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Episode 224Join us for a game-changing interview with Grammy-nominated artist James Artissen, formerly known as James Worthy, as he unpacks his incredible transformation. From the inspiration behind his rebranding and the excitement of Grammy recognition to the vision fueling his own label, Humble Sound Records, James holds nothing back. He takes us behind the curtain of his deal with Universal Music Group, revealing key moments and insights into his debut album's creation, and drops a mind-blowing piece of business advice that will change the way you think. Tune in for an inspiring conversation about reinvention, resilience, and the pursuit of musical dreams.GuestGuestGrammy Nominated Singer, Songwriter, Record Producer, and Audio Engineer James Artissen also formerly known as James Worthy has long considered the name to be central to his life, and identity. It represents the dedication, and the passion towards his craft. Coming from New York, the musician attributes his hometown as a major influence on his style, and sound. Born James Allen Worthy on March 28, 1992 in Queens, New York, James began pursuing music at the age of 16. During that time period James had the opportunity to meet the late great Michael Jackson at Webster Hall in New York City which inspired James to fully pursue a career in the music business. After moving to Atlanta, GA the singer, songwriter, and producers first musical experience was at his high school recording studio through a music mentoring program sponsored by Dallas Austin. His initial foray into music consisted of learning the art of songwriting which later turned into music production shortly after. Artissen was also highly influenced by artists such as: A Tribe Called Quest, Whodini, Kanye West, Miguel, The Weeknd, and Pharrell Williams. While studying those artists he began to teach himself how to sing in 2009. To further his education he attended The Art Institute of Atlanta where he received a bachelor's degree in audio production. This helped him begin working, and placing his work with mainstream acts, and songwriters. In 2017, James transitioned from music production to artistry, and began recording himself. He joined a duo group named Kings X2, and released their debut single "Wine For Me" in september of 2017. The single peaked at #10 on the US Billboard Hot Single Sales Chart for 5 weeks. Later in 2018 the group disbanded, and James released his debut solo single "Move" which features the rap group Whodini. Following up to 2019 James released his anticipated EP "Blu Leisure" which became critically acclaimed upon its release. The project included guest appearances from: Tony Terry, Sonna Rele, Kalenna Harper, and Whodini. After its great success he released his sophomore EP "Kaleidoscopes", and in 2023 he joined forces with rapper Big Gipp of the rap group Goodie Mob to release their collaborative EP "Gipp N Worthy". The lead single "TOTW" peaked at #91 on the US Billboard R&B Digital Sales Chart also charting at the #1 position on the Amazon Best Sellers Chart. Within all of James's work he has been nominated for several Grammy Awards by working with names such as: Meek Mill, Justin Bieber, Robin S., 112, Raphael Saadiq, and so many others to name. In 2024 James launched his own label imprint Humble Sound Record in conjunction with Sony Orchard. The label houses artists such as: B Angie B, Robin S., Tynisha Keli, Sophia Habib, Shaynah, and Truth Hurts.https://www.jamesartissen.comHostOlyasha Novozhylova @notbasicblonde_NotBasicBlonde Podcast @nbbpodcast
Hip-hop pioneers Salt‑N‑Pepa are suing Universal Music Group to reclaim rights to their master recordings, alleging UMG is blocking their music from streaming platforms even after they’ve legally filed to regain control—a battle underscored by their upcoming induction into the Rock & Roll Hall of Fame. See omnystudio.com/listener for privacy information.
In today’s Rickey Smiley Morning Show, four compelling stories take center stage. Hip-hop pioneers Salt‑N‑Pepa are suing Universal Music Group to reclaim rights to their master recordings, alleging UMG is blocking their music from streaming platforms even after they’ve legally filed to regain control—a battle underscored by their upcoming induction into the Rock & Roll Hall of Fame. In a bold public display, Jay‑Z reportedly had a $3 million chain snatched by a fan during the closing leg of Beyoncé’s Cowboy Carter tour in Las Vegas; the alleged theft is raising questions about event security protocols. Shifting gears to education and legacy: Texas has enacted a statewide ban on cell phones and smart devices in public schools, effective this fall under House Bill 1481, requiring schools to store devices away during the school day to boost student focus and limit distractions. And finally, beloved TV icon Tisha Campbell joins the RSMS crew, opening up about her four decades in entertainment, her resilience through financial hardship, and her upcoming projects in music and film—highlighting why her legacy continues to inspire. Website: https://www.urban1podcasts.com/rickey-smiley-morning-show See omnystudio.com/listener for privacy information.
