Podcasts about baudelaire

“Lewis was always engaging with some important piece of literature from the past,” says historian and classicist Emily Allen-Hornblower in this episode of The World in Time, edited from audio recorded at the memorial service held for Lewis H. Lapham in September 2024. “You can be chatting about the insanity of the current political landscape and quickly things would shift to how history repeats itself, how humanity simply does not learn. And Thucydides or Cicero would rear their heads. To quote Cicero, ‘To be ignorant of what occurred before you were born is to remain always a child. For what is the worth of human life, unless it is woven into the life of our ancestors by the records of history?' Lewis understood that without the past, we lose the ability to think productively or even understand the present. He made himself a warrior for the humanities, putting up a splendid fight on behalf of the arts and letters. 'Til the end.” In this second of two episodes this week, we are joined once again by Lewis, first in the tributes and remembrances of his friends and colleagues and then in his own voice. Public Theater artistic director Oskar Eustis introduces the proceedings. Former Harper's Magazine literary editor Ben Metcalf recalls Lapham the mentor. Emily Allen-Hornblower reads from Homer and Baudelaire. Actor Alec Baldwin reads Mark Twain's essay “At the Funeral.” Actor Christopher Lloyd performs Prospero's epilogue from Shakespeare's The Tempest. Producer and director Sandy Gotham Meehan shares a letter by Flaubert. In audio from our archives, Lewis Lapham reads from “'Round Midnight,” his preamble to Music, the Fall 2017 issue of Lapham's Quarterly.

It's time to watch To Wong Foo, Thanks for Everything, Julie Newmar! and get ready for PRIDE!  Put on your most rainbow-y outfit and catch this, the first of two special PRIDE episodes this month!  Today's episode we introduce Alice B. Toklas.  Lover, confidant and essentially spouse to writer Gertrude Stein, she also was a writer in her own right and one of her books The Alice B. Toklas contained a recipe for Haschich Fudge that made her a counterculture icon.  (we will of course share the recipe here in the show notes, we are nothing if not full service.)  She also wrote, had her ups and downs and saw Gertrude through her final days, staying on alone afterwards.  So join us in this special PRIDE episode (the first of two this month) and enjoy!Haschich Fudge (which anyone could whip up on a rainy day)This is the food of Paradise—of Baudelaire's Artificial Paradises: it might provide an entertaining refreshment for a Ladies' Bridge Club or a chapter meeting of the DAR. In Morocco it is thought to be good for warding off the common cold in damp winter weather and is, indeed, more effective if taken with large quantities of hot mint tea. Euphoria and brilliant storms of laughter; ecstatic reveries and extension of one's personality on several simultaneous planes are to be complacently expected. Almost anything Saint Theresa did, you can do better if you can bear to be ravished by “un évanouissement reveillé.”Take 1 teaspoon black peppercorns, 1 whole nutmeg, 4 average sticks of cinnamon, 1 teaspoon coriander. These should all be pulverised in a mortar. About a handful each of stoned dates, dried figs, shelled almonds and peanuts: chop these and mix them together. A bunch of cannabis sativa can be pulverised. This along with the spices should be dusted over the mixed fruit and nuts, kneaded together. About a cup of sugar dissolved in a big pat of butter. Rolled into a cake and cut into pieces or made into balls about the size of a walnut, it should be eaten with care. Two pieces are quite sufficient.Become a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.

durée : 00:19:25 - Les Nuits de France Culture - par : Christine Goémé - En 1962, dans l'émission "Un poète, une voix", le comédien Jean-Louis Barrault disait Baudelaire. Avec Madeleine Renaud, il a fondé l'une des plus belle compagnie de théâtre française. Dans sa lecture, il insiste sur le coté obscure, parfumé et frémissant des Fleurs du Mal. - réalisation : Virginie Mourthé

Não anda longe o momento da atomização absoluta, da conversão de cada um de nós em figuras que se diluem num espelho programado, numa miragem que nos absorve como Narcisos do curso de águas digitais. Há coisas que não se podem traduzir, nem espelhar entre mundos, sob o perigo obscuro de se produzir um reflexo subtilmente monstruoso e que pode bem contaminar ou assombrar o original. Mary Shelley disse algo nesta linha, mas de forma tão astutamente memorável que a frase se torna em si mesma um narcótico: "We are unfashioned creatures, but half made up, if one wiser, better, dearer than ourselves — such a friend ought to be — do not lend his aid to perfectionate our weak and faulty natures." (Somos criaturas imperfeitas, meio inventadas meio incompletas, perdemo-nos se alguém mais astuto, e que nos é mais querido até do que somos para nós próprios — como é suposto que um amigo seja — não estender os seus cuidados à nossa natureza fraca e imperfeita.) Precisamos de figuras por quem possamos nutrir uma admiração sincera e que nos levantem problemas. Hoje, e num momento de projecções contaminadas pelo poder, que apenas são capazes de se organizar segundo estratégias de valorização, de ambição e promoção pessoal, as relações tendem a ser construídas em função de um ganho imediato, mas o poder, como assinalavam os situacionistas, neutraliza a linguagem: "Sob o domínio do poder, a linguagem designa sempre algo que não é o vivido autêntico. É precisamente nisso que reside a possibilidade duma contestação completa. A confusão tornou-se de tal ordem, na organização da linguagem, que a comunicação imposta pelo poder se desvenda como uma impostura e um logro. Em vão um embrião de poder cibernético tentará pôr a linguagem na dependência das máquinas que controla, de maneira a que a informação se torne a única comunicação possível." O que os situacionistas não previram foi como a realidade seria inteiramente contaminada por essa forma de ficção dirigida e que digere por completo o horizonte de cada indivíduo. Em breve, será necessário pagar pacotes de extensão do vocabulário, conceitos mais finos, certas noções e termos serão abandonadas por serem tidas como nocivas, por poderem pôr em causa a eficácia programada. "O poder apenas fornece o falso bilhete de identidade das palavras, impõe-lhes uma licença de passagem, determina o seu lugar na produção (onde algumas visivelmente fazem horas extraordinárias); atribui-lhes, por assim dizer, uma folha de salário. Devemos reconhecer a seriedade do Humpty-Dumpty de Lewis Carroll, ao considerar, quanto a isso de uma pessoa decidir sobre o emprego das palavras, que toda a questão reside em 'saber quem será o dono' delas; nisso e em mais nada. E ele, patrão de vistas largas, afirma que paga a dobrar àquelas que emprega muito. Devemos pois entender assim o fenómeno da insubmissão das palavras, a sua fuga, a sua resistência aberta, que se manifesta em toda a escrita moderna (de Baudelaire aos dadaístas e a Joyce) como sintoma da crise revolucionária global que se regista na sociedade." Hoje são cada vez mais raros aqueles que fazem um uso da linguagem segundo este ânimo insubmisso, ou até minimamente insolente. Combater a relação de dominação deveria implicar um desvio contra a eficácia e os quadros de previsão com o qual operam os algoritmos, e isto em proveito da linguagem, numa oposição ao informacionismo moderno, aos modelos de simplificação, que reforçam as lógicas de "comunicação" unilateral. Como vincam os situacionistas, "o poder vive de receptação". "Não cria nada, só recupera. Se ele criasse o sentido das palavras, não haveria poesia, haveria apenas 'informação' pragmática. Nunca poderíamos opor-nos adentro da linguagem e toda a recusa seria exterior a esta, seria puramente letrista. Ora o que é a poesia senão o momento revolucionário da linguagem, e como tal não separável dos momentos revolucionários da História, bem como da história da vida pessoal?" Por isso vimos repetindo que não há mais clamorosa declaração da ineficácia de uma obra poética do que o momento em que esta aceita ser colhida pelos louvores oficiais, ver-se garantida pelo enredo institucional. Mas a poesia dos nossos dias não faz mais do que coleccionar os troféus que a reputam como inane - boa para consumo da população em geral. O mesmo princípio distingue uma verdadeira conversa. Como nos diz o poeta José Emilio Pacheco, "a conversa morre quando dizemos sim a tudo. Falar significa discordar. Não há troca sem controvérsia. O sermão e o dogma são estranhos ao ensaio. Não peço a um ensaio que confirme as minhas crenças ou preconceitos. Espero que ele abra outra porta, me faça ver o que nunca vi, ponha à prova tudo o que até então eu supunha". Hoje, a linguagem deixou-se absorver enquanto signo de confirmação, triunfam os discursos que fornecem falsos bilhetes de identidade, projecções constantes, diluentes. Neste episódio, e depois de tantas vezes termos embatido contra as limitações do entendimento das ficções financeiras, pedimos orientação ao economista que mais admiramos, aquele que melhor tem contrariado as impressões ociosas que vamos cumulando, como ferrugem analítica, e que assim trouxe a sua chave de fendas para nos apertar os parafusos. Embora se descreva como um "rafeiro reformista", Ricardo Paes Mamede tem sido a voz crítica mais constante e lúcida a servir de barragem contra as imbecilidades da classe liberal e da sua hegemónica ideologia. Tínhamos demasiadas perguntas, eis algumas respostas.

