees offseason, and C-Mac says the heat is now on Hal Steinbrenner to spend.

Timestamps: 0:00 livin' in the past 0:10 Google forces AirDrop to support Android 1:32 Qualcomm's new Terms worry Arduino lovers 2:50 HP, Dell disable laptop HEVC support 4:07 UPDF! 5:13 QUICK BITS INTRO! 5:21 Xbox Fullscreen Experience on all W11 PCs 6:01 Sturnus Android malware 6:38 Meta ordered to pay Spanish media outlets 7:25 an embryo gene editing startup? 8:16 Grok praises Elon Musk NEWS SOURCES: https://lmg.gg/X4iIu Learn more about your ad choices. Visit megaphone.fm/adchoices

Is porn secretly damaging your sex drive, confidence, and relationships? Learn how excessive porn use affects your brain, intimacy, and performance, and what you can do to break the cycle.Listen now and start taking back control of your sex life!

This week Erin M. Evans, B. Dave Walters, and Treavor Bettis Revisit Worldbuilding! Lots of Tangerinos wrote in with their questions and there are plenty more to answer next week!Join our Patreon:https://www.patreon.com/writingaboutdragons Starring:Erin M Evans (Empire of Exiles, Brimstone Angels)https://bsky.app/profile/erinmevans.bsky.social B. Dave Walters (A Darkened Wish, Black Dice Society)https://bsky.app/profile/bdavewalters.bsky.social Treavor Bettis (Difficulty Class, Champions of Lore)https://bsky.app/profile/thetreavor.bsky.social Join the Discord!https://discord.gg/MdSVsfpTzu Buy Relics of Ruin!Amazon: https://www.amazon.com/Relics-Ruin-Books-Usurper-2/dp/031644104X Barnes and Noble: https://www.barnesandnoble.com/w/relics-of-ruin-erin-m-evans/1143299833?ean=9780316441049 Check out B. Dave's Patreon:https://www.patreon.com/bdavewalters Enroll in B. Dave's 14 Day Writer:https://www.theundisputedacademy.com/14-day-writer-home-pagePlay in a game run by B. Dave:https://ko-fi.com/bdavewalters/shop

On this episode of Bounced From The Roadhouse:Special Guests in 4B: ApplesCMA'sLove it or Leave it Song - Lady Luck (feat. Crucifix) by Moonshine Bandits Guys can Ruin anything Threesome FightFlashback FridayUhs and UmsSwim Shady That's a Great QuestionRacing for PizzaTurkey PardonRapid City Rush InterviewQuestions? Comments? Leave us a message! 605-343-6161Don't forget to subscribe, leave us a review and some stars Hosted on Acast. See acast.com/privacy for more information.

Steve interviews Mark Hebscher (00:34:37) the author of a new book called, "Madness: The Rise and Ruin of Sports Media." Mark is making his debut on the podcast and he starts off with a bang. Mark and Steve disagree with the outlook of Blue Jay's fans after a devastating World Series. Mark proclaims he knows more about baseball than anyone else to appear on the podcast. Mark talks about the state of sports media in Canada, the control teams have acquired over the narrative since COVID, and gives his Mt. Rushmore of Canadians in the sports media. Mark and Steve also talk about Canadian rock music and eating Chinese food in Fort Erie. Steve starts the show with First things First and his thoughts on the Italian National Team, the yo-yo that is the 2025-26 Sabres, and a few pieces of Atlanta Braves news. The sports media story of the week looks at Donald Trump's appearances on the Pat McAfee Show and inside the booth during an NFL game on Fox. The show ends with one last thing about red sauce just not being the same since Nonna and Bisnonna died. For more information follow the podcast on twitter @sports_casters Email: thesportscasters@gmail.com

Mark sits down with Sahib “City” Patel, the founder of yhangry—a fast-growing platform that connects guests with private chefs at shockingly affordable prices. Think three-course meals starting around $60 per person… cooked in your vacation rental, cleaned up afterward, and delivered by vetted professional chefs.What started as a simple idea in London has now become a global movement—one that's reshaping guest experience inside short-term rentals. And here's the wild part: City didn't even realize STRs were half their market until the data smacked her in the face. Since then, yhangry has partnered with over 130,000+ vacation rental units, doubled the number of chefs Airbnb has in the U.S., and is rapidly expanding across the U.S., Europe, and Dubai.In this episode, you'll learn: • Why private chefs are becoming one of the most requested STR add-ons • How property managers are using yhangry to increase conversions and boost guest reviews • The surprising ways travel habits differ between U.S. and UK guests • What a partnership looks like—affiliate links, dashboards, payouts, and ease of setup • How user-generated content (UGC) from chef experiences drives direct bookings • The story behind yhangrys first-ever booking… featuring eight influencers and an explosion of overnight viralityCity also breaks down the myths around private chefs (spoiler: it's NOT bougie), the psychology of “vacation mode” spending, and why curated in-home dining is becoming the next major amenity in hospitality.If you're looking for new revenue streams, higher guest satisfaction, and a true differentiator in your market—this episode is a must-listen.___Episode Sponsored By:STR SearchSTR Search is the industry leading property finder service. They've helped investors acquire over 265+ profitable STRs across the US. If you'd like the data professionals to help you find your next STR, reach out to STRsearch.com

If you get outed as a crossdresser to your employer whether by a coworker or by accident it can be an issue. In this episode I discuss the potential repercussions of someone finding out about your lifestyle and how it can affect your work.

Angie and her boyfriend had their Thanksgiving plans already set - then an opportunity popped up that she can't pass up.

