Podcasts about Universal Music Group

This episode is a recap — and an expansion — of the six-hour Mixing Masterclass that Dee Kei hosted live in his LA studio. Lu was in the room. The audience brought mixes. Things got real. Now Dee and Lu bring the best of it to the podcast, including the things they didn't get to cover in person.The first and most important topic: what is the actual value of a mix engineer, and how should that determine your pricing? Dee lays out a position he holds firmly — you should never discount your rate based on stem count, never negotiate yourself down before the client even asks, and never charge by the hour for mixing. Your rate reflects the lifetime of training behind each decision, not the time it took to make it. Like Picasso sketching on a napkin, the price isn't for the five minutes — it's for everything it took to get there. Lu adds the market reality: what your price communicates before the client even hears your mix, and why charging too little signals something you don't want to signal.From there the episode moves into compression — specifically what happened in the room when Dee deliberately smashed a vocal with an 1176 in "all buttons in" mode and the mix bus with a Vertigo VCA compressor just to prove a point. The reaction in the room said everything: over-compression isn't always wrong. Rules like "don't compress more than 2-3dB" are useful frameworks until the moment the song tells you otherwise.They also get into the subjective vs. objective nature of mixing — why saying "there's no such thing as a good or bad mix" is actually incorrect, and how to think about objectivity in a field where the tools of judgment are mostly invisible. The Shohei Ohtani analogy here is one of the better ones the show has produced.The episode closes with a breakdown of how Spotify's LUFS normalization actually works — including the gating behavior that means raising your quieter sections can paradoxically lower your integrated LUFS, and why album masters and single masters should be approached as two completely separate deliverables if you want your music to hold up in playlists.A lot covered. All of it useful.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fair warning: Dee Kei opens this one by saying he doesn't know if he's going to release it. Congratulations — you found it.This is a looser, more speculative episode than usual, and that's exactly the point. Dee brings a theory he's been sitting with: that the rise of AI tools and plugin saturation is quietly driving a resurgence in the value of analog gear — not because analog is objectively better, but because it represents something that AI fundamentally can't replicate. Humanness. Randomness. The chaos of a real circuit doing something slightly unpredictable.Lu, who has personally moved over $157,000 in analog gear sales and spent years tracking sold listings on eBay and Reverb, brings the market perspective. They get into which pieces actually hold their value (vintage preamps and compressors from the right era), which ones don't (anything mass-produced and recently released), and the old idea that buying the right gear is just another savings account you can twist the knobs on while you wait.From there the conversation opens up into some bigger territory. They talk about the current bubble of vintage mixer restoration and servicing companies popping up, what vibe coding is doing to the plugin marketplace, and how AI tools are being deployed very differently in live sound versus the studio — including a breakdown of the L-Acoustics source intelligence system and how it can achieve up to 40dB of feedback reduction in real time on a vocal channel. The episode wraps with Dee going full speculative: the Gartner hype cycle and where AI actually lands when the bubble pops, what nuclear fusion does to the cost of running AI at scale, and the two technology shifts he thinks will fundamentally change everything about how we make and experience music.It's the kind of episode that happens when two engineers with too much on their mind decide to just talk. The industry context makes it more interesting than it sounds.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Lu brought the topic this week — and it's one of the most universally felt things in audio that nobody talks about directly: the feeling of not belonging in the room. Not because you don't have the skill. Not because you don't have the credits. Just because the feeling is there, and most people let it make the decision for them.The episode opens with Lu sharing what he keeps hearing in consultation calls — talented engineers at every level passing on sessions they would have handled just fine, because they didn't feel ready. Dee and Lu are direct about it: the gap between someone who is working and someone who isn't is almost never the quality of their mixing. It's almost always confidence and forward motion. They unpack what imposter syndrome actually looks like at different stages of a career — not just at the beginning, but also at the mid-level, when asking for help or shadowing someone starts to feel embarrassing in a way that holds people back just as much.From there, Dee reads from Daniel Kahneman's Thinking Fast and Slow — specifically the chapter on cognitive priming — and the episode gets genuinely fascinating. He walks through the Florida Effect study, where participants subconsciously primed with age-related words actually walked slower down a hallway without knowing it. Then the pencil experiment, where people forced into a smile by how they held a pencil in their teeth rated cartoons as funnier than those forced into a frown — without being aware their facial expression had changed at all. The implication is direct: acting calm and confident doesn't just make you look calm and confident to others. It statistically makes you feel calmer and more confident yourself.The conversation also takes an unexpected turn into money priming — how the mere presence of money-related imagery in your environment makes people measurably more independent, more self-reliant, and also more selfish and socially distant — and what that means for the environments engineers build and the mindsets they carry into sessions.It ends where it started: the feeling of not belonging is not evidence of not belonging. Send the email. Ask to sit in. Shadow the session. The only thing making the street look longer than it is, is you.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Your weekly guide to the music biz and how it all works. This week, Stu and Joe wade into share prices, EU Law, and German legal judgements... NO WAIT, COME BACK! These are all actually really interesting insights into modern pop music and how it connects with the humans who make it and enjoy it (honest.)Plus, TPOM Superfans get to hear Joe and Stu go deep – some may say too deep – into minor league Welsh football clubs seeking musical sponsorship opportunities. In this week's show:Universal Music Group is worth now than it was at the start of this year, based on its share price, and Spotify wobbled too… so why are people wondering whether music may not be making as much money as it could - and what is Spotify up to with independent labels?Welsh Ardal League South East football club Cwmbran Celtic have some new shirts for sale. Why are we telling you about this? Well, they feature some bands you might know…We need to talk about ‘Rubberz'. No, not erasers and – for our American listeners – not condoms either… it's an (allegedly!!!) AI-generated song that is becoming a cross-over hit.There's a lot going on with AI-music company Suno at the moment: a big legal ruling in Germany; its latest promises about how much it supports human artistry; and a very unexpected move into… vinyl!Two things that music publications BrooklynVegan, AltPress, Goldmine and Revolver have in common: first, they're all owned by Live Nation, which many people didn't realise. And second, “nearly all” their staff have reportedly been laid off. Is this the final nail in the coffin for music journalism?LISTENER LETTERS: after last week's Lock-In look at expensive Discogs records sales, James The Joiner gets in touch about his weirdly and unfortunately mis-pressed Blur LP – so will it be worth LOADS of money or NOT MUCH AT ALL? We investigate.And in the special post-show lock-in section just for our ⁠⁠Patreon Superfans⁠⁠, Stu and Joe prop themselves up at the bar – in this week's bonus material: Mold Alexandra, Cefn Druids and Mumbles Rangers: what other rock/Welsh football sponsorships would you like to see? Who needs MTV when you can have Green Day TV? Although the lineup of artists featured is, well, quite a lot smaller than traditional music-TV channels…We've been talking about prediction-market Kalshi in recent episodes, and it turns out they're also betting on Spotify's financial results… [we also check if they were right.]===================================As ever, we welcome your feedback, emails and – in particular – any questions you might have about how the music biz works!Email us: ⁠⁠⁠⁠⁠thepriceofmusicpodcast@gmail.com⁠⁠⁠⁠⁠See you next week!Stuart and Joe======TPOM online: ⁠http://tpom.uk/⁠Support The Price of Music on Patreon:⁠⁠⁠⁠⁠https://www.patreon.com/ThePriceofMusic⁠⁠⁠Follow Stuart on X - @stuartdredgeFollow The Price of Music on X - @PriceofMusicpodFor sponsorship opportunities, please email - ⁠⁠⁠joe@musically.com⁠

