Podcasts about Fordham University Press

In this episode, Davida Siwisa James is back for another interview to discuss the amazing women, often erased from the story of the American Revolution. Buckle up– Kelsie and Brooke learned a lot here. James' book, Hamilton Heights and Sugar Hill, published by Fordham University Press, traces 400 years of West Harlem history, including its iconic architecture and luminaries and is available at https://davidasiwisajames.com/hamilton-heights-book/. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FREE Learning Materials⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.remedialherstory.com/learn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Remedial Herstory Project⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.remedialherstory.com/giving⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SHOP ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Remedial Herstory Gear⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.remedialherstory.com/store⁠⁠⁠⁠⁠Host: Kelsie Eckert and Brooke SullivanEditor: Tyler CardwellProducer: Haley Brook

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own. Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill. James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America. Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own. Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill. James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America. Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own. Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill. James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America. Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own. Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill. James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America. Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own. Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill. James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America. Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

For last 100 years, the neighborhood of Harlem in New York City has stood as the capital of Black America and the capital of the global African diaspora. Yet Harlem is so big and so varied that it contains smaller sections with distinct identities and histories of their own. Davida Siwisa James explores two parts of Harlem in her book Hamilton Heights and Sugar Hill: Alexander Hamilton's Old Harlem Neighborhood Through the Centuries, published by the Empire State Editions imprint of Fordham University Press. Exploring four centuries of life in a part of upper Manhattan that stretches from 135th Street to 165th Street and from Edgecombe Avenue to the Hudson River, James looks at the encounters between the Lenape and Dutch settlers, the rural village that was Harlem, and the Harlem Renaissance luminaries who lived in Hamilton Heights and Sugar Hill. James blends the personal and the historical to illuminate great events, fascinating people, and amazing architecture. In a time when Harlem is going through great demographic and cultural changes, she explores both the long history of Hamilton Heights and Sugar Hill and their significance for the history Black America. Robert W. Snyder is Manhattan Borough Historian, professor emeritus of Journalism and American Studies at Rutgers University, and the author of When the City Stopped: Stories from New York's Essential Workers (Cornell, 2025). Email: rwsnyder@rutgers.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Political Theorist Davide Panagia (UCLA) has two new books out focusing on the broader themes and ideas of film, aesthetics, and political theory. Sentimental Empiricism: Politics, Philosophy, and Criticism in Postwar France (Fordham University Press) interrogates French history and educational traditions from the Revolution through the postwar period and analyzes the cultural, social, political, and educational parameters that created the space for the French postwar political thinkers. In Sentimental Empiricism, Panagia explores the many directions of critical thought by Jean Wahl, Simone de Beauvoir, Gilbert Simondon, Gilles Deleuze, and Michel Foucault and how these theorists were pushing against, in many ways, the teleological structure as defined by Aristotle two millennia ago. This contrast in thinking is the heart of the book, helping the reader to consider distinctions between the more fixed classical ideas and a contemporary consideration of dispositionality and revisability. The research and broader historical sketch in Sentimental Empiricism leads to the thrust of Intermedialities: Political Theory and Cinematic Experience (Northwestern UP, 2024). In Intermedialities (Northwestern UP, 2024), Panagia continues to explore this concept of the revisability of our understanding of the world, and turns the specific focus to film. Film itself, as a medium and as a conveyor of ideas, is rarely at the center of discussions of politics and power. And yet this is the exact place where humans (audiences) can see movement, which is what we are always observing around us to contribute to how we essentially make sense of the world. Intermedialities compels the intertwining of political theory and the theory of film, with encounters between contemporary aesthetic theorists like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard and more traditional modern thinkers like David Hume, Ludwig Wittgenstein, and Gilbert Simondon. Intermedialities should be of particular interest to political theorists and political scientists since it posits the importance of understanding and thinking about the life and world around us and how we are all connected to taking in this life as movement. The medium of film, which provides us with concepts, images, imaginaries, and perceptions, contributes to so much of our memory and imagination, but is often dismissed as not “real” politics. Panagia and the theorists with whom he is thinking help to tease out the very political nature of the projection of moving images. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In this episode, Kelsie interviews Davida Siwisa James about the overlooked contributions of women during the Harlem Renaissance. James' book, Hamilton Heights and Sugar Hill, published by Fordham University Press, traces 400 years of West Harlem history, including its iconic architecture and luminaries. Highlights include Regina Anderson Andrews, a Schomburg librarian; Mary Lou Williams, a jazz pioneer who shaped Bebop; Lenon Holder Hoyte, a private doll museum curator; and the women who published Langston Hughes and Zora Neale Hurston. These fascinating stories bring Sugar Hill's rich cultural legacy to life. Get ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FREE Learning Materials⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.remedialherstory.com/learn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Remedial Herstory Project⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.remedialherstory.com/giving⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SHOP ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Remedial Herstory Gear⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.remedialherstory.com/store⁠⁠⁠⁠⁠ Host: Kelsie Eckert and Brooke Sullivan Editor: Tyler Cardwell Producer: Haley Brook

This week on Talk World Radio we are talking about the 70,000 Korean victims of the U.S. nuclear bombings of Japan. Our guest Brad Wolf is a lawyer and former prosecutor, director of Peace Action Network of Lancaster, PA, and co-coordinator of the Merchants Of Death War Crimes Tribunal. He is also co-coordinator of the International People's Tribunal on the 1945 Atomic Bombings for the Redress of Korean Victims. His new book on the writings of Philip Berrigan was published by Fordham University Press and is entitled “A Ministry Of Risk.” http://abombtribunal.org https://philipberrigan.com

Planet Poet-Words in Space – NEW PODCAST!  LISTEN to my WIOX show (originally aired October 22nd, 2024) featuring award-winning poet Janet Kaplan who will explore the theme of “Chaos and Creativity” in her poetry. Her work has earned praise from poets and critics including Dan Beachy Quick and Adrienne Rich. Visit: Sharonisraelpoet.com.  Visit: Janet Kaplan Ecotones.   Janet Kaplan's full-length poetry books are Ecotones (2022; shortlisted for the Sexton Prize and published by The Black Spring Press Group Ltd., London), Dreamlife of a Philanthropist (2011 Sandeen Prizewinner from the University of Notre Dame Press), The Glazier's Country (2003 Poets Out Loud Prizewinner from Fordham University Press), and The Groundnote (1998, Alice James Books). Her collection & then is forthcoming from PB&J Books. Her honors include grants from the New York Foundation for the Arts and the Bronx Council on the Arts, fellowships and residencies from the VCCA, Yaddo, Ucross, and the Vermont Studio Center. Her work has appeared in many literary journals and anthologies, (An Introduction to the Prose Poem, Firewheel Editions, 2007; Lit from Inside: 40 Years of Poetry from Alice James, Alice James Books, 2012; and Like Light: 25 Years of Poetry & Prose by Bright Hill Poets & Writers, 2017). She has served as Poet in Residence at Fordham University and as a member of the undergraduate and graduate creative writing faculty at Hofstra University, where she edited the digital literary magazine AMP. Praise for Ecotones:"The personal. The citational. The chronicle. All the “conquistadorial spillage….” In Ecotones, Janet Kaplan pieces these verging environs. The writing is transitional; contemplative. We are reminded everywhere of how edges touch, how language is code. The poet has flipped the surface of the page to better show us a map of our disconsolate displacements. “Motion is the translation of a body from the place it occupies to another place,” writes Euler; Janet Kaplan: “and I, bit player, confessor-chronicler, / will write it.”  "- Edric Mesmer, author of Fawning and series editor of Among the NeighborsPraise for Dreamlife of a Philanthropist“…The poems here hover above their own titles, this dreamlife of the poem more important than the poem itself, a place in which thinking is not yet thought, intent not yet conclusive, not language even as a form of life, but language in the process of making that life possible.  It isn't a mental life; it's too real for that easy confine.  Let's just call it the necessary life – a life of serious play.”  - Dan Beachy-Quick

