Podcasts about solefald

We know and love him as Garm, the frontman in Ulver since that pioneering band's very beginnings. He has also fronted Norwegian luminaries Arcturus and Borknagar. All this alone would be enough to place him in our hall of infamy, yet he has given so much more. Through a variety of cameos and side projects, Garm, or Kristoffer Rygg, or Trickster G, has stamped his white-hot brand on a variety of other artists, within and outside of Norway. In this episode, we listen to some of his contributions outside of Ulver…and be assured, there will likely be a second part of this episode somewhere down our long and winding road. Note I: Other artists Rygg has performed guest vocals for: Ava Inferi, Dimmu Borgir, Gehenna, Nidingr, Obsidian Kingdom, V:28, Zyklon. Note II: We failed to note this during the episode, but The Gathering track featured, “A Life All Mine,” is split into two moments. Hence the odd sounding edit. Note III: Next episode, we nerd out hard on Wobbler. Join us. Note IV: Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast We also have a webstore where you can find shirts, CDs, and books: http://www.radicalresearch.org/shop/ Music cited, in order of appearance: Borknagar, “The Winterway” (The Olden Domain, 1997) Borknagar, “Fandens Allheim” (Borknagar, 1996) Virus, “Call of The Tuskers” (The Agent That Shapes the Desert, 2011) Solefald, “Loki Trickster God” (Black for Death: An Icelandic Odyssey Part II, 2006) Fleurety, “Last-Minute Lies” (Department of Apocalyptic Affairs, 2000) The Gathering, “A Life All Mine” (Souvenirs, 2003) Head Control System, “Skin Flick” (Murder Nature, 2006) Head Control System, “It Hurts” (Murder Nature, 2006) Ihsahn, “Homecoming” (The Adversary, 2006) Arcturus, “Alone” (La Masquerade Infernale, 1997) Arcturus, “Raudt Og Svart” (Constellation, 1994) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.

Extant since the mid 1990s, Solefald may have been the first Norwegian black metal band to entirely bypass the necro stages of development and arrive fully formed as a "post"/"avant" type mischief-maker on their debut album, The Linear Scaffold (1997). We have watched and listened from our perches as Cornelius Jakhelln and Lazare Nedland have evolved, escalated, provoked and pontificated through myriad stylistic vistas. ALL of it is highly recommend by Radical Research and celebrated on this, our 70th episode. Note I: In March 2020, we posted Hunter's essay on Solefald's Neonism. It's always available for your perusal here: http://www.radicalresearch.org/solefalds-neonism/ Note II: All drums on Solefald's recordings are played by keyboardist/vocalist Lazare, except eighth album, World Metal, on which drums are performed by Baard Kolstad of Leprous. Note III: Other bands the Solefald duo have been a part of: [Cornelius] Sturmgeist, G.U.T. / [Lazare] Borknagar, Age of Silence, White Void, Carpathian Forest, Asmegin Note IV: Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast We also have a webstore where you can find shirts, CDs, and books: http://www.radicalresearch.org/shop/ Music cited, in order of appearance: “Sivilisasjonen Slør / Ravnens Fall” (Jernlov, 1996 demo) “Philosophical Revolt” (The Linear Scaffold, 1997) “Speed Increased to Scaffold” (Neonism, 1999) “CK II Chanel No. 6” (Neonism, 1999) “Charge of Total Affect” (Pills Against the Ageless Ills, 2001) “Nutrisco Et Extinguo” (In Harmonia Universali, 2003) “Dionysify This Night of Spring” (In Harmonia Universali, 2003) “Sun I Call” (Red for Fire – An Icelandic Odyssey Part I, 2005) “Survival of the Outlaw” (Red for Fire – An Icelandic Odyssey Part I, 2005) “Necrodyssey” (Black for Death – An Icelandic Odyssey Part II, 2006) “Tittentattenteksti” (Norrøn Livskunst, 2010) “2011, or a Knight of the Fail” (World Metal – Kosmopolis Sud, 2015) Episode 71 preview: Paul Chain, “Resurrection in Christ“ (Opera 4th, 1987) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.

Extant since the mid 1990s, Solefald may have been the first Norwegian black metal band to entirely bypass the necro stages of development and arrive fully formed as a “post”/”avant” type mischief-maker on their debut album, The Linear Scaffold (1997). We have watched and listened...

Often overlooked relative to Gothenburg luminaries such as At the Gates, In Flames, and Dark Tranquility, Eucharist, whose entire legacy hinges upon two full-length albums and a clutch of compilation tracks, recorded some of the most vibrant, imaginative melodic death metal of the era. It's that second album that we zoom in on with episode 69 of Radical Research, those luxurious curves of the band's swansong, Mirrorworlds. Join us as we venture into the cosmic sphere and greet immortality. Note I: Contributed by Radical Research listener Chris Warunki, you can read a Eucharist interview from 2016 right here: http://www.radicalresearch.org/eucharist-interview-circa-march-2016/ Note II: Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast We also have a webstore where you can find shirts, CDs, and books: http://www.radicalresearch.org/shop/ Music cited, in order of appearance: “Wounded and Alone” (W.A.R. Compilation, 1995) “The Predictable End” (W.A.R. Compilation, 1995) “Mirrorworld” (Mirrorworlds, 1997) “Dissolving” (Mirrorworlds, 1997) “With the Sun” (Mirrorworlds, 1997) “The Eucharist” (Mirrorworlds, 1997) “Demons” (Mirrorworlds, 1997) “Fallen” (Mirrorworlds, 1997) “In Nakedness” (Mirrorworlds, 1997) “Bloodred Stars” (Mirrorworlds, 1997) Episode 70 preview: Solefald, “Mont Blanc Providence Crow” (In Harmonia Universali, 2003) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.

The occasion of Radical Research's 68th installment could have been marked in one way only – with a full-force exaltation of music's deadliest, most head-snapping time signature, 6/8! On this episode, we survey a vast range of metal subgenres to demonstrate the ways in which artists as disparate as Realm, Order From Chaos, and Solefald have deployed 6/8 to maximum effect. Keep the ibuprofen and Ben Gay within reach. After 24 clips of the most lethal metal, you're going to need some relief! 24 in 6/8! Note I: Camel are the first rock band, in our awareness, to literally refer to the 6/8 time signature in song, with “Six Ate” from 1973's Camel debut. There are probably earlier examples, but they aren't Camel so fuck them. Note II: We disagree on a few items in this episode (Canvas Solaris's best album; best Dark Tranquillity album; Sinister in general). Stop the presses. Note III: Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast We also have a webstore where you can find shirts, CDs, and books: http://www.radicalresearch.org/shop/ Music cited, in order of appearance: Iron Maiden, “The Duellists” (Powerslave, 1984) Manowar, “Blood of My Enemies” (Hail to England, 1984) Slayer, “Post Mortem” (Reign in Blood, 1986) Holy Terror, “Damned by Judges” (Mind Wars, 1988) Sadus, “Hands of Fate” (Illusions, 1988) Blasphemy, “Darkness Prevails” (Fallen Angel of Doom, 1990) Nocturnus, “Neolithic” (The Key, 1990) Realm, “La Flamme's Theory” (Suiciety, 1990) Order From Chaos, “Power Elite” (Stillbirth Machine, 1992) Sinister, “Cross the Styx” (Cross the Styx, 1992) Loudblast, “My Last Journey” (Sublime Dementia, 1993) Mercyless, “Travel Through a Strange Emotion” (Coloured Funeral, 1993) Morbid Angel, “Lion's Den” (Covenant, 1993) Necrophobic, “Awakening” (The Nocturnal Silence, 1993) Dark Tranquillity, “Away, Delight, Away” (Of Chaos and Eternal Night, 1995) Dissection, “Retribution – Storm of the Light's Bane” (Storm of the Light's Bane, 1995) Eucharist, “With the Sun” (Mirrorworlds, 1997) Borknagar, “Colossus” (Quintessence, 2000) Nocturnal Rites, “The Devil's Child” (Afterlife, 2000) Primordial, “Gods to the Godless” (Spirit the Earth Aflame, 2000) Emperor, “Empty” (Prometheus – The Discipline of Fire & Demise, 2001) Lost Horizon, “Heart of Storm” (Awakening the World, 2001) Solefald, “Hyperhuman” (Pills Against the Ageless Ills, 2001) Immortal, “In My Kingdom Cold” (Sons of Northern Darkness, 2002) [outro] Manowar, “Bridge of Death” (Hail to England, 1984) Joey DeMaio around the twisted bend on the pitch-spattered bridge, playing bass guitar. Episode 69 preview: Eucharist, “Dissolving” (Mirrorworlds, 1997) --- Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it.

Lars Nedland (Borknagar/ Solefald/ White Void). Norwegian Eclectic hard rockers White Void are set to release their debut album for Nuclear Blast Anti on Friday 12th March 2021. Vocalist Lars Nedland (also a long time member of Borknagar and Solefald) was on hand to have a chat, we ran out of time to talk about his stellar career so hopefully, we get a chance to chat again!

Tim & Spencehammer (BURNING SHADOWS, ISENMOR) continue to discuss Spencehammer's Selections, a playlist of songs ranging from SOLEFALD to BLIND GUARDIAN. Playlist: https://open.spotify.com/playlist/3nyzTBCAiLHCjSDaRDp6Al

Tim & Spencehammer (BURNING SHADOWS, ISENMOR) discuss Spencehammer's Selections, a playlist of songs ranging from SOLEFALD to BLIND GUARDIAN. Spencehammer's Selections: https://open.spotify.com/playlist/3nyzTBCAiLHCjSDaRDp6Al

Jedbangers presenta... El podcast de la década. Episodio 4, parte 2.  Metal Progresivo 2010 - 2019. El Big 4 de la década con Leprous, Riverside, Haken y Caligula's Horse. ¿Técnico o progresivo?: Animals as Leaders, Cynic, Between the Buried and me y más. El Avant Garde se vuelve progre con: Arcturus, Hail Spirit Noir, Ulver y Solefald. Cuando no sabemos como definirlos, el Progresivo siempre nos salva: Anathema, Solstafir, Orphaned Land, Soen. Regresos: Green Carnation, Conception, Psychotic Waltz, Atheist y más. Conseguí El Libro de la Década en https://bit.ly/34alZeM

Storming the gates with a new wave cover tune, borrowing from Baudelaire and sampling from NASA Apollo transmissions over primitive machine pulses, Swiss pioneers Celtic Frost exploited terrain no metal band had before with their third full-length album. Created under constant stress and duress in the early months of 1987, the self-produced album was a bold, controversial piece of art that continues to divide the Frost fan base decades later. Irrational yet focused, phantasmagoric yet genuine, and depicting a Heavenly sort of Hell, Into the Pandemonium knots together opposing forces and plunges us into the abode of all demons. Playful, mischievous, path-finding demons… Note I: “Babylon Fell,” “Caress Into Oblivion” and “I Won't Dance” are subtitled on some version of Into the Pandemonium thusly, parenthetically, and respectively: “Jade Serpent,” “Jade Serpent II” and “The Elders' Orient.” Note II: Jeff misspoke slightly. The correct title of the Hieronymous Bosch painting that the band used for the album cover is The Garden of Earthly Delights. Note III: As noted at the end of this episode, Radical Research will be on hiatus for a couple months. We love RR and are not letting it die. We are just letting it take a little nap. Please check out our older episodes until we resume with episode 51 sometime late spring 2020. And please check the Blog section on RadicalResearch.org as we will be posting an interview with Manes leader Tor-Helge Skei as well as Hunter's thorough, thought-provoking essay on Solefald's Neonism album. Thanks for your support and, especially right now, your patience. We will return! Note IV: Please consider donating if you listen to Radical Research often: https://www.paypal.me/rrpodcast Music cited, in order of appearance: [all songs Celtic Frost, except where noted] Side A: Wall of Voodoo, “Mexican Radio” (Call of the West, 1982) “Mexican Radio” (Into the Pandemonium, 1987) “Mesmerized” (Into the Pandemonium, 1987) Christian Death, “Figurative Theatre” (Only Theatre of Pain, 1982) “Inner Sanctum” (Into the Pandemonium, 1987) “Eternal Summer” (To Mega Therion, 1985) “Sorrows of the Moon” (Into the Pandemonium, 1987) “Tristesses de la Lune” (Into the Pandemonium, 1987) Dead Can Dance, “Windfall” (Within the Realm of a Dying Sun, 1987) “Babylon Fell” (Into the Pandemonium, 1987) “Suicidal Winds” (Emperor's Return, 1985) Side B: “Caress Into Oblivion” (Into the Pandemonium, 1987) Anathema, “Shroud of Frost” (The Silent Enigma, 1995) “One in Their Pride” (Into the Pandemonium, 1987) Skinny Puppy, “One Time One Place” (Mind: The Perpetual Intercourse, 1986) “I Won't Dance” (Into the Pandemonium, 1987) “Downtown Hanoi” (Cold Lake, 1988) (remixed version, with restored drum track and new guitars) “Rex Irae (Requiem)” (Into the Pandemonium, 1987) Believer, “Dies Irae (Day of Wrath)” (Sanity Obscure, 1990) “Oriental Masquerade” (Into the Pandemonium, 1987) “The Inevitable Factor” (Into the Pandemonium non-album track, 1987) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it. This is Radical Research Podcast episode 50.

Goodbye clarity, hello obfuscation… Norway's other post-black metal duo, perhaps dwelling deeper in obscure shadows than Solefald… we hail Fleurety's dedication to the dark arts and… which craft? All the ones that bring metal to the most precarious of left-field edges. So bizarre that it makes complete sense. We enthusiastically endorse their mission. Note I: Of all our favorite high school Latin teachers who are also committed metal fans, our favorite has to be Chris Ayers. We are grateful for his help with the Latin translations/meanings in this episode. Chris also has the rare distinction of having attended a listening party for DVC's Molecular Shadow in Florida in 1992. Note II: The Inquietum CD is the yellowest in either of our collections. It is also a mandatory Fleurety document. Buy it here: https://www.discogs.com/Fleurety-Inquietum/release/10711416 Music cited, in order of appearance: “Descent Into Darkness” (Ingentes Atque Decorii Vexilliferi Apokalypsis 7”, 2009, recorded 2004/05) “Profanations Beneath the Bleeding Stars” (A Darker Shade of Evil 7”, 1994) “Absence” (January 1995 demo) “Fragmenter Av En Fortid” (Min Tid Skal Komme, 1995) “Englers Piler Har Ingen Brodd” (Min Tid Skal Komme, 1995) “I Saw Claws” (Last-Minute Lies, 1999) “Face in a Fever” (Department of Apocalyptic Affairs, 2000) “Shotgun Blast” (Department of Apocalyptic Affairs, 2000) “Barb Wire Smile” (Department of Apocalyptic Affairs, 2000) “Summon the Beasts” (Evoco Bestias 7”, 2011, recorded 2008) “Degenerate Machine” (Et Spiritus Meus Semper Sub Sanguinantibus Stellis Habitabit 7”, 2013, recorded 2009/10) “Consensus” (two moments, Fragmenta Cuinsvis Aetatis Contemporaneae 7”, 2017, recorded 2011-2015) “The Science of Normality” (The White Death, 2017) “Future Day” (The White Death, 2017) “Facets” (Last-Minute Lies, 1999) episode 20 preview: Mayhem, “Ancient Skin” (Wolf's Lair Abyss, 1997) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it. This is Radical Research Podcast episode 19

Goodbye clarity, hello obfuscation… Norway’s other post-black metal duo, perhaps dwelling deeper in obscure shadows than Solefald… we hail Fleurety’s dedication to the dark arts and… which craft? All the ones that bring metal to the most precarious of left-field edges. So bizarre that it...

The second in an occasional series of brief ambushes. With this mini-episode, we ponder and marvel at similarities between a certain few musical passages. Prompted by our previous episode on Afflicted, we compare/contrast moments of uncanny similarity, one of which is too close for comfort. Coincidence or rip-off? We're not judging. But you can… Music cited, in order of appearance: Afflicted, “Rising to the Sun” (Prodigal Sun, 1992) My Dying Bride, “The Cry of Mankind” (The Angel and the Dark River, 1995) Solefald, “Philosophical Revolt” (The Linear Scaffold, 1997) Metallica, “For Whom the Bell Tolls” (Ride the Lightning, 1984) Bathory, “Home of Once Brave” (Hammerheart, 1990) Angel Witch, “Angel of Death” (Angel Witch, 1980) Manilla Road, “Dreams of Eschaton” (Crystal Logic, 1983) for all episodes, blog, and playlists: www.radicalresearch.org

The second in an occasional series of brief ambushes. With this mini-episode, we ponder and marvel at similarities between a certain few musical passages. Prompted by our previous episode on Afflicted, we compare/contrast moments of uncanny similarity, one of which is too close for comfort....

The Warlock of Firetop Mountain 03. (Season -05 episode -06). Good episode listeners! In it I played Warlock of Firetop Mountain, a Fighting Fantasy gamebook adapted by Tin Man Games. The thumbnail for this episode is based on a drawing by Russ Nicholson, the cool artist who illustrated WoFM. Towards the end of the ep I played a little bit of the song Sun I Call by Solefald, and the closing credits music was Six Ways to Sunday by The Drones.

Welcome to Live From Progzilla Towers Edition 197. In this edition we heard music by Schnauser, The Winter Tree, Genesis, Steve Hackett, Galahad, Jennifer Clark, Tears For Fears, Floating Points, The Syn, Ramases, Omega, Roger Waters, Solefald, Meller Golyzniak Duda, Henry Cow, Brother Ape, Magic Bus, Rikard Sjoblom's Gungfly & Soundgarden.

Última parte do especial de misturas de estilos, destacando Ethnic, Oriental, Avant-gatde e Extreme Pop no Heavy Metal. Bandas da playlist: Acyl, Arkan, Orphaned Land, Senmuth, Melechesh, Solefald, Hesus Attor, Dubioza kolektiv, Jinjer, Russkaja, Kontrust, Dirty Shirt, Ninjaspy, Kells, 6h33, Trepalium, Babymetal, Infected Rain, Exilia, Dead by April, Amaranthe, Straight Line Stitch, Butcher Babies, In This Moment, e ainda o último destaque ao grupo Tellus Terror.

Última parte do especial de misturas de estilos, destacando Ethnic, Oriental, Avant-gatde e Extreme Pop no Heavy Metal. Bandas da playlist: Acyl, Arkan, Orphaned Land, Senmuth, Melechesh, Solefald, Hesus Attor, Dubioza kolektiv, Jinjer, Russkaja, Kontrust, Dirty Shirt, Ninjaspy, Kells, 6h33, Trepalium, Babymetal, Infected Rain, Exilia, Dead by April, Amaranthe, Straight Line Stitch, Butcher Babies, In This Moment, e ainda o último destaque ao grupo Tellus Terror.

Última parte do especial de misturas de estilos, destacando Ethnic, Oriental, Avant-gatde e Extreme Pop no Heavy Metal. Bandas da playlist: Acyl, Arkan, Orphaned Land, Senmuth, Melechesh, Solefald, Hesus Attor, Dubioza kolektiv, Jinjer, Russkaja, Kontrust, Dirty Shirt, Ninjaspy, Kells, 6h33, Trepalium, Babymetal, Infected Rain, Exilia, Dead by April, Amaranthe, Straight Line Stitch, Butcher Babies, In This Moment, e ainda o último destaque ao grupo Tellus Terror.