Podcasts about baudelaire

Book Vs. Movie: “A Series of Unfortunate Events” The 1999 Daniel Handler (Lemony Snicket) Book Vs the 2004 Jim Carrey FilmToday we are joined by special guest co-host, Andrea Engstrom of Lil Habit. We dip our toes into the Edward Gorey-esque world of the Baudelaire orphans to continue our long-standing tradition of covering Halloween-y books and movies. In this episode, we discuss:Who is Lemony Snicket? And why?The differences between the book and movie.The cast includes: Jim Carrey, Jude Law, Liam Aiken, Emily Browning, Timothy Spall, Catherine O'Hara, Meryl Streep, and Kara and Shelby Hoffman as Sunny, the biter.Follow us on the socials!You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomama

Porfirio Barba‑Jacob fue el seudónimo literario de Miguel Ángel Osorio Benítez (Santa Rosa de Osos, Antioquia, 1883 – Ciudad de México, 1942), uno de los poetas más intensos y errantes de Colombia. Nacido en una familia campesina, creció con sus abuelos en Angostura y desde joven recorrió Colombia fundando revistas y escribiendo bajo distintos seudónimos: Marín Jiménez, Ricardo Arenales y finalmente Porfirio Barba‑Jacob desde 1922. A partir de 1907 vivió en Centroamérica, Estados Unidos y México. Periodista polémico, fue encarcelado por criticar al régimen de Porfirio Díaz, expulsado luego de México y Guatemala, y vivió en Cuba, Honduras, El Salvador (donde presenció el terremoto de 1917), antes de regresar en 1930 a México, donde escribió columnas como “Perifonemas” hasta su muerte por tuberculosis en 1942. Sus primeros poemas fueron “Campiña florida” (Barranquilla, 1907), junto a “Árbol viejo” y la célebre “Canción de la vida profunda”. Obras recogidas en antologías durante su vida: Rosas negras (1932, Guatemala), Canciones y elegías (1933, México) y La canción de la vida profunda y otros poemas (1937, Manizales). Póstumamente se publicaron Poemas intemporales (1944) y Antorchas contra el viento (1944) entre otras. Como periodista, su crónica "El combate de la Ciudadela narrado por un extranjero" sobre la Decena Trágica de México (1913) reflejó su compromiso político y literario. Escribió también relatos de alta calidad literaria como El terremoto de San Salvador: narración de un superviviente (1917), considerada un clásico de la crónica hispanoamericana. Su obra es representativa de un modernismo ecléctico, influido por Baudelaire y Rubén Darío, con una sensibilidad romántica, musical y trágica. Refleja temas como la muerte, la pasión, la nostalgia y la dualidad entre belleza y horror. Abiertamente gay, trató el amor entre hombres en varios poemas, convirtiéndose en un referente pionero de la