You can find the full episode at: Patreon Tier 3 - Dr. Jonathon O'Donnell Research Updates – Modern Demonology, Spiritual Warfare & Politics, Technology & the EnvironmentMy guest this month is Dr. Jonathon O'Donnell.  Jonathon is a Visiting Scholar in the School of Natural and Built Environment at Queen's University Belfast. They are the author of Passing Orders: Demonology and Sovereignty in American Spiritual Warfare (Fordham University Press, 2021). Their research focuses on the intersections of sociopolitical demonisation and religious demonologies in contemporary America, with specific attention paid to Islamophobia, antiblackness, queerphobic and transphobic ideologies. Their latest publication, in the Journal of the American Academy of Religion (JAAR), explores the relationship between contemporary evangelical demonologies of the Nephilim and their connection to wider Christian nationalist, anti-Black, and anti-Palestinian politics. Links to their research and contact details can be found at their website, www.drsjodonnell.com.PROGRAM NOTESS. Jonathon O'Donnell, PhD (drsjodonnell.com)Publications – S. Jonathon O'Donnell, PhD (drsjodonnell.com)(99+) S. Jonathon O'Donnell | University College Dublin - Academia.eduModern demonology: the discernment of spirits in the theatre of colonial modernity: Journal of Contemporary Religion: Vol 38 , No 3 - Get Access (tandfonline.com)Nova Religio - University of Pennsylvania Press (pennpress.org)Damned Ecologies | Environmental Humanities | Duke University Press (dukeupress.edu)Biosoteriology and the Postsecular (In)Human: The Religio-Racializing Assemblages of Evangelical Nephilim Demonology | Journal of the American Academy of Religion | Oxford Academic (oup.com)Previous appearances on Rejected Religion:https://rejected-religion-introductory-episode-1-what-do-i-mean-by.simplecast.com/episodes/spotlight-midnight-mass-discussion-panel(Roundtable discussion about the Netflix show Midnight Mass)https://rejected-religion-introductory-episode-1-what-do-i-mean-by.simplecast.com/episodes/rr-pod-e13-p1-dr-s-jonathon-odonnell-demons-the-demonized-power-and-spiritual-warfare-in-the-usa (Podcast Episode 13 P1)https://rejected-religion-introductory-episode-1-what-do-i-mean-by.simplecast.com/episodes/rr-pod-e13-p2-dr-s-jonathon-odonnell-demons-the-demonized-power-spiritual-warfare-in-the-usa (E13 P2)Social MediaJonathon O'Donnell (@demonologian) • Instagram photos and videosFacebookS. Jonathon O'Donnell; demonologian on

El silencio es parte indispensable de la música, aunque se trate terminológicamente hablando de “la ausencia total de sonido”, y está presente en mayor o menor medida en cualquier composición musical. El silencio también es el punto de confluencia de músicos como los del colectivo Wandelweiser._____Has escuchadoDedekind Duos (2003) / Antoine Beuger. Carl Ludwig Hübsch, tuba; Pierre-Yves Martel, viola da gamba. Inexhaustible Editions (2020)Empty Rooms (2016) / Raf Mur Ros. DRAMA! Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 7 de diciembre de 2016Fields Have Ears (2019) / Michael Pisaro. Cristián Alvear, guitarra (e-guitar). Autoedición (2020)I Listened to the Wind Again (2017) / Jürg Frey. Hélène Fauchère, soprano; Carol Robinson, clarinete; Nathalie Chabot, violín; Agnès Vesterman, violonchelo; Garth Knox, viola; Sylvain Lemêtre, percusión. Louth Contemporary Music Society (2021)Abgemalt (2009) / Eva-Maria Houben. R. Andrew Lee, piano. Irritable Hedgehog (2013)_____Selección bibliográficaBURNARD, Pamela, et al., “Identifying New Parameters Informing the Relationship Between Silence and Sound in diverse musical performance practices and perception”. IJMSTA, vol. 3, n.º 1 (2021), pp. 7-17*DEAVILLE, James, “The Well-Mannered Auditor: Zones of Attention and the Imposition of Silence in the Salon of the Nineteenth Century”. En: The Oxford Handbook of Music Listening in the 19th and 20th Centuries. Editado por Christian Thorau y Hansjakob Ziemer. Oxford University Press, 2019*DENZLER, Bertrand y Jean-Luc Guionnet (eds.), The Practice of Musical Improvisation: Dialogues with Contemporary Musical Improvisers. Bloomsbury Academic, 2020*ENGELHARDT, Jeffers, “Vibrating, and Silent: Listening to the Material Acoustics of Tintinnabulation”. En: Arvo Pärt: Sounding the Sacred. Editado por Peter C. Bouteneff, Jeffers Engelhardt y Robert Saler. Fordham University Press, 2020EPSTEIN, Nomi, “Musical Fragility: A Phenomenological Examination”. Tempo, vol. 71, n.º 281 (2017), pp. 39-52*GOTTSCHALK, Jennie, Experimental Music Since 1970. Bloomsbury Academic, 2016*HAINGE, Greg, “Sound is Silence”. En: The Oxford Handbook of Sound Art. Editado por Jane Grant, John Matthias y David Prior. Oxford University Press, 2021*JUDKINS, Jennifer, “Silence, Sound, Noise and Music”. En: The Routledge Companion to Philosophy and Music. Editado por Theodore Gracyk, Andrew Kania, et al. Routledge, 2011*KAHN, Douglas, “John Cage: Silence and Silencing”. The Musical Quarterly, vol. 81, n.º 4 (1997), pp. 556-598*KELLY, Caleb, Sound. Whitechapel Gallery; MIT Press, 2011*MARGULIS, Elizabeth Hellmuth, “Moved by Nothing: Listening to Musical Silence”. Journal of Music Theory, vol. 51, n.º 2 (2007), pp. 245-276*MCKINNON, Dugal, “Dead Silence: Ecological Silencing and Environmentally Engaged Sound Art”. Leonardo Music Journal, vol. 23 (2013), pp. 71-74*METZER, David, “Modern Silence”. The Journal of Musicology, vol. 23, n.º 3 (2006), pp. 331-374*OCHOA, Ana María, “Silence”. En: Keywords in Sound. Editado por David Novak y Matt Sakakeeny. Duke University Press, 2015*ROSS, Alex, “The Composers of Quiet: The Wandelweiser Collective Makes Music between Sound and Silence”. The New Yorker, 29 de agosto 2016, consultado el 20 de junio de 2023: [Web]TOOP, David, Inflamed Invisible: Collected Writings on Art and Sound, 1976-2018. Goldsmiths Press, 2019*VOEGELIN, Salomé, Listening to Noise and Silence: Towards a Philosophy of Sound Art. Continuum, 2010* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