(Hördauer 21 Minuten)Lyrikwoche: – Die Blumen des Bösen von Charles Baudelaire Teil 4Charles Baudelaire, geboren am 9. April 1821 in Paris wo er am 31. August 1867  gestorben ist, gilt heute als einer der bedeutendsten französischen Lyriker und als wichtiger Wegbereiter der literarischen Moderne in Europa.Ins Deutsche übertragen von Terese RobinsonSprecher ist Uwe KullnickInteressant zu wissen:Charles Baudelaire war der erste Schriftsteller, auf den Jean-Paul Sartre seine existentialistische Philosophie der Freiheit anwandte: "Die freie Wahl seiner selbst, die der Mensch trifft, ist absolut identisch mit dem, was man sein Schicksal nennt." Sartre behandelt Baudelaire weder als Literaturkritiker noch als Psychologe oder als Soziologe, sondern mit seiner Methode der Einfühlung versucht er, aus persönlichen Bekenntnissen und Briefen herauszulesen,wie dieser größte französische Lyriker des 19. Jahrhunderts, der sein Leben lang unglücklich war, sein unverwechselbares Geschick nicht, wie heute gern behauptet, als unschuldiges Opfer seiner Verhältnisse passiv hinnahm, sondern durch viele freie Deutungen und Schlussfolgerungen Stück für Stück sich selbst bereitete. Sartres Methode hat sich in den folgenden beiden großen Schriftstelleruntersuchungen über Genet und Flaubert unendlich bereichert und verfeinert. Die Fragestellung blieb jedoch dieselbe wie in seinem Buch über Baudelaire. Quelle 