This episode starts with a confession: Dee Kei wants a new compressor. Specifically, he's been eyeing the Heritage Audio Grandchild 670N — a $3,000 stereo Fairchild-style compressor in a 5U rack unit that launched in late 2025. From there, the episode opens up into something much more interesting than a gear review.Dee and Lu walk through exactly what makes the original Fairchild 670 so mythologized — the tube count, the time constants, the maintenance costs that make owning one feel like buying a second car you're afraid to drive — and why Heritage Audio's approach of distilling the circuit down to four tubes in an affordable, modern form factor is either brilliant or sacrilegious, depending on who you ask. They break down what the Grandchild 670N actually has on the front panel — DC threshold, AC threshold, sidechain filters, mid-side and stereo linking, true bypass — and why $3,000 for two channels of Fairchild-esque compression is a genuinely different proposition than it was even three years ago.But the most interesting part of the episode isn't the gear. It's what happens when Dee reads from two actual peer-reviewed studies on whether listeners can hear the difference between analog and digital processing at all. The first study tested analog modeling plugins against free non-modeling alternatives across 540 participants — and found that not only did listeners show no preference for the analog mix, the majority who thought they could identify it were wrong. The second covered DAX differences using a loopback method with over 1,300 respondents. The conclusion: people largely can't tell the difference, and the majority who claimed they could were misidentifying what they heard.So why does any of this matter — and why does Dee still want the compressor? The episode lands on something more philosophical than a gear recommendation: the difference between buying hardware because you believe it's objectively better, and buying it as an act of devotion to the craft. Dee draws a sharp distinction between using gear purchases to fill a hole in your love for music versus buying from a place of already loving it deeply — and how Tony Mazzarati still sharpening techniques at his level is proof that the rabbit hole never ends for people who genuinely want to go deeper.Gear talk, research, psychology, and the irrational passion that keeps working engineers working. A lot going on in this one.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Greg Brady spoke with Ivar Hamilton, CFNY Mainstay, VP Catalogue Marketing at Universal Music Group about RUSH's Four Hometown Shows in Toronto To Be Captured for Concert Film Learn more about your ad choices. Visit megaphone.fm/adchoices

Greg Brady spoke with Ivar Hamilton, CFNY Mainstay, VP Catalogue Marketing at Universal Music Group about RUSH's Four Hometown Shows in Toronto To Be Captured for Concert Film Learn more about your ad choices. Visit megaphone.fm/adchoices

Beiersdorfs größte Marke Nivea verzeichnet im ersten Halbjahr 2026 einen organischen Umsatzrückgang von 6,8 Prozent bei einem Halbjahresumsatz von 2,7 Milliarden Euro. CEO Vincent Warnery kündigt einen 18-monatigen Turnaround-Plan an, Wachstum soll erst 2027 zurückkehren, profitables Wachstum sogar erst 2028, gleichzeitig erhöht der Konzern die Medienausgaben allein im zweiten Halbjahr um 100 Millionen Euro. Ich ordne ein, was das für Nivea bedeutet.Außerdem in den Marken- und Marketingnews der KW 32:

Lu's on vacation. Dee Kei is alone with a page of talking points and one of the most contested topics in audio engineering right now — and the result is one of the most thoughtful solo episodes the show has produced.This is not an episode about which AI tools Dee uses or recommends. It's about something harder to talk about: how engineers think about delegation, what happens when a probabilistic recommendation gets presented with the confidence of certainty, and why the pro-AI vs. anti-AI binary is the least useful frame anyone could bring to this conversation.Dee opens with a distinction that reframes the entire debate: there's a difference between assistance tools, delegation tools, and full replacement — and most of the discourse collapses all three into one. He argues that engineers have been using automated decision-making for decades (dynamic EQ, auto release, delay compensation, drum replacement, LUFS metering), so the real question was never whether machines should make decisions. The real question is how much of the contextual, consequential decision-making we're comfortable handing over — and whether we understand what's being lost in that handoff.From there he gets into the value engineers actually bring that no AI is accounting for: accountability, history with an artist, taste, creative confidence, the ability to hear the same note as a client and understand what they actually mean. He's direct about the economic effects coming — fewer junior engineer jobs, faster turnaround expectations, clients arriving with better rough mixes — but equally direct about what those changes don't mean: that the ceiling of professional audio work is getting any lower.The episode closes on a question Dee leaves deliberately open: if an AI assistant could eventually make every technical decision as well as a human engineer, what do we actually believe the mixer is there to do?SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

We interrupt this miniseries for a special bonus episode! Last week, we laid out a theory on what technology can do to grow the value of music, so this time we wanted to hear from someone who is actually betting billions of dollars on the answer. Sam Hendel is the managing partner of Chord Music Partners, a leading pure play music rights catalog home to works from artists like the Weeknd, David Guetta, OneRepublic, Kid Cudi, Diplo and Fleetwood Mac, and he is deploying serious capital alongside Universal Music Group to acquire more of it. Dmitri and Sam get into how catalogs actually get valued, where the industry is still leaking money through under collected royalties and outdated PRO systems, and why streaming remains the best deal in the world for consumers. They also cover how AI, fandom data, and artist brand extensions could reshape where music revenue grows next, plus the thorny question of AI generated music: why attribution is the real unlock, and what a fair model for paying creators when their work trains or inspires new songs might look like. If you have ever wondered how the people writing nine figure checks for music catalogs think about risk, growth, and the future of the industry, this conversation is for you. The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!  Get Dmitri's Rock Paper Scanner newsletter.

Making a Scene Presents - Universal Music's Stock Crash Is a Warning About Building a Career on Streaming Alone The Music Business Had a Very Bad Day On July 31, 2026, Universal Music Group had the kind of day that gets the attention of everyone in the music business. Shares of the world's largest music company lost roughly one-quarter of their value in Amsterdam. It was Universal Music Group's worst trading day since the company became publicly traded in September 2021. The decline erased approximately $10 billion from the company's market value, based on the exchange rate at the time. http://www.makingascene.org

Between Microsoft, Meta, Apple and Amazon, who emerged from a big week for tech earnings unscathed? And how did Jersey Mike's stock trade post-IPO? Plus, why did Universal Music Group lose a quarter of its value? Host Shradha Dinesh discusses the biggest stock moves of the week and the news that drove them. Sign up for the WSJ's free Markets A.M. newsletter. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Between Microsoft, Meta, Apple and Amazon, who emerged from a big week for tech earnings unscathed? And how did Jersey Mike's stock trade post-IPO? Plus, why did Universal Music Group lose a quarter of its value? Host Shradha Dinesh discusses the biggest stock moves of the week and the news that drove them. Sign up for the WSJ's free Markets A.M. newsletter. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Plus: Anthropic says its AI models hacked three companies during tests. And shares of Universal Music Group plunge as streaming and subscription revenue slows. Julie Chang hosts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Plus: Amazon shares surge after cloud-computing sales accelerate. And Universal Music Group stock slumps after weak earnings. Alex Ossola hosts. Sign up for WSJ's free What's News newsletter. An artificial-intelligence tool assisted in the making of this episode by creating summaries that were based on Wall Street Journal reporting and reviewed and adapted by an editor. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Apple heeft een erg goed kwartaal achter de rug. De omzet steeg flink, naar meer 109 miljard dollar. Dat is beter dan waarop was gerekend. Het waren vooral de iPhones die het ‘m deden. De helft van de omzet komt van de telefoons. En ook de winst (net geen 30 miljard) zag er perfect uit. Al met al mooie cijfers voor afzwaaiend topman Tim Cook. Alleen wordt zijn laatste optreden overschaduwd door een pijnlijke waarschuwing. Hij verwacht namelijk dat de chiptekorten de omzet én winst gaan raken. Deze aflevering hebben we het over die tegenvaller. Beleggers reageren heftig op het nieuws, wij zoeken uit of die reactie terecht is. Beter gaat het bij Amazon. Dat aandeel schiet omhoog. Beleggers reageren helemaal happy op de resultaten én de investeringsplannen van de techreus. Ook Amazon blijft als een malle geld in AI investeren. 220 miljard dollar dit jaar, weer 20 miljard dan eerder begroot. Alleen afgelopen kwartaal gaf het al 53 miljard uit aan nieuwe datacenters. Hebben we het ook over Universal Music Group. Dat opende ook de boeken, maar daar werd dan weer extreem somber op gereageerd. In korte tijd ging er meer dan 20 procent van de beurswaarde door het putje. Verder deze aflevering: Kan ASML de Chinese copycat's aan? ING wordt een soort van Netflix Tesla wil Chinese divisie afstoten, voor fusie SpaceX Te gast: Jos Versteeg van InsingerGilissen BNR Beurs is een journalistiek onafhankelijke productie, mede mogelijk gemaakt door Saxo. Over de makers: Jelle Maasbach is presentator van BNR Beurs en freelance financieel journalist. Zijn favoriete aandeel om over te praten is Disney, maar daar lijkt hij de enige in te zijn. Sinds de eerste uitzending van BNR Beurs is 'ie er bij. Maxim van Mil is presentator van BNR Beurs en journalist bij BNR, waar hij zich focust op de financiële markten en ontwikkelingen in de tech-wereld. Je krijgt hem het meest enthousiast als hij kan praten over ASML, of oer-Hollandse bedrijven zoals Ahold of ABN Amro. Jorik Simonides is presentator van BNR Beurs, economieredacteur en verslaggever bij BNR. Hij wordt er vooral blij van als het een keer níet over AI gaat. Je hoort hem ook in de BNR-podcast Moerdijk: dorp van de rekening. Milou Brand is presentator van BNR Beurs, freelance podcastmaker en columnist bij het Financieele Dagblad. Jochem Visser is presentator van BNR Beurs, maakt Beursnerd XL en is redacteur bij de podcast Onder Curatoren. Vraag hem naar obscure zaken op financiële markten en hij vertelt je waarom het eigenlijk nóg leuker is dan je al dacht. Over de podcast: Met BNR Beurs ga je altijd voorbereid de nieuwe beursdag in. We praten je in een kleine 25 minuten bij over alle laatste ontwikkelingen op de handelsvloer. We blijven niet alleen bij de AEX of Wall Street, maar vertellen je ook waar nog meer kansen liggen. En we houden het niet bij de cijfers, maar zoeken ook iedere dag voor je naar duiding van scherpe gasten en experts. Of je nu een ervaren belegger bent of net begint met je eerste stappen op de beurs, de podcast biedt waardevolle inzichten voor je beleggingsstrategie. Door de focus op zowel de korte termijn als de lange termijn, helpt BNR Beurs luisteraars om de ruis van de markt te scheiden van de essentie.See omnystudio.com/listener for privacy information.

¿Es Universal Music Group ($UMG) una oportunidad de inversión real o solo ruido de mercado? En este análisis de Sanedrín nos metemos a fondo en el modelo de negocio, los KPIs clave y los últimos resultados de la mayor discográfica del mundo, la empresa detrás de artistas como Taylor Swift, Drake, Billie Eilish o Bad Bunny. Analizamos cómo gana dinero Universal Music Group, de dónde viene realmente su facturación (streaming, licencias, publishing), qué métricas hay que vigilar para entender la salud del negocio y cómo se compara con el resto de la industria discográfica. ⚠️ Este vídeo es un análisis informativo y educativo. No constituye ni debe interpretarse como una recomendación de inversión. Suscríbete al canal para más análisis de empresas cotizadas y educación financiera. 00:00 - Introducción y Universal Music Group 08:08 - Modelo de negocio y propiedad intelectual 16:04 - Spotify: saturación en mercados desarrollados 24:04 - Las discográficas pequeñas y la IP 32:01 - Márgenes y retorno de capital 40:01 - Mercados emergentes como motor de crecimiento 48:08 - Curso de opciones y novedades 56:07 - Mineras de oro y cierre 1:00:07 - Q&A Síguenos en redes: Instagram: https://www.instagram.com/locosdewallstreet/ X/Twitter: https://x.com/LocosWallStreet Canal de WhatsApp: https://www.whatsapp.com/channel/0029Vb0xgos9MF96wv0aKI31 #universalmusicgroup #UMG #AnálisisBursátil #InversiónEnBolsa #Sanedrín Dos cosas que debes saber: 1 - Cada día mandamos un email con una idea, estrategia o reflexión privada para que avances más rápido en tu camino como inversor. El de hoy ya te lo has perdido, si quieres recibir el de mañana, te apuntas en: https://locosdewallstreet.com/7-errores/ 2 - Al apuntarte recibes un video titulado «7 errores fatales (muy habituales) en la selección de oportunidades en bolsa». Me da igual en lo que inviertas, tus años de experiencia o el tamaño de tu cartera. Si inviertes deberías verlo (antes de tomar una decisión de la que poder arrepentirte). Lo recibes al apuntarte en nuestra newsletter aquí: https://locosdewallstreet.com/7-errores/ ══════════════ DISCLAIMER El contenido de este canal de YouTube tiene exclusivamente fines educativos y no constituye asesoramiento financiero ni recomendaciones de inversión. Todos los temas tratados están diseñados para ayudar a los espectadores a entender mejor el mundo de las finanzas, pero las decisiones de inversión deben tomarse de forma personal y bajo la responsabilidad de cada individuo. Invertir en mercados financieros conlleva riesgos significativos debido a su complejidad y volatilidad. Es posible perder parte o la totalidad del capital invertido. Por ello, es fundamental que realices tu propio análisis antes de tomar cualquier decisión y, si lo consideras necesario, consultes con un profesional financiero acreditado. Recomendamos: - Contar con un fondo de emergencia equivalente a al menos tres meses de tus gastos básicos antes de invertir. - Analizar muy detenidamente y con precisión cualquier inversión. - En caso de duda consultes con un asesor financiero certificado por CNMV - Mantenerte alejado de promesas de rentabilidades astronómicas, dinero rápido u otros esquemas engañosos. En Locos de Wall Street, nuestra misión es fomentar una educación financiera sólida, ética y accesible para todos, ayudando a nuestros seguidores a tomar decisiones informadas y responsables. ══════════════

What would Dee Kei and Lu actually do if they had to start their music careers completely over today — same age, same responsibilities, but zero industry knowledge, zero connections, and zero credits? That's the question at the center of this episode, and the answers get surprisingly deep.The conversation starts practical: Lu makes the case for going straight to the top and finding the most credible working professional you can — shadowing, interning, and learning how the industry actually moves before spending a dime on gear. Dee adds his own counterpoint, arguing that hands-on reps with real people, even local ones, build something an internship can't always give you early on. The two go back and forth on the internship vs. DIY debate in a way that's genuinely useful for anyone trying to figure out where to start.But the episode goes further than tactics. Dee pulls from Thinking Fast and Slow by Daniel Kahneman to break down how self-control, delayed gratification, and the ability to focus attention are more predictive of long-term success than raw intelligence — and what that means for how you show up in the early days of your career. They also get into the fatherhood premium, what motivation looks like when the stakes are real, and why community college might be one of the most underrated networking moves for someone starting over in their 30s.The episode closes on something more philosophical: the difference between genuinely wanting a career in music and just thinking you should have one — and why knowing that distinction early could save you years of wasted energy or redirect you toward something even more sustainable.Whether you're 19 with a laptop and a dream or 35 reconsidering your path, this episode will challenge how you think about starting.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Child support fraud is a phrase that triggers immediate debate, but Lionell TJ Tillman built an entire movement around proving it in court. After being retroactively placed on child support at age 12 for a child he never fathered, Tillman spent 22 years navigating a system that collected $64,000 in arrears before his case was dismissed for extrinsic fraud. He lays bare the specific federal statutes, Supreme Court case laws, and procedural loopholes that make the child support system a revenue machine rather than a child welfare program.Tillman explains how states receive $755 million in fiscal year 2026 incentives under 42 U.S.C. 658A to establish paternity, start cases, and collect arrears — functioning on a commission-like structure where performance drives federal bonuses. The conversation covers why joint legal and physical custody must be secured before engaging with child support, how 10% compounded interest on arrears enriches the state rather than the custodial parent, and why the legal father designation under Michael H v. Gerald D can trap non-biological fathers into decades of financial obligation.Tillman, a Compton native and former Universal Music Group marketing professional, details his Bringing Families Back Together and Child Support Equity Act, a bill he plans to present to Congress in 2027. The petition at change.org/childrenneedboth targets 100,000 signatures. He also reveals his upcoming contraceptive brand 18 Years Plus and a connection to Robert F. Kennedy Jr., now Secretary of Health and Human Services, who oversees the National Child Support Program. Tru shares his own ongoing custody battle in Las Vegas, adding firsthand weight to the systemic failures discussed.The episode positions child support reform as one of the most undercovered policy issues affecting American families, with $30 billion collected annually and $2.2 billion in interest alone flowing through a system that incentivizes family separation over reunification.

LINK TO 20% OFF! CODE: MMPODLink and code expires 7/21/2026In this episode, Dee Kei and Lu sit down with Andrew Rynhard — mastering engineer, developer, and founder of Naturl Audio — for one of the most technical and candid limiter conversations the show has ever had. Naturl Audio's philosophy is "evolution, not emulation," and that mindset runs through every corner of this episode.They start at the foundation: what's the actual difference between a brick wall limiter and a high-ratio compressor, and does the distinction even matter in practice? Andrew breaks down how the AL-1 takes a fundamentally different approach — abandoning traditional lookahead design in favor of an original zero-latency circuit, and deliberately avoiding the clipping or wave-shaping stage that most limiters rely on to force a hard ceiling. The result, he explains, is a limiter that stays musical and open under pressure rather than mechanical. Dee walks through how he actually uses the AL-1 in his mix sessions — not just as a loudness tool at the end of the chain, but as a creative shaping device — and Andrew digs into the Optimizer section, which uses upward compression and intelligent makeup gain to add loudness without coloration.The episode also takes some unexpected turns. Andrew opens up about the intense online backlash surrounding the AL-1's launch — including people threatening him over a plugin — and what that toxicity says about tribalism in the audio world. Dee shares a story about being the only engineer in a room full of pros willing to admit he couldn't hear a difference, and why that kind of honest integrity might be the most underrated quality in the business. Andrew echoes it with a lesson he learned from Jiu Jitsu: ego is the single biggest blocker to actually developing your ears, and the engineers who keep growing are the ones who can say "I don't know" out loud.It wraps with a real conversation about clipping philosophy — when to reach for a clipper vs. lean on the limiter, and what Grammy-winning masters actually look like in terms of true peak and LUFS. The answer might surprise you.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Amy Oraefo is an entertainment lawyer, founder, and influential speaker. She is dedicated to education and empowerment of entrepreneurs and creatives. As the Principal Attorney and Founder of Amy Oraefo, P.C., a boutique law firm, Amy serves as legal counsel for high performing musicians, music producers, podcasters, media and tech companies, content creators, entrepreneurs, and cultural innovators such as Earn Your Leisure, Invest Fest, Kel-P Vibes, Kevin Ross, and Renee Montgomery. She has negotiated and closed over $80 million dollars in client deals in connection with brands such as iHeart Media, Kobalt Music, Universal Music Group, Warner Music Group, Revolt, Empire, United Masters, Meta, SpringHill Entertainment, Viacom, Square, Puma, L'Oreal, and NFLPA to name a few. Amy is dedicated to advocating for her clients both nationally and internationally and she has a passion to assist in the growth and protection of their respective brands. In addition to devoting time to skillfully manage her law firm and serve as an Adjunct Professor, Amy is a member of the Recording Academy and she has served as a member of the Reggae and Global Membership Committee of the Recording Academy, and she also previously served on the Board of Governors for the organization. As the previous co-founder and CEO of a music publishing company, Amy has served as legal counsel and an advocate for music artists, songwriters, music producers, podcasters, and content creators in the United States and Nigeria for over thirteen (13) years. As a result of her commitment and passion to educate creatives and entrepreneurs, Amy has launched Creative Passport, www.creativepassport.co, a platform to empower emerging musicians, music producers, podcasters, and content creators globally and she is also a global consultant, lawyer, and advisor for artists within the United States, Nigeria, and in various countries throughout the continent of Africa. Amy has gifted our listeners to this freebie: Free Own It & Scale It Starter Guide A concise, actionable framework covering IP ownership, distribution strategy, and the first steps toward building a scale-ready business — built specifically for educators and knowledge professionals. Your community can grab it here: https://www.ownitandscaleit.com Free Access to the Own It & Scale It Masterclass — July 15 Creative Passport is hosting a free live virtual masterclass on Wednesday, July 15 from 12–2 PM ET. It's a working session designed to help educators identify their ownable IP and map a real path to monetizing their expertise. We'd love for your community to join as our guests. Registration link: https://www.ownandscalemasterclass.com. ______________________________________________________________________ The Edupreneur: Your Blueprint To Jumpstart And Scale Your Education BusinessYou've spent years in the classroom, leading PD, designing curriculum, and transforming how students learn. Now, it's time to leverage that experience and build something for yourself. The Edupreneur isn't just another book; it's the playbook for educators who want to take their knowledge beyond the school walls and into a thriving business.I wrote this book because I've been where you are. I know what it's like to have the skills, the passion, and the drive but not know where to start. I break it all down: the mindset shifts, the business models, the pricing strategies, and the branding moves that will help you position yourself as a leader in this space.Inside, you'll learn how to:✅ Turn your expertise into income streams, without feeling like a sellout✅ Build a personal brand that commands respect (and top dollar)✅ Market your work in a way that feels natural and impactful✅ Navigate the business side of edupreneurship, from pricing to partnershipsWhether you want to consult, create courses, write books, or launch a podcast, this book will help you get there. Stop waiting for permission. Start building your own table.Grab your copy today and take control of your future.Buy it from EduMatch Publishing https://edumatch-publishing.myshopify.com/collections/new-releases/products/the-edupreneur-by-dr-will

SUBSTACK LINKIn this solo episode, Dee Kei reads and expands on his Substack essay — a thoughtful response to the now-viral Jim Lil preamp video that sent the audio engineering world into a frenzy. If you haven't seen it, Jim Lil tested a Neve 31105 against a Focusrite Scarlett 2i2 and found the audible difference between the two to be far smaller than most engineers would ever admit. The reactions were loud, emotional, and — according to Dee Kei — largely missing the point.This episode isn't really about whether preamps matter. It's about why the conversation got so heated, what that reaction reveals about how engineers attach their professional identity to their gear, and what it looks like to hold your preferences with confidence without letting them harden into ego. Dee draws on philosophy — Nietzsche's concept of self-overcoming and Nishitani's idea of emptiness — not to be abstract, but to give language to something engineers feel but rarely articulate: the difference between having taste and needing your taste to be doctrine.He also calls out the logical fallacies that flooded the reaction videos, breaks down what Jim Lil's test actually proved versus what people claimed it proved, and ends with a distinction that every working engineer should sit with — the difference between a confident engineer and an egoic one.This is one of the more unique episodes in the show's catalog. Equal parts audio philosophy, industry critique, and professional development — and it's the kind of conversation the mixing world needs more of.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In der heutigen Folge sprechen die Finanzjournalisten Daniel Eckert und Holger Zschäpitz über die Trump-Glocke, galaktische Zahlen von Samsung und einen Mega-Auftrag für TKMS. Außerdem geht es um Broadcom, Apple, Western Digital, Seagate Technology, Micron Technology, Tesla, SpaceX, Palantir, Invesco EQQQ Nasdaq 100 (WKN: 801498), Microsoft, SK Hynix, HSBC, Bank of America, Berkshire Hathaway, easyJet, Lufthansa, TKMS, Lockheed Martin, Shell, Rheinmetall, Nvidia, Siemens Energy, DroneShield, Novo Nordisk, Renk, Deutsche Bank, flatexDEGIRO, ING, XTB, SAP, Infineon, Amazon, Alphabet, National Grid, AstraZeneca, Haleon, Saint-Gobain, Richemont, DWS, Nestlé, Morgan Stanley, Spotify, Universal Music Group, Meta Platforms. Wir freuen uns an Feedback über aaa@welt.de. Noch mehr "Alles auf Aktien" findet Ihr bei WELTplus und Apple Podcasts – inklusive aller Artikel der Hosts. Hier bei WELT: https://www.welt.de/podcasts/alles-auf-aktien/plus247399208/Boersen-Podcast-AAA-Bonus-Folgen-Jede-Woche-noch-mehr-Antworten-auf-Eure-Boersen-Fragen.html. Hier könnt ihr den AAA-Newsletter abonnieren: https://www.welt.de/newsletter/article232797673/Alles-auf-Aktien-Der-taegliche-Boersen-Newsletter-fuer-WELTplus-Abonnenten.html Und – ganz neu: AAA gibt es jetzt auch auf Instagram: https://www.instagram.com/alles_auf_aktien/ Disclaimer: Die im Podcast besprochenen Aktien und Fonds stellen keine spezifischen Kauf- oder Anlage-Empfehlungen dar. Die Moderatoren und der Verlag haften nicht für etwaige Verluste, die aufgrund der Umsetzung der Gedanken oder Ideen entstehen. Hörtipps: Für alle, die noch mehr wissen wollen: Holger Zschäpitz können Sie jede Woche im Finanz- und Wirtschaftspodcast "Deffner&Zschäpitz" hören. +++ Werbung +++ Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte! https://linktr.ee/alles_auf_aktien *Anzeige: Eight Sleep: Der Pod 5 reguliert die Temperatur im Bett automatisch, trackt Schlaf- und Gesundheitswerte ohne Wearable und kann so zu besserem Schlaf beitragen. Mit dem Code ALLESAUFAKTIEN erhaltet ihr auf eightsleep.com/allesaufaktien bis zu 350 Euro Rabatt.* Impressum: https://www.welt.de/services/article7893735/Impressum.html Datenschutz: https://www.welt.de/services/article157550705/Datenschutzerklaerung-WELT-DIGITAL.html