In this episode, I speak with Marc Redfield, professor of Comparative Literature, English, and German Studies at Brown University about his most recent work, Shibboleth: Judges, Derrida, Celan, published in 2020 by Fordham University Press. In this short but intricate and dense work, Redfield investigates the “shibboleth”—the word, if it is one, and the concept—from its roots in the Book of Judges to the contemporary global regimes of technics that are defined by constantly proliferating technologies and practices of encryption, decryption, exclusion, and inclusion.  At the heart of this book is an insightful interpretation of two poems by the Romanian-Jewish, German-language poet Paul Celan. Redfield places Celan into a polyphonic dialogue with others who invoked “the” shibboleth: the French philosopher Jacques Derrida, William Faulkner, and the Colombian visual artist Doris Salcedo (whose 2007 installation at the Tate Modern, which bears the title Shibboleth, provides the cover image for the book). In doing so, Redfield pursues the track of shibboleth: a word to which no language can properly lay claim, a word that is both less and more than a word, that signifies both the epitome and ruin of border control technology, and that thus, despite its violent origin and role in the Biblical story, offers a locus of poetico-political affirmation. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, I speak with Marc Redfield, professor of Comparative Literature, English, and German Studies at Brown University about his most recent work, Shibboleth: Judges, Derrida, Celan, published in 2020 by Fordham University Press. In this short but intricate and dense work, Redfield investigates the “shibboleth”—the word, if it is one, and the concept—from its roots in the Book of Judges to the contemporary global regimes of technics that are defined by constantly proliferating technologies and practices of encryption, decryption, exclusion, and inclusion.  At the heart of this book is an insightful interpretation of two poems by the Romanian-Jewish, German-language poet Paul Celan. Redfield places Celan into a polyphonic dialogue with others who invoked “the” shibboleth: the French philosopher Jacques Derrida, William Faulkner, and the Colombian visual artist Doris Salcedo (whose 2007 installation at the Tate Modern, which bears the title Shibboleth, provides the cover image for the book). In doing so, Redfield pursues the track of shibboleth: a word to which no language can properly lay claim, a word that is both less and more than a word, that signifies both the epitome and ruin of border control technology, and that thus, despite its violent origin and role in the Biblical story, offers a locus of poetico-political affirmation. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

In this episode, I speak with Marc Redfield, professor of Comparative Literature, English, and German Studies at Brown University about his most recent work, Shibboleth: Judges, Derrida, Celan, published in 2020 by Fordham University Press. In this short but intricate and dense work, Redfield investigates the “shibboleth”—the word, if it is one, and the concept—from its roots in the Book of Judges to the contemporary global regimes of technics that are defined by constantly proliferating technologies and practices of encryption, decryption, exclusion, and inclusion.  At the heart of this book is an insightful interpretation of two poems by the Romanian-Jewish, German-language poet Paul Celan. Redfield places Celan into a polyphonic dialogue with others who invoked “the” shibboleth: the French philosopher Jacques Derrida, William Faulkner, and the Colombian visual artist Doris Salcedo (whose 2007 installation at the Tate Modern, which bears the title Shibboleth, provides the cover image for the book). In doing so, Redfield pursues the track of shibboleth: a word to which no language can properly lay claim, a word that is both less and more than a word, that signifies both the epitome and ruin of border control technology, and that thus, despite its violent origin and role in the Biblical story, offers a locus of poetico-political affirmation. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In this episode, I speak with Marc Redfield, professor of Comparative Literature, English, and German Studies at Brown University about his most recent work, Shibboleth: Judges, Derrida, Celan, published in 2020 by Fordham University Press. In this short but intricate and dense work, Redfield investigates the “shibboleth”—the word, if it is one, and the concept—from its roots in the Book of Judges to the contemporary global regimes of technics that are defined by constantly proliferating technologies and practices of encryption, decryption, exclusion, and inclusion.  At the heart of this book is an insightful interpretation of two poems by the Romanian-Jewish, German-language poet Paul Celan. Redfield places Celan into a polyphonic dialogue with others who invoked “the” shibboleth: the French philosopher Jacques Derrida, William Faulkner, and the Colombian visual artist Doris Salcedo (whose 2007 installation at the Tate Modern, which bears the title Shibboleth, provides the cover image for the book). In doing so, Redfield pursues the track of shibboleth: a word to which no language can properly lay claim, a word that is both less and more than a word, that signifies both the epitome and ruin of border control technology, and that thus, despite its violent origin and role in the Biblical story, offers a locus of poetico-political affirmation. Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biblical-studies

Enjoy this short guided meditation from Sharon Suh, called, "Compassionate Touch Meditation."Guest:SHARON SUH is professor of Buddhism at Seattle University and author of Being Buddhist in a Christian World: Gender and Community (2004); Silver Screen Buddha: Buddhism in Asian and Western Film (2015); and Occupy This Body: A Buddhist Memoir (2019). She focuses on racialized trauma experienced by people of color and emphasizes the importance of embodiment. She's also President of Sakyadhita International Association of Buddhist Women. Her upcoming book, Emergent Dharma: An Anthology of Asian American Feminist Buddhist Women scheduled for Fall 2025.Links to social media:www.mindfuleatingmethod.com; @mindfuleatingmethodIn addition to books mentioned in bio: •.      “Western Buddhism and Race,” co-authored with Joseph Cheah, Oxford Research Encyclopedia (Oxford University Press, May 2022).• “Jeong as the Expression of the Interrelationality of Self and Other in Korean Buddhist Cinema” in Edward Y. J. Chung and Jea Sophia Oh, eds. Emotions in Korean Philosophy and Religion: Confucian, Comparative and Contemporary Perspectives.” (Palgrave, 2022).• “Taking Refuge in the Body to Know the Self Anew: Buddhism, Race, and Embodiment,” Embodying Knowledge: Asian and Asian American Women's Contributions to Theology and Religious Studies, ed. by Kwok Pui Lan (Palgrave MacMillan).• “We Interrupt Your Regularly Scheduled Programming to Bring You This Very Important Public Service Announcement . . .”: aka Buddhism as Usual in the Academy,” in Emily McCrae and George Yancy, eds., Buddhism and Whiteness: Critical Reflections (Rowman & Littlefield). •Suh. Sharon., “Buddhist Meditation as Strategic Embodiment: An Optative Reflection” in Flashpoints for Asian American Studies, ed. by Cathy Vials-Schlund. (Fordham University Press, 2017).•Suh, Sharon. A., “Buddhism and Gender” in Oxford Handbook of Contemporary Buddhism, ed. by Michael Jerryson. (Oxford: Oxford University Press, 2016):635-649.•Suh, Sharon A., “Buddhism, Rhetoric, and the Korean American Community: The Adjustment of Korean American Buddhists to the United States” in Richard Alba, Albert J. Raboteau, and Josh DeWing, eds., Immigration in America: Comparative Historical Perspectives. (New York: New York University Press, 2009):166-190.

A layered and engaging discussion with Prof. Sharon Suh on what "Asian American Buddhism can be defined as; including the refusal to be silenced.Guest:SHARON SUH is professor of Buddhism at Seattle University and author of Being Buddhist in a Christian World: Gender and Community (2004); Silver Screen Buddha: Buddhism in Asian and Western Film (2015); and Occupy This Body: A Buddhist Memoir (2019). She focuses on racialized trauma experienced by people of color and emphasizes the importance of embodiment. She's also President of Sakyadhita International Association of Buddhist Women. Her upcoming book, Emergent Dharma: An Anthology of Asian American Feminist Buddhist Women scheduled for Fall 2025. Links to social media:www.mindfuleatingmethod.com; @mindfuleatingmethodIn addition to books mentioned in bio: •.      “Western Buddhism and Race,” co-authored with Joseph Cheah, Oxford Research Encyclopedia (Oxford University Press, May 2022).• “Jeong as the Expression of the Interrelationality of Self and Other in Korean Buddhist Cinema” in Edward Y. J. Chung and Jea Sophia Oh, eds. Emotions in Korean Philosophy and Religion: Confucian, Comparative and Contemporary Perspectives.” (Palgrave, 2022).• “Taking Refuge in the Body to Know the Self Anew: Buddhism, Race, and Embodiment,” Embodying Knowledge: Asian and Asian American Women's Contributions to Theology and Religious Studies, ed. by Kwok Pui Lan (Palgrave MacMillan).• “We Interrupt Your Regularly Scheduled Programming to Bring You This Very Important Public Service Announcement . . .”: aka Buddhism as Usual in the Academy,” in Emily McCrae and George Yancy, eds., Buddhism and Whiteness: Critical Reflections (Rowman & Littlefield). •Suh. Sharon., “Buddhist Meditation as Strategic Embodiment: An Optative Reflection” in Flashpoints for Asian American Studies, ed. by Cathy Vials-Schlund. (Fordham University Press, 2017).•Suh, Sharon. A., “Buddhism and Gender” in Oxford Handbook of Contemporary Buddhism, ed. by Michael Jerryson. (Oxford: Oxford University Press, 2016):635-649.•Suh, Sharon A., “Buddhism, Rhetoric, and the Korean American Community: The Adjustment of Korean American Buddhists to the United States” in Richard Alba, Albert J. Raboteau, and Josh DeWing, eds., Immigration in America: Comparative Historical Perspectives. (New York: New York University Press, 2009):166-190.Host: REV. LIÊN SHUTT (she/they) is a recognized leader in the movement that breaks through the wall of American white-centered convert Buddhism to welcome people of all backgrounds into a contemporary, engaged Buddhism. As an ordained Zen priest, licensed social worker, and longtime educator/teacher of Buddhism, Shutt represents new leadership at the nexus of spirituality and social justice, offering a special warm welcome to Asian Americans, all BIPOC, LGBTQIA+, immigrants, and those seeking a “home” in the midst of North American society's reckoning around racism, sexism, homophobia, and xenophobia. Shutt is a founder of Access to Zen (2014). You can learn more about her work at AccessToZen.org. Her new book, Home is Here: Practicing Antiracism with the Engaged Eightfold Path. See all her offerings at EVENTS

How do bureaucratic documents create and reproduce a state's capacity to see? What kinds of worlds do documents help create? Further, how might such documentary practices and settler colonial ways of seeing be refused? Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art (Fordham University Press, 2023) by Dr. Danielle Taschereau Mamers investigates how the Canadian state has used documents, lists, and databases to generate, make visible—and invisible—Indigenous identity. With an archive of legislative documents, registration forms, identity cards, and reports, Dr. Taschereau Mamers traces the political and media history of Indian status in Canada, demonstrating how paperwork has been used by the state to materialise identity categories in the service of colonial governance. Her analysis of bureaucratic artefacts is led by the interventions of Indigenous artists, including Robert Houle, Nadia Myre, Cheryl L'Hirondelle, and Rebecca Belmore. Bringing together media theories of documentation and the strategies of these artists, Settler Colonial Ways of Seeing develops a method for identifying how bureaucratic documents mediate power relations as well as how those relations may be disobeyed and re-imagined. By integrating art-led inquiry with media theory and settler colonial studies approaches, Dr. Taschereau Mamers offers a political and media history of the documents that have reproduced Indian status. More importantly, she provides us with an innovative guide for using art as a method of theorising decolonial political relations. This is a crucial book for any reader interested in the intersection of state archives, settler colonial studies, and visual culture in the context of Canada's complex and violent relationship with Indigenous peoples. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How do bureaucratic documents create and reproduce a state's capacity to see? What kinds of worlds do documents help create? Further, how might such documentary practices and settler colonial ways of seeing be refused? Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art (Fordham University Press, 2023) by Dr. Danielle Taschereau Mamers investigates how the Canadian state has used documents, lists, and databases to generate, make visible—and invisible—Indigenous identity. With an archive of legislative documents, registration forms, identity cards, and reports, Dr. Taschereau Mamers traces the political and media history of Indian status in Canada, demonstrating how paperwork has been used by the state to materialise identity categories in the service of colonial governance. Her analysis of bureaucratic artefacts is led by the interventions of Indigenous artists, including Robert Houle, Nadia Myre, Cheryl L'Hirondelle, and Rebecca Belmore. Bringing together media theories of documentation and the strategies of these artists, Settler Colonial Ways of Seeing develops a method for identifying how bureaucratic documents mediate power relations as well as how those relations may be disobeyed and re-imagined. By integrating art-led inquiry with media theory and settler colonial studies approaches, Dr. Taschereau Mamers offers a political and media history of the documents that have reproduced Indian status. More importantly, she provides us with an innovative guide for using art as a method of theorising decolonial political relations. This is a crucial book for any reader interested in the intersection of state archives, settler colonial studies, and visual culture in the context of Canada's complex and violent relationship with Indigenous peoples. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

When I decided to try my hand at interviewing authors for the New Books Network, one of my dream guests was Steve Mentz. Steve's work in the environmental humanities marries a rigorous archival work, pathbreaking close readings, and a fluent and innovative approach to scholarly writing. I think he's charted a course for early modern ecocriticism that has been both impressive and energizing. Steve Mentz is a Professor of English at St. John's University. He has produced numerous books that have shaped the emerging field of the blue humanities, including Shipwreck Modernity; At the Bottom of Shakespeare's Ocean; the Bloomsbury Objects entry Ocean; and the recent An Introduction to the Blue Humanities. He has published a chapbook of poetry, Swim Poems. His Bookfish blog is also a wonderful index for scholarly and creative work happening right now. Today, I am excited to discuss his most recent book of blue poetry, Sailing Without Ahab, just published by Fordham University Press in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

When I decided to try my hand at interviewing authors for the New Books Network, one of my dream guests was Steve Mentz. Steve's work in the environmental humanities marries a rigorous archival work, pathbreaking close readings, and a fluent and innovative approach to scholarly writing. I think he's charted a course for early modern ecocriticism that has been both impressive and energizing. Steve Mentz is a Professor of English at St. John's University. He has produced numerous books that have shaped the emerging field of the blue humanities, including Shipwreck Modernity; At the Bottom of Shakespeare's Ocean; the Bloomsbury Objects entry Ocean; and the recent An Introduction to the Blue Humanities. He has published a chapbook of poetry, Swim Poems. His Bookfish blog is also a wonderful index for scholarly and creative work happening right now. Today, I am excited to discuss his most recent book of blue poetry, Sailing Without Ahab, just published by Fordham University Press in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When I decided to try my hand at interviewing authors for the New Books Network, one of my dream guests was Steve Mentz. Steve's work in the environmental humanities marries a rigorous archival work, pathbreaking close readings, and a fluent and innovative approach to scholarly writing. I think he's charted a course for early modern ecocriticism that has been both impressive and energizing. Steve Mentz is a Professor of English at St. John's University. He has produced numerous books that have shaped the emerging field of the blue humanities, including Shipwreck Modernity; At the Bottom of Shakespeare's Ocean; the Bloomsbury Objects entry Ocean; and the recent An Introduction to the Blue Humanities. He has published a chapbook of poetry, Swim Poems. His Bookfish blog is also a wonderful index for scholarly and creative work happening right now. Today, I am excited to discuss his most recent book of blue poetry, Sailing Without Ahab, just published by Fordham University Press in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

When I decided to try my hand at interviewing authors for the New Books Network, one of my dream guests was Steve Mentz. Steve's work in the environmental humanities marries a rigorous archival work, pathbreaking close readings, and a fluent and innovative approach to scholarly writing. I think he's charted a course for early modern ecocriticism that has been both impressive and energizing. Steve Mentz is a Professor of English at St. John's University. He has produced numerous books that have shaped the emerging field of the blue humanities, including Shipwreck Modernity; At the Bottom of Shakespeare's Ocean; the Bloomsbury Objects entry Ocean; and the recent An Introduction to the Blue Humanities. He has published a chapbook of poetry, Swim Poems. His Bookfish blog is also a wonderful index for scholarly and creative work happening right now. Today, I am excited to discuss his most recent book of blue poetry, Sailing Without Ahab, just published by Fordham University Press in 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Today's special Leap Year guest is World War II social historian and oral history advocate G. Kurt Piehler. Kurt is the Director of the Institute on World War II and the Human Experience at Florida State University. He has held academic appointments at the City University of New York and Drew University, and was the founding director of the Rutgers Oral History Archives and served as Director of the Center for the Study of War and Society at the University of Tennessee. He was a Fulbright Lecturer in American Studies at Kobe University and Kyoto University and served as a National Historical Publications and Records Commission Fellow in Historical Editing at the Peale Family Papers in the Smithsonian Institution's National Portrait Gallery (that's a mouthful!). Kurt earned his BA in History at Drew University before taking an MA and PhD at Rutgers. Kurt is the author of A Religious History of the American GI in World War II (Nebraska), Remembering War the American Way (Smithsonian Institution Press) and World War II (Greenwood), which is part of the American Soldiers' Lives series. He edited the Encyclopedia of Military Science (2013) and The United States in World War II: A Documentary Reader (Wiley-Blackwell). He has co-edited at least five volumes, including the Oxford Handbook of World War II. Kurt is the series editor of Fordham University Press' World War II: The Global, Human, Ethical Dimension series and the Legacies of War series at the University of Tennessee Press. He is on the advisory board of the NEH-funded American Soldier Project at Virginia Tech University (Shoutout to GFOP Ed Gitre!) and a member of the editorial board of the Service Newspapers of World War II digital publication. Kurt is an active member of the Society for Military History, and he organized the 2003 annual meeting in Knoxville, Tennessee, and the 2017 conference in Jacksonville, Florida (seriously, he did that TWICE!). Join us for a fun and fascinating chat with the very affable Kurt Piehler. We'll talk fun shirts, Fresh Meadows, congressional internships, Pink Martini, oral history and veterans' stories, and John le Carré novels, among many other topics. This is a good one (as they all are!)! Special Discount for our listeners from the University Press of Kansas - 30% off any book purchase! Use discount code 24MILPEOPLE at the ⁠UPK website⁠! Rec.: 02/29/2024

This week we wanted to do something special. We talking about Edward Zwick's Civil War masterpiece, Glory, starring Matthew Broderick, Denzel Washington, Cary Elwes, Morgan Freeman, and a host of other amazing performers. We talk about how the role of slavery in antebellum America, the specific experiences and dangers of the 54th Massachusetts, Glory compares to other films about the war, and why these conversations still matter today. This is easily the most important conversation we've had and I hope you like it.About our guests:Hilary Green is James B. Duke Professor of Africana Studies at Davidson College. Her first book, Educational Reconstruction: African American Schools in the Urban South, 1865-1890 (Fordham University Press, 2016), explored how African Americans and their white allies created, developed, and sustained a system of African American education schools during the transition from slavery to freedom in Richmond, Virginia and Mobile, Alabama. Her in-progress second book focuses on how African Americans remembered and commemorated the American Civil War and its legacy.Chris Barr is a Park Ranger at Reconstruction Era National Park in Becufort, South Carolina, where he has spent a career in the National Park Service teaching about the Civil War, Reconstruction and their legacies.Holly Pinheiro is an Assistant Professor of African American History in the Department of History at Furman University. His research focuses on the intersectionality of race, gender, and class in the military from 1850 through the 1930s. Counter to the national narrative which championed the patriotic manhood of soldiering from the Civil War through the 1930s, his research reveals that African American veterans and their families' military experience were much more fraught. Economic and social instability introduced by military service resonated for years and even generations after soldiers left the battlefield. He has published articles in edited volumes and academic journals, in and outside of the United States. My manuscript, The Families' Civil War, is under contract with The University of Georgia Press in the UnCivil Wars Series. The study highlights how racism, within and outside of military service, impacted the bodies, economies, family structures, and social spaces of African Americans long after the war ended.Adam Domby is a historian of the Civil War and Reconstruction. His first book, The False Cause: Fraud, Fabrication, and White Supremacy in Confederate Memory (University of Virginia Press, 2020), examines the role of lies and exaggeration, in the creation of Lost Cause narratives of the war, as well as their connections to white supremacy. Looking at pension fraud, Confederate monument dedications, and other myths reveals that much of our understanding of the Civil War remains influenced by falsehoods and racism. Domby has written on a variety of topics including prisoners of war, guerrilla warfare, and genealogy. His current book project At War with Itself, focuses on southerners fighting their neighbors during the American Civil War and examines the legacy of those local fights that civil wars inevitably create. His research centers on the role these conflicts played in three divided southern communities during the Civil War and Reconstruction. Close examination of the social dynamics of these southern communities reveals new insights into why the Confederacy lost, why Reconstruction ended the way it did, and the distinctiveness of southern society, culture, and politics.

Barbara Mensch is a fine art photographer who probes her subject matter with the curiosity and stamina of a detective. Born in Brooklyn, New York, she began to draw at an early age, attending classes at The Brooklyn Museum Studio School and the Art Students League as a teenager. Mensch has published two books on New York's legendary Fulton Market, which she photographed under the scrutinizing eyes of federal law enforcement and organized crime.  Mensch's monograph, New York Photographs, was published with an essay by art historian Bonnie Yochelson in 2013.  Her book, was published in 2018 by Empire State Editions (an imprint of Fordham University Press). Her latest publication, was published in the fall of 2023 by Empire Editions with a foreword by NY Times Reporter and author, Dan Barry. Resources Barbara Mensch Igmar Bergman    Sven Kykvist    Websites Sponsors Nikon Z8 Camera Website Charcoal Book Club Frames Magazine Education Resources: Momenta Photographic Workshops Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download it for . Click here to download Become a Patron! Support the work at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

In this episode, I speak to Pia Chaudhari about her book Dynamis of Healing: Patristic Theology and the Psyche published by Fordham University Press. Pia holds a doctorate in theology from the Department of Psychiatry & Religion at Union Theological Seminary in New York. Her research interests include theological anthropology, depth psychology, processes of healing, and the engagement with aestetics and beauty. She is a founding co-chair of the Analytical Psychology and Orthodox Christianity Consultation (APOCC). Thank you for listening in on our conversation. The music played in this episode is licensed under creativecommons.org: Ketsa - Dawn's Dew.

#cyber #magick #witchcraft How does technology reshape magic practices? is the internet changing esoteric traditions? TechnoPaganism, TechnoWitchcraft, Magic in the Digital & Virtual Domain. CONNECT & SUPPORT

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe's aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe's aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What stories remain hidden behind one of the most significant inventions of the nineteenth century? Kaleidophonic Modernity: Transatlantic Sound, Technology, and Literature (Fordham University Press, 2023) reexamines the development of mechanical sound recording technology by charting the orbits of writers, scientists, and artists in France and the United States. Working between comparative literature, the history of science, and urban studies, Dr. Brett Brehm builds a bridge between visual culture and sound studies. Kaleidophonic Modernity places the poet and inventor Charles Cros and his lover, the celebrated concert pianist and salonnière Nina de Villard at the heart of modern aesthetic and scientific vanguards. Cros's scientific endeavors ranged from color photography, to telecommunications, to mechanical sound reproducibility. In his poetry the Surrealists found an ancestor and inspiration. His literary and scientific works prove startling and relevant to predicaments of technological media in his own time and ours. For nearly twenty years Nina de Villard presided over a supremely daring intellectual salon. There, she welcomed manifold literary, artistic, and musical luminaries into a veritable crucible of the artistic avant-garde and precursor to the famous Chat Noir cabaret. Together, these two forgotten but pivotal figures, Cros and Villard, help reframe our thinking on Edgar Allan Poe, Charles Baudelaire, and Walt Whitman, icons of urban modernity who can now be seen and heard in a kaleidophonic light, one that offers a compelling new perspective on modern mediascapes. In elaborating this transatlantic phenomenon, Kaleidophonic Modernity illuminates the prehistory of the phonograph as it intersects with the aesthetics of sound reproducibility, Franco-American literary exchange, Poe's aesthetic and intellectual legacy, the sounds of modern cities and technologies, and the genealogy of audiovisual experimentation found in such movements as Dada, Futurism, and the sound art of today. Annie deSaussure, holds a Ph.D. in French from Yale University and is an Assistant Professor of French and Francophone Studies in the Department of Languages and Literary Studies at Lafayette College. Her work focuses on minority regional languages, literatures, and cultures in contemporary France, radio, sound studies, and podcasting. Her most recent article on feminist discourses of motherhood in French podcasting is forthcoming in the 2023 special issue, “Podcasting Disruptive Voices,” of CFC Intersections. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

This week we're going back to the Old West with The Ballad of Buster Scruggs! Join us as we learn about dry counties, whether or not birds can count, bank robbery, the Chautauqua, and more! Sources: A.V. "Why America Still Has 'Dry Counties'," The Economist, available at https://www.economist.com/the-economist-explains/2018/06/05/why-america-still-has-dry-counties Nancy Kay Tisdale, The Prohibition Crusade in Arizona. MA Thesis, 1965. Full text available at https://repository.arizona.edu/bitstream/handle/10150/551788/AZU_TD_BOX252_E9791_1965_251.pdf?sequence=1 Chautaqua: An American Narrative. PBS. Available at https://www.pbs.org/video/chautauqua-an-american-narrative-chautauqua-an-american-narrative/ Kelsey Ables, "What is Chautauqua? The Site of the Rushdie Attack Has a Long History," Washington Post, available at https://www.washingtonpost.com/arts-entertainment/2022/08/13/chautauqua-history/ Jacky Emmerton, "Birds' Judgments of Number and Quantity," Avian Visual Cognition https://pigeon.psy.tufts.edu/avc/emmerton/  Hank Davis and Jeff Memmott, "Counting Behavior in Animals: A Critical Evaluation," Psychological Bulletin 92:3 (1982): 547-71. https://www.researchgate.net/profile/Hank-Davis/publication/232453414_Counting_behavior_in_animals_A_critical_evaluation/links/555b44e808ae8f66f3ad5120/Counting-behavior-in-animals-A-critical-evaluation.pdf  Joe Nickell, "Animal Shows" Secrets of the Sideshows, 299-321 (University Press of Kentucky, 2005). https://www.jstor.org/stable/j.ctt2jcf40.16  Michael T. Caires, "Building a Union of Banks: Salmon P. Chase and the Creation of the National Banking System," New Perspectives on the Union War edited by Gary W. Gallagher and Elizabeth R. Varon, 160-85 (Fordham University Press, 2019). https://www.jstor.org/stable/j.ctvh1dnpx.10  E. Michael Rosser and Diane M. Sanders, "Overview of Banks and Mortgage Banking in the United States," A History of Mortgage Banking in the West: Financing America's Dreams, 19-40 (University Press of Colorado, 2017). https://www.jstor.org/stable/j.ctt1vz4910.7   John Warnock, "Tucson: A Place-Making," Journal of the Southwest 58:3 (2016): 361-616. https://www.jstor.org/stable/26310194  Brian D. Behnken, "Bandits Everywhere: Anti-Mexican Violence, Mexican and Mexican American Resistance," Borders of Violence and Justice: Mexicans, Mexican Americans, and Law Enforcement in the Southwest, 1835-1935 (University of North Carolina Press, 2022). https://www.jstor.org/stable/10.5149/9781469670140_behnken.11  Robert M. Utley, "Who Was Billy the Kid?" Montana The Magazine of Wester History 37:3 (1987): 2-11. https://www.jstor.org/stable/4519066  Stuart H. Traub, "Rewards, Bounty Hunting, and Criminal Justice in the West: 1865-1900," Western Historical Quarterly 19:3 (1988): 287-301. https://www.jstor.org/stable/968233  Rotten Tomatoes: https://www.rottentomatoes.com/m/the_ballad_of_buster_scruggs  Peter Bradshaw, "The Ballad of Buster Scruggs review - the Coens' brutal salute to the western," The Guardian, 31 August 2018, https://www.theguardian.com/film/2018/aug/31/the-ballad-of-buster-scruggs-review-coen-brothers-western  Glenn Kenny, "The Ballad of Buster Scruggs," RogerEbert.com 9 November 2018, https://www.rogerebert.com/reviews/the-ballad-of-buster-scruggs-2018  Terry Gross interview, Fresh Air, https://www.npr.org/2019/02/08/692636652/filmmakers-joel-and-ethan-coen-on-singing-cowboys-and-working-with-oxen  Claire Lampen, "All the Allegations Against James Franco," The Cut 13 July 2022. https://www.thecut.com/2022/07/all-the-sexual-misconduct-allegations-against-james-franco.html  BBC News, "Liam Neeson bemoans sexual harassment 'witch hunt' in Hollywood," 13 January 2018, https://www.bbc.com/news/av/entertainment-arts-42675667   BBC News "Liam Neeson in racism storm after admitting he wanted to kill a black man," 5 February 2019. https://www.bbc.com/news/entertainment-arts-47117177 

Speechwriter, novelist, essayist, and now memoirist Peter Quinn returns to Irish Stew to share tales from his home borough of New York City and beyond, captured in his new book, Cross Bronx: A Writing Life.Join us as Peter spins stories from his rise up through Irish American middle-class respectability in New York's northernmost borough, The Bronx, which Quinn describes as “a small-scale Yugoslavia. Ethnic enclaves were interspersed amid areas in which, though physically mingled; groups lived psychically apart. We thought of ourselves in terms of neighborhoods and parishes.”Quinn charts his shift from collaborative but anonymous work as a speechwriter at the highest echelons of political and corporate America, to his solitary, but no longer anonymous work writing Banished Children of Eve, Hour of the Cat, and other novels, and finally to the inward-looking, self-reflecting, warts-and-all odyssey of writing his memoir…a gift to his family and to us.We drive along Peter Quinn's personal Cross Bronx Expressway, though the twists and turns of his Irish American life, his family dynamics, his pull towards history, his dedication to the written word, his perceptions of the Irish in America, a few salty anecdotes on New York notables, and though it all, his on-again, off-again, ultimately eternally “on” love story with “The Girl from Hot Dog Beach.”Cross Bronx: A Writing Life is available at Fordham University Press and all major booksellers, including Amazon.

Chapin's successful journalism career crumbled as stress chipped away at his mental health, and he committed a terrible crime. But there were still surprises left to his story.  Research:  “Of the Dynamite Explosion in Russell Sage's Office.” The Leaf-Chronicle (Clarkeville, Tennessee). Dec. 7, 1891. https://www.newspapers.com/image/legacy/353237459/?terms=%22russel%20sage%22&match=1 “A Dynamite Bomb.” The Alliance Herald. Dec. 11, 1891. https://www.newspapers.com/image/legacy/423611027/?terms=%22russel%20sage%22&match=1 “City Slave Girls.” Saturday Evening Kansas Commoner. Aug. 24, 1888. https://www.newspapers.com/image/legacy/382892220/?clipping_id=30641784&fcfToken=eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJmcmVlLXZpZXctaWQiOjM4Mjg5MjIyMCwiaWF0IjoxNjYyNDY2MjA3LCJleHAiOjE2NjI1NTI2MDd9.eLdfDQGTjlV-7dafIRsWSWJokfMsSrhH2IM2_6e5T7M “New York World Editor Kills Wife.” Intelligencer Journal. Sept. 17, 1918. https://www.newspapers.com/image/legacy/557223275/?terms=%22Charles%20E.%20Chapin%22&match=1 Morris, James McGrath. “The Rose Man of Sing Sing: A True Tale of Life, Murder, and Redemption in the Age of Yellow Journalism.” Fordham University Press. 2003. Chapin, Charles. “Winnetka's Horror.” Chicago Tribune. Feb. 14, 1884. https://www.newspapers.com/image/legacy/349741239/?terms=Winnetka%27s%20Horror&match=1 “Editor Chapin Sane.” Enid Daily Eagle. Dec. 17, 1918. https://www.newspapers.com/image/legacy/608553349/?terms=%22Charles%20E.%20Chapin%22&match=1 “Mrs. Macaulley's Crime.” Chicago Tribune. Dec. 25, 1887. https://www.newspapers.com/image/legacy/349513839/?terms=%22william%20macaulley%22&match=1 Chapin, Charles E. “Charles Chapin's Story Written in Sing Sing Prison.” G.P. Putnam. 1920. Read online: https://books.google.com/books?id=UmZMAAAAMAAJ&source=gbs_navlinks_s “Russell Sage's Will.” The Ordway New Era. August 3, 1906. https://www.coloradohistoricnewspapers.org/?a=d&d=ONE19060803-01.2.45&e=-------en-20--1--img-txIN%7ctxCO%7ctxTA--------0------ Snow, Richard, “Charles Chapin.” American Heritage. December 1979. https://www.americanheritage.com/charles-chapin “Prisoner McKeague.” Chicago Tribune. February 26, 1884. https://www.newspapers.com/image/legacy/349741560/?terms=neal%20mckeague&match=1 Roberts, Sam. “Archives From Prisons in New York Are Digitized.” New York Times. July 6, 2014. https://www.nytimes.com/2014/07/07/nyregion/new-york-prison-archives-are-digitized-by-ancestry-com.html Wingfield, Valerie. “The General Slocum Disaster of June 15, 1904.” New York Public Library. June 13, 2011. https://www.nypl.org/blog/2011/06/13/great-slocum-disaster-june-15-1904 See omnystudio.com/listener for privacy information.

Chapin built a life people envied, and had a great deal of power. His entire biography is full of noteworthy achievements and awards. As a newsman, he covered many of the key moments of the late 19th and early 20th centuries.  Research: “Of the Dynamite Explosion in Russell Sage's Office.” The Leaf-Chronicle (Clarkeville, Tennessee). Dec. 7, 1891. https://www.newspapers.com/image/legacy/353237459/?terms=%22russel%20sage%22&match=1 “A Dynamite Bomb.” The Alliance Herald. Dec. 11, 1891. https://www.newspapers.com/image/legacy/423611027/?terms=%22russel%20sage%22&match=1 “City Slave Girls.” Saturday Evening Kansas Commoner. Aug. 24, 1888. https://www.newspapers.com/image/legacy/382892220/?clipping_id=30641784&fcfToken=eyJhbGciOiJIUzI1NiIsInR5cCI6IkpXVCJ9.eyJmcmVlLXZpZXctaWQiOjM4Mjg5MjIyMCwiaWF0IjoxNjYyNDY2MjA3LCJleHAiOjE2NjI1NTI2MDd9.eLdfDQGTjlV-7dafIRsWSWJokfMsSrhH2IM2_6e5T7M “New York World Editor Kills Wife.” Intelligencer Journal. Sept. 17, 1918. https://www.newspapers.com/image/legacy/557223275/?terms=%22Charles%20E.%20Chapin%22&match=1 Morris, James McGrath. “The Rose Man of Sing Sing: A True Tale of Life, Murder, and Redemption in the Age of Yellow Journalism.” Fordham University Press. 2003. Chapin, Charles. “Winnetka's Horror.” Chicago Tribune. Feb. 14, 1884. https://www.newspapers.com/image/legacy/349741239/?terms=Winnetka%27s%20Horror&match=1 “Editor Chapin Sane.” Enid Daily Eagle. Dec. 17, 1918. https://www.newspapers.com/image/legacy/608553349/?terms=%22Charles%20E.%20Chapin%22&match=1 “Mrs. Macaulley's Crime.” Chicago Tribune. Dec. 25, 1887. https://www.newspapers.com/image/legacy/349513839/?terms=%22william%20macaulley%22&match=1 Chapin, Charles E. “Charles Chapin's Story Written in Sing Sing Prison.” G.P. Putnam. 1920. Read online: https://books.google.com/books?id=UmZMAAAAMAAJ&source=gbs_navlinks_s “Russell Sage's Will.” The Ordway New Era. August 3, 1906. https://www.coloradohistoricnewspapers.org/?a=d&d=ONE19060803-01.2.45&e=-------en-20--1--img-txIN%7ctxCO%7ctxTA--------0------ Snow, Richard, “Charles Chapin.” American Heritage. December 1979. https://www.americanheritage.com/charles-chapin “Prisoner McKeague.” Chicago Tribune. February 26, 1884. https://www.newspapers.com/image/legacy/349741560/?terms=neal%20mckeague&match=1 Roberts, Sam. “Archives From Prisons in New York Are Digitized.” New York Times. July 6, 2014. https://www.nytimes.com/2014/07/07/nyregion/new-york-prison-archives-are-digitized-by-ancestry-com.html Wingfield, Valerie. “The General Slocum Disaster of June 15, 1904.” New York Public Library. June 13, 2011. https://www.nypl.org/blog/2011/06/13/great-slocum-disaster-june-15-1904 See omnystudio.com/listener for privacy information.

The late Msgr. Neil A. Connolly served as a parish priest for close to 60 years. After his ordination at age 24, he spent eight weeks in Ponce, Puerto Rico, taking part in a pioneering New York Archdiocesan language-immersion program in Spanish. The young Irish-American priest quickly adapted to an environment that was predominantly Latino. His priesthood would be defined by the South Bronx and Puerto Rican migration as he learned to both serve and be part of a community that struggled for a decent life. Passionate about issues of social justice, Fr. Connolly was a champion for lay leadership and community organization. While vicar for the South Bronx in the 1970s, he co-founded and was chairman of South Bronx People for Change, a Church-based, direct-action membership organization. Community organizer Angel García has served as its Executive Director.  In this episode of OP Talks, Dr. Michael E. Lee, Director of Fordham University's Francis & Ann Curran Center for American Catholic Studies, talks to García about his recent book 'The Kingdom Began In Puerto Rico: Neil Connolly's Priesthood in the South Bronx' (Fordham University Press, 2021). In this history of faith and community building, García chronicles the work of Rev. Connolly from 1958 to the 1980s. Reflecting on Fr. Connolly's ministry in the Bronx, García says, “When one thinks about it…you've been an altar boy, you've gone to these traditional churches [and] seminary preparation. And then you come here, and you're looking for the church, and they say, ‘It's right here. It's a bodega. This is where the church is.' And Fr. Connolly essentially surrendered himself to that.”

Today's guests are Dennis Austin Britton and Kimberly Anne Coles who have co-edited a special issue of Spenser Studies in 2021, on “Spenser and Race.” Dennis is Associate Professor of English at the University of British Columbia; his previous book Becoming Christian: Race, Reformation, and Early Modern English Romance, was published through Fordham University Press in 2014. Dennis is the former board president of the Black Heritage Trail of New Hampshire. Kim is Professor of English at the University of Maryland; she has published Religion, Reform and Women's Writing in Early Modern England, with Cambridge University Press in 2008; and Bad Humor: Race and Religious Essentialism in Early Modern England, with the University of Pennsylvania Press in 2022. We will be discussing the impetus and contributions of this special issue, which features brilliant scholarship by Tess Grogan, Anna Wainwright, Ayanna Thompson, Melissa Sanchez, Eric Song, Urvashi Chakravarty, Ross Lerner, Andrew Hadfield, Thomas Herron, and Benedict Robinson. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today's guests are Dennis Austin Britton and Kimberly Anne Coles who have co-edited a special issue of Spenser Studies in 2021, on “Spenser and Race.” Dennis is Associate Professor of English at the University of British Columbia; his previous book Becoming Christian: Race, Reformation, and Early Modern English Romance, was published through Fordham University Press in 2014. Dennis is the former board president of the Black Heritage Trail of New Hampshire. Kim is Professor of English at the University of Maryland; she has published Religion, Reform and Women's Writing in Early Modern England, with Cambridge University Press in 2008; and Bad Humor: Race and Religious Essentialism in Early Modern England, with the University of Pennsylvania Press in 2022. We will be discussing the impetus and contributions of this special issue, which features brilliant scholarship by Tess Grogan, Anna Wainwright, Ayanna Thompson, Melissa Sanchez, Eric Song, Urvashi Chakravarty, Ross Lerner, Andrew Hadfield, Thomas Herron, and Benedict Robinson. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today's guests are Dennis Austin Britton and Kimberly Anne Coles who have co-edited a special issue of Spenser Studies in 2021, on “Spenser and Race.” Dennis is Associate Professor of English at the University of British Columbia; his previous book Becoming Christian: Race, Reformation, and Early Modern English Romance, was published through Fordham University Press in 2014. Dennis is the former board president of the Black Heritage Trail of New Hampshire. Kim is Professor of English at the University of Maryland; she has published Religion, Reform and Women's Writing in Early Modern England, with Cambridge University Press in 2008; and Bad Humor: Race and Religious Essentialism in Early Modern England, with the University of Pennsylvania Press in 2022. We will be discussing the impetus and contributions of this special issue, which features brilliant scholarship by Tess Grogan, Anna Wainwright, Ayanna Thompson, Melissa Sanchez, Eric Song, Urvashi Chakravarty, Ross Lerner, Andrew Hadfield, Thomas Herron, and Benedict Robinson. John Yargo holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including The Tempest, Oroonoko, and the poetry of Milton. He has published in Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Guest: Sarah Riccardi-Swartz on Between Heaven and Russia: Religious Conversion and Political Apostasy in Appalachia published by Fordham University Press. The post Russian Orthodox Converts in Appalachia appeared first on The Eurasian Knot.

Guest: Sarah Riccardi-Swartz on Between Heaven and Russia: Religious Conversion and Political Apostasy in Appalachia published by Fordham University Press. The post Russian Orthodox Converts in Appalachia appeared first on SRB Podcast.

Kim speaks with Jini Kim Watson about decolonization. In the episode she quotes John Kelly and Martha Kaplan's book Represented Communities: Fiji and World Decolonization, University of Chicago Press, 2001. She also references Odd Arne Westad's book The Global Cold War: Third World Interventions and the Making of Our Times, Cambridge UP: 2005; Ngũgĩ Wa Thiong'o, Decolonising the Mind: The Politics of Language in African Culture, Currey, 1986; Lorenzo Veracini's work on settler colonialism and decolonization; and Patrick Wolfe's argument that invasion and colonialism is not an event, but a structure. To learn more about the “opening” at the moment of decolonization after WW2; she suggests you consult Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World, Duke UP, 2015. Jini teaches in the English Department at NYU. Her book on decolonization in the Cold War, Cold War Reckonings: Authoritarianism and the Genres of Decolonization is forthcoming from Fordham University Press. This week's image is a 1942 proposed map for a New World Order. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kim speaks with Jini Kim Watson about decolonization. In the episode she quotes John Kelly and Martha Kaplan's book Represented Communities: Fiji and World Decolonization, University of Chicago Press, 2001. She also references Odd Arne Westad's book The Global Cold War: Third World Interventions and the Making of Our Times, Cambridge UP: 2005; Ngũgĩ Wa Thiong'o, Decolonising the Mind: The Politics of Language in African Culture, Currey, 1986; Lorenzo Veracini's work on settler colonialism and decolonization; and Patrick Wolfe's argument that invasion and colonialism is not an event, but a structure. To learn more about the “opening” at the moment of decolonization after WW2; she suggests you consult Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World, Duke UP, 2015. Jini teaches in the English Department at NYU. Her book on decolonization in the Cold War, Cold War Reckonings: Authoritarianism and the Genres of Decolonization is forthcoming from Fordham University Press. This week's image is a 1942 proposed map for a New World Order. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Hamlet, Shakespeare writes that theater holds a “mirror up to nature.” In his new book, Princeton professor Leonard Barkan tells us that when he reads Shakespeare, it holds a mirror up to Leonard Barkan—and that when you read Shakespeare, it holds up a mirror to you. When most of us read, Barkan reminds us, we bring our own experiences to the text, asking personal questions like “What about my life?” and “How does this make me feel?” His book Reading Shakespeare Reading Me combines memoir and literary criticism, analyzing ten Shakespeare plays and locating their parallels in the intimate details of his parents' marriages and early lives, his coming of age as a gay man, and many of the deaths, loves, achievements, and disappointments that have made up his time on Earth. Leonard Barkan is interviewed by Barbara Bogaev. Leonard Barkan is the Class of 1943 University Professor at Princeton University. He is the author of numerous books including The Hungry Eye: Eating, Drinking, and the Culture of Europe from Rome to the Renaissance; Michelangelo: A Life on Paper; and Unearthing the Past: Archaeology and Aesthetics in the Making of Renaissance Culture. Reading Shakespeare Reading Me was published by Fordham University Press in 2022. From the Shakespeare Unlimited podcast. Published April 26, 2022. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Who Is It That Can Tell Me What I Am?” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Andrew Feliciano and Paul Luke at Voice Trax West in Studio City, California, and Josh Wilcox and Walter Nordquist at Brooklyn Podcasting Studio in New York.