Giuseppe Conte"Poesia, al cuore dell'uomo"Seminare Idee Festivalhttps://www.seminareideefestival.it/evento_festival/poesia-al-cuore-delluomo/Seminare Idee Festival, Pratodomenica 8 Giugno 2025, ore 10:00Chiostro San Domenicoincontro con Giuseppe Conte"Poesia, al cuore dell'uomo"I primi esempi di coraggio in cui ci imbattiamo da lettori sono nel mito e nella poesia dei Greci. Pensiamo ad Achille, il giovane eroe che osa contrastare il Signore di Uomini Agamennone e accettare il proprio destino, o, caso ancora più emblematico, a un'eroina come Antigone, la figlia di Edipo che in nome della giustizia morale e dell'amore fraterno e in contrasto con la timorosa sorella Ismene, sfida Creonte, re di Tebe. Nei tempi medioevali e moderni c'è un coraggio che si manifesta di fronte al mare. Esempio principale è quello dell'Ulisse dantesco che sfida l'ignoto e l'infinito. Poi quello di Colombo, dei doppiatori di Capo Horn, degli ammutinati come Fletcher Christian, di Lord Byron con le sue celebri traversate a nuoto. Nel quotidiano esiste un coraggio nel fare il proprio dovere sino in fondo e il proprio lavoro con passione. Esiste anche un leggero coraggio nell'affrontare con humour (non sarcasmo e irrisione) i casi che ci toccano giorno dopo giorno. In una società dominata dalla tecnocrazia capitalista, esiste un coraggio nella pratica della poesia, che, umiliata e accantonata, continua a tener vivo tutto ciò che è umano, tutti i movimenti dell'anima, e continua a sognare una rivoluzione che riguardi nuove forme del vivere e nuovi assetti della società. Esiste infine il coraggio dell'esilio e del migrante, e il coraggio della speranza, come si legge in Un altro giorno verrà, del poeta palestinese Mahmud Darwish.Giuseppe Conte"Ferite e rifioriture"Lo Specchio / Mondadorihttps://www.ibs.it/ferite-rifioriture-libro-giuseppe-conte/e/9788804801283?inventoryId=796241997&queryId=71f0e56f9fea5c7008c2543a2bb5111cQuando nel 2006 apparve questa compatta e insieme articolata raccolta, la non esibita originalità del suo percorso interno valse a Giuseppe Conte la vittoria del premio Viareggio. Diverse le ragioni, a cominciare dall'ariosa, insolita e vitale apertura al canto che subito vi si impone, insieme ai diversi rivoli del pensiero che ne percorre le pagine e i capitoli, realizzando una testimonianza poetica dell'essere nel mondo nella sottile vibrazione delle emozioni che l'accompagnano. Con la fluida eleganza aperta della sua pronuncia, in quella che definisce come l'«assurda gioia di essere vivo», Conte porta sulla scena della pagina l'amore e il dolore, che sempre nell'umano vivere si insinua. "Ferite", dunque, che inevitabilmente ci colpiscono, ma anche felici riprese, e quindi autentiche "rifioriture". Il poeta ascolta la memoria, quella personale, ma anche quella storica, sempre attiva nello scorrere del tempo che inesorabilmente ci muta. La sua parola dialoga con l'esempio dei grandi autori prediletti, da Hölderlin a Baudelaire, da Ungaretti e Milosz a Kavafis e Ginsberg. Ma Conte procede muovendosi ben fedele all'amato territorio ligure, e al contempo visitando e facendosi coinvolgere da altri mondi, dall'Aquitania all'isola Maurizio, luoghi sempre in grado di offrire alla sua sensibilità nuove tracce di apertura. Dedica poi versi alla divinità ctonia, a Persefone, nel segno del mito, tema ben radicato nel cuore della sua vicenda umana e di scrittore. Il suo pensiero è sempre libero e limpido, pur nelle ombre che il vissuto ci riserva e che tanto spesso ci colgono inattese. Ed eccolo allora in un quotidiano confronto con la materia, «la madre nostra comune», nella desolazione della precarietà e dunque nella consapevolezza che «tutto scompare». Ma la mobilità del suo pensiero gli consente non di meno di cogliere l'azione dello «Spirito che ci genera / come uomini e ci dà il canto», facendo di "Ferite e rifioriture" un testo di molteplice e inesausta vitalità.Giuseppe Conte (Imperia, 1945), poeta e narratore, ha pubblicato raccolte di poesia, saggi e romanzi, sui temi della natura dell'eros e del mito. Autore di resoconti di viaggi, cultore appassionato del mito, ha tradotto poesie di Blake, Whitman, D. H. Lawrence e Shelley. Tra le raccolte di poesia: L'Oceano e il Ragazzo (BUR, 1983 e TEA, 2002); Le stagioni (BUR, 1988, Premio Montale); Ferite e rifioriture (Mondadori, 2006, Premio Viareggio); Poesie 1983-2015 (Oscar Mondadori, 2015); Non finirò di scrivere sul mare (Mondadori, 2019). Tra i suoi romanzi: Il terzo ufficiale (Longanesi, 2002, Premio Hemingway); La casa delle onde (Longanesi, 2005, Selezione Premio Strega); L'adultera (Longanesi, 2008, Premio Manzoni); Il male veniva dal mare (Longanesi, 2013); Sesso e apocalisse a Istanbul (Giunti, 2018); I senza cuore (Giunti, 2019); Dante in Love (Giunti, 2021) e Il mito greco e la manutenzione dell'anima (Giunti, 2021). Il suo ultimo libro è Nessuno può uccidere Medusa (Bompiani, 2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Continuo a Kizira. El pintor Watteau va pintar-ne paisatges i Baudelaire la cantà a Les flors del mal. El director de cinema Angelopulos va rodar la pel·lícula Viatge a Citera i el cantant Dalaras hi posà la banda sonora. L'illa representa l'ideal on no s'arriba. podcast recorded with enacast.com

La Biblioteca de Julio vuelve y abre su cuarta temporada con el descubrimiento de un librito de una Patti Smith que, en 1973, está dando sus primeros pasos en la poesía y en el rock. En “Witt” Cortázar anota, dibuja y le habla a la autora, cantante y artista visual de Chicago. Suenan grandes versos influenciados por Rimbaud, Blake, Ginsberg, Baudelaire y el punk en este episodio, que cuenta con la poeta invitada Elsa Moreno. 

L'autrice et scénariste française de BD Catherine Mory est notre invité pour la nouvelle édition augmentée de la BD "L'incroyable Histoire de la Littérature française" (Les Arènes BD). Annie Ernaux, Romain Gary et Nathalie Sarraute entrent ENFIN dans L'Incroyable Histoire de la littérature française ! Savez-vous que : Hugo faisait tourner les tables ? Balzac a pensé devenir cultivateur d'ananas ? Voltaire appelait ses contes des couillonnades ? Pascal a inventé la première calculette ? Baudelaire se teignait les cheveux en vert ? Duras a caché un résistant nommé François Mitterrand ? Au diable statues vermoulues, perruques poussiéreuses et pourpoints défraîchis : L'Incroyable Histoire de la littérature française raconte, à travers des anecdotes truculentes, la vie et les œuvres des plus grands auteurs français du XVIe au XXe siècle. Cet album passionnant s'adresse aussi bien aux novices qu'aux férus de littérature. Il transformera à jamais votre vision des écrivains qui, bien que géniaux, restent avant tout… des êtres humains. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...) Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode of One Thing In A French Day, I take you with me to the Librairie de Paris near Place de Clichy. Discover how bookstores can be magical places where we always end up buying more books than intended! Join me as I wander through the shelves, looking for specific architecture books but getting distracted by poetry collections, Parisian literature guides, and works by Baudelaire and Modiano. Experience authentic French culture and improve your listening skills with this real-life story about Paris bookshops and the irresistible allure of books. Perfect for French learners who love literature and Paris!   #FrenchBookstores #LearnFrenchWithStories #ParisianWalks #FrenchLiterature #FrenchListeningPractice #EverydayFrench #FrenchInContext #FrenchReadingCulture #FrenchPodcast #DailyFrenchListening

A Netflix új vígjátéksorozata minket is levett a lábunkról – de lesz folytatása? Olyan filmet rendez James Cameron, amilyet még sosem láthattunk tőle A pápaválasztásra készülő bíborosok a Konklávé című filmmel melegítenek a konklávéra Jön A méhész 2, éppen most csengettek ki érte 50 millió dollárt 80 éve ért véget Európában a II. világháború: 5 hiteles film a történelem legsötétebb időszakáról Galkó Balázs búcsúztatása Kapolcson lesz Még a Monty Pythont is neki köszönhetjük - tizennégy kevésbé ismert tény David Attenborough-ról Hamvas a Magyarban, Isten a főtt sonkában, Baudelaire a mártásban A hosszú menetelés első előzetesében kivégzik azokat, akik elfáradnak a gyaloglásban Zaklatója begázolt Jennifer Aniston kapuján G.w.M-re cserélik az RTL-nél Puzsér Róbertet A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

A Netflix új vígjátéksorozata minket is levett a lábunkról – de lesz folytatása? Olyan filmet rendez James Cameron, amilyet még sosem láthattunk tőle A pápaválasztásra készülő bíborosok a Konklávé című filmmel melegítenek a konklávéra Jön A méhész 2, éppen most csengettek ki érte 50 millió dollárt 80 éve ért véget Európában a II. világháború: 5 hiteles film a történelem legsötétebb időszakáról Galkó Balázs búcsúztatása Kapolcson lesz Még a Monty Pythont is neki köszönhetjük - tizennégy kevésbé ismert tény David Attenborough-ról Hamvas a Magyarban, Isten a főtt sonkában, Baudelaire a mártásban A hosszú menetelés első előzetesében kivégzik azokat, akik elfáradnak a gyaloglásban Zaklatója begázolt Jennifer Aniston kapuján G.w.M-re cserélik az RTL-nél Puzsér Róbertet A további adásainkat keresd a podcast.hirstart.hu oldalunkon.

Un épisode presque thématique, entre littérature et poésie, entre sordide et beauté, mais toujours en BD. Bonne écoute ! Télécharger l'émission (52 Mo) – Regarder sur YoutubeS'abonner au One Eye Club – S'abonner à toutes nos émissionsChroniques [03:30] Les Petits Métiers Méconnus Vincent Zabus Alfred, Christian Durieuxn Charles Berberian, Jean-Denis Pendanx, Christian Cailleaux, Hyppolyte, Efa, Pierre Maurel, Valérie Vernay, Piero Macola, Alexandre Clérisse, Thomas Campi, Antoine Carrion[10:40] Islander n°1 Caryl Férey Corentin Rouge Céline Labriet, Corentin Rouge[19:41] Celeste n°1 Chloé Cruchaudet[29:32] Crénom, Baudelaire ! n°2 Dominique Gelli Dominique Gelli, Tino GelliUn Œil sur …[44:36] Festival du Livre de Paris 2025Légende : Scénario – Dessin – Couleur – Coup de cœur – Service de Presse – Le Vote des TipeursGénérique et jingles : Spanish Samba (Oursvince) / Dialup (Jlew) / backstraight (Heigh-hoo)

Un épisode presque thématique, entre littérature et poésie, entre sordide et beauté, mais toujours en BD. Bonne écoute ! Télécharger l'émission (52 Mo) – Regarder sur YoutubeS'abonner au One Eye Club – S'abonner à toutes nos émissionsChroniques [03:30] Les Petits Métiers Méconnus Vincent Zabus Alfred, Christian Durieuxn Charles Berberian, Jean-Denis Pendanx, Christian Cailleaux, Hyppolyte, Efa, Pierre Maurel, Valérie Vernay, Piero Macola, Alexandre Clérisse, Thomas Campi, Antoine Carrion[10:40] Islander n°1 Caryl Férey Corentin Rouge Céline Labriet, Corentin Rouge[19:41] Celeste n°1 Chloé Cruchaudet[29:32] Crénom, Baudelaire ! n°2 Dominique Gelli Dominique Gelli, Tino GelliUn Œil sur …[44:36] Festival du Livre de Paris 2025Légende : Scénario – Dessin – Couleur – Coup de cœur – Service de Presse – Le Vote des TipeursGénérique et jingles : Spanish Samba (Oursvince) / Dialup (Jlew) / backstraight (Heigh-hoo)

Jan-Hendrik Bakker spreekt met Bart Geeraedts over de cursusweek De filosofie van stilte en luisteren. Hij is daarin een van de gastsprekers. Jan-Hendrik schreef het boek In stilte. Een filosofie van de afzondering, waarin hij pleit voor een herwaardering van afzondering in stilte. Belangrijke schrijvers en filosofen als Kierkegaard, Nietzsche, Diogenes, Baudelaire, Merton en Thoreau zochten afzondering en stilte op om kracht uit te putten, om te protesteren tegen economische verspilling en weerwerk te leveren aan vervreemding en verlies van privacy. Je afzonderen is tegenwoordig moeilijker dan ooit, en daarom juist zo essentieel. Jan-Hendrik legt uit waarom afzondering dé manier is om onze individuele waarden te herijken. De filosofie van stilte en luisteren vindt plaats op 26 – 30 mei 2025. Anne-Mathije Bogerd modereert. Met bijdragen van Jan-Hendrik Bakker, Michel Dijkstra, Marlies De Munck, Pablo Lamberti, Miriam Rasch, Dianne Sommers, Martine Prange, Mark Reybrouck, Marthe Kerkwijk, Wendy Tollenaar en Naomi Kloosterboer.

Extrait de l'épisode SARTRE - On a la vie qu'on mériteCet épisode sera publié sur YouTube et en podcast vendredi prochain le 2 maiIl est d'ores et déjà disponible en intégralité sur ma page Patreon : https://www.patreon.com/posts/127269685Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Armando Besio"Il bello dell'orrido"Sabato 26 aprile con Vivian Lamarque, poetessa tra le più amate in Italia: con uno stile caratterizzato da un linguaggio semplice e quotidiano, spesso ispirato al mondo delle fiabe e dell'infanzia, affronta da sempre questioni personali e private con grande delicatezza. Data in adozione a nove mesi in quanto figlia illegittima, i temi dell'abbandono e della ricerca delle origini fanno da sempre parte della produzione poetica di Lamarque. Maestra nel combinare un'apparente leggerezza e semplicità di scrittura con un'intensa profondità emotiva, è stata recentemente celebrata dallo scrittore Aldo Nove, che ha opportunamente definito i suoi versi come caratterizzati da “spietata, inimitabile dolcezza”. Traduttrice di autori come Paul Valéry, Baudelaire e La Fontaine, è anche prolifica scrittrice di fiabe e libri per bambini. Punto centrale del dialogo con Besio è L'amore da vecchia (Mondadori), vincitore del Premio Strega Poesia, del Premio Viareggio-Rèpaci e del Premio Umberto Saba Poesia.Sabato 31 maggio l'appuntamento è con Massimo Castoldi: filologo e critico letterario, studioso di Pascoli e Manzoni, ha dedicato i suoi studi all'approfondimento della cultura e della memoria storica italiana. È professore di filologia italiana presso l'Università degli Studi di Pavia e collabora con istituzioni culturali e accademiche. Curatore di numerosi volumi, oltre alle pubblicazioni in ambito letterario e linguistico si è occupato di storia della Resistenza, della cultura italiana durante il Fascismo, della censura e delle tematiche della memoria. Le origini e il significato autentico dell'inno nazionale italiano sono raccontate in L'Italia s'è desta. L'inno di Mameli, un canto di pace (Donzelli), nel quale analizza il contesto storico in cui nacque e il messaggio di pace e di fratellanza che porta con sé. Un'occasione per riscoprire un simbolo identitario spesso incompreso, mettendo in luce anche la storia tragica del ragazzo Mameli, protagonista di questo momento storico. IL. POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

What happens when a band ditches thrash just as it goes mainstream… and dives headfirst into French poetry, industrial noise, and orchestral arrangements? You get Into the Pandemonium by Celtic Frost, a boundary-shattering 1987 album that still divides, bewilders, and inspires.In this episode, we dig deep into this genre-defying masterpiece that blurred the lines between black metal, gothic atmospheres, and avant-garde experimentation. Was it ahead of its time or just too weird to work? Either way, it's unforgettable.We explore the album's fascinating backstory—from label resistance and chart failure to its underground cult status and lasting influence on extreme music. Along the way, we unpack everything from Baudelaire lyrics and Bosch album art to dive-bomb guitar solos and operatic vocals. If you're into the darker corners of 80s metal or love when bands break all the rules, this one's for you.If you're a fan of Ministry, Bauhaus, Slayer, or the experimental side of Metallica, hit play.