A listener-requested episode is back by popular demand! Dee Kei and Lu tackle one of the most common questions in the show's history — what computer should you actually buy for mixing, producing, recording, and video editing in 2026?They make the case for why Mac has become the default choice for anyone working in a collaborative environment, breaking down file compatibility issues, AirDrop convenience, and why the cost gap with PCs no longer justifies the headache. From there, they go deep on the Mac mini's rise as one of the best value computers ever made, why it became so hard to find, and how the M4 and M5 chip generations have made fan noise, overheating, and lag basically non-issues for audio work.The conversation also covers RAM and storage decisions that actually matter (versus the ones that don't), why external Thunderbolt drives are now just as fast and far more affordable than maxing out internal storage, and surprising GPU improvements that are changing video editing speeds for producers who dabble in content creation. They wrap with an unexpected but relevant detour into Apple's privacy stance and what that means for engineers handling sensitive, high-value sessions.If you've been putting off a computer upgrade or just don't know what specs actually matter anymore, this episode cuts through the noise.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Send us Fan MailTanner Yeager is a professional stills photographer based out of Globe, Arizona, who spent his career in the motocross industry before finding his way into the music and NASCAR industries. Tanner has worked for clients such as Red Bull, ABC, Sony Music, Fender, The Walt Disney Company, Universal Music Group, and individuals such as Eli Tomas, Ken Roczen,  Colton Haaker, the late Kyle Busch, Jake Owen, Jelly Roll, Midland, Keith Urban, Tommy Ash, and more. In today's episode, Tanner dives into his story of finding photographing, cutting his teeth with INSIDERMX, transitioning from Supercross and motocross to Endurocross, how he found himself in the music and NASCAR industries, being undervalued as a creative, the frustrations with social media and the creative marketplace as a whole, mental health, and much more. Tanner has some wonderful insights, stories, and perspectives from his own experiences crafting images that is beneficial for anyone in the creative space to keep in mind as they navigate their career. I hope all enjoy! Follow Tanner Yeager on Instagram: https://www.instagram.com/TANNERYEAGERPHOTOView More of Tanner's Work: https://www.tanneryeager.com/Follow The Failed Experiment on Instagram: https://www.instagram.com/_thefailedexperiment/Support the the Failed Experiment: https://account.venmo.com/u/kylecowlingFollow The Failed Experiment on YouTube: https://www.youtube.com/@_TFEFollow Kyle Cowling on Instagram: https://www.instagram.com/kylecowling/Support the show

In this solo episode, Dee Kei walks through exactly what a mixing session looks like from the moment he sits down to the moment the file goes out — no guests, no theory, just the real process he uses on every project.He covers why the very first listen always happens before a single plugin is touched, how he organizes and gain stages a session before anything else, and the order in which he builds a mix and why. He also gets into his philosophy on plugin chains, how he actually uses reference tracks without chasing them, and how he knows when his ears have stopped telling him the truth. The episode wraps with his delivery routine — what the final check looks like, how he communicates with clients on send, and why the follow-up step most engineers skip is more important than they think.If you've ever wanted to look over Dee Kei's shoulder during a real session, this is the closest thing to it.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

✨  Stephanie Carrillo, Marketing Consultant and Former Senior Director of Global Marketing @ Universal Music Group ☁️ How Stephanie pivoted from pre-law to music marketing, Senior Director of Global Marketing @ Universal Music Group ☁️ Lessons learned from leading marketing campaigns at Capitol Records and Motown☁️ Behind the scenes of building the TikTok influencer network at Universal Music Group ☁️ What goes into launching creative marketing campaigns for top artists like Ice Spice ☁️ Strategies for breaking into the music marketing industry Join the Sky Society Marketing Girly private LinkedIn group.Follow Sky Society on Instagram @skysociety.co and TikTok @skysociety.co

In this solo episode, Dee Kei gets honest about something nobody in the audio world really wants to say out loud — talent is the most common thing in this industry, and it's rarely what separates the engineers who are thriving from the ones who are struggling. After years of working alongside incredibly gifted mixers who can't keep the lights on, and watching others with average ears build sustainable careers, the pattern is clear: the gap isn't in the DAW.Dee breaks down the real reasons talented engineers stay stuck — from waiting until they feel "ready," to undercharging out of insecurity, to treating their craft like a hobby instead of a business. He talks about the trap of being busy without being strategic, what it actually takes to build a referral pipeline, and why isolation might be the most career-limiting thing a mixer can do.This one is a mindset episode, but it's also practical. Every point has a fix — and none of them require you to get better at mixing.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Katelyn Nightengale (COMS | EPEM '26), Marketing Project Management Intern with Universal Music Group supporting the Music Corporation of America (MCA) Nashville label, is featured in the Spring 2026 graduate series as Cal Poly Experience Industry Management (EIM)'s 2025-26 Most Outstanding Minor! Katelyn sits down and talks with Dr. Brian Greenwood (Cal Poly EIM) about her life, college experience, and her exciting internship this summer.

