Podcast appearances and mentions of Justin Peck

This week we recap Duane's visit to Kokomo for the High Limit Series event, where our friend Rico Abreu took the checkered flag at the finish line over Justin Peck. Unfortunately the biggest news out of Kokomo wasn't the amazing finish but the topic of smart watches as Rico was visibly wearing one in victory lane. We talk about the social media swarm that ensued over the topic of smart watches. We also talk about Duane's AFCS weekend, T-Mac getting back to victory lane (twice) and other racing news from the area!

Cody Overton, Southern Nationals at Senoia Raceway winner; Justin Peck, High Limit Sprint Car Series racer; and Casey Bailes, from Smoky Mt. Speedway are this week's guests

Cody Overton, Southern Nationals at Senoia Raceway winner; Justin Peck, High Limit Sprint Car Series racer; and Casey Bailes, from Smoky Mt. Speedway are this week's guests

Shara Nova is a composer, vocalist, and producer currently creating from Detroit, Michigan. Shara has released six albums under the monikerMy Brightest Diamond and has composed works for The Crossing, Conspirare, yMusic, Brooklyn Rider, Roomful of Teeth, Aarhus Symfoni, and American Composers Orchestra among many others. In 2024 she starred in the Tony Award Winning musical “Illinoise” on Broadway, directed by Justin Peck, co-written by Jackie Sibblies Drury with music by Sufjan Stevens, witha live album released on Nonesuch Records.

Mostly Motorsports Ep. 346 Justin Peck, Conner Wade Scott Traylor and Kirk Elliott have been the host of "Track Talk" with the RacinBoys on Sports Radio 810 WHB in Kansas City for 24 years. Traylor spent the past 13 years on the road as anchor and producer of the Lucas Oil ASCS National Tour broadcasts. He had many years of experience and success driving and owning race cars before embarking on a broadcasting career covering motorsports.    www.racinboys.com

Learn more at TheCityLife.org

Send us a textJoin us for a stirring conversation with Justin Peck, a professional race car driver who has turned his personal challenges with class one bipolar disorder into a powerful advocacy for mental health. Justin shares his early experiences of feeling different and the painful reality of bullying and lack of support, which many listeners may find relatable. His candid reflections offer insights into the evolving understanding within his own family and draw important parallels with the autistic community, shedding light on the broader need for awareness and acceptance.Racing became more than just a sport for Justin; it transformed into a lifeline. He recounts a harrowing experience at 26, when a moment of despair turned into a revelation that led to a crucial diagnosis and a renewed purpose. Listeners will find inspiration in Justin's incredible resilience as he navigated economic challenges in the construction industry to pursue his passion for racing. Despite enduring significant physical pain, Justin's journey underscores the healing power of pursuing one's passion and finding a community that offers belonging and support.As the founder of the National Mental Health Alliance, Justin is on a mission to educate and support those facing mental health challenges, particularly veterans and young men. Our discussion emphasizes the value of authentic conversations and the impact they can have on lives. Justin's story is one of hope, resilience, and the power of purpose, and we invite listeners to engage with the content that not only educates but genuinely inspires change.https://tonymantor.comhttps://Facebook.com/tonymantorhttps://instagram.com/tonymantorhttps://twitter.com/tonymantorhttps://youtube.com/tonymantormusicintro/outro music bed written by T. WildWhy Not Me the World music published by Mantor Music (BMI)

Zeb Wise is out, Justin Peck is in. We'll dive into that, plus where we stand on how 2025 fields are shaping up for the Outlaws and High Limit, Pennsboro's succesful soft opening, weekend results, and more.

Even with James McFadden gone, that second Roth car keeps showing up. We'll talk about their plans today, plus quick updates on Justin Peck and CJB, testing at Charlotte, a new dirt late model series, and more.

The sprint car landscape is shifting rapidly as plans for 2025 start to get confirmed, and today I'll run you through a bunch of the different scenarios and situations, including the CJB announcement, what's next for Spencer Bayston, where does Justin Peck go, and what I know on several other deals. Plus we'll talk a big weekend of racing ahead and a lot more.

Working with narcissistic leaders in dance and experiencing dehumanization as a dancer are sad realities that many dancers face, especially in the professional ballet world. In today's episode, we are talking about how dancers can reclaim a sense of agency over themselves and their journeys even in the midst of this broken system. Melody Mennite Principal ballerina formerly with Houston Ballet and currently dancing with Vitacca Ballet. She has toured internationally to perform the classics as well as contemporary work in dance. Some of her classical Principal roles include Odette/Odile, Aurora, Kitri, Sugar Plum Fairy and Clara in The Nutcracker, Cinderella, Manon, Juliet, The Sylph in Bournanville's La Sylphide, Nikya in La Bayadere, Ciao Ciao San in Madame Butterfly, Marie in the ballet Marie, Tatiana and Olga in Onegin, Stephanie and Mary Vetsera in Meyerling, Swanhilda in Coppelia, Valencienne in The Merry Widow, and Lise in La Fille mal Gardee. Melody's most recent international appearance was in the role of Juliet for the Houston Ballet's Romeo and Juliet tour to Melbourne, Australia. During Melody's professional career she has also originated roles in new classical and contemporary productions by choreographers Christopher Wheeldon, Justin Peck, Stanton Welch, Ben Stevenson, Christopher Bruce, Jorma Elo, Cathy Marston, Paul Taylor, Aszure Barton, Nicole Fonte, Annabelle Lopez Ochoa, Olivier Wevers, Oliver Halkowich, Jane Weiner, and Garret Smith as well as in her dual role as dancer/choreographer for several films. Melody enjoys all forms of dance and has extensive training and experience with styles rooted in classical ballet, contemporary, jazz, and hip hop. She is passionate about both learning and teaching what she has learned with others. Ms. Mennite has graced the cover of both Dance Magazine and Dance Europe and is celebrated as the Audrey Hepburn of ballet due to her dynamic acting and a predisposition for comedic roles. As an actor Melody has achieved two award winning performances in film and continues to build this part of her resume. To read the rest of Melody's impressive resume, visit the description of our other recent episode together. Watch this episode on Youtube: https://youtu.be/Xa0Mno0uWlk To learn more about my mindset coaching and speaking services, visit kirstenkemp.com To stay up to date on the latest announcements and blog posts at The Confident Dancer, sign up to be a part of my email newsletter community here: http://eepurl.com/gDmjtz To follow along for daily tips and behind-the-scenes looks at what I'm up to, follow me on Instagram at @kirsten_theconfidentdancer _______________________________________________ WORK WITH ME 1:1! THE CONFIDENT DANCER COACHING PROGRAM: A 1:1 Coaching Program to master the mental side of dance so you can confidently perform to your fullest potential. Perfect for pre-professional, professional, or recreational dancers wanting overcome mental blocks like self-doubt, performance anxiety, perfectionism, comparison, insecurities, etc., and build a truly confident mindset that allows you to perform your personal best with joy. Learn more and apply here: https://kirstenkemp.com/confident-dancer-coaching-program#confident-dancer _________________________________________________ SPEAKING & WORKSHOPS: I offer mindset seminars to equip dancers with the inspiration and practical tools to thrive in their well-being and ability to perform their personal best. These 60-90 minute seminars can be a valuable addition to the holistic support and education of your dancers at your next intensive, year-round program, or professional development opportunity for your company dancers. Learn more and inquire here: https://kirstenkemp.com/speaking-and-workshops#speaking-and-workshops

Justin Peck's life took a shocking turn after a college brawl spiraled out of control, leading to a murder trial, a manslaughter conviction, and a 17-year sentence in maximum security prison. In this episode, Justin shares his story from the night of the fight to the courtroom and beyond, reflecting on the impact it had on his life and how he navigated the realities of a long prison sentence. #CollegeBrawl #MurderTrial #ManslaughterConviction #PrisonSentence #MaximumSecurityPrison #TrueCrimeStory #LifeBehindBars #criminaljustice Hosted, Executive Produced & Edited By Ian Bick: https://www.instagram.com/ian_bick/?hl=en https://ianbick.com/ Presented by Tyson 2.0 & Wooooo Energy: https://tyson20.com/ https://woooooenergy.com/ Buy Merch: https://lockedinbrand.com Use code lockedin at checkout to get 20% off your order Timestamps: 00:00:00 Justin's Background and Family Life 00:06:30 Personal Growth and Reflection in Prison 00:11:08 Encounters in Prison 00:16:14 Struggles with Anger and Self-Respect 00:21:37 Unexpected Fight 00:27:33 Impact of High-Paid Attorneys on Criminal Cases 00:33:18 Self-Defense and Legal Challenges 00:39:14 The Reality of Serving Time in Maximum Security Prison 00:44:47 Brewing Tensions: Prison Dynamics 00:50:19 Encounter in prison 00:55:27 Surviving a Knife Attack in Prison 01:04:06 Reflections on 17 Years in Prison 01:06:30 Consequences and Unchangeable Actions 01:12:15 Struggles with Redemption and Family 01:18:02 Reaching a Low Point and Desperate Plans 01:24:45 From Atheism to a Spiritual Path 01:30:06 Embracing Challenges and Finding Therapy in Expression Powered by: Just Media House : https://www.justmediahouse.com/ Creative direction, design, assets, support by FWRD: https://www.fwrd.co Learn more about your ad choices. Visit megaphone.fm/adchoices

Doug Fullington introduces PNB's 2024/25 Season with our first performances of the year, THE TIMES ARE RACING. This program includes Edwaard Liang's The Veil Between Worlds, Jessica Lang's Black Wave, and Justin Peck's The Times Are Racing. Doug talks through these three works, the role of rehearsal directors in the ballet creation process, Jessica Lang's appointment as PNB's latest Resident Choreographer, recently promoted soloist dancer Luther DeMyer, and more!   Recorded in the Nesholm Family Lecture Hall at Seattle Center's McCaw Hall in Seattle, Washington in September 2024.

This week, host Silas Farley is back for another fascinating Hear the Dance conversation exploring Everywhere We Go. Silas is joined by Resident Choreographer Justin Peck and former Company Member Gretchen Smith, who met when they were barely teenagers dancing at the San Francisco Ballet School and collaborated several times over the ensuing years. Justin describes his development as a dance maker leading up the 2014 premiere, as well as his unique creative partnership with composer Sufjan Stevens, while Gretchen shares how dancing the ballet is "sheer joy." (57:19) Written by Silas Farley Edited by Emilie Silvestri Music: Everywhere We Go (2014) by Sufjan Stevens All music performed by the New York City Ballet Orchestra Reading List: The Oxford Handbook of Contemporary Ballet Edited by Kathrina Farrugia-Kriel and Jill Nunes-Jensen Illinoise Broadway Musical: An In-Depth Review and Guide to the Illinois Theatre Play of Sufjan Stevens and Justin Peck Unveiling the Cast, Profile of Creators, Production Journey, Behind the Scenes, and Impact of the Show by Naomi Jeffrey Marcel Dzama: The Book of Ballet by Marel Dzama, Justin Peck, and Hans Christian Andersen Words Without Music: A Memoir by Philip Glass

Melody Mennite - Principal ballerina formerly with Houston Ballet and currently dancing with Vitacca Ballet. She has toured internationally to perform the classics as well as contemporary work in dance. Some of her classical Principal roles include Odette/Odile, Aurora, Kitri, Sugar Plum Fairy and Clara in The Nutcracker, Cinderella, Manon, Juliet, The Sylph in Bournanville's La Sylphide, Nikya in La Bayadere, Ciao Ciao San in Madame Butterfly, Marie in the ballet Marie, Tatiana and Olga in Onegin, Stephanie and Mary Vetsera in Meyerling, Swanhilda in Coppelia, Valencienne in The Merry Widow, and Lise in La Fille mal Gardee.Melody's most recent international appearance was in the role of Juliet for the Houston Ballet's Romeo and Juliet tour to Melbourne, Australia. During Melody's professional career she has also originated roles in new classical and contemporary productions by choreographers Christopher Wheeldon, Justin Peck, Stanton Welch, Ben Stevenson, Christopher Bruce, Jorma Elo, Cathy Marston, Paul Taylor, Aszure Barton, Nicole Fonte, Annabelle Lopez Ochoa, Olivier Wevers, Oliver Halkowich, Jane Weiner, and Garret Smith as well as in her dual role as dancer/choreographer for several films. Melody enjoys all forms of dance and has extensive training and experience with styles rooted in classical ballet, contemporary, jazz, and hip hop. She is passionate about both learning and teaching what she has learned with others. Ms. Mennite has graced the cover of both Dance Magazine and Dance Europe and is celebrated as the Audrey Hepburn of ballet due to her dynamic acting and a predisposition for comedic roles. As an actor Melody has achieved two award winning performances in film and continues to build this part of her resume. Also from a musical family Ms. Mennite was singing onstage before she ever started training in dance. She has been professionally recorded and released and has performed leading singing roles in regional productions of both West Side Story and Oklahoma. Melody's choreography has been featured on film, in music videos, and on ballet stages throughout the United States. In the last ten years she has been commissioned to create thirteen separate works nationally. Her hobbies include spending time in the outdoors, spending time with her son and two dogs, singing/making music, reading, writing, and practicing new ways to make art. Watch this episode on Youtube! https://youtu.be/9F17DkF13L0 To follow along for daily tips and behind-the-scenes looks at what I'm up to, follow me on Instagram at @kirsten_theconfidentdancer ________________________________________________ THE CONFIDENT DANCER COACHING PROGRAM: A 1:1 Coaching Program to master the mental side of dance so you can confidently perform to your fullest potential. Perfect for pre-professional, professional, or recreational dancers wanting overcome mental blocks like self-doubt, performance anxiety, perfectionism, comparison, insecurities, etc., and build a truly confident mindset that allows you to perform your personal best with joy. Learn more and apply here: https://kirstenkemp.com/confident-dancer-coaching-program#confident-dancer ______________________________________________ ONLINE COURSES: My online course offerings are a wonderful way to learn the practical steps to retraining your mind so you can thrive and excel in your dancing, all at your own pace and for a more affordable price than individual coaching. Whether your goal is to break through fear and nervousness so you can show up confidently in your auditions or you want to release the self-criticism or self-doubt that's been draining all the joy out of dancing lately, The Confident Dancer Course and rotating mini-courses available are designed to help you do just that. Learn more and enroll here: https://kirstenkemp.com/online-course-offerings

Listen in behind the scenes with this special episode featuring media room speeches from 2024 Tony Award winners Shaina Taub, Dede Ayite, Tom Scutt, George C. Wolfe, Justin Peck, Ryan Rumery, Nikiya Mathis, Will Brill, Kara Young, Daniel Radcliffe, Kecia Lewis, Branden Jacobs-Jenkins, Sarah Paulson, Jonathan Groff, and Maleah Joi Moon. Guest hosted and edited by fellow Broadway Podcast Network host Sarah Goodman! Make sure to check out her podcast too. Connect with GOOD SHOW: Listen and follow the podcast at http://bpn.fm/goodshow Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

As the Company concludes a Diamond Anniversary season absolutely bursting with repertory favorites, new restorations, world premieres, and successful tour stops around the world, Artistic Director Jonathan Stafford and Associate Artistic Director Wendy Whelan talk about what went into planning and presenting the year's many achievements. From triumphant debuts to the return of dancers featured in NYCB's original opening night 75 years ago, and a number of significant firsts on the Company's stage—including the first new work from Artist in Residence Alexei Ratmansky, the first Black Dewdrops in George Balanchine's The Nutcracker®, and the first non-binary pas de deux in Justin Peck's The Times Are Racing—they had much to celebrate, all while looking toward NYCB's, and the artform's, ever-expanding future. (40:43) Edited by Emilie Silvestri Music: Capriccio for Piano and Orchestra (1929) by Igor Stravinsky Symphony No. 3 in D major, Op. 29 (1875) by Peter Ilyitch Tschaikovsky

Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"Greased Lightnin'" from Grease (The Original Motion Picture Soundtrack) |  Written by Jim Jacobs and Warren Casey |  Performed by John Travolta , Jeff Conaway

Adriana Pierce is a dancer, choreographer, and director based in New York City, and she joined the studio to talk about her work elevating queer artists in ballet, creating community, and her career in classical ballet as well as musical theater!  Adriana is the founder of Queer the Ballet, an initiative with the mission to widen the scope of classical ballet by producing queer work by queer dance artists. Queer the Ballet says on its website that it seeks to “queer” our ballet spaces and explore choreography often absent from ballet stages. After training at School of American Ballet, Adriana began her dancing career with New York City Ballet and Miami City Ballet before realizing another dream of hers - working in Broadway, film and tv! She appeared in the 2018 Broadway revival of Carousel, in Steven Spielberg's 2021 West Side Story film, and in the 2019 limited series on FX, Fosse/Verdon.  She's currently the associate director and associate choreographer for Justin Peck's “Illinoise" on Broadway. Adriana's other choreographic work features movement and partnering that allows dancers of all genders equal agency, dismantling the traditional gender dynamics of dance. Her choreography has been performed by American Ballet Theatre, Carolina Ballet, Columbia Ballet Collaborative, Ashley Bouder Project, and more. She's also completed residencies with Center for Ballet and the Arts at NYU and Bridge Street Theatre, and she was recognized by Dance Magazine as one of 25 to watch in 2022. Follow Adriana on Instagram: @adriprc Follow Queer the Ballet on Instagram: @queertheballet Check out Adriana's work: www.adrianapierce.com Support Queer the Ballet: www.queertheballet.com/donate Get tickets to Queer the Ballet's upcoming performance, Dream of a Common Language: https://ci.ovationtix.com/36678/production/1194112?performanceId=11435956 Get tickets for Illinoise: https://illinoiseonstage.com/tickets/ Music in this episode: Waltz of the Flowers - Tchaikovsky Barroom Ballet - Silent Film Light - Kevin MacLeod Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310 Artist: http://incompetech.com/ @eblosfield | theadultballetstudio@gmail.com Support this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link --- Support this podcast: https://podcasters.spotify.com/pod/show/elizabeth-blosfield/support

This week, host Isaac Butler talks to Justin Peck, a dancer and choreographer who helped create the hit Broadway show Illinoise, which is based on a classic album with a similar name by Sufjan Stevens. In the interview, Justin breaks down how he adapted Sufjan's album into a narrative dance piece, with clear characters and storylines. He also talks about his process for feeling out dance moves with his body, teaching those moves to other dancers, and then tweaking them based on the strengths of the performers.  After the interview, Isaac and co-host Ronald Young Jr. talk about the thrill of live performances and what it means to define success for a project.  In the exclusive Slate Plus segment, Justin explains how the show varied in previous iterations before Broadway. Then he talks about his biggest dance influences.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks to Justin Peck, a dancer and choreographer who helped create the hit Broadway show Illinoise, which is based on a classic album with a similar name by Sufjan Stevens. In the interview, Justin breaks down how he adapted Sufjan's album into a narrative dance piece, with clear characters and storylines. He also talks about his process for feeling out dance moves with his body, teaching those moves to other dancers, and then tweaking them based on the strengths of the performers.  After the interview, Isaac and co-host Ronald Young Jr. talk about the thrill of live performances and what it means to define success for a project.  In the exclusive Slate Plus segment, Justin explains how the show varied in previous iterations before Broadway. Then he talks about his biggest dance influences.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks to Justin Peck, a dancer and choreographer who helped create the hit Broadway show Illinoise, which is based on a classic album with a similar name by Sufjan Stevens. In the interview, Justin breaks down how he adapted Sufjan's album into a narrative dance piece, with clear characters and storylines. He also talks about his process for feeling out dance moves with his body, teaching those moves to other dancers, and then tweaking them based on the strengths of the performers.  After the interview, Isaac and co-host Ronald Young Jr. talk about the thrill of live performances and what it means to define success for a project.  In the exclusive Slate Plus segment, Justin explains how the show varied in previous iterations before Broadway. Then he talks about his biggest dance influences.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks to Justin Peck, a dancer and choreographer who helped create the hit Broadway show Illinoise, which is based on a classic album with a similar name by Sufjan Stevens. In the interview, Justin breaks down how he adapted Sufjan's album into a narrative dance piece, with clear characters and storylines. He also talks about his process for feeling out dance moves with his body, teaching those moves to other dancers, and then tweaking them based on the strengths of the performers.  After the interview, Isaac and co-host Ronald Young Jr. talk about the thrill of live performances and what it means to define success for a project.  In the exclusive Slate Plus segment, Justin explains how the show varied in previous iterations before Broadway. Then he talks about his biggest dance influences.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, host Isaac Butler talks to Justin Peck, a dancer and choreographer who helped create the hit Broadway show Illinoise, which is based on a classic album with a similar name by Sufjan Stevens. In the interview, Justin breaks down how he adapted Sufjan's album into a narrative dance piece, with clear characters and storylines. He also talks about his process for feeling out dance moves with his body, teaching those moves to other dancers, and then tweaking them based on the strengths of the performers.  After the interview, Isaac and co-host Ronald Young Jr. talk about the thrill of live performances and what it means to define success for a project.  In the exclusive Slate Plus segment, Justin explains how the show varied in previous iterations before Broadway. Then he talks about his biggest dance influences.  Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Bonus Episode Alert! Survival Jobs Co-Host Samantha Tuozzolo is live at the "Illinoise" Gala! Featuring interviews with Director/Choreographer Justin Peck and the stars and production team of the show. ABOUT THE SHOW Direct from two critically acclaimed sold-out engagements, and nominated for the Tony, Drama League, Drama Desk and Outer Critics Circle Awards for Best Musical, Illinoise has arrived on Broadway for a strictly limited engagement. “The majestic future of Broadway” (Los Angeles Times) is here. Based on the landmark Sufjan Stevens album, Illinoise “springs to epic life onstage” (The Washington Post) in a “mysterious, deeply moving and unforgettable dance-musical” (The New York Times) directed and choreographed by Tony Award winner Justin Peck. Peck and Pulitzer Prize-winning playwright Jackie Sibblies Drury have crafted an original story that takes the audience on “an emotionally supercharged” (The Hollywood Reporter) journey. A group of friends gather around a campfire and tell tales of family, myth, and growing up, inspiring one young man to finally share his powerful story of first love. Through a unique blend of live music, dance, and theater, “Illinoise explores the hot zone between childhood and adulthood when emotions can be at their most overwhelming” (The New York Times). You can support the podcast and the hosts at www.buymeacoffee.com/SurvivalJobsPod and on Instagram at @surivaljobspod | @SammyTutz | @JasonACoombs.  Info on Your Hosts:  Broadway World Article on our Season 3 Launch Party Follow Samantha: Instagram  |  Samantha's Official Website here Follow Jason on Instagram  | Twitter. Check out Jason's Official Website here Check out and support The Bridgeport Film Fest Important Links: Support the citizens of Gaza Native Land Map US Interior Indian Affairs NPR: "How To Help Puerto Rico" Article How to Help the People of Florida Article Abortion Funds Website Plan C Pills Website National Write Your Congressman Link How to help Uvalde families NPR Article Where to Donate to Support Access to Abortions Right Now Support Us... Please!  If you're feeling generous, Buy Us A Coffee HERE! Please don't become complacent: Support the Black Mamas Matter Alliance Support Families Detained and Separated at the Border.  Support the AAPI Civic Engagement Fund. Support Black Trans Folx here Donate to the Community League of the Heights (CLOTH) Support the People of Palestine How to be an Ally to the AAPI Community 168 Ways to Donate in Support of Black Lives and Communities of Color The New York Times: On Mexico's Border With U.S., Desperation as Migrant Traffic Piles Up PBS: How to help India during its COVID surge — 12 places you can donate Covid quarantine didn't stop antisemitic attacks from rising to near-historic highs Opening and Closing Theme Music: "One Love" by Beats by Danny | Game Music: "Wake Up" by MBB.  If you enjoy Survival Jobs: A Podcast be sure to subscribe and follow us on your preferred podcast listening app! Also, feel free to follow us on Instagram and Twitter! Thank you!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Weather, Mother's day, racing, Justin Peck, Doug Boles, age your not cool and Pastor Charlie PRAYS!See omnystudio.com/listener for privacy information.

[REBROADCAST FROM MARCH 19TH, 2024] "Illinoise"  is a new dance adaptation of the seminal Sufjan Stevens album, with a story by Tony-winning choreographer Justin Peck and Pulitzer Prize-winning playwright Jackie Sibblies Drury. Drury and Peck, who also directed and choreographed the production, join us.

Sufjan Stevens' 2005 concept album “Illinois” enjoys cult status for its lush orchestrations and inventive lyrics. Tony Award-winner and Resident Choreographer of the New York City Ballet, Justin Peck, has transformed the album, with Pulitzer Prize-winning playwright of 2018's “Fairview” Jackie Sibblies Drury, into a full-length theatrical performance that blends dance, theater, live music and storytelling into a breathtakingly emotional coming-of-age journey. “Illinoise” was presented at the Bard Fisher Center in summer of 2023 as a SummerScape commission. The Bard staging and the off-Broadway production at Park Avenue Armory earlier this year were sold out, highly praised, and “Illinoise” transferred to the St. James Theatre on Broadway this month. Opening night was April 24 and the limited engagement is scheduled to end on August 10. This morning, it was announced that “Illinoise” has been nominated for 4 Tony Awards.

Justin Peck is a celebrated choreographer who loves Sufjan Stevens's music. He loves it so much that he's collaborated with the musician twice. Their latest project is a Broadway dance musical called “Illinoise,” which is based on Sufjan's seminal album “Illinois.” Justin joins guest host Talia Schlanger to tell us what the album means to him and how he transformed it into a theatre-dance production.

"Illinoise"  is a new dance adaptation of the seminal Sufjan Stevens album, with a story by Tony-winning choreographer Justin Peck and Pulitzer Prize-winning playwright Jackie Sibblies Drury. The show runs at Park Avenue Armory through March 26, then transfers to Broadway starting April 24. Drury and Peck, who also directed and choreographed the production, join us.

The guys are a man down tonight, but the racing talk is going strong. We are joined by High Limits series driver Justin Peck talking the season to come. Brad and Josh also cover topics of the High Limits weekend and also racing all around. --- Send in a voice message: https://podcasters.spotify.com/pod/show/quicktimepodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/quicktimepodcast/support

In this episode we're joined by Justin Peck of the High Limits Series to talk about his 2024, helping build the High Limits as a new series and how things are there, a look back at his gnarly wrecks and injuries last year and expectations in 2024 for his team and the series. We move into NASCAR at Daytona and start off talking ARCA and Trucks doing their thing on Friday Night and move onto Monday after a rainy weekend and talk Austin Hill continuing to dominate Xfinity Series Superspeedway races in what was a late and wild Xfinity race. We talk The Rock's appearance as Grand Marshal for the Daytona 500 and the enthusiasm he seemed to have being apart of the NASCAR world and then break down the Great American Race. We talk the fuel saving we saw and if we had any issues with that, the 3 wide racing with this package, Kyle Busch charging from the back 3 times, the big one and William Byron ultimately getting a close win over teammate Alex Bowman. We move onto a weekend of racing in Georgia and make picks for NASCAR in Atlanta and the High Limits

Director-choreographer Justin Peck and Pulitzer winning playwright Jackie Sibblies Drury talk about making a nontraditional dance musical based on Sufjan Stevens' “genre-defying” album “Illinois.” The show is now having its world premiere at Chicago Shakespeare Theater and will run at the Park Avenue Armory in Manhattan in March. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Michael and Rebecca sit down to catch up. Michael tells Rebecca about his experience over the past 3 weeks in Dresden, Germany setting Justin Peck's 'Rodeo.' We also chat about miscellaneous items including Johan Inger's Swan Lake, auditions for Golden State Ballet, and the Artistic Director opening at Lexington Ballet Company. LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

On this episode, the playwright and director-choreographer team discuss their new 'Illinoise' musical, and New Yorker critic Helen Shaw surveys the theatre festival lineup.

Today's episode is a special bonus episode and cross over with Nashville Ballet's Inside the Ballet Podcast. In this episode, Michael takes the guest chair and chats with two members of the Nashville Ballet team, Briona Richardson, Senior Manager of Community Engagement and Nick Mullikin, Artistic Director. This episode gives a behind the scenes look at the work Michael did helping bring JustinPeck's 'Year Of the Rabbit' to Nashville Ballet. If you're in the Nashville area, visit nashvilleballet.com to purchase tickets for performances Sep 22-24. Listen to Nashville Ballet's Inside the Ballet Podcast here. LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-CODEmail us: info@conversationsondancepod.com Hosted on Acast. See acast.com/privacy for more information.

In this episode Derrick talks about his trip to Motor Mile for the SRX race and Kyle Busch's win and some of his aggressive moves leading to his wins and Paul Tracy being thrown out of the series. We shift to NASCAR and talk Carson Hocevar's truck series win and how much he's progressing as a driver as the Truck Series playoffs are set, Kaulig's decision to race AJ Allmendinger in Xfinity instead of having in Richmond for cup practice and qualifying. We then shift to the cup race Chris Buescher getting the win and another meh trip to Richmond has us agreeing that it's time for the track to go down to 1 race. We then talk sprint car racing and David Gravel's win with the outlaws over the weekend, Justin Peck's High Limit win and Rico Abreu's all stars win at Knoxville before getting into picks for SRX at Berlin, Outlaws Ironman 55 and NASCAR at Michigan

Justin Peck breaks through with High Limit, Bobby Pierce tops RTJ, we've got Tuesday modified results, and I wonder who if we are still buying Anthony Macri stock right now.

We'll get our first look today at the entry lists for the two big weekends coming up at Knoxville, plus talk High Limit at Kokomo, Outlaws at Boone and much more.

The New York City Ballet returns to Saratoga Performing Arts Center this week for a series of performances beginning tonight and running through July 22nd.The four unique programs highlighted by SPAC include premieres by Kyle Abraham, Justin Peck, and a program featuring three story ballets: Swan Lake, Fancy Free, and Firebird.The New York City Ballet performed at the opening ceremony for the Saratoga Performing Arts Center in 1966 and returns each year for their summer residency.To tell us more, we welcome Artistic Director of New York City Ballet and the School of American Ballet Jonathan Stafford. A former NYCB Principal Dancer, he retired from performing in May 2014 and was named one of NYCB's Ballet Masters.

This week, City Ballet The Podcast wraps up the 22-23 Season with Artistic Director Jonathan Stafford and Associate Artistic Director Wendy Whelan, who celebrate a year of discovery, change, and renewal. Highlights include a powerful corps de ballet, shaped in part through the growing culture of mentorship throughout the Company; Justin Peck's momentous new work, Copland Dance Episodes; the return to international tours, including a wildly successful visit to Spain; and more. With performances beginning in just over three months, Stafford and Whelan share what they are most looking forward to in the coming 75th Anniversary year. (23:05) Edited by Emilie Silvestri Music: Serenade for Strings in C, Op. 48 (1880) by Peter Ilyitch Tschaikovsky

Tony Award winner and Resident Choreographer at New York City Ballet Justin Peck is also a celebrated director, filmmaker, and dancer. Hailed as a prodigy, Justin has created over 50 dance works with more than 20 for City Ballet alone, as well as collaborated with Stephen Spielberg. Alicia and Justin talk about the New Dances program at Juilliard, Justin's connection to music in his work, and why he finds the Anytune Pro app so valuable in creating new dances. He shares how his position at City Ballet allowed him to take greater risks in his career, the differences between choreographing for film and for the stage, and the importance of learning something new when taking on new commissions.Check out Justin Peck on Instagram or the web.Learn more about New York City Ballet on the web.Follow Moving Moments on Instagram.Follow Alicia on Instagram.You can find out more about Artful Narratives Media on Instagram or the web.The Moving Moments theme song was composed by Saul Guanipa for Videohelper.Moving Moments was co-created by Alicia Graf Mack, Jessica Handelman, and David Krauss.This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Reid and Jeremy are in Tivoli, New York on the morning-eve of the opening of Justin Peck's "Illinois". They discuss the show, the midwest, theatrical aesthetics, and creative support structures with special drive-by guests Brandon Stirling Baker and Adam Weinert. Illinois at Fisher Center at Bard ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠➩ WEBSITE⁠ ◦ ⁠YOUTUBE ⁠◦⁠ ⁠⁠INSTAGRAM⁠⁠ ⁠ ⁠➩ SUPPORT W/$.99⁠ ◦ ⁠PATREON⁠ ◦ ⁠THE MERCH⁠ ⁠➩ REID⁠ ◦ ⁠JEREMY⁠ ◦ ⁠JACK⁠ ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠ ⁠➩ withdanceandstuff@gmail.com⁠ ◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠

On the show today we've got an update on Justin Peck's return to racing, more details on Buddy Kofoid's move to Vermeer, if Scott Bloomquist is actually retired or not, and more.

Today we are joined by critic, dance scholar, and former chief dance critic to the New York Times, Alastair Macaulay. We talk with Alastair about the incredible legacy of George Balanchine's 'Serenade'. Originally choreographed in 1934 for students at the School Of American Ballet, 'Serenade' has gone on to become one of the most beloved works of the 20th century. Alastair takes us through the history of the ballet, including the myths surrounding its creation, the many changes it has gone through over the years, and why we should really all be pronouncing it 'Seren-AYDE'.THIS EPISODE'S SPONSORS:Energetiks specialize in creating sustainable, world class dancewear for the stars of tomorrow. Perform and feel your best at every stage of your dance journey in Energetiks' premium, high performance fabrics. Try them out with a 20% discount site-wide using the code COD20 at the checkout [available until the end of September 2023]. Shop their extensive range online at energetiks.com and enjoy free express shipping on orders over $75.If you're in the southern California area this June, join Golden State Ballet as they present 'From New York, With Love', an evening featuring world premieres by Gabrielle Lamb and Norbert De La Cruz III, and the kaleidoscopic, heart-pumping work 'In Creases' by Tony-Award winner Justin Peck. You won't want to miss out on a chance to experience California's newest ballet company in three world class ballets. Performances are this June 6 at the Barclay Center in Irvine, CA and June 9 & 10 at the Poway Center For the Performing Arts. Tickets are available at goldenstateballet.orgLINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

On this Friday show we'll get into Justin Peck's scary crash last night and why this should be a wake up call for the industry. We've also got Thursday results, what to watch this weekend, and more.

On Wednesday's show: Drama dominates the final days of the regular Texas Legislative session. Why a House committee is investigating Attorney General Ken Paxton, and why he's calling for House Speaker Dade Phelan to resign. Plus, a late night move by the Texas Senate would make voting illegally a felony. We discuss those stories and other developments in politics in our weekly roundup. Also this hour: Houston has had a reputation for tearing things down to build something new. However, that's changing. We learn how developers are using state and federal tax credits to save and repurpose buildings with character and history. And choreographer Justin Peck of the New York City Ballet explains how the Twilight Epiphany Skyspace sculpture at Rice University inspired a new work called Under the Folding Sky that's making its world premiere as a part of a Houston Ballet performance the next two weeks. Peck also discusses his work choreographing the dance scenes in Steven Spielberg's 2021 remake of West Side Story.

Today on 'Conversations On Dance', we are joined by choreographer Justin Peck to discuss his new work for Houston Ballet 'Under the Folding Sky'. Justin talks about how seeing the art work of James Turrell in Houston provided a jumping off point, how he's waited for almost a decade to use the ballet's Phillip Glass score and what it's been like to explore an epic scale of dance in this work for 24 artists. If you are in the Houston area, you can purchase tickets to see Justin's new work on houstonballet.org. 'Under the Folding Sky' runs on the 'Divergence' program alongside works by Aszure Barton and Stanton Welch from May 25th to June 4th. THIS EPISODE'S SPONSORS:Ballet Bird is a streaming site designed by former Pacific Northwest Ballet principal dancer Julie Tobiason. Ballet Bird offers ballet classes for anyone at any level of training that you can do from the comfort of your home or studio. Ballet Bird is a great addition to your regular in-studio training too. Take advantage of the ten day free trial and use the discount code COD25 to get 25% off through June 30th 2023 at balletbird.com.Energetiks are a sustainable, Australian Made brand that specialise in creating world class dancewear for the stars of tomorrow. Perform and feel your best at every stage of your dance journey in Energetiks' premium, high performance fabrics. See their entire range online at energetiks.com and for all listeners there's a 20% discount on all Energetiks products using the code COD20 at the checkout [available until the end of September 2023].LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

It's just Michael and Rebecca this week. We start by catch up after Michael's live events at Works & Process at the Guggenheim and Inside NYCB. Michael tells us about seeing Justin Peck's newest work at New York City Ballet, ‘Copland Dance Episodes,' then about his work on ‘The Night Falls' with Troy Schumacher and […] The post (327) ‘The Night Falls' and ‘Copland Dance Episodes' with Michael and Rebecca appeared first on tendusunderapalmtree.com.

On today's episode of ‘Conversations On Dance', we are joined by New York City Ballet soloist Mira Nadon. Mira joins us for a special bonus episode discussing her role as the central ballerina in Justin Peck's upcoming premiere ‘Copland Dance Episodes'. She gives us an inside view of NYCB's first non-narrative full length premiere since George […] The post (324) Mira Nadon, NYCB soloist, on Justin Peck's new full length work, ‘Copland Dance Episodes' appeared first on tendusunderapalmtree.com.