« Parlons santé mentale ! ». Autour de ce slogan, le gouvernement français a récemment décidé de faire de la santé mentale une grande cause nationale en 2025. Et force est de constater que de plus en plus de personnalités, journalistes, artistes, ou encore sportifs connus divulguent au grand public leur maladie mentale. Le dernier exemple en date est celui de Nicolas Demorand, journaliste de la matinale de la radio publique France Inter. Il a annoncé de manière crue au micro qu'il était bipolaire depuis des années. Une démarche qui relève de l'intime et qui lève le voile sur ce qui était jusque-là tabou. Ce genre de révélation peut-elle servir les malades atteint de troubles identiques ? « Comme des centaines de milliers de Français, je suis bipolaire. Si je me suis tu si longtemps, c'est parce que la maladie mentale fait peur. Car la maladie mentale reste une maladie honteuse et que, oui, j'avais honte. Mais j'ai décidé maintenant d'en faire un combat », déclare Nicolas Demorand, présentateur de la matinale de France Inter, s'adressant à ses milliers d'auditeurs.La honte dont parle le matinalier de la radio publique, Maxime Perez-Zitvogel la connaît bien. Âgé aujourd'hui de 32 ans, il a été diagnostiqué bipolaire, alternant phase d'euphorie et période de dépression, il y a près de dix ans. « J'ai vraiment eu honte au départ. Vous vous rendez compte de tous les délires que vous avez eu et de tout l'impact que cela a pu avoir sur votre entourage, sur vos amis. J'ai dû arrêter mes études à cause de cela. C'est très dur de se retrouver après seul face à tout cela, et de se dire "mais pourquoi en fait ?" », confie-t-il. Aujourd'hui, Maxime Perez-Zitvogel a cofondé la Maison perchée, une structure d'accueil pour les gens confrontés à des troubles psychiques. Selon lui, il faut mettre en lumière la maladie mentale.Alors le fait que des journalistes, des comédiens, des artistes, des sportifs témoignent au grand jour de leur maladie mentale est pour lui salutaire. « Cela fait huit ans que j'attendais ce moment, qu'une vedette prenne la parole sur le sujet. Pour que cela amène de la discussion. Moi, quand j'étais à l'hôpital, le fait de savoir que des gens comme Van Gogh ou Baudelaire l'étaient, cela m'a rassuré. Cela m'a permis de me dire qu'ils avaient quand même du talent. Disons que ce fut quelque chose qui m'a rassuré et qui m'a permis de m'ancrer et de me dire que je pouvais tout de même vivre avec cette maladie », explique-t-il.La maladie mentale n'est pas une maladie comme les autres, car elle est stigmatisante. Comme l'explique le psychiatre Thierry Najman, c'est difficile de vivre avec cette pathologie : « Il y a à peu près 15 % des personnes diagnostiquées bipolaires qui vont décéder par suicide et qui vont avoir des trajectoires extrêmement impactées par la maladie. En termes de divorce, beaucoup plus fréquents dans la population générale. En termes de perte d'emploi. Ce sont des trajectoires de vie accidentées. »Quand des personnalités publiques montrent qu'avec un traitement, les malades peuvent vivre presque normalement, cela les aide. Le psychiatre encourage ces témoignages de gens connus, très bénéfique pour les patients, mais il avertit. « C'est très bien que les personnalités publiques fassent cette sorte de coming out – je ne sais pas comment il faut l'appeler. En tout cas, qu'elles puissent parler le plus simplement possible et de façon solidaire de leurs difficultés personnelles et de leur maladie. Mais tout le monde n'est pas une personnalité publique. Nicolas Demorand, Yannick Noah, Florent Manaudou ou d'autres ont peut-être la possibilité de trouver plus facilement une aide psychiatrique, un soutien. Mais ce n'est pas le cas de monsieur et madame tout le monde. Je crois que c'est important d'en profiter pour dire que la psychiatrie traverse une crise extrêmement profonde », rappelle-t-il. Un questionnement d'autant plus pertinent que la santé mentale avait été décrétée, en France, grande cause nationale en 2025.À écouter aussiSanté mentale: «Le rôle de la grande cause nationale est de déstigmatiser la psychiatrie»

durée : 00:11:08 - Les Nuits de France Culture - par : Antoine Dhulster - En 1995, France Culture consacre à Michel Bulteau une série de cinq épisodes pour l'émission "Jeu de l'ouïe". Dans ce second volet, le poète poursuit l'aventure de ses années new-yorkaises. Il nous explique son attirance pour le dandysme et l'underground musical et littéraire américain. - réalisation : Jeanne Cherequefosse - invités : Michel Bulteau Poète et éditeur français

durée : 01:03:33 - Les Nuits de France Culture, archives d'exception - par : Philippe Garbit - Alexandre Privat d'Anglemont est un "inconnu de l'Histoire". Écrivain guadeloupéen, embarqué dans la vie de bohème parisienne du 19e siècle, ami de Baudelaire, il est tombé dans l'oubli. Cette série, enregistrée en 1983, nous fait redécouvrir sa vie et son oeuvre. - réalisation : Virginie Mourthé - invités : Claude Pichois Professeur de littérature

durée : 01:07:13 - Les Nuits de France Culture, archives d'exception - par : Philippe Garbit - L'écrivain métis Alexandre Privat d'Anglemont était l'un des symboles de la vie de bohème au 19e siècle. Ami de Baudelaire, on a retenu de lui ses deux livres sur Paris. On le redécouvre grâce à cette série des "Inconnus de l'Histoire" enregistrée en 1983. - réalisation : Virginie Mourthé - invités : Claude Pichois Professeur de littérature

Angélique Motte "C'est l'histoire d'une fille…" (Editions Baudelaire) Ce sont neuf histoires de filles d'aujourd'hui qui esquissent une fresque contemporaine  les histoires d'Anouk, d'Emma, de Constance et des autres.Ce sont des histoires de zouave, de petite pilule bleue, de toile d'araignée et de lettre volée  des histoires de femmes, de plaisir, de folie, d'errance, de quête, de vengeance et d'amour.Ce sont des histoires qui parlent de ces moments où l'infini des possibles vient heurter le quotidien.Ce sont des histoires qu'on se raconte à la terrasse d'un café et où tout commence par « il faut que je te raconte, c'est l'histoire de cette fille… »Musique : Dolly Parton « Just because I am a woman » Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:29:02 - Les Nuits de France Culture - par : Philippe Garbit - Les comédiens Serge Reggiani et Jacqueline Morane disent des poésies de Baudelaire tandis que Francis Carco raconte sa vie. "Charles Baudelaire", premier volet d'une série de sept, produite en 1950. - réalisation : Virginie Mourthé

The salient point of today's discussion revolves around the Netflix original series, "A Series of Unfortunate Events," a title that captures the essence of the narrative, which is a relentless string of misfortunes besetting the Baudelaire orphans. Within the framework of our Spring bonus series, "'flix Fridays," we delve into the intricacies of this darkly whimsical tale, as voted on by our esteemed Facebook group, "Priests to the Geeks." The series, marked by its sharp wit and poignant commentary on the nature of fate and the human condition, compels us to consider the juxtaposition of humor against an overarching theme of despair. We, your hosts, explore not only the storytelling techniques employed but also reflect on our personal connections to the material, examining how the narrative resonates with our own experiences and philosophies. Join us as we embark on this analytical journey, scrutinizing the elements that make "A Series of Unfortunate Events" a compelling watch, despite its decidedly grim outlook.The podcast episode delves into the intricate tapestry of 'A Series of Unfortunate Events', a Netflix original series that has captivated audiences with its darkly whimsical narrative. The hosts, Joshua and TJ, reflect on the series' thematic elements, particularly the juxtaposition of humor and tragedy. They discuss how the show effectively communicates the message that life is fraught with misadventures, particularly for the Baudelaire orphans, who find themselves perpetually ensnared in unfortunate circumstances. The dialogue navigates through the characters' experiences, examining the clever writing that combines wit with a somber undertone, leading to a profound contemplation of fate and resilience. The hosts agree that the series serves as a poignant reminder of the unpredictability of life, where moments of levity often emerge amidst the shadows of despair, providing a unique viewing experience that resonates with both children and adults alike.Takeaways: The podcast discusses the unique narrative style of 'A Series of Unfortunate Events', emphasizing the dark humor that permeates the series. Listeners are encouraged to appreciate the intricate writing and character development within the show, particularly the Baudelaire orphans. The hosts reflect on their personal connections to the series, noting how it resonates with themes of resilience and hope amidst adversity. The discussion touches on the show's commentary regarding the treatment and perception of children in society, highlighting a lack of recognition of their personhood. The hosts share their thoughts on the pacing and bingeability of the series, suggesting that it effectively keeps viewers engaged through its mix of whimsy and dark themes. Finally, they note the significance of the show's conclusion, which diverges from the books, providing a more satisfying wrap-up to the characters' journeys. .We discuss all this and more in this one! Join in the conversation with us on Discord now!.Support our show on Captivate or Patreon, or by purchasing a comfy T-Shirt in our store!.Check out the rest of our "'flix Fridays" series:https://player.captivate.fm/collection/17c5b5bb-fd87-4fc7-b533-0de0a2e64968.Listen to all of Joshua's episodes:

« Le premier voyant, roi des poètes, un vrai dieu » : ainsi Rimbaud parlait-il de Charles Baudelaire, auquel la BNF vient de consacrer une belle exposition sous ce titre : « La modernité mélancolique ». Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In honor of the moody month of February, we visit Ile Saint-Louis, retracing Baudelaire's drug-induced dreams. Our route goes along the central main street, rue de Saint-Louis-en-l'Ile, from West to East.  The first mansion on our route is the Hôtel de Lauzun - where Revolutionary "it girl" Thérésa Cabarrus Tallien lived. For photos, please check out my website. Thanks as always to Bremner Fletcher for technical expertise and general know-how. The Improbable Walks theme music is performed by David Symons, New Orleans accordionist extraordinaire. 

Here is the second half of my "Danversation" with longtime Glouster, MA songwriter, performer & concert production & booking manager Dan King! On this episode, we talk some more music, influences — and Dan shares some great stories involving Tom Brady, Keith Richards, Whoopi Goldberg & more!You'll hear as we take a listen to a couple tracks from Dan's 2001 debut solo record Time Move Over. Dan shares his thoughts on the following tracks:"City Boy" from Time Move Over"Never Once" from Time Move Over"Summer Love" from Two Kinds of Mind (2003; remastered 2009)"Low Diver" from In the Sun EP (2017)"Baudelaire" from Bathed in Dream Light EP (2016)"Blue Sky Sundown" (live version first appears on Western Color; later & first studio recording on The Bandit Kings' 2011 record Epic Hello; again with K.B.M.G. 2013 EP Blue Sky Sundown)For the highest quality version of these & all Dan King songs, please head to Spotify, Apple Music, YouTube, www.dankingandfriends.com, or wherever you stream or download music! (The song previews of "City Boy" and "Never Once," heard on this episode, are played directly through my recording equipment.)Visit www.dankingandfriends.com to learn more about the Dan King story in words, photos, merchandise and more.Thanks for listening & subscribing to the Dan Time Podcast! dantimepod@gmail.com@dantimepod across the socials

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Ian Fleishman develops the concept of failed passing in his new book Flamboyant Fictions, which reimagines free will in queer lives as an accidental affirmation of identity despite efforts towards adherence to standards and norms. In this, he works with his predecessors in queer theory like Judith Butler, José Muñoz, Leo Barsani, Lee Edelman and others. In our conversation, Ian also gives us a glimpse of his readings of failed passing in widely varying texts such as the works of André Gide and Jean Genet and the films of Luchino Visconti, Rainer Werner Fassbinder, Werner Schroeter, Todd Haynes, François Ozon, and Xavier Dolan, to the music and public persona of Shawn Mendes and Troye Sivan. Ian Fleishman is the inaugural Chair of the Department of Cinema & Media Studies at the University of Pennsylvania and the author of Flamboyant Fictions: The Failed Art of Passing (Northwestern 2024). His previous books are An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (Northwestern 2018) and Performative Opacity in the Work of Isabelle Hupert (Edinburgh 2023), co-edited with Iggy Cortez. Image: From the cover of Flamboyant Fictions, by Monograph / Matt Avery Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

    Slam the Gavel welcomes Yvette Baudelaire to the podcast. Her story is of  her 17 year fight against a corrupt family court system, a rigged foster care system, greedy lawyers and unequipped social workers. Yvette has a Master's Degree, a citizen police academy graduate and a chair for human rights council. Yvette will be enduring one more legal and judicial encounter aiming to protect her son and herself from the very system to was apparently created to protect, at least according to the USA constitution, to say the least.     Her story is not unique. Across Minnesota, parents are fighting to protect their children to face a system that often silences them in favor of financial interests and incentives. Minnesota's family courts, rather than serving justice, have in many cases become enablers of trauma, torture and psychological abuse. Yvette's fight is far from over. Her unwavering determination highlights a pressing question: How many more families must suffer before the system prioritizes children over profit?  To Reach Yvette Baudelaire:  dismantlingfamilycourtcorruption.com***** Supportshow(https://www.buymeacoffee.com/maryannpetri)Maryann Petri: dismantlingfamilycourtcorruption.comhttps://www.tiktok.com/@maryannpetriFacebook:  https://www.youtube.com/@slamthegavelpodcasthostmar5536Instagram: https://www.instagram.com/guitarpeace/Pinterest: Slam The Gavel Podcast/@guitarpeaceLinkedIn: https://www.linkedin.com/in/maryann-petri-62a46b1ab/  YouTube:  https://www.youtube.com/@slamthegavelpodcasthostmar5536  Twitter https://x.com/PetriMaryannEzlegalsuit.com*DISCLAIMER* The use of this information is at the viewer/user's own risk. Not financial, medical nor legal advice as the content on this podcast does not constitute legal, financial, medical or any other professional advice. Viewer/user's should consult with the relevant professionals. Reproduction, distribution, performing, publicly displaying and making a derivative of the work is explicitly prohibited without permission from content creator. Podcast is protected by owner. The content creator maintains the exclusive right and any unauthorized copyright infringement is subject to legal prosecution. Support the showSupportshow(https://www.buymeacoffee.com/maryannpetri)http://www.dismantlingfamilycourtcorruption.com/

durée : 00:06:57 - Les Nuits de France Culture - par : Albane Penaranda - Baudelaire est le poète du Paris des années 1850, en pleine transformation. Dans "Le Crépuscule du soir" on y entend sa plainte de ce que font la ville et la nuit aux hommes, du danger et du vice qu'elle éveille. C'est le poète André du Bouchet qui nous en fait la lecture. - réalisation : Emily Vallat - invités : André Du Bouchet Poète

Send us a textWelcome to Celebrate Poe - Episode 321 - DeQuincy, Baudelaire, and Poe - Part Three)I hope you listened to the previous episode that deals with Thomas De Quincy and his 1821 autobiographical work "Confessions of an English Opium-Eater.But before we go any further, I wan to try and clear something up. An opium-eater is not actually someone who eats opium, but rather a person who uses opium as a recreational drug or an opium addict. The term "opium-eater" was popularized by Thomas De Quincey in his work "Confessions of an English Opium-Eater”. In reality, De Quincey consumed opium in the form of laudanum, which is a tincture of opium dissolved in alcohol. This liquid preparation was widely used in the 19th century to treat various ailments and was easily available without a prescription. What could possibly go wrong?Thank you for experiencing Celebrate Poe.

Send us a textWelcome to Celebrate Poe  - Episode 320 -  DeQuincy, Baudelaire, and Poe - Part TwoWhen I started this podcast, my plans are to delve more into Charles Baudelaire, but I ran into something that I did not expect.  Oh sure, there was his great collection known as Flowers of Evil and his classic and highly influential translation of Poe's works.  And I began reading a book about the controversial topic of the use of opium by Baudelaire - but I soon found that much of Baudelaire's interests were centered around a writer known as Thomas De Quincey.  Baudelaire's intended to translate Thomas De Quincey's Confession of an English Opium Eater.  So  And in a strange way, I found that reading about Thomas De Quincey helped me understand Baudelaire much better, and gain insights into the personal and creative challenges that Baudelaire faced as someone addicted to an opium. Thank you for experiencing Celebrate Poe.

Send us a textWelcome to Celebrate Poe - episode 319 - Intolerable LeadersThis should be episode 319 - Baudelaire, De Quincey, and Poe - Part Two.  But while I was looking through some past transcripts on my web site, I ran across one that addressed the invasion of the Capital in Washington. It was an issue that I strongly felt needed to be addressed 4 years ago when it happened, and our recent President has taken actions that just pour salt on the wounds.Thank you for experiencing Celebrate Poe.

We review our favorite Baudelaire moments, our least favorite henchpeople, and just how many new words we learned (hint: so many we had to cut some out!)Show art by Castor Choate. To contact them, reach out to us at templeofreadingcircle@gmail.com. Music by Aleksey Chistilin. Find more of Aleksey's work on Spotify and YouTube. Hosted on Acast. See acast.com/privacy for more information.

Send us a textWelcome to Celebrate Poe - this is episode 318 - DeQuincy, Baudelaire, and Poe - Part OneRecently, I ran across a book about Charles Baudelaire called A Portrait of the Artist as a Drug Addict.  There is no question about it - According to the author -  Charles Baudelaire, the translator of Edgar Allan Poe's works, was a heavy user of opium. Baudelaire wrote extensively about his experiences with opium and other drugs in his book (Artificial Paradises), published in 1860.This episode is the first in a series of podcasts that examine the opium use of Baudelaire, De Quincey, and Poe.Thank you for experiencing Celebrate Poe.

Tragedy strikes the Baudelaire family and a fire burns down the family home, leaving only the children unharmed. Thus begins an unwanted adventure which finds the kids going from home to home, always persued by the scheming Count Olaf and his unblinking eye… A Series of Unfortunate Events book one - The Bad Beginning by Lemony Snicket reviewed by Mira, age 12. For questions or to suggest a book for us to review email us at bookpowerforkids@gmail.com .  Our website is https://bookpowerforkids.com/, or visit us on Facebook: https://www.facebook.com/bookpowerforkids/ , Twitter @bookpower4kids, or Instagram https://www.instagram.com/bookpowerforkids/ We are proud members of Kids Listen. For more quality children's podcasts visit http://www.kidslisten.org/members All of our music was created using Music Maker Jam for non-commercial purposes, http://www.justaddmusic.net/en/ . Credit to http://www.freesfx.co.uk/ for the Wood Door Creaking and Large Park Ambience With Birds Chirping effects.  Thanks for listening!

Send us a textWelcome to Celebrate Poe - Episode 317 - Flowers of EvilToday I want to look at some of Baudelaire's masterpiece - Les Fleurs du Mal - or The Flowers of Evil. First published in 1857, the poems were extremely controversial upon publication, with six of its poems censored due to their immorality.  Now it is now considered a major work of French poetry. The poems in The Flowers of Evil frequently break with tradition, using suggestive images and unusual forms. They deal with themes relating to decadence and eroticism, particularly focusing on suffering and its relationship to original sin, disgust toward evil and oneself, obsession with death, and aspiration toward an ideal world. The poems had a powerful influence on future French poetry.  For the rest of this episode, I am going to read a portion of the poems - starting with a poem by Edgar Allan Poe that I am sure you are familiar with - Alone so you can compare it to Badelaire's The Enemy.  By the way, note how both poems use vivid imagery to describe the poet's tumultuous youth and the challenges faced in his later years, employing metaphors of storms to convey the respective poet's emotional and creative struggles.Thank you for experiencing Celebrate Poe.

Nous sommes le 23 juillet 1859, à Paris. C'est au 59, de la rue de Rivoli, Marceline Desbordes-Valmore, femme de lettres, tire sa révérence. Celle qui fut surnommée « Notre-Dame-des-Pleurs », « la gracieuse ignorante ou la « sainte-femme » est inhumée au cimetière de Montmartre. Vingt-cinq ans plus tôt, Honoré de Balzac écrivait à son propos : « (…) Elle a (…) conservé le souvenir d'un cœur dans lequel elle a pleinement retenti, elle et ses paroles, elle et ses poésies de tout genre, car nous sommes du même pays, Madame, du pays des larmes et de la misère. Nous sommes aussi voisins que peuvent l'être, en France, la prose et la poésie, mais je me rapproche de vous par le sentiment avec lequel je vous admire. » Paul Verlaine sera sans ambiguïté : « Nous proclamons à haute et intelligible voix que Marceline Desbordes-Valmore est tout bonnement [...] la seule femme de génie et de talent de ce siècle et de tous les siècles (...) » Baudelaire évoquera une « âme d'élite », alors que Victor Hugo célébrera, à travers elle, le « génie féminin ». La vie de Marceline, qui fut aussi comédienne, est traversée de tragédies. La pauvreté, la perte prématurée de sa mère, le viol, la mort de presque tous ses enfants, le manque de reconnaissance, le rejet… Mais dans cette vie si souvent triste, il y a la force de l'amour, celle de la passion et aussi celle du long compagnonnage. Il y a son incroyable énergie et sa volonté de ne jamais sombrer. Son désir farouche de ne pas seulement survivre mais bien … de vivre. Partons sur les traces de Marceline Desbordes-Valmore qui sans cesse se relève … Avec nous : Céline Lapertot, professeure de français et écrivaine. « Des beaux jours qu'à ton front j'ai lus » ; Viviane Hamy éd. (titre est extrait du poème : « L'horloge arrêtée ». Sujets traités : Marceline Desbordes-Valmore, Montmartre, Honoré de Balzac, Victor Hugo, Paul Verlaine, poème, tragédie Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

As The Bad Beginning comes to a close, Goodwin gets sad, Marjorie develops a dislike for the Baudelaire parents, Britni questions Justice Strauss's actions, and ND tells us why we should have seen it all coming.Show art by Castor Choate. To contact them, reach out to us at templeofreadingcircle@gmail.com. Music by Aleksey Chistilin. Find more of Aleksey's work on Spotify and YouTube. Hosted on Acast. See acast.com/privacy for more information.

Kim Dower is the author of What She Wants: Poems on Obsession, Desire, Despair, Euphoria. We chat channeling our characters, why poetry gets a bad rap, visiting Baudelaire's grave, and […]

What makes the taste of a Meyer lemon so special? And why is there a secret society in Louisiana that holds a giant omelet festival every year? This week our friends at the The Atlas Obscura Podcast — which celebrates the world's strange and wondrous places — bring us stories that answer each of those questions. First up, professional taster Mandy Naglich tells us the twisty history of the Meyer lemon, from the eccentric man it's named after to the role it played in a citrus epidemic. Then we visit Abbeville, Louisiana, to eat that giant omelet, and learn about the French culture and history preserved in that town.The Sporkful production team includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Nora Ritchie, and Jared O'Connell. Special thanks to host Dylan Thuras and the rest of the Atlas Obscura Podcast team: Amanda McGowan, Julia Russo, Katie Thornton, Johanna Mayer, Doug Baldinger, Chris Naka, Kameel Stanley, Manolo Morales, Baudelaire, Gabby Gladney, Alexa Lim, Casey Holford, and Luz Fleming. The Atlas Obscura theme music is by Sam Tindall. Transcript available at www.sporkful.com.Right now, Sporkful listeners can get three months free of the SiriusXM app by going to siriusxm.com/sporkful. Get all your favorite podcasts, more than 200 ad-free music channels curated by genre and era, and live sports coverage with the SiriusXM app.

durée : 01:00:14 - Samedi fiction - par : Blandine Masson - Une traversée dans la poésie et la prose de Baudelaire, où les nuages, les paysages et les ciels que le poète s'attache à décrire font planer au-dessus de nous comme autant de menaces ou de délivrances à venir.

Pour Noël, Andréa Brusque vous parle de celui qui est considéré comme l'inventeur du roman policier. Ses contes fantastiques et effrayants ont fait vibrer les lecteurs de nombreuses revues américaines. En France, c'est Baudelaire qui nous a fait découvrir ses "Histoires extraordinaires". Il s'agit bien sûr d'Edgar Allan Poe. De ses premiers poèmes à ses contes les plus célèbres, Découvrez sa True Story. Allan Poe, une légende Edgar Poe naît le 19 janvier 1809 à Boston. Il a un frère et une sœur. Son père et sa mère sont tous les deux comédiens. A peine quelques mois après sa naissance, ses parents rejoignent une nouvelle compagnie de théâtre. La petite famille déménage donc vers le sud, à Richmond, en Virginie. Mais le joli tableau s'assombrit vite : l'année suivante, son père les abandonne et sa mère succombe à une pneumonie. Le jeune garçon est séparé de ses frères et sœurs et recueilli par un riche couple. John et Frances Allan, ses parents adoptifs, le rebaptisent Edgar Allan Poe. Le nom d'une légende. Écoutez nos autres épisodes : Sidney Reilly, l'espion qui a inspiré James Bond Un podcast Bababam Originals Ecriture : Karen Etourneau Réalisation : Celia Brondreau Voix : Andréa Brusque Première diffusion : 22 décembre 2020. Learn more about your ad choices. Visit megaphone.fm/adchoices

Absinthe is a drink that has been both romanticized and demonized over the centuries. While the spirit was a favorite of avant-gardists like Toulouse-Lautrec, Van Gogh and Baudelaire, it was also thought to be hallucinogenic and the catalyst for violent crime. My guest is Evan Rail, author of "The Absinthe Forger: A True Story of Deception, Betrayal, and the World's Most Dangerous Spirit". He tells us about the history of the infamous drink and his investigation into a modern-day counterfeiter who imploded the secretive pre-ban absinthe market with his fakeries. More about the author here: http://www.evanrail.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Rosalind Brown makes her airwaves debut in this one, talking about her debut novel Practice, which means talking about Shakespeare, and using white space on the page, and the various intimacies of point of view. Plus, she brought along The Baudelaire Fractal by Lisa Robertson, a jubilant novel of thoughts that feels perfectly aligned with Practice. Pick up your pens and your pencils and your listening devices, it's time to podcast!contribute! https://patreon.com/smdbfor drink recipes, book lists, and more, visit: somanydamnbooks.commusic: Disaster Magic(https://soundcloud.com/disaster-magic) Hosted on Acast. See acast.com/privacy for more information.