In this episode, Dee Kei breaks down how he actually thinks about mixing vocals — and it's probably not what you'd expect. Before touching a plugin, an EQ, or a compressor, the most important step is understanding the intention behind the song. Is it a club banger or an intimate bedroom record? A polished pop vocal or something raw that's supposed to feel that way? Dee explains why blindly applying mixing techniques without reading context is the number one mistake engineers at every level make.From there, he dives into the fundamentals: how low-mids shape intimacy versus energy, why most beginners over-de-ess their vocals, when heavy compression works in your favor and when it fights the song, and how vocal placement in the mix is determined by the density and genre of the track. He also gets real about something not enough people talk about — the rise of intentionally "rough" sounding mixes that are racking up streams, and what that means for how you serve your clients.Whether you're a bedroom producer mixing your first song or a working engineer looking to sharpen your instincts, this episode will shift how you approach every vocal session.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

  Pod Crashing episode 471 with Jake Steinfeld Body By Jake! Across more than four decades, trailblazing fitness icon Jake Steinfeld, widely known as "Body By Jake," has inspired millions around the world to move their bodies through his one-of-a-kind combination of physical training, motivational philosophy, and infectious personality. Now, the innovator who revolutionized fitness media by creating the first exercise segments on cable television (CNN), the first 24-hour fitness network (FitTV), the first on-demand fitness television service (ExerciseTV), and the first exercise playlist, has partnered with iHeartMedia and Universal Music Enterprises (UMe), the global catalog division of Universal Music Group, to bring his trademark "Don't Quit!"® ethos to the airwaves for Body By Jake Radio, the first-ever 24-hour digital radio channel designed to fuel mind, body and spirit.A dynamic mix of music, mindset and motivation, Body By Jake Radio will feature host Jake Steinfeld, and other notable personalities in the fitness and mental health worlds, offering empowering messages, fitness, lifestyle, and longevity tips, alongside an eclectic range of uplifting and energizing music to keep listeners motivated and feeling their best all day long. The channel is designed to energize listeners in the morning, sustain them throughout the afternoon, and help them unwind in the evening through a diverse mix of music and specialty programming tailored for different parts of the day."Like I've done all my career, we're bringing something to the radio landscape that's never been done before - motivation and inspiration inside the fabric of the best music on the planet," said Jake Steinfeld. "It'll be 72 and sunny every day at Body By Jake Radio where we are here to encourage people every single day: 'Don't Quit!' Keep pushing forward, no matter what."Jake is the creator of the personal fitness industry and a lifelong advocate for health and wellness who has spent more than four decades motivating millions through his innovative approach to exercise and music. From creating the first workout soundtrack in the 1980s to launching Body By Jake Music, he has consistently championed the connection between sound, movement and mental strength. The timing of the launch during Mental Health Awareness Month aligns with Jake's long-standing mission to promote both physical fitness and mental wellbeing, reinforcing the importance of a strong mind-body connection. "Mental Health Awareness Month is a powerful reminder to take care of ourselves, and each other, and we're proud to bring Body By Jake Radio and Jake's decades of experience helping people feel their best to our listeners," said Jon Zellner, President of Programming Operations and Digital Music, iHeartMedia."I've known and worked with Jake for decades, he is a true pioneer who understood early on the powerful connection between music and motivation," said Bruce Resnikoff, Chairman, Universal Music Enterprises. "With Body By Jake Radio, we're building on that momentum by combining UMe's unparalleled catalog with programming that speaks to today's mental health and wellness-focused audience. With iHeartMedia, we're creating a dynamic new platform where great music and positive messaging come together to inspire listeners around the world."Body By Jake Radio will be available on the iHeartRadio app, iHeartMedia's free all-in-one digital music, podcasting and live streaming radio service - available across more than 500 platforms and over 2,000 devices including smart speakers, digital auto dashes, tablets, wearables, smartphones, virtual assistants, televisions and gaming consoles.    Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Plus: Robinhood adds a new feature to let customers use AI to trade. And a major shareholder of Universal Music Group slams the $65 billion bid from Bill Ackman's Pershing Square Capital. Alex Ossola hosts. Sign up for WSJ's free What's News newsletter. An artificial-intelligence tool assisted in the making of this episode by creating summaries that were based on Wall Street Journal reporting and reviewed and adapted by an edito Learn more about your ad choices. Visit megaphone.fm/adchoices

In Episode 375 of the Mixing Music Podcast, Dee Kei and James break down a tier list for client acquisition in the music industry, inspired by a video from Panorama Mixing and Mastering. They discuss what actually works for getting mixing and production clients, what sounds good in theory but rarely converts, and why repeat clients and word of mouth still dominate almost everything else.The conversation covers networking events, Instagram outreach, YouTube, educational content, spec mixes, referrals, local music scenes, label relationships, free work, websites, paid ads, and cold DMs. Along the way, Dee Kei and James share personal stories from their own careers, including what helped them grow, what failed completely, and how different strategies change depending on your city, pricing, and stage of career.The bigger takeaway is that most successful audio careers are built less on “hacks” and more on trust, consistency, relationships, and staying active long enough for momentum to compound. This is a practical episode for mixers, producers, and engineers trying to figure out where to actually spend their time and energy. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Episode 303   This week, your hosts Jay Gilbert & Mike Etchart break down these important music industry stories:   •  Live Nation Must Be Broken Up From Ticketmaster After Monopoly Verdict, States Tell Judge •  Spotify and Universal Music Group strike landmark deal to let fans create AI covers and remixes •  Spotify's Head of Music Announces 'Reserved' Ticketing Initiative: •  If I Ran Spotify....   Subscribe to the newsletter! : YourMorning.Coffee

Linktree: ⁠⁠⁠⁠https://linktr.ee/Analytic⁠⁠⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠⁠⁠ Analytic Dreamz breaks down Drake's surprise triple-album drop on May 15, 2026, with ICEMAN, Maid of Honour, and Habibti simultaneously released to fulfill his Universal Music Group contract obligations. In this segment, Analytic Dreamz examines the projected first-week numbers: ICEMAN aiming for 480k–520k units, Maid of Honour 115k–135k, and Habibti 110k–130k, for a combined total of roughly 705k–785k units. We analyze the potential historic Billboard 200 achievement of occupying #1, #2, and #3 simultaneously under modern chart rules, and how this compares to past milestones by Taylor Swift and Kendrick Lamar.Analytic Dreamz also explores the business side: Drake's transition after completing the UMG deal while the label retains his valuable catalog, plus reports on his ongoing struggle to sell his $75 million Beverly Hills mansion amid rising mortgage rates and a cooling luxury market.Join Analytic Dreamz for a full breakdown of Drake's strategic dominance in the streaming era and what it means for his next chapter.Privacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠Analytic Dreamz breaks down Drake's surprise triple-album drop on May 15, 2026, with ICEMAN, Maid of Honour, and Habibti simultaneously released to fulfill his Universal Music Group contract obligations. In this segment, Analytic Dreamz examines the projected first-week numbers: ICEMAN aiming for 480k–520k units, Maid of Honour 115k–135k, and Habibti 110k–130k, for a combined total of roughly 705k–785k units. We analyze the potential historic Billboard 200 achievement of occupying #1, #2, and #3 simultaneously under modern chart rules, and how this compares to past milestones by Taylor Swift and Kendrick Lamar.Analytic Dreamz also explores the business side: Drake's transition after completing the UMG deal while the label retains his valuable catalog, plus reports on his ongoing struggle to sell his $75 million Beverly Hills mansion amid rising mortgage rates and a cooling luxury market.Join Analytic Dreamz for a full breakdown of Drake's strategic dominance in the streaming era and what it means for his next chapter.Privacy & Opt-Out: https://redcircle.com/privacy

