Podcasts about Appalachian Spring

Bob talks to the RPO's Andreas Delfs about Appalachian Spring and the upcoming RPO schedule, Bob talks about Trump wanting to replace Veterans day with Victory In WWI Day, why we can't have real songs on the show, reactions by Trump supporters to the Waltz firing, and Bob takes a call.

"Dance Talk” ® with Joanne Carey with special guest Samuel Pott, founder and artistic director of Nimbus Dance.In this episode of "Dance Talk” ® with Joanne Carey interviews Samuel Pott, the artistic director of Nimbus Dance. They explore his journey into dance, the founding of Nimbus Dance, and the upcoming world premiere of the re-imagined Firebird. They touch on the collaboration with the New Jersey Symphony, the thematic elements of Firebird, and the personal connections that inform the work.Together they discuss the benefits of dance, the importance of community engagement, and the creative process behind reimagining classic works. Samuel shares insights from his experiences with the Martha Graham Dance Company and emphasizes the significance of authenticity in storytelling through dance.Samuel Pott (Founding Artistic Director) founded Nimbus in 2005 . Mr. Pott's work as a performer, choreographer, educator, and arts leader, is dedicated to the authentic, humanistic, and equitable engagement that emerges in individuals and in communities through deep exploration and learning in the dance and the arts.Under his direction, the organization has toured nationally, built the Nimbus Arts Center at The Lively in Downtown Jersey City, developed the School of Nimbus which serves over 400 students onsite and many thousands in offsite community programs annually, and become the largest contemporary dance organization in the State of New Jersey. Mr. Pott's choreography has embodied the organization's endless fascination with exploration and engagement with important themes of the day, and collaboration with artists from many genres, among them: composers Daniel Bernard Roumain, Samson Young, Judd Greenstein, Aaron Parks, and Qasim Naqvi; visual artists Nicola Lopez, Bryant Small, Laia Cabrera/Isabelle Duverger, Theda Sandiford; and writers Alysia Souder and Rashad Wright. Pott maintains a multi-year artistic partnership with the New Jersey Symphony. Mr. Pott's 20+ original works for Nimbus are complemented by his commitment to support the work of diverse established and emerging choreographers through commissions, including: Dawn Marie Bazemore, Sofia Nappi, Darshan Singh Bhuller, Yoshito Sakuraba, Pedro Ruiz, Vernard Gilmore and Korhan Basaran. As a performer, Mr. Pott danced as a soloist with the Martha Graham Dance Company, performing in iconic roles–the Husbandman in Appalachian Spring, Agamemnon in Clytemnestra, and Adam in Embattled Garden–and new choreographic works created by a range of leading contemporary choreographers including Larry Kegwin, Ann Bogart, Robert Wilson, and Lar Lubovitch. Prior to joining the Graham company, Mr. Pott performed as a lead dancer with American Repertory Ballet, Oakland Ballet, and Savage Jazz Dance Company, in a wide range of new and classical repertory. A recipient of Choreography Fellowships from the New Jersey State Council on the Arts in 2008, 2017, and 2023, and named a Distinguished Teaching Artist by the Council in 2012, Pott was one of 25 arts leaders nationally selected for the Association of Performing Arts Presenters' (APAP) inaugural Leadership Fellows Program, serves on the Dance Advisory Council for New Jersey Performing Arts Center and the Diversity, Equity, and Inclusion Committee for ArtPride NJ, and is a co-founder of the Jersey City Arts Council.To get tickets to see Nimbus Dance, March 7th, 8th & 9th and to catch this world premiere click belowhttps://www.njsymphony.org/events/detail/the-firebird-with-xian-zhangTo learn more about the company and their programshttps://www.nimbusdance.org/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/Follow Joanne on Instagram @westfieldschoolofdanceTune in. Follow. Like us. And Share.Please leave a review!“Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Welcome back, Queernundrum listeners! This week, we're diving into the lives of two trailblazing figures who've left indelible marks on their fields and on history: Aaron Copland, the legendary composer who defined the "American sound" in classical music while navigating life as a queer man, and Sarah McBride, the first openly transgender member of Congress who is reshaping the future of American politics.Join us as we explore their groundbreaking achievements, the challenges they faced, and their lasting legacies for the LGBTQ+ community. From Copland's timeless compositions to McBride's advocacy for equality and inclusion, this episode is a celebration of resilience, courage, and the power of representation.Episode Highlights:Aaron Copland – The American Sound:Explore how Aaron Copland's music, including iconic works like Fanfare for the Common Man and Appalachian Spring, captured the essence of American identity.We discuss Copland's life as a gay man in the 20th century and how his outsider perspective influenced his groundbreaking compositions.And reflect on Copland's progressive politics, his brush with McCarthy-era scrutiny, and how his music continues to inspire generations.Sarah McBride – A History-Making Trailblazer:Celebrate Sarah McBride's recent election as the first openly transgender member of Congress, representing Delaware in the U.S. House of Representatives.Highlight McBride's journey from her advocacy with the Human Rights Campaign to her historic speech at the Democratic National Convention in 2016.Dive into McBride's legislative priorities, including LGBTQ+ rights, healthcare access, workplace equity, and reproductive freedom.Intro music by Jahzzar “Please Listen Carefully” “Jahzzar (betterwithmusic.com) CC BY-SA” and Outro music by Scott Holmes “Acoustic Indie Folk” @ scottianholmes@live.com.Editor: H. Greystone via FinalCut ProWriter: G. Thoren

Em 1944, Aaron Copland começou a trabalhar em sua Terceira Sinfonia , encomendada pelo maestro Serge Koussevitsky e a Orquestra Sinfônica de Boston. O que acabaria se tornando uma peça que, nas palavras de Copland, "refletiria o espírito eufórico do país na época" quando foi estreada em 1946, começou com o objetivo menos nacionalista, mas igualmente desafiador, de agradar Koussevitsky e o gosto do maestro por "música de maneira grandiosa", enquanto permanecia fiel ao que havia se tornado o estilo de assinatura de Copland, música da ousadia populista, mas sofisticada, de Appalachian Spring , Billy The Kid e Rodeo . Apresentado por Aroldo Glomb com participação de Aarão Barreto! Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata.

"It was on the train, with its steely rhythms, its rattle-ty bang, that is so often so stimulating to a composer – I frequently hear music in the very heart of the noise.... And there I suddenly heard, and even saw on paper – the complete construction of the Rhapsody, from beginning to end. No new themes came to me, but I worked on the thematic material already in my mind and tried to conceive the composition as a whole. I heard it as a sort of musical kaleidoscope of America, of our vast melting pot, of our unduplicated national pep, of our metropolitan madness. By the time I reached Boston I had a definite plot of the piece."  That was George Gershwin talking about writing Rhapsody in Blue, one of the most popular pieces of American Classical Music of the 20th century.  But is the Rhapsody in Blue classical music?  Or is it Jazz?  Its certainly played on more classical concerts than it is on Jazz concerts, it uses a full orchestra (though that's not what it was originally written for), and the greatest soloists of the classical field regularly play the concerto on so called “serious” classical concerts.   But on the other hand, the structure of the piece is anything but classical and there's ample room for improvisation though most classical pianists don't improvise when they play the piece.  So which is it?  Well, the answer is a bit of both, which probably is one of the main reasons for its enduring popularity.  There are very few pieces that put a smile on your face like Rhapsody in Blue, and so today, we'll explore this most American of pieces, talking about the amazing story of its conception, Gershwin's quest to be accepted by the great classical composers of the day, and of course, the music itself. Join us! Link to fundraiser episode on Appalachian Spring: https://www.eventbrite.com/e/1026719635067?aff=oddtdtcreator  

This week the award-winning Cinematographer, Shana Hagan, ASC. In the words of fellow cinematographer Gretchen Warthen: “Shana is the biggest documentary female DP/Operator in the world… and one of the kindest DPs I have ever worked with on set. You would never know who she is in the cinematography world without looking her up.” Her work includes DPing the 1997 Oscar-winning Documentary Short BREATHING LESSONS: THE LIFE & WORK OF MARK O'BRIEN and shooting additional cinematography for the 2014 Oscar-winning Best Documentary Feature: 20 FEET FROM STARDOM.  She worked on the Oscar nominated 2010 Documentary FOOD, INC., and DP'd the 2020 Oscar nominated Documentary Short: WALK RUN CHA-CHA as well as the 2005 Sundance Film Festival Award Special Jury Prize Winner - AFTER INNOCENCE and the 2012 Sundance Film Festival Award Grand Jury Prize nominee - THE QUEEN OF VERSAILLES. Shana has firmly embedded herself in the industry. Born in Phoenix, Arizona, to parents Robert Hagan, MD and Peggy Hagan, a Girl Scout Camp Director and Troop Leader, Shana is the middle of three children. Her parents instilled many important values in her which have helped her throughout her life and career. As a schoolgirl, she became a competitive swimmer at the age of five through to her Freshman year at Loyola Marymount University in Los Angeles where she attended film school. It was a natural career path for the enthusiastic young photographer who had already developed a keen eye for filmmaking. Shana was the ‘official' family videographer with a curious mind, appetite for storytelling and a passion that grew as she established the foundation for her craft, opening doors and creating opportunities right out of school. Shana was the first woman to shoot on the hit reality series SURVIVOR and was nominated for an Emmy for her work on SURVIVOR: CHINA. She shot four seasons on NBC's PARKS AND RECREATION, was the 2nd Unit DP on Netflix's ARRESTED DEVELOPMENT and has shot commercial spots for Disney, Electronic Arts, Kohl's, the US Army, Kodak, Verizon and others. Shana's current scripted work includes the critically acclaimed, Peabody Award-winning series SOMEBODY SOMEWHERE for HBO and Fox's half hour docu-comedy WELCOME TO FLATCH. She lives in Los Angeles with her husband Peter, daughter Iris, two dogs and two cats. https://www.shanahagan.com/ https://www.imdb.com/name/nm0353248/Instagram: @shanahaganaschttps://www.instagram.com/shanahaganasc/Shana's Playlist:"I love classical: “Appalachian Spring” by Aaron Copland – so cinematic and nostalgic for summers on Grandma and Grandpa's farm in Oklahoma.Saint-Saens' “Carnival of the Animals: 7 / Aquarium”Vivaldi – “Four Seasons / Spring”I love world music:Ali Farka Toure  “Kaira”Cesaria Evora  “Sodade”Buena Vista Social Club  “Chan Chan”The Chieftains  “The Wind That Shakes the Barley / The Reel With the Beryle”More random faves and some new stuff too:Dave Brubeck's  “Take Five”Bill Withers  “Lovely Day”U2  “Beautiful Day” Coldplay  “A Sky Full of Stars”Bonobo  “Recurring”Khruangbin   “Texas Sun”Lord Huron  “The Night We Met”Radiohead  “Big Sleep”Black Pumas  “Colors”Some favorite female artists in visual arts:"I absolutely love Dorothea Lange's photography.  Her work during the depression is some of the best documentary photography there is.  See “Migrant Mother” and it'll rip your heart out.  also love Georgia O'Keeffe – did a doc about her years ago and was just in love with her story, her passion for her work, her friends (Steiglitz, Ansel Adams, etc).  Would love to have a drink with her."______ Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

This week the award-winning Cinematographer, Shana Hagan, ASC. In the words of fellow cinematographer Gretchen Warthen: “Shana is the biggest documentary female DP/Operator in the world… and one of the kindest DPs I have ever worked with on set. You would never know who she is in the cinematography world without looking her up.” Her work includes DPing the 1997 Oscar-winning Documentary Short BREATHING LESSONS: THE LIFE & WORK OF MARK O'BRIEN and shooting additional cinematography for the 2014 Oscar-winning Best Documentary Feature: 20 FEET FROM STARDOM.  She worked on the Oscar nominated 2010 Documentary FOOD, INC., and DP'd the 2020 Oscar nominated Documentary Short: WALK RUN CHA-CHA as well as the 2005 Sundance Film Festival Award Special Jury Prize Winner - AFTER INNOCENCE and the 2012 Sundance Film Festival Award Grand Jury Prize nominee - THE QUEEN OF VERSAILLES. Shana has firmly embedded herself in the industry. Born in Phoenix, Arizona, to parents Robert Hagan, MD and Peggy Hagan, a Girl Scout Camp Director and Troop Leader, Shana is the middle of three children. Her parents instilled many important values in her which have helped her throughout her life and career. As a schoolgirl, she became a competitive swimmer at the age of five through to her Freshman year at Loyola Marymount University in Los Angeles where she attended film school. It was a natural career path for the enthusiastic young photographer who had already developed a keen eye for filmmaking. Shana was the ‘official' family videographer with a curious mind, appetite for storytelling and a passion that grew as she established the foundation for her craft, opening doors and creating opportunities right out of school. Shana was the first woman to shoot on the hit reality series SURVIVOR and was nominated for an Emmy for her work on SURVIVOR: CHINA. She shot four seasons on NBC's PARKS AND RECREATION, was the 2nd Unit DP on Netflix's ARRESTED DEVELOPMENT and has shot commercial spots for Disney, Electronic Arts, Kohl's, the US Army, Kodak, Verizon and others. Shana's current scripted work includes the critically acclaimed, Peabody Award-winning series SOMEBODY SOMEWHERE for HBO and Fox's half hour docu-comedy WELCOME TO FLATCH. She lives in Los Angeles with her husband Peter, daughter Iris, two dogs and two cats. https://www.shanahagan.com/ https://www.imdb.com/name/nm0353248/Instagram: @shanahaganaschttps://www.instagram.com/shanahaganasc/Shana's Playlist:"I love classical: “Appalachian Spring” by Aaron Copland – so cinematic and nostalgic for summers on Grandma and Grandpa's farm in Oklahoma.Saint-Saens' “Carnival of the Animals: 7 / Aquarium”Vivaldi – “Four Seasons / Spring”I love world music:Ali Farka Toure  “Kaira”Cesaria Evora  “Sodade”Buena Vista Social Club  “Chan Chan”The Chieftains  “The Wind That Shakes the Barley / The Reel With the Beryle”More random faves and some new stuff too:Dave Brubeck's  “Take Five”Bill Withers  “Lovely Day”U2  “Beautiful Day” Coldplay  “A Sky Full of Stars”Bonobo  “Recurring”Khruangbin   “Texas Sun”Lord Huron  “The Night We Met”Radiohead  “Big Sleep”Black Pumas  “Colors”Some favorite female artists in visual arts:"I absolutely love Dorothea Lange's photography.  Her work during the depression is some of the best documentary photography there is.  See “Migrant Mother” and it'll rip your heart out.  also love Georgia O'Keeffe – did a doc about her years ago and was just in love with her story, her passion for her work, her friends (Steiglitz, Ansel Adams, etc).  Would love to have a drink with her." Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

Nadine Hubbs; Recorded May 29, 2024 - America ushered in twentieth-century modernity with new technologies, aesthetics, and national status as a global power. With the rise in economic and political standing came new cultural pressures: American concert music was deemed far behind its European counterparts and in urgent need of catching up. Years of searching failed to identify a representative compositional voice. Then in 1939 came the sensational New York premiere of Aaron Copland's “cowboy ballet,” Billy the Kid, soon followed by Rodeo, Appalachian Spring, and other megahits. America found its national sound in the music of Copland, a gay Jewish Brooklynite and one of a close-knit group of gay composers who crucially influenced and collaborated with each other. How did a circle of gay composers become architects of American national identity during the most homophobic period in U.S. history? Nadine Hubbs's answer may surprise you.

durée : 01:28:14 - En pistes ! du vendredi 31 mai 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour terminer la semaine, Emilie et Rodolphe vous proposent Les sonates du Rosaire de Biber, un extrait de l'opéra Acis et Galatea de Haendel, le Divertissement à la Hongroise de Schubert, le ballet Appalachian Spring de Copland ainsi que le Capriccio à la Turque de Ferit Tüzün. En pistes !

Before we get to the interview, a message from Anne:‘Hosting this podcast and interviewing all these amazing people has been such an enriching experience, and I had no idea the impact it would have on me and my listeners. With every conversation, I feel changed by my guests' stories. Because it is stories that stay with us, that and how people made us feel.'  On that note, dear listener, can you please do me a favour?If you enjoy Out of the Clouds, please rate and review the show on Apple Podcasts or Spotify. It helps make it stand out and will support booking of upcoming guests.'Episode NotesKnown in the yoga world as THE teachers' teacher, Annie Carpenter (@anniecarpentersmartflow) shares her story with Anne, who has been an avid student, first via online platform Glo.com, before attending live Zoom classes and IRL workshops with her in 2022. Annie's journey starts in Virginia, but she tells Anne how she found her path early on with dance, leading her to the Martha Graham company and New York City. From getting a scholarship to working at the junior company and briefly joining the main company, Annie found a calling in what she refers to as authentic self-movement and in teaching at the Martha Graham Center. An introvert, she shares with Anne how yoga became an essential part of her life, thanks to Integral yoga (Swami Satchidananda's school) which felt like a refuge from the competitiveness of the dance world.Annie explains how after a trip to LA and a conversation with her teacher Maty Ezraty, she impulsively relocated to the West Coast and turned to teaching yoga full time, training at Yoga Works under Maty and Lisa Walford. They go on to talk about teaching, about Annie's movement principles and energy, how to create inspiration for students, and why Annie founded her own yoga school, Smart Flow Yoga. Annie also shares why continuing to evolve is essential, as well as learning to let go of preconceived notions. She explains how she has learnt to tap into her students' expectations rather than relying on her own. Now based in Northern California, the teacher, who turned 65 this year, also talks about the stages of life, or ashrams, and she is learning to ‘retire' whatever is not supportive in her practice. Quoting Noam Chomsky, she says: "If you are teaching today what you were teaching five years ago, either your field is dead, or you are.” Annie also reveals  her passion for bird-watching, her mindfulness and pranayama practices, and how learning to be still was the doorway to her meditation practice. Finally, she answers the most delicate and profound question of all, one that Annie regularly asks her students: who is Annie? A joyous, profoundly thoughtful and inspiring interview. Enjoy!TakeawaysAnnie Carpenter's journey from dance to yoga and the influence of Martha Graham on her practiceThe importance of finding one's truth and balance in yoga practiceAnnie's development of Smart Flow Yoga and the principles behind itAnnie's role as a teacher's teacher and her experience teaching on Glow Glow Yoga offers a variety of teachers and practices that are both entertaining and beneficial.Teaching yoga via Zoom has its challenges, but it also allows for a more global community.Traveling for yoga teacher trainings can be both rewarding and guilt-inducing due to carbon emissions.Tapping into energy and using inquiry are important aspects of teaching yoga.Somatic movement and meditation can enhance the yoga practice and bring about self-discovery.Yoga philosophy, such as the Yuga Sutras, offers insights into time, space, and the human experience.There is a need for more accessible yoga classes that cater to beginners and focus on functional movement.Birdwatching is a passion of Anne's that connects her with nature and brings her joy. Birdwatching can be a meditative and calming hobby that allows for a deeper connection with nature.Daily rituals and practices, such as breathing exercises and yoga, can support well-being and balance.Continuous learning and evolution are essential in teaching and personal growth.Exploring the question of 'Who am I?' can lead to a deeper understanding of oneself and a sense of constancy.Connection, empathy, and self-discovery are key to finding happiness.Chapters00:00 Introduction to Annie Carpenter03:01 Annie's Journey from Dance to Yoga11:19 Annie's Early Yoga Experiences and Integral Yoga22:38 Creating Her Own School and Curriculum27:07 Movement Principles in Smart Flow Yoga31:45 Annie Carpenter: A Teacher's Teacher34:36 Teaching on Glow and the Future36:02 The Exciting and Beneficial World of Glow Yoga37:28 Teaching Yoga via Zoom: Challenges and Opportunities38:55 The Dilemma of Travel and Carbon Emissions42:17 Tapping into Energy and the Power of Inquiry in Teaching44:43 Exploring Somatic Movement and Meditation in Yoga57:31 Insights from Yoga Philosophy: The Yuga Sutras01:09:10 The Need for Accessible Yoga Classes01:12:04 Finding Joy in Birdwatching01:13:29 Birding: A Meditative and Calming Practice01:20:22 Daily Rituals for Well-being and Balance01:25:22 Continuous Learning and Evolution in Teaching01:32:40 Exploring the Question of 'Who am I?'01:43:29 The Significance of Connection, Empathy, and Self-Discovery in Happiness***Selected links from episodeYou can find Annie at https://www.smartflowyoga.com/about-annie-carpenter/on Instagram - https://www.instagram.com/anniecarpentersmartflow/and on Facebook - https://www.facebook.com/annie.carpenter1And all details for her upcoming class schedule and teacher trainings are available here  - https://www.smartflowyoga.com/or find Annie's classes on Glo - https://www.glo.com/Selected links from episodeMartha Graham on Wikipedia - https://en.wikipedia.org/wiki/Martha_GrahamAnd https://marthagraham.org/The classic piece Appalachian Spring - https://www.youtube.com/watch?v=nM5-CsI713gIntegral Yoga - https://integralyoga.org/Savasana pose - https://www.yogapedia.com/definition/6582/savasanaAli McGraw Yoga, Mind & Body - https://www.youtube.com/watch?v=qmW5Og4VBg8Eric Schiffman - https://erichschiffmann.com/Sally Kempton - https://www.sallykempton.com/Swami Satchidananda - https://integralyoga.org/founder/Maty Ezrati - https://matyezraty.com/Kia Miller - https://www.kiamiller.com/Triyoga London - https://triyoga.co.uk/Diana Rilov - https://www.dianarilov.com/Feldenkreis - https://feldenkrais.com/Alexander Technique - https://alexandertechnique.com/Bonnie Bainbridgecohen - https://bonniebainbridgecohen.com/The Glo Podcast - https://podcast.glo.com/The yoga sutras of Patanjali - https://en.wikipedia.org/wiki/Yoga_Sutras_of_PatanjaliSiddhis - https://www.thecontemplativelife.org/blog/yoga-sutras-patanjali-siddhis-mystic-powersThe prothonotary warbler - https://en.wikipedia.org/wiki/Prothonotary_warblerSlow birding, the book by Joan E. Strassmann - https://www.amazon.com/Slow-Birding-Science-Enjoying-Backyard/dp/B09SN7L7WMScrub jays - https://en.wikipedia.org/wiki/California_scrub_jayThe four ashrams of life - https://yogasvi.com/the-four-ashrams-of-life/Abhinivesha - https://www.yogapedia.com/definition/5533/abhiniveshaAnnie's favourite word 'molt' - https://www.merriam-webster.com/dictionary/moltOut of the Clouds' playlist - https://open.spotify.com/playlist/4Viqm1uiiHtM5Y0FwTCtFR?si=9c1d46979d784abaAnnie's choice for what song best represents her is I'll Take You There by the Staple Singers - https://open.spotify.com/track/5xHfZxFBcMA2akGVMM1bdk?si=fb01ff20b53c42b7An Immense world by Ed Yong https://www.goodreads.com/book/show/59575939-an-immense-world***If you enjoyed this episode, click subscribe for more, and consider writing a review of the show on Apple Podcasts, we really appreciate your support and feedback. And thank you  so much for listening! For all notes and transcripts, please visit Out Of The Clouds on Simplecast - https://out-of-the-clouds.simplecast.com/  Sign up for Anne's email newsletter for more from Out of the Clouds at https://annevmuhlethaler.com. Follow Anne: IG: @_outoftheclouds or  @annvi  This episode is brought to you by AVM Consulting Struggling to connect with your audience? Feeling disconnected from your brand's purpose? Is motivating your team becoming a daunting task?AVM Consulting offers a unique blend of coaching, consulting, and storytelling services designed to help your brand connect authentically, align with your values, and inspire your team to achieve greatness.With a track record of success in working with fashion and luxury partners worldwide, AVM Consulting, led by industry expert and certified coach Anne Mühlethaler, is your trusted partner in achieving your brand's vision. Ready to transform your brand and drive meaningful change? Don't wait any longer. We like to make magic happen.FIND OUT MORE ABOUT AVM CONSULTING HERE. ***If you enjoyed this episode, click subscribe for more, and consider writing a review of the show on Apple Podcasts, we really appreciate your support and feedback. And thank you so much for listening!  For all notes and transcripts, please visit Out Of The Clouds on Simplecast - https://out-of-the-clouds.simplecast.com/   Sign up for Anne's email newsletter for more from Out of the Clouds at https://annevmuhlethaler.com.  Follow Anne and Out of the Clouds: IG: @_outoftheclouds or  @annvi  Or on Threads @annviOn Youtube @OutoftheClouds For more, you can read and subscribe to Anne's Substack, the Mettā View, her weekly dose of insights on coaching, brand development, the future of work, and storytelling, with a hint of mindfulness.

Miguel Harth Bedoya has been the Music Director of the Fort Worth Symphony Orchestra for 20 years and is now their Music Director Laureate. In addition to other Music Director positions he has held, he has also guest conducted major orchestras around the world such as the New York Philharmonic, the Philadelphia Orchestra, the Cleveland Orchestra, and the Chicago Symphony - to name only a few. He is currently the Mary Franks Thompson Director of Orchestral Studies at Baylor University. We begin by asking Miguel about the differences in conducting various levels of orchestras, ranging from student orchestras to the top orchestras in the world... and his main thought is, "The love of music is very important." I also ask him about score study, to which he explains why a piece sounds different to him each time he reads and studies its score. (He also mentions how reading Cervantes' Don Quixote three times over the years gave him a different understanding of the book each time he read it.) Miguel was the conductor for the premiere and recording of Jennifer Higdon's Cold Mountain, and he talks about the process of bringing a new opera to life. We end with an explanation of why an orchestra is like a research laboratory.[Subscriber content] In Part 2, we begin by talking about Miguel's background. He was born in Peru, and we trace his journey as a student from Peru to Chile to the Curtis Institute and finally to Juilliard. He was an assistant conductor for the New York Philharmonic when Leonard Slatkin was delayed in getting to a concert, and he talks about jumping in at the last moment. He also talks about a later experience conducting Copland's Appalachian Spring with that great orchestra. We finally turn to his career as a teacher, and his belief that building a foundation is critical to becoming a conductor. We end on a non-musical note... his helping with the disposal of garbage in Fort Worth... known as the "Cowboy Compost"... while he was Music Director of the Fort Worth Symphony.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

References Front. Immunol., 2022 Sec. Microbial Immunology Volume 12 Blood 2010. Volume 115, Issue 18, 6 May: 3708-3717 Seeger, P. 1959 . Performed by The Byrds "Turn Turn Turn" https://youtu.be/W4ga_M5Zdn4?si=ODKk_snS-5XHZvWP Copland, A. 1944. "Appalachian Spring. https://youtu.be/CJYVH_kZkOk?si=UUBet58ETg0PVUrB --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

fWotD Episode 2528: Appalachian Spring Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Saturday, 6 April 2024 is Appalachian Spring.Appalachian Spring is an American ballet created by the composer Aaron Copland and the choreographer Martha Graham, later arranged as an orchestral work. Commissioned by Elizabeth Sprague Coolidge, Copland composed the ballet for Graham; the original choreography was by Graham, with costumes by Edythe Gilfond and sets by Isamu Noguchi. The ballet was well-received at the 1944 premiere, earning Copland the Pulitzer Prize for Music during its 1945 United States tour. The orchestral suite composed in 1945 was played that year by many symphony orchestras; the suite is among Copland's best-known works, and the ballet remains essential in the Martha Graham Dance Company repertoire.Graham was known for creating the "Graham technique" of dance; in the 1930s, she began commissioning scores from various composers, often related to American history and culture. Around the same time, Copland incorporated relatable and accessible musical characteristics of the Americana style to increase his music's appeal to the general public; he first implemented this in earlier ballets like Billy the Kid and Rodeo. The initial scenario for Appalachian Spring devised by Graham was revised many times by both her and Copland; the title characters' names were changed numerous times and other characters from the early revisions were cut in the final production. Originally orchestrated for a thirteen-piece chamber orchestra, the score was arranged into various suites by Copland for different purposes; the original ballet featured eight episodes, three of which were cut in the well-known orchestral suite.The ballet takes place in a small settlement in 19th-century Pennsylvania. There are four main characters: the Bride, the Husbandman, the Pioneer Woman, and the Revivalist; the last is accompanied by four Followers. Appalachian Spring follows the Bride and the Husbandman as they get married and celebrate with the community. Themes of war are present throughout the story; it is suggested that the Husbandman leaves for war, causing worry and anxiety among the community. Shaker themes also influenced the ballet, notably in the music, where Copland incorporated a theme and variations on the common Shaker tune "Simple Gifts".This recording reflects the Wikipedia text as of 01:11 UTC on Saturday, 6 April 2024.For the full current version of the article, see Appalachian Spring on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Emma Neural.

This week we're exploring the miraculous gift and conduit of music, and the ways in which God moves through music to reach and help his people. If you'd like to connect with me, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠find me on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠at my website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you'd like to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠help support this podcast financially⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, there's a way to do just that ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on my page at buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Thanks for sharing, subscribing, rating, and reviewing, as this helps our community to grow. Thanks as always to my friend, Peter Vaughan-Vail, for providing the beautiful harp music you hear in this and every episode. Here are some resources to help you dig into this week's topic on your own: 1. Raised Catholic Recommends music playlist on Spotify - faith music from lots of genres/moods 2. Green Noise playlist on Spotify 3. Song: Front Porch, by Vontmer - check out all of his music, lots in that green frequency range, but this one is magic for little ones. 4. Video clip - JAWS - With and Without Music featuring Richard Dreyfuss and John Williams 5. Song: Pitter Patter Goes the Rain, by Christy Nockels. I've taught this song hundreds of times and never had a teacher or parent NOT say that there is magic in this song. Nockels herself says that she recorded a track of herself reading scripture or encouraging words in each of the songs on this album that you can't audibly hear but you can feel. Listen for yourself. 6. Journal question: when has music elicited a response in me that I did not expect? What kind of music was it? Where was I? How do I explain that reaction? 7. A primer on green, white, brown, and pink music/sound from Soundly 8. A few examples of music that unexpectedly ministered to me: Simple Gifts from Appalachian Spring, Aaron Copland, John Williams, Boston Pops Orchestra Beethoven's 5th Symphony, Second Movement, Andante (When I first heard this, I thought it sounded like what we'll hear in Heaven. I still do.) Rainbow, by Kacey Musgraves Four, by Sleeping At Last (lots of 'hidden tracks' in his music as well - hear him tell the story of this one in this podcast episode - how it was made)

It was a mystery: two dancers—one white, one Black—captured on stage in 1959 in a photograph found in a museum archive. Who were they? But a search for their identity uncovers much more: a forgotten history of art and integration. When the pursuit of modern ideals promised a better world, and the pursuit of art promised personal freedom. The farther from the New York spotlight, the better. You can watch Martha Graham's 1959 TV broadcast of "Appalachian Spring" here: https://www.youtube.com/watch?v=XmgaKGSxQVw And Katherine Dunham's "Ballet Creole" from 1952 here: https://www.youtube.com/watch?v=iSTuO5E9_1g

Led by conductor Delyana Lazarova, people experienced Aaron Copland's iconic tone poem Appalachian Spring in its original 13-piece version, along with the world premiere of a new companion work by James Stephenson—as Houston Contemporary Dance Company, choreographed by Founding Artistic Director Marlana Doyle.

  I'm thrilled to present the second part of our three-part series dedicated to the maestro himself, Aaron Copland. In Episode 114, we're turning our attention to the dance floor, exploring the breathtaking world of ballet through the genius compositions of Copland. **

Welcome, dear listeners, to our first podcast episode of the new year — Episode 113 of the Busy Kids Love Music Podcast! In this captivating installment, we embark on the first part of a fascinating series delving into the life and musical legacy of one of America's most iconic composers: Aaron Copland. **

durée : 00:26:01 - Appalachian Spring d'Aaron Copland par Leonard Bernstein - Aaron Copland fut l'un des plus grands soutiens du jeune Leonard Bernstein qui, devenu chef international, défendra dans le monde entier la musique de son ami. En témoigne cet enregistrement d'Appalachian Spring avec l'Orchestre philharmonique de New York en 1961

durée : 01:33:25 - Relax ! du lundi 25 décembre 2023 - par : Lionel Esparza - Noël est presque fini mais on est toujours là avec les oubliés de l'année 2023, des albums restés injustement sur les étagères et qui pourtant valent le détour ! En disque de légende : Appalachian Spring d'Aaron Copland par Leonard Bernstein - réalisé par : Antoine Courtin

Seks, drank, drugs: de lust van Leonard Bernstein was onstilbaar. Joris en Guido duiken even in zijn leven, maar toch vooral in zijn werk. Telde de man van de musical West Side Story mee als een serieuze componist? Wat was zijn aandeel in de revival van Mahler? And what about the Lenny leap? * Leonard Bernstein spreekt tijdens een van de Young People's Concerts* Leonard Bernstein, 'Lucky to be me', uit: On the Town, studio-orkest o.l.v. Leonard Bernstein* Aaron Copland, Doppio movimento, uit: Appalachian Spring, New York Philharmonic Orchestra o.l.v. Leonard Bernstein* Igor Stravinsky, Glorification de l'élue, uit: Le sacre du printemps,  New York Philharmonic Orchestra o.l.v. Leonard Bernstein* Gustav Mahler, deel 4 (Finale), uit: Zesde symfonie, Wiener Philharmoniker o.l.v. Leonard Bernstein* Leonard Bernstein, 'I Don't Know', uit: Mass, Baltimore Symphony Orchestra o.l.v. Marin Alsop* Benjamin Britten, Sunday Morning, uit Four Sea Interludes, Boston Symphony Orchestra o.l.v. Leonard Bernstein

James Sedares and the Phoenix Symphony make a strong argument that Copland's film music and opera suites are every bit as masterful as his most famous works. These works are coupled with Eduard Brunner's atmospheric performance of Copland's Clarinet Concerto.“Copland [in ‘The Red Pony' is] displaying his simple gifts for the ready folk-tune and here the Phoenix woodwinds have what it takes. … It was interesting re-hearing his ‘Tender Land' suite. So skillful is Copland's orchestral transcription that one might easily be lulled into thinking this had been conceived solely for orchestra. As trumpets signal a new dawn over the open prairies, Laurie and Martin's love blossoms in some of his most generous music outside ‘Appalachian Spring'. That evocative solo trumpet again leads the emotional surge. No problems with the barn dancing ‘Party Scene'. This is Steinbeck's country just as surely as is ‘The Red Pony'. [James ]Sedares leads a spirited rendition, his warm and willing woodwinds stealing the honors.” -GramophoneTracksThe Red Pony, Suite from the film I. Morning on the Ranch (5:08) II. The Gift (5:13) III. Dream March (2:55) IV. Circus March (1:56) V. Walk to the Bunkhouse (3:05) VI. Grandfather's Story (4:21) VII. Happy Ending (3:30) Three Latin-American Sketches Estribillo (3:12) Paisaje Mexicano (3:46) Danza de Jalisco (3:41) The Tender Land, Suite from the opera Introduction and Love Music (10:22) Party Scene (4:51) Finale: The Promise of Living (6:13) Clarinet Concerto (14:57) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Good News: British opinion on immigration has done a U-Turn in the last couple of decades! Link HERE. The Good Word: A wonderful quote from Archbishop Desmond Tutu! Good To Know: A truly GREAT fact about the LEGO company… Good News: Bangladesh eliminates a deadly disease, Link HERE. Wonderful World: Check out more wonderful food […]

SynopsisToday we honor one of America's greatest patrons of chamber music, Elizabeth Sprague Coolidge, who died on this date in 1953.Born in 1864, Elizabeth was the daughter of a wealthy wholesale grocer. She put her inheritance to good use. In 1924, she proposed to the Library of Congress that an auditorium be constructed in Washington, D.C., that would be dedicated to the performance of chamber music. A year later it was built, and Coolidge Auditorium at the Library of Congress still stands today.Not content with just a superb venue for chamber music, Coolidge diligently commissioned new works to be played there. The list of important chamber pieces her foundation commissioned is impressive, and includes Bartok and Schoenberg string quartets, the original chamber versions of Copland's Appalachian Spring, Stravinsky's Apollo ballets, and modern works by American composers as diverse as Samuel Barber, Milton Babbitt, George Crumb and John Corigliano.Coolidge was an amateur composer and accomplished pianist. Her passion for music and enthusiasm for the creation of new works was all the more remarkable considering that tragically she battled deafness from her mid-30s.Music Played in Today's ProgramIgor Stravinsky (1882 – 1971) Apollo ballet; Stockholm Chamber Orchestra; Esa-Pekka Salonen, cond. Sony Classical 46667

UPPLÄSNING: Robert Fux Önskad av Peter Sevemark, Malmö DIKTSAMLING: Teckenspråk (Albert Bonniers förlag, 1959)MUSIK: Aaron Copland: Like a prayer ur Appalachian springEXEKUTÖR: Västerås sinfonietta, Simon Crawford-Philips, dirigent

Empire State Youth Orchestra's Symphony Orchestra will return to Troy Savings Bank Music Hall on Sunday afternoon at 3 p.m. with a concert that celebrates spring. They'll perform Aaron Copland's “Appalachian Spring” and Li Huanzhi's “Spring Festival Orchestra.” This concert will also feature Yu-Heng Wang, one of ESYO's two 2023 Lois Lyman Concerto Competition winners, performing Bartok's Viola Concerto.

Musician, author, composer and friend of the show Rob Kapilow is back to talk about Aaron Copland's "Appalachian Spring," and what makes it great.

Known in the yoga world as THE teachers' teacher, Annie Carpenter (@anniecarpentersmartflow) shares her story with Anne, who has been an avid student, first via online platform Glo.com, before attending live Zoom classes and IRL workshops with her in 2022. Annie's journey starts in Virginia, but she tells Anne how she found her path early on with dance, leading her to the Martha Graham company and New York City. From getting a scholarship to working at the junior company and briefly joining the main company, Annie found a calling in what she refers to as authentic self-movement and in teaching at the Martha Graham Center. An introvert, she shares with Anne how yoga became an essential part of her life, thanks to Integral yoga (Swami Satchidananda's school) which felt like a refuge from the competitiveness of the dance world.Annie explains how after a trip to LA and a conversation with her teacher Maty Ezraty, she impulsively relocated to the West Coast and turned to teaching yoga full time, training at Yoga Works under Maty and Lisa Walford. They go on to talk about teaching, about Annie's movement principles and energy, how to create inspiration for students, and why Annie founded her own yoga school, Smart Flow Yoga. Annie also shares why continuing to evolve is essential, as well as learning to let go of preconceived notions. She explains how she has learnt to tap into her students' expectations rather than relying on her own. Now based in Northern California, the teacher, who turned 65 this year, also talks about the stages of life, or ashrams, and she is learning to ‘retire' whatever is not supportive in her practice. Quoting Noam Chomsky, she says: "If you are teaching today what you were teaching five years ago, either your field is dead, or you are.” Annie also reveals  her passion for bird-watching, her mindfulness and pranayama practices, and how learning to be still was the doorway to her meditation practice. Finally, she answers the most delicate and profound question of all, one that Annie regularly asks her students: who is Annie? A joyous, profoundly thoughtful and inspiring interview. Enjoy! ***You can find Annie at https://www.smartflowyoga.com/about-annie-carpenter/on Instagram - https://www.instagram.com/anniecarpentersmartflow/and on Facebook - https://www.facebook.com/annie.carpenter1And all details for her upcoming class schedule and teacher trainings are available here  - https://www.smartflowyoga.com/or find Annie's classes on Glo - https://www.glo.com/Selected links from episodeMartha Graham on Wikipedia - https://en.wikipedia.org/wiki/Martha_GrahamAnd https://marthagraham.org/The classic piece Appalachian Spring - https://www.youtube.com/watch?v=nM5-CsI713gIntegral Yoga - https://integralyoga.org/Savasana pose - https://www.yogapedia.com/definition/6582/savasanaAli McGraw Yoga, Mind & Body - https://www.youtube.com/watch?v=qmW5Og4VBg8Eric Schiffman - https://erichschiffmann.com/Sally Kempton - https://www.sallykempton.com/Swami Satchidananda - https://integralyoga.org/founder/Maty Ezrati - https://matyezraty.com/Kia Miller - https://www.kiamiller.com/Triyoga London - https://triyoga.co.uk/Diana Rilov - https://www.dianarilov.com/Feldenkreis - https://feldenkrais.com/Alexander Technique - https://alexandertechnique.com/Bonnie Bainbridgecohen - https://bonniebainbridgecohen.com/The Glo Podcast - https://podcast.glo.com/The yoga sutras of Patanjali - https://en.wikipedia.org/wiki/Yoga_Sutras_of_PatanjaliSiddhis - https://www.thecontemplativelife.org/blog/yoga-sutras-patanjali-siddhis-mystic-powersThe prothonotary warbler - https://en.wikipedia.org/wiki/Prothonotary_warblerSlow birding, the book by Joan E. Strassmann - https://www.amazon.com/Slow-Birding-Science-Enjoying-Backyard/dp/B09SN7L7WMScrub jays - https://en.wikipedia.org/wiki/California_scrub_jayThe four ashrams of life - https://yogasvi.com/the-four-ashrams-of-life/Abhinivesha - https://www.yogapedia.com/definition/5533/abhiniveshaAnnie's favourite word 'molt' - https://www.merriam-webster.com/dictionary/moltOut of the Clouds' playlist - https://open.spotify.com/playlist/4Viqm1uiiHtM5Y0FwTCtFR?si=9c1d46979d784abaAnnie's choice for what song best represents her is I'll Take You There by the Staple Singers - https://open.spotify.com/track/5xHfZxFBcMA2akGVMM1bdk?si=fb01ff20b53c42b7An Immense world by Ed Yong https://www.goodreads.com/book/show/59575939-an-immense-world***If you enjoyed this episode, click subscribe for more, and consider writing a review of the show on Apple Podcasts, we really appreciate your support and feedback. And thank you  so much for listening! For all notes and transcripts, please visit Out Of The Clouds on Simplecast - https://out-of-the-clouds.simplecast.com/  Sign up for Anne's email newsletter for more from Out of the Clouds at https://annevmuhlethaler.com. Follow Anne: IG: @_outoftheclouds or  @annvi   

A fresh season of City Ballet The Podcast kicks off with New Combinations host and Associate Artistic Director Wendy Whelan in conversation with Repertory Director Craig Hall, Company Pianist Craig Baldwin, and Principal Dancer Chun Wai Chan. Each is intimately involved in the development of Justin Peck's Copland Dance Episodes, NYCB's first non-narrative, evening-length work since Balanchine's 1967 piece Jewels. As Baldwin, Chan, and Hall relate, the experience of taking part in this momentous creation is one rich with the beauty and distinctly American qualities of Copland's music, and the sense of unfettered humanity and community in Peck's choreographic process. (44:50) Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co "Fanfare for the Common Man" (1942), "Rodeo" (1942), "Billy the Kid" (1938), "Appalachian Spring" (1944) by Aaron Copland Performed by Craig Baldwin

Synopsis It was on today's date in 1944 that Martha Graham and her dance company first performed the ballet "Appalachian Spring" by Aaron Copland. The premiere took place at the Library of Congress in Washington, D.C, as part of the 80th birthday celebrations for music patron Elizabeth Sprague Coolidge, who had commissioned Copland's score for $500 – not a bad commission back then! Copland used an old Shaker hymn called "Simple Gifts" as a principal theme for his ballet. The austere but simple elegance of Shaker art reminded him, he said, of Graham's style of dancing, and tied in with her vague suggestions that the ballet would be about early American pioneers. Copland left the title up to Graham. Arriving in Washington for the rehearsals, Copland wrote: “The first thing I said to Martha when I saw her was, ‘What have you called the ballet?' She replied, ‘Appalachian Spring.' ‘What a pretty title. Where did you get it?' I asked, and Martha said, ‘Well, actually it's from a poem by Hart Crane.' I asked, ‘Does the poem have anything to do with your ballet?' ‘No,' said Martha. ‘I just liked the title.'” Understandably, Copland said he was always amused when people said, "Oh Mr. Copland, I can just see the Appalachian Mountains when I hear your music!" Music Played in Today's Program Aaron Copland (1900-1990) Appalachian Spring Saint Louis Symphony;Leonard Slatkin, cond. EMI 73653

Tuesday Concert with Sarasota Orchestra Broadcast - Beethoven and Copland for August 2, 2022 Enjoy the music as Russell Gant hosts Our Tuesday Concert with Sarasota Orchestra recorded last December featuring the Beethoven Piano Concerto No. 1 with pianist Conrad Tao, and guest conductor Teddy Abrams leads the orchestra in Copland's famous ballet; "Appalachian Spring."  Originally broadcast Tuesday, August 2, 2022 at 8:00 PM on Florida's Classical Music Station…WSMR 89.1 and 103.9.

DescriptionAaron Copland was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Take a minute to get the scoop!Fun FactDuring the late 1940s, Copland became aware that Stravinsky and other fellow composers had begun to study Arnold Schoenberg's use of twelve-tone (serial) techniques. After he had been exposed to the works of French composer Pierre Boulez, he incorporated serial techniques into his Piano Quartet (1950), Piano Fantasy (1957), Connotations for orchestra (1961) and Inscape for orchestra (1967). Unlike Schoenberg, Copland used his tone rows in much the same fashion as his tonal material—as sources for melodies and harmonies, rather than as complete statements in their own right, except for crucial events from a structural point of view.About Steven, HostSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.A Note To Music Students et al.All recordings and sheet music are available on my site. I encourage you to take a look and play through some. Give me a shout if you have any questions.Got a topic? Pop me off an email at: TCMMPodcast@Gmail.com Support the show

Conductor Garrett Keast joined me for a delightful conversation about music, Berlin and specifically the debut album from the Berlin Academy of American Music.Transatlantic is a wonderful album and I highly recommend it for the dedicated classical music fan and for those looking for something new to listen to. There's new and more traditional American compositions, including Copland's Appalachian Spring and Stravinsky's Dumbarton Oaks. Thanks to Garrett for allowing me to use tracks from the album alongside our conversation.Follow me on instagram.com/hilaryrwriterFollow me on facebook.com/HilaryRobertsonFreelanceWriterFollow me on twitter.com/hilaryrwriterSupport the show (https://www.buymeacoffee.com/HWpodcast)

Aaron Copland, American composer, was born in 1900 in New York. He was taught to play the piano by his elder sister, and when he was 15 years old he decided he wanted to be a composer. In 1921 he went to Paris to study with the famous teacher Nadia Boulanger, and during his 3 years in Paris he was at the forefront of the mucical avant-garde. After his return to the United States he produced his first major work, the Symphony for Organ and Orchestra which was first performed at Carnegie Hall in 1925.Copland, like Bach, assimilated all the important musical trends of his lifetime. Jazz, Stravinsky's neoclassicism, American folklore, and finally Schoenberg's 12-tone system, all made their imprint on his music, and yet his style remained unique, personal, and instantly recognizeable. He stopped composing in 1970, but continued conducting and lecturing for more than 10 years, as well as promoting modern American works and establishing the composition department at Tanglewood. He died in 1990 in the Phelps Memorial Hospital in Tarrytown (New York).Copland is rightly considered the most important American composer of the mid 20th century. He produced masterpieces in most musical genres. His most enduringly popular works are those of his 'Americana' period : Rodeo, Billy the Kid, Appalachian Spring, Danzon Cubano, El Salon Mexico, the film scores Our Town and The Red Pony, and the incidental music for Irwin Shaw's play Quiet City. The 'Fanfare for the Common Man' from his imposing Third Symphony has become an icon of American music, played at countless celebratory occasions. His concerti include a Piano Concerto and a Clarinet Concerto written for Benny Goodman. He also left a sizable body of chamber music, songs, and piano music.His piano works span the better part of his career. Between the early frolic of The Cat and the Mouse (1920) to the serial 10-tone Piano Fantasy (1957), we find these major landmark works : Passacaglia (1922), Piano Variations (1930), Sonata (1941), and the ever popular Four Piano Blues (1948), all of which are among the most important American piano works of the time.

La maravillosa coreógrafa y bailarina estadounidense Martha Graham encargó a Aaron Copland la música para un ballet que recogiera un tema americano. Copland para inspirarse, nos cuenta Clemency Burton-Hill, recurrió a danzas y rituales tradicionales de la secta religiosa de los Shakers de Estados Unidos. Así, nació Appalachian spring. Esta obra llamada inicialmente Ballet para Martha, cuenta una historia sencilla: en la víspera de su boda, dos jóvenes del siglo XIX piensan en su futuro; fundan un casa en el campo y conocen a un predicador itinerante y a una vieja y simpática sabia pionera. Esta obra, revela con simplicidad una parte, quizá la más bonita, de la conquista americana. Hoy escucharemos un fragmento de Appalachian spring, que fue estrenada un 30 de octubre de 1944, de manos de la orquesta Filarmónica de New York bajo la dirección de Leonard Bernstein.

After nearly 22 months, The Sarasota Ballet returns to live theater performances at the end of October with their program titled New World featuring Martha Graham's Appalachian Spring and Ricardo Graziano's Sonatina. To watch a trailer for the program, please visit The Ballet Herald. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/balletherald/message Support this podcast: https://anchor.fm/balletherald/support

The world of work has inspired some of our best-known classical music. From Schumann to Shostakovich, to one of the most respected American classical composers of the twentieth century: Aaron Copland. For Labor Day, Copland is our focus.Leonard Bernstein called him "the best we've got." Works like "Appalachian Spring," "Rodeo," "A Lincoln Portrait," and "Fanfare for the Common Man" have been described as embodying the classic American virtues of simplicity, goodness, and love of wide-open spaces.No wonder he is often called the "dean of American composers."Politics and public affairs were at the center of Copland's life. He was attacked by Sen. Joe McCarthy in the 1950s. As a liberal, at one time he supported a Communist candidate for governor of Minnesota and a Communist candidate for president.Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Find us on Twitter @1A.

Join Russell Gant for our first Thursday Concert with the Florida Orchestra of the season with "Music of the Americas" featuring "The Entertainer" by Scott Joplin, then to Mexico with the "Danzon No. 4" by Arturo Marques, some angelic music from Astor Piazzolla featuring principal bassoonist Josh Baker, followed by a visit to Appalachia with Aaron Copland's "Appalachian Spring." Tune in every Thursday at 8:00 PM on Classical WSMR 89.1 & 103.9 FM.

Synopsis Stephen Sondheim was 32 years old when his musical “A Funny Thing Happened on the Way to the Forum” opened on Broadway on today’s date in 1962. The best seats would have cost you $8.60, but decent tickets were available for three bucks in those days–and, much to Sondheim’s relief, New Yorkers snapped them up in short order. The trial run of “Forum” in Washington had been a near disaster, and, as this was the first major musical for which Sondheim wrote both the lyrics and the music, he had a lot riding on the show’s success. Audiences and critics alike loved the over-the-top fusion of an ancient Roman comedy by Plautus with the kick-in-the-pants conventions of American Vaudeville, spiced up with a liberal dash of Burlesque beauties in skimpy Roman costumes. As the NY Times review put it, the cast included six courtesans who “are not obliged to do much, but have a great deal to show.” “Forum” won several Tony Awards in 1962, including “Best Musical.” Even so, while Sondheim’s lyrics were praised, his music was barely mentioned: Sondheim’s skill as a composer not yet fully appreciated. that would occur several years, and several shows, later. Music Played in Today's Program Stephen Sondheim (b. 1930) A Funny Thing Happened on the way to the Forum 1996 Broadway Cast Angel 52223 On This Day Births 1745 - Baptismal date of Bohemian violinist and composer Carl Philipp Stamitz, in Mannheim; He was the son of the composer JohannWenzel Anton Stamitz (b. 1717), and the brother of composer Johann Anton Stamitz (b. 1750); 1829 - American pianist and composer Louis Moreau Gottschalk, in New Orleans; 1945 - American pianist and composer Keith Jarrett, in Allentown, Pa.; Deaths 1829 - Italian composer and guitar virtuoso Mauro Giuliani, age 47, in Naples; 1944 - British composer and women's rights advocate Dame Ethel Smyth, age 86, in Woking; 1960 - Swedish composer Hugo Alfvén, age 88, in Falun; Premieres 1720 - Handel: opera "Radamisto" (1st version) (Julian date: April 27); 1736 - Handel: anthem "Sing unto God" (Julian date: April 27); 1749 - Handel: "Music for the Royal Fireworks" (Julian date: April 27); 1924 - Honegger: "Pacific 231," in Paris at a Koussevitzky Concert; 1938 - Stravinsky: "Dumbarton Oaks" Concerto, at Dumbarton Oaks, conducted by Nadia Boulanger; 1939 - Persichetti: Piano Sonata No. 1, at Philadelphia Conservatory, composer performing; 1946 - Menotti: "The Medium," at Columbia University in New York City; 1958 - Ligeti: String Quartet No. 1 ("Metamorphoses nocturnes"), in Vienna, by the Ramor Quartet; 1962 - Sondheim: Broadway premiere of musical "A Funny Thing Happened on the Way to the Forum"; Near-disasterous trial run performances in Washington DC and other cities preceded the show's Broadway premiere; This was the first major musical for which Sondheim wrote both the lyrics and the music; It won several Tony Awards in 1962, including "Best Musical"; 1965 - Rochberg: "Zodiac" (orchestral version), by Cincinnati Symphony, Max Rudolf conducting; 1970 - Gunther Schuller: children's opera "The Fisherman and His Wife," in Boston; 1973 - Rochberg: "Imago Mundi," by Baltimore Symphony, Sergiu Commisiona conducting; 1979 - Andrew Lloyd-Webber: musical "Evita," in Los Angeles; The musical opened on Broadway on September 25, 1979; 1985 - Frank Zappa: "Time's Beach" for winds, at Alice Tully Hall in New York, by the Aspen Wind Quintet; 1996 - Lowell Liebermann: opera "The Picture of Dorian Gray," at the Monte Carlo Opera, with tenor Jeffrey Lentz in the title role and Steuart Bedford conducting; The American premiere of this opera was staged in Milwaukee, Wis., by the Florentine Opera in Feb. of 1999; 1998 - Saariaho: Cello Octet, at the Beauvais Cello Festival in Beavais, France; Others 1747 - J.S. Bach performs an organ recital at the Heiligeistkirche in Potsdam; 1821 - Earliest documented American performance Beethoven's Symphony No. 2, in Philadelphia at Washington Hall, by the Musical Fund Society, Charles Hupfeld conducting; The finale only was performed by the Philharmonic Society in New York on December 16, 1824 and repeated at Castle Garden on April 21, 1825; The first complete performance in New York was apparently given on April 22, 1843, at the Apollo Room during the first season of the New York Philharmonic with George Loder conducting; 1874 - American premiere of J.S. Bach's "St. Matthew Passion," at the Music Hall in Boston, by the Handel and Haydn Society, Carl Zerrahn conducting; The performing forces included a chorus of 600, and orchestra of 90, and a 60-voice boy's choir; For this performance, the first 12 numbers of Part II were omitted; The complete Passion was not performed by the Society until 1879; About half of Bach's Passion was given its New York City premiere at St. George's Church on March 17, 1880, by the New York Oratorio Society under Leopold Damrosch; Theodore Thomas conducted the next documented performance in Cincinnati on May 17, 1882, during that city's May Festival; 1945 - Aaron Copland's Pulitzer Prize for Music for his "Appalachian Spring" ballet score is announced on V-E Day (the day the Allied Forces won the war in Europe). Links and Resources On Sondheim

Synopsis Stephen Sondheim was 32 years old when his musical “A Funny Thing Happened on the Way to the Forum” opened on Broadway on today’s date in 1962. The best seats would have cost you $8.60, but decent tickets were available for three bucks in those days–and, much to Sondheim’s relief, New Yorkers snapped them up in short order. The trial run of “Forum” in Washington had been a near disaster, and, as this was the first major musical for which Sondheim wrote both the lyrics and the music, he had a lot riding on the show’s success. Audiences and critics alike loved the over-the-top fusion of an ancient Roman comedy by Plautus with the kick-in-the-pants conventions of American Vaudeville, spiced up with a liberal dash of Burlesque beauties in skimpy Roman costumes. As the NY Times review put it, the cast included six courtesans who “are not obliged to do much, but have a great deal to show.” “Forum” won several Tony Awards in 1962, including “Best Musical.” Even so, while Sondheim’s lyrics were praised, his music was barely mentioned: Sondheim’s skill as a composer not yet fully appreciated. that would occur several years, and several shows, later. Music Played in Today's Program Stephen Sondheim (b. 1930) A Funny Thing Happened on the way to the Forum 1996 Broadway Cast Angel 52223 On This Day Births 1745 - Baptismal date of Bohemian violinist and composer Carl Philipp Stamitz, in Mannheim; He was the son of the composer JohannWenzel Anton Stamitz (b. 1717), and the brother of composer Johann Anton Stamitz (b. 1750); 1829 - American pianist and composer Louis Moreau Gottschalk, in New Orleans; 1945 - American pianist and composer Keith Jarrett, in Allentown, Pa.; Deaths 1829 - Italian composer and guitar virtuoso Mauro Giuliani, age 47, in Naples; 1944 - British composer and women's rights advocate Dame Ethel Smyth, age 86, in Woking; 1960 - Swedish composer Hugo Alfvén, age 88, in Falun; Premieres 1720 - Handel: opera "Radamisto" (1st version) (Julian date: April 27); 1736 - Handel: anthem "Sing unto God" (Julian date: April 27); 1749 - Handel: "Music for the Royal Fireworks" (Julian date: April 27); 1924 - Honegger: "Pacific 231," in Paris at a Koussevitzky Concert; 1938 - Stravinsky: "Dumbarton Oaks" Concerto, at Dumbarton Oaks, conducted by Nadia Boulanger; 1939 - Persichetti: Piano Sonata No. 1, at Philadelphia Conservatory, composer performing; 1946 - Menotti: "The Medium," at Columbia University in New York City; 1958 - Ligeti: String Quartet No. 1 ("Metamorphoses nocturnes"), in Vienna, by the Ramor Quartet; 1962 - Sondheim: Broadway premiere of musical "A Funny Thing Happened on the Way to the Forum"; Near-disasterous trial run performances in Washington DC and other cities preceded the show's Broadway premiere; This was the first major musical for which Sondheim wrote both the lyrics and the music; It won several Tony Awards in 1962, including "Best Musical"; 1965 - Rochberg: "Zodiac" (orchestral version), by Cincinnati Symphony, Max Rudolf conducting; 1970 - Gunther Schuller: children's opera "The Fisherman and His Wife," in Boston; 1973 - Rochberg: "Imago Mundi," by Baltimore Symphony, Sergiu Commisiona conducting; 1979 - Andrew Lloyd-Webber: musical "Evita," in Los Angeles; The musical opened on Broadway on September 25, 1979; 1985 - Frank Zappa: "Time's Beach" for winds, at Alice Tully Hall in New York, by the Aspen Wind Quintet; 1996 - Lowell Liebermann: opera "The Picture of Dorian Gray," at the Monte Carlo Opera, with tenor Jeffrey Lentz in the title role and Steuart Bedford conducting; The American premiere of this opera was staged in Milwaukee, Wis., by the Florentine Opera in Feb. of 1999; 1998 - Saariaho: Cello Octet, at the Beauvais Cello Festival in Beavais, France; Others 1747 - J.S. Bach performs an organ recital at the Heiligeistkirche in Potsdam; 1821 - Earliest documented American performance Beethoven's Symphony No. 2, in Philadelphia at Washington Hall, by the Musical Fund Society, Charles Hupfeld conducting; The finale only was performed by the Philharmonic Society in New York on December 16, 1824 and repeated at Castle Garden on April 21, 1825; The first complete performance in New York was apparently given on April 22, 1843, at the Apollo Room during the first season of the New York Philharmonic with George Loder conducting; 1874 - American premiere of J.S. Bach's "St. Matthew Passion," at the Music Hall in Boston, by the Handel and Haydn Society, Carl Zerrahn conducting; The performing forces included a chorus of 600, and orchestra of 90, and a 60-voice boy's choir; For this performance, the first 12 numbers of Part II were omitted; The complete Passion was not performed by the Society until 1879; About half of Bach's Passion was given its New York City premiere at St. George's Church on March 17, 1880, by the New York Oratorio Society under Leopold Damrosch; Theodore Thomas conducted the next documented performance in Cincinnati on May 17, 1882, during that city's May Festival; 1945 - Aaron Copland's Pulitzer Prize for Music for his "Appalachian Spring" ballet score is announced on V-E Day (the day the Allied Forces won the war in Europe). Links and Resources On Sondheim

This week, Donald Macleod explores Aaron Copland’s most productive decade, and features some of his best loved works in full. During this time Copland hit his prime. He became recognised as America’s leading composer, winning the Pulitzer Prize in Music and an Academy Award for his work in Hollywood. He toured Europe and South America, absorbing diverse influences from each, and composed key works including his Symphony No.3, Appalachian Spring, Lincoln Portrait, Fanfare for the Common Man and Rodeo. We get a sense of how Copland’s personal and professional interests developed over the 1940s and learn about his friendships and challenges during and in the aftermath of World War II. Music Featured: John Henry: A Railroad Ballet for Orchestra Quiet City Piano Sonata Our Town Music for Movies Lincoln Portrait Rodeo: Four Dance Episodes Danzón Cubano - (version for 2 pianos) Las Agachadas (The Shake-Down Song) Sonata for violin and piano Fanfare for the Common Man Appalachian Spring Suite (version for 13 instruments) Letter From Home The Red Pony Suite Third Symphony (2nd & 3rd mvt) The Heiress Suite Preamble for a Solemn Occasion Twelve Poems of Emily Dickinson (Nos 4, 5 & 12) An Outdoor Overture (version for wind ensemble) Four Piano Blues Clarinet Concerto Presented by Donald Macleod Produced by Iain Chambers For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Aaron Copland (1900-1990) https://www.bbc.co.uk/programmes/m000vplc And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Springtime brings the culinary delight of wild ramps to this Appalachian community. See acast.com/privacy for privacy and opt-out information.

Today we're talking about the many ways and places to find God outside the walls of church. In upcoming episodes we'll explore how to encounter God within our own churches and churches of other denominations but for today, let's remember the BIGNESS of God and how we can find Him in nature, music, art, and people. Here are some ways I'm finding God and some suggestions for you to find Him too. 1. Symphony No. 5 in C minor, Op. 67:2 Andante con moto - (the whole thing, but I find God from 8:34-9:00) 2. Appalachian Spring, by Aaron Copland (the whole thing, but I find God in the last two minutes, especially those three bells) 3. Marvel at produce. Seriously! I recommend cutting a full head of cauliflower in half, holding an orange or grapefruit segment up to the light, examining the beauty of an avocado or lemon, but it's all great! 4. Devotions: Selected Poems of Mary Oliver 5. Visit a museum, wonder at how God inspires and works through artists, then make art yourself! 6. Visit a forest, a beach, a park, a cave, a waterfall, or a field at night where you can see stars. Get yourself out of your everyday and appreciate the beauty that God has made. 7. My Little Epiphanies - a collection of my writing about finding God in the details and everyday parts of life 8. Journal prompts: What can I see - hear - smell - touch - taste - right now that God had a hand in making, just for me to enjoy? How is God working through me today to help others encounter God? Author Elizabeth Gilbert says EVERYONE is an artist. What kind of creative "something" am I uniquely created to make or enjoy? What do I love? 9. Podcast: Abiding Together: The Power of Play and Leisure 10. Podcast: Magic Lessons with Elizabeth Gilbert: Season 2 episode 12: Brene Brown on Big Strong Magic 11. Podcast: Things Above with James Bryan Smith: Beauty, Goodness and Truth 12. Shop for, make, or purchase something tasty and delicious for one of your meals today. Really take it in and enjoy it as a gift.

Springtime brings the culinary delight of wild ramps to this Appalachian community. See acast.com/privacy for privacy and opt-out information.

Mountains, art, trees, moonshine, rivers, animals, 'coonskin caps, music - where can you find these things altogether? There may be more than way these topics connect, but this episode's unifier is the region of Appalachia! Endless beautiful art and music has emerged from this vast American landscape, so we're excited to trek into its artistic frontier.    Art: Unknown: Otter Effigy Pipe (100-400 CE)  Asher Brown Durand (1796-1886): Kindred Spirits (1849)  Patty Willis (1942): The Earth and the Sky (1942)    Music: Aaron Copland (1900-1990): Appalachian Spring (1944)  Mason Bates (b.1977): Rusty Air in Carolina (premiered 2006)    Listen to our Spotify playlist of the music discussed in this week's episode!    Follow us on Instagram and Facebook to stay up-to-date with everything we're doing!  Visit our Patreon page to see how you can support us!  Email us any time! notesandstrokespodcast@gmail.com 

This week, we explore how the way that we engage music can be a spiritual discipline. We are joined by a special guest, Conlan Cymbalak, who helps us unpack what music is, how it points us to God, and how it impacts our lives. The song from this episode is called "Appalachian Spring" by Aaron Copland. Farming with Jesus is hosted by Paul Thomason and Jonah Wilson and recorded by Conlan Cymbalak.

How are live entertainers such as dancers adapting and thriving in the virtual space? What are the challenges? What are the opportunities that technology offers? What does this mean for the future of dance? In this episode of Planet Classroom, we hear from leading dancers at the Martha Graham Dance Company as well as the Company's Artistic Director Janet Eilber. All talk about their experiences performing the iconic ballet Appalachian Spring and how they have adapted and innovated through the Covid 19 pandemic.

How are live entertainers such as dancers adapting and thriving in the virtual space? What are the challenges? What are the opportunities that technology offers? What does this mean for the future of dance? In this episode of Planet Classroom, we hear from leading dancers at the Martha Graham Dance Company as well as the Company's Artistic Director Janet Eilber. All talk about their experiences performing the iconic ballet Appalachian Spring and how they have adapted and innovated through the Covid 19 pandemic.

How are live entertainers such as dancers adapting and thriving in the virtual space? What are the challenges? What are the opportunities that technology offers? What does this mean for the future of dance? In this episode of Planet Classroom, we hear from leading dancers at the Martha Graham Dance Company as well as the Company's Artistic Director Janet Eilber. All talk about their experiences performing the iconic ballet Appalachian Spring and how they have adapted and innovated through the Covid 19 pandemic.

In this episode, Dave and Andrew explore the winner of the third Pulitzer Prize in Music, Aaron Copland for Appalachian Spring. Copland is among the most important and well-known American composers, and his style defined "America" in music for generations. Join us as we explore why Appalachian Spring has become a classic in American music and its reverberations down to today. If you'd like more information about Appalachian Spring and Aaron Copland, we recommend: Howard Pollack's biography Aaron Copland: The Life and Work of an Uncommon Man. Jennifer Delapp-Birket's article "Appalachian Spring at 75: Then and Now" Copland House: http://www.coplandhouse.org Publisher (Boosey and Hawkes): https://www.boosey.com/cr/composer/Aaron+Copland?ttype=BIOGRAPHY