Podcasts about pontus lidberg

durée : 03:00:22 - Le 6/9 - Le 6/9 du dimanche 12 juin, présenté par Éric Delvaux et Carine Bécard.

durée : 00:08:49 - L'invité de 7h50 du week-end - par : Patricia Martin - Metteur en scène, chorégraphe et directeur du Danish Dance Theatre, Pontus Lidberg participera au festival Montpellier Danse qui ouvrira ses portes vendredi prochain. L'artiste suédois est l'invité de Carine Bécard.

durée : 03:00:22 - Le 6/9 - Le 6/9 du dimanche 12 juin, présenté par Éric Delvaux et Carine Bécard.

Noelani Pantastico is from Oahu, Hawaii. She trained at Central Pennsylvania Youth Ballet and attended summer courses at Pacific Northwest Ballet School from 1994 to 1996. She joined Pacific Northwest Ballet as an apprentice in 1997. She was promoted to corps de ballet in 1998, soloist in 2001, and principal in 2004. In 2008, she left PNB to join Les Ballets de Monte-Carlo as a soloist and was promoted to first soloist in 2009. In 2015, Ms. Pantastico returned to PNB as a principal dancer. In addition to her PNB repertory, Ms. Pantastico danced leading roles at Les Ballets de Monte-Carlo in Jean-Christophe Maillot's Altro Canto, La Belle, Cendrillon, Choré, Faust, Men's Dance for Women, Opus 40, Roméo et Juliette, Scheherazade, Le Songe, and Vers un Pays Sage; Marie Chouinard's Body Remix; Alexander Eckman's Rondo; Nicolo Fonte's Quiet Bang; William Forsythe's New Sleep; Emio Greco and Peter Scholten's Le Corps du Ballet; Natalia Horeçna's Tales Absurd, Fatalistic Visions Predominate; Johan Inger's In Exact; Jiří Kylián's Petite Mort; Pontus Lidberg's Summer's Winter Shadow; Matjash Mrozewski's Pavillon d'Armide; and Jeroen Verbruggen's Kill Bambi. She originated roles in Maillot's Casse-Noisette Compagnie and Lac. Ms. Pantastico was featured in the BBC's 1999 film version of PNB's production of Balanchine's A Midsummer Night's Dream, filmed at Sadler's Wells Theatre, London. In 2004, she performed the second movement of Balanchine's Brahms-Schoenberg Quartet as a guest artist for New York City Ballet's Balanchine Centennial. In 2017, Ms. Pantastico choreographed Picnic for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle's Olympic Sculpture Park. www.png.org · www.creativeprocess.info

Leticia Silva was born Born in Havana, Cuba. She began her studies at the Fernando Alonso National Ballet School in Cuba, graduating as a dancer-teacher, and later completing a degree in Dancing Art Studies at the University of the Arts in 2019. Leticia has been a professional performer working for international companies such as the National Ballet of Cuba and Acosta Danza over the last thirteen years. She has developed her practice in classical ballet, modern, contemporary, and Afro-Cuban techniques. During her career, she performed works by choreographers such as Alicia Alonso, Carlos Acosta, Christopher Bruce, Sidi Larbi Cherkaoui, Pontus Lidberg, Justin Peck, Goyo Montero, Juanjo Arques, August Bournonville, George Balanchine, Jorge Crecis and Miguel Altunaga. Throughout 2021 she is preparing to be one of the ten international artists certified to teach Towards Vivencia methodology. As an artist, she is intrigued by the artist's experience during the performance, the ability to be present and fully live in real time. Silva is passionate about the idea of ​​awakening and transforming minds, freeing them through movement and full awareness of their actions.Support the show (https://www.patreon.com/crecis)

Noelani Pantastico is from Oahu, Hawaii. She trained at Central Pennsylvania Youth Ballet and attended summer courses at Pacific Northwest Ballet School from 1994 to 1996. She joined Pacific Northwest Ballet as an apprentice in 1997. She was promoted to corps de ballet in 1998, soloist in 2001, and principal in 2004. In 2008, she left PNB to join Les Ballets de Monte-Carlo as a soloist and was promoted to first soloist in 2009. In 2015, Ms. Pantastico returned to PNB as a principal dancer. In addition to her PNB repertory, Ms. Pantastico danced leading roles at Les Ballets de Monte-Carlo in Jean-Christophe Maillot's Altro Canto, La Belle, Cendrillon, Choré, Faust, Men's Dance for Women, Opus 40, Roméo et Juliette, Scheherazade, Le Songe, and Vers un Pays Sage; Marie Chouinard's Body Remix; Alexander Eckman's Rondo; Nicolo Fonte's Quiet Bang; William Forsythe's New Sleep; Emio Greco and Peter Scholten's Le Corps du Ballet; Natalia Horeçna's Tales Absurd, Fatalistic Visions Predominate; Johan Inger's In Exact; Jiří Kylián's Petite Mort; Pontus Lidberg's Summer's Winter Shadow; Matjash Mrozewski's Pavillon d'Armide; and Jeroen Verbruggen's Kill Bambi. She originated roles in Maillot's Casse-Noisette Compagnie and Lac. Ms. Pantastico was featured in the BBC's 1999 film version of PNB's production of Balanchine's A Midsummer Night's Dream, filmed at Sadler's Wells Theatre, London. In 2004, she performed the second movement of Balanchine's Brahms-Schoenberg Quartet as a guest artist for New York City Ballet's Balanchine Centennial. In 2017, Ms. Pantastico choreographed Picnic for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle's Olympic Sculpture Park. www.png.org · www.creativeprocess.info

Noelani Pantastico is from Oahu, Hawaii. She trained at Central Pennsylvania Youth Ballet and attended summer courses at Pacific Northwest Ballet School from 1994 to 1996. She joined Pacific Northwest Ballet as an apprentice in 1997. She was promoted to corps de ballet in 1998, soloist in 2001, and principal in 2004. In 2008, she left PNB to join Les Ballets de Monte-Carlo as a soloist and was promoted to first soloist in 2009. In 2015, Ms. Pantastico returned to PNB as a principal dancer. In addition to her PNB repertory, Ms. Pantastico danced leading roles at Les Ballets de Monte-Carlo in Jean-Christophe Maillot's Altro Canto, La Belle, Cendrillon, Choré, Faust, Men's Dance for Women, Opus 40, Roméo et Juliette, Scheherazade, Le Songe, and Vers un Pays Sage; Marie Chouinard's Body Remix; Alexander Eckman's Rondo; Nicolo Fonte's Quiet Bang; William Forsythe's New Sleep; Emio Greco and Peter Scholten's Le Corps du Ballet; Natalia Horeçna's Tales Absurd, Fatalistic Visions Predominate; Johan Inger's In Exact; Jiří Kylián's Petite Mort; Pontus Lidberg's Summer's Winter Shadow; Matjash Mrozewski's Pavillon d'Armide; and Jeroen Verbruggen's Kill Bambi. She originated roles in Maillot's Casse-Noisette Compagnie and Lac. Ms. Pantastico was featured in the BBC's 1999 film version of PNB's production of Balanchine's A Midsummer Night's Dream, filmed at Sadler's Wells Theatre, London. In 2004, she performed the second movement of Balanchine's Brahms-Schoenberg Quartet as a guest artist for New York City Ballet's Balanchine Centennial. In 2017, Ms. Pantastico choreographed Picnic for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle's Olympic Sculpture Park. www.png.org · www.creativeprocess.info

Noelani Pantastico is from Oahu, Hawaii. She trained at Central Pennsylvania Youth Ballet and attended summer courses at Pacific Northwest Ballet School from 1994 to 1996. She joined Pacific Northwest Ballet as an apprentice in 1997. She was promoted to corps de ballet in 1998, soloist in 2001, and principal in 2004. In 2008, she left PNB to join Les Ballets de Monte-Carlo as a soloist and was promoted to first soloist in 2009. In 2015, Ms. Pantastico returned to PNB as a principal dancer. In addition to her PNB repertory, Ms. Pantastico danced leading roles at Les Ballets de Monte-Carlo in Jean-Christophe Maillot's Altro Canto, La Belle, Cendrillon, Choré, Faust, Men's Dance for Women, Opus 40, Roméo et Juliette, Scheherazade, Le Songe, and Vers un Pays Sage; Marie Chouinard's Body Remix; Alexander Eckman's Rondo; Nicolo Fonte's Quiet Bang; William Forsythe's New Sleep; Emio Greco and Peter Scholten's Le Corps du Ballet; Natalia Horeçna's Tales Absurd, Fatalistic Visions Predominate; Johan Inger's In Exact; Jiří Kylián's Petite Mort; Pontus Lidberg's Summer's Winter Shadow; Matjash Mrozewski's Pavillon d'Armide; and Jeroen Verbruggen's Kill Bambi. She originated roles in Maillot's Casse-Noisette Compagnie and Lac. Ms. Pantastico was featured in the BBC's 1999 film version of PNB's production of Balanchine's A Midsummer Night's Dream, filmed at Sadler's Wells Theatre, London. In 2004, she performed the second movement of Balanchine's Brahms-Schoenberg Quartet as a guest artist for New York City Ballet's Balanchine Centennial. In 2017, Ms. Pantastico choreographed Picnic for Sculptured Dance, a collaboration between Pacific Northwest Ballet and Seattle Art Museum presented at Seattle's Olympic Sculpture Park. www.png.org · www.creativeprocess.info

April 1, 2016. Swedish choreographer Pontus Lidberg discusses his career and his Library of Congress/Martha Graham Dance Company co-commission, "Woodland," with Nicholas Brown. Set "Notturno for strings and harp" by Irving Fine, "Woodland" was commissioned for the 90th anniversary season of "Concerts from the library of Congress." Part of the "Martha Graham at the Library" Festival and presented in association with the Embassy of Sweden and Swedish Arts Council. Speaker Biography: Pontus Lidberg is a Swedish choreographer, filmmaker and dancer. His dance works have been performed by ensembles such as Pontus Lidberg Dance, the Royal Swedish Ballet, the Royal Danish Ballet, Balletboyz, SemperOper Ballet Dresden and Les Ballets de Monte Carlo. His film, "Labyrinth Within," was named Best Picture at Lincoln Center's "Dance on Camera" Festival. Speaker Biography: Nicholas Brown is a specialist in the music division of the Library of Congress. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7411

April 2, 2016. Conductor Aaron Sherber of the Martha Graham Dance Company and Library staff discuss the art of composing for dance, as reflected in Library of Congress dance commissions and collections. Part of the Martha Graham at the Library festival, which featured performances of works by Martha Graham and Pontus Lidberg. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7399

April 1, 2016. Anne McLean leads a discussion with Swedish choreographer Pontus Lidberg and the Martha Graham Dance Company's artistic director Janet Eilber. Lidberg received a dance commission from the Library of Congress and Martha Graham Dance Company, which resulted in the work "Woodland," set to the Notturno for strings and harp by Irving Fine. Eilber discusses the long and storied history of the Martha Graham Dance Company, and its ongoing relationship with the Library of Congress, which commissioned "Appalachian Spring." For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=7370

Radikal konstnär, originell filmare, populär chef och en fixstjärna i kulturlivet - går det egentligen att porträttera Marie-Louise Ekman? Författaren Klas Gustafson har skrivit flera biografier, nu har han gett ut "Marie-Louise Ekmans två liv" och Kritiken har läst den tillsammans med konstkritikerna Maryam Fanni och Mats Arvidsson, som tar sig an uppgiften att försöka ringa in Ekmans mångfacetterade konstnärsskap. Vilket inflytande har hon haft? Hur kommer det sig att hon varit en av kulturlivets centralgestalter under så många år och gör biografin Ekmans konst rättvisa? Dessutom, korsordskonstruktören Pontus Lidberg förklarar varför Kalle på Spången är ett Verk som värker och kulturkorrespondent Lisa Bergström rapporterar från den pågående konstbiennalen i Istanbul. Programledare Gunnar Bolin.

Meet Pontus Lidberg, Sweden's award-winning young dancer, choreographer and filmmaker. Over the course of this interview, he relates his early desire to create contemporary dance works and the opportunities that followed withStockholm 59°North, The Norwegian National Ballet, Morphoses, The Royal Swedish Ballet, Les Ballets de Monte-Carlo, and his own company Pontus Lidberg Dance. He describes his dance language, choreographic process and passion for filmmaking as well as his connection to the U.S.A. In closing he comments on the two works his company presented at the National Arts Centre on April 14, 2015: Snow, commissioned in 2013 by Sweden's NorrlandsOperan for its centenary presentation of Stravinsky's score The Rite of Spring, and Written on Water, a trio originally conceived as a pas-de-deux for American Ballet Theater principal ballerina Isabella Boylston that will soon form part of a new film.

Gabrielle Lamb is a native of Savannah, Georgia and was trained at the Boston Ballet School. She joined Les Grands Ballets Canadiens de Montreal in 2000 and was promoted to soloist in 2003. In 2009 moved to New York City and began working with choreographer Pontus Lidberg, as well as Morphoses, then under the direction of Christopher Wheeldon. Her repertoire as a performer also includes principal roles in works by George Balanchine, Jiri Kylian, Mats Ek, Ohad Naharin, Nacho Duato, Luca Veggetti and Shen Wei. She won the 2009 National Choreographic Competition of Hubbard Street Dance Chicago and in 2013 won first prizes in both Milwaukee Ballet's International Choreographic Competition and Western Michigan University's National Choreographic Competition. During the 2013-2014 season her work will be performed by BalletX, Milwaukee Ballet, Ballet Memphis, and Ballet Austin. Ms. Lamb is also a self-taught video artist and animator, and her dance films have been presented by Dance on Camera at Lincoln Center, the American Dance Festival, Jacob's Pillow Dance Festival, and Dance Theatre of Harlem, among others.