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
Niet verwacht, toch gekregen: goede kwartaalcijfers van Apple. De verwachtingen waren laag, maar analisten zaten ernaast. En hoe. Apple komt met een recordomzet op de proppen! Apple blijkt een heffingshamsteraar. Klanten kochten nog even snel een nieuwe iPhone, voordat tarieven die toestellen duurder zouden maken. Het zorgt voor de grootste omzetgroei in 4 jaar tijd. Deze aflevering hebben we het over die comeback van Apple. Of mogen we het geen comeback noemen?Gaat het ook over Amazon. Dat overtrof de omzet- én winstverwachting. Maar het laat beleggers toch wat schrikken met de kosten. Die zorgen ervoor dat de winst van het derde kwartaal wat lager gaat uitvallen.Het is 1 augustus en dat betekent dat dé deadline voorbij is. Je weet wel, tot vandaag hadden landen de kans om een handelsdeal te sluiten met Trump. We kijken wat er tot nu toe allemaal bereikt is en wat we de komende tijd nog kunnen verwachten. Jij kan deze aflevering trouwens ook nog wat andere verhalen verwachten: De gigantisch succesvolle beursgang van Fisma Reddit, bekend van de meme's, doet het zelf ook goed Universal Music Group maakt meer winst, maar beleggers zien er geen muziek in Bodemonderzoeker Fugro heeft het zwaar Er is een klopjacht op farmaceuten. Trump gaat achter ze aan! En je hoort welke twee bedrijven veel verdienen met hun sterfhuisconstructie See omnystudio.com/listener for privacy information.
Niet verwacht, toch gekregen: goede kwartaalcijfers van Apple. De verwachtingen waren laag, maar analisten zaten ernaast. En hoe. Apple komt met een recordomzet op de proppen! Apple blijkt een heffingshamsteraar. Klanten kochten nog even snel een nieuwe iPhone, voordat tarieven die toestellen duurder zouden maken. Het zorgt voor de grootste omzetgroei in 4 jaar tijd. Deze aflevering hebben we het over die comeback van Apple. Of mogen we het geen comeback noemen?Gaat het ook over Amazon. Dat overtrof de omzet- én winstverwachting. Maar het laat beleggers toch wat schrikken met de kosten. Die zorgen ervoor dat de winst van het derde kwartaal wat lager gaat uitvallen.Het is 1 augustus en dat betekent dat dé deadline voorbij is. Je weet wel, tot vandaag hadden landen de kans om een handelsdeal te sluiten met Trump. We kijken wat er tot nu toe allemaal bereikt is en wat we de komende tijd nog kunnen verwachten. Jij kan deze aflevering trouwens ook nog wat andere verhalen verwachten: De gigantisch succesvolle beursgang van Fisma Reddit, bekend van de meme's, doet het zelf ook goed Universal Music Group maakt meer winst, maar beleggers zien er geen muziek in Bodemonderzoeker Fugro heeft het zwaar Er is een klopjacht op farmaceuten. Trump gaat achter ze aan! En je hoort welke twee bedrijven veel verdienen met hun sterfhuisconstructie See omnystudio.com/listener for privacy information.
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
JOIN OUR PATREON AND GET ACCESS TO EXCLUSIVE CONTENT: https://mixingmusicpodcast.com/exclusiveI WRITE BOOKS FOR CHILDREN: https://deekeiandkayoko.comHIRE DEE KEI: links.deekeimixes.comHIRE LU: https://soundbetter.com/profiles/1419...HIRE JAMES: https://www.jamesparrishmixes.com/Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @masteredbyluTwitter: @DeeKeiMixes @masteredbyluJoin the ‘Mixing Music Podcast' Discord: / discord The Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show was filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at mixingmusicpodcast@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode, Dee Kei and Lu dive into the controversial 2025 remix of Three Cheers for Sweet Revenge by My Chemical Romance. While technically cleaner and more modern, the new mixes raise a big question: What happens when you remaster or remix a nostalgic album? Do you risk losing the magic that made it timeless?This is more than just a critique of a remix — it's a deep conversation about emotion vs. clarity, client intent, nostalgia bias, and how sometimes, chasing perfection can kill the very thing people loved in the first place.Whether you're a die-hard fan, a professional engineer, or someone who's been burned by a remix of your favorite record, this episode is for you.
Jennie Smythe was 40 years old, grieving the loss of her father, newly diagnosed with cancer, and had just dropped out of school. She had no backup plan — but she had one moment of clarity: she wasn't going to follow the path others expected. She was going to build her own.In this conversation, Jennie shares how she turned crisis into clarity, and what it really looks like to start over with nothing. If you feel behind, unqualified, or unsure of your next move, this episode is for you.What You'll Learn:✅ How to turn crisis and grief into clarity✅ Why “no degree + no plan” becomes your edge✅ What real leadership looks like through personal loss✅ The mindset shift that makes building from scratch possible✅ How to build a business rooted in values, not survivalTimestamps:(00:00) – Intro(03:40) – Cancer, grief, and dropping out(07:29) – Choosing herself over expectations(11:10) – Walking away from the conventional path(14:42) – Why Jennie refuses to fake confidence(19:08) – Building with purpose and integrity(24:01) – Leading through grief(27:35) – Starting her business with zero funding(31:54) – Conversations that shaped her leadership(36:42) – The truths of rebuilding from nothing(42:13) – Identity shift: how to start over strongerAbout Jennie Smythe:Jennie Smythe is the founder and CEO of Girlilla Marketing, a Nashville-based digital marketing agency representing some of the biggest names in country music. With over two decades of experience at the intersection of entertainment, media, and strategy, Jennie has built a reputation as one of the most trusted voices in artist-first digital branding.Before launching Girlilla, she held leadership roles at Warner Music Nashville, Universal Music Group, and AOL Music. Her work is known for blending deep empathy with sharp execution — helping artists and entrepreneurs build lasting, values-driven communities online.Jennie is also a breast cancer survivor, advocate, and mentor to women navigating nontraditional leadership paths.Check out Jennie Smythe:https://www.girlillamarketing.com/about-jenniehttps://www.instagram.com/girlillajenniehttps://www.linkedin.com/in/jenniesmytheCheck out Chris Do:Website: https://zaap.bio/thechrisdoLinkedIn:https://www.linkedin.com/in/thechrisdo/Facebook:https://www.facebook.com/BizOfDesignInstagram:https://www.instagram.com/thechrisdo/Twitter:https://x.com/thechrisdoTikTok:https://www.tiktok.com/@thechrisdoThreads:https://www.threads.net/@thechrisdoZaap: https://zaap.bio/thechrisdoClubhouse:https://www.clubhouse.com/@thechrisdoBehance: https://www.behance.net/chrisdoCheck out The Futur:Website:
A college dropout, Jennie Smythe had no backup plan — but she had one moment of clarity: she wasn't going to follow the path others expected. She was going to build her own. By her early 40s, while grieving the loss of her father and newly diagnosed with breast cancer, she had built an award-winning digital marketing firm - Girlilla Marketing. In this conversation, Jennie shares how she turned crisis into clarity, and what it really looks like to start over with nothing. If you feel behind, unqualified, or unsure of your next move, this episode is for you. What You'll Learn: ✅ How to turn crisis and grief into clarity ✅ Why “no degree + no plan” becomes your edge ✅ What real leadership looks like through personal loss ✅ The mindset shift that makes building from scratch possible ✅ How to build a business rooted in values, not survival Timestamps: (00:00) – Intro (03:40) – Cancer, grief, and dropping out (07:29) – Choosing herself over expectations (11:10) – Walking away from the conventional path (14:42) – Why Jennie refuses to fake confidence (19:08) – Building with purpose and integrity (24:01) – Leading through grief (27:35) – Starting her business with zero funding (31:54) – Conversations that shaped her leadership (36:42) – The truths of rebuilding from nothing (42:13) – Identity shift: how to start over stronger About Jennie Smythe: Jennie Smythe is the founder and CEO of Girlilla Marketing, a Nashville-based digital marketing agency representing some of the biggest names in country music. With over two decades of experience at the intersection of entertainment, media, and strategy, Jennie has built a reputation as one of the most trusted voices in artist-first digital branding. Before launching Girlilla, she held leadership roles at Warner Music Nashville, Universal Music Group, and AOL Music. Her work is known for blending deep empathy with sharp execution — helping artists and entrepreneurs build lasting, values-driven communities online. Jennie is also a breast cancer survivor, advocate, and mentor to women navigating nontraditional leadership paths. Check out Jennie Smythe: https://www.girlillamarketing.com/about-jennie https://www.instagram.com/girlillajennie https://www.linkedin.com/in/jenniesmythe Check out Chris Do: Website: https://zaap.bio/thechrisdo LinkedIn:https://www.linkedin.com/in/thechrisdo/ Facebook:https://www.facebook.com/BizOfDesign Instagram:https://www.instagram.com/thechrisdo/ Twitter:https://x.com/thechrisdo TikTok:https://www.tiktok.com/@thechrisdo Threads:https://www.threads.net/@thechrisdo Zaap: https://zaap.bio/thechrisdo Clubhouse:https://www.clubhouse.com/@thechrisdo Behance: https://www.behance.net/chrisdo Check out The Futur: Website: https://www.thefutur.com/ Courses: https://www.thefutur.com/shop Linkedin: https://www.linkedin.com/company/the-futur/ Podcasts: https://thefutur.com/podcast Instagram: https://www.instagram.com/thefuturishere/ Facebook: https://www.facebook.com/theFuturisHere/ Twitter: https://x.com/thefuturishere TikTok: https://www.tiktok.com/@thefuturishere Youtube:https://www.youtube.com/thefuturishere
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
JOIN OUR PATREON AND GET ACCESS TO EXCLUSIVE CONTENT: https://mixingmusicpodcast.com/exclusiveI WRITE BOOKS FOR CHILDREN: https://deekeiandkayoko.comHIRE DEE KEI: links.deekeimixes.comHIRE LU: https://soundbetter.com/profiles/1419...HIRE JAMES: https://www.jamesparrishmixes.com/Find Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @masteredbyluTwitter: @DeeKeiMixes @masteredbyluJoin the ‘Mixing Music Podcast' Discord: / discord The Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show was filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at mixingmusicpodcast@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Since the mid-'90s, employers have been using an online system to verify the legal right of employees to work in the U.S. That system often falls short, and now employers have been encouraged to recheck workers' legal status as the Trump administration has canceled work authorizations for hundreds of thousands of immigrants. But first: Universal Music Group is closer to selling shares on a U.S. stock exchange. And, how long will the housing market remain stagnant?
Since the mid-'90s, employers have been using an online system to verify the legal right of employees to work in the U.S. That system often falls short, and now employers have been encouraged to recheck workers' legal status as the Trump administration has canceled work authorizations for hundreds of thousands of immigrants. But first: Universal Music Group is closer to selling shares on a U.S. stock exchange. And, how long will the housing market remain stagnant?
Stargate. Het had hét project van de toekomst moeten zijn. Een AI-project van 500 miljard dollar, van SoftBank, OpenAI en de Amerikaanse regering. Er zou volgens president Trump 'gelijk' 100 miljard worden geïnvesteerd en er zouden 100.000 banen bijkomen.Je raadt het al. Dat is niet gebeurd. Sterker: Volgens The Wall Street Journal is er nog geen enkel datacenter gebouwd. SoftBank en OpenAI zouden ruzie met elkaar maken. Dat is slecht nieuws voor Trump, voor de Amerikaanse economie en voor aandelen. Welke, dat hoor je deze aflevering.Krijg je ook een update over de tarieven van Trump. Zijn onderhandelaar wil meer tijd om er met de Chinezen uit te komen. Ondertussen werken de Europeanen aan een tegenaanval.Deze aflevering stellen we een aantal slachtoffers aan je voor. Slachtoffers van Trump, allemaal op hun eigen manier. Om te beginnen met NXP. De chipmaker ziet al vijf kwartalen de omzet én winst dalen. En het leed is nog niet voorbij, want NXP denkt dat de omzet ook in dit kwartaal (in het derde kwartaal) afneemt.AkzoNobel kampt vooral met de zwakke dollar. Die raakt de winst van Akzo. De omzet die in dollars wordt gehaald, is minder waard in euro’s. General Motors spant echter de kroon. Dat wordt gigantisch geraakt door Trumps tarieven. Het kost ze ruim een miljard dollar, voor heel dit jaar denken ze aan 4 tot 5 miljard dollar. En het meest bizarre: ze gaan het niet doorberekenen aan klanten. See omnystudio.com/listener for privacy information.
This episode is for the ones who feel like they've been too much their whole lives.Too emotional.Too intense.Too quiet.Too real.If you've ever been mislabeled, misread, or misunderstood—this one is for you.You're not broken. You're not confusing. You're not wrong for feeling deeply in a world that skims the surface.You are layered. Lyrical. Limitless.We're not shrinking for anybody. We're speaking from our scars, standing in our softness, and choosing to become, unapologetically.
Hey beautiful soul—This episode is for every soft, sacred, self-aware being who's ever been asked:“Why are you still single?”And the answer?“Because I'm not rushing healing just to perform partnership.”In this poetic, real, and spiritually grounded episode of Vibing with Jazel, we explore what it means to choose you—before choosing them. This is a call to stop settling for struggle love, to heal before you pour, and to honor your spirit like it's the altar it is.We're talking:
Hey baby—This episode is for the healed but still got hands.For the ones who've outgrown chaos, but know exactly how to check someone politely.Because sometimes, protecting your peace means reminding folks:“I'm soft, not stupid. Watch your tone.”In this bold, poetic, emotionally intelligent episode of Vibing with Jazel, we get into:
In this filing, UMG Recordings, Inc. submitted a motion to dismiss the civil complaint brought by Sara Rivers (formerly known as Sara Stokes), who has accused Sean Combs and a wide array of associated individuals and entities—including UMG—of enabling and participating in a long-running campaign of abuse, exploitation, and retaliation during her time as a performer and reality television star. UMG argues that the complaint fails to establish any direct legal basis for liability against the label, emphasizing that Rivers' allegations are either too vague, time-barred, or do not meet the threshold of actionable conduct under applicable laws. UMG maintains that there is no specific connection between the company and the alleged wrongdoing, particularly as it relates to claims of trafficking, conspiracy, and emotional distress.UMG also contends that its name is improperly included in a sprawling list of defendants that spans individuals from the music and television industries, Combs-affiliated companies, and even the estates of deceased producers. The label asserts that it had no supervisory role or direct business relationship with Rivers, and therefore cannot be held accountable for actions allegedly committed by other parties years ago. Furthermore, UMG requests oral argument to clarify and reinforce its position that it should be dismissed from the case entirely, framing its inclusion as speculative and unsupported by concrete evidence or legal grounding.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.637776.133.0_1.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
In this filing, UMG Recordings, Inc. submitted a motion to dismiss the civil complaint brought by Sara Rivers (formerly known as Sara Stokes), who has accused Sean Combs and a wide array of associated individuals and entities—including UMG—of enabling and participating in a long-running campaign of abuse, exploitation, and retaliation during her time as a performer and reality television star. UMG argues that the complaint fails to establish any direct legal basis for liability against the label, emphasizing that Rivers' allegations are either too vague, time-barred, or do not meet the threshold of actionable conduct under applicable laws. UMG maintains that there is no specific connection between the company and the alleged wrongdoing, particularly as it relates to claims of trafficking, conspiracy, and emotional distress.UMG also contends that its name is improperly included in a sprawling list of defendants that spans individuals from the music and television industries, Combs-affiliated companies, and even the estates of deceased producers. The label asserts that it had no supervisory role or direct business relationship with Rivers, and therefore cannot be held accountable for actions allegedly committed by other parties years ago. Furthermore, UMG requests oral argument to clarify and reinforce its position that it should be dismissed from the case entirely, framing its inclusion as speculative and unsupported by concrete evidence or legal grounding.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.637776.133.0_1.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode, Dee Kei and Lu explore the art and science of stereo vs. mono recording, the dangers of over-miking, and why intentionality always beats complexity. From phase alignment to comb filtering, they break down the physics and the philosophy behind capturing big, clean, powerful sounds — using fewer tools and smarter techniques.They discuss multi-mic setups, stereo width tricks, reverb placement, and how small changes in mic distance can make or break your mix. There's plenty of studio wisdom, live sound context, and even some fun talk about perfect pitch, nostalgia, and listening preferences.Whether you're tracking a full drum kit or just trying to get your guitars to sit right, this episode will teach you how to think more clearly, record more intentionally, and get better results by doing less.
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this no-holds-barred episode, Dee Kei and James dive deep into the toxic myths, vague advice, and ego-driven illusions that still dominate the world of mixing and audio education. From the false promise of "secret sauce" techniques to the cult of gear and performative certainty, they break down why so many mixers cling to superstition — and how it's holding back real growth.They also explore why even elite mixers often give ambiguous or misleading advice, how language shapes misunderstanding, and why certainty is often just a mask for insecurity or marketing.Plus: Japanese philosophy, baseball rituals, self-diagnosed autism, and why Rick Rubin might actually have it all figured out.
In this episode of Working Class Audio, Matt welcomes Engineer and Composer Dane Giordano who has engineered artists for Warner, Sony and Universal Music Group. Dane has composed music for Film, Video Games, Television and more! He is also one of the House Engineers at Young Avenue Sound & Sun Studio. In This Episode, We Discuss: First Studio Experience Touring Survival Methods Bad Engineer Experiences Positive Studio Experiences Flat Rates Engineering Transition Sun Studio Electrical Audio Internship Steve Albini's Kindness Professional Studio Habits Embrace Beginner Mindset Clients By Word-Of-Mouth Financial Discipline Diversifying Services Links and Show Notes: Dane's Site Matt's Rant: Session Documentation in the 21st Century Credits: Guest: Dane Giordano Host/Engineer/Producer: Matt Boudreau WCA Theme Music: Cliff Truesdell The Voice: Chuck Smith
For our June episode host and gerontologist, Sherri Snelling, talks with the authors of the new “AARP Caregiver Answer Book” – Barry Jacobs and Julia Mayer. They share some of the insights from the book including the difference in caring for a spouse versus an older parent, how and why families need to have the caregiving conversation, how to adopt self-care routines into an overwhelming caregiving life and more. For CAREGIVER WELLNESS NEWS, June is National Alzheimer's and Brain Health Month and Sherri talks about blood tests for Alzheimer's risk, how to avoid “popcorn brain,” brain health tests and more. And since June 21 is the Summer Solstice where we have the longest day of sunlight in the year, Sherri shares information on how “sunshine” plays a key role in healing and how a new study uses UV light to help those with multiple sclerosis (MS) and Alzheimer's adults who experience “sundowning.” And June is also Employee Wellness Month where Sherri talks about the latest studies by Harvard, MetLife and other researchers on why caregiving help as a workplace benefit is crucial and a study showing a health benefit for women solopreneurs. In our WELL HOME DESIGN NEWS, Sherri talks about a new app from Apple and Universal Music Group for sound bathing just in time for World Music Day June 21, for National Garden Week June 1-7 Sherri shares how garden therapy is taking off in senior living and in workplaces for stressed workers and since June is National Elder Abuse Month, Sherri talks about studies showing how financial elder abuse and scams on older adults is on the rise and what you can do to protect your loved ones. (3:47) – Caregiver Wellness News (26:05) Interview with Barry Jacobs and Julia Mayer – authors of the “AARP Caregiver Answer Book” (1:02:29) – Well Home Design News Take Care and Stay Well! Find out more at: caregivingclub.com/podcast/
On Part 2 of today's podcast, Ramses and Q discuss the latest news regarding Drake's lawsuit against Universal Music Group over their support of Kendrick Lamar's song "Not Like Us". See omnystudio.com/listener for privacy information.
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode, Dee Kei and Lu dive deep into the sonic and philosophical chaos of mixing hyperpop, sigilkore, and other maximalist genres — where distortion, clipping, and sheer loudness aren't flaws, they're features.From pushing mixes to -2 LUFS to layering clippers at every stage, Dee Kei shares his firsthand experiences mixing records for artists like Odetari and Barelyhuman, and how that work has redefined his approach to both mixing and creativity.But this episode goes beyond technique. It explores the philosophy behind weirdness, the cultural value of outsider genres, and why trying to normalize everything can kill innovation. We talk gear (StandardClip, Cake, Gold Clip), philosophy (Zen, dualism, the Just World Fallacy), and how freedom from expectation leads to better art.
A memorandum in support of a request for dismissal of a complaint is a legal document submitted to a court that outlines the reasons why a complaint should be dismissed. This type of memorandum is typically prepared by the defendant or their legal counsel and presented to the court as part of the pre-trial proceedings.In this document, the defendant usually provides legal arguments and evidence to support their request for dismissal. This could include demonstrating that the complaint fails to state a valid legal claim, that there is a lack of jurisdiction, or that there are other legal grounds for dismissal.The memorandum serves as a persuasive tool for the court, aiming to convince the judge that the complaint does not have merit and should not proceed to trial. It is important for the memorandum to be well-researched, clearly written, and supported by relevant legal precedent.In this episode we begin our look at the UMG memorandum in support of dismissing the complaint filed against them by Rodney Jones. to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.616406.41.0.pdf (courtlistener.com)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
A memorandum in support of a request for dismissal of a complaint is a legal document submitted to a court that outlines the reasons why a complaint should be dismissed. This type of memorandum is typically prepared by the defendant or their legal counsel and presented to the court as part of the pre-trial proceedings.In this document, the defendant usually provides legal arguments and evidence to support their request for dismissal. This could include demonstrating that the complaint fails to state a valid legal claim, that there is a lack of jurisdiction, or that there are other legal grounds for dismissal.The memorandum serves as a persuasive tool for the court, aiming to convince the judge that the complaint does not have merit and should not proceed to trial. It is important for the memorandum to be well-researched, clearly written, and supported by relevant legal precedent.In this episode we begin our look at the UMG memorandum in support of dismissing the complaint filed against them by Rodney Jones. to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.616406.41.0.pdf (courtlistener.com)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
A memorandum in support of a request for dismissal of a complaint is a legal document submitted to a court that outlines the reasons why a complaint should be dismissed. This type of memorandum is typically prepared by the defendant or their legal counsel and presented to the court as part of the pre-trial proceedings.In this document, the defendant usually provides legal arguments and evidence to support their request for dismissal. This could include demonstrating that the complaint fails to state a valid legal claim, that there is a lack of jurisdiction, or that there are other legal grounds for dismissal.The memorandum serves as a persuasive tool for the court, aiming to convince the judge that the complaint does not have merit and should not proceed to trial. It is important for the memorandum to be well-researched, clearly written, and supported by relevant legal precedent.In this episode we begin our look at the UMG memorandum in support of dismissing the complaint filed against them by Rodney Jones. to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.616406.41.0.pdf (courtlistener.com)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
A memorandum in support of a request for dismissal of a complaint is a legal document submitted to a court that outlines the reasons why a complaint should be dismissed. This type of memorandum is typically prepared by the defendant or their legal counsel and presented to the court as part of the pre-trial proceedings.In this document, the defendant usually provides legal arguments and evidence to support their request for dismissal. This could include demonstrating that the complaint fails to state a valid legal claim, that there is a lack of jurisdiction, or that there are other legal grounds for dismissal.The memorandum serves as a persuasive tool for the court, aiming to convince the judge that the complaint does not have merit and should not proceed to trial. It is important for the memorandum to be well-researched, clearly written, and supported by relevant legal precedent.In this episode we begin our look at the UMG memorandum in support of dismissing the complaint filed against them by Rodney Jones. (commercial at 7:27)to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.616406.41.0.pdf (courtlistener.com)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this deep and reflective episode, Dee Kei and Lu explore one of the most relatable challenges for mixers and creatives alike: the paradox of improvement and insecurity. Why does getting better at your craft sometimes make you feel worse? How can self-doubt either fuel your growth or paralyze your process?With insights from Zen philosophy, mixing experience, and personal anecdotes, they unpack the emotional rollercoaster that comes with V1 mixes, fear of feedback, and chasing perfection. The episode touches on the difference between insecurity and curiosity, the danger of comparison, and why the best mixers embrace ambiguity.Whether you're a beginner, intermediate, or seasoned pro, this conversation will help you reframe your mindset and reconnect with the joy of mixing.Topics Include:The illusion of the "perfect mix"How to handle feedback without egoFlow state and finding alignment with your craftZen quotes and how they apply to creative workWhy obsessing over a snare for 6 hours won't matter to your clientLetting go of validation and trusting your tastePerfect for mixers, engineers, and any creative chasing mastery without losing their soul.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmplt
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmplt
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmplt
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmplt
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmpltBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmplt
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmplt
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmpltBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmpltBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu dive into the power of minimalist mixing — the art of doing more with fewer plugins. While the temptation to load up every fancy compressor and vintage EQ is real, many engineers find freedom, speed, and clarity by stripping things back. From building simple yet powerful vocal chains to learning when your mix actually needs less processing, this episode breaks down the philosophy, mindset, and techniques behind working smarter, not just harder. Whether you're chasing speed, cleaner results, or just less plugin fatigue, this one's for you.SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmplt
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmplt
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmpltBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmpltBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmplt
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmpltBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Sara Rivers, formerly known as Sara Stokes from MTV's Making the Band 2 and a member of Da Band, filed a $60 million lawsuit against Sean "Diddy" Combs alleging a pattern of sexual harassment, battery, psychological abuse, and professional sabotage. Rivers claims that Combs subjected her to degrading treatment throughout her time on the reality series and beyond, including groping her without consent, making sexually explicit comments, and mocking her bulimia. She further alleges that Combs controlled contestants' food, sleep, and movement, orchestrated humiliating stunts like the infamous "cheesecake walk," and forced her into uncompensated labor under exploitative conditions. According to the complaint, Rivers was made to sleep in exposed, unsafe quarters with male co-stars and denied basic dignity and protection.The lawsuit names more than two dozen other parties, including executives at Bad Boy, Universal Music Group, MTV, and even Combs's mother, asserting that they either enabled or failed to intervene in the abuse. Rivers accuses Combs of deliberately dismantling Da Band to assert dominance and retain control of her earnings, effectively sabotaging her career. She asserts that this behavior was not isolated but part of a systemic pattern of exploitation and intimidation that targeted young, vulnerable performers. Combs's legal team has dismissed the suit as meritless and opportunistic, noting it was filed just before the deadline under the New York City Gender-Motivated Violence Act. The case joins a growing list of lawsuits and criminal investigations currently surrounding Combs.to contact me:bobbycapucci@protonmail.comsource:Sara cmpltBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
According to UMG, there is no basis in fact to the allegations and they say that they can prove that in court, but considering that there is no evidence to support the allegations, they say that the case should be dismissed via summary judgement. In this episode, we take a look at their response and breakdown where things might go from here.(commercial at 7:34)to contact me:bobbycapucci@protonmail.comsource:Diddy probe: Record label fires back after music producer accuses him of assault | Fox News
Mixing Music with Dee Kei | Audio Production, Technical Tips, & Mindset
In this episode of the Mixing Music Podcast, Dee Kei and Lu get brutally honest about the gear they regret buying — not because it sounded bad, but because it didn't move the needle. From analog outboard gear that collected dust to plugins that felt essential (but weren't), this episode is all about separating emotional purchases from strategic investments.Whether you're a bedroom producer or a full-time engineer, we explore what gear actually makes a difference at different stages of your career. We break down common purchasing mistakes, why some tools are overrated for professionals, and what we wish we bought instead. This is a must-listen for anyone building a real audio career, not just a pretty studio.Topics include:The gear we regret (and why)Emotional vs strategic purchasesPro mindset vs hobbyist mindsetWhat we would buy insteadGear that actually helps you grow your businessHow to prioritize purchases at different career stagesThe hidden cost of chasing “feeling legit”SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT!SUBSCRIBE TO YOUTUBEJoin the ‘Mixing Music Podcast' Discord!HIRE DEE KEIHIRE LUFind Dee Kei and Lu on Social Media:Instagram: @DeeKeiMixes @MasteredbyLuTwitter: @DeeKeiMixes @MasteredbyLuThe Mixing Music Podcast is sponsored by Izotope, Antares (Auto Tune), Sweetwater, Plugin Boutique, Lauten Audio, Filepass, & CanvaThe Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others.This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at deekeimixes@gmail.com.Support this podcast at — https://redcircle.com/mixing-music-music-production-audio-engineering-and-music/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy