Podcasts about Dead Can Dance

DICHRO is Pittsburgh's electronic rock act, blending darkwave, alternative, bluegrass or  "Goth Grass."  Fueled by the symbiotic creativity of Peter Guellard and Charmaine Freeman , the band embarked on a journey of sonic exploration, crafting a debut album entitled "Stained Glass" recorded at The Church Recording Studio and later in Psychotribe Studio in Pittsburgh, is released on Distortion Productions. Bringing together a cadre of local musicians, the band consist of Tracey Whorton - Drums,  Dirk Miller - Guitar, Adrian Aideotomo - Guitar, Eric George- Drums, Brad Yoder - Soprano Saxophone, Charmaine Freemonk, Vocals and Peter Guellard - Bass, Programming.The band officially debut with a mesmerizing cover and accompanying music video of Dead Can Dance's "The Ubiquitous Mr. Lovegrove," a bewitching rendition that captivated audiences with its exotic allure.From remote demos to studio sessions and soon an acoustic album, their collaborative spirit breathed life into each track, resulting in a collection of songs that push the boundaries of anthemic darkwave. Blurring the lines between music and visual art, their live performances feature bespoke video backdrops and customized light shows, each show is transformed into a transcendent experience.  Promising a sonic journey unlike any other.  Stained Glass is available now on their bandcamp page. To Watch The Interview on My YouTube Channel- Please go herehttps://www.youtube.com/@DJNocturnahttps://www.distortionprod.comhttps://dichro.bandcamp.com

This week we honor our pagan ancestors and celebrate the winter solstice, the shortest day and longest night of the year in the Northern Hemisphere. We journey over the snow-covered mountains, frozen forests, and blue-gray fjords that inspire the music of northern Europe and Scandinavia. In a land of dark and cold, the focus turns within, and the music of this frigid region warms the heart and nourishes the soul. Classical, jazz, and traditional folk sounds stretch from majestic and powerful, to intimate and ethereal—with brilliant timbres, gorgeous melodies, and rich harmonies. On this transmission of Hearts of Space, another winter solstice celebration, on a program called "STARLIGHT NORTH 2." Music is by ORCHESTRA INDIGO, DEAD CAN DANCE, STEPHAN MICUS, TRINE OPSAHL, ANNBJØRG LIEN, BUKKENE BRUSE, CANTUS, ANNE DUDLEY, HEILUNG, HAGATHORN, SKÁLD, SHIGERU UMEBAYASHI, and ÁINE MINOGUE. [ view playlist ] [ view Flickr image gallery ] [ play 30 second MP3 promo ]

Claude und Christopher sprechen mit Ralph. Über das Aufwachsen in einem unmusikalischen Zuhause an der Bergstrasse, mit Nintendo, Schokolade und Chips in Hülle und Fülle; einen Vater, der 8 Sprachen spricht; Mehrgewichtigkeit und Mobbing in der Schule, eine frühe Begeisterung für Horrorfilme; von Pop zu Wave zu Metal zu Death Metal zur großen Black Metal Liebe; Nirvanas „Nevermind“; Kleidung aus dem Bundeswehrladen; Juz Oase und Cafe Central; Straight Edge Lifer; Wut gegen sich selbst und ständige Selbstzweifel; ausgenutzt werden und Einsamkeit; Depression; ein bei Nazis geklauter Bass mit 2 Saiten; Frauensache & xAbsentx; Integrity & Catharsis, der Beginn und die Entwicklung unterschiedlichster Band-/Projekte; Juz Mannheim & Oetinger Villa als 2. Zuhause; Abnehmen aus Liebeskummer; Mafia Forum; Konzertgruppe um Stack Leute; Hellström; Per Koro Records; Planks und deren US Tour; die Wichtigkeit von Glaubwürdigkeit; Panda Schminke & Satan; das große Vendetta Label Universum; niemand ist unpolitisch; Red Anarchist Black Metal; Unruh; der Einfluss von Filmmusik, Neurosis & Dead Can Dance; Major Label Erfahrung bei Century Media; Ultha und die Besonderheiten ihrer Liveshows; Lieblingsband: New Model Army; späte Therapie weit zurückgehender mentaler Probleme; von Beruf Lehrer; der Soundtrack von The Fountain; Prince is the G.O.A.T.; Single aus Gründen; Pro-Wrestling & Bob Mould; 3 Fragezeichen; die „Gabriel Burns“ Hörspielserie; den Schriftsteller Thomas Ligotti; vegane Currywurst mit Pommes und vieles mehr.

This episode brings to a close our periodic investigations of the Steven Wilson-curated 'Intrigue' compilation. Covering progressive sounds in UK alternative/post-punk music from 1979-89, 'Intrigue' nails its intention, proving that, while traditional prog rock may have waned in the '80s, that spirit of adventure and invention remained alive through the work of dozens and dozens of UK music-makers in this time period. This episode focuses on Kate Bush, Dif Juz, Cardiacs, Dead Can Dance, SLAB!, Momus, No-man and a host of others. Note I:If you don't want to hear about our awesome Patreon supporters and how YOU TOO can support us, and if you don't want to hear about Deserts of Hex #2, which YOU ALSO would love to read…then skip to the 9:07 mark of this show where we finally start talking about the subject at hand: Intrigue compilation, CD 4. Thank you. Note II:The Radical Research Patreon page is now set up and ready for your patronage. We are offering tiered subscription levels for those who want a set-it-and-forget-it donation option. As ever, if you choose to support us, we are humbled and grateful! patreon.com/RadicalResearchPodcast Note III:All past Radical Research episodes can be found here, where you can also find Jeff's Peter Steele and Fates Warning books…and more to come soon! Radicalresearch.orgMusic cited in order of appearance:­­­intro: Talk Talk, “Living in Another World” (The Colour of Spring, 1986)[all snippets are taken directly from the Intrigue compilation; the following indicates where the songs originally appeared] Kate Bush, “Waking the Witch” (Hounds of Love, 1985)This Mortal Coil, “Ivy and Neet” (Filigree & Shadow, 1986)Perennial Divide, “Beehead” (Beehead 7”, 1987)The Sisters of Mercy, “This Corrosion” (Floodland, 1987) O Yuki Conjugate, “Ascension” (Into Dark Water, 1987)Dif Juz, “No Motion” (Lonely is An Eyesore, 4AD compilation, 1987)SLAB!, “Gutter Busting” (Descension, 1987)Momus, “Murderers, the Hope of Women” (Murderers, the Hope of Women, 1987)Dead Can Dance, “The Host of Seraphim” (The Serpent's Egg, 1988) Cardiacs, “R.E.S.” (A Little Man and a House and the Whole World Window, 1988) The The, “Good Morning Beautiful” (Mind Bomb, 1989)The Shamen, “Omega Amigo” (Omega Amigo single, 1989)No-Man, “Night Sky, Sweet Earth” (Speak, 1999 re-recording of 1989 version, originally from The Girl from Missouri EP)Kitchens of Distinction, “The 3rd Time We Opened the Capsule” (12” single, 1989) Radical Research is a conversation about the inner- and outer-reaches of rock and metal music. This podcast is conceived and conducted by Jeff Wagner and Hunter Ginn. Though we consume music in a variety of ways, we give particular privilege to the immersive, full-album listening experience. Likewise, we believe that tangible music formats help provide the richest, most rewarding immersions and that music, artwork, and song titles cooperate to produce a singular effect on the listener. Great music is worth more than we ever pay for it. UNTIL WE PERCEIVE BIFROST...THIS is Radical Research

Happy Halloween from ATTT! Believe it or not this is our 13th annual Halloween Spectacular! Of course we have on hand our main ghoul, Mr. Halloween himself Matt Dinan, and given this week's subject matter, we thought it would be a good time to introduce the lot of you to one of our favorite people, the man who knows the difference between Death Rock and Goth, the mighty Jet Olaño. Matt and Jet are on hand to help us celebrate the season by jumping into the world of Goth Rock, and count down our favorite Essential Goth Bands. Part 1 features picks 10-6.Matt's Youtube channel L.A. Frankenstein is chocked full of hilarious and spooky content. View it up for some Halloween fun!https://www.youtube.com/@LA_FrankensteinThe beloved Patreon people keep the show afloat by contributing $5 a month. In return they're rewarded with a monthly exclusive bonus episode using our patented Emergency Pod format, our improv game where we pull a playlist out of our butts in real time. On October 1st we released an all-new Emergency Pod episode with our good friend Chris Wolffing. Wacky hijinks ensued! Get this and every episode we've done, plus a new one every month:https://www.patreon.com/alltimetoptenChat with us! On Facebook! Get more involved in the ATTT cinematic universe by chatting with us on the Facebook Music Chat Group. Start a conversation about music!https://www.facebook.com/groups/940749894391295

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Dead Can Dance es de esos proyectos artísticos poseedores de una mística obsesiva y una admirable capacidad de emocionar desde los sonidos del pasado y dedicamos la emisión a uno de los discos fundamentales de Lisa Gerrard y Brendan Perry: Aion, publicado en 1990. Ricardo Portman nos cuenta su historia. Escucharemos The Arrival and the Reunion, Saltarello, Mephisto, The Song of the Sibyl, Fortune Presents Gifts Not According to the Book, As the Bell Rings the Maypole Spins, The End of Words, Black Sun, Wilderness, The Promised Womb, The Garden of Zephirus y Radharc + Bonus track. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ LH Magazin (Madrid) jueves 12:00 Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)

La Casa del Dragón, o House of the Dragon, o Hot-D, o como cada uno quiera llamarle a la serie esa de Max (antes HBO Max, antes HBO) dónde salen dragones a punta pala, incesto en menor medida, salseo, salvajadas, señores, señoras, septas, sangre, sexo, sodomía y sedición... En cualquier caso nuestra (de los participantes) serie favorita ha vuelto a tope con esta segunda temporada y vamos a seguirla semana a semana con un formato de esos sin spoilear mal los libros. Presenta: XeviPanda de Braavos Escudado por: Ser Lithsun de SilverRiver y el Maester Hui-qi Bardo: Jose de Ceballos Haplorrino Editado por: Xevi Música de GoT, Dead Can Dance y una cantidad ingente de temas del Suno Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

The yes, dear AI boom; Altman supporting UBI; step counts are the new eggs; Crowdstrike buys partners a coffee for their troubles; search news; video game performers striking over AI; platforms struggling to deal with child safety; deepfake porn bill passed; Furiosa; the Flash; the Spiderverse; Sunny; TAG; Time Bandits; Quite a Good Sport; Dead Can Dance; sharks on cocaine; Spotify making bank; AI for comedy; Weird Al; timeline of Musk's broken promises; AI implementation not working; Dave's Amazon review gambit; Mr. Eisner, we have some Muppet & Star Wars related ideas for you; HOAs.Show notes at https://gog.show/658/Sponsors:1Password Extended Access Management - Check it out at 1Password.com/xam. Secure every sign-in for every app on every deviceDeleteMe - Head over to JoinDeleteMe.com/GOG and use the code "GOG" for 20% off.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!FOLLOW UPAI terminology, explained for humansAI boyfriends from Replika and Nomi are attracting more womenSam Altman Has Been Quietly Giving Out Money for Basic IncomeScientists Reveal The Optimal Number of Daily Steps to Offset Sitting DownI'm the original Hawk Tuah girl!IN THE NEWSCrowdStrike Offers Partners Gift Cards That Don't Work to Make Up for Global OutageAfter years of uncertainty, Google says it won't be ‘deprecating third-party cookies' in ChromeNon-Google search engines blocked from showing recent Reddit results | Ars TechnicaMicrosoft is adding AI-powered summaries to Bing search resultsHumble Games reportedly lays off its entire staffVideo game performers will strike over AI concernsUK school reprimanded for unlawful use of facial-recognition technology5th Circuit court upends FCC Universal Service Fund, ruling it an illegal taxUber, Lyft, DoorDash can continue to classify drivers as contractors in CaliforniaApple accused of underreporting suspected CSAM on its platformsRoblox failing to deal with its "pedophile problem"US and European antitrust regulators agree to do their jobs when it comes to AISenate Unanimously Passes Anti-Deepfake Porn BillMEDIA CANDYFuriosa: A Mad Max SagaThe Flash 2023Spider-Man: Into the Spider-VerseSpider-Man: Across the Spider-VerseSunnyTag: The Assassination GameTime BanditsJeff Goldblum Plays a Vengeful Zeus in the First Trailer for KaosQuite a Good SportDead Can DanceDead Can Dance Toward the Within SACD audio DVD videoBrazilian Sharks Test Positive for CocaineApple TV+ attempts to rein in budgets on new projects, as The Morning Show season four spends $50 million on cast aloneSpotify Q2 earnings: A full quiver of upward-pointing arrowsMarc Andreessen Thinks AI Could 'Save' Comedy"Weird Al" Yankovic's new video: Polkamania!APPS & DOODADSElon Musk Pushes Back Timeline for Optimus RobotsOriginal Elon Broken Promises VideoSonos CEO apologizes for its new app, details timeline for fixing itPrime Video rolls out an improved streaming experience—here's what's newAmazon Prime Video's New Look Hopes to End Decision ParalysisApple Maps launches on the web to take on Google - The VergeSearchGPT PrototypeMeta releases its biggest 'open' AI model yetMeta's New Llama 3.1 AI Model Is Free, Powerful, and RiskyThe first GPT-4-class AI model anyone can download has arrived: Llama 405BFTC is investigating how companies are using AI to base pricing on consumer behaviorThe ACLU Fights for Your Constitutional Right to Make DeepfakesStudy Finds That AI Is Adding to Employees' Workload and Burning Them OutAstronomers discover technique to spot AI fakes using galaxy-measurement toolsAmazon Horrified to Find Out What People Actually Use Alexa ForCARROT WeatherTHE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingDisneyland workers authorize potential strike ahead of ongoing contract negotiationsDisney Plus Viewership Data Explains Why The Mandalorian Is Star Wars' Next MovieHomeowner associationColumbia Association HOASee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Live From Progzilla Towers Edition 526. In this edition we heard music by Ocean Colour Scene, Hawkwind, Cosmograf, Forest Field, Hats Off Gentlemen It's Adequate, Kinky Wizzards, Genesis, Marc Almond, Argent, Yes, Jamiroquai, Orbital Escape System, Peter Gabriel, Mahavishnu Orchestra, Queensryche, Dead Can Dance, The Who, Toy Matinee, IO Earth & Vangelis.

Nesta edição, Cleber Facchi (@cleberfacchi), Renan Guerra (@_renanguerra) e Érika Paixão (@_paixaoerika) discutem como a música e a cultura pop LGBTQIA+ está diretamente relacionada com a política e como esses temas devem sim dialogar. Apoie a gente: https://apoia.se/podcastvfsm Não Paro De Ouvir ➜ Toro Y Moi https://tinyurl.com/p6ykzknm➜ Nubya Garcia https://tinyurl.com/js7zb3ed➜ The World Is A Beautiful Place https://tinyurl.com/2n4nmwmn➜ Pom Poko https://tinyurl.com/37zkv6zd➜ NxWorries https://tinyurl.com/2abpw89u➜ EBBB https://tinyurl.com/2n2bxrra➜ Moses Sumney https://tinyurl.com/5abtee2z➜ ANOHNI https://tinyurl.com/6kpxzmdh➜ Uana & Idlibra https://tinyurl.com/4yyc2p26➜ Dead Can Dance & Las Bibas https://tinyurl.com/3zw7p64f➜ Victin https://tinyurl.com/yu5nnyfm➜ Paulete Lindacelva➜ Katy da Voz e As Abusadas https://tinyurl.com/vtjathna➜ Diamanda Galás https://tinyurl.com/26py6ssy➜ John Grant https://tinyurl.com/yb468uan➜ Quartabê https://tinyurl.com/y7rktaau➜ Jamie XX & Robyn https://tinyurl.com/4z9v8cvw➜ Murcielago https://tinyurl.com/m7kpuva3➜ Burial https://tinyurl.com/5n6unp6y➜ Anna Prior https://tinyurl.com/2j6n9h3w➜ John Cale https://tinyurl.com/yc7jwce4➜ Skee Mask https://tinyurl.com/bdzcf6zv➜ Raveena https://tinyurl.com/5ytswajz➜ James Blake https://tinyurl.com/bde4dnjj➜ ARTMS https://tinyurl.com/yyv52znd Você Precisa Ouvir Isso ➜ Wunderhorse https://tinyurl.com/4hcv7vnh➜ Os Melhores Discos de 2024 https://tinyurl.com/2kbjjxfk➜ Good Place (Netflix)➜ Divertidamente (Cinemas)➜ The Boys (Prime Video) Playlist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com

We are back again with more albums from 1985 as we explore iconic "goth" records by Dead Can Dance, Cocteau Twins and Sisters of Mercy, along with critically acclaimed gems by Suzanne Vega, The Smiths, Jesus and the Mary Chain & more. You can watch the video version of this podcast on our new YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

Frank Deserto in conversation with David Eastaugh https://www.cherryred.co.uk/no-songs-tomorrow-darkwave-ethereal-rock-and-coldwave-1981-1990-4cd-box-set •    FEATURING THE CURE, DEAD CAN DANCE, CLAN OF XYMOX, COCTEAU TWINS, SOFT CELL, TONES ON TAIL, IN THE NURSERY, ATTRITION, IRON CURTAIN, ALIEN SEX FIEND, CRANES, KIRLIAN CAMERA, NEON AND MANY MORE. •    4CD SET EXPLORING THE 1980s' DARKWAVE/COLDWAVE SCENE THROUGHOUT THE UK, EUROPE AND THE UNITED STATES •    A BROAD CHURCH TAKING IN ELECTRONICS, DARK AMBIENT, NEO-CLASSICAL NEW WAVE, GOTHIC SOUNDSCAPES AND COLD DREAM POP. •    CURATED BY THE TEAM WHO BROUGHT YOU ‘CHERRY STARS COLLIDE', ‘SILHOUETTES AND STATUES' AND ‘STILL IN A DREAM'. •    SLEEVENOTES COURTESY OF FRANK DESERTO.

Um Boia feito na estrada, estilo livre. Tito Rosemberg na pilota, Julio Adler na escuta, poeira comendo solta. Folga pro João e Bruno, hora de esquecer do presente e abraçar o passado com carinho e atenção. Quem fazia a Tito Surfboards, por que, como, quando e onde? Durou o trajeto da Pipa até Natal. Trilha, Ocean dos Dead Can Dance. Se dirigir, ouça. --- Send in a voice message: https://podcasters.spotify.com/pod/show/boia/message

Since 2014, Zanias has existed as the unrepentant creative venture of Alison Lewis, born in Australia, raised in Southeast Asia, and also known for her vocal work with Linea Aspera, Keluar and a record shelf's worth of collaborations with the likes of Black Rain, Ancient Methods, Dax J, I Hate Models and Infravision. As the sole custodian of Fleisch Records she spent many years attuning herself to Berlin dancefloors through the timely collision of techno and electronic body music, but her true passion is for understanding the modality of emotions through songwriting. Sound is her psycho-spiritual catharsis and philosophical exploration of existence, expressed through an intense vocal performance, evocative melodies and heavy rhythmic components. With this signature structure she seeks to reinvent her own brand of ethereal pop: atmospheric, multi-layered and as alien as it is authentically, vulnerably human.In 2024  Zanias returns with her latest album called Ecdysis, released on Metropolis Records and Fleisch Records. Named after the final stage of emergence from a former self, Ecdysis lays claim to an entirely new electronic soundscape influenced by the ethereal pioneering of Dead Can Dance, Enya and Fever Ray. Zanias's voice morphs deftly between species and gender, exemplifying the oneness of conscious experience evoked by the more extreme psychedelic states, while the atmosphere is heavily influenced by the Queensland rain forest where much of the recording took place, conjuring an environment rich with biodiversity. https://www.metropolis-records.comhttps://zanias.bandcamp.comQUEEN OF WANDS with DJ Nocturna Every Saturday on ModSnap Radio | KMOD: San Antonio3pm (HST), 5pm (PST), 6pm (MST), 7pm (CST), 8pm (EST)Radio: https://modsnapradio.comThank you for liking, subscribing and sharing my videos ! If you like the interview, please make a comment. Be sure to hit the bell near the subscribe button to get an alert when I post a new video and THANK YOU for your continued support !Website: https://djnocturna.comYouTube:     / @djnocturna  Facebook:   / nocturna.remixed  Instagram:   / djnocturna  Tiktok:   / dj.nocturna  

The West Kerry DJ and radio presenter Cian Ó Cíobháin marks 25 years of An Taobh Tuathail, his alternative new music show which has been running for five nights a week on RTÉ Raidió na Gaeltachta since 1999.Cian joins us to pick 6 tracks to represent his radio show over the years, and to discuss his process, DJing and how he has managed to present a world-renowned radio show for so long in a fickle media industry.Tracks selected come from To Rococo Rot, St. Germain, Dead Can Dance, Fairmont, Loner Deluxe and Mike Smalle.Cian is marking 25 years of ATT on his show from Monday 29th April to Friday 3rd May, wheree he feature all exclusive new music, previously unreleased and unheard outside of the musicians' studios, from artists he admire from home and abroad, including Peter Gordon, Works Of Intent, Dian Cécht, Blamhaus, Elliot Adamson, The Shen, Meljoann, Man Power, Junk Drawer and Ambient Babestation Meltdown and Borai. Two Disco Dána parties in Galway (Cuba venue on Saturday 4th May) and Dublin (at Hen's Teeth - Friday 31st May.) are also lined up.----ATT airs every Monday from 11pm to 1am and from Tuesday to Friday from 10pm to midnight.—Show notesSpotify Playlist - Songs played on the Podcast Radio show Archive - ATT* Support Nialler9 on Patreon.Listen on Apple | Android | ACAST | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed Hosted on Acast. See acast.com/privacy for more information.

Avantgardistische Elektronika und frickelige Klangexperimente. ## NOKO 102 - Dead Can Dance: This Mortal Coil after years.. the path of life brings Lisa Gerrard & Brendan Perry to Anastasis, name for their new album and concomitant world tour. in honour of the occasion we resurrect time for a recollection of compositions by Dead Can Dance combined with further spiritual and discerning pieces especially by This Mortal Coil. not quite coincidental crossing many musicians from the 4AD label camp this musical project. ethereal round dance turned autumnal. 1. intro | kim ki-duk | spring, summer, fall, winter… and spring (korean film_2003) 2. this mortal coil ft. alison limerick | acid, bitter and sad | CAD703 3. dead can dance | frontier (demo) | DCDBOX1 4. dead can dance | orion (radio) | DCDBOX1 5. this mortal coil ft. richenel | i must have been blind | DAD609 6. this mortal coil | a heart of glass | DAD609 7. dead can dance | emmeleia | CAD3013 8. !calhau! | lâmina animal | RAFFLESIA006 9. dead can dance | the fatal impact | CAD404 10. dead can dance | the mother tongue (edit) | CAD808 11. strafe für rebellion ft. moira kirstin boyd | in egypt in the month of may | TO:12 12. lisa gerrard | persian love song: the silver gun | CAD5009 13. dead can dance | kiko | PIASR311 14. aynur | ölürsem kabrime gelme | CD-293 15. dead can dance | song of sophia | CAD808 16. age | roi-serf | RN2 17. dead can dance | echolalia | CAD808 18. iosophis | c | TSL2 19. dead can dance | persephone (the gathering of flowers) | CAD705 20. this mortal coil ft. alison limerick | andialu | DAD1005 21. dead can dance | windfall | CAD705 22. edward ka-spel | hotel blanc (edit) | FACE13 23. lisa gerrard | nilleshna | CAD5009 24. dead can dance | severance | CAD808 25. nico | abschied ode | RHEINO101010 26. dead can dance | der protagonist (edit) | CAD703 27. jocelyn pook ft. melanie pappenheim | oppenheimer | CDVE944 28. the moon lay hidden beneath a cloud | untitled (10) | ART02 29. this mortal coil | velvet belly | DAD609 30. this mortal coil ft. deirdre rutkowski | (nothing but) blood | DAD1005 31. operating theatre | rampwalk | DEAF506 32. age | lying on your sails | RN2 33. dead can dance | fortune presents gifts not according to the book | CAD0007 34. dead can dance | anywhere out of the world | CAD705 35. dead can dance | ascension | CAD512 36. this mortal coil ft. elizabeth frazer | song to the siren | CAD411 37. dead can dance | musica eternal | CAD404 38. tomes james scott | lown | CAR004 # Nokogiribiki Weird broadcast radio since 2005. Eine Sendeübernahme von Radio Blau aus Leipzig. * https://nokogiribiki.tumblr.com/

Разбираясь в готик-роке, можно запутаться и загнаться. Чтобы этого не произошло, мы выкладываем четвёртый выпуск подкаста «Алфавит Жанров», где за вас это сделал Фёдор Ходнев. Разбираем стадии развития готик-рока, важнейших исполнителей и то, что на них повлияло.Ссылки на плейлист с музыкой из выпуска тут — https://t.me/paprika_magazine/1600* В процессе записи не заметили некоторых оговорок: песня Dead Can Dance называется The Host of Seraphim, а визуальный стиль Lebanon Hanover больше склонен к минимализму cold wave артистов, хотя заимствования из готической традиции имеют место быть.

Présentée par Wolflord - Interview réalisée par Jeff - Partie SANG FROID à 01:03:32 Le projet Sang Froid, composé de membres de Regarde les Hommes Tomber et de The Veil, est un hommage direct à toute la scène cold wave et goth rock, se montrant aussi bien inspiré par Cocteau Twins, Dead Can Dance, Sister Of Mercy ou encore Depeche Mode. Glacial et gris, tel un animal sonore noctambule, il est aussi redoutablement accrocheur. Après un EP en 2021 et All-Nighter, premier album qui est une ode à la nuit, tout juste paru en novembre dernier, les Nantais s'apprêtent à faire revivre l'âge d'or de la cold wave sur notre territoire… Les compositeurs JJS et Ben Notox sont les invités de Just One Fix en deuxième partie d'émission pour parler de leur amour de cette musique et bien évidemment de ce disque très remarqué en fin d'année dernière ! Si Jeff prend exceptionnellement les rênes pour cet entretien, votre serviteur habituel Wolflord vous reçoit pour la première heure avec une playlist digne de ce nom… Et pour cause, il s'agit de la vôtre ! Les auditeurs de Just One Fix font la playlist pour ce nouveau numéro, qui se montre aussi diversifiée que la programmation habituelle de l'émission, allant ainsi de THE CURE à ABORYM. Sur cette playlist, Wolflord répond également aux différentes questions posées sur les canaux de la radio.

Will Westercauw is joined by his friend Dusty Hoesly to talk about identical twins, glossolalia, Danger Man, and the modern rock hits of December 1993. Songs under discussion include: James - "Laid" The Smashing Pumpkins - "Today" Dead Can Dance - "The Ubiquitous Mr. Lovegrove" Blur - "Chemical World" Season 6 (1993) Spotify Playlist: https://open.spotify.com/playlist/3RV2gzADXh93VuQieGrbVX?si=b3c96fa3c5044a15

It's time to move into a new year of The Album Years podcast... introducing 1987! On Episode 1A, we share our thoughts on classics by Prince, George Michael, U2, Depeche Mode, Dead Can Dance and much more... our question of the week is, what's your favourite Prince record? Learn more about your ad choices. Visit megaphone.fm/adchoices

Delighted and honoured to be joined by multi-instrumentalist, Brendan Perry on the podcast this week.  Brendan, who is one half of seminal 4AD band, Dead Can Dance, talks to me about his first band The Scavengers and the early punk rock scene in Aukland, New Zealand. His love of Bowie and early musical influences and the recording of Dead Can Dance's self-titled debut album, released back in 1984.  So many great stories in this one! Listen wherever you get your podcasts. Link in bio  Dead Can Dance are one of my all-time favourite groups, so it was a real honour to speak to Brendan about the truly wonderful music he has made with Lisa Gerrard and as solo artist The overall sound of Dead Can Dance is tricky to define, there are elements of European folk ambient, baroque rock, classical and darkwave in their wonderful, genre-bending music. So many Dead Can Dance albums to discover, with three great solo albums from Brendan to check out too   https://www.deadcandance.com/ Dead Can Dance - 'Opium" Dead Can Dance - 'The Host Of Seraphim' (Remastered) Brendan Perry - 'Song To The Siren' (live on KEXP)  

Remember, we welcome comments, questions and suggested topics at thewonderpodcastQs@gmail.com Suntree Retreat 2024: https://theapsocietyorg.wordpress.com/news-and-events/suntree-retreat-2024/ Season 5 - Episode 5 ----more----   Mark: Welcome back to The Wonder, science based paganism. I'm your host, Mark. Yucca: And I'm Yucca. Mark: And today we're going to visit the four core ritual skills. Now, obviously, there are a lot of different things that can be useful in leading rituals and in in participating in them, but these are four clusters of activity. That if you're good at them, you're going to have a lot more success both in leading rituals and in submerging yourself into the ritual trance y state, the flow state where you can really have effective things happen in rituals. Yucca: Great. Mark: that's what we're gonna do today. Yucca: And this is more from the lens of a group ritual than necessarily a private ritual because there's a few things we'll be talking about, like the speech part, which maybe you might do in a private ritual or maybe you don't. But when you're, when you have that interaction between multiple people and what we're going to be talking about, you can apply a lot of that to your private rituals as well, to your solo or individual. Mark: Sure. I know people who are who are pagans and whose solo practice involves a lot of dance, for Yucca: Mm hmm. Mark: because they're very movement oriented people and that's, that's what they do even, you know, in the privacy of their solo rituals. Yucca: Right. Mark: so yes and, and beyond that, these are good skills just to have in the world, you know, it's, it's helpful to have these. So why don't we start with public speaking, Yucca: Yeah. So, especially when you are leading the ritual, the words are how we communicate with each other and communicate these really complex ideas. We're gonna communicate other things through our body language, through movement, but when we're trying to communicate nuanced ideas, it's words. Mark: right? And this is the, the whole cluster of things that go into verbal communication, right? So it's not only speaking in coherent sentences and, you know, having an interesting modulation to your voice so that you're not speaking in a monotone. It's engaging. People are, you know, want to listen to it, but also the physical ability just to project your voice out, right? So that people that are in that space can hear what you're saying. All of those things are, are, they're learned skills. All of our speaking abilities are learned skills. I mean, we watch little kids slowly accumulate the ability to communicate about complex Yucca: Right? We start with a half a dozen sounds. Words that are instinctual, that are, I'm hungry, I'm in pain, and that's it. Everything else that, how many thousands of words do we know in each language, right? Each language's vocabulary amazing, Mark: Yeah. Yeah. And clearly, evolution has strongly favored our capacity to do this because a whole lot of brain space is taken up by our capacities to learn language and to speak. And then, of course, the whole separate factor of being able to read and write, which is a different set of skills, right? And a set of skills that we're not really talking about so much today. Yucca: right, Mark: Now, not everybody is a natural. Public speaker. I feel very fortunate that I happen to be gifted in that regard and that I can just sort of improvisationally talk about things that interest me not so much about things that don't interest me, but that's an ADHD thing, I think, Yucca: mhm. And I'm the opposite. Speaking is very difficult. I didn't speak till I was four. This is all learned and hard earned hard, it was difficult to learn to do, and I'm not comfortable with public speaking, despite doing it for a living but it's, if I was to be leading a ritual, it would be something that I would do. be practicing ahead of time. And that's just different ways of being, right? You just kind of need to know yourself that, Mark, it seems like you could just kind of go into it, you know, have a little bit of an idea and be able to know what to say in the moment. I'd have to think about that ahead of time. Mark: yeah, often I can just go into it with kind of a mental outline. If I'm giving a long address, like an hour long, Something. I'll work from a, an outline, but that's usually only a page. So it's just, I don't know, it's, it's something that, that I have an aptitude for and I feel really fortunate for that. And I also don't take any credit for it because it's just a genetic die roll. I happened to, to land that. The, so there are a variety of different techniques that you can use in order to improve your ability. To, to do public speaking, it's, it's very, very difficult for people to remain interested in watching someone read something aloud. Yucca: Right. Mark: That's very challenging. So if you can speak from an outline, like on an index card, that can be A much better way to go, but if you need to, like, write out the first sentence of every paragraph or something to kind of give yourself a launching point to go from there are just some practical things you can do that will make it easier for you to do that in a ritual context. Use a binder, for example. It looks a little more formal, and you don't have to worry about pages shuffling all over the place. You can hold the binder, you know, like people do when they're singing in a choir or something like that, and just refer down to it, and then look up to make eye contact with people in the group so that they feel engaged. That eye contact piece is very important. Yucca: Yeah. And the, and it's a practice thing as well, but the length of eye contact is going to depend on how many people you have in your group. But often Your one to three seconds is kind of that sweet spot where it's, you're acknowledging the person, but not, it doesn't become uncomfortable. You're not, Mark: Right. Yucca: having it feel like they're being examined or peered into. It's There's just that moment of connection. Now, if you've got a group of 20 people, you don't have time to make three second eye contact with every single person there. But if you have a group of four people, then that's a, you know, you just gotta have to judge it in the moment. Mark: Right. In the, in the case of that group of 20 people, you can pick individuals out of the group that you make that eye contact with and then maybe use a different set the next time you look up so that eventually everybody feels kind of included. And the, the trick with eye contact, which I know is very uncomfortable for some people, is that you can look somebody right between the eyes, straight between their eyebrows, and you're not making eye contact with them, and they won't know it. Yucca: And it's, yeah, it still feels like it. Rather than focusing on, you know, when you're making true eye contact, you're really looking at one of the pupils, right? But you don't actually need to do that, yeah. Mark: Just, just that little bit of difference at any kind of distance at all, they're not going to know. In many cases in ritual settings, we're working under low light conditions, so that makes it even a little bit fuzzier. And that's a way that you can keep yourself from becoming as self conscious as you might be by looking someone straight in the eyes. Yucca: Right, because if you are, now this is if you're leading it, you are keeping track of a lot of things. in your mind at that moment. But for the eye contact, being a participant in a ritual, there's the eye contact with the person who is leading it and with the others, and that's just a nice, that's a nice trick to have, just a nice tool, not trick in like a manipulative way, but just a nice tool for your social toolbox. Mark: Sure. Yeah, I mean, it's, it's a way to self, save yourself from a feeling of, that you're too exposed. Because that's the thing about eye contact is that it feels very exposing to both of, both people who are, who are meeting their gaze. And so if you fudge a little bit, it, it can make you feel a little bit less exposed and more confident. Yucca: right. Mark: Now I, I, oh, go ahead. Yucca: Oh, I was going to say, and it can be something on just the eye contact is something that can be very powerful when it's consensual, right? Like if some of the most powerful experiences I've had with others is just sitting and having a few minutes of just looking into their eyes. Mark: Yes. Yucca: And it can just be really, really moving just a very powerful experience. But it has to be consensual, right? And that's, that's something that we need to mention about everything with ritual, is that there needs to be consent for whatever is happening in the Mark: Indeed. And that's why it's important to give people an overview at the beginning of a ritual about what we're going to do. Now, that doesn't mean exposing every little detail. It can be fine to have things that are surprising not in a negative way, but you can have, you know, surprises along the way that transformative and go, Oh, wow, look, that's what's happening now. But you do want to make sure that everybody has pretty well signed on to going on this ride with you. That's, Yucca: Especially if there's going to be any physical contact, Mark: Oh, yes. Yucca: right? Like, if people are going to hold hands or, you know, put their hands on someone's shoulder or anything like that, that's, it's really important that people know that that's what they're getting into. Because people have very different experiences with that. They don't owe it to us to explain why they're not comfortable or are comfortable with it. That's their business, right? Mark: Exactly so. Um, and I, I referenced a minute ago something, and I'm, and I'm glad that I reminded myself about this because, okay, so, so you're listening to the things that we're talking about here. You've got your, your outline in a binder, and you're, you know, reading that first sentence or getting the reminder of what that next little statement is supposed to be about, and then looking up and looking at people between the eyes so that you don't have to feel uncomfortable about actually meeting their gaze, and then you realize that you can't see what's on the page because you're in low light conditions, and then you get out your flashlight, and And try to hold it in your mouth and read at the same time. And it doesn't work Yucca: for everyone listening, Mark literally put a flashlight in his mouth in that moment that you just happened to have right next to you. Mark: Yes, there happened to be one on my table here. So what you want to do is you want to have some sort of a light source that will clip to your binder, One of those, you know, little, you know, night, Yucca: lamps so that you don't wake your partner up in bed, sort of thing, or yeah, Mark: Very useful tool for a ritual leader to have. They make a, a little light, they've got a little shade on them so that it isn't blinding to other people. And it really gives you the light that you need without being too obtrusive. Yucca: and you can get them in kind of a, an Amber, reddish light, too, and that's really nice because that doesn't spoil people's dark vision as much as like a bright white or blue light might. Mark: Right. I actually saw a park ranger giving a campfire talk using one of those. Yucca: Mm. Mark: seemed like she was new or something, and, you know, didn't quite have the whole wrap down yet necessarily. She Yucca: memorized the entire thing. Mark: Right. She did a great job, but she had to refer to notes and didn't actually use a binder. She used a clipboard, but, you know, same kind of deal. Yeah, and, and she used that amber color. So that people could look up at the stars because part of her part of what she referenced was was stars. Yucca: Right. It was a nighttime activity that you were doing. You weren't out in, you know, the middle of the day, noon, the baking sun. Not in Mark: right. No, we were around a fire and the fire, of course, made some light, but the, but not. I mean, it's going to, that's, that's right. It's going to cast a shadow towards your face, so that's not going to do any good. And it's flickering to begin with, which just makes it very unreliable for reading. So that's a, you know, a little, a little tip that, you know, will actually do you a lot of good if you're doing public speaking in a, in a dark, Yucca: would really encourage people not to use your phones as your light when you're in a ritual setting because just the presence of a phone or a tablet or something like that can really pull people out of the present moment. And the, there's, we, we have a pretty big issue in our society where, with the what is it called? Fubbing? Where people, when their phone is out? In social situations, and somebody's looking at the phone, and then the person who's interacting with them is getting the social signal of, I'm not interested in what you're saying because I keep looking at the phone and so there's a, a lot of people have a emotional, often unconscious, but emotional response to the other person's got their phone out, they're not interested. Mark: right. Yucca: So when we're dealing with symbology and metaphor that, that can be something that's very triggering for people, is to have that phone out. Mark: Great point. I'm really glad you brought that up. And that's another reason why you don't want to have your notes on your phone or on a tablet. I know it's convenient. I know it means that you can just type everything up without printing anything out, any of that sort of stuff. But removing, removing most forms of digital technology from the ritual circle, It helps, and I'm not entirely sure why it helps, but it does. There's something about that technology that is just so riveting for people, it draws their attention so heavily, it becomes much more difficult to be present, and that, of course, is core to what we work to do in a ritual space. Yucca: Mm hmm. Mark: Um, I, I'm reminded, I've just started, I've started game mastering a game for the first time in 37 years. Yucca: Oh, wonderful. Mark: had our we're playing Shadow Dark. And we started week before last, I'm gonna run another session this week. And one of the things that I, I, I told them, this is gonna be the most painful thing that you're gonna have to do all evening. I made them stack all their phones on the table. If you touch them, you take damage. Yucca: oh, that's brilliant. Mark: You, you, you Yucca: But yeah, it hurts. It can be really uncomfortable to be separated from it. Mark: Sure, because whenever people are, are distracted or bored or uncomfortable, their go to is to bury themselves in their phones. And it's, you know, we, we had a very lively, good social interaction throughout the game because people were engaged with one another rather than with their phones. So, you know, waiting for their turn. So, yeah, that was a great thing. Yucca: Mm hmm. You know, I think that there's a lot of parallels between game mastering and leading a ritual. Mark: I Yucca: So many overlaps between those skills, because on both, you're, you're, it's, both things are collective storytelling, and as the ritual leader, or as the game master, you're guiding that experience, but you're not controlling that experience. Mark: Yeah, that's absolutely true. And, and that has occurred to me before as well that tabletop fantasy role playing games or, or any genre of tabletop games are, they're a group ritual. They, they are a thing that we do, we get together, they have certain kinds of cultural conventions, like rolling dice and, you know, waiting for your turn and all that kind of stuff. And they are consensual behaviors to create a group experience, which is what a ritual is, right? Yucca: Right. Mark: Yeah. The goal isn't necessarily personal transformation, it's entertainment. Yucca: Yeah. Although sometimes, there's, you can have some pretty emotionally powerful experiences. Mark: yes, absolutely. Yeah, I've had players weeping, I've had players falling off their chairs laughing. There's, there's, there's, there's a lot there. Yucca: Yeah. Mark: So, that's, Yucca: Yeah, let's go to our next one, Mark: Yeah, that's public speaking. And the good news about public speaking is that the more you do of it, it will become easier. It won't necessarily become easy, but it will become easier. And that's true of all of these skill sets that we're talking about today. The next one that I want to talk about is singing. Yucca: which shares a lot with much of what we've just been talking about with the speaking, but has, has some additional Elements added onto it. Mark: Right. And it does different things. It taps different parts of the brain, and it's much more accessible to the emotional self than, than linear language. There's something about intoning and making harmony and the kind of poetry that tends to be associated with with the songs that you sing in a ritual state, in a ritual setting, Yucca: Mm hmm. Mark: all of which, It's just transformative. It moves you emotionally, and that is, of course, a very important part of what we work to do. Yeah, Yucca: And depending on what the song is, it can still be vocal without being verbal. There's many rituals that I've been to that have just had Just had sounds, like, just vowels with the, with the tune and that, that's a nice thing for those of us who aren't really wordsy people or who find lyrics to be difficult to, to catch on to. Some people are really fast with that, right? You put it, my, my youngest, you put anything in a song and he's got it. He's got the lyrics to it. He's got the words. And like, how are you even singing? You know, we'll listen to songs in languages he doesn't speak, and he's singing along with it, right? So some people's brains work that way, and other people, I can, I can get the melody, but what are the words to that? I don't know. So it's a nice opportunity sometimes to have the songs that are just sounds that people can just join in with if they're comfortable with it or not, right? Mark: right. And that raises two really interesting things for me. The first of which is that I like for it to be a convention in the rituals that I do that if someone just can't get the lyrics or doesn't like the lyrics or whatever it is, they can just ah along, you know, they can just sing the vowel ah and still, still get the melody out there, right? So that they're participating, so that they have a role, and that's a perfectly acceptable role. The other Is that there's this wonderful practice called circle singing. I don't know if you've heard of this.  Yucca: Keep going, because it could mean several different things. Mark: it's a directed, like, like a choral director kind of program where The choral director will sing one line and will teach a group of the participants that line, and they'll sing it over and over and over again, and then the choral director sings another part for another three people that interlocks with that first melody, so what you end up with is this, and you can have, you know, three, four, even five parts if you're really good at this what you end up with is this very intricate, fun, fun, fun, fun, fun. Sort of tapestry of sound the musician Bobby McFerrin does this a lot. He used to do a New Year's Eve singing in the New Year's circle song event at the Glide Cathedral in San Francisco every year. And it's just, it's a cool way for people that aren't going to do lyrics and may only need to You know, seeing a very simple, repeated line to still be fully engaged in participating in making something that's really cool. Yucca: yeah. Just make sure that there's a group of people for each line, that you don't have one person trying to remember and carry that so that when they do so that they can Use the other person as help for when they forget the line or get a little bit confused because they're hearing the other song and, you know, so don't try, don't put one person on the spot for it who's not, you know, the professional singer. Mark: right. You can also do this with round. There are a lot of, of musical rounds that, you know, you teach one line to one group of people and another line to another group of people or you teach the whole thing to everybody and then you start them off set. So one person sing, you know, one group sings the first line, and then the second group starts singing the first line again as the first group continues to do the second line, and you just go around like that. And rounds can be very beautiful and really trance inducing to sing. Yucca: Yeah. Mark: So singing, it's, and I know there are a lot of people out there who are like, I'm tone deaf, I can't sing I can't carry a tune. That is true for some people. It is true for some people. And what you may want to do instead is to learn how to use your voice rhythmically. Yucca: Mm hmm. Mark: So, instead of having to carry tones, you can just bah, bah, bah, bah, bah, bah, bah, kind of along with whatever the, the rhythm of the musical piece is, so that you still have a way to plug in. Yucca: Mm hmm. Mark: But the other thing is that a lot of people who think that they're tone deaf just haven't tried. They haven't, they haven't practiced. I, I wouldn't, Yucca: And not try, but Mark: try isn't the right word. Yucca: built the skill over that have that it has it doesn't necessarily come natural Mark: Right. Yucca: to build that skill is something that takes time and takes exposure just like we were talking about with the public speaking Mark: Yes. That's, that's, that's what I meant. I didn't like the word try either, so thank you. Yucca: but yeah it may be something that just takes the exposure and time and and really and it's going to take different amounts of time for different people right and we're all coming at it from different emotional experiences Mark: Right, right. Yeah and this actually leads us to our third skill set, which can be something that you can replace singing with. This is rhythm and drumming or percussion of various kinds. Because there are people out there that have a wonderful sense of rhythm and are terrific in a percussive sense and just particularly good at following a tune. And that's okay. That's perfectly alright. Um, the, the evocative nature of rhythm and drumming and what it does in our bodies cannot be overstated. know, a good complex drumming riff almost forces us to move. I'm a very heady person, and I grew up over medicated for ADHD, so I twitched all the time. I had lots of tics. So, you know, my body kind of betrayed me a lot, and I've always had kind of an ambivalent relationship with it because of that. The, but still, when I'm in a ritual circle and there's good drumming going on, I want to move, you know, I, I, I want to go. Yucca: yeah, that's, I share that experience. I'm also very, very much in my head a lot of the time, but it feels like it just pulls my awareness down and into my body and kind of spreads it out to a more body awareness and just brings me down to that connection and I feel much more connected with the ground and the rhythm and the, it's just very powerful. Mark: Yes, very much so, and I've, I have a lot of conjectures about why that might be, most of them having to do with a mother's heartbeat. Yucca: yeah, because we all started out hearing. Hearing it, Mark: yeah, Yucca: her pulse was there. Mark: right, all the time, and it got faster and it got slower and, Yucca: and you got the, some of the, not all of them, but some of the hormones crossing the placenta into you, so you're sharing some of those feelings with her as you're associating what her heart is doing. Mark: right. Yucca: You're also getting to hear all the gurgles of her digesting and all of that stuff too. Mark: Right. That's true. Yucca: But that heart, that ever present heart, Mark: Yes. Yes. And the sort of the, the softening sound of the lungs, breathing in, breathing out. There's probably a little bit of a stretching sound with the diaphragm Yucca: You probably feel that, too, as you're taking up more space. Mark: Yeah. Yucca: And then you probably kicked her in the diaphragm a few times and she went, Right, no Mark: out maybe, maybe not to do that again. Yucca: what your experience later on in life, we all started That way with that very primal experience of being before our minds and brains had really developed the way they are now before, at least I think, I mean, we're human beings, but, you know, even before that, but before we really did. come into being an aware person in the way that we are Mark: sure. Yucca: individuals on the outside, that's, you know, I like thinking about all of that, about thinking about that transition between going from just being a part of her to being our own people, and then, yeah, Mark: And the whole sort of unboxing experience of, you know, turning the lights on in various parts of your brain and, you know, all that kind of stuff. It's really fascinating. Yucca: yeah and just the, I think the development of how we, so this is something, we often talk about you know, growing a baby, right? And as the mothers, we are, sort of, except it's actually the baby that's growing themselves. Their body is telling themselves what to do. We're supplying all, we're supplying the home for that, all of the supplies, but from the moment that, that cell, is following its own instructions and becoming its own person. And it's just amazing the different, you know, what we do know of it and the different steps of, like, when certain things develop. Like, when they start being able to sense light, right? About halfway through, you can shine a light on your belly and they'll start kicking because they can see the light. But a week before, they couldn't see the light. They didn't respond to it because they Physically couldn't see it, and now they can, and I, it's just a, I think it's an amazing process, and we, we've just barely begun to, to scratch the surface of understanding what's, what's happening. And we all went through it. Mark: Yeah. Yucca: Don't consciously remember it, but I think it affects us later on, which Mark: Oh, I agree. Yucca: the rhythm, Mark: Yeah. I absolutely agree. Yucca: it's speculation on our part that our connection to rhythm is connected to that heart, but it seems like, this seems like a logical path to take. Mark: Yeah. And I mean, many babies when they're very young will be responsive to rhythmic music. Yucca: Absolutely. Mark: know, it's like if there's, if there's a strong, steady beat in something, they will move to it. Yucca: Yep. Mark: So that's all to say that it's coded very deeply in us to be responsive to that. You know, to the pulsing of rhythm and the ability to create that, even if it's just a steady beat, like a heartbeat kind of beat. It doesn't have to be Zakir Hussain playing the tablas. I mean, if, if you're, if you have a good sense of rhythm and you're interested in putting in the time that it takes to develop, you know, those wonderful Middle Eastern or African or Indian or Yucca: Or any, yeah, there's Mark: any culture, you know, Amazing repertoires than, you know, do that because we need more of that in the world. But just the ability, you know, I have a good rhythm sense, but I'm, I have ADHD and it's very hard for me to do things that I'm not good at for a long period of time until I become good at them. So I just have a frame drum, a simple, round. Frame drum. And I use that for creating sort of a drone y rhythm, heartbeat sound in rituals. And it makes a big difference. Yucca: mm hmm, Mark: It's a really big difference. So I really encourage all of you that are developing your, your ritual tool set, you know, to get shakers or claves, you know, the wooden things that hit against one another or Or a drum and just start, play around. It's fun. It's fun to do. Yucca: And earlier we were talking about, you know, some of the caution around phones and technology and things like that, but I do think that there can be a place for the recorded music as well especially when it comes to the drumming and keeping a beat and things like that. When you have a group of people. And you have multiple instruments. I mean, to me, that's golden, right? You have the whole group doing it. But if you're in a solo situation, or, you know, your hands are busy doing lots of other things, or whatever it is, you know, there's a lot of great things recordings of, of drumming and rhythm and things like that. Mark: Yeah. And there's been a resurgence or, or a surg I guess, which is sort of the first thing of of groups that do very sort of ritually trancey kind of music groups like Dead Can Dance and Wardruna and ung and you know, some groups like that, that really, you know, they're really exploring that. That way that rhythm can really influence us at a physical level and that stuff can be great ritual music, can be really useful. There's actually a page on my blog that is musical suggestions for ritual, and there's a long list of different possible things that you can choose from for, with different kinds of flavors and styles. Yucca: Mm hmm. Yeah. My suggestion would be, though, listen through to what, to what it is before you use it in your ritual. Because sometimes there can be a little bit of a surprise in there that was like, Ooh, that was not, that was not what I was going Mark: That wasn't what I was looking Yucca: this ritual. Yeah. Mark: Yeah. That's a good point. Yeah. Yucca: Yeah. Now that, I think. moves really nicely into our final one, which is movement itself. I have a hard time hearing a rhythm and not moving to it. Mark: Huh. Yucca: Because it's just, as we were talking about, it's just so powerful. There's, I mean, they're so connected. The Venn diagram of, of rhythm and movement to me are, they're not quite a circle, but they're pretty close. Mark: They're pretty close. Yeah. And I, I find rhythm to be such an invitation to movement and because I'm so heady most of the time, my body is really thirsty for that kind of activity. So it's, there's a very, there's a liberating quality. To, you know, moving, like moving in a ritual circle and dancing and, and, you know, interacting with a fire and interacting with other people and just all that. That sense of freedom. It feels like flying in a way. It's, it's, it's a very strong, very free, very, very filled with yourself kind of feeling like you're expressing yourself in a really full way. Yucca: and a couple of things to keep in mind if you are the one designing or leading the ritual with a group of people to have options for different levels of mobility. So some people may need to have a chair or something to be sitting in, and may not necessarily be able to do a big spiral dance around the fire or something like that. And so having natural options for them. To be able to participate is really important. Go ahead. Mark: Yes. And what I was going to say is that when you blend These ritual skills, you can give people opportunities to do things that, that are within their abilities, right, that are consistent with their aptitudes, what they're interested in doing and what they can do. So, you know, you can have some people who are sitting and drumming and other people who are up and dancing and singing, you know, or You know, some combination thereof. I remember I was at a Fire Circle ritual. God, it's gotta be seven years ago now. And there was all, you know, we were, we were in this really high point in the ritual and dancing and, you know, the drums are thundering along, you know, very intricate, super talented drummers. And then suddenly they stopped and everybody slowed down but kept moving. While someone did a spoken word piece, and it was beautiful, it was just this, this, this rapt moment, you know, when you could almost still hear the echoes of the drums because it had been so loud and so fervent and so intense and then suddenly downshift and it all went into this other place, Yucca: someone suddenly starts whispering and everyone has to lean in to listen to what is that whisper? What are they saying? Mark: Exactly. Yucca: wow. Wow. Mark: Which is why I like the, the center portion of a ritual after invocations and creation of a safe container to be somewhat improvisational, you know, that there's room for different people to contribute different things if there's time and if that's the kind of ritual that people want to do. But I've had great experiences with that sort of thing. So movement and yes, people can be very self conscious. I, you know, as I described, I had a difficult relationship with my body and I didn't start dancing until I was in my late twenties. And a low light condition helps. Yucca: Right. Mark: You know, that sense that you're not being watched by other people really helps. Yucca: And a timing in the ritual I think can make a really big difference for people because it is something that is a little bit, can be a little bit uncomfortable that. Most people are not comfortable jumping straight into dancing, right? So, it might be something that needs a little bit of warm up to get to the place where people feel like they can can do that, right? So maybe you, you work towards it with some of the spoken and then moving into the singing and then into the dancing. And just, just kind of know your audience, right? If you're working with a circle that you see every You know, every Mark: Few weeks or Yucca: then you're going to have a, it's going to be a very different relationship than this is the once a year summer solstice celebration that you're doing at the Pagan Pride Festival. Mark: Right, right. Yeah, that's a really good point. You know, obviously, making tailorings and adjustments for for whoever it is that you're going to be working with in a ritual is really key and there is a way to work with people of every level of ability, every level of ability. Of uniqueness, in terms of their aptitudes, their capacities there's, there's stuff that can be done that can help people to come into a ritual space. Yucca: Mm hmm. Mark: So, it's, it's, but it, having these four tools in your quiver there's a mixed metaphor, having, having these four arrows on your tool belt, Yucca: Yes. Mark: It's a good way to start because then you have the capacity to pull out whatever seems to be the right thing for that group of people at that particular moment. Yucca: Mm hmm. Yeah. And these are things that you can incorporate into your solo practice, and that's where a lot of the practice that we've been talking about. We'll start, Mark: Mm Yucca: right, becoming comfortable with the singing or the dancing I'm saying those ones in particular because those ones are ones that I think are really hard for our culture. We have a very, very sedentary culture. We're very much expected to stay still and seated and especially in social situations. We find, we're very uncomfortable with movement overall. Mark: We're also uncomfortable with sound, to some degree. I mean, this varies from culture to culture, but, I mean, British people will tell you how loud Americans are, but having lived in Spain, Americans aren't that loud. Yucca: No, depending on which part of Spain though, right? Even Mark: Well, yes. Yucca: in Basque country, their opinion of the Andalusians, you know, is wildly different, Mark: Oh yes, Yucca: But yeah, so it depends on, on what cultural context but speaking very, very broadly of, of you know, North American, so American and Canadian, we tend to be compared to say, somebody from the Mediterranean, we tend to be pretty, we tend reserved and I'll, you know, we don't talk with our bodies as much and we don't get up and dance and, you know, that sort of thing is very difficult for us. Mark: right, Yucca: And so it might take some time getting used to doing that on your own and then practicing in a group and the more times you do it, you know, the, the The more practice you have, the more skill that you're going to build up in that. And it's okay if it takes some time, but it's worth it, I think, right? Because I think that those rituals can be really powerful and just very enriching, Mark: yeah, yeah, that's definitely been my experience and I don't claim by any means to have fully mastered any of these things even the ones that I'm naturally good at and so it's a work in progress and that's always great because it's not about getting there, it's not about arriving, it's about the process of evolving over time, which is what we're about. Yucca: right? Mark: For as long as we get, we can evolve. Yucca: Yeah, it's kind of like an evening walk. You don't take the evening walk to get to a place. You take it for the enjoyment of going out and, you know, the birds are singing and changing their tune and the air feels cool and, you know, all of that experience. It's about that. Mark: Right. Exactly. So this has been a cool conversation, Yucca. Thank you so much. Yucca: Yeah. Well, and I look forward to, in just a few short months, doing some rituals with you and the rest of the folks coming to the Sun Tree Retreat. So that's coming up. Mark: We're actually releasing the program for Suntree Retreat this week. Yucca: Mm Mark: there's, you'll if, you know, you're in the community in various ways, you'll see various promotions to, to make sure that people can download that and take a look at all the Rituals and workshops and, and things we're going to be doing. So, and shout out to Michael O'Halloran, Michael O'Halloran of our community who's done a lot of work on that program. Yucca: Yeah. Mark: So, Yucca: Yeah. Mark: thanks everybody. We really appreciate your listening to the podcast and welcome your, your input and your questions as always. We'll see you next week.   

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Today on the Rarified Heir Podcast we'd like to wish you a Happy New Year 2024 with this encore episode for first episode of our third season. Our guest today is talking to musician Rachel Haden about her father, influential jazz bassist Charlie Haden. Rachel was kind enough to talk to us about so many things including her memories of growing up as a triplets and going for walks with jazz trumpeter Don Cherry when the Haden's lived in New York. This led us down the path of many other genres of music including country, punk, jazz, indie rock and much.more as the Haden's all sang and played instruments growing up. Thanks dad. We learn about the Rachel's time on the road with Todd Rundgren, her band That Dog, Brendan Perry of Dead Can Dance as well as Beck, Jimmy Eat World, Neil Hamburger and more. While we were at it we also discuss jaco Pastorius, Ornette Coleman, Ry Cooder, Jack White, Mike Watt and others. It's a very fertile musical well we draw from when talking to a Haden family member like Rachel as there are so many avenues and styles of music she and her family are connected to. The story spans 1930s Iowa where Charlie was part of The Haden Family Band, who rivaled the Carter Family in popularity in the Midwest and runs all the way to the 2020's with the release of Rachel's solo albums including making music with Charlie's son-in-law, comedian Jack Black of Tenacious D. If you are a fan of music, this episode is the one for you. Take a listen, on the Rarified Heir Podcast encore edition with Rachel Haden, coming up here.

Solemnes, profundos y ancestrales. Muchos son los merecidos adjetivos para Dead Can Dance y el álbum más logrado de su discografía: Into The Labyrinth de 1993. Ricardo Portman nos comenta su historia y canciones. Si os gusta el programa podéis apoyar Ecos del Vinilo Radio siendo patrocinadores ¡por lo que vale un café al mes! desde el botón azul de iVoox. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)

On this Jeff Rona interview: Jeff gets in-depth and personal, sharing his journey to the top, and it definitely wasn't easy. Getting turned on to soundtracks and the career and musical doors this opened… how he got session work and ultimately ghostwriting for movies. Starting and growing his Music Library, Liquid Cinema… Types of music that get licensed most… when you're most “qualified” to do pretty much anything… Cool stories about working with Hans Zimmer, Barry Levinson, Maurice White, Don Ellis (very cool!), Jon Hassell, Brian Eno, and others… How he markets his production company, KEY things you need to know about working with and forming healthy and productive relationships with producers, directors, and music supervisors… Questions to ask that help you determine how to write your scores. A terrible tragedy his parents dealt with, low points in his life and how he dealt with them. AWESOME convo, super sincere, tons of insight into the licensing business! Discover Where the Money's Hiding in Today's Music Business: https://www.MusicReboot.com JEFF RONA owns one of the biggest music production companies (music libraries) in America, Liquid Cinema. He's also an an award-winning music composer for film, TV, and video games, as well as a recording artist and producer. He was initially an in-demand studio musician, arranger, sound designer, synthesist, and music programmer working in Los Angeles and New York. After working with legendary record producers such as Maurice White, David Foster, Albhy Galuten, Malcolm Cecil and others, he collaborated on film music with Philip Glass, Mark Isham, Lisa Gerrard & Basil Poledouris. He's had longstanding relationships with composers Hans Zimmer & Cliff Martinez. Subscribe & Website:  https://www.MusicLicensingProfits.com/subscribe Jeff's scored dozens of film and TV projects with filmmakers including Ridley Scott, Steven Spielberg, Wong Kar-wai, Robert Altman, Steven Soderbergh, Mark Pellington, Stephen Hopkins, Jonathan Demme, Frank Darabont, and many others. Movie soundtracks Jeff's scored or contributed to, include Black Hawk Down, Mission Impossible 2, Generation Iron 1 & 2, Traffic, The Lion King, The Thin Red Line, Prince of Egypt, The Net (Sandra Bullock), Sea of Life (Documentary), Shelter Island, Toys (Robin Williams), The Fan and literally dozens of other major motion pictures Jeff's written music for video games: God of War 3, Far Cry 4, Marvel vs Capcom Infinite, Transformers, Resident Evil 2, Crossfire, Devil May Cry 5 & Bright Memory: Infinite He's toured with Brian Eno, Lisa Gerrard (solo) and Dead Can Dance, and composed music for the 2008 Beijing Olympic games. His music appears in numerous Oscar, Peabody, BAFTA and Emmy award-winning projects, as well as countless film festival honors. He is a three-time recipient of the ASCAP Film and Television Music Award  

This week on The Metro, Rev. Jeff Ivins celebrates Halloween with the following artists: Dalbello, The Psychedelic Furs, Michael Sembello, Rockwell, Human League, INXS, The Boomtown Rats, ABC, Dead Can Dance, Bauhaus, Pat Benatar, Talking Heads, Tim Curry, and finishes off with a classic Chris De Burgh.

I Want to Believe the Podcast – S6 E10.5 | Otherworldly Mysteries Halloween Special II ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Opening song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Host of Seraphim by Dead Can Dance & Vincent Price on PBS Mystery! Closing song: Voyage by Lemmino Welcome to a second 2023 Halloween Special of the I Want to Believe podcast! Tonight we are sharing OTHERWORLDLY MYSTERIES from seasons' past. We have doppelgangers, black-eyed kids, bigfoot, Mandela effect stories and SO MUCH MORE. Try your best at unravelling the mysteries, and may your Halloween be as scary as you want. HAPPY HALLOWEEN from Nomar Slevik, Kyle Sawyer and the I Want to Believe podcast!! - A quick reminder that all of our I Want to Believe ⁠⁠social media⁠⁠ & ⁠⁠email⁠⁠ are in the show notes. All my books and projects are available at ⁠⁠⁠⁠⁠⁠⁠⁠SlevikStore.Company.Site⁠⁠⁠⁠⁠⁠⁠⁠. The ⁠⁠⁠⁠⁠⁠⁠⁠Green Hand Bookshop⁠⁠⁠⁠⁠⁠⁠⁠ in Portland, Maine also has some of my work. Stop in and see everything they have to offer! My documentary, Otherworldly Amor, has a new home. It is streaming exclusively on ⁠⁠⁠⁠⁠⁠⁠⁠ParaFlixx Paranormal+⁠⁠⁠⁠⁠⁠⁠⁠ Once subscribed, you have access to not only Otherworldly Amor but hundreds of other paranormal shows, documentaries and even horror movies. By using the code OTHERWORLDLYAMOR10 at checkout, you can get 10% off your first 3 months.⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/207believe/support

Egads! a crossover! We're joining forces with Josh Heath of the inestimable Werewolf: the Podcast and Terry Robinson of the redoubtable Mage: the Podcast to talk about Midnight Circus, an all-line World of Darkness book from the glory days of the mid-90s. This is back in time for all of us, relative to our respective readthroughs of each game's books, but the concept of "diabolical circus" never really goes out of fashion. So, we're doing a round robin discussion that touches on the various bits of lore, magic, mystery, and story that permeate the pages—and quite a bit there is of all of the above. You may recall that in our television episode, we mentioned Carnivàle as an inspiration for Changeling; this book taps into that same source of ideas. Now for the links! Werewolf: the Podcast lurks at https://keepontheheathlands.podbean.com/, and Mage: the Podcast dwells on https://magethepodcast.com/ Josh did an episode with us where we talked about Werewolf/Changeling crossover (https://changelingthepodcast.com/podcast/episode-8-werewolf-changeling-with-josh-heath/), and while Terry has guested a few times, listen in to our episode on Mage/Changeling crossover (https://changelingthepodcast.com/podcast/episode-14-mage-changeling-with-terry-robinson/) If you'd like to acquire the book for your very own, get you posthaste to https://www.storytellersvault.com/product/208?affiliate_id=3063731 And the usual mishmash of social things from our side: Discord: https://discord.me/ctp Email: podcast@changelingthepodcast.com Facebook: https://www.facebook.com/profile.php?id=100082973960699 Mastodon: https://dice.camp/@ChangelingPod Patreon: https://www.patreon.com/changelingthepodcast YouTube: https://www.youtube.com/@ChangelingThePodcast your hosts Josh Hillerup (any pronoun) lurks behind the Tilt-a-Whirl and messes with the gravity. Pooka G (any pronoun/they) lives in the rigging where everything and everyone is a potential trapeze. The procession moves on, the shouting is over, The fabulous freaks are leaving town. They are driven by a strange desire Unseen by the human eye... —Dead Can Dance, "The Carnival is Over"

Podržite nas preko Patreona i PayPala: Patreon - http://patreon.com/radioaktivni_komarac PayPal - http://paypal.me/radioaktivnikomarac Poslovni žiro račun : 265-6630310000410-75 Radioaktivni Komarac Beograd Link YT kanala benda    / @gladninaucnici5228   Gost u 115. epizodi podkasta je profesor, doktor fizike i muzičar Vladimir Đoković. U prvom delu smo pričali o muzici, počevši od panka i njegovih podžanrova preko Nika Kejva i benda The Stranglers do bendova kao što su ",Cocteau Twins", "This Mortal Coil" i "Dead Can Dance" a u drugom o fizici i njegovoj muzičkoj karijeri. Vladimir je predavao u Južnoafričkoj Republici i Americi, a sa druge strane svoju muzički san je krenuo da ostvaruje od 2010. sa svojim bendom Gladni Naučnici. Kakve su razlike kod studenata u inostranstvu i kod nas i kako to izgleda kada fizičar pređe u muzičare bile su takođe neke od tema. Uživajte. Voditelj - Bojan Uzelac (Radioaktivni Komarac) Animacija - Vojin Ubiparip (Duna Solution) https://www.dunasolution.com/ Muzika - Nedeljko Stojković (Mono Putnik) https://cutt.ly/TbH3kor Ton, kamera i montaža -Tamara Stojanović

In this episode, Frenchpet is oot and aboot! He talks about ghost farts, Dead Can Dance, getting banned from Tinder, ChatGPT, big coffee, standing up for something, Pokemon Sword, cuffing season, and much more! Follow our socials for more Frenchpet madness! YouTube: https://www.youtube.com/@frenchpetpodcast Facebook: https://www.facebook.com/frenchpet/ Twitter: https://www.twitter.com/ftanpodcast/ Instagram: https://www.instagram.com/frenchpetpodcast/ Join our Discord: https://discord.gg/zBaPK9xENH Linktr.ee: http://frenchpet.com/ For merch, visit: http://store.frenchpet.com/ #retro #retrogames #retrogaming #videogames #gamer #COMEDY #Tinder #ChatGPT #Pokemon #PokemonSword #Cuffing #CuffingSeason

Classic meets new on the three-hour WORLD GOTH DAY edition of DJ cypher's Dark Nation Radio, which is now available for streaming. Included in the mix are Siouxsie & the Banshees, The Cure, The Sisters of Mercy, Dead Can Dance, and Bauhaus, as well as Black Angel, Kill Shelter, A Cloud of Ravens, and Then Comes Silence. The complete playlist is below. As always, if you enjoy what you hear, I hope you will support the bands by visiting their Bandcamp pages and consider following me on your preferred streaming platform. I wish you a suitably morbid World Goth Day! And don't forget about DJ cypher's Psychobilly Family Power Hour tomorrow night! (Tuesday May 23rd @ 9 PM on sorradio.org). DJ cypher's Dark Nation Radio Playlist WORLD GOTH DAY BROADCAST 21 May 2023 Siouxsie & the Banshees, “Israel” Black Angel, “Call the Night” Long Night, “East of the Sun, West of the Moon” The Mission UK, “Deliverance” The Birthday Party, “Release the Bats” Voltaire, “Raised by Bats” New Model Army, “Vagabonds” A Cloud of Ravens, “The Blackest Mantra” The Bellwether Syndicate, “Golden Age” Faith & the Muse, “Sparks” Christian Death, “Romeo's Distress” Strange Boutique, “Quicksand Minds” Kill Shelter + Antipole, “Burn Bright” Judith, “Future” Our Fading Smiles, “Seconds” The Neuro Farm, “Vampyre” Then Comes Silence, “Tickets to Funerals” Autumn – U.S., “The End of the Line” The Cure, “From the Edge of the Deep Green Sea” Frenchy & the Punk, “Blood” A Place to Bury Strangers, “I Know I'll See You” Occults, “Shadow” Bauhaus, “In the Flat Field” Dead Can Dance, “The Ubiquitous Mr. Lovegrove” Raven Said, “A Flowering and a Flattering” Crimson Brûlée, “Nothing Dies Forever” Mark E. Moon, “Blacklight” The Shroud, “The Passion of Lovers” The Sisters of Mercy, “Floorshow” Cathedral in Flames, “Twilight of the Goths” Her Own World, “This Fire” Ashes Fallen, “Thy Will Be Done” London After Midnight, “Kiss” Love & Rockets, “No New Tale to Tell” The Funeral March, “Figured” The Chameleons UK, “Don't Fall” DJ CYPHER'S DARK NATION RADIO—23 years strong! **Live Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded @ http://www.mixcloud.com/cypheractive **Downloadable @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio[at] gmail[dot]com **Facebook @ http://www.facebook.com/groups/darknationradio

¿Qué cintas de terror han acojonado hasta la médula a la bruja del caos más famosa de la podcastfera hispana? 10 títulos que nos dan la oportunidad de conocer mejor a esta personalidad única, más la excusa perfecta para hablar, además de cine, de historia, magia, sueños lúcidos, el propio concepto del miedo... ¡o La Hora Chanante! ¿Te lo vas a perder, mangurrián? El libro sobre sueños lúcidos que recomienda Sére lo tienes en: https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnx5dW9heWE3NnxneDoyZmVhODcwMzc0NzE4MTEz Únete a nosotros en Telegram: t.me/marcianosenuntren Con Jose Ceballos y Sére Skuld Edición: Jose Ceballos Música: Clannad, Flook, Dead Can Dance, Lúnasa, Peter Gundry, Wardruna, The Everly Brothers, The Chordettes, Eurythmics, Ozzy Osbourne, Mike Oldfield, The Cranberries, Childish Gambino, John Williams, Jon Sarta, Biffy Clyro, The Dreadnoughts, Jerry Goldsmith, Eidenlux y The Police ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/311035 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

With Matt venturing to Florida this week, we bring in friend of the pod Sam to fill in. It's four random albums this week chosen by Jon and Josh for discussion. Will we continue the trend of finding hidden gems or will the albums be relegated to the dollar bin? Tune in and find out! The episode begins at (1:58). This episode covers the following albums: Red Hot Chili Peppers - Mother's Milk (8:11), Dead Can Dance - Within the Realm of a Dying Sun (43:32), John Cougar Mellencamp - Scarecrow (1:05:35), and Television Personalities - ...And Don't the Kids Just Love it (1:31:36). --- Send in a voice message: https://podcasters.spotify.com/pod/show/combingthestacks/message

Links Facebook: https://www.facebook.com/potterymakinginfo/photos/a.10151503193013457/10155204359568457 Instagram: https://www.instagram.com/p/BeiBd3alUzx/ Resources Mentioned: Hoopla Librivox Libby Free trial of Audible Plus (Using this affiliate link will earn us a small amount of money at no extra cost to you. Thanks for supporting this site!) What do you listen to while you are working with clay? How does it affect your work? Transcript This is episode 29 of the Mudtalk Podcast and it is a fun one. The topic  is, “what do you listen to while you work with clay?”  There were so many responses that I won't be able to read them all! But if you are in need of some new audio content there will be plenty of ideas in this episode. I thought this would be a great topic because I'm always looking for interesting things to listen to while my hands are busy with clay. Unfortunately it has taken me forever to get this episode recorded so most of the following responses were from a very long time ago. Thank you for listening to THIS podcast. I hope you are currently working with clay as you listen. A short disclaimer: I will include a few clips of some of the great suggestions. I don't own the copyright to any of these works of audio but they are presented here for educational purposes only. Now that the boring stuff is out of the way, let's hear what other potters and ceramic artists listen to as they work with clay. Silence A few people including Pubali909, and Ingridj1957, enjoy the peace and quiet and listen to the sound of the process or complete silence. Audiobooks A few people including Nicolaashley1101, Moequintana1, Anna C-N all mentioned audiobooks. Rawstudios Audiobooks; the best combination ; the intense meditative effect from the throwing makes the books even more vivid . Dtaylorsatm Audible books, Perry Mason and Agatha Christie mysteries Angela M Audiobooks and pottery. Complete bliss I also enjoy audiobooks. You have probably heard of audible.com, Amazon's audiobook site. You pay a monthly subscription fee and get to choose a certain number of audiobooks every month. There are also some other similar sites. But did you know there are resources out there that offer FREE audiobooks? One great free resource I've found is called Hoopla. I get free access from my local library. I can can borrow digital items such as ebooks, audiobooks, movies, and music. I think they raised the number to 10 per month during the pandemic! The selection isn't massive but there is enough to keep me listening. I have also started using an app called Libby which connects to the Indiana Digital Library. I get access through my local library. They have a much bigger selection but only have a limited number of each item so you may have to get on the waitlist for certain items, just like a physical library. One more free resource is Librivox. It offers free audio versions of public domain books. Lots of old classics available. If you are interested I'll put a link to some of these audiobook resources in the show notes. Podcasts Podcasts seem to be a popular choice for a few reasons. Most of them are free. There is always new content. And now you can find a podcast about almost anything you can think of. Just think about the podcast you are listening to right now… One guy with a laptop and microphone reading his favorite replies to social media posts about pottery. What a time to be alive! Pen and ink pottery Podcasts!! #2dopequeens #codeswitch #sooomanywhiteguys #savagelove Canmore pottery Strictly podcasts. Is it a pottery podcast??!!! Scetinozkan Podcasts how stuff works and some Turkish podcasts about philosophy, [and] technology . Learning something helps the creative process for me. Dundeepottery Podcasts...CBC, Annemarie at The Current, Out in the Open with Piya Chattopadhyay, Planet Money, This American Life, Someone Knows Something, Serial, S-Town, trying Sawbones today... and of course Red Clay Rambler. So much to learn so little time!! Jeffszarzi Podcast: Meat Eater, 99% Invisible, Radio Lab, tales of RCR, Potterscast, trumpconlaw, freshair. Penni.q.pottery @casefilepodcast best ever

Walt Cassidy is an artist, jeweller and curator based in New York. Formerly known as Waltpaper, Walt was a central figure in the city's Club Kids phenomenon.We discuss “Ball and Chain" by Janis Joplin, The Serpent's Egg by Dead Can Dance, and KISS.You can learn more about Walt's work here, follow him on Instagram here, as well as the New York Anti-Violence Project here.Tracks of Our Queers is produced, presented and edited by Andy Gott, with the support of Forbes Street Studios, Sydney. A big thank you to Anthony Garvin.You can listen to our Spotify playlist, Selections from Tracks of Our Queers, and find Aural Fixation in your favourite podcast provider. Support the showHelp keep Tracks of Our Queers ad-free by shouting me a coffee right here. Thank you for your support.

And we're back! Special guest Sabrina Lawrie joins us to nominate our first ever world music album, Dead Can Dance's Spiritchaser. Join our Facebook Group! In Flawless Friends and Family, you can discuss our episodes, and the albums you think are flawless.  All music samples used in this episode are copyright 4AD/Warner Brothers Records. Flawless is hosted by Liam McGinniss, George Mannion and Grant Parkin, and produced by Liam McGinniss. Follow us on: Facebook: https://www.facebook.com/flawlessamp/ Twitter: https://twitter.com/flawlessamp Instagram: https://www.instagram.com/flawlessamp/

DJ cypher's Dark Nation Radio is pleased to present the annual DARK SOLSTICE broadcast—3 hours of neofolk, neomedieval, Viking chants, and dark ambient music for the longest nights of the year in the northern hemisphere. Included among the many artists are Heilung, Faith & the Muse, Valravn, Omnia, Qntal, Corvus Corax, Nytt Land, Wardruna, and Dead Can Dance. The full playlist is below for your reference. And for something completely different, I invite you to join me on Tuesday December 27th for DJ cypher's Psychobilly Family Power Hour—rockabilly, psychobilly, horror punk, and assorted mayhem—and then again on Sunday January 1st for the Dark Nation Radio 3-hour 2022 retrospective. All shows at 9 PM EST on sorradio.org. Thank you for your support! DJ cypher's Dark Nation Radio Playlist DARK SOLSTICE 2022 Heilung, “Alfadhirhaiti (live)” Matt Beringer and Andrew Bird, “A Lyke Wake Dirge” A Tergo Lupi, “Black Feathers” Qntal, “Monsieur's Departure” Sowulo, “Wulfwinga” Otyken, “Genesis” Valravn, Kelling” The Yoshida Brothers, “Michi” Estampie, “O Fortuna” Fuimadane, “Vidar” Faith & the Muse, “Whispered in Your Ear” Danheim,” Ulfhednar” Miracle of Sound, “Valhalla Calling” Skáld, “Seven Nation Army” Kati Rán, “Nymânen” Marya Stark, “Echo” Security Project, “Rhythm of the Heat” Hindarfjäll, “Hednatid” Nytt Land, “Ragnarök” The Soil Bleeds Black, “Palastinalied (21st-century mix)” Osi & the Jupiter, “Ravencraft” Omnia, “Fee Ra Huri” The Handsome Family, “Far From Any Road” Rúnfell, “Solstice” Dead Can Dance, “Severance” Bjorth, “Herr Mannelig” Corvus Corax, “Skudrinka” Silas J. Dirge, “Here It Roar (When It's Black)” Rúnahild, “Ørnedans II” Wardruna, “MannaR Drivande” Heldom & Danheim, “Blodfest” The Moon and the Night Spirit, “Pagan” Julee Cruise, “Falling” Voltaire, “Goodnight Demonslayer” Herknungr, “Orrostumaor” Kaunan, “Halteguten” Forndom, “Yggdrasil” Brillig, “Absinthe Makes the Heart Grow Fonder” DJ CYPHER'S DARK NATION RADIO **Live Broadcasts Sundays @ 9 PM Eastern US on Spirit of Resistance Radio sorradio.org **Recorded broadcasts @ http://www.mixcloud.com/cypheractive **Downloadable broadcasts @ http://www.hearthis.at/cypheractive **Questions and material for airplay consideration to darknationradio@gmail.com **Facebook @ http://www.facebook.com/groups/darknationradio

Danny gives you another random vinyl mix with this one featuring music by Missing Persons, Brian Eno, The Fixx, Cocteau Twins, Blondie, Billy Joel, Michael Jackson, Dead Can Dance, Frankie Goes To Hollywood and more. Recorded at The She Shack November 14th 2022.© Copyright Danny Diess.

We're joined this week by the charming duo of DJs Hate Mior and Vernal Trash of Darkness Forever Toronto. The pair spoke with us at Terminus about making the most out of streaming platforms during the pandemic, and how the communities built and lessons learned during lockdown can be carried forward into the future. We're also talking about recent live shows from Gary Numan, Leathers, and Actors, and tour cancellations by Bauhaus and Dead Can Dance.

Since the start of her musical journey with Dead Can Dance, Lisa Gerrard has created her own unique singing style. Her voice is her instrument that helped to establish the reputation of 4AD in the early 80s. As a highly acclaimed film composer winning a Golden Globe for her work on the score for Ridley Scott's Gladiator with Hans Zimmer, she also composed many other prominent features and award-winning movie soundtracks and a series of acclaimed solo and collaborative albums. Her most recent collaboration is with Los Angeles-based multi-talented composer and record producer Marcello De Francisci .Their latest album called "Exaudia" will be released on Atlantic Curve,  a London-based label subsidiary of Schubert Music Europe on August 26, 2022. The first single, "Until We Meet Again" was released in June and the second single called "When The Light of Morning Comes" was just released and available  everywhere digitally.   Thank you Shameless Promotion PRhttps://www.lisagerrard.com http://www.marcellodefrancisci.comhttps://orcd.co/exaudiahttps://modsnapradio.comPlaylist and podcast: https://djnocturna.comYouTube:  https://www.youtube.com/c/DJNocturnaSubscribe to my monthly mailing list for the latest music news, updates and my next interviews and events:http://eepurl.com/gtw6PP#lisagerrard  #DeadCanDance #MarcelloDeFrancisci #BrendanPerry #ModsnapRadio #InterviewwithDJNocturna #KTUH #DJNocturna #ShamelessPromotionPR #RadioInterview #Goth #DarkWave #PostPunk #AtlanticCurve 

Welcome to Live From Progzilla Towers Edition 442. In this all request edition we heard music by Utopia, Bernard Cribbins, Cats in Space, Tom Slatter, Yes, Dead Can Dance, Royal Hunt, Peter Gabriel, French TV, Genesis, Split Enz, Tangerine Dream, John Coltrane, Aragon, Professor Tip Top, Clouds, Jethro Tull, Ryo Okumoto, Shingetsu & The Beatles.

Welcome to the first episode in our series The Otherworld. Part 1: Dead Can Dance

I guess we are back on a roll..this week back in the 1991 pocket with the band Chapterhouse and their stone cold classic record "Whirlpool". Melissa decided after the epic Dead Can Dance episode to hone this one in a bit and just focus on one record from this band that she loves. Even if you have never heard of Chapterhouse you have heard their influence on 90's era "alt-rock" and hiphop. Check it out it'll only take you an hour this time and you might just get up off your duff and shake it a little bit!! This weeks's Chapterhouse "Whirlpool" mix is no really a mix but rather the whole album plus a couple tracks demonstrating the two separate releases and the quality difference on the tracks. Listen to the episode to hear what we are talking about.  We suggest you listen to the YouTube music playlist as that has the tracks Melissa uploaded from her copy of Whirlpool. Spotify does not allow us to upload music. YouTube Music Mix | Spotify mix

Hey guys! It's been ahhhh while now. Sorry about that! But this one was worth the wait. If you've learned anything from listening to this podcast its that Melissa LOVES 4AD and this episode brings you a BIG ONE on her list of 4AD loves...Dead Can Dance. This is a timely episode for us because live shows are back and we are going to see the very alive Dead Can Dance band perform live! So we are excited, the cat is excited, and YOU should be excited to listen to music that defies description...unless of course you enjoy neo classical dark wave, art rock, post punk, renaissance orchestral, Gaelic folk, African-polyrhythm, Gregorian chat, world goth, etherial wave...well then you'll LOVE THIS!. xoxo -B&M Dead Can Dance Mix - YouTube Music | Spotify Dead Can Dance Website

Today's show will feature music by PJ Harvey, Skinny Puppy, Dead Can Dance, Morrissey, Kate Bush, The Ocean Blue, The Sunday's, Deee-Lite, Depeche Mode, Portishead and more.