Thanks to HP & Intel for sponsoring us! More on the Zbook Fury https://bit.ly/4uapNHs Spotify just made AI music official. They cut a deal with Universal Music Group for AI-enhanced and remixed tracks and we all know where this goes. This week on AI For Humans, Spotify officially crossed the line. They announced a sweeping deal with record labels, distributors, and music publishers to bring AI music tools to the platform, complete with fan-remix features that use real artist voices and tracks. They also rolled out AI-generated personal podcasts and launched Studio by Spotify, a standalone AI creation app. Gavin and Kevin break down why this changes everything for music, who actually signs up, and why the fan backlash is just beginning.  Meanwhile, a Higgsfield AI feature film just premiered at Cannes for $500,000 total cost, but $400,000 of that was pure AI compute, raising big questions about what the new economics of filmmaking actually look like.  Plus, an unreleased OpenAI general LLM model disproved a central conjecture in discrete geometry that had stood for 80 years, the best new Google Omni prompts and practices and a humanoid robot fail that traveled the entire internet IS IT TIME TO PANIC? NO, SAYS THESE TWO MORONS. // Show Links // Spotify's Official Announcement: Artist-First AI Music Collaboration https://newsroom.spotify.com/2025-10-16/artist-first-ai-music-spotify-collaboration/ Billboard Coverage Of The Spotify AI Music Deal https://x.com/billboard/status/2057479053649600917?s=20 Spotify's AI-Generated Personal Podcasts (Hollywood Reporter) https://www.hollywoodreporter.com/business/digital/spotify-ai-generated-personal-podcasts-1236603314/ Higgsfield Cannes Film: $500K To Make, $400K Was AI Compute https://www.wsj.com/cio-journal/this-cannes-film-cost-500-000-to-make-400-000-was-ai-compute-costs-a823b08d?mod=e2tw The Impact Of AI In Four Charts https://x.com/marcportermagee/status/2057000000000000000?s=20 Google Omni Horseback Riding Prompt https://x.com/AIWarper/status/2057489859615605244?s=20 FoFR Animals With Google Omni https://x.com/fofrAI/status/2057281646270026097 FoFR Rooster Dog https://x.com/fofrAI/status/2057290425170616754?s=20 Clean Up The Alley Prompt https://x.com/nmatares/status/2057143283357569280?s=20 Ogre Walks On Stage https://x.com/maxescu/status/2057169603001004400?s=20 US Gov Poster Situation https://x.com/usedgov/status/2056839488152670378?s=20 OpenAI Model Disproves Central Conjecture In Discrete Geometry https://openai.com/index/model-disproves-discrete-geometry-conjecture/ Noam Brown's Post About The OpenAI Breakthrough https://x.com/polynoamial/status/2057178198228586824?s=20 The Humanoid Robot Fail That Traveled The Internet https://x.com/adamcurtisbroll/status/2057050384166764826?s=20 Ben Relles Launches Make Believe (Hollywood Reporter) https://www.hollywoodreporter.com/business/digital/new-interactive-ai-startup-make-believe-ben-relles-1236602882/  

In Episode 373 of the Mixing Music Podcast, Dee Kei sits down with multi-platinum mixer Austin Seltzer to talk about the real-world habits that separate professional mixers from amateurs.They dive into major label workflows, quality control, revision culture, stem prep, client communication, pricing, managers, points, mixing for indie artists vs major artists, and why sending a mix too early can hurt your career. Austin also shares practical advice on systems, professionalism, politics in the music industry, and how treating every mix like a major release can completely change your trajectory.This episode is packed with honest insight for engineers, producers, and mixers trying to level up both creatively and professionally.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 372 of the Mixing Music Podcast, Dee Kei and Lu talk about how mix engineers build real confidence. They break down the difference between results-based confidence, where your confidence depends on client approval, clean revisions, or a perfect session, and a deeper confidence built through preparation, experience, systems, and consistency.The conversation covers revision notes, rejected mixes, stressful sessions, client communication, professional workflows, branding, practice, and why confidence cannot come only from good outcomes. Dee Kei and Lu also discuss faith, fear, imposter syndrome, clear conscience, and how staying calm under pressure helps clients trust you more.This episode is for engineers, producers, and creatives who want to build lasting confidence without relying on validation, luck, or every mix going perfectly. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In Episode 371 of the Mixing Music Podcast, Dee Kei and Lu have a more relaxed, reflective conversation about life, creativity, and staying inspired in audio. Dee Kei talks about moving through different phases as an engineer, from early excitement, to getting lost in technical details, to eventually trying to reconnect the emotional side of music with a deeper technical curiosity.They discuss gear research, learning from other engineers, Atmos and surround mixing, studio upgrades, creative plateaus, and the desire to fall back in love with mixing after feeling stuck. The conversation also opens up into fatherhood, having a third child, balancing family with a creative career, contentment versus complacency, and why responsibility can sometimes create more purpose instead of limiting ambition.This episode is part audio reflection, part life update, and part creative reset for anyone trying to stay curious, authentic, and motivated in a long-term music career.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Is “Artists vs. AI” the wrong way to think about music's future? At HumanX, I hosted a conversation with Splice CEO Kakul Srivastava and Universal Music Group's Michael Nash on how AI can become a creative force multiplier for artists, not a replacement. We discussed why music's supply problem existed long before generative AI, how artists are using new tools to reduce production friction, and why authentic connection still matters more than infinite output. The conversation also breaks down Splice and UMG's partnership to build AI-powered music creation tools with artist control, copyright respect, and more. CHAPTERS 01:24 Artists vs. AI 04:27 Splice Tools 06:14 UMG x Splice 08:04 Ethical AI 12:42 Artist Control 14:31 Better Music 17:07 Five-Year Vision TRAPITAL Where technology shapes culture. New episodes and memos every week. Sign up here for free.

In Episode 370 of the Mixing Music Podcast, Dee Kei and Lu continue their true-or-false format and dig into even more of the beliefs, myths, and gray areas that shape music production and audio careers. This round covers everything from whether you should mix and master your own music, to whether analog gear is really better, whether Pro Tools still matters, and whether networking outweighs skill.They also get into social media, working for free early in your career, standing out in a crowded industry, perfectionism, arrangement vs mix importance, and what actually makes a great mixer. One of the strongest themes in the episode is that audio is never just technical. Great mixing is also about psychology, emotion, decision-making, and understanding how to help artists feel confident in what they are making.This is a sharp, practical episode for engineers, producers, and artists who want more nuance than the usual black-and-white advice. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!⁠SUBSCRIBE TO YOUTUBE⁠Join the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LU⁠HIRE JAMES⁠Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixesTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Daniel Mahncke, Shawn O'Malley, and Kyle Grieve take a closer look at the Intrinsic Value Portfolio and some of the high-priority watchlist companies. The episode covers high-conviction portfolio holdings such as Airbnb, Universal Music Group, Reddit, and Exor, as well as watchlist companies like FICO, Trade Desk, and Nintendo. They also cover companies that might need to leave the portfolio today. Candidates are TransDigm and Copart. For each, the question is the same: What are the key points of the investment thesis, has the thesis held up, and does the current valuation still make sense? IN THIS EPISODE YOU'LL LEARN: 00:00:00 - Intro00:04:38 - The key thesis behind Exor00:15:37 - The key thesis behind TransDigm and our thoughts on Copart00:29:45 - The key thesis behind Reddit00:40:28 - The key thesis behind Airbnb00:57:58 - The key thesis behind Universal Music Group01:06:04 - Our thoughts on Trade Desk01:20:04 - Our thoughts on FICO01:29:10 - Our thoughts on Nintendo Disclaimer: Slight discrepancies in the timestamps may occur due to podcast platform differences. BOOKS AND RESOURCES Join ⁠The Intrinsic Value Conference⁠ in Omaha this May 1, 2026! Learn how to join us in Omaha for the Berkshire meeting ⁠⁠here⁠⁠. Join the exclusive ⁠⁠⁠TIP Mastermind Community⁠⁠⁠ to engage in meaningful stock investing discussions with Stig, Shawn, Kyle, Daniel, and the other community members. Podcasts: ⁠Exor⁠, ⁠TransDigm⁠, ⁠Copart⁠, ⁠Reddit⁠, ⁠Airbnb⁠, ⁠Universal Music Group⁠, ⁠Trade Desk⁠, ⁠FICO⁠. Newsletters: ⁠Exor⁠, ⁠TransDigm⁠, ⁠Copart⁠, ⁠Reddit⁠, ⁠Airbnb⁠, ⁠Universal Music Group⁠, ⁠Trade Desk⁠, ⁠FICO.⁠ Follow Daniel on ⁠X⁠ and ⁠Linkedin⁠. Follow Shawn on ⁠X⁠ and ⁠Linkedin⁠. Follow Kyle on ⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠. Related ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠books⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ mentioned in the podcast. Ad-free episodes on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Premium Feed⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. NEW TO THE SHOW? Follow our official social media accounts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (Twitter)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Browse through all our episodes (complete with transcripts) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Try Shawn's favorite tool for picking stock winners and managing our portfolios: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TIP Finance⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Enjoy exclusive perks from our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠favorite Apps and Services⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn how to better start, manage, and grow your business with the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠best business podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ References to any third-party products, services, or advertisers do not constitute endorsements, and The Investor's Podcast Network is not responsible for any claims made by them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://theinvestorspodcastnetwork.supportingcast.fm