LeBron James is back in the lineup — but could his return actually ruin the Lakers this season? In this episode of Fluent & Chill, we break down why LeBron's comeback might create more problems than solutions. From stalled player development to chemistry issues, questionable rotations, locker room tension, and the franchise's obsession with short-term results, we dig into the real reasons the Lakers keep falling short.We examine lineup data, clutch-time stats, trade deadline implications, and how LeBron's presence impacts Anthony Davis, the young core, and the team's long-term future. Is it finally time for the Lakers to move on? Or is LeBron still the key to saving the season?Perfect for Lakers fans, NBA fans, LeBron supporters, LeBron haters, and anyone who loves raw, honest basketball talk.LeBron James, Lakers, ruin the Lakers, NBA podcast, Lakers collapse, LeBron return, Anthony Davis, Lakers trades, Lakers news, NBA analysis, basketball podcast, Fluent & Chill, Sports Fluent.

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"Is AI going to ruin the wedding industry?"Today, the girls are discussing the potentital 2026 trends, giving their thoughts on all of them! From over the top decor, to chic desserts... a lot is changing next year!Bitches from a bride - A sad one today... a bride crying on the day due to an un-interested father!Let us know your thoughts on today's episode, and send in your bitches in our DM's.Want to finish the episode with us? Sign up below to get extra bonus content!

BT and Sal unleash a fiery critique of the Yankees' front office after Trent Grisham shocked the industry by accepting the Qualifying Offer (QO) for $22 million, a move both hosts agree was a colossal misread by the team driven by the lure of a compensatory draft pick. BT argues the QO acceptance is the "first potential domino to a horrendous offseason," fearing the added salary and player complexity will make the Yankees reluctant to pursue top targets like Cody Bellinger and Kyle Tucker. Sal pushes back, insisting the Yankees can (and must) absorb the cost and still be aggressive, specifically needing to trade prospects like Dominguez or Jones for an elite piece like Steven Kwan to truly improve. The hosts also break down the financial impact and player fit, with the conversation focusing on the Yankees' urgent need for a right-handed bat (like Alex Bregman) and the danger of running back the same "not-a-championship-team" roster. Ultimately, they agree that if the QO prevents the necessary aggressive moves, it signals a failure to adapt as Aaron Judge and Gerrit Cole's competitive window shrinks.

Send us a message!The story comes to an end in this final episode of The Hero of Ages. Tears were cried, Will was yelled at, and we can't believe it's over! Music is by Alexander Nakarada.Support the show

This week, Pastor Brad delves further into the book of Malachi, as we learn how to be assured when it feels like the evil around us is winning. We trust in the unchanging God! What will the unchanging God do?  We trust that he will send a hero, that he will show us our need for purification, and that in the end, the unchanging God will serve justice on those who do evil.  As we grow in that trust, we need to explore the following questions. What area of my life do I need to trust the unchanging God?  What area of my life needs to be refined by God's fire? This sermon is from 11/16/2025

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 3357: Joshua Becker reveals how decades of marketing have hijacked the spirit of the holidays, turning a season meant for connection into one dominated by consumerism and stress. He offers a compelling case for simplifying gift-giving, focusing instead on meaningful traditions that bring real joy and lasting memories. Read along with the original article(s) here: https://www.becomingminimalist.com/dont-let-shopping-ruin-your-holidays/ Quotes to ponder: "Retail promises the perfect Christmas, but ruins it instead." "Shopping is resulting in the exact opposite emotions we desire during this holiday season." "Lifestyle creep is not just for adults… the phenomena exists for children as well." Episode references: The Hope Effect: https://www.hopeeffect.com/givingtuesday2021 Learn more about your ad choices. Visit megaphone.fm/adchoices

Lebron James is back and people cant stop being weird about it. #nba Check out the TD3 merch: https://the-deep-3-shop.fourthwall.com/ Listen on Spotify!: https://open.spotify.com/show/3elbbqVumwqz8wlIdknsLW Listen on Apple Podcasts!: https://podcasts.apple.com/us/podcast/the-deep-3-podcast/id1657940794 Follow us on TikTok!: https://www.tiktok.com/@thedeepthree Follow us on Instagram!: https://www.instagram.com/thedeep3podcast/ Isaac's twitter: https://twitter.com/byisaacg Mo's twitter: https://twitter.com/Mojo99_ Donnavan's twitter: https://twitter.com/Dsmoot3D Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we're back in A Court of Wings and Ruin - visiting the library, the Prison, and the Hewn City as we unpack Death Gods, Eris, a very iconic throne moment and SO much more!  SPOILER WARNING : The entire A Court of Thorns and Roses series by Sarah J Maas ✨ Patreon Website Instagram TikTok

Do you want ALL the lore on ‘Ruin The Friendship' and how we believe it connects to ‘You Belong With Me'? Today we are diving into the lyrics and lore of Taylor Swift and her friend Jeff Lang to explain her latest tragic song from TLOAS. We also share some fun facts about ‘The Life of a Showgirl' lyrics and how it relates to Sabrina Carpenter's life personally as well as a possible nod to Britney Spears. Plus join us as we start off this deep dive talking about ‘Eldest Daughter' and how understanding some of these lyrics actually helped us appreciate the song even more. Then after talking about ‘Honey' we have finished discussing all the songs off Taylor Swift's new album “The Life of a Showgirl”.If you haven't listened to one, make sure you go back and listen!SHOP OUR MERCH: www.typicaltuesdaynight.comSPONSORS:Dime Beauty Co (TYPICALTUESDAYNIGHT for 20% off) // https://go.shopmy.us/p-22911520Clean Simple Eats (TTN10 for 10% off) // https://glnk.io/54jl/ttnWalli Cases (TTN for 10% off) // https://wallicases.com/?rstr=ttnLove Olive Co (TTNPODCAST for 10% off) // https://loveoliveco.com/?ref=TTNPODTaylor Swift Podcast || Taylor Swift || Taylor Swift Songs || Taylor Swift Music || Taylor Swift Albums || The Life of a Showgirl || Music CommentarySend us a textSupport the showFollow along to hear a new Taylor Swift related episode every single Tuesday.Watch our episodes on YouTube!Follow Us On Social Media:Typical Tuesday Night Podcast @typicaltuesdaynight.podcastKarli @everyday_ellisJess @jess.taitJoin our Patreon for bonus episodes and exclusive Taylor Swift group chat!Shop Our Merch!Feel free to contact us at typicaltuesdaynightpodcast@gmail.com

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 3357: Joshua Becker reveals how decades of marketing have hijacked the spirit of the holidays, turning a season meant for connection into one dominated by consumerism and stress. He offers a compelling case for simplifying gift-giving, focusing instead on meaningful traditions that bring real joy and lasting memories. Read along with the original article(s) here: https://www.becomingminimalist.com/dont-let-shopping-ruin-your-holidays/ Quotes to ponder: "Retail promises the perfect Christmas, but ruins it instead." "Shopping is resulting in the exact opposite emotions we desire during this holiday season." "Lifestyle creep is not just for adults… the phenomena exists for children as well." Episode references: The Hope Effect: https://www.hopeeffect.com/givingtuesday2021 Learn more about your ad choices. Visit megaphone.fm/adchoices

Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 3357: Joshua Becker reveals how decades of marketing have hijacked the spirit of the holidays, turning a season meant for connection into one dominated by consumerism and stress. He offers a compelling case for simplifying gift-giving, focusing instead on meaningful traditions that bring real joy and lasting memories. Read along with the original article(s) here: https://www.becomingminimalist.com/dont-let-shopping-ruin-your-holidays/ Quotes to ponder: "Retail promises the perfect Christmas, but ruins it instead." "Shopping is resulting in the exact opposite emotions we desire during this holiday season." "Lifestyle creep is not just for adults… the phenomena exists for children as well." Episode references: The Hope Effect: https://www.hopeeffect.com/givingtuesday2021 Learn more about your ad choices. Visit megaphone.fm/adchoices

I explored an underground ruin and we awakened somethingBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2025--5684156/support.Darkest Mysteries Online

I explored an underground ruin and we awakened somethingBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2025--5684156/support.Darkest Mysteries Online

Amy and Chris discuss stories blaming women; Sean Malone back in studio to update the Sheriff Montgomery trial; Dave Grelle and Taynka MiMi in-studio from The Playadors.

Today I'm reviewing Alchemised — a provocative, emotionally heavy dark fantasy that marks a dramatic shift away from the author's previous work and into a world far closer to The Handmaid's Tale than Hogwarts.This story delivers alchemy, power, and rebellion wrapped inside a narrative about control, bodily autonomy, and what happens when a system tries to break women until they become useful — or silent. It's controversial, unflinching, and certain to divide readers, but there's no denying how daring it is in its themes, worldbuilding, and character arcs.If you're drawn to dark academia, feminist fantasy, morally gray magic, and narratives that confront brutality rather than romanticize it, Alchemised is going to stick with you long after the final page.✨ Tune in for a spoiler-free breakdown — what worked, what challenged me, and why readers looking for dark, thoughtful fantasy should give this one a chance. Follow on Spotify and subscribe on YouTube for more fantasy deep dives every week.#Alchemised #DarkFantasy #FeministFantasy #TheHandmaidsTaleVibes #DarkAcademia #BookReviewPodcast #BookTube #SpotifyPodcasts #FantasyCommunity

The heroes have a harrowing confrontation with a whispering skeleton. *** Support us on Patreon! Patrons get access to weekly premium episodes, including behind-the-scenes insights into our game, spoiler-free specials featuring games-related chat, and tons more. Tabletop Gold is Lars Casteen, David Chernicoff, Zoe Chernicoff, R. Matt Humphreys, and Robin Lange. If you enjoy the show, please leave us a rating and review at the podcast service of your choice, and find our website at www.tabletopgold.com. The Roots of Ruin is a production of the Pathfinder Adventure Path Abomination Vaults for Pathfinder Second Edition. Licensed music by Nicolas Jeudy / Dark Fantasy Studio, Phat Phrog Studio, and GameDev Market. Original music by Lars Casteen. The Roots of Ruin is a Tabletop Gold production, produced under the Paizo Incorporated Fan Content policy.  The Roots of Ruin uses trademarks and/or copyrights owned by Paizo Inc., used under Paizo's Fan Content Policy (paizo.com/licenses/fancontent).  Paizo does not recognize, endorse, or sponsor this project in any way.  Original characters and content are the property of Tabletop Gold.  For more information about Paizo Inc. and Paizo products, visit paizo.com…  

In this episode we explore how Jean-Baptiste Lully, the towering figure of French Baroque music, met an unexpectedly grim fate: while fiercely conducting his own Te Deum, he stabbed his foot with his staff, refused surgery and died of gangrene. Along the way we follow his rise from Italian miller's son to court composer of Louis XIV, survey the evolving tools of conducting, and reflect on how a moment of hubris and misstep changed music history. Strap in for spectacle, irony and a reminder that even great maestros can trip up literally—and yes, the internet says it's true. Did you know The Internet Says It's True is now a book? Get it here: https://amzn.to/4miqLNy   Review this podcast at https://podcasts.apple.com/us/podcast/the-internet-says-it-s-true/id1530853589 Bonus episodes and content available at http://Patreon.com/MichaelKent For special discounts and links to our sponsors, visit http://theinternetsaysitstrue.com/deals

Here we go! Joining me today are the Howling Giant guys, they've just released their new album Crucible & Ruin and boy howdy is it something to behold. We of course talk about it, as well as their current tour with Anciients, and plenty of other things including vibraslap's, back alley percussion dealers, how did Scrooge McDuck get all his money, thwarting robberies in PJ's annnnnnd plenty more. PUSH PLAY!  Show Links: https://linktr.ee/epitome_of_stupidity_podcast EMAIL eostupidity@gmail.com Howling Giant links ‘https://www.howlinggiant.com/  Brimming Horn  https://www.brimminghornmeadery.com/

In this message from our Ruin to Redemption series, Pastor Bob Erbig unpacks Isaiah 49:1–13—one of the Servant Songs that reveals how God's chosen Servant cancels the noise of despair with the melody of redemption. Just as noise-cancelling headphones silence distractions, the Gospel quiets the world's competing voices and tunes our hearts to hope, salvation, and mission.Discover how the Servant's melody restores, frees, and unites God's people—and how we are invited to join the harmony until creation itself sings for joy.November 16, 2025

John and Tammy will be out on Thursday afternoon at Frazier Farms in Vista for the final stop in the Food Fund for 2026. However, it's causing quite the problem for John as his girlfriend's birthday celebration is the SAME NIGHT! Did he ruin her birthday?!?!

We finally got to try engineering! After years of talk, Star Citizen is finally making engineering gameplay available to players. It has a long way to go, but it seems to be a genuinely transformative addition to Star Citizen, making ships more than transportation vehicles. I'm joined by Farrister to discuss the complications and most asked questions surrounding engineering gameplay, and whether solo players still have a Star Citizen to play.Today's Guests:FarristerYoutube: https://www.youtube.com/c/FarristerTwitter: https://twitter.com/thomasfarristerToC:00:00 Introductions08:00 IAE 202518:00 Why Engineering Gameplay?21:00 Why The Negative Reaction?33:30 Our Hands-On Experience51:00 What Took So Long?01:10:30 Other HypeSupport This Podcast:Patreon Paypal Ko-FiFollow Space Tomato on social media:Website  Youtube  My Other Youtube  Instagram  Twitter  Facebook  Discord

In this week's episode, we discuss the advantages of digital content ownership for both readers and writers. This coupon code will get you 50% off the audiobook of Cloak of Ashes, Book #3 in the Cloak Mage series, (as excellently narrated by Hollis McCarthy) at my Payhip store: CLOAK2025 The coupon code is valid through November 24, 2025. So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 277 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 14th, 2025, and today we are discussing the benefits of owning your own content for both readers and writers. Before we get to our main topic, we will start off with Coupon of the Week and then a progress update on my current writing, publishing, and audiobook projects. First up is Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Cloak of Ashes, Book #3 in the Cloak Mage series (as excellently narrated by Hollis McCarthy), at my Payhip store. That coupon code is CLOAK2025. And as always, the coupon code and the links to my Payhip store will be available in the show notes. This coupon code is valid through November 24th, 2025, so if you need a new audiobook for your Thanksgiving travels this month, we have got you covered. Now for an update on my current writing, publishing, and audiobook projects. I'm pleased to report the rough draft of Blade of Shadows is done. This will be the second book in my Blades of Ruin epic fantasy series. Right now, it is just about exactly as long as Blade of Flames. It may be a little longer or a little shorter depending on how editing goes since there's some stuff I'm going to cut out, but there's also some scenes I'm going to add. I also wrote a short story called Elven Arrow. Newsletter subscribers will get a free ebook copy of Elven Arrow when Blade of Shadows comes out, which will hopefully be before American Thanksgiving at the end of the month. I'm about 23% of the way through the first editing pass, so making good progress there and hope to keep up with the good progress. I am 11,000 words into Wizard-Assassin. That will be my next main project once the Blade of Shadows is published and probably the final book I publish in 2025, because I think the first book I do in 2026 will be Blades of Ruin #3, if all goes well. In audiobook news, the recording for Blade of Flames is done and it's gradually making its way out into the world (as excellently narrated by Brad Wills). I think as of the time of this recording, the only place where it's actually live is Google Play, but hopefully more stores will come online soon, and it would be cool if the Blade of Flames audiobook was available everywhere before Blade of Shadows came out. Hollis McCarthy is still working on Cloak of Embers and we hope to have that to you before the end of the year, if all goes well. So that's where I'm at with current writing, publishing and audiobook projects. 00:02:25 Main Topic: Digital Content Ownership as a Reader and Writer Now let's move on to our own topic, the ownership of digital content as both a reader and a writer. As the digital revolution has gone on and on and put more decades behind it, people are increasingly building very large digital content libraries and it's an increasingly tangled point of law what happens to those digital libraries when for example, their account gets suspended, or for example, someone else dies and wants to leave their Steam library of games to their heirs. We're today going to be focusing on digital content ownership for readers and writers, and we'll start with readers. Although the price of an ebook and print book of many traditionally published books are roughly the same at this point (and sometimes bafflingly, the ebook versions cost more), the rights you have as the owner of the ebook copy are substantially less powerful. In fact, technically speaking, you aren't actually the owner of an ebook purchased from Amazon or other retailers. It's more accurate to say that you purchased a long-term conditional lease. As a side note, I'm talking about this from the perspective of United States Copyright law and ebook/audiobook stores there. The laws and standards in your own country may be different. Also, I am not a lawyer and nothing in this episode should be taken as legal advice. You obtain legal advice by hiring a lawyer licensed to practice in your jurisdiction. But now back to the main argument. In America, there is something known as the First Sale Doctrine. This section of the US Copyright Act allows physical media to be lent out and resold, among other things. For example, someone who purchases a physical book is considered its owner and the publisher can't take it back from them. The physical version of books can be used in libraries or as classroom materials until they literally fall apart, unlike their electronic equivalents, which face complicated licensing agreements that generally offer far less favorable terms of use for a much larger cost (especially for libraries and academic institutions). In the US, electronic content ownership is covered by contract law instead of the First Sale Doctrine. Although each seller has their own licenses and standards, a few things tend to remain consistent across those licenses: the inability to lend or resell the content, the inability to remove DRM from the content, and the right of the seller to alter or even remove the content. Ownership is not a right guaranteed for digital content. There is an American lawsuit currently challenging Amazon Prime Video and its use of words like "purchase" and "buy" for its video content. The lawsuit accuses Amazon of misrepresenting a heavily conditional license as a purchase, giving the average customer the impression that they own the content in perpetuity. Amazon lawyers argue that the average customer understands the difference, but frequent outrages over content being removed from users' libraries suggests otherwise. Here are four reasons owning your ebook content is important. #1: Keeping access to the content if the company closes or gets bought out. One of the early leaders in the US ebook store market way back at the start of the indie revolution was Sony. When their Sony Reader store closed, they gave readers the option to migrate their libraries to Kobo. Books that were not available through Kobo were not able to be transferred, so some purchased content was lost for readers. A more egregious example comes from, as you might expect, Microsoft with the closing of the Microsoft ebook store in 2019. When the store closed, they offered refunds instead of giving readers an opportunity to self-archive or transfer their purchases. Any margin notes taken by readers were lost, and they were given a $25 credit for the inconvenience. Although refunding customers was a good gesture, it's not a guarantee that readers are able to repurchase the ebooks elsewhere or even that the price would be the same when they did. As an aside, I spent a good chunk of time in 2018 trying to figure out how to get into the Microsoft ebook store and then finally gave up because it was too complicated, which in hindsight turned out to be a good decision. Owning your ebooks outright gives them independence from the store that you bought them from. #2: Keeping content from being altered. Ebooks can be altered anytime. Most of the time these changes are harmless, such as updating a cover, fixing a typo, or adding a preview chapter. I do that myself all the time. Every time I get typo corrections, I upload a new version. Yet there is a potential for books to be edited or censored from the original copy that you purchased. Chapters could be removed, scenes altered, or in extreme cases, the entire book could be removed. Owning a hard copy means that you have a version that cannot be changed without your knowledge. #3: The ability to self-archive. Most ebook stores use a form of digital rights management (DRM) that makes it difficult to transfer or permanently store your collection outside of their collection or library. Trying to do so is a violation of the license you purchased from the store, so I won't discuss how to do that. Amazon recently made self-archiving more difficult by discontinuing the feature to download and transfer Kindle books via USB. Finding DRM-free ebook stores is important if you want to organize and store your ebook collection as you see fit. Two examples of stores with DRM-free ebooks are Smashwords and direct [sales] sites like My Payhip store. Other stores like Kobo have a dedicated section devoted to DRM-free ebooks. #4: Keeping your reading habits private. Companies like Amazon track reading data, mostly out of a desire to sell you similar books or ad space. They track what you're reading, the amount of time you spend reading, your reading speed, and the highlights that you make in a book. Now, most of the time this is generally pretty harmless. It's mostly used for…you look on Amazon, you see that the section "customers who enjoyed this book also enjoyed this". Then if you use the Kindle app on your phone a lot, it has a lot of badges and achievements and it tends to be used for that kind of thing. However, there could be sinister undertones to this, especially if you're reading things you would prefer other people not know about. So if this concerns you, if there are some settings that you can adjust, but if you want complete privacy, outright ownership of your ebooks is the way to go. So what is the easiest way to own your own ebooks as a reader? The easiest way and perhaps the safest way to own your content outright is to buy print copies of books. That said, buying direct from authors or finding ebooks that have more favorable license terms is easiest way to own your ebook purchases. One of the reasons that opening a Payhip store was important to me was I gave my readers a chance to outright own purchased copies of my work and self-archive them in the way that they saw fit, if that was important to them. The price is the same on my Payhip store as other ebook or audiobook stores (and sometimes even cheaper if you're using Coupon of the Week). The ebooks and audiobooks there are DRM-free and untethered from specific stores and companies. You have the option to download files in a variety of file formats and store them in a way that makes the most sense to you. Buying direct also gives a greater share of the sale price to the authors, especially in the case of audiobooks. In conclusion, ebooks lag behind print books in terms of ownership rights for purchasers here in the United States (at the time of this recording). That said, you can be an informed consumer by reading terms of use carefully and educating yourself to make sure that you have the most possible access to your purchased content. Now, we've covered that from the reader side, and let's look at it from the side of the content creators, specifically writers. This can also apply to other content creators such as musicians, and we're going to use a very famous example for that, Taylor Swift. The general public learned about the importance of fully owning your content as a creator during the long and very public battle between musician Taylor Swift and the record company that sold her work to a private equity firm associated with someone she personally disliked. She owned the copyrights to the works (along with her various collaborators), but not the masters, the specific recordings of each song. As long as she didn't own her masters, she didn't have control over song choices for her public performances, the label releasing older content against her wishes, or how her music would be licensed out for commercial use. Swift reasserted control by rerecording old albums (a strategy previously used by the musician Prince), which gave her ownership of these new masters and devalued the original masters to the point where she could later afford to buy them outright. Many artists, including Olivia Rodrigo, credit Swift for helping them to negotiate adding the ownership of their masters into their contracts. As predatory as the publishing industry can be, the music industry tends to make them look like rank amateurs in terms of sheer evil. So it is a testament to her popularity and business success that she was able to convince them to do this. The world's most famous pop star taught millions of fans that owning your work is the ultimate goal of a creative. Why is ownership of your work important for writers specifically and not just American pop stars? We'll discuss six reasons why it's important for content creators and specifically writers in this episode. And as a reminder yet again, I'm talking about this from the perspective of United States law. Laws and standards in your own country may be different. Also, I am not a lawyer and nothing in this episode should be taken as legal advice. You obtain proper legal advice by contacting a lawyer licensed to practice in your jurisdiction. So with that in mind, let's get into the topic. What is ownership as a writer? Writers generally keep the copyrights to works they sell to publishers. Writers are essentially selling the right or a license to produce and distribute their book in a certain format, language, and geographic area. Most of the time, geographic area rights are sold separately. For example, rights for the Harry Potter books are owned by Scholastic in the United States and Bloomsbury in the United Kingdom. Sometimes writers will keep the rights in a specific format, like when I signed with Tantor to give them the audio rights to the first five Frostborn books while keeping the rights to my print and ebook formats. What writers lose in the process of selling to publishers is the ability to control how their work is marketed, packaged, and sold. They do not have the freedom to make major decisions such as when a book is released or where it is marketed. Today I am going to share six reasons that retaining ownership is important for writers and what things you generally sacrifice when you sign with a traditional publisher instead of self-publishing or indie publishing. #1: Creative control. It is not standard to have complete control over your book's cover design. Often an artist is able to submit suggestions to the designer, but the publisher has ultimate authority over the book's cover. Sometimes covers end up being wildly inappropriate for the book, but the author has no recourse. The same is usually true with the ability to pick an audiobook narrator or change anything about the narration. At times, writers (especially new ones) are pressured into changes they do not want by editors. The surest way to completely lose all creative control is signed with a book packager like Alloy Entertainment. If you want to hear the story of how L.J. Smith was fired from her own series due to a plot dispute with that publisher, YouTuber Jenny Nicholson covers it in her epic length summary of The Vampire Diaries show. Although a certain paycheck from a book packager is tempting, you'd be wisest not to create any fictional characters or worlds for this type of publisher for that reason. #2: Dead Series Syndrome. If the first book in a series does not sell well, the publisher tends to abandon the series. The next book in the series might be ready for publication, but they're not obligated to publish it if they suspect it will not be profitable. Unfinished series are extremely common in traditional publishing, unfortunately. Writers who are locked into a contract for a series are generally out of luck putting out the books on their own. Even if they put out later books on their own, not having the rights to the first book in the series makes it difficult for a writer to sell and market subsequent books. I had a series (Demonsouled) that I wanted to continue even though the first book was released by my publisher. I was able to get the rights back for it and then was able to self-publish this rest of the series. This was much easier to do 14 years ago than it is now. Modern contracts, especially from larger publishers, are not so generous in letting authors do this. It would be much easier to start as a self-published author and have full control over the trajectory of your series and make sure readers are able to finish it instead of waiting for a contract to elapse or fighting a difficult, hard to win battle to get the rights back. #3: The ability to change. One of the perks of owning your book is the ability to make quick changes that react to data. For example, I was able to retitle the Stealth and Spells series fairly quickly when it became immediately clear upon release that some found the original title confusing. A traditional publisher would likely not have bothered to make the effort unless there was a legal reason for doing so. The ability to change covers, repackaging books in different ways (like omnibus editions), and to make quick changes to the book on the fly (such as fixing typos or continuity errors), is the unique privilege that comes with owning your own work. Publishers are slow to make these types of changes, if they do it at all. #4: Profit. Writers typically only receive an advance (an initial lump sum) when working with a traditional publisher. The complexities of publisher accounting usually ensure that only great successes receive royalties, and often even those that do can take a while to reach that benchmark. Royalties are typically doled out quarterly or semi-annually, for those who make enough to receive them. The earning statements are fairly byzantine. It's hard for the average person to understand them fully to make sure they're being paid exactly what is owed to them. Owning your own work and publishing yourself means that you keep all of the profit after the cut taken by the ebook store and whatever you pay cover designers, editors, and so on. You can see all of the sales as they come in and don't have to wait for those two to four royalty checks each year in order to get paid. It's much easier to make a living as a writer and to feel confident that you can pay others when you have more accurate data on the money coming in. Indie publishing sacrifices the certainty of an advance for a far, far greater share of the profits in the long run. Additionally, agents typically take a 15 to 20% commission on author earnings, and they are an essential part of the process in traditional publishing. It's just about impossible to get foot in the door with traditional publishing without one. Most self-published writers don't bother with an agent, which means they're able to keep that cut of the money and don't have to shape their work around the preferences and whims of an agent. They also spared the stress and hassle of working with an unethical or bad agent (of which they're unfortunately far too many). #5: Professional freedom. The publisher decides when the books are released or if they're released at all. Are you ready to publish a book two months after the first one is released? Too bad. A publisher is not going to put out the next one that quickly. The traditional wisdom of publishing schedules seems wildly out of date in the content-heavy modern world, where algorithms reward recent titles and frequent publishing. Publishing more often also helps fans stay connected to your work, and frankly, it's much easier to make a living as a writer putting out several books a year instead of just one. Additionally, traditionally published writers do not control how a book is marketed. Are you upset that your book is being marketed as a romance when you think it's complex literary fiction? Too bad. It's not your call. In fact, writers may be contractually obligated to post content to their social media pages written or approved in advance by the marketing department at the publisher. You might have to put your name publicly to marketing copy you dislike or disagree with in order to not violate your contract. In a related vein, you might find that if you post heavily on your social media pages about political or controversial topics, you may be reprimanded by the publisher or in some cases, have your contract canceled entirely. Although indie authors aren't immune from social consequences of what they post, no publisher is holding them back from posting what they want just because they're writers and the publisher is scared of what the shareholders might think. #6: The publisher being sold. One of the biggest problems for traditionally published writers is when their publisher is sold to another one. This may mean restructuring that takes away staff they worked with a long time (like a favorite editor being replaced by an inexperienced one). As smaller publishers are eaten up by the larger ones, you might find that your books become an afterthought and you don't have any power to fix that. You might even have to fight to get paid what you're owed in your own contracts, which writers of Star Wars books found out when Disney acquired Lucasfilm. Apparently when Disney bought Lucasfilm, it decided it no longer owed royalties to several writers of Star Wars tie-in novels that Lucasfilm had published and weren't going to pay them until it went public and caused a bit of controversy. Finally, a settlement was reached. This is sort of the shifty behavior that Disney is well known for in certain circles, and it is something you have to watch out for with large publishers and media conglomerates. The easiest way to keep this from happening is, once again, to publish yourself and keep ownership of your work. In conclusion, when traditional publishing was the only way to become a writer, their restrictions and control were something you had to live with because you had no other option. Now that self-publishing is extremely accessible and traditional publishing is shrinking, it's no longer worth making the trade-offs that authors once had to in order to gain readers of their work. Although I never actually listened to a Taylor Swift song all the way through, her career and business ventures are proof that owning your work as a creative is the best way forward. Ownership should be the starting point, not the end goal of anyone who values creative control and fair, transparent payment for their creative work. So that is it for this week. I hope that illuminated the importance of owning your own work, especially if you are a writer or other creative. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

We've reached one of the highlights of The Life of a Showgirl, "Ruin the Friendship." Are you ready to go back to high school with us? Taylor Swift returns to her old high school in Nashville to paint us a picture of what it's like to choose cautious discretion over inconvenient risk—and she realizes it's not worth it. Join Exquisite and Hannah as we drive shotgun with our hair undone in this podcast episode. Want to support Exquisite on her journey to becoming aprofessor? Donate here: ⁠⁠⁠⁠⁠⁠https://gofund.me/ceaf3b27d⁠⁠⁠⁠⁠⁠Enjoy the episode? ⁠⁠⁠⁠⁠⁠⁠⁠Support The TaylorSeminars on Ko-fi! ❤️⁠⁠⁠⁠⁠⁠⁠And don't forget to join the conversation with#ShowgirlSeminars on X/Twitter Follow us on Twitter:- ⁠⁠⁠⁠⁠⁠⁠⁠@⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠taylorseminars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- ⁠⁠⁠⁠⁠⁠⁠⁠@⁠⁠⁠sippingaugust⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(Hannah)- ⁠⁠⁠⁠⁠⁠⁠⁠@⁠⁠⁠exquisitewill⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠(Exquisite)Cover Art by Alef Vernon: - ⁠⁠⁠⁠⁠⁠⁠⁠@⁠⁠⁠alefvernonart⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Instagram- ⁠⁠⁠⁠⁠⁠⁠⁠@alefvernon⁠⁠⁠⁠⁠⁠⁠⁠on Twitter ⁠⁠⁠Follow Alef on ⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠

Send us a textIn this episode, we discuss the rumors of a narrator and photos of Nicholas Flamel for the Harry Potter TV show. Enjoy!Topics/Summary:·      1:20 The TV show will feature a narrator and Nicholas Flamel. The narrator is just a rumor right now, but we have seen leaked photos of Flamel shooting scenes with Dumbledore. These two idea seem to be contrasting because the narrator is pulling us towards the books, while the scenes with Flamel is pulling us towards the TV show.·      7:38 The narrator is going to ruin the TV show. It will take away from the voice of the characters! The most effective scenes where we learn the most about the characters is where we aren't told how to feel. We have to read the faces of the characters and experience the story in a much more real way.·      16:27 Flamel is great news. I initially thought that these scenes were towards the beginning of the story where they were discussing where to move the stone, but it is very possible that these are the scenes where Dumbledore is asking Flamel if he is alright with the stone being destroyed. Those are some heavy scenes, and we can all learn something from Flamel finally resting after his long, rich life.·      23:30 We are moving forward! We are breaking new ground and finally exploring like we hoped we would. Additionally, these scenes with Flamel might indicate to us that we are going to get a glimpse of other, older worlds of magic.Having anything you want to hear or say? Click here for a voice submission or here for text. ThePotterDiscussion@gmail.comthepotterdiscussion.comNox

On today's wrestling news:0:00 Rundown0:19 WWE Plans Could Ruin SmackDown Again3:55 Zack Ryder Returns To WWE7:27 Female Bloodline member? 10:27 WWE bringing back traditional Survivor Series match Hosted on Acast. See acast.com/privacy for more information.

Join The Man of the West as he continues this series' read-through Of the Ruin of Beleriand and the Fall of Fingolfin, as Sauron captures a strategic location. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephen A Smith denies his political takes are hurting First Take, praises Megyn Kelly after her disturbing Epstein remarks, Shaq warns LeBron James will ruin Austin Reaves rhythm, Russell Westbrook exposes Klutch Sports media lies Download the PrizePicks app today and use code CLNS and get $50 instantly when you play $5! Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeremy (They/Them) - DM; korvys (He/Him) - Mirror's Reflection, "Tabaxi" Warlock (He/Him); L (They/Them) - Syax, Centaur Paladin (He/Him); Lilth (They/Them) - Bo "Keres" Brookes (She/Her); Zaghrog (He/Him) - Lia Amakiir, Wood Elf Monk (She/Her)-----Thanks to all of our supporters at patreon.com/fsfilms for making this possible!Especially our $25+ Donors:Drevian AlexanderL ★ Support this podcast on Patreon ★

Welcome back to Maximal Fire, your home for all things Warhammer and specialist games! In this episode, we break down the latest Games Workshop Preview featuring a huge wave of new model reveals across Warhammer 40,000, Age of Sigmar, Warhammer Quest, and a standout set of releases for Legions Imperialis.We dive deep into each reveal, sharing our reactions, analysis, and predictions for how these new kits will shake up their games. If you're a fan of GW's big reveals, small-scale warfare, or just love fresh plastic, this episode is packed with insights you won't want to miss.Join the ConversationWhat was your favourite reveal from the preview? Did Legions Imperialis steal the show? Drop your thoughts in the comments — we love hearing from the community!Watch our other podcasts here! Maximal Fire - Adeptus Titanicus & Legions Imperialis - Video Podcastshttps://www.youtube.com/playlist?list=PL82UVANZcT11sTvTQ3yzgKTVeYOcgTpg4 Get Additional podcast content - "The Noosphere"!Sign up on Patreon or YouTube Members:Patreon: http://www.patreon.com/maximalfireYouTube Members: https://www.youtube.com/channel/UCUrRZKbZ_dW4F3M-7ztFjWQ/joinWebsite: http://maximalfire.comDiscord: https://discord.gg/5ruErzhsHaFacebook: www.facebook.com/maximalfireInstagram: @maximal.fireSponsored by EntoymentGet 10% off your first nameplate order with code "newbuilders" at https://www.BattleBuilder.netBattle Bling Affiliate Link: https://battleblingstore.co.uk/?ref=gadzxp8qTimestamps:00:00:00 Intro00:10:43 Warhammer Quest and Papa Nurgle00:18:48 Old School GW Chat00:24:38 The Trouble with Titus00:26:07 Legions Imperialis Releases00:27:46 The Ruin of the Salamanders00:37:47 Saturnine00:45:47 Araknae Weapon Platforms00:49:01 Saturnine Battle Group Boxes00:53:56 Marine Super Heavy Tanks00:59:30 Legiones Astartes Combined Arms Battle Group Box01:05:32 Solar Auxilia Combined Arms Battle Group Box01:08:02 Our Favouites01:11:10 The Next Few Months01:13:24 The Beachhead Warm Up AT Tournament01:21:09 Sign off#legionsimperialis #epicscale #summerpreview #warhammer #horusheresy Music:✘ Title: Killers✘ Music: Kevin MacLeod✘ License: CC BY 3.0 (⁠⁠http://goo.gl/BlcHZR⁠⁠)✘ Title: Suspense-war-teaser-ident-the-beginning-of-life-131572✘ Music: Alex Grohl✘ License: Pixabay ✘ Licensee: MaximalFire7

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Most people think inflation just means higher prices… But what if it's much worse? In this week's episode of Cashflow Connections, I sat down with Nic DeAngelo, $200M+ fixed income investor and one of the sharpest economic minds I know, to explore the darker side of inflation. And let me tell you… this wasn't just another surface-level chat. Nic explains why the combination of rising prices, declining fertility rates, and a faltering job market could spell long-term destabilization for America's economy—and what savvy investors can do right now to protect themselves. In this episode, we break down: The shocking reason wage stagnation is accelerating economic decline How demographic collapse ties directly to your portfolio's future Why the Fed may be choosing employment over inflation (and why that's dangerous) Where the real investment opportunities are hiding in today's chaos This conversation is packed with data-backed insights and practical strategies you won't hear on mainstream media. Listen now to understand what's really going on beneath the surface… Take Control, Hunter Thompson Resources mentioned in the episode: Nic DeAngelo Resources Interested in learning how to take your capital raising game to the next level? Meet us at Capital Raiser's Edge. Learn more here: https://raisingcapital.com/cre

Support your health journey with our private practice! Explore comprehensive lab testing, functional assessments, and expert guidance for your wellness journey. Find exclusive offers for podcast listeners at nutritionwithjudy.com/podcast. _____I break down the nuanced relationship between the carnivore diet, cortisol, and hormone balance—especially during menopause. I also address claims that the carnivore diet increases cortisol and leads to insulin resistance, and explain why these claims often overlook deeper root cause issues such as undereating, mineral deficiencies, and chronic stress. Make sure to listen to the full interview to learn more.Does carnivore affect cortisol levels?Understanding the toxin bucketHow insulin reacts to macrosWhat is adaptive insulin resistance?Benefits of the carnivore dietHow carnivore reduces inflammationOverview of the endocrine systemChronic stress and menopause transitionWhy root cause healing mattersKey nutrients found in meatFinal takeaways_____EPISODE RESOURCESUndereating VideoA1C Going Up on Carnivore Carnivore CureHow Much to Eat on a Carnivore Diet videoEFH ADH TestEFH Personalized Health Plan_____WEEKLY NEWSLETTER 

It didn't take long to go from Beyoncé holding for applause in front of the word “FEMINISM” to a headline in the New York Times asking “Did Women Ruin the Workplace?” How long is this backlash going to last? Guest:  Danielle Kurtzleben, political correspondent at NPR.  Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

It didn't take long to go from Beyoncé holding for applause in front of the word “FEMINISM” to a headline in the New York Times asking “Did Women Ruin the Workplace?” How long is this backlash going to last? Guest:  Danielle Kurtzleben, political correspondent at NPR.  Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Oz sits down with Stephen Witt, a frequent contributor to The New Yorker and author of The Thinking Machine: Jensen Huang, NVIDIA, and the World’s Most Coveted Microchip. They’ll discuss what's made NVIDIA the most valuable chip company in the world — and the most valuable publicly traded company, period. And how a single piece of hardware changed the world forever, and its journey to existence — from a sketch on a Denny’s napkin to powering data centers the size of Central Park. Then, Stephen demystifies why data centers are shrouded in so much secrecy and what lies ahead in our AI future.See omnystudio.com/listener for privacy information.

It didn't take long to go from Beyoncé holding for applause in front of the word “FEMINISM” to a headline in the New York Times asking “Did Women Ruin the Workplace?” How long is this backlash going to last? Guest:  Danielle Kurtzleben, political correspondent at NPR.  Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

There are few childhood memories as sweet and carefree as those spent playing videogames. But while nostalgia often stops us feeling anything but joy for these memories, as we get older, gamers occasionally start to notice things about games we grew up with that either don't make sense, or raise some very uneasy questions indeed. From truly awful Pokémon lore to Minecraft monstrosities, here are some creepy videogame theories to ruin your childhood. Our Sponsors:* Check out Uncommon Goods: https://uncommongoods.com/BEAMAZEDAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy