Podcasts about I Won

W drugiej części podcastu o zaginięciu Iwony Wieczorek przyglądamy się najważniejszym teoriom, które przez szesnaście lat narosły wokół tej sprawy.Znajomi Iwony. Były chłopak. „Mężczyzna z ręcznikiem”. Park Reagana. Biały Fiat Cinquecento. Firma sprzątająca. Zatoka Sztuki i „Krystek”. Rzekome obserwacje Iwony po zaginięciu i najbardziej skrajne internetowe hipotezy.Sprawdzamy, skąd wzięły się te wersje, które z nich rzeczywiście były badane przez policję i prokuraturę, co je wspiera, a co im przeczy.Nie wskazujemy sprawcy i nie przedstawiamy domysłów jako faktów. Oddzielamy to, co wiadomo, od tego, co przez lata było jedynie teorią.Które tropy wciąż pozostają aktualne w 2026 roku? I czy wśród nich znajduje się odpowiedź na pytanie, co wydarzyło się z Iwoną po godzinie 4:12?

Nesta resenha faixa a faixa, vamos mergulhar em Overkill, segundo álbum do Motörhead e um dos discos fundamentais para entender a consolidação do som que influenciaria o heavy metal, o punk e, principalmente, o thrash metal. Lançado em 1979, o álbum reúne Lemmy Kilmister no baixo e vocais, “Fast” Eddie Clarke na guitarra e Phil “Philthy Animal” Taylor na bateria, em uma formação que se tornaria histórica. Vamos comentar “Overkill”, “Stay Clean”, “(I Won't) Pay Your Price”, “I'll Be Your Sister”, “Capricorn”, “No Class”, “Damage Case”, “Tear Ya Down”, “Metropolis” e “Limb from Limb”, analisando as letras, os riffs, a sonoridade e a importância de cada faixa para a história do Motörhead e do rock pesado.

What does it actually mean to persist in prayer? In episode 505 of the Reformed Brotherhood, Tony Arsenal and Jesse Schwamb conclude their study of Luke 11's "Parable of the Night Friend" — and the answer is far richer than most Christians expect. Rather than teaching a technique for wearing down a reluctant God, Jesus presents a contrasting image: a grudging friend who finally relents out of pure annoyance, set against a Father who overflows with delight to give His people the very best gift imaginable. Through careful exegetical attention to the parable's logic, covenantal structure, and Trinitarian movement, Tony and Jesse show that the ultimate object of persevering prayer is nothing less than the Holy Spirit Himself — the supreme covenant gift of the new covenant age, promised by the Father to the Son, and freely given to all who ask. Key Takeaways The parable operates by contrast, not direct comparison. The annoyed friend is not a picture of God — he is a foil. Everything about God's character is the opposite of this reluctant neighbor, and reading the parable correctly depends on recognizing this reversal. Persistence in prayer is appropriate, not impudent. The word translated "persistence" in verse 8 carries a sense of shameless, boundary-crossing boldness. But unlike the midnight knocker whose asking had become socially inappropriate, our asking of God never crosses a line. There is no point at which we have asked too much. The shift from "friend" to "father" is a deliberate relational and moral intensification. Jesus moves the argument from voluntary friendship (revocable, lateral) to fatherhood (covenantally obligated, vertical), and then from sinful human fathers to the holy divine Father — two axes that together magnify the certainty and character of God's giving. Total depravity and common grace are both present in verse 13. Jesus calls even his disciples "evil," grounding the argument in the doctrine of total depravity, while simultaneously appealing to the nearly universal parental instinct to give good things to children as evidence of common grace operative even in fallen humanity. The ultimate gift is the Holy Spirit, not general blessings. Luke's version of this teaching specifies what Matthew's leaves general: the supreme "good thing" the Father gives is the Holy Spirit Himself. This is not a second-blessing theology, but a call to pray explicitly and persistently for the subjective experience and fresh working of the Spirit already indwelling believers. God's giving is grounded in the Covenant of Redemption. The Father's obligation to give the Spirit to believers is not merely an expression of His general goodness — it flows first from His pretemporal covenant commitment to the Son, to grant Him a people marked, redeemed, and indwelt by the Holy Spirit. The Trinity is on full display in Christ's earthly ministry. The Father sending the Holy Spirit is unavoidably Trinitarian language — and Jesus' disciples received it without confusion. The Old Testament had already furnished them with this framework, and the New Testament simply brings it into full light. Key Concepts The Parable Operates by Contrast, Not Direct Comparison One of the most common misreadings of Luke 11 is to identify the sleeping friend with God — as though Jesus is saying, "If you pester God long enough, He will eventually give in." Tony points out that this reading produces a deeply distorted picture of God: an annoyed deity who only answers prayer when sufficiently harassed. The actual logic of the parable is a contrast. The friend is reluctant where God is eager. The friend gives grudgingly where God gives joyfully. The friend is moved by annoyance where God is moved by covenant love. Jesus is not saying, "God is like this friend." He is saying, "Even this friend eventually gave what was needed — how infinitely more will your Father, who is nothing like this friend, give you everything you need?" The parable's force depends entirely on the distance between its human character and the divine reality it points toward. The Ultimate Gift Is the Holy Spirit Himself A comparison of Matthew 7 and Luke 11 reveals something significant. Where Matthew records Jesus promising "good things" to those who ask, Luke specifies: the Holy Spirit. This is not a contradiction — it is Luke's Spirit-guided theological clarification, shaped by his characteristic pneumatological emphasis and his post-Pentecost vantage point. The teaching closes where it must: not with general providential blessings, but with God's own personal presence and power. Tony is careful to distinguish this from two-stage salvation theology. The call to ask for the Holy Spirit is a call for what might be described as the subjective experience of the Spirit — fresh assurance, sanctifying power, gifts for ministry — not a second indwelling. The Christian who already possesses the Spirit objectively is nonetheless invited, even commanded, to ask persistently for His living and active presence. That invitation is itself grounded in covenant promise. God's Giving Is Grounded in the Covenant of Redemption Perhaps the most theologically profound moment in the episode comes when Tony traces God's obligation to give the Spirit beyond the Covenant of Grace and back to the Covenant of Redemption — the pretemporal, intra-Trinitarian covenant in which the Father promised the Son a redeemed people whose redemption would be applied by the Holy Spirit. This means that when believers ask the Father for the Holy Spirit, they are not merely appealing to His general benevolence. They are appealing to a promise the Father made to the Son before the foundation of the world — a promise sealed in the Son's obedient life, atoning death, and glorious resurrection. God's faithfulness in answering prayer for the Spirit is, at its deepest level, an expression of His covenant faithfulness to Christ. That is the ground of Christian boldness in prayer, and it is the ground that never shifts. Memorable Quote God has covenantally bound himself to grant us the Holy Spirit when we ask him... That covenantal obligation first and foremost is not primarily his covenant with us. It is his prior commitment and covenantal obligation to his Son to grant him a people who would be marked by and redeemed and have redemption applied by the Holy Spirit. - Tony Arsenal We could not petition him enough to be annoying to him. There is no boundary for when it is inappropriate to stop asking or seeking or knocking. - Tony Arsenal It doesn't teach a doctrine of prayer as a technique, somehow like wearing down a reluctant God, but a doctrine of prayer as a filial confidence grounded in the Father's revealed character, exercised through this persevering, believing, asking. - Jesse Schwamb Full Transcript [00:01:03] Jesse Schwamb: Welcome to episode 505 of the Reformed Brotherhood. I'm Jesse  [00:01:12] Tony Arsenal: And I'm Tony, and this is the podcast With Ears to Hear. Hey, brother.  [00:01:16] Jesse Schwamb: Hey, brother. So I'm excited for this little conversation because I tried to tee all, all of this up for the culmination of this amazing parable, which I, I don't know if you coined it or if it comes from somewhere else or if it's what the Patristics called it- [00:01:32] the parable of the night friends, but I really loved that. Yeah. It sounds like an amazing movie as well, so maybe there's a drama that can unfold. I mean, this is, this is cinematic. And if you're wondering what we're even talking about, you know it. It's the parable in Luke 11, the one where Jesus tells a story about a guy pounding on his neighbor's door at midnight begging for bread because apparently first-century hospitality customs did not include 24/7 7-Eleven. [00:01:58] And so a lot of [00:02:00] us get this one wrong. We hear in this parable words like ask, seek, and knock, and we turn it into some kind of prayer vending machine where if we do the right things or we ask long or hard enough that God will give us exactly what we want. And it turns out the whole parable is about God giving us what we need, the best blessing, the best gift, the thing that is the best in all the world, which is His spirit, and that's what we're gonna talk about on this episode. [00:02:25] So it's all- Yeah ... been set up, loved ones. Now it's time for the good stuff. Tony's here. We're going after it hard. How about that?  [00:02:33] Tony Arsenal: Yeah. Yeah, it should be good.  [00:02:34] Jesse Schwamb: It's gonna be, it's gonna be better than good, Tony. It's gonna be, like, amazing. I- I was hoping, like, the, the energy. I, I was just anticipating you were just gonna come in hard with me on that. [00:02:45] Tony Arsenal: Yeah. I, I, I wish I had the energy. I mean, we'll, we'll talk about this maybe a little bit in denials. It's just been a, it's been a long day.  [00:02:53] Jesse Schwamb: Well, speaking of-  [00:02:54] Tony Arsenal: But it's good. It's good ... speaking- I'm excited.  [00:02:57] Jesse Schwamb: I, I felt like you were just like that was, [00:03:00] like, your pretty excitement for me and you were like, "All right. [00:03:02] Move us along." Yeah. "Enough of this stuff." I get it. No, no. I, I'm totally down with that.  [00:03:06] Tony Arsenal: It's good.  [00:03:06] Jesse Schwamb: Honestly, that's as good a set of a segue as any. It is time before we get to the, the full excitement, we'll war- we'll both warm up a bit.  [00:03:14] Affirmations And Denials Segment [00:03:14] Jesse Schwamb: Let's take us to that segment where we take a page from the Reformed tradition of writing confessions, except these are ones that nobody asked for. [00:03:21] It's that time where we affirm with something that we really like or we deny against something that we don't like so much. So I can only wonder now, given that little preamble, that just short little nugget that you dropped there, I am really curious, more than ever, are you denying against something or are you actually affirming with something else? [00:03:40] Tony Arsenal: I'm gonna cheat a little bit and go back, go old school and do an affirmation and a denial.  [00:03:44] Tony Denies Sleep And Twitter Bait [00:03:44] Tony Arsenal: So- Oh, okay ... I guess my denial is just sleep deprivation. It's, it's just been, for whatever reason, it's been a couple nights in a row of, of sort of disruptive sleep with the kids and the dog. And this time of year in New Hampshire, the, the nights start to get a little bit chilly, which is, is great. [00:04:01] Um, but you start to get rodents and other animals moving around and- When you live in the, the kind of house that I do, there's a large crawl space underneath, so even if, even if the animals aren't making their way into the house itself, they move around under the, the house. And so when you have a terrier that has been bred over many generations to hunt those kinds of animals, uh, when they start hearing them moving around under the floors, they don't, they don't stay quiet about it. [00:04:27] So denying sleep deprivation. We've talked a lot about how important sleep is, and how it's a blessing from God, and it's a way to show that we're not in charge, and we're not necessary, that God's, you know, God's plan and God's world keeps spinning even when our brains are shut off for the night. So I'm denying sleep deprivation. [00:04:45] My affirmation, uh, actually it's a denial too. It's two denials. It's a double denial. Uh, my denial, I guess what I'm gonna call it is I'm, I'm denying taking the bait. So there's, there's been a, a rather high-profile, uh, [00:05:00]Christian figure that I honestly was not super familiar with. I don't need to get into the specifics, but I was not super familiar with, and when I was silly enough to ask the question online as to like why is everybody even paying attention to this person who has no theology training and is clearly not articulating things in a reasonable way? [00:05:17] The answer was like, "Well, he has 4.5 million followers." I was like, "Oh. O- okay." Uh, where I'm denying taking the bait is that this is a person who's been railing against Reformed theology, Calvinism, uh, for a, like a week now probably, week and a half. Uh, total straw man arguments, just totally misrepresenting things, not a good faith engagement effort, not really trying to understand the position they're critiquing. [00:05:41] Just sort of like painting really broad, inaccurate strokes and then s- sort of congratulating himself when he knocks down that straw man. And where I'm denying taking the bait is that in the same breath as me saying like, "Why are we bothering to engage this person?" Uh, I engaged the person. And, uh, you know, like it [00:06:00] just turns into what you, what it turns into. [00:06:02] Jesse Schwamb: Yeah.  [00:06:02] Tony Arsenal: It turns into both parties kind of screaming into the void and just feeling like the other person's not listening, and I don't have time for that. So, uh, I've, I've come up with a new policy for myself on Twitter. If someone is clearly not a good faith actor, uh, then I'm just gonna block them, and then I don't have to worry about it anymore. [00:06:18] Good  [00:06:18] Jesse Schwamb: for you.  [00:06:18] Tony Arsenal: Um, so there's plenty of people who wanna have good conversations, who are interested in dialogue, critical or otherwise, uh- [00:06:41] -fashion. Um, first of all, we should always be asking like, "Am I even the person that should be responding?" But i- if you, in God's providence and in wisdom and Christian prudence decide that you are, uh, then, you know, like is this a person worth responding to? Is Twitter the place to respond or, or is it a longer [00:07:00] format or something like that the best, um, best option? [00:07:03] So I'm denying taking the bait. It's like that, uh, like that GIF, like that's bait, and then I total- I totally took it. I totally took it, wasted a bunch of my time. Uh, and I used to think like, "Well, there's people watching, and they're reading what I'm..." But like nobody's reading what I'm saying. Nope, nobody  [00:07:17] Jesse Schwamb: cares. [00:07:17] Tony Arsenal: Nobody cares. Yeah. It's just a bunch of voices online. So there's ways to have influence and, and there are certainly people that have influence through Twitter, and I've had some really good conversations, and I think there is some value at times to engaging in that, uh, that media. But, uh, this was not one of them, so I'm denying taking the bait. [00:07:35] Jesse Schwamb: Would you look at us? I mean, would you look at us? How, how far God has brought us. Yes. I, I just wanna commend you for bringing that up and just kinda laying that all out in transparency. I, bully for you. I think that's right on. There's a... Everybody listen to that again, 'cause there was a lot of good stuff in that short little denial. [00:07:52] Very good.  [00:07:54] Tony Arsenal: Yeah. Yeah. What about you, Jesse? What do you got for us tonight?  [00:07:57] Jesse Schwamb: I'm in that place now where, remember you and I [00:08:00] said we should create a list of our affirmations, Niles? I think you have been more faithful in that, uh, honestly, than I have. I, I have- ... coveted your, your faithfulness in doing that. So then I did it, and now I can't remember. [00:08:10] I'm not crossing them off, so now I can't remember if I've actually- ... given this. So everybody please have mercy on me if I've already said this before. I don't think I have, because, you know, I'm just burying a lead that doesn't need to be buried.  [00:08:23] Jesse Affirms Invictus EP [00:08:23] Jesse Schwamb: But I've got a affirmation, and it's more music, and it'll hur- hit a certain group I'm sure. [00:08:29] But I'm affirming with a band called Invictus. They have a new EP that's out this year. It's called Sealed and Sent, and I'll just give you... I, I don't, I'm not trying to make light of this, but, like, I'm not gonna tell you what the music... I mean, I have a pedigree I'm sure in history here. But let me just give you, there's six tracks. [00:08:46] I'm just gonna give you the names of the tracks. Maybe you might guess the style of music from these tracks. Um, it starts with Crush the Snake, then goes on to Heaven's Weapon, Hymn for the Fallen, which is acoustic, Retribution, Drive Them Out, and I Won't [00:09:00] Break. This is a great album. It is, I'm gonna go with their definition of their own sound. [00:09:04] They're a cinematic Christian metal project blending crushing riffs, melodic metalcore, and scripture-inspired themes of spiritual warfare, redemption, perseverance, and victory through Christ. Here's the thing. All of that's true, and you might say, as I did when I first came across them, "Uh, sounds a little cheesy. [00:09:22] Sounds a little kitsch." Turns out it's just awesome. And sometimes, like, you need this kind of music that's so spiritually rich in victory with Christ, that is so expressive of... 'Cause there is, as you heard, like a tint there toward the supernatural realm, toward the battles that are in that realm. But I, sometimes you need that. [00:09:43] This is fantastic. The only word of warning I have is that, so if you're not into that style, and there is, like, beautiful, it's very melodic. There's a lot of beautiful melodies in this. A lot of, like, the voices are really truly fantastic. So it's worth listening to for just for that But my warning is, um, [00:10:00] kind of strange. [00:10:01] This track three, it's acoustic, it's Hymn for the Fallen, is, uh, exactly what it is. It's almost like an anthem for those, uh, condemned to hell, and it is troublingly haunting. Uh, I think it's, like, exactly theologically precise, and it's beautiful in its own right. It's a strange song to listen to because it is beautiful in its expression. [00:10:22] The music is phenomenal, and again, the voice work from this, this single artist is incredible. His range is fantastic. I think it'll leave you at parts just almost breathless. And yet what they're singing about is not quite a celebration, but it is like a song of mourning. And every, uh, time I listen to it, and I wanna listen to it, and yet when you're done with it, you do feel this different sense and urgency for those around you. [00:10:46] So that's my only warning is it's a really complex little EP, but it's strong, and it's beautiful, and it's glorious, and it's a little bit haunting, and it's certainly convicting and challenging. So it turns out, I guess I do like... I [00:11:00]just love the word cinematic. Like, I'm not sure entirely all that it entails, but I think it's probably an, an accurate description. [00:11:07] So if you're looking for some new music or some different music, I highly recommend Invictus because I think you'll be blessed by them  [00:11:16] Tony Arsenal: Yeah. Yeah. My, um, my musical, uh, I don't know, repertoire consists mostly of, like, kids worship bop music. Uh, so, uh, maybe I'll, maybe I'll put that on the next time I'm in the car by myself just to listen to some sort of, like- [00:11:34] I don't know, like grown-up music. 'Cause, 'cause I don't listen to a lot of grown-up music as it is now. I, if, if I'm lucky, I get a couple, uh, couple minutes on the bus or something like that to listen to some real, real adult music. But yeah, I'll, I'll have to check it out, and there's always a chance that this will be the screaming music or the heavy music that I like. [00:11:55] There's always a chance.  [00:11:57] Jesse Schwamb: Yeah. It's more, it's more heavy than maybe screaming. There is a [00:12:00] little bit of that good rasp, but it brings me back to, you and I are of a certain age. I'm, I'm older than you, but I think back to, like, maybe that late '90s, early 2000s, kinda like Creed style. Mm. Like, almost like that, but a little bit deeper and richer and, and a little bit harder. [00:12:16] But it's, it's not, I think, so dissonant that the average ear wouldn't find great value in it. And again, that- Yeah ... third track, which is acoustic, is very beautiful in its own right. It's just a very strange song. Usually you don't hear a song like that, and it really caught me by surprise. And the more I listen to it, the more it does create some kind of mourning within you, and I've thought about it quite a bit, even as I interact with people around me, thinking about the essential emergency of what it means that souls are, are in play here, so to speak. [00:12:44] That, of course, they're all under the providence of God, but He used us as a means in which to preach that gospel message, and we ought to be about that gospel message. And I suppose- Yeah ... in point, that started the podcast as we talked about the gospel and became excited every time we spoke about the [00:13:00] gospel, and then it's, it flowed into this whole series we're doing on the parables. [00:13:04] Back To Luke 11 Reading [00:13:04] Jesse Schwamb: And now, of course, we find it again in Luke chapter 11 here And I was excited to speak with you because I tried to set up for everybody, ourselves included, just like all of the little prolegomena, all the, all the kinda like little fine, fun details of like the circumstance and the interaction that's happening in this parable. [00:13:23] But really the punchline comes in this, I would say, unexpected twist that one, we have this friend going to another, and the friend is reluctant when he really shouldn't be, and there's this incredible juxtaposition of, well, how much more so is God going to be less reluctant because He's our Father, and He delights to give us that which is good, the best of gifts. [00:13:43] And this sometimes gets turned around in that we ought to just really continually annoy God to the extent that He just gives us the very thing, and that somehow this is explained to us that we have to have enough perseverance, hope against hope, to continue to pray against all odds. And instead what we find [00:14:00] buried in this parable is something far better than that. [00:14:02] Actually, the gift that God gives us is something that we really could not conceive of apart from the gospel itself. So I'm gonna take us back- Yeah ... into Luke chapter 11. I'm gonna read the whole passage or the parable that we were just talking about, started it last week. But we're really gonna pick it up in this, so everybody can be listening, at this turning point where Jesus begins to speak about the role of the Father and what He desires to give us. [00:14:27] So this is Luke chapter 11, beginning verse one. "And it happened that while Jesus was praying in a certain place, after He had finished, one of the disciples said to Him, 'Lord, teach us to pray just as John also taught his disciples.' And He said to them, 'When you pray, say, "Father, hallowed be Your name. Your kingdom come. [00:14:45] Give us each our daily bread. And forgive us our sins, for we ourselves also forgive everyone who is indebted to us. And lead us not into temptation."' Then He said to them, 'Which of you has a friend and will go to him at midnight and say to him, 'Friend, lend me [00:15:00] three loaves for a friend has come to me from a journey, and I have nothing to set before him.' [00:15:05] And from the inside he answers, 'Do not bother me. The door has already been shut, and my children and I are in bed. I cannot rise up and give you anything.' I tell you, even though he will not rise up and give him anything because he is his friend, yet because of his persistence, he will get up and give him as much as we needs. [00:15:23] So I say to you, ask and it will be given to you. Seek and you will find. Knock and it will be opened to you. For everyone who receives asks, and he who, he who seeks finds, and to him who knocks will be opened. But what father among you, if his son asks for a fish, will give him a snake instead of a fish? Or if his son asks for an egg, will give him a scorpion? [00:15:45] If then you being evil know how to give good gifts to your children, how much more will your heavenly Father give you the Holy Spirit to those who ask Him?'"  [00:15:57] Tony Arsenal: Yeah. Yeah.  [00:15:59] Tony Unpacks The Parable Logic [00:15:59] Tony Arsenal: This is, um, one of those passages that I think... I think you're exactly right. We, we sort of fall into a very specific way of thinking because for some good reasons, right? [00:16:13] Like, this is a parable about prayer. It's couched, y- you know, it's, it's sort of sandwiched in different parts tea- teaching about prayer. And so I think we, we instinctively, kinda like we saw with the Parable of the Good Samaritan, we kind of instinctively assume who certain characters in the, in the analogy here are, right? [00:16:34] Sure. Just like in the, the Parable of the Good Samaritan, we kind of assume that, like, the neighbor that is being talked about is the guy who got beat up and left for dead, but in, in the s- the punchline, we find out it's actually the Samaritan. In this case, I think we assume the person who is being, um, who is being e- entreated upon must represent God, and the person who is doing the entreating, uh, is, you know, is us.[00:17:00] [00:17:00] And I'm not sure that the parable, a- and again, like, what even is a parable? Some people would say, "Well, this isn't a parable," but w- we're really just talking about kind of like the figures of speech ministry of Christ, the figures of the sayings of Jesus that sort of circulate around these analogies. Um, w- what even is a parable? [00:17:19] And in this case, like- We need to be careful not to just make those assumptions without-  [00:17:25] Jesse Schwamb: Right ...  [00:17:26] Tony Arsenal: justifying them in the text because it'll lead us to the wrong conclusion. Like, like you've said, like if we assume that the person in the text, in the, the, the parable here who is being entreated upon represents God the Father, well, what we've done now is we've made God sort of like this annoying or this annoyed figure who doesn't really wanna answer our prayers, but because we harass him so much, because we're so persistent. [00:17:51] Another translation of that word is impudence, right? It's a word that has to do with, like, almost like a shameless begging. Like, [00:18:00] it's, it's someone who is asking something that goes beyond the boundaries of appropriate.  [00:18:05] Jesse Schwamb: Right.  [00:18:05] Tony Arsenal: Right? It's, it's impudence, it's persistence, but it's not just persistence in that, like, it's not just stick-to-it-iveness. [00:18:12] It's like persistence to the point of being, uh, inappropriate is really what this word is getting at. Well, now what we've done is we've made it so we have to inappropriately pursue God for prayer. Right. So I'm, I'm glad you set it up this way to sort of say, like, we need to think about this parable. Yes, there's something here about prayer, for sure. [00:18:29] There's more here about the fact that God desires to give us good gifts, but we really need to understand how it is that this teaching is functioning in almost like a, a, almost like a contrasting example kind of way compared to, like, a direct example. It, it's, it's not, it's not exactly an argument to the lesser, from the lesser to the greater. [00:18:51] I mean, it kind of is.  [00:18:52] Jesse Schwamb: Right.  [00:18:52] Tony Arsenal: But it's, it's almost like a reverse argument from the lesser to the greater. Like, there's this lesser that's so much lesser that he's actually [00:19:00] sort of- Yes ... like an annoying, like not a super admirable, noble figure. Then how much more noble is God? It's kind of the, the sort of the force of this parable, the force of this teaching. [00:19:09] Jesse Schwamb: Yes. I like how you said that. It was... You crystallized something I've been thinking about, which was, it's almost like in this text, think of, like, these two different shores. On one shore is this function, the action, and the worship of, uh, through prayer. On the other shore is this g- great supreme gift of the Holy Spirit, and there's something about a bridge that's being built between these two things, and it starts with this really interesting analogy. [00:19:34] But then there's, like, this turning point from friend to father, and for me, what, like I mentioned last week, I'm seeing, I'm picking up, maybe too much so, all of this interesting covenantal shadows and language here. And so, like, in this shifting, specifically from this analogy to friend to fa- from friend to father, there's almost in my mind, like, an intensifying of the relational bond. [00:19:56] I mean, friendship being voluntary and revocable, fatherhood, [00:20:00] especially in ancient thought, bound by nature, and then that again, covenant obligation. It does strengthen this interesting logic that's unfolding for us. But it's as if the bridge that's being built here by Jesus is taking and uniting or bringing together this idea of good gifts of the Father, and the greatest gift being the Holy Spirit, and prayer and how that accomplishes or receives or invokes those gifts, and the bridge being the right way in which to think about prayer and the right mode in which to consider prayer so as to ask for the things in the name of Jesus according to God's will, that is the greatest of all gifts, which is the Holy Spirit. [00:20:36] Tony Arsenal: Yeah.  [00:20:36] Hospitality Context And Midnight Bread [00:20:36] Tony Arsenal: And I, I think it's interesting too because this teaching, this parable opens with y- you know, kind of a s- sort of standard format that Christ use, uses in some of these circumstances, where He's talking to an audience who may or may not be hostile. In some instances it's hostile. In this instance it was a friendly, a friendly audience. [00:20:57] It was His disciples. Um, He says, "Which of [00:21:00] you who has a friend will go to him at midnight and say, 'Friend, lend me three loaves. For a friend of mine- Right ... has arrived on a journey, and I have nothing to set before him.'" This is parallel similar language to, like, which of you having a sheep who falls into a- [00:21:22] not like everybody has experienced it, right? I think I, I've never had, like, livestock, but, like, I know my dog has gotten into stuff. Like, everybody who's had a pet is like, "Yeah, my animal has done something stupid at some point." Like, ate something stupid, got stuck in something, hurt itself. So, like, the, the, the way that this is set up is [00:21:53] Tony Arsenal: In a way where it's like the scenario is sort of insane and nobody would [00:22:00] be in that situation. Um, and then there are times where he says, "Which of you having a friend, which of you having a sheep who falls into a ditch?" [00:22:09] Um, and, and the assumption is on some level either the, it, it's such a common scenario that of course everyone would have understood it, right? Which of you... It's like, it's like a woman losing a coin who sweeps the house to look for the coin. Everybody who has a, a, a valuable piece of money that they lose is gonna spend time looking for it. [00:22:29] Jesse Schwamb: That's right.  [00:22:29] Tony Arsenal: This one I think is more like that second one, which feels weird to us. Again, like we're, like you kind of alluded to and kind of joking, but I think is, is a, is a per- serious point, we can just go to the store. Like I could go to a 24-hour supermarket and buy resources if a guest shows up unexpectedly. [00:22:46] It's not like that in the ancient world. So this statement of like, which of you Basically like which of you who has unexpected company show up would not go to your friend or neighbor and ask for something to serve them? And especially in the sort of [00:23:00] hospitality-driven culture that the 1st century was, it would've been deeply, deeply troubling for a guest, especially a, a guest who's coming on a l- from a long journey who's showing up at midnight. [00:23:10] That feels like in our culture we'd be like, "Yeah, it's understandable that I don't have anything on hand." It would be deeply troubling for someone in that scenario to not be able to provide hospitality. So I think that's the first hurdle we have to get over with this one is the scenario feels, at least to me, feels a little bit insane, but I actually think the assumption baked into the teaching is that this is an understandable, relatable situation with an obvious answer. [00:23:36] Of course, all of us would go beg a friend for a few loaves of bread to serve our guest who shows up unexpectedly.  [00:23:43] Jesse Schwamb: That's right. There is like a foil in all of this. Again, it's not like Jesus is not commending like wear God down with nagging as a technique, but there is a lot at stake here in this scenario that's been set forward because there's, there's honor, there's covenantal honor like I think I [00:24:00] mentioned p- last time. [00:24:00] Again, this is where I'm seeing that there is something to be said for like the petitioner is a little bit shameless here. That is, like he's bold. It's, it's socially inappropriate maybe, the persistence in the knocking, but that's what secures the loaves. And so on this view, verse 8 does teach like persevering bold prayer. [00:24:18] I think then what we're being lead to, try, led to try to understand is well, what kind of bold prayer here? Is it just like any kind of prayer, or is there something specific that Christ himself is directing these people to ask for in prayer? And to me, it, to like, you know, maybe preempt a little bit, it seems like, of course, like he's saying, "Ask for God, of God the only thing that God can give you. [00:24:39] Ask boldly for that thing. Ask shamelessly, unapologetically for that thing," because we're gonna be led again to this kind of reprisal of roles here and see that he's gonna speak about himself again as, as Father, as being this really good father over and against this really reluctant friend who only gets up really because he has been annoyed, and that's certainly the opposite of [00:25:00] God's stance towards us. [00:25:01] Tony Arsenal: Yeah.  [00:25:02] Persistence Without Impudence [00:25:02] Tony Arsenal: And you know, there is, um, you know, like we mentioned, there's this element of- The an- sort of annoyed friend, right? And, and we don't wanna be too quick to compare God directly to the annoyed friend, right? It is this foil. It's kind of like, it's almost like God is not, is like this in some ways, but not like this- Yes [00:25:23] in the most important ways. I actually think the asking itself falls into that category, right? In, in the context of the parable, the asking, m- maybe not the asking, but the persistence, the continuing to pound on the door when the answer no has already been delivered. That is, in the context of this teaching, is, is seen as inappropriate, right? [00:25:45] It's, it's impudent. It's disrespectful. It's, it's an- Right ... unrelenting persistence beyond the bounds of propriety. Not only is God not like the annoying friend, or the annoyed friend, or the annoying friend, I guess, not only is God [00:26:00] not annoyed, uh, so there's this sort of like argument to the, from the lesser to the greater opposite or the greater contrary But our asking itself and our persistence is not impudent. [00:26:13] And I think that's a really key thing here, and that's why it goes directly into the next verse. "Ask and you will g- give it given to you. Seek and you will find. Knock, it will be opened to you." He's not saying because you're so persistent, because you continue to wear God down, it's gonna be given to you. [00:26:29] It's almost like he's saying, like, look, in this context of this parable, not only is the friend, not only did the friend say no, and the, the seeker is seeking inappropriately, and the friend finally, not out of the goodness of his heart, not out of his loyalty to his friend, not out of his desire to serve a stranger, not out of any of those noble things, just because he's annoyed, he finally gives in. [00:26:51] Well, not only is that not what God is like, but your prayers are not like the persistent, annoying friend who won't give up when the answer is no. Right. [00:27:00] Your, your prayers are appropriate insofar as you persist. As you continue to persist, they are appropriate. And, you know, we could get into all of the Greek details about the, the participles and all of this stuff about it's, it's not just ask at one point. [00:27:15] It's, it's continue asking, it'll be given to you. Yes. Continue knocking, it'll be given to you. Like, we can, we can go into all that, and I'm sure we'll talk about a little bit. But the reality is the sort of like durable nature of prayer, the like ongoing, persistent nature of prayer here is not established by those participles. [00:27:32] It's established by the comparison to this inappropriate asking, this inappropriate persistence in the parable, but it's not inappropriate. And I think that's, again, like that's another sort of argument from the lesser to the greater contrary. I don't know if that's actually a term or if I invented that, but that seems like what's going on here. [00:27:49] There's this sort of like minimum situation, and then you flip it over a little bit and, and make it bigger, and that's what we're getting at here. It's, it's sort of a strange technique that, [00:28:00] um, again, like is it present in oth- a lot of other teaching? There's obviously like the parable of the widow and the unjust judge that's basically the same situation. [00:28:08] Right. And we're- I'm sure we'll get to that, but like it's the same basic situation. It's, it's this idea that like Christ is presenting this scenario that has this one touch point, and everything else is like flipped over. It's like everything else is sort of opposite day.  [00:28:24] Jesse Schwamb: And that is a little bit different than the stuff that we've covered so far, which is what makes this a little bit exceptional. [00:28:29] There are ones that mirror it, but this technique-  [00:28:31] Tony Arsenal: Right ...  [00:28:31] Jesse Schwamb: is something that we haven't really come across yet, of course, in our conversations.  [00:28:35] Covenantal Frame For Ask Seek Knock [00:28:35] Jesse Schwamb: And I would say, like, good Biblical hermeneutics, like you said, resolves all of that, what you just said, not by, like, weakening the promise, but by locating it within its covenantal frame again. [00:28:46] Yeah. This promise is spoken to disciples who have just been taught to pray, "Your kingdom come, give us, forgive us, lead us not." That is, all of this prayer needs to be conformed to God's revealed will and kingdom priorities. And so what's hard is I [00:29:00] hear this spoken about a lot, this parable, but it always gets cut, like, from the teaching that just preceded it. [00:29:06] Right.  [00:29:06] Why This Contrast [00:29:06] Jesse Schwamb: Like, a- as if, again, they're coming to Jesus saying, "John was really good at providing instruction to his disciples on how to pray, and you being the Son of God, like the ultimate teacher, teach us then. How do we see you pray? We know that you're a man of prayer. We know that you're Son of God. Teach us, instruct us in this way." [00:29:22] W- w- let's get it, as it were, the... These guys are like, "Boys, let's get it from the horse's mouth." And so it's interesting that Jesus gives the instruction, he gives the prayer, he gives some language and a framework, and then he's like, follows it immediately with this teaching. And this teaching, though, like you said, doesn't draw, like, often, like it's orthogonal. [00:29:39] There's no, like, parallel or linear lines here- Right ... so to speak. It's, it's all about creating this weird contrast. And you might ask, "Well, why do it this way?" And so it does beg the question of does that distinction, that almost like cognitive dissonance between these characters, and then again, like the comparison to God, does that draw out in different ways this character of God so that we might actually [00:30:00] see it more clearly in that juxtaposition? [00:30:02] Tony Arsenal: Yeah.  [00:30:03] Midnight Friend Parable [00:30:03] Tony Arsenal: And I think, y- you know, one of the other comparisons that I think's going on here, and, and again, I think this is basically the same teaching as the, the pa- the widow and the unjust judge. Like, she wears him down with her petitioning, and he finally gives her justice. Like, I think a big part of this, the idea here is when we look at this parable, everything in the parable is- uh, understandable and relatable, right? [00:30:28] To some extent. Um, again, we i- in our 21st century modern context, at least in the West here, we don't have a situation where we can't basically just drive to the store and get something, even, even in the middle of the night. I, I don't know m- many people personally who don't have access to some sort of 24-hour supermarket or convenience store, something where they could go and get something to present to a guest who shows up unexpected in the middle of the night. [00:30:57] Um, and even the idea of, like, someone showing up [00:31:00] unexpected in the middle of the night is kind of like, even then, like, what we think of as unexpected is, like, the person calls us and they're like, "Hey, I'm 35 minutes away. I'm gonna be there. Do you have a bed I can use?" What we're talking about here in the 1st century is literally like, I'm asleep, all of a sudden there's a pounding on my door, and my friend has come from a long journey. [00:31:18] There's no advance notice, there's no messenger that came. This is literally just someone who appears out of nowhere in the middle of the night, and so he has to go get something. That is actually a somewhat relatable situation, even to us What I think is interesting, what I, what I really love about these, this parable and the other one I referenced, is when you think about the way that the, the friend, the annoyed friend, the friend who's sleeping and gets woken up, the way he responds is still to provide the need. [00:31:49] But then look at how we are... Look at the language around how God gives us good gifts, right? Right.  [00:31:56] Ask Seek Knock [00:31:56] Tony Arsenal: He's not giving us... It, it's almost like the teaching is God gives us good gifts. We should ask, we should persevere in prayer. If you continue asking, it will be given to you. If you continue knocking, it, it will be opened to you. [00:32:07] If you continue seeking, you will find. Like, that's the, that's the positive teaching of this. But the contrast is not just, yeah, if you continue to be persistent enough, you're gonna get what you ask for. It's, look, God is going to give you what you need and what you ask for. He's going to give that to you joyfully and out of his own abundance and out of his own desire to bless you with good gifts. [00:32:30] Not like this worldly dude who just does it 'cause he's annoyed.  [00:32:34] Jesse Schwamb: Exactly.  [00:32:34] Tony Arsenal: So it's not just the argument of like, here's a picture of somebody who's persisting in prayer and gets what they want, and like, yeah, we have some language about the guy being annoyed and about inappropriate asking. God's not quite like that. [00:32:47] God Not Annoyed [00:32:47] Tony Arsenal: It's really designed to paint this picture of marveling at the goodness and, and graciousness of, of God in that not only does he grant us what we need, but he does so [00:33:00] joyfully. We could not petition him enough to be annoying to him. There is no boundary for when it is inappropriate to stop asking or seeking or knocking. [00:33:12] That's the real point of this, is not to just compare God to this annoyed friend who finally gives in, but to show us, like, this is what the world looks like. When you ask enough, you might get what you want, but you're going to annoy someone. That's what worldly pr- like, persistence in lateral prayer, if we wanna call it that, just to sort of keep the analogy going, right? [00:33:33] Lateral prayer, lateral petitioning, or lateral whatever. Like, lateral interceding, all of those things, however we wanna phrase it. That is real, and yes, if you do it long enough, you're probably gonna get what you want. You might burn a bridge in the process. You can never burn the bridge to God by being so annoying, because he's saying continue to ask, continue to seek- Right [00:33:55] continue to knock, and it will be given to you. And not only will it be given to you, but it will [00:34:00] be given to you out of the joy and goodness of my heart. That is really the big comparison that's going on here  [00:34:06] Jesse Schwamb: Yeah, there's something that we just get to see about God's character here. It's grounds this perseverance not in doubt about God's willingness, but in confidence about it. [00:34:15] And that's what's so interesting here is it comes about by seeing this distinction. It is like a great mockery of saying like you're saying this friend who w- should've been a good friend and had all the reason to be reluctant, even though you pers- persevered with him, he relented and gave you that very thing. [00:34:32] Guess who will be the exact opposite of that? Yeah. Is God himself who lavishes love upon you. And so therefore because of that, you come before him and see he's nothing like this friend. And even a friend will do this in the worst of all circumstances. How much more so will God, where he's given you every spiritual blessing in Christ? [00:34:50] From Friend To Father [00:34:50] Jesse Schwamb: And that's, that's where he leads us, and that's why I think then it transitions to this different set of characters or comparisons by speaking about fathers. So in verse [00:35:00] 11, where we find written, "What father among you, if he has sons, asks for a fish will instead of a fish give him a serpent? Or if he asks for an egg, will give him a scorpion?" [00:35:09] And, and I've read that there's some commentators who will draw from these pairs being chosen for maybe, like, their potential visual tactile resemblance. Like, a, an eel-like fish might have resembled a snake, and generally there were, like, these whitish scorpions I, I guess that were common in Galilee that might have resembled an egg. [00:35:26] And perhaps even here there's a little bit of humor in the illustration just to show, like, just the extreme nonsensical nature of this thing. It's, it's- Yeah ... a really cruel bait and switch. It's deliberate. You know, Jesus is appealing certainly to this universally recognized parental instinct as evidence, again, like you're saying, Tony, for a still greater divine instinct which is present, and that's this love of God for us that we can't even imagine. [00:35:49] But we can comprehend by him saying, "Come, ask, seek, knock." And so, so to me, I think we've got these two axes kind of going on here which are really interesting and beautiful. We've got the reluctant friend [00:36:00] to the willing father. That's a kind of, like, I would say again, like, relational intensification. Like, we're firing it up. [00:36:05] Here, we're taking it to the next level. And then because we got... I gotta slip this in because we got a little, a little TD coming in here hot. From the second axis is from, like, the sinful human father to the holy divine Father, which I would say is, like, a moral intensification, and that's made explicit in verse 13. [00:36:24] Total Depravity Common Grace [00:36:24] Jesse Schwamb: And here's the TD. Like, lest anybody doubt this, to me, and I don't want to over-read, but that second axis is of course where Reformed theology's doctrine of total depravity becomes, like, exegetically significant here. Yeah. Because Jesus himself just calls it out in this verse, and that's part of the, the setup that he's gonna bring forward to explain just how loving God is. [00:36:44] Tony Arsenal: Yeah. Yeah, and it's even, um... It's not only is it total depravity, it's also common grace, right? Yes. Even evil, even evil, wicked people. And again, like, evil is a, is in this instance is sort of a relative term, right? It's, it's, um- [00:37:00] The audience is the disciples, at least primarily the disciples. So it's not like he's talking to, he's talking to unregenerate people, right? [00:37:09] Jesse Schwamb: Right.  [00:37:09] Tony Arsenal: Um, the, the disciples by all realistic assessment, I think, uh, were regenerate w- with the exception of Judas at this point. Um, you know, you could make some arguments that maybe some of them came to faith during the course of his ministry, but, uh, for the most part we should think of the disciples not as like coming to faith and becoming regenerate after Christ is raised. [00:37:31] Like, they're, they're believers, they're followers with the exception of Judas at this point in his ministry, and he's still calling them evil. But even Even an unregenerate father, for the most part. There are exceptions. There are, are, there are those who are so wicked that even their base parental instincts are messed up, right? [00:37:51] And that's reality. It's terribly sad, but that's, that's the vast exception. Even the worst parents in the world still love their [00:38:00] kids and wanna give them good, good gifts. Like, it's just baked into the genetics of wanting to do that. Even that still is, uh, is an act of common grace. But I, I think you're right, too, and actually, as I think about it, too, like, this isn't even just one parable. [00:38:14] Right. This is actually, if we're talking about the first one as a parable, this is actually, like, its own second parable, right? That's which of you, having a friend that shows up in the middle of the night, would not go- Yep ... and then there's, "Now what father among you?" And it's, again, it's that eminently understandable, relatable scenario where either it, it's so common that everyone has dealt with it, or it's so, like, obviously practical that even if you haven't dealt with it, you, you couldn't come to any other conclusion. [00:38:42] Right. What father among you, if your son asks for a fish, would give him a serpent, right? It's one of those, like, who does that? The answer is no- nobody. Right.  [00:38:53] Jesse Schwamb: Exactly. Right?  [00:38:53] Tony Arsenal: Who, who asks for an egg and gives a scorpion? Nobody. So we've got these two [00:39:00]scenarios where the assumption is there's a question that has an obvious outcome, and it drives us to this understanding of the, this image of God as the supremely good giver of gifts, father, faithful, gracious provider, who provides not just a good gift, but the ultimate perfect necessary gift. [00:39:22] Jesse Schwamb: Yes.  [00:39:22] Tony Arsenal: Right?  [00:39:22] How Much More Spirit [00:39:22] Tony Arsenal: And that's where we come to, uh, at the end of verse 13 is how much more, right, there's that argument from... This is truly an argument from the lesser to the greater, like in the purest sense. How much more will the Heavenly Father give the Holy Spirit to those who ask him? And I think there's all sorts of implications that we can come out of this, right? [00:39:42] Um, there are those, uh, in the Christian world who never ask for the gift of the Holy Spirit. And, and I'm not, um, I wanna be careful here because I'm not a two-stage salvation person. I'm not a second blessing person, right? We get the Holy Spirit as part of our [00:40:00] regeneration. Like, the Holy Spirit indwells us in regeneration and in, in, not in necessarily in regeneration, but when we are united to Christ, we're united to Christ by the, by the Spirit. [00:40:10] Right. And so there's never a point where we can be considered truly saved Christians- Those who are united to Christ, we cannot be united to Christ and not have His Spirit dwelling within us. But there is this element of the subjective experience of the Holy Spirit where we don't ask for the Holy Spirit, right? [00:40:31] Think of, like, Psalm 51, right? "Take not your Holy Spirit from me." David was not saying, uh, "I've lost the Holy Spirit." He was talking about the enjoyment of the presence of the Holy Spirit, the awareness of the gracious, loving presence of the Holy Spirit. That's what he was asking not to have taken away from him, and, and probably also there was elements of, like, anointing and office that were in there. [00:40:52] But there are lots of Christians who have the Holy Spirit in an objective sense- Right ... who don't take time [00:41:00] to ask the Father for the Holy Spirit in the subjective sense. I think that's the final sort of payout of this teaching, is that we need to continue to ask, continue to knock, and continue to seek, not for general gifts. [00:41:16] Yes, there's a general teaching about persevering in prayer for temporal blessings or spiritual protection, all of those things, all of those petitions that we have. Those are good things. It's good to be persistent in those. But the real point of this whole series of teachings here is that we need to persist in prayer to ask the Father for the Holy Spirit. [00:41:36] Like- Right ... full stop. That's the point  [00:41:40] Jesse Schwamb: Right. Wow, you just did a full stop right there. I thought there was gonna be more, but I, I was getting pumped as you were going on No, no.  [00:41:46] Tony Arsenal: It's all you. Full stop.  [00:41:49] Jesse Schwamb: Uh, yeah.  [00:41:50] Luke Versus Matthew [00:41:50] Jesse Schwamb: I mean, the comparison, of course, is not one of degree alongside, like, a single continuum where it's as though God is a better version of a human father, but it's a kind. [00:41:59] I mean, [00:42:00] God's fatherhood is the archetype of which human fatherhood is just this faint, fallen kind of analog. And so by the time you get to this payload, I like that. It's kinda like a nuclear bomb in a way. I mean, it's so theologically loaded here. Because I was just looking up Matthew's parallel passage here, and it reads, th- this is his punchline, "How much more will your Father who is in heaven give good things to those who ask him?" [00:42:26] So it strikes me that Luke, as we've been saying, writing to a largely Gentile audience after Pentecost, and with his kinda characteristic pneumatological emphasis, he emphasizes or specifies that the good things here are the Holy Spirit himself. And so we're gonna read this not as a contradiction between the Gospels, but as Luke's inspired Spirit-guided clarification/specification of what the good gifts ultimately are. [00:42:54] And while they're always pointing toward that even this temporal good gift from the Father is subordinate to and [00:43:00] finds, I guess it's like its telos in the supreme covenantal gift of God's own indwelling presence. That is a bomb. Like, that's incredible. Yeah. And so I like what you're saying here. I think it is a challenge for Christians to think about not just that we shouldn't, of course, go to God with the big and the small things, the concerns of all our lives, the anxieties and the cares which we cast before him. [00:43:20] This is all part and parcel of what real prayer means, what real communion with God is, and speaking with him and listening to his Word, uh, i- in our ear. At the same time, we shouldn't forsake the greater things that we ought to ask God with strong perseverance, knowing that he will give all those things to us. [00:43:38] I think, and you correct me if I'm wrong, I, I'm reading this as- All of this kind of momentum in Christ teaching about the Spirit coming and about where this passage had been placed in the whole kind of grand arc, and I, I think there's, like, all kinds of Ordo Salutis implications in here. But I love a good Ordo Salutis implication, so it's possible [00:44:00] I'm just coming in a little bit too hot. [00:44:01] But I think first it, it anchors this teaching within this broader Lucan narrative, narrative arc toward Pentecost, where the ascended, glorified Christ pours out the Spirit as the chief blessing of the new covenant. And so again, I'm reading this, I'm like, "Covenant, covenant, covenant." Like, only if you're watching this on YouTube can you actually see me do the, the point, like the g- the finger guns- [00:44:24] where really strongly emphasize that point. And so I just see so much covenant in this. I mean, how mu- how much covenant, how much covenant do you see in this, Tony?  [00:44:36] Covenant Obligations [00:44:36] Tony Arsenal: Yeah, I mean, I, there, there is also this element, and this goes back to sort of the first parable or the first teaching in this little segment here, um- The friend is obligated in a certain sense. [00:44:48] Like- Yes ... there is, there is a, there's a sense, a real sense I think, and again, this is something I don't think we understand. If, if, um, if I show up at my neighbor's house, my n- I live in a [00:45:00] small community. My neighbor's house is like 25 feet away from me, and if I knocked on his door in the middle of the night and said, "Gus, I need a cup of sugar," he would give it to me with a smile. [00:45:11] But he's not obligated to do that. Right. He has every right, and no one would look sideways at him if he told me to pound sand and go back to bed, right? I think, um, in the 1st century, the answer from this other friend, "No, I'm already in bed," like that actually is sort of a scandalous answer in and of itself. [00:45:29] And so even within that little dynamic, there's covenant implications, right? The a- the continued asking is inappropriate, but it, the continued asking is almost only reasonably necessary because the annoyed friend already broke a social contract. Not quite a covenant- Right ... but we might call it a social contract, where there's an a- there's an assumed position in the 1st century that if someone comes to you asking for hospitality, you give it. [00:45:57] Like there's no exclu- And that's what's [00:46:00] driving this other friend to go talk to him in mid- at midnight in the first place, is I have to provide hospitality. I'm obligated to do so. So I think, yeah, there's all sorts of covenant implications here. And when we're talking about the, the earthly fathers, right? [00:46:14] There's a covenant, um, I'm, I'm careful to use the term covenant. So I'm gonna use it, but I'm not talking, maybe we'll say lowercase C covenant rather than like formal covenants. Right, right. There's a, there's a covenantal, lowercase C [00:46:28] covenantal obligation that fathers have to their children, right? I didn't make a covenant with August and Addie, but I have obligations to them in light of my station and my role related to them, right? And there's an obligation that if they ask me for something that is reasonable and is good for them, that I should give it to them, right? [00:46:46] I'm obligated to provide food, shelter, um, I would say things like education, love, um, you know, attention. Like the things that are necessary for the health and wellbeing of my children, as a father I'm obligated to give that to them. [00:47:00] [00:47:00] Jesse Schwamb: Right.  [00:47:00] Tony Arsenal: Whether they ask me or not. When they ask me to, right, there are times it's funny. [00:47:05] I, I'll be the first to say, um, I maybe am a little bit on my phone more than I should be, just in general, right? There are times now Addie is old enough where she sees me on her ph- on my phone, and, and sometimes, like, it's fine. They're playing and I'm, I'm doing something on my phone. There are times where she'll come up to me and she'll say, "Daddy phone," and she'll tell me to put my phone down. [00:47:23] I'm obligated to do that. Like, there's a covenantal, lowercase C, covenantal obligation. When she asks me to play with her, if there's not a pressing reason I can't, I should play with her.  [00:47:33] Jesse Schwamb: Right.  [00:47:33] Tony Arsenal: That is really what we have at play here, and this is, this is what I think is amazing. God has covenantally bound himself to grant us the Holy Spirit when we ask him, right? [00:47:42] Jesse Schwamb: That's  [00:47:43] Tony Arsenal: what I'm  [00:47:43] Jesse Schwamb: saying.  [00:47:43] Tony Arsenal: That, and that's, that's, um, that covenantal obligation first and foremost... Man, I didn't even think we were gonna get here. Who would've thought we would've gotten to pretemporal covenant of redemption here just- Would you  [00:47:53] Jesse Schwamb: look at us ...  [00:47:54] Tony Arsenal: uh, look at us.  [00:47:55] Covenant Of Redemption [00:47:55] Tony Arsenal: Um, that covenantal obligation that the Father has to give us the Holy Spirit when we ask is not primarily his covenant with us. [00:48:03] It is, right? It's the covenant of grace, but that only is, is necessary because of his prior commitment and covenantal obligation to his Son to grant him a people who would be marked by and redeemed and have redemption applied by the Holy Spirit. The Father has promised the Son to give the people of the Son the Holy Spirit when they ask. [00:48:26] That's, that's profound in a way that I think, um, really only Reformed theology can fully get at-  [00:48:33] Jesse Schwamb: Right  [00:48:34] Tony Arsenal: on ... is that there is a promise that God the Father made to God the Son to, to send the Holy Spirit to apply the redemption that the Son purchased to his people. That's really what we're getting at here. [00:48:46] I think that's really the, sort of the final outcome of this, is there's this covenantal obligation- That the Father is not just out of His own goodness, of course out of His own goodness- Right,  [00:48:57] Jesse Schwamb: right ...  [00:48:57] Tony Arsenal: but even maybe if it, maybe it's, [00:49:00] hopefully it's not blasphemous to say this, but like even more than just His own goodness is His covenant faithfulness to the promise He's made- Amen [00:49:07] first and foremost to His Son, and then to steal some language from the Westminster Larger Catechism, first and foremost to His Son, but then also to all the elect in Him who are His spiritual seed.  [00:49:17] Jesse Schwamb: That's right. That's right. That's, see that's the good stuff.  [00:49:20] Wrap Up Holy Spirit [00:49:20] Jesse Schwamb: And so what's crazy is then this beautiful wrap-up, which is brings us back to exactly where we started, but we find that we're on another level because the passage closes exactly as it began with this imperative of asking, but now the object of asking has been specified as God's own personal presence and power, not merely material provision. [00:49:41] And so it's everything you just said all wrapped up, and we can ground then like the practice of specifically and explicitly praying for the Spirit's fresh working, which is sanctification, assurance, gifts for ministry, as entirely a biblical form of prayer distinct from, though not opposed to, a prayer for providential [00:50:00] needs. [00:50:00] In other words, I think the disciples started in a place where they were saying, "Teach us to pray so that we might receive that what which we need." And it's almost as if God says, "I will do that and one better for you. Because not only will I just open your eyes to the thing that you need most, but I'm going to instruct you on how to ask for and then receive by way of these covenantal promises, by way of my own character, my faithful precis- provision, both in establishing the promise and then seeing it to fulfillment that you might have the Holy Spirit reside within you." [00:50:33] And that is mind-boggling. We've, we've talked before just what it is to even conceive that God's presence be with us, but then that God's presence it, uh, the Holy Spirit, one of the Trinity, would be residing within us is just inconceivable. Yeah. Even now with the words coming out of my mouth it just sounds wild. [00:50:51] And yet that is what we have to give credit to here is we have to take God at His word. This is the thing that He's, He said to us. His son, His Son Himself has given us this proper [00:51:00] instruction. And I think all, all the other things we talked about, what it means again to seek after gifts for ministry, to serve in our churches and congregations, to have grand assurance, which is the right and the purview and the blessing, the propriety of the Christian to, uh, want to go after sanctification, that all of this strikes me now is part of praying for, to receive the Holy Spirit, a fresh working of the Holy Spirit in that it's not just, it's both like a command and a gift and the greatest priv

Iwona Wieczorek zaginęła w nocy z 16 na 17 lipca 2010 roku. Ostatni raz kamera monitoringu zarejestrowała ją o godzinie 4:12 w rejonie gdańskiego pasa nadmorskiego. Od tamtej chwili jej los pozostaje nieznany.Przez lata wokół tej sprawy narosły setki teorii, medialnych doniesień i domysłów. My zajmujemy się nią po raz pierwszy.W tym odcinku prześledzimy to, co naprawdę wiadomo o zaginięciu Iwony Wieczorek - od wydarzeń ostatniej nocy, przez błędy pierwszego śledztwa, aż po najnowsze działania prokuratury i nowe tropy, które pojawiły się w 2026 roku.Oddzielamy fakty od spekulacji i sprawdzamy, które wersje wydarzeń nadal są brane pod uwagę przez śledczych.Co wydarzyło się z Iwoną po godzinie 4:12?

September is officially here on We Drink & We Watch Things, and we are kicking off a brand-new theme dedicated to the absolute biggest heartbreaks in Academy Awards history: September Snubs. All month long, we are covering legendary films and performances across the major categories that got robbed of their golden statuette. To open the month with our Best Actress snub, we are diving into Adrian Lyne's massive 1987 psychological thriller, Fatal Attraction, starring the ultimate icon of Oscar snubs: Glenn Close.To steel our nerves for Alex Forrest's furious campaign of revenge, we are serving up a custom cocktail called "I Won't Be Ignored" - a smooth and sharp mix of rye whiskey, sweet vermouth, amaro, a couple dashes of bitters with a red wine float. Don't forget to skewer a dark cherry for good measure.This week, we unpack Glenn Close's astonishing, career-defining performance as Alex Forrest, an iconic turn that somehow didn't win her the Oscar (losing out to Cher in Moonstruck). We break down how Close took what could have been a simple villain role and infused it with terrifying heartbreak, psychological depth, and tragic vulnerability. We also examine Michael Douglas's flawed, desperate Dan Gallagher, analyze how the studio's infamous reshot ending changed the entire narrative framing of the film, and debate why Close remains the most nominated living actor without an Academy Award win.If you still get nervous around a boiling pot on the stove, or if you want to join us in passionately defending one of cinema's greatest performances, this episode is a must-listen. We are blending our deep admiration for a titan of acting with our usual casual banter, making this an explosive start to September Snubs. We will not be ignored!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next!Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!

NEW FOR SEPTEMBER 1, 2026 Is there such a thing . . . ? Bad Animals- The Best Radio You Have Never Heard Vol. 539 1. When The Shit Hits The Fan / Le Feel Internacionale (live) - Todd Rundgren 2. Down The Wrong Way - Chrissie Hynde 3. I Won't Back Down (live) - Pearl Jam 4. Happiness Is A Warm Gun - The Breeders 5. Dig A Pony (alt) - The Beatles 6. A Day In The Life (live) - Graham Nash 7. Nothing Else Matters - Elton John, Miley Cyrus, Yo Yo Ma, Robert Trujillo, Chad Smith et al 8. He Don't Know A Thing - Jules Klee 9. Who Are You (live) - The Who 10. Stormy Monday (live unplugged) - Gregg Allman, Warren Haynes and Allen Woody 11. Tripping Billies (live) - Dave Matthews Band 12. Rust - Shimmer 13. The Sheltering Sky (live) - King Crimson 14. Sufficiently Breathless - Captain Beyond 15. The Ancient incl. Leaves Of Green - Steve Howe 16. Sunday Bloody Sunday (alt) - U2 17. Munich (unplugged) - Corrine Bailey Rae 18. Whiter Shade Of Pale - Santana w/ Steve Winwood 19. Hoping Love Will Last / Land Of A Thousand Autumns / Please Don't Touch / Icarus Ascending - Steve Hackett feat. Sally Oldfield and Richie Havens 20. Lopsy Lu - Stanley Clarke The Best Radio You Have Never Heard. Good animals mean great music for/from the ages. Accept No Substitute. Click to leave comments on the Facebook page.

Hear "American Girl" or "Born in the U.S.A." and, like it or not, chances are you begin to hum along. The soundtrack of grocery stores, pool halls, bowling alleys, flea markets, chain restaurants, drug stores, and political rallies--heartland rock, while beloved by some and derided by others, is inescapable even today. As rollicking as the music it describes, acclaimed music critic Erin Osmon's Won't Back Down: Heartland Rock and the Fight for America (W. W. Norton & Company, 2026) tells the story of the origins, chart-topping development, and tangled legacy of heartland rock, the music that ruled the airwaves of the 1980s and remains instantly recognizable to millions. Spinning an entertaining and eye-opening account, Osmon delves into the complicated afterlife of heartland rock's classic albums and songs, including Bruce Springsteen's "Born to Run," Bob Seger's "Against the Wind," John Mellencamp's "Small Town," and Tom Petty's "I Won't Back Down." She demonstrates the centrality of often-overlooked women like Melissa Etheridge, Bonnie Raitt, and Lucinda Williams--explaining how some of the most popular music of the time was made beyond its white-male stereotypes. She traces the genre's connections to country and Americana, and reveals how legendary figures like Prince were inspired by and expanded heartland rock. And she shows how its success revitalized the careers of figures like Bob Dylan and Neil Young. Through it all, she explores the '80s cultural developments that fostered the genre--such as the rise of MTV and the switch to CDs--and argues that the music played a vital role in opposition to '80s conservatism and in support of LGBTQ rights, labor issues, and the environmental movement. A fair-minded critic with an ear for a great behind-the-scenes story, Osmon makes clear that at its best, heartland rock connected with millions of overlooked people longing to be heard. Erin Osmon is a music journalist, critic, and author of books on John Prine and Jason Molina. Her writing appears in the Los Angeles Times, New York Times, Rolling Stone, and others. She won the Deems Taylor/Virgil Thompson Award for album notes in 2023 and several LA Press Club Southern California Journalism awards. She lives in Nashville. Erin Osmon's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hear "American Girl" or "Born in the U.S.A." and, like it or not, chances are you begin to hum along. The soundtrack of grocery stores, pool halls, bowling alleys, flea markets, chain restaurants, drug stores, and political rallies--heartland rock, while beloved by some and derided by others, is inescapable even today. As rollicking as the music it describes, acclaimed music critic Erin Osmon's Won't Back Down: Heartland Rock and the Fight for America (W. W. Norton & Company, 2026) tells the story of the origins, chart-topping development, and tangled legacy of heartland rock, the music that ruled the airwaves of the 1980s and remains instantly recognizable to millions. Spinning an entertaining and eye-opening account, Osmon delves into the complicated afterlife of heartland rock's classic albums and songs, including Bruce Springsteen's "Born to Run," Bob Seger's "Against the Wind," John Mellencamp's "Small Town," and Tom Petty's "I Won't Back Down." She demonstrates the centrality of often-overlooked women like Melissa Etheridge, Bonnie Raitt, and Lucinda Williams--explaining how some of the most popular music of the time was made beyond its white-male stereotypes. She traces the genre's connections to country and Americana, and reveals how legendary figures like Prince were inspired by and expanded heartland rock. And she shows how its success revitalized the careers of figures like Bob Dylan and Neil Young. Through it all, she explores the '80s cultural developments that fostered the genre--such as the rise of MTV and the switch to CDs--and argues that the music played a vital role in opposition to '80s conservatism and in support of LGBTQ rights, labor issues, and the environmental movement. A fair-minded critic with an ear for a great behind-the-scenes story, Osmon makes clear that at its best, heartland rock connected with millions of overlooked people longing to be heard. Erin Osmon is a music journalist, critic, and author of books on John Prine and Jason Molina. Her writing appears in the Los Angeles Times, New York Times, Rolling Stone, and others. She won the Deems Taylor/Virgil Thompson Award for album notes in 2023 and several LA Press Club Southern California Journalism awards. She lives in Nashville. Erin Osmon's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Hear "American Girl" or "Born in the U.S.A." and, like it or not, chances are you begin to hum along. The soundtrack of grocery stores, pool halls, bowling alleys, flea markets, chain restaurants, drug stores, and political rallies--heartland rock, while beloved by some and derided by others, is inescapable even today. As rollicking as the music it describes, acclaimed music critic Erin Osmon's Won't Back Down: Heartland Rock and the Fight for America (W. W. Norton & Company, 2026) tells the story of the origins, chart-topping development, and tangled legacy of heartland rock, the music that ruled the airwaves of the 1980s and remains instantly recognizable to millions. Spinning an entertaining and eye-opening account, Osmon delves into the complicated afterlife of heartland rock's classic albums and songs, including Bruce Springsteen's "Born to Run," Bob Seger's "Against the Wind," John Mellencamp's "Small Town," and Tom Petty's "I Won't Back Down." She demonstrates the centrality of often-overlooked women like Melissa Etheridge, Bonnie Raitt, and Lucinda Williams--explaining how some of the most popular music of the time was made beyond its white-male stereotypes. She traces the genre's connections to country and Americana, and reveals how legendary figures like Prince were inspired by and expanded heartland rock. And she shows how its success revitalized the careers of figures like Bob Dylan and Neil Young. Through it all, she explores the '80s cultural developments that fostered the genre--such as the rise of MTV and the switch to CDs--and argues that the music played a vital role in opposition to '80s conservatism and in support of LGBTQ rights, labor issues, and the environmental movement. A fair-minded critic with an ear for a great behind-the-scenes story, Osmon makes clear that at its best, heartland rock connected with millions of overlooked people longing to be heard. Erin Osmon is a music journalist, critic, and author of books on John Prine and Jason Molina. Her writing appears in the Los Angeles Times, New York Times, Rolling Stone, and others. She won the Deems Taylor/Virgil Thompson Award for album notes in 2023 and several LA Press Club Southern California Journalism awards. She lives in Nashville. Erin Osmon's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Hear "American Girl" or "Born in the U.S.A." and, like it or not, chances are you begin to hum along. The soundtrack of grocery stores, pool halls, bowling alleys, flea markets, chain restaurants, drug stores, and political rallies--heartland rock, while beloved by some and derided by others, is inescapable even today. As rollicking as the music it describes, acclaimed music critic Erin Osmon's Won't Back Down: Heartland Rock and the Fight for America (W. W. Norton & Company, 2026) tells the story of the origins, chart-topping development, and tangled legacy of heartland rock, the music that ruled the airwaves of the 1980s and remains instantly recognizable to millions. Spinning an entertaining and eye-opening account, Osmon delves into the complicated afterlife of heartland rock's classic albums and songs, including Bruce Springsteen's "Born to Run," Bob Seger's "Against the Wind," John Mellencamp's "Small Town," and Tom Petty's "I Won't Back Down." She demonstrates the centrality of often-overlooked women like Melissa Etheridge, Bonnie Raitt, and Lucinda Williams--explaining how some of the most popular music of the time was made beyond its white-male stereotypes. She traces the genre's connections to country and Americana, and reveals how legendary figures like Prince were inspired by and expanded heartland rock. And she shows how its success revitalized the careers of figures like Bob Dylan and Neil Young. Through it all, she explores the '80s cultural developments that fostered the genre--such as the rise of MTV and the switch to CDs--and argues that the music played a vital role in opposition to '80s conservatism and in support of LGBTQ rights, labor issues, and the environmental movement. A fair-minded critic with an ear for a great behind-the-scenes story, Osmon makes clear that at its best, heartland rock connected with millions of overlooked people longing to be heard. Erin Osmon is a music journalist, critic, and author of books on John Prine and Jason Molina. Her writing appears in the Los Angeles Times, New York Times, Rolling Stone, and others. She won the Deems Taylor/Virgil Thompson Award for album notes in 2023 and several LA Press Club Southern California Journalism awards. She lives in Nashville. Erin Osmon's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hear "American Girl" or "Born in the U.S.A." and, like it or not, chances are you begin to hum along. The soundtrack of grocery stores, pool halls, bowling alleys, flea markets, chain restaurants, drug stores, and political rallies--heartland rock, while beloved by some and derided by others, is inescapable even today. As rollicking as the music it describes, acclaimed music critic Erin Osmon's Won't Back Down: Heartland Rock and the Fight for America (W. W. Norton & Company, 2026) tells the story of the origins, chart-topping development, and tangled legacy of heartland rock, the music that ruled the airwaves of the 1980s and remains instantly recognizable to millions. Spinning an entertaining and eye-opening account, Osmon delves into the complicated afterlife of heartland rock's classic albums and songs, including Bruce Springsteen's "Born to Run," Bob Seger's "Against the Wind," John Mellencamp's "Small Town," and Tom Petty's "I Won't Back Down." She demonstrates the centrality of often-overlooked women like Melissa Etheridge, Bonnie Raitt, and Lucinda Williams--explaining how some of the most popular music of the time was made beyond its white-male stereotypes. She traces the genre's connections to country and Americana, and reveals how legendary figures like Prince were inspired by and expanded heartland rock. And she shows how its success revitalized the careers of figures like Bob Dylan and Neil Young. Through it all, she explores the '80s cultural developments that fostered the genre--such as the rise of MTV and the switch to CDs--and argues that the music played a vital role in opposition to '80s conservatism and in support of LGBTQ rights, labor issues, and the environmental movement. A fair-minded critic with an ear for a great behind-the-scenes story, Osmon makes clear that at its best, heartland rock connected with millions of overlooked people longing to be heard. Erin Osmon is a music journalist, critic, and author of books on John Prine and Jason Molina. Her writing appears in the Los Angeles Times, New York Times, Rolling Stone, and others. She won the Deems Taylor/Virgil Thompson Award for album notes in 2023 and several LA Press Club Southern California Journalism awards. She lives in Nashville. Erin Osmon's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tully Kennedy is a bassist, writer and producer. He has been Jason Aldean's bassist for over 25 years and co-wrote numerous hits, including the Billboard #1 "Try That in a Small Town". Tully grew up in the small town of Redford in upstate New York. He received his first CMA Triple Play Award, for the Jason Aldean hits that reached #1 in a 12-month span: “Blame It On You”, “Trouble With A Heartbreak”, and “If I Didn't Love You” (with Carrie Underwood). He was onstage with Jason Aldean and his other band members in 2017 in Las Vegas when a mass shooter opened fire on the band and about 22,000 audience members. More than 50 people died and hundreds were injured. A bullet barely missed Tully, hitting and lodging itself in his bass guitar. The day after the Vegas shooting, Tom Petty died. Five days later, Jason Aldean and the band did the cold open for "Saturday Night Live", covering and recording the Petty song "I Won't Back Down". Tully and his "Try That in a Small Town" co-writers have a podcast by the same name where they interview guests and discuss music, ideas, politics, and culture.

What happens when we stop gripping so tightly to control, perfection, old expectations, and the belief that leaders should have every answer? Jerri and Jamie sit down with educator, leader, and author Glenn Robbins to explore the central idea behind his new book, Unclench Your Fist. Drawing on stories from history and his own leadership journey, Glenn shares practical lessons about trust, intention, and knowing when to let go.The conversation invites leaders, educators, and anyone who supports others to consider a deceptively simple question: What are you holding onto that may be holding you back? Sometimes leadership doesn't call for a tighter grip. It asks us to open our hands, make room for others, and release some of the pressure we put on ourselves.---ABOUT OUR GUESTGlenn Robbins is the proud Superintendent of the Brigantine Public School District in Brigantine, New Jersey. He has served as a public school superintendent in New Jersey since 2016. Prior to becoming a superintendent, he was a middle school principal, a high school assistant principal, a high school social studies teacher, and a high school varsity coach. He is also the best selling author of “Calm In The Chaos: Ancient Stoic Wisdom for Successful School Leadership”, “I Won't Back Down: How Educators Can Turn Rejection Into Redirection”, and “Unclench Your Fist: The Leader's Guide To Making The Hard Call (And Surviving It).---SUBSCRIBE TO THE SERIES: ⁠⁠⁠YouTube⁠⁠⁠ | ⁠⁠⁠Spotify⁠⁠⁠ | ⁠⁠⁠Apple Podcasts⁠⁠⁠ | ⁠⁠⁠YouTube Music⁠⁠⁠ | ⁠⁠⁠Overcast⁠⁠⁠FOLLOW US: ⁠⁠⁠Website⁠⁠⁠ | ⁠⁠⁠Facebook⁠⁠⁠ | ⁠⁠⁠Twitter⁠⁠⁠ | ⁠⁠⁠LinkedIn⁠⁠⁠POWERED BY CLASSLINK: ClassLink provides one-click single sign-on into web and Windows applications, and instant access to files at school and in the cloud. Accessible from any computer, tablet, or smartphone, ClassLink is ideal for 1to1 and Bring Your Own Device (BYOD) initiatives. Learn more at ⁠⁠⁠classlink.com⁠⁠⁠.

Catch up with or listen again to Going Indieground broadcast on Mad Wasp Radio week commencing 24 August 2026. The first hour of the show features songs released August 1991. On this show you can hear:Saint Etienne – Only Love Can Break Your HeartMidway Still – I Won’t TrySoup Dragons – Electric BluesTelevision Personalities – … Continue reading →

Get it here: found.ee/CROWD012 Deas joins the CROWD family with ‘Silent Tension', a refined EP that channels the Polish producer's signature blend of hypnotic groove and hardware driven production. Known for his precise studio craftsmanship and deeply intuitive approach to groovy techno, Deas has steadily built a reputation as one of the standout figures of the contemporary Polish scene. Through years of releases and international touring, he has developed a sound that feels both timeless and unmistakably personal, as proven on the label's 12th record. Opening track ‘I Won't Cry' immediately sets the tone with classy vocal sampling from Loleatta Holloway, warm chord progressions and rolling swung percussion anchored by Deas' characteristically rich bass. Following up, ‘Waterfall' introduces bleepy modular sequences and chopped vocal fragments, with a sweeping drone synth cutting through the mix above the track's rolling bass. On the flip side, ‘Silent Tension' continues deeper into minimal territory, combining crisp clap fills, subtle vocal chops and delayed chord repetitions into a slow burning groove. The vinyl's closing cut ‘Where Do They Go' brings dense low end weight and fast dubby chord stabs, accompanied by sharply placed vocal cuts, creating a track that balances restraint and impact. The digital addition ‘Here Again' is a classic Deas production, characterised by repetitive synth stabs that gradually transform the cut into a hypnotic hook, while stripped back percussion and a powerful kick give the track a commanding presence. Throughout CROWD012, Deas remains firmly focused on groove and subtlety, while retaining a strong impact. The tracks unfold patiently, with a focus on tension, repetition and gradual escalation, maintaining the hypnotic functionality that has become both Deas' trademark and a defining characteristic of the sound of the label founded by FJAAK and Ellie Acula. The 'Silent Tension' EP stands as a sophisticated and deeply effective club record that further cements Deas as one of the most distinctive voices in contemporary techno.

Get it here: found.ee/CROWD012 Deas joins the CROWD family with ‘Silent Tension', a refined EP that channels the Polish producer's signature blend of hypnotic groove and hardware driven production. Known for his precise studio craftsmanship and deeply intuitive approach to groovy techno, Deas has steadily built a reputation as one of the standout figures of the contemporary Polish scene. Through years of releases and international touring, he has developed a sound that feels both timeless and unmistakably personal, as proven on the label's 12th record. Opening track ‘I Won't Cry' immediately sets the tone with classy vocal sampling from Loleatta Holloway, warm chord progressions and rolling swung percussion anchored by Deas' characteristically rich bass. Following up, ‘Waterfall' introduces bleepy modular sequences and chopped vocal fragments, with a sweeping drone synth cutting through the mix above the track's rolling bass. On the flip side, ‘Silent Tension' continues deeper into minimal territory, combining crisp clap fills, subtle vocal chops and delayed chord repetitions into a slow burning groove. The vinyl's closing cut ‘Where Do They Go' brings dense low end weight and fast dubby chord stabs, accompanied by sharply placed vocal cuts, creating a track that balances restraint and impact. The digital addition ‘Here Again' is a classic Deas production, characterised by repetitive synth stabs that gradually transform the cut into a hypnotic hook, while stripped back percussion and a powerful kick give the track a commanding presence. Throughout CROWD012, Deas remains firmly focused on groove and subtlety, while retaining a strong impact. The tracks unfold patiently, with a focus on tension, repetition and gradual escalation, maintaining the hypnotic functionality that has become both Deas' trademark and a defining characteristic of the sound of the label founded by FJAAK and Ellie Acula. The 'Silent Tension' EP stands as a sophisticated and deeply effective club record that further cements Deas as one of the most distinctive voices in contemporary techno.

Get it here: found.ee/CROWD012 Deas joins the CROWD family with ‘Silent Tension', a refined EP that channels the Polish producer's signature blend of hypnotic groove and hardware driven production. Known for his precise studio craftsmanship and deeply intuitive approach to groovy techno, Deas has steadily built a reputation as one of the standout figures of the contemporary Polish scene. Through years of releases and international touring, he has developed a sound that feels both timeless and unmistakably personal, as proven on the label's 12th record. Opening track ‘I Won't Cry' immediately sets the tone with classy vocal sampling from Loleatta Holloway, warm chord progressions and rolling swung percussion anchored by Deas' characteristically rich bass. Following up, ‘Waterfall' introduces bleepy modular sequences and chopped vocal fragments, with a sweeping drone synth cutting through the mix above the track's rolling bass. On the flip side, ‘Silent Tension' continues deeper into minimal territory, combining crisp clap fills, subtle vocal chops and delayed chord repetitions into a slow burning groove. The vinyl's closing cut ‘Where Do They Go' brings dense low end weight and fast dubby chord stabs, accompanied by sharply placed vocal cuts, creating a track that balances restraint and impact. The digital addition ‘Here Again' is a classic Deas production, characterised by repetitive synth stabs that gradually transform the cut into a hypnotic hook, while stripped back percussion and a powerful kick give the track a commanding presence. Throughout CROWD012, Deas remains firmly focused on groove and subtlety, while retaining a strong impact. The tracks unfold patiently, with a focus on tension, repetition and gradual escalation, maintaining the hypnotic functionality that has become both Deas' trademark and a defining characteristic of the sound of the label founded by FJAAK and Ellie Acula. The 'Silent Tension' EP stands as a sophisticated and deeply effective club record that further cements Deas as one of the most distinctive voices in contemporary techno.

Get it here: found.ee/CROWD012 Deas joins the CROWD family with ‘Silent Tension', a refined EP that channels the Polish producer's signature blend of hypnotic groove and hardware driven production. Known for his precise studio craftsmanship and deeply intuitive approach to groovy techno, Deas has steadily built a reputation as one of the standout figures of the contemporary Polish scene. Through years of releases and international touring, he has developed a sound that feels both timeless and unmistakably personal, as proven on the label's 12th record. Opening track ‘I Won't Cry' immediately sets the tone with classy vocal sampling from Loleatta Holloway, warm chord progressions and rolling swung percussion anchored by Deas' characteristically rich bass. Following up, ‘Waterfall' introduces bleepy modular sequences and chopped vocal fragments, with a sweeping drone synth cutting through the mix above the track's rolling bass. On the flip side, ‘Silent Tension' continues deeper into minimal territory, combining crisp clap fills, subtle vocal chops and delayed chord repetitions into a slow burning groove. The vinyl's closing cut ‘Where Do They Go' brings dense low end weight and fast dubby chord stabs, accompanied by sharply placed vocal cuts, creating a track that balances restraint and impact. The digital addition ‘Here Again' is a classic Deas production, characterised by repetitive synth stabs that gradually transform the cut into a hypnotic hook, while stripped back percussion and a powerful kick give the track a commanding presence. Throughout CROWD012, Deas remains firmly focused on groove and subtlety, while retaining a strong impact. The tracks unfold patiently, with a focus on tension, repetition and gradual escalation, maintaining the hypnotic functionality that has become both Deas' trademark and a defining characteristic of the sound of the label founded by FJAAK and Ellie Acula. The 'Silent Tension' EP stands as a sophisticated and deeply effective club record that further cements Deas as one of the most distinctive voices in contemporary techno.

Get it here: found.ee/CROWD012 Deas joins the CROWD family with ‘Silent Tension', a refined EP that channels the Polish producer's signature blend of hypnotic groove and hardware driven production. Known for his precise studio craftsmanship and deeply intuitive approach to groovy techno, Deas has steadily built a reputation as one of the standout figures of the contemporary Polish scene. Through years of releases and international touring, he has developed a sound that feels both timeless and unmistakably personal, as proven on the label's 12th record. Opening track ‘I Won't Cry' immediately sets the tone with classy vocal sampling from Loleatta Holloway, warm chord progressions and rolling swung percussion anchored by Deas' characteristically rich bass. Following up, ‘Waterfall' introduces bleepy modular sequences and chopped vocal fragments, with a sweeping drone synth cutting through the mix above the track's rolling bass. On the flip side, ‘Silent Tension' continues deeper into minimal territory, combining crisp clap fills, subtle vocal chops and delayed chord repetitions into a slow burning groove. The vinyl's closing cut ‘Where Do They Go' brings dense low end weight and fast dubby chord stabs, accompanied by sharply placed vocal cuts, creating a track that balances restraint and impact. The digital addition ‘Here Again' is a classic Deas production, characterised by repetitive synth stabs that gradually transform the cut into a hypnotic hook, while stripped back percussion and a powerful kick give the track a commanding presence. Throughout CROWD012, Deas remains firmly focused on groove and subtlety, while retaining a strong impact. The tracks unfold patiently, with a focus on tension, repetition and gradual escalation, maintaining the hypnotic functionality that has become both Deas' trademark and a defining characteristic of the sound of the label founded by FJAAK and Ellie Acula. The 'Silent Tension' EP stands as a sophisticated and deeply effective club record that further cements Deas as one of the most distinctive voices in contemporary techno.

Dawn Ledet sold her car to force herself into normal hours. Two miles walking through New Orleans pre-dawn darkness, hotel exec life crushing her, and one question stopped her dead: *Why am I having to force myself to do this?* That's the entry wound. Twenty-plus years executive leadership, six thousand coaching hours, and she'll tell you straight — self-trust isn't a mindset. It's a strategic advantage. A choice. Not a label you earn. We sit in the difference between *I can't* and *I won't*. Feel it in your chest. One shrinks you. The other hands you the keys. Dawn's 3E Method — Envision, Execute, Embody — flips traditional goal setting on its head. You don't follow through to build trust. You choose trust, then express it. The follow-through is just the receipt. She calls the noise in your head the Lobby. All-or-nothing thinking, your mother's voice, that mentor's praise, your own doubts screaming over each other. Most of us try to drown it with podcasts, TV, audiobooks — anything to not sit in the silence. Dawn did a three-year consumption fast. Didn't mean to. Just... kept going. Three years. The Inner Room is where your actual intuition lives. Not the Lobby. You visit. You don't move in. Monks do that. You've got a business to run. Comfort plans. Discomfort tolerance. The obstacles aren't roadblocks — they're the milestones proving you're on the path. And she rejects the whole self-sabotage industrial complex. No inner critic. No victim. No judge. Just you. Whole. Feeling angry when you want to. Owning it. Your internal sports agent negotiating the terms. This isn't soft skills. This is the hard infrastructure underneath every decision you'll make tomorrow. Listen if you're tired of fighting yourself. Listen if the external validation well ran dry. Listen if you're ready to stop drowning the Lobby and start walking into the Room. Key Insights The Lobby vs. The Inner Room Your mind's lobby is full of noise — all-or-nothing thinking, your mother's voice, that mentor's praise, your own doubts screaming over each other. The Inner Room is where your actual intuition lives. You visit it. You don't move in. I Can't vs. I Won't One shrinks you. The other hands you the keys. 'Can't' is a disguise for fear; 'won't' is a declaration of boundary. Feel the difference in your chest. The 3E Method: Envision, Execute, Embody Dawn flips traditional goal setting on its head. You don't follow through to build trust. You choose trust, then express it. The follow-through is just the receipt. The Three-Year Consumption Fast Dawn did three years without podcasts, TV, audiobooks — anything to avoid sitting in silence. The Inner Room doesn't need drowning. It needs visiting. Comfort Plans & Discomfort Tolerance Obstacles aren't roadblocks — they're the milestones proving you're on the path. Comfort plans let you navigate discomfort without abandoning your long-term desires. No Self-Sabotage Industrial Complex Dawn rejects the whole framework. No inner critic. No victim. No judge. Just you. Whole. Feeling angry when you want to. Owning it. Your internal sports agent negotiating the terms. Key Takeaways ·         Self-trust is a strategic choice you make in the moment — not a mindset you build over time. ·         Procrastination and 'self-sabotage' are labels that strip agency; reframing them as choices ('I won't' vs 'I can't') restores power. ·         The 'Lobby' (mental noise) doesn't need silencing — it needs relating to. The 'Inner Room' (intuition) is visited, not inhabited. ·         Discomfort is inevitable; comfort plans let you navigate it without abandoning your long-term desires. ·         A unified internal front — no critic, no victim, no judge — is the infrastructure beneath sustainable follow-through.   www.theselftrustcoach.com

About: A seventh episode featuring emotional and poignant themes. Even if you have never heard of these songs in this episode during their respective moments, they are sure to make you feel something solely from their music alone. Artwork: Xenoblade Chronicles 3 00:00 - Acheronita Styx [The House In Fata Morgana] by Mellok'n > 02:52 - Blue Tears [Rogue Galaxy] by Tomohito Nishiura > 04:13 - Reminiscing ~ The DL-6 Incident [Phoenix Wright: Ace Attorney] by Masakazu Sugimori > 06:12 - Castti, The Apothecary [Octopath Traveller II] by Yasunori Nishiki > 09:44 - A Life Protected [Xenoblade Chronicles 3] by ACE, Yasunori Mitsuda > 12:48 - Dream, Teague [Legend of Legaia] by Michiru Oshima > 14:23 - The Prophet [Lufia II: Rise Of The Sinistrals] by Yasunori Shiono > 16:20 - I Won't Forget [Secret Of Mana] by Hiroki Kikuta > 18:17 - Days Of Sorrow [Grandia Online] by Noriyuki Iwadare > 21:24 - Parting [Lufia & The Fortress Of Doom] by Yasunori Shiono > 24:05 - Unforgettable Sorrow [Final Fantasy IX] by Nobuo Uematsu > 27:28 - Memories [Gurumin] by Falcom Sound Team JDK > 30:42 - From Anxiety to Impatience [Wild Arms] by Michiru Naruke > 32:37 - Watcher [1000xResist] by Drew Redman > 35:32 - Painted Skies [Final Fantasy XIV: Heavensward] by Yukiko Takada > 39:18 - Cry-A-Live [Live-A-Live] by Yoko Shimomura > 42:07 - The Legendary Theme (Acoustic) [Gitaroo Man] by COIL > pixelbeatpod@icloud.com > 

This week, hosts Jim DeRogatis and Greg Kot talk with author Erin Osmon about her new book on "heartland rock." She argues that artists like John Mellencamp and Tom Petty filled stadiums in the 1980s, but also pushed back against the politics of the Reagan era. The hosts also pay tribute to Irish troubadour Glen Hansard.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/4frcVZoMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Tom Petty and the Heartbreakers, "I Won't Back Down," Full Moon Fever, MCA, 1989The Beatles, "With a Little Help from My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Frames, "Fitzcarraldo," Fitzcarraldo, ZTT, 1995The Swell Season, "Falling Slowly (Live On Sound Opinions)," Swell Season, Overcoat, 2006Bruce Springsteen, "Born In The U.S.A.," Born In The U.S.A., Columbia, 1984John Cougar Mellencamp, "Pink Houses," Uh-Huh, Riva, 1983Bob Seger & The Silver Bullet Band, "Like A Rock," Like A Rock, Capitol, 1986Neil Young, "Keep On Rockin' In The Free World (Live on SNL)," Freedom, Reprise, 1989Tom Petty and the Heartbreakers, "Don't Come Around Here No More," Southern Accents, MCA, 1985Bonnie Raitt, "Nick Of Time," Nick Of Time, Capitol, 1989Stephen Wilson Jr., "Gary," (Single), Big Loud, 2026Don Henley, "The Boys of Summer," Building the Perfect Beast, Geffen, 1984John Cougar Mellencamp, "Rain on the Scarecrow," Scarecrow, Riva, 1986Buddy Guy, "Baby Please Don't Leave Me," Sweet Tea, Silvertone, 2001See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Pearl Jam kicked off their 2023 tour in St. Paul, Minnesota, a place that they hadn't played in nine years. Many people will remember the 2014 show for having unfortunate timing being sandwiched in between legendary full album shows that took place in Moline and Milwaukee, but Minnesota has had a great history with this band and these first two shows are proof that there's no lack of big moments taking place in the Twin Cities. After a few very welcome surprises on night one, night two was set up to have big shoes to fill, and we'll break it all down here in this episode. This show is filled with great moments, and as Ed would state, the theme of the night would revolve around friends. They had plenty of friends in the crowd as the Minnesotans brought their A-game singing loudly on songs like Pendulum, Daughter, Corduroy and a very heartfelt tribute for I Won't Back Down. This show is also a rare "touch 'em all" show where all eleven studio albums out at that time were represented on the setlist, including some that rarely get busted out like Nothing As It Seems, Severed Hand and what will likely be the final appearance of Take The Long Way. But when in Minnesota, there's no better way to play up to the local crowd than to pay tribute to their most prized hometown artist - Prince. Along with the full rundown of the show, we will spend time eulogizing the late Glen Hansard and discuss his impact on the Pearl Jam community as well as the entire music community as a whole. Visit The Concertpedia - http://liveon4legs.com Contact The Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs

I Won't Go BackPastor Frank Gilbert Sunday Night Service August 02, 2026Background Music Provided By: Pixabay

Sprawa zaginięcia Iwony Wieczorek od ponad 16 lat pozostaje jedną z największych tajemnic kryminalnych w Polsce. Co sprawiło, że mimo ogromnej liczby materiałów, przesłuchań i hipotez nadal nie znamy odpowiedzi na podstawowe pytanie: co wydarzyło się tamtej nocy?Gościnią Anny Kolasinskiej jest Aldona Błaszczyk-Szostak — współzałożycielka Fundacji Na Tropie i żona śp. Janusza Szostaka, dziennikarza śledczego, który poświęcił tej sprawie wiele lat życia. Aldona opowiada o poszukiwaniach w Parku Reagana, analizie akt, spotkaniach z matką Iwony oraz kulisach pracy, która z czasem całkowicie przeniknęła do ich prywatnego życia.W rozmowie wracają najgłośniejsze wątki sprawy: buty zabrane przez Iwonę, remont łazienki, mężczyzna z ręcznikiem, domniemana zmowa milczenia i hipoteza, że rozwiązanie może znajdować się znacznie bliżej jej domu, niż przez lata zakładano.

This week, hosts Jim DeRogatis and Greg Kot dig into a record review roundup full of summertime releases. The hosts discuss new albums from Olivia Rodrigo, Jack White, Margo Price, Robyn Hitchcock, and Swamp Dogg.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/4frcVZoMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Robyn Hitchcock, "Yesterday's Rain," The Confuser, TINY GHOST, 2026The Beatles, "With a Little Help from My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Olivia Rodrigo, "Drop Dead," You Seem Pretty Sad for a Girl So in Love, Geffen, 2026Olivia Rodrigo, "Purple," You Seem Pretty Sad for a Girl So in Love, Geffen, 2026Olivia Rodrigo, "What's Wrong with Me," You Seem Pretty Sad for a Girl So in Love, Geffen, 2026Jack White, "G.O.D. and the Broken Ribs," Frozen Charlotte, Third Man, 2026Jack White, "Neighbors Blues," Frozen Charlotte, Third Man, 2026Jack White, "Derecho Demonico," Frozen Charlotte, Third Man, 2026Jack White, "Dollar Bill," Frozen Charlotte, Third Man, 2026Margo Price, "San Marcos," Days of Unrest, Loma Vista, 2026Margo Price, "Oval Room," Days of Unrest, Loma Vista, 2026Margo Price, "Long Haired Country Girl (featuring Billy Swan)," Days of Unrest, Loma Vista, 2026Margo Price, "Deportee (Plane Wreck at Los Gatos) (featuring Joan Baez & Memphis Mariachi)," Days of Unrest, Loma Vista, 2026Robyn Hitchcock, "I Am This Thing," The Confuser, Tiny Ghost, 2026Robyn Hitchcock, "Building From The Ruins," The Confuser, Tiny Ghost, 2026Robyn Hitchcock, "My Dead Astronaut," The Confuser, Tiny Ghost, 2026Robyn Hitchcock, "Breathless," The Confuser, Tiny Ghost, 2026Swamp Dogg, "Waka Waka Waka (feat. Gary U.S. Bonds)," Swamp Dogg Contemplates the Afterlife, S-Curve, 2026Swamp Dogg, "Searching For Heaven," Swamp Dogg Contemplates the Afterlife, S-Curve, 2026Swamp Dogg, "Please Don't Bury Me," Swamp Dogg Contemplates the Afterlife, S-Curve, 2026The Feelies, "Slipping (Into Something)," The Good Earth, Rough Trade, 1986The Feelies, "Slipping (Into Something) (Live at 40 Watt Club, Athen, GA)," The Good Earth, Rough Trade, 1986Texas Tornados, "(Hey Baby) Que Pasó," Texas Tornados, Reprise, 1990Neil Young, "Old Man," Harvest, Reprise, 1972Tom Petty, "I Won't Back Down," Full Moon Fever, MCA, 1989See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

ReferencesSci Rep. 2022 May 18;12(1):8289.Mol Biol Cell. 2009 Mar 1;20(5):1454–1463. Cells. 2020 Sep; 9(9): 2125.Mol Biomed. 2025 Oct 22;6:83Guerra, DJ.2026. Unpublished LecturesSpringsteen, B. 1976. Blinded by the Light. Manfred Mannhttps://music.youtube.com/watch?v=33ptulhhQPg&si=j0k63w6aEsQ9Jg9fPage/Plant.1973. Over the Hills Led Zepplinhttps://open.spotify.com/track/2eDdFHgqNJltzlvlZFVDWd?si=3e466d97fa364802Tempchin, j. 1972 Peaceful Easy Feeling. Eagles. https://open.spotify.com/track/40h65HAR8COEoqkMwUUQHu?si=3fa71f3dee3344b9Petty, T. 1989 I Won't Back Downhttps://open.spotify.com/track/7gSQv1OHpkIoAdUiRLdmI6?si=3500edc1f25f49bb

Country Music Hall of Famer, Nashville Songwriters Hall of Famer, 2-time Country Song of the Year GRAMMY winner, and 5-time BMI Country Songwriter of the Year Paul Overstreet gives us a peek behind the curtain of his legendary career. PART ONE: Scott does his best not to throw a certain individual under the bus with a very funny story involving Paul Overstreet. Plus, the guys pay tribute to the late Joe Melson, past Songcraft guest and primary Roy Orbison collaborator. PART TWO: Our in-depth conversation with Paul OverstreetABOUT PAUL OVERSTREET Paul Overstreet is one of the most successful songwriters in Nashville history and among the three inductees in the Country Music Hall of Fame's class of 2026. His catalog of classics includes “Same Ole Me,” recorded by George Jones, as well as the Randy Travis hits “Digging Up Bones,” “No Place Like Home,” “Deeper Than the Holler,” “On the Other Hand,” and “Forever and Ever, Amen.” The latter two were both named Song of the Year by NSAI, the CMA, and the ACM. Additionally, “Forever and Ever, Amen” earned a Grammy award for Best Country Song in 1988. Overstreet won another Best Country Song Grammy in 1992 for “Love Can Build a Bridge,” which was a major hit for The Judds.  Other highlights of the Paul Overstreet songbook include the number one hits “A Long Line of Love,” recorded by Michael Martin Murphy,” “When You Say Nothing at All,” which was a hit for both Keith Whitley and Alison Krauss, and “Some Beach” for Blake Shelton. In addition to his achievements with other performers, Overstreet became a successful recording artist in his own right. He reached the top of the charts in 1987 with “I Won't Take Less Than Your Love,” which he recorded with Tanya Tucker and Paul Davis, and had hits with the group S-K-O, a trio he formed with Thom Schuyler and Fred Knobloch. From 1988 through 1991 Paul scored eight consecutive top 10 singles as a solo artist, including “Seein' My Father in Me” and “Daddy's Come Around.”  Paul was named BMI's Country Songwriter of the year five years in a row from 1987 through 1991, a feat that hasn't been duplicated since. He was inducted into the Nashville Songwriters Hall of Fame in 2003.    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of So Many Sequels, Josh Gammon, Garrett Powders, and David Prock dig into Disney's 1997 Hercules for week three of Mythology Month — the extremely American, gospel-choir version of the Greek myth that somehow still works.In this episode:-The wild casting history behind Hades-Why the Muses might be the best storytelling device in any Disney movie-Disney's Americanization of Greek mythology, and why the backlash from Greece makes sense-Ranking "Go the Distance," "Zero to Hero," and "I Won't Say (I'm in Love)"-The Michael Bolton needle drop nobody saw coming-Three different star ratings — and the real Letterboxd numberSo Many Sequels is your book club for movies.Follow along: Website: somanysequels.com Instagram: @somanysequelspod

Episode 1664: I Won.

Episode 1664: I Won.

Músicas de tránsito atlántico y mestizaje global, tradiciones afrodescendientes, herencias ibéricas y lenguajes contemporáneos de la canción y el jazz. Clásicos de Músicas posibles en sus 30 años.Sou Eu — Virgínia Rodrigues con Tiganá Santana — Mama Kalunga Mama Kalunga — Tiganá Santana — Mama Kalunga Land of Love — Lokua Kanza — Lokua Chan Chan — Buena Vista Social Club — Buena Vista Social Club Cabo Verde Mandá Manténha — Cesária Évora — Café Atlântico World Citizen – I Won’t Be Disappointed/Looped Piano — Ryuichi Sakamoto — Chasm Balança Pema — Marisa Monte — Verde, Anil, Amarelo, Cor de Rosa e Carvão La Curva — Bill Frisell con Vinicius Cantuária — The Intercontinentals Debí Llorar — Javier Colina Trío y Sílvia Pérez Cruz — En la Imaginación Parte del aire — Fito Páez y Luis Alberto Spinetta — La La La My Heart, My Life — Nusrat Fateh Ali Khan y Michael Brook — Night Song Plus rien ne m’étonne — Tiken Jah Fakoly — Coupe de Gueule Minha flor — Gilsons — Eu Vejo Luz Em Maior Proporção Do Que Eu Vejo A Escuridão Mati Mati — Mario Lucio — IndependanceEscuchar audio

Lead Pastor Dan Vera closes out the Unashamed series with a powerful message titled "I Won't Stay Silent". 

Hello to you listening in Pristina, Kosovo! Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Story Prompt Friday and your host, Diane Wyzga. The things we take for granted, like a song we've heard over and over. I wondered: what's the story behind “I Won't Back Down” by Tom Petty and the Heartbreakers?  "I Won't Back Down" was born from sheer defiance after a targeted act of arson in May 1987 burned Tom Petty's Los Angeles home to the ground. Petty refused to move away. Instead, he rebuilt on the same plot of land and channeled his trauma into a song of defiance. The message of resilience in the face of adversity became a universal mantra for overcoming any struggle.     Maybe like me you've acted against your own better wisdom, saying 'yes' instead of 'no', going along to get along, or something else. You know what I'm talking about. Maybe like me you finally figured out a better way to live. We've got just one life. In a world that keeps pushing us around we stand our ground, we won't back down! Story Prompt: When have you backed down because someone or something was pushing you around? No more.  You know how to stand your ground! Write that story and share it out loud!   You're always welcome: "Come for the stories - Stay for the magic!" Speaking of magic, I hope you'll subscribe, share a 5-star rating and nice review on your social media or podcast channel of choice, bring your friends and rellies, and join us! You will have wonderful company as we continue to walk our lives together. AND!  Stop by my Quarter Moon Story Arts website during reconstruction, email me [info@quartermoonstoryarts.net] to arrange a no-obligation Discovery Call, and stay current with me as Quarter Moon Story Arts on Substack. Stories From Women Who Walk Production Team Podcaster: Diane F Wyzga & Quarter Moon Story Arts Music: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron Music ALL content and image © 2019 to Present Quarter Moon Story Arts. All rights reserved.  If you found this podcast episode helpful, please consider sharing and attributing it to Diane Wyzga of Stories From Women Who Walk podcast with a link back to the original source.

I Won't Come Down – Staying Focused on What Matters Most In this episode, we explore the power of focus and perseverance. Through Nehemiah's story, discover how distractions can pull us away from what matters most—and why learning to say “I am doing a great work, and I won't come down” could change everything.

Choice Classic Radio presents The Mysterious Traveler, featuring today's episode titled “I Won't Die Alone.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!

Ep 373 – Fully Loaded 1999 “End of a Era” Time to play the Game 0:25 - Welcome 12:08 - FL Opening 13:57 - Edge vs Jeff Jarrett (w/ Debra) for the WWF Intercontinental Championship 21:05 - The Acolytes (Bradshaw/Faarooq) vs the Hardy Boyz (Matt/Jeff Hardy) and Michael Hayes for the WWF Tag Team Championships in an “Acolyte Rules” match 27:46 - D'Lo Brown vs Mideon for the WWF European Championship 31:23 - Al Snow (w/ Head) vs Big Boss Man for the WWF Hardcore Championship 36:13 - Big Show vs Kane with Hardcore Holly as the special guest referee 39:06 - “The Lethal Weapon” Steve Blackman vs Ken Shamrock in an Iron Circle match 42:43 - Chyna and Mr Ass Billy Gunn vs Road Dogg Jesse James and X-Pac for the rights to the D-Generation X name 48:18 - HHH vs the Rock in a Strap match to be the #1 contender for the WWF Championship 55:59 - Undertaker vs Stone Cold Steve Austin in a First Blood End of an Era match for the WWF Championship 1:02:03 - Overall Thoughts 1:04:20 - Smarking It Up 1:13:10 - Ready to Rumble – Behind the Rising Sun (1944) 1:17:23 - Goodbyes Music from this week's show is “Step on It Watson” by Beamish and “I Won't Do What You Tell Me” by Jim Johnston Rate and review us on iTunes, Spotify, YouTube, or wherever you find your podcasts Email – WrestlingHistoryX@gmail.com X – WrestlingHistoX

Ep. 364 I Won't Back Down - Rev Sue MillerBorn From the Sunday Service at the Center for Spiritual Living in Redding on 5-24-26

Musician and artist Jaclyn Dima talks about growing up in a musical family, finding her way through open mics and teaching, and returning to music with her latest single “I Won't Dance For You.” We also get into genre hopping, perfectionism, and why she refuses to pick just one lane.Key Takeaways:You never really stop being a student, especially if you're building a creative life.Sometimes the path that works is the one you accidentally fall into, then choose to keep following.Not every artist needs to pick one genre lane, especially when the audience connects with the person behind the work.Details matter but at some point you have to stop tweaking and release the thing.Joy is part of the creative process too.Follow Jaclyn:Instagram LinktreeFollow Creatives Prevail:InstagramTikTokWebsiteWant more reminders that creative growth does not always follow a straight line? Sign up for The Monthly Scramble for featured episodes, collaboration ideas, creator takeaways, and more stories from artists who keep finding their way forward.Want to take a moment to recommend RootNote, a platform that helps creators track their stats and growth across multiple platforms, and makes it easy to share clean analytics with potential partners without constantly updating your one sheet or sponsorship deck. It's also especially useful for agencies managing creator rosters.They're also currently offering a course with step-by-step lessons on how creators can secure brand deals and build better partnerships.Use code CREATIVESPREVAIL for 30% off the $297 course plus RootNote Premium access at rootnote.co. And yes, we get a commission.Note: We ONLY make recommendations for products and services that we have tried ourselves and believe in their results as well as the people behind them.We would love to hear from you! Please give us a review, this really helps get others to listen in. Any suggestions on how we can improve? DM us on Instagram or TikTok.Host: Mike ZimmerlichProduced by: Omelette PrevailPost-Production: EarthtoMoiraMusic by: Daphne GreeneTech Specs:Mic and Headphone Setup:Limelight Dynamic Mic (512 Audio / Warm Audio)Vocaster One (Focusrite)MBS9500 Microphone Boom Arm (On-Stage)Pro X2 Headphones (Logitech)Light Setup:Litra Beam (Logitech)Glide Lively Wall Lights (Govee)Squares (Twinkly)Key Light (Elgato)

Happened In the 90's hosted by Steve and Matt picks a day, any day, and then goes back in time to that magical decade we all know and love the 90's, to revisit episodes of tv, movies that premiered, or cultural events that occurred on that day in the 90's. This week Steve & Matt give Kelly Coffield her flowers, letigious hotel guests, & Puerto Rican Day parades!!!SEGMENT 1Show: The Jamie Foxx ShowEpisode: “I've Fallen and I Won't Get Up” (Season 1 | Episode: 21)Premiere Date: 5/7/1998Story: When a guest fakes an injury so she can sue the hotel, Jamie must expose her lies.SEGMENT 2Show: SeinfeldEpisode: "The Puerto Rican Day” (Season 9 | Episode: 20)Premiere Date: 5/7/1998Story: Jerry, George, Kramer and Elaine get stuck in standstill traffic due to the massive Puerto Rican Day Parade.

Partnerem dzisiejszego odcinka jest PsiBufet. Z kodem promocyjnym HERRING40 czeka na Was 40% zniżki na pierwsze dwa zamówienia .Zamów tutaj: ⁠https://psibufet.pl/herring40⁠Iwona Walczak to nastolatka z Gliwic. Dobrze się uczy, ma pasje i kocha życie. W nocy 19 lutego 2008 roku odbiera tajemniczy telefon, wychodzi z domu i nigdy już do niego nie wraca. Kto dzwonił, co chciał i co spotkało Iwonę?Źródła:⁠https://docs.google.com/spreadsheets/d/1u-XTtSiviI37aOHpdUHsQ9YrabFl8svIZ-Ai6bvKlWQ/edit?usp=sharing

Ep 369 – WWF Monday Night RAW 06/28/1999 Austin has one more surprise 0:26 – Welcome 10:09 - RAW Opening 15:00 - Ken Shamrock vs Steve Blackman in a Weapons match 20:42 - Meat (w/ PMS (Jacqueline, Ryan Shamrock and Terri Runnels) vs Chaz (w/ Marianna) 23:39 - Hardcore Holly vs Kane 26:08 - The Rock vs HHH (w/ Chyna) 28:26 - The Godfather (w/ ho's) vs Edge 30:43 - Mr Ass Billy Gunn vs Bradshaw (w/ Faarooq) for the WWF Tag Team Championship 37:27 - Jeff Jarrett (w/ Debra) vs X-Pac for the WWF Intercontinental Championship 40:41 - Undertaker (w/ Paul Bearer) vs Stone Cold Steve Austin for the WWF Championship 45:20 - Overall Thoughts 50:36 - Smarking It Up 58:25 - Ready to Rumble – Swing Fever (1943) 1:03:36 - Goodbyes Music from this week's show is “Thorn in My Eye” by Jim Johnston and “I Won't Do What You Tell Me” by Jim Johnston Rate and review us on iTunes, Spotify, YouTube, or wherever you find your podcasts Email – WrestlingHistoryX@gmail.com X – WrestlingHistoX

Drop us a line and say "Hi!"The Home Show, Mansplaining, We Don't Need to Be Right - Just Correct and I Won't Make Myself Smaller For You

I Won't Come Down by

Summary: This message reveals how Christ took our place on the cross to reconcile us to God, transforming us from enemies into forgiven children who must now stay anchored in that truth rather than drifting back to old identities.Series: ColossiansTitle: Part 4: I Won't Go BackDate: 4/8/26, 6:30pm, Wednesday Bible StudySpeaker: Pastor Scott AndersonApproximate Outline:00:00 - Introduction03:00 - The Reality of Our Condition09:00 - Don't Follow Your Heart15:00 - The Work of Our Savior22:00 - The Barabbas Exchange27:00 - Anchored or Drifting?32:00 - What It Means to Continue36:00 - The Response of Faith39:00 - Getting in the Wheelbarrow41:00 - Closing Prayer & Altar Call

Emmy Award-winning producer/writer Al Jean has worked on THE SIMPSONS since it became a series in 1989. He has a credit on over 600 episodes and been showrunner for 22 seasons. In addition to nine Emmy Awards, he has won two coveted Peabody Awards and was nominated for two Golden Globes. Currently he serves as executive producer and showrunner. He also served as writer and producer on "THE SIMPSONS MOVIE" (which took in over $525 million worldwide), working heavily on the film throughout its entire four-year production and was producer and writer on the Oscar-nominated short film “THE LONGEST DAYCARE” and 2020 short “PLAYDATE WITH DESTINY”. In 2021 he wrote and produced the Disney+ shorts “The Force Awakens From Its Nap” (nominated for an Emmy) and “The Good, the Bart and the Loki.”  Jean co-created “The Critic” and “Teen Angel” and served as producer of “It's Garry Shandling's Show,” for which he won three CableACE Awards. Other television credits include “The PJ's,” “Alf” and “The Tonight Show Starring Johnny Carson.”  Episodes of THE SIMPSONS Jean has written or co-written include “Moaning Lisa,” “The Way We Was,” “Treehouse of Horror II & III,” “Stark Raving Dad,” “Simpsoncalifragilisticexpiala (annoyed grunt) cious,” “Hello Gutter, Hello Fadder,” “Day of the Jackanapes,” “I Won't Be Home for Christmas”, “Mr. Lisa's Opus”, “Daddicus Finch” and the Emmy-winning “HOMR.” Al also co-wrote Funny or Die's “SNL Presidential Reunion Video” which is credited with helping establish the Consumer Financial Protection Agency. A graduate of Harvard University, Jean served as vice president of the college's humor magazine, “The Harvard Lampoon.”  Learn more about your ad choices. Visit megaphone.fm/adchoices

On tonight's show: Blossom Dearie, I Won't Dance Art Pepper, Broadway Ella Fitzgerald, Rocks in My Bed Freddie Hubbard, Curtis Fuller And Yusef Lateef, Flutie Anita O'Day, What a Little Moonlight Can Do Yusef Lateef, Kongsberg Yusef Lateef, Six Miles Next Door Al Hibbler & Rahsaan Roland Kirk, Don't Get Around Much Anymore Rahsaan Roland Kirk, Bye Bye Blackbird 2 Rahsaan Roland Kirk, I'll Be Seeing You Rahsaan Roland Kirk, Boogie-Woogie String Along for Real Gerry Mulligan, Walk on The Water

Please be aware that this episode delves into spoilers for some of the year's biggest games (Especially Kingdom Come Deliverance 2, Silent Hill f, Clair Obscur: Expedition 33, ROUTINE, Death Stranding 2, and more). We did our best to provide ample warning before each spoiler so proceed with caution and be ready to skip ahead if you would prefer to avoid spoilers.  Our 2025 Award Categories: Best World Design / Level Design **SPOILER WARNING** (7:38) Best Storytelling **SPOILER WARNING** (25:20) Best Gaming Moment **SPOILER WARNING** (53:20) Wild Card Award #1 (1:18:00) BREAK: Best Soundtrack Samples from Ed (Hollow Knight Silksong) & Krispy (Skin Deep) (1:34:30) Best New Enemy / Boss Design **SPOILER WARNING** (1:37:00) Best New Character **SPOILER WARNING** (1:57:50) Biggest Surprise **SPOILER WARNING** (2:20:20) Wild Card Award #2 (2:38:00) BREAK: Best Soundtrack Samples from Brad (Metroid Prime 4) & Chris Davis (Clair Obscur: Expedition 33) (2:54:15) Biggest Disappointment (2:55:50) I Won't Quit You, I Promise (3:09:45) The 2025 Spotlight Award (3:20:00) Outro / Best Soundtrack Sample from Nick (Kingdom Come Deliverance 2) (3:33:48) Support the Show / Ask a Question Pledge on Patreon ($3 Tier) Subscribe on Twitch ($5) 

THAT'S WHY IT'S SO QUIET.Eye One.I One.I Won.For the full written message and corresponding Scriptures, head to CurlyNikki.com.This is moment-to-moment witnessing. I share as they come.This is no longer just GoOD mornings.This is the Eternal Dawn.COMPLETION.I love you.

Jase explains why Tom Petty's “I Won't Back Down” is his new walk-up song, and Zach pitches a wives-included “Unashamed Live” tour. Jase proves that Unashamed Nation is the best group of fans out there, and he reins in his rabbit holes long enough for the guys to finally dive into John 18's illegal proceedings against Jesus, contrasting earthly power with sacrificial victory. They connect Pilate's mockery of Jesus and the Barabbas exchange to the mission that carries the Word of God to the ends of the earth. In this episode: John 18; Matthew 26; Daniel 7; Daniel 2; Acts 1, verse 8; Acts 8; Acts 9; Isaiah 49, verse 6; Isaiah 52–53; Psalm 110; Ephesians 1; Romans 8; Romans 1, verse 16; Matthew 16; Ephesians 6 “Unashamed” Episode 1190 is sponsored by: ONE NIGHT ONLY! “Off School Property" hits theaters October 23. Get tickets and watch an exclusive sneak peek: https://lifewise.org/unashamed Stand firm for values that matter. Join the fight & give today at https://www.frc.org/unashamed https://ruffgreens.com — Get a FREE Jumpstart Trial Bag for your dog today when you use promo code Unashamed! https://www.puretalk.com/unashamed — Get PureTalk for just $25 a month. Make the switch today! https://helixsleep.com/unashamed — Get 20% Off Sitewide! https://andrewandtodd.com or call 888-888-1172 — These guys are the real deal. Get trusted mortgage guidance and expertise from someone who shares your values! http://unashamedforhillsdale.com/ — Sign up now for free, and join the Unashamed hosts every Friday for Unashamed Academy Powered by Hillsdale College Check out At Home with Phil Robertson, nearly 800 episodes of Phil's unfiltered wisdom, humor, and biblical truth, available for free for the first time! Get it on Apple, Spotify, Amazon, and anywhere you listen to podcasts! https://podcasts.apple.com/us/podcast/at-home-with-phil-robertson/id1835224621 Listen to Not Yet Now with Zach Dasher on Apple, Spotify, iHeart, or anywhere you get podcasts. Chapters: 00:00-05:04 Jase pulls a pro fishing move 05:05-9:00 Proving Unashamed listeners are the best 9:01-19:11 A brief history of Tom Petty19:12-25:28 Floating an Unashamed Conference idea 25:29-29:31 Finally getting to John 18 29:32-38:40 Pontius Pilate fulfills messianic prophecy38:41-47:13 Using violence to change truth 47:14-56:03 Jesus destroys the walls between us — Learn more about your ad choices. Visit megaphone.fm/adchoices