Daniel Mahncke, Shawn O'Malley, and Kyle Grieve take a closer look at the Intrinsic Value Portfolio and some of the high-priority watchlist companies. The episode covers high-conviction portfolio holdings such as Airbnb, Universal Music Group, Reddit, and Exor, as well as watchlist companies like FICO, Trade Desk, and Nintendo. They also cover companies that might need to leave the portfolio today. Candidates are TransDigm and Copart. For each, the question is the same: what are the key points of the investment thesis, has the thesis held up, and does the current valuation still make sense? IN THIS EPISODE YOU'LL LEARN: 00:00:00 - Intro 00:05:10 - The key thesis behind Exor 00:16:16 - The key thesis behind TransDigm and our thoughts on Copart 00:33:05 - The key thesis behind Reddit 00:43:54 - The key thesis behind Airbnb 01:01:41 - The key thesis behind Universal Music Group 01:13:54 - Our thoughts on Trade Desk 01:27:42 - Our thoughts on FICO 01:36:40 - Our thoughts on Nintendo Disclaimer: Slight discrepancies in the timestamps may occur due to podcast platform differences. BOOKS AND RESOURCES Join the exclusive ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TIP Mastermind Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn how to join us in Omaha for the Berkshire meeting ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Join The Intrinsic Value Conference in Omaha this May 1, 2026! Podcasts: Exor, TransDigm, Copart, Reddit, Airbnb, Universal Music Group, Trade Desk, FICO. Newsletters: Exor, TransDigm, Copart, Reddit, Airbnb, Universal Music Group, Trade Desk, FICO. Follow Daniel on X and Linkedin. Follow Shawn on X and Linkedin. Follow Kyle on ⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠. Related ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠books⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ mentioned in the podcast. Ad-free episodes on our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Premium Feed⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. NEW TO THE SHOW? Get smarter about valuing businesses through ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Intrinsic Value Newsletter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Follow our official social media accounts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Try our tool for picking stock winners and managing our portfolios: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TIP Finance⁠. Enjoy exclusive perks from our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠favorite Apps and Services⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn how to better start, manage, and grow your business with the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠best business podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. SPONSORS Support our free podcast by supporting our ⁠⁠⁠sponsors⁠⁠⁠: HardBlock Human Rights Foundation Plus500 Netsuite Shopify Vanta References to any third-party products, services, or advertisers do not constitute endorsements, and The Investor's Podcast Network is not responsible for any claims made by them. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://theinvestorspodcastnetwork.supportingcast.fm

This week: Retail investors usually stick to the stock market, but many are rushing to make bets on oil futures. Felix Salmon, Elizabeth Spiers, and Emily Peck discuss Emily's piece about “dumb money” moving into more sophisticated trading markets—thanks to new crypto-driven platforms—and what's motivating the trend. Then, the hosts examine Bill Ackman's grand plan to take over Universal Music Group, and explain the difference in how his SPARC differs from a SPAC. Finally, the hosts delve into the New York Times' quest to uncover the mysterious creator of Bitcoin, the pseudonymous Satoshi Nakamoto, and argue over the investigation's conclusion. In the Slate Plus episode: Do men suck at grocery shopping?Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli. Hosted on Acast. See acast.com/privacy for more information.

This week: Retail investors usually stick to the stock market, but many are rushing to make bets on oil futures. Felix Salmon, Elizabeth Spiers, and Emily Peck discuss Emily's piece about “dumb money” moving into more sophisticated trading markets—thanks to new crypto-driven platforms—and what's motivating the trend. Then, the hosts examine Bill Ackman's grand plan to take over Universal Music Group, and explain the difference in how his SPARC differs from a SPAC. Finally, the hosts delve into the New York Times' quest to uncover the mysterious creator of Bitcoin, the pseudonymous Satoshi Nakamoto, and argue over the investigation's conclusion. In the Slate Plus episode: Do men suck at grocery shopping?Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli. Hosted on Acast. See acast.com/privacy for more information.

Every week, And the Writer Is brings you the most important news moving through the music industry — straight, sharp, and no fluff. This week: Maryland just passed the RAP Act, making it illegal to use rap lyrics as courtroom evidence, potentially setting the stage for federal law. Suno's licensing negotiations with Sony and Universal have stalled, leaving major AI royalty questions unresolved. And Pershing Square submitted a $64 billion bid for Universal Music Group, revealing just how undervalued the music industry is to outside investors. Plus: Ticketmaster's face value integration, HYBE's new Indian girl group audition, and moves at Warner. Follow us on socials and don't miss our new episodes every Tuesday — the hottest conversations in music, with the people making it.This week:Maryland passes the RAP Act — rap lyrics can no longer be used as courtroom evidencePershing Square submits a $64B bid for Universal Music GroupSuno's licensing talks with Sony and Universal stall over AI royaltiesTicketmaster partners with Cash or Trade on face value resale integrationHYBE auditions for a new Indian girl group as Asian streaming dominance growsMyles Gersh promoted at Warner — the exec who signed Zach BryanTaylor Swift resigns with Warner ChappellLasso signs to Interscope Records Hosted on Acast. See acast.com/privacy for more information.

A.M. Edition for April 7. With markets holding their breath ahead of President Trump's deadline to bombard Iran's infrastructure if it doesn't reopen the Strait of Hormuz, National Bank of Belgium Governor Pierre Wunsch explains how policymakers are coping with the ripple effects of the war. Plus, Bill Ackman's Pershing Square Capital offers to buy Universal Music Group, the world's largest music company and record label behind Taylor Swift and Bad Bunny. And Journal marketing reporter Patrick Coffee says some brands are adding ‘no AI' disclaimers to advertisements to stand out amongst the slop. Luke Vargas hosts. Sign up for the WSJ's free What's News newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Reading Jamie Dimon's annual letter to shareholders is one of those calendar events. For those who haven't had time to read it, we broke down some of the big takeaways from the letter as well as pushed back at some of the things we were less sure about. Plus, dissecting Bill Ackman's Universal Music Group bid and answering listener questions. Tyler Crowe, Lou Whiteman, and Jason Hall discuss: - Jamie Dimon's message to JPMorgan investors - Dimon's words of warning to the private credit market - Whether rolling back bank regulations is the best idea - Pershing Square bids for Universal Music Group - Bill Ackman's investing track record - Listener question: Are covered call ETFs a good idea Companies discussed: JPM, OWL, PSHZF, UMGNF, JEPQ Host: Tyler Crowe Guests: Jason Hall, Lou Whiteman Engineer: Dan Boyd Disclosure: Advertisements are sponsored content and provided for informational purposes only. The Motley Fool and its affiliates (collectively, “TMF”) do not endorse, recommend, or verify the accuracy or completeness of the statements made within advertisements. TMF is not involved in the offer, sale, or solicitation of any securities advertised herein and makes no representations regarding the suitability, or risks associated with any investment opportunity presented. Investors should conduct their own due diligence and consult with legal, tax, and financial advisors before making any investment decisions. TMF assumes no responsibility for any losses or damages arising from this advertisement. We're committed to transparency: All personal opinions in advertisements from Fools are their own. The product advertised in this episode was loaned to TMF and was returned after a test period or the product advertised in this episode was purchased by TMF. Advertiser has paid for the sponsorship of this episode. Learn more about your ad choices. Visit ⁠⁠⁠⁠⁠⁠⁠⁠megaphone.fm/adchoices⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Billionaire activist investor Bill Ackman is making a play for Taylor Swift's record label in a deal that Reuters values at around $64 billion. Ackman wants his investment firm, Pershing Square Capital Management, to take over Universal Music Group. This morning, we'll dig into the news. Then, we continue our trip along Route 66 and visit Northern Arizona University, which has designated this academic year the “Year of AI Empowerment.”