Podcast appearances and mentions of nacho duato

El bailarín Nacho Duato ha pasado por los micrófonos de Julia en la Onda para presentar su último espectáculo: ‘Cantus', un homenaje a los niños víctimas de las guerras.

On People of Note this week concentrates on ballet and the forthcoming production by Cape Ballet Africa called Breathwords. One of the chorographers for this varied production is the Master Spaniard Nacho Duato who enjoys an international career. His work in Breathwords is called Ramanso which features 3 male dances and with Gerard Joubert as the pianist. Rodney Trudgeon spoke to Nacho about his distinguished career and about Romanso. People of Note with Nacho Duato. Sunday at 6pm and again on Thursday at midday. Brought to you by PtP

Pippa speaks to Debbie Turner, founder and artistic director of Cape Ballet Africa and Spanish choreographer Nacho Duato about a new production called Breathwords.See omnystudio.com/listener for privacy information.

Entrevistamos al coreógrafo y bailarín Nacho Duato sobre su nueva compañía de danza en Madrid, CND. Reflexiona acerca del mundo musical y del baile entre risas. Escuchar audio

Entrevistamos al coreógrafo y bailarín Nacho Duato, que nos habla de sus proyectos y escuchamos sus reflexiones sobre la danza y la música. También nos esforzamos en sacarle más de una sonrisa junto a nuestros colaboradores y las llamadas sorpresa.Escuchar audio

La Danza Social, fuente de bienestar para todo tipo de colectivos en el Conservatori Superior de Dansa de València Nacho Duato, centro pionero en incluir la especialidad Danza Social. Se trata de una disciplina muy diferente a las demás, ya que su objetivo es ayudar a los bailarines a alcanzar el bienestar tanto físico como mental. Entrevistamos a Alicia Herrero Simón, profesora y Fran Salmerón, alumno. Purina organiza sesiones de lectura inclusiva en BCN con perros de terapia para promover la inclusión y aprendizaje sin barreras en España. Hablamos de ello con Sonia Sáez, veterinaria y responsable de comunicación en Purina. Desde Misiones Salesianas han lanzado la campaña Haití Olvidado para poner el foco en la difícil situación por la que pasa el país y recaudar fondos para seguir ayudando a la población civil y construir oportunidades de futuro. Alberto López, portavoz de Misiones Salesianas, nos da más informaciónEscuchar audio

En Por Fin No Es Lunes hablamos con el referente nacional de danza clásica para conocer cómo ha sido el estreno esta semana en el teatro Principal de Alicante de su nueva compañía. Con las entradas agotadas, Nacho Duato eligió tres de sus primeras obras para deleitar a los asistentes en la primera función.

Carles Mesa charla con el bailarín y coreógrafo Nacho Duato. Acaba de regresar a los escenarios españoles con su nueva y joven compañía, que lleva su nombre y que este miércoles llevaba al Teatro Principal de Alicante tres de sus coreografías más emblemáticas: Jardí Tancat, Duende y Na Floresta.Escuchar audio

En "¿Quién es quién?", junto a Aitor Caminero, recibimos a Alfons Carnicero, director general y cofundador de ABLE Human Motion, una empresa de Barcelona que desarrolla exoesqueletos robóticos para la rehabilitación de personas con discapacidades neurológicas. Y en el "Mano a mano", Carles Mesa charla con el bailarín y coreógrafo Nacho Duato. Acaba de regresar a los escenarios españoles con su nueva y joven compañía, que lleva su nombre y que este miércoles llevaba al Teatro Principal de Alicante tres de sus coreografías más emblemáticas: Jardí Tancat, Duende y Na Floresta.Escuchar audio

El coreógrafo regresa a los escenarios de España con su nueva joven Compañía Nacho Duato. Estrena en Alicante tres de sus coreografías más emblemáticas. Mientras, prepara otro ballet sobre los niños y la guerra

Analizamos el fenómeno que ha arrasado esta semana Madrid y España, los conciertos de Taylor Swift, la artista más exitosa del momento. Lo hacemos mirando a su fandom, los swifties, claves en su carrera. También bailamos con las mejores coreografías de Nacho Duato, que regresa a los escenarios españoles. Javier Gutiérrez nos presenta 'El traje', una obra sobre la corrupción. Y recordamos a Kafka en el centenario de su fallecimiento

Did you go (or are you considering going) to college for dance? It's pretty cutthroat out there and my incredible guest, contemporary and ballet diva, Julie Friedrich, discusses the pro's and con's of going to college for dance, how she's paved her own path professionally (5:00) and how she mentors dancers through her own program (10:42). Julie Friedrich's distinguished career as a professional dancer, mentor, and dance educator in the areas of ballet and contemporary dance spans more than 20 years. Julie received her primary dance education from Meredith Baylis of the Joffrey Ballet School and the Los Angeles County High School for the Arts. Upon graduation, Julie joined the American Repertory Ballet under the direction of Septime Webre; and then went on to join Les Grands Ballets Canadiens in Montreal under the direction of Lawrence Rhodes.  Throughout her career she has danced works by George Balanchine, Anthony Tudor, Ohad Naharin, Septime Webre, Nacho Duato, Guy Weizman, Roberto Zappala, and various other European and American choreographers. Upon returning to the United States, Julie joined the acclaimed contemporary dance company BodyTraffic as one of its founding members, where she danced for the last three years of her professional dancing career.Julie taught for over a decade at both the Orange County High School for the Arts and the Los Angeles County High School for the Arts. Through her guidance, Julie has numerous Young Arts winners and her students have gone on to study at the Juilliard School, USC/Kaufman, SUNY Purchase, Arts Umbrella, Cal Arts, Tisch at NYU, and Pace University just to name a few. Professionally, she has former students working in such companies as ATE9, Kyle Abraham, Aspen Santa Fe Ballet, Cirque Du Soleil, and on Broadway. Currently, Julie is in her 11th year serving on the performing arts faculty at the Windward School in Culver City, where she teaches, directs, and curates the dance program. Along with her full time work at Windward, she serves as the ballet director for Danceology, and as guest ballet faculty at various institutions across the nation. Since 2012 she has been an integral part of the artistic team at Francisco Gella Dance Works. Julie continues her work mentoring students in preparation for their entrance into the collegiate world through her College Preparatory Program that has developed into a nationwide program serving students and families. In 2013, through the Young Arts Foundation, President Obama and the White House named Julie one of the most influential arts teachers in the country for her mentorship of young dancers.https://franciscogelladance.com/college-career-prep/Instagram@missjulie1220FacebookJulie Rose FriedrichHey y'all! I'm Justine, the voice behind the DC:U pod and MNTR MGMT. After 15+ years in the industry as a choreographer, dancer, producer, educator and more, I'm now working closely with dance artists on professional development, business skills and digital enhancement. Curious? join the mntrU Crew. Help support the podcast! Subscribe and receive exclusive member benefits --> Pod Producer/SupporterConnect with me on Insta @mntr.mgmt

El coreógrafo y bailarín, multipremiado por su trayectoria y espectáculos, ha hecho un viaje junto a Mara Torres por sus principales escenarios vitales

El coreógrafo y bailarín, multipremiado por su trayectoria y espectáculos, ha hecho un viaje junto a Mara Torres por sus principales escenarios vitales

Se describe como generadora de ideas en movimiento y cuando la ves moverse, no te cabe duda de que así es. Iratxe Ansa es una grande de la danza contemporánea española. Desde pequeña sabía que quería bailar. La donostiarra comenzó a formarse en España y con solo 14 años se fue a Stutgart (Alemania) "y allí empezó todo", dice ella misma. A partir del 1993 bailó en en el Basilea Ballet, Ballet Gulbelkian, en la Compañía Nacional de Danza con Nacho Duato, en la Lyon Opera Ballet y en el Nederlands Danse Theater, de donde salió en 2009 para comenzar una nueva carrera como freelance, impartiendo talleres coreográficos, bailando en proyectos específicos y creando coreografías para su compañía o por encargo de otras. Y en 2014 montó su propia compañía, Metamorphosis Dance con su compañero Igor Bacovich. Escuchar audio

Adelaide born Shane Placentino graduated from The Australian Ballet School in 1990 and was accepted into the The Australian Ballet in 1991.He also worked with Graeme Murphy and Janet Vernon appearing in Murphy's Nutcracker and Beyond Twelve. After ten years with The Australian Ballet, Shane departed in 2000.He joined The Sydney Dance Company in 2002. His repertoire with the company includes Ellipse, Air and other invisible forces, Salome, Free Radicals, the role of ‘Jack' in Tivoli, Underland, Random Play, Some Rooms, Grand, Hua Mulan, Berlin and Ever After Ever. Dance credits with The Australian Ballet encompass the full classical and contemporary repertoire including Swan Lake, The Sleeping Beauty, Giselle, The Merry Widow, Jiri Kylian's Sinfonietta, Nacho Duato's Jardi Tancat, Stanton Welch's Red Earth, John Cranko's Romeo and Juliet and Kenneth MacMillan's Manon. In 2008 Shane has assisted and performed in Meryl Tankard's Inuk2 and was appointed the stage manager for Rafael Bonachela's recent work with The Sydney Dance Company.A move in to the world of opera has seen him embrace the various guises of choreographer and director. For Opera Australia he has assisted on productions of The Merry Widow (2018), West Side Story, Madama Butterfly (2019) and Faust. As Revival Director his work has brought to vivid life the operas Faust (2020), The Merry Widow (2021), Aida, Madama Butterfly (2022) and Turandot. In May he directs global opera sensation Jonas Kaufmann in Olivier Py's celebrated production of Wagner's Lohengrin. The opera plays May 14th to 24th at the State Theatre, Arts Centre, Melbourne. It is a stunning production, bound to thrill and delight.Shane Palcentino joined STAGES to describe the task ahead of him in reviving the opera for its Australian season and an indication of what's in store for the fortunate Melbourne audience. He also reflects on a journey through Dance that has lead him to his cherished role as a director/choreographer with Opera Australia.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

A Valentine's Day release with two incredible artists, Jody Reynard and David Bushman!  Immensely talented and incredibly humble, our guests this week talk about the road to Broadway for each of them.  JODY REYNARD has been dancing non-stop for almost 30 years!!  He has taught musical theatre/Broadway dance classes at dance studios, intensives and educational institutions around the country.  He attended the Cobb Center Excellence for in the Performing Arts outside of Atlanta, GA and graduated with a dance major.  He then earned a BA in Theatre with Music minor from Kennesaw State University (where he also helped to establish the first dance ensemble, Wings) all while performing with The Atlanta Shakespeare Tavern, The Atlanta Opera and Georgia Ballet.  From there, his regional theatre career began with dancing roles in the Radio City Christmas Spectacular, On the Twentieth Century at the Goodspeed Opera House in East Haddam, CT and Mame at the Papermill Playhouse in Millburn, NJ.  Soon thereafter he caught the eye of the late Ann Reinking at an open audition and made his Broadway debut in Fosse, dancing featured specialties such as “From the Edge,” “Rich Man's Frug,” and the “Take Off with Us” adage.  Other credits include the Broadway companies of Summer: The Donna Summer Musical, Legally Blonde, Taboo, Saturday Night Fever and the national touring companies of Camelot, Kiss Me Kate, My Fair Lady, Memphis and Chicago.  He served as swing and dance captain for the new musical, Roman Holiday, in its pre-Broadway tryout at the Golden Gate Theater in San Francisco, CA.   Jody has worked as an assistant choreographer for Denis Jones, Josh Prince, Alex Sanchez and Darren Lee.  He can also be seen dancing behind six-time Tony Award winner, Audra McDonald, in the movie musical, Hello Again! Some of his favorite roles include Darren in Take Me Out, Paul Happiness in Thoughts of a Colored Man, Ken in Smokey Joe's Café, featured dancer with the NY Philharmonic, Omaha Symphony & South Dakota Symphony Orchestras AND substitute instructor of jazz & tap at Wagner College in Staten Island, NY.  Jody is also a proud Core Company Member of Quick Silver Theatre Company.DAVID BUSHMAN began his professional career in classical and contemporary ballet. He received a BFA in Dance from University of North Carolina School of the Arts.  While still studying there, David was asked to join the professional company, North Carolina Dance Theatre (NCDT, now known as Ballet Charlotte).  He traveled the country with NCDT and danced leading roles in works by the great George Balanchine and the company's director, Salvatore Aiello.  He was then invited to audition for FeldBallets/NY (now known as Ballet Tech) and was hired into the company. For the next three years, he was featured in the vast repertoire of Eliot Feld.  David then went on to dance for Les Grands Ballets Canadiens in Montreal, Canada.  There, he danced works by renowned choreographers Jiri Kylian, Nacho Duato, Ohad Naharin and many others. Since retiring from concert dance, David has been associated with the hit revival of CHICAGO since 2003.  He performed in the first French speaking productions, in Montreal and Paris, and the US National/International touring company. In 2013, he was invited to set the choreography for the US Tour and continued to do so until 2019.  He has also set the CHICAGO choreography for television in China and worked with the Mexico City company.  David joined the Broadway company as Dance Captain/Swing in 2014.Don't forget to like and subscribe on your favorite podcast streaming site.  Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcast

Happy Birthday to Bronislava Nijinska, Gret Palucca, Galina Ulanova, Thelma "Butterfly" McQueen, Anabelle Lyon, and Nacho Duato! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

Tras un año de vaivenes con aforos limitados las Artes Escénicas afrontan el 2022 con "incertidumbre", asegura el presidente de los productores de teatro y danza en España, Jesús Cimarro. Los escenarios españoles esperan no volver a las restricciones, recuperar “cierta normalidad que todos añoramos" y que la temporada sea fructífera, añade Cimarro. Estos son algunos de los estrenos previstos para el 2022 en los escenarios de Madrid. TEATRO REAL El Teatro Real cierra temporada salvando las dos últimas funciones de 'La bohème', tras suspender varias representaciones por 25 positivos de covid entre sus trabajadores. Para 2022 el Teatro Real ha programado ‘La Bayadera', una de las obras fundamentales del repertorio de las compañías de danza clásica con libreto de Marius Petipa y Sergei Khudekov y música del austriaco Ludwing Minkus (1826-1917). El Teatro Real ofrece el 8 de enero un recital de la soprano Lise Davidsen Pieza, estrenada en el Teatro Imperial Bolshói Kamenny de San Petersburgo en enero de 1877, llegará a mediados de mayo a Madrid de la mano del Ballet Bolshói con un nueva versión escénica de Yuri Grigorovich. Flamenco en el Real Tras mucho lamento, el flamenco se sentirá y vivirá en el Real con Alba Heredia, bailaora que pertenece a una de las dinastías más relevantes del mundo flamenco como son los Maya o con el zapateado poderoso de Eduardo Guerrero González y el trabajo visceral de Patricia Guerrero, Premio Nacional de Danza 2021. Izal sinfónico en el Teatro Real para despedir la Navidad Kiki Morente también estará en junio en el Real y cerrará el ciclo de Flamenco Real José Santiago ‘Carrete de Málaga', máximo exponente del baile personal, el de la calle, el de una posguerra que descubrió y resaltó la necesidad. Izal, Manuel Carrasco, Zaz o Miguel Poveda, son algunos de los artistas que completan la oferta cultural del Teatro Real para 2022, sin olvidar la programación pensada para los más pequeños, El Real Junior. Un 'Apollo y Pulcinella' sin barreras en los Teatros del Canal ESTRENOS DE TEATRO El Centro Dramático Nacional comienza el año con tres estrenos absolutos: una comedia dramática sobre la cárcel, 'El cuaderno de Pitágoras', un espectáculo performático, 'Inloca', y una comedia romántica en clave signada 'Manual básico de lengua de signos para romper corazones'. En Teatro Español, Mario Gas se pondrá a los mandos de 'Amici miei', un espectáculo creado e interpretado por el propio Gas quien abre las puertas para conocer a San Juan de la Cruz, Valle- Inclán a Fernando Fernán Gómez o Enric Casassas. TMDHTM20220103_0024 Bajo la dirección de José Carlos Plaza, llegará también al Teatro Español 'La Casa de Bernarda Alba', de Federico García Lorca, una pieza sobre los ancestros que no conocen la comprensión ni la compasión hacia aquel ser que han creado. También el Español acogerá el testamento artístico de Gerardo Vera, 'Oceanía', un texto que firma con José Luis Collado, el último proyecto que el dramaturgo selló antes de fallecer. Un monólogo que retrata un país y una época a través de los ojos de un hombre en el otoño de su vida. Blanca Portillo volverá a dar voz a un hombre en 'Silencio', un texto de Juan Mayorga que indaga sobre la importancia de escuchar el silencio. Juan Mayorga y Blanca Portillo nos invitan a un teatro de "excelencia" en 'Silencio' Una amplia programación de danza se dará cita en los Teatros del Canal donde la compañía británica del bailarín y coreógrafo Akram Khan presentará en España 'Jungle Book Reimagined' ('El libro de la selva reimaginado'). Els Joglars conmemora sus 60 años de vida, que la convierten en la compañía privada en activo más antigua de Europa, en los Teatros del Canal con '¡Que salga Aristófanes!', una reivindicación de la comedia, del teatro y sus gentes, como catalizadores de la libertad de expresión. Les Luthiers regresan a Madrid 'Una costilla en la mesa: Padre', de Angélica Liddell, que además protagoniza, dirige y que también se ha encargado de la escenografía y del vestuario y 'Los secuestradores del lago Chiemsee', de Mario Gas y Alberto Iglesias, son otros dos de los estrenos destacados en el Canal. Los míticos Les Luthiers regresan a Madrid con 'Viejos Hazmerreíres' en febrero en Ifema Palacio Municipal de Congresos, cuatro únicas funciones que los argentinos realizarán de este show en la capital. Y a finales de septiembre se estrenará 'Matilda', un musical basado en la famosa novela de Roald Dahl. COMPAÑÍA NACIONAL DE DANZA Lo que sí está confirmado es el regreso de Nacho Duato a la Compañía Nacional de Danza después de más de una década de ausencia. El bailarín será el invitado de excepción en la CND con la coreografía "Morgen". La Compañía Nacional estrenará además en 2022 "Polyphonia", de Christopher Wheeldon y "Grosse Fuge" coreografiada por Hasn van Mamen.

He de reconocer que Nacho Duato siempre me ha despertado simpatía, aunque no lo conozco personalmente. Me es igual su ideología, pero es un gran artista y además me gusta el ballet. En general, me apasiona todo aquello que gira alrededor del arte en todas sus expresiones.

witch is an interdisciplinary annual exhibit created by dancers from around the world to raise money for charity, hosted by Nederlands Dans Theater (NL). Switch provides the dancers of NDT the opportunity to create an entire evening of art and dance. It serves as a chance to choreograph in a professional setting, take the organizational helm, and delve into the other aspects of this art form we may not always experience. It also serves as a platform for any kind of creativity. It all started in 1988 when the dancers of NDT started informally creating their own choreographies in their free time. Interest grew and soon they decided to dedicate an evening in the studios to showcase their creations to their fellow colleagues, they called this evening ‘Workshops'. World renowned choreographers such as Paul Lightfoot, Sol León, Nacho Duato, Jorma Elo, Johan Inger and Medhi Walerski all began their choreographic careers with Switch. Over the past decades, Switch as a project has grown in both popularity and diversity, while developing into a full evening of dance. This allowed Switch to serve the greater purpose of supporting numerous charities and act as an ever-changing creative platform for all forms of artistic expression, becoming the Switch we know today.

El coreógrafo y bailarín, Premio Nacional de Danza 2018 en la categoría de Creación, Antonio Ruz (Córdoba, 1976) repasará su trayectoria artística en diálogo con el periodista Antonio San José en una nueva sesión de Conversaciones en la Fundación. Como bailarín, Ruz inició su carrera en el Ballet Víctor Ullate, donde llegó a ser primer bailarín; más tarde entró a formar parte del Ballet del Gran Teatro de Ginebra y del Ballet de la Ópera de Lyon. Regresó a España, en 2006, para ingresar en la Compañía Nacional de Danza, bajo la dirección de Nacho Duato. En su faceta de coreógrafo, desde 2007 ha colaborado con la compañía Sasha Waltz & Guests (Berlín) y la con compañía de danza española Estévez-Paños & Compañía. Entre sus últimas creaciones cabe destacar Electra (2017) para el Ballet Nacional de España, Ostinato (2018) para La Mov Compañía de Danza, In Paradisum (2021) para la Compañía Nacional de Danza y La noche de San Juan (2021), coproducción de la Fundación Juan March y el Gran Teatre del Liceu. Más información de este acto

Conversaciones en la Fundación: Antonio Ruz en diálogo con Antonio San José. El coreógrafo y bailarín, Premio Nacional de Danza 2018 en la categoría de Creación, Antonio Ruz (Córdoba, 1976) repasará su trayectoria artística en diálogo con el periodista Antonio San José en una nueva sesión de Conversaciones en la Fundación. Como bailarín, Ruz inició su carrera en el Ballet Víctor Ullate, donde llegó a ser primer bailarín; más tarde entró a formar parte del Ballet del Gran Teatro de Ginebra y del Ballet de la Ópera de Lyon. Regresó a España, en 2006, para ingresar en la Compañía Nacional de Danza, bajo la dirección de Nacho Duato. En su faceta de coreógrafo, desde 2007 ha colaborado con la compañía Sasha Waltz & Guests (Berlín) y la con compañía de danza española Estévez-Paños & Compañía. Entre sus últimas creaciones cabe destacar Electra (2017) para el Ballet Nacional de España, Ostinato (2018) para La Mov Compañía de Danza, In Paradisum (2021) para la Compañía Nacional de Danza y La noche de San Juan (2021), coproducción de la Fundación Juan March y el Gran Teatre del Liceu. El diálogo se complementará con la proyección de vídeos e imágenes relacionadas con la actividad del invitado. Explore en canal.march.es el archivo completo de Conferencias en la Fundación Juan March: casi 3.000 conferencias, disponibles en audio, impartidas desde 1975.

Julie Kent became the Artistic Director of The Washington Ballet in July 2016. She is the longest-serving ballerina in American Ballet Theatre's 79-year history. She began her dance training with Hortensia Fonseca at the Academy of the Maryland Youth Ballet in Bethesda, MD and attended summer sessions at American Ballet Theatre II and the School of American Ballet before joining American Ballet Theatre as an apprentice in 1985. In that same year, Kent won first place in the regional finals of the National Society of Arts and Letters at the Kennedy Center. In 1986, she was the only American to win a medal at the Prix de Lausanne International Ballet Competition, and she became a member of ABT's corps de ballet.Kent starred in the Herbert Ross film “Dancers” in 1987 opposite Mikhail Baryshnikov. She was appointed a Soloist with ABT in 1990 and a Principal Dancer in 1993, the year in which she became the first American to win the Erik Bruhn Prize in Toronto and was named one of People Magazine's “50 Most Beautiful People.” In April 2000, Kent achieved another triumph, becoming the first American to win the “Prix Benois de la Danse.” Later that year, Kent starred in the motion picture “Center Stage” directed by Nicholas Hytner. In 2012, she was awarded an Honorary Doctorate of Performing Arts from the University of North Carolina School of the Arts as well as a “Lifetime Achievement Award” from Dance Magazine. Since 2014, she has been the Brand Ambassador for HANIA New York, a luxury line of hand-knit cashmere in NYC.During Kent's long performing career, she has acquired a vast repertoire dancing over 100 ballets, including all of the major classical, dramatic and neo-classical roles in works by Marius Petipa, George Balanchine, Jerome Robbins, Frederick Ashton, Kenneth MacMillan, John Cranko, Anthony Tudor, Michel Fokine, Agnes DeMille, Merce Cunningham, Jose Limon, Jiri Kylian, Ronald Hynd, Ben Stevenson and Christopher Wheeldon. As well, she has had roles created on her by John Neumeier, Lar Lubovitch, Mark Morris, Twyla Tharp, Alexei Ratmansky, Nacho Duato, Stanton Welch, James Kudelka, Jorma Elo, David Parsons, Jessica Lang, and Natalie Weir. Her appearances as a guest include invitations from the Mariinsky Theatre, Teatro alla Scala, New York City Ballet, Stuttgart Ballet, Berlin Staatsballett, Australian Ballet, Bayerisches Staatsballett, Teatro Colon, Ballet de Santiago, and others. In August of 2015, after a 30-year performing career, Kent was named Artistic Director of ABT's Summer Intensive, a comprehensive summer dance program for 1,400 students at five campuses across the US.Since Kent arrived at The Washington Ballet, she has brought important classical and contemporary masterworks into the repertoire, including her and Victor Barbee's own critically acclaimed staging of The Sleeping Beauty, described by New York Times former chief dance critic Alastair Macaulay as “one of the world's finer Sleeping Beauties.” Kent's steadfast commitment to the development of artists, rising choreographers, and the creation of arts education initiatives that benefit the community of our Nation's Capital, showcase her dedication to creativity, expression, and to propelling ballet forward into the 21st century.Kent is married to The Washington Ballet's Associate Artistic Director Victor Barbee, and, as a mother of two children, she has helped redefine the image of the American Ballerina.

My next guest has some fantastic advice about finding yourself through dance. Please welcome the host of ‘Dance Bants' on KFTW: Jess Goodfellow!Jess Goodfellow started her training at Newtown High School of the Performing Arts.In 2015, she joined Sydney Dance Company's Pre Professional year and in 2016, she joined IT DANSA youth company in Barcelona, where she performed the repertory of Ohad Naharin, Alexander Ekman, Jyri Kylian, Nacho Duato, Akram Khan, Sidi Larbi and Rafael Bonachela.She has since worked as a freelance artist in Sydney with Sydney Experimental Arts Ensemble, Omer Backley-Astrachan, and Callum Mooney in their own show, Jeppee Peppee at the Flying Nun by Brand X.In 2020, she choreographed  her first work, ‘Human Drama', for Sydney Dance Company's PPY Revealed and she continues to work as an emerging choreographer in 2021 with Sydney Dance Company.In this conversation, we dived into the following:Having to choose between dance and gymnastics.Pre-professional course at Sydney Dance Company.Facing yourself.Dealing with setbacks.Role models in full-time.IT DANSA, and life in the company.Knowing why you dance.Horse technique.“Human Drama”, her piece for PPY.Jess' fantastic podcast: Dance Bants.Logo: @lawrencetandesignsAnimation: @cold_tea_artIntro track: melaniac. - we're just some motherf***ing kids

Shane goes Back Stage with Regina Botros to talk about Aida the Opera and his life on the stage. OPERA AUSTRALIA- AIDA ASSISTANT DIRECTOR AND CHOREOGRAPHER Adelaide born Shane Placentino graduated from The Australian Ballet School in 1990 and was accepted into the Australian Ballet in 1991. As a member of the Ballet, Shane danced in the entire classical and contemporary repertoire. He also worked with Graeme Murphy and Janet Vernon appearing in Murphy's Nutcracker and Beyond Twelve. After ten years with The Australian Ballet, Shane left in 2000. He joined Sydney Dance Company in 2002. Sydney Dance Company repertoire: Ellipse, Air and other invisible forces, Salome, Free Radicals, the role of ‘Jack' in Tivoli, Underland, Random Play, Some Rooms, Grand, Hua Mulan, Berlin and Ever After Ever. Other credits: The Australian Ballet: full classical and contemporary repertoire including Swan Lake, The Sleeping Beauty, Giselle, The Merry Widow, Jiri Kylian's Sinfonietta, Nacho Duato's Jardi Tancat, Stanton Welch's Red Earth, John Cranko's Romeo and Juliet and Kenneth MacMillan's Manon. In 2008 Shane has assisted and performed in Meryl Tankard's Inuk2 and was appointed the stage manager for Rafael Bonachela's recent work with Sydney Dance Company.  

Fantastic conversation with the one and only Pippa Duke. We talked about her experience as a dancer with Jiri Kylian, Ohad Naharin, Nacho Duato. How Montessori pedagogy informed her teaching... And how teaching discipline and thorough technique can not only co-habit with the development of self-worth but actually is inseparable. You can also read more about her most recent projects: - Weekly classes at Laughton: HERE- Dancers' talking: HERE - Laughton Lodge residencies: HEREYou can email Pid directly at pippaduke@yahoo.co.uk to enquire about booking the space.  Support the show (https://www.patreon.com/crecis)

Episodio en Inglés, si deseas verlo con subtítulos, te invito a ir a nuestro canal de YouTube. Julie Kent ha estado al frente del Washington Ballet desde julio de 2016 y fue la primera bailarina con mayor carrera en los 80 años de historia del American Ballet Theatre. Comenzó su formación en danza con Hortensia Fonseca en la Academy of the Maryland Youth Ballet en Bethesda, MD y asistió a sesiones de verano en American Ballet Theatre II y en la School of American Ballet antes de unirse a American Ballet Theatre como aprendiz en 1985. Ese mismo año , Kent ganó el primer lugar en las finales regionales de la Sociedad Nacional de Artes y Letras en el Kennedy Center. En 1986, fue la única estadounidense en ganar una medalla en el Concurso Internacional de Ballet Prix de Lausanne y se convirtió en miembro del cuerpo de ballet de ABT. Kent protagonizó la película de Herbert Ross "Dancers" en 1987 junto a Mikhail Baryshnikov. Fue nombrada solista con ABT en 1990 y bailarina principal en 1993, año en el que ganó el premio Erik Bruhn, en Toronto, y fue nombrada una de las "50 personas más bellas" de la revista People. En abril de 2000, Kent ganó el "Prix Benois de la Danse" siendo la primera estadounidense en ganar este premio. Más tarde ese año, Kent protagonizó la película "Center Stage" dirigida por Nicholas Hytner. En 2012, recibió un Doctorado Honoris Causa en Artes Escénicas de la Escuela de Artes de la Universidad de Carolina del Norte, así como un "Premio a la Trayectoria" de la Dance Magazine. Desde 2014, ha sido la embajadora de la marca de HANIA New York, por Anya Cole, una línea de suéteres tejidos a mano. Durante su carrera interpretativa, Julie Kent adquirió un vasto repertorio de más de 100 ballets, incluídos los principales papeles clásicos, dramáticos y neoclásicos en obras de Marius Petipa, George Balanchine, Jerome Robbins, Frederick Ashton, Kenneth MacMillan, John Cranko, Anthony Tudor, Michel Fokine, Agnes de Mille, Merce Cunningham, José Limón, Jiří Kylián, Ronald Hynd, Ben Stevenson y Christopher Wheeldon. Además, ha tenido papeles creados para ella por coreógrafos como John Neumeier, Lar Lubovitch, Mark Morris, Twyla Tharp, Alexei Ratmansky, Nacho Duato, Stanton Welch, James Kudelka, Jorma Elo, David Parsons, Jessica Lang y Natalie Weir. Sus apariciones como invitada incluyen invitaciones del Teatro Mariinsky, Teatro alla Scala, New York City Ballet, Stuttgart Ballet, Berlin Staatsballett, Australian Ballet, Bayerisches Staatsballett, Teatro Colón, Ballet de Santiago y otros. Antes de unirse al Washington Ballet, en agosto de 2015, después de una carrera de 30 años, Julie fue nombrada Directora Artística del Summer Intensive de ABT, un programa integral de verano para 1,400 estudiantes que se lleva a cabo en cinco localidades en los Estados Unidos. Julie Kent está casada Victor Barbee, director artístico asociado del Washington Ballet, desde 1996 y tiene dos hijos. Es una de las pocas mujeres líderes en todo el mundo en el papel de directora artística, Kent está redefiniendo la imagen y el impacto de la bailarina estadounidense.

El crítico cinematográfico Carlos Boyero repasa en 'La Ventana' del cine los mejores finales de películas al conocer que la Universidad de Granada han diseñado un sistema de Inteligencia Artificial que ayuda a los guionistas de una película a escribir la historia que mejor podría funcionar en taquilla. En nuestra sección de televisión recibimos la visita del bailarín Nacho Duato, miembro del jurado de 'Prodigios' en La 1. Nieves Concostrina nos habla de Juanjo de Austria, el segundo bastardo más famoso de la monarquía hispánica. El episodio termina con el resumen de Isaías Lafuente de lo más destacado del día.

Danielle Rowe is the guest for episode four of  'A Body's Language'.Dani Rowe was born in Shepparton, Australia and trained at The Australian Ballet School. From 2001-2015 Dani was a Principal Dancer with the Australian Ballet and Houston Ballet, and also danced with the prestigious Nederlands Dans Theater. She now lives in San Francisco and works as a choreographer, film director and creator and writer. She is the former Associate Artistic Director of SFDanceworks.We speak about how during  the COVID-19 pandemic, Dani pivoted to film making. Her creations included Shelter, created, directed and choreographed with Garen Scribner and Alexander Reneff-Olson, Wilis in Corps-en-tine for The Australian Ballet, written, directed and choreographed with Garen Scribner, I Am Spartacus for The Australian Ballet, written, directed and choreographed with Garen Scribner and The Animals for Ballet Idaho. The films garnered positive attention from Vogue, The New Yorker, The Guardian and Dance Magazine.We also speak with Dani about her career as a choreographer and how she never imagined herself 'making dances'.  Dani has created works for San Francisco Ballet, most recently creating 'Wooden Dimes' for their digital season, Nederlands Dans Theater's SWITCH program, Royal New Zealand Ballet, Co.Lab Dance (featuring dancers from American Ballet Theater), Ballet Idaho, Grand Rapids Ballet, SFDanceworks, Diablo Ballet, Oakland Ballet and Berkeley Ballet Theater. She also choreographed for the award-winning dance film Sirens Tango (featuring principal dancers, Sasha de Sola and Luke Ingham of San Francisco Ballet), and we speak about her cross-disciplinary immersive theater production of FURY (a collaboration between San Francisco Ballet, Alonzo King LINES Ballet and indie-pop band YASSOU).Dani also reflects on her incredible dancing career.  She originated roles in creations by Paul Lightfoot/Sol Leon, Christopher Wheeldon, Wayne McGregor, Alexander Ekman, Crystal Pite, Marco Goecke and Medhi Walerski and worked with choreographers Mats Ek, Jiri Kylián, Hans van Manen, Alexei Ratmansky and Christopher Bruce. Rowe has also performed in works by Kenneth McMillan, Jerome Robbins, George Balanchine, Mark Morris and Nacho Duato as well as the title roles in Giselle, Cinderella, Sleeping Beauty, Kitri in Don Quixote and Sugar Plum Fairy in The Nutcracker. https://www.youtube.com/watch?v=K8PMw7NuaPM Link for Danielle Rowe as 'The Baroness' in Graeme Murphy's Swan Lake.The Australian BalletChoreography - Graeme MurphyThe Australian Opera and Ballet OrchestraConductor - Nicolette FraillonThe Sydney Opera House - 2008https://www.youtube.com/watch?v=CISGInB-bagLink for 'Shoot the Moon' trailer. Music: Philip Glass: Movement II from Tirol Concerto for piano and orchestra © Dunvagen, New York / Albersen Verhuur B.V., 's-Gravenhage | Light: Tom Bevoort | Choreography, decor and costumes: Sol León and Paul Lightfoot.

https://www.instagram.com/p/CD-B2tDBj2i "it's hard to be a beginner when you already have skills in another dance style"Jess Goodfellow Jess Goodfellow started her training at Newtown High School of the Performing arts, she trained in RAD ballet and performed as a soloist in the 2014 NSW Schools Spectacular. In the same year she was awarded first in the state of NSW for HSC Dance. In 2015, Jess joined Sydney Dance Company’s Pre Professional year, in which she understudied for the company and trained under many local and international choreographers. In 2016, she joined the junior Contemporary dance company IT DANSA in Barcelona, where she performed for two years, with the repertory of Ohad Naharin, Alexander Ekman, Jyri Kylian, Nacho Duato, Akram Khan, and Sidi Larbi. She has since worked as a freelance artist in Sydney with Sydney Experimental Arts Ensemble, Omer Backley-Astrachan, and Callum Mooney in their own show, Jeppee Peppee at the Flying Nun by Brand X we cover: house dancingaesthetichaving no anchorauditioningbeing confronted by who you're becomingspainquittingtaking the pisshumour links: vimeo - https://vimeo.com/306670839dancing for other - https://www.youtube.com/watch?v=GC39BpqxL3Einstagram - https://www.instagram.com/gotchakeith/?hl=en

Hablamos con Erez Ilan, bailarín solista de la Compañía Nacional de Danza. Este israelí de treinta años llegó a la Compañía Nacional de Danza cuando era Nacho Duato quién estaba al frente de la misma. Hoy, bajo la dirección de Joaquín de Luz, sigue formando parte de los próximos espectáculos que prepara la compañía, como Giselle. Nos habla de su infancia en Israel y de su pasión por la danza.

In this podcast, Eduardo Vilaro, Artistic Director and CEO of Ballet Hispanico, choreographer and former principal dancer talks about his dance career, training with Martha Graham Company and The Alvin Ailey School, launching his own company and leading America's leading Latino dance organisation. This year Ballet Hispanico celebrates their 50th Anniversary. Listen to Eduardo talk about curating the celebratory programme that features renowned choreographers Annabelle Lopez Ochoa, William Forsythe, Nacho Duato, Andrea Miller, Ramón Oller, Vicente Nebrada, Pedro Ruiz, Graciela Daniele, as well as a piece of his own. Ballet Hispanico - Melissa Verdecia. Photo by Rachel Neville Eduardo also shares the history of the company and his vision for its future, plus the important education and community work to explore and engage more dancers and audiences in Latino culture and dance. He also gives his insights into the challenges facing dancers today and has some words of advice. Ballet Hispanico 50th Anniversary programme is heading on a USA and international tour – check dates and locations here. Follow Eduardo and Ballet Hispanico on Instagram: @ervilaro  @ballethispanico PRESS PLAY! https://djwpodcasts.s3-eu-west-1.amazonaws.com/Ballet+Hispanico.mp3 Ballet Hispanico - Antonio Cangiano and Shelby Colona. Photo by Rachel Neville Eduardo Vilaro Headshot with Flower. Photo by Rachel Neville

Celebramos el Día de la Radio hablando de televisión. Javier del Pino y los cómicos charlan con la soprano Ainhoa Arteta, el bailarín Nacho Duato y la joven cantante de catorce años Candela Nebot. La segunda temporada del programa ‘Prodigios' se estrena esta noche en Televisión Española.

Entrevista completa al coreógrafo y bailarín valenciano Nacho Duato, Premio Extraordinario 2019 en nuestra Cena de Gala.

In this weeks episode you will hear about Jared Brunson and his journey to heal from a muscle strain. I will be explaining muscle strains and the phases of healing. Jared Allan Brunson is a Saint Petersburg Fl. native, receiving his initial training in West African song, music, and dance from Jai Hinson and Baba Chuck Davis. After 10+ years traveling with DunDuDole Urban African Ballet as a young apprentice, Jared went on to be trained classically by Suzzanne Pomerantzeff and Michael Sheridan, garnering scholarships to Boston Ballet, The Rock School, Houston Ballet, among others. At age 18, after working briefly with Florida Dance Theatre, Jared joined BalletX as one of the first full time members. While there, he participated in seven world premieres by Olivier Weavers, Nicolo Fonte, Matthew Neenan and more. He also had been a guest at the Pennsylvania Ballet and the University of the Arts on multiple occasions, performing at the Kennedy Center, The Mann Center, and the Kimmel. At age 20, Jared joined Oregon Ballet Theatre under the new direction of Kevin Irving. There performing works my Nacho Duato, George Balanchine, and Christopher Stowell. Shortly thereafter, Jared was offered a contract with Ballet Memphis where he has performed as a soloist and principal for four seasons. There, he has acquired acclaim in Dance Magazine, The New York Times, and many local publications for his performances in the midsouth. Jared continues to also be an award winning musician aside from dance and theater. Jared Brunson : IG- @jaredallan https://www.complexionsdance.org/jaredbrunson IG: @theartofbodylanguage Email: theartofbodylanguage@gmail.com

País España Dirección Ramón Salazar Guion Ramón Salazar Música Pascal Gaigne Fotografía David Carretero Reparto Antonia San Juan, Najwa Nimri, Vicky Peña, Mónica Cervera, Ángela Molina, Rodolfo De Souza, Enrique Alcides, Lola Dueñas, Daniele Liotti, María Casal, Nacho Duato, Ramón Salazar, Geli Albaladejo Sinopsis Cinco mujeres, con un zapato en la mano, recorren las calles de Madrid en busca de un príncipe azul; una mujer con pies planos que regenta un club, su hija que usa zapatillas deportivas, una señora rica de pies pequeños enamorada de su podólogo, una ex-diseñadora que siempre lleva zapatos de tacón y una taxista con babuchas.

Cathy chats with Canadian-born Aaron S. Watkin one day before the National Arts Centre debut of Semperoper Ballett Dresden with his production of Swan Lake. Since graduating from the National Ballet School of Canada in 1988, Aaron has enjoyed a dizzyingly rich and varied classical and contemporary dance career with The National Ballet of Canada, English National Ballet, Dutch National Ballet, William Forsythe's Ballett Frankfurt and Nacho Duato's Compania Nacional de Danza. He speaks of his close association with Forsythe; making the leap from dancer to guest teacher and finally to artistic director of Semperoper Ballett in 2006 where he proceeded to build the company's contemporary repertoire and modernize its troupe. In his ongoing attempt to erase the border between classical and contemporary dance, he introduced his Dresden audience to Jiří Kylián, William Forsythe and Mats Ek, among other choreographers. He also developed a passion for reimagining classical ballets.

Gente que baila. Ciegas que dejan de ser ciegas. Dilemas trascendentales dignos de una mala tarde de Jodorowski. The OA, esa serie que coquetea con Stranger Things y Sense 8, es una apuesta de Netflix que llegó a la plataforma sin hacer mucho ruido, pero que es una pequeña joya mindfuck. Brit Marling se pone en plan Nacho Duato y hace todo lo que el señor BATMAN le dice y sale una cosa tan rarurna que el CAOS no podía pasar por alto.

Yorgos Loukos, légendaire directeur artistique du Ballet de l'Opéra de Lyon créé en 1687, s'est entretenu avec Isabelle Brisebois la veille de la représentation de la compagnie au Centre national des Arts, le 22 avril 2015. Au fil d'une belle conversation, Yorgos nous fait part de son expérience comme danseur—et notamment de sa participation à une tournée canadienne du Ballet national de Marseille mettant en vedette Karen Kain en 1975—et de sa réorientation au sein de la compagnie grâce à Roland Petit. Il souligne la particularité du Ballet de l'Opéra de Lyon qu'il guide depuis 1991, de ses danseurs et de son répertoire, constitué d'œuvres produites par des chorégraphes de danse contemporaine parmi les plus marquants et les plus inventifs, dont Trisha Brown, Merce Cunningham, Maguy Marin, William Forsythe, Jiří Kylián, Nacho Duato, et des représentants de la jeune danse française tels que Christian Rizzo, Boris Charmatz, Benjamin Millepied et Rachid Ouramdane. En terminant, Yorgos nous parle de son association, en tant que directeur, au Festival de danse de Cannes et au Festival d'Athènes, d'un rêve qu'il souhaite réaliser, et de l'état actuel de la danse.

Gabrielle Lamb is a native of Savannah, Georgia and was trained at the Boston Ballet School. She joined Les Grands Ballets Canadiens de Montreal in 2000 and was promoted to soloist in 2003. In 2009 moved to New York City and began working with choreographer Pontus Lidberg, as well as Morphoses, then under the direction of Christopher Wheeldon. Her repertoire as a performer also includes principal roles in works by George Balanchine, Jiri Kylian, Mats Ek, Ohad Naharin, Nacho Duato, Luca Veggetti and Shen Wei. She won the 2009 National Choreographic Competition of Hubbard Street Dance Chicago and in 2013 won first prizes in both Milwaukee Ballet's International Choreographic Competition and Western Michigan University's National Choreographic Competition. During the 2013-2014 season her work will be performed by BalletX, Milwaukee Ballet, Ballet Memphis, and Ballet Austin. Ms. Lamb is also a self-taught video artist and animator, and her dance films have been presented by Dance on Camera at Lincoln Center, the American Dance Festival, Jacob's Pillow Dance Festival, and Dance Theatre of Harlem, among others.

Dans ce deuxième épisode, Anne Michaud poursuit son entretien avec Anne Plamondon. Cette dernière réoriente sa carrière d'interprète en quittant Les Grands Ballets Canadiens de Montréal pour se joindre à la compagnie de ballet contemporain Nederlands Dans Theater II des Pays-Bas où elle danse les œuvres de plus de 30 chorégraphes dont Jiří Kylián, Paul Lightfood, Ohad Naharin, Nacho Duato, Gideon Obarzanek et Anjelin Preljocaj. Au bout de cinq années, elle quitte NDT II pour le Gulbenkian Ballet du Portugal. Elle rentre à Montréal en 2000 et rencontre Victor Quijada. Ensemble ils fondent le Groupe RUBBERBANDance qui a pour mission de faire le pont entre la danse formelle et le hip-hop.

Dans ce troisième et dernier épisode, Anne Michaud poursuit son entretien avec Louis Robitaille qui fait le bilan de ses 15 années au sein de BJM – Les Ballets Jazz de Montréal, et décrit le cadeau que Benjamin Millepied, chorégraphe du film Le Cygne noir, nouveau Directeur de la Danse de l'Opéra de Paris, et conjoint de l'actrice américaine Natalie Portman, a offert à BJM pour son 40e anniversaire. Louis discute ensuite des défis à relever et de ses plans d'avenir qui incluent Sidi Larbi Cherkaoui, Rodrigo Pederneiras et Nacho Duato.

El bailarín y coreógrafo Nacho Duato, actualmente director del ballet del Teatro Mijáilovski de San Petersburgo, y cuyas coreografías forman parte del repertorio de las más prestigiosas compañías internacionales de danza, conversa con el periodista Antonio San José en una nueva sesión de “Conversaciones en la Fundación”. En el curso de esta entrevista, San José pedirá al invitado que enuncie tres propuestas que, a su juicio, podrían contribuir a mejorar la sociedad. El diálogo se complementará con imágenes relacionadas con la actividad del invitado y se proyectarán grabaciones con preguntas formuladas por Miguel Bosé y Ana Duato.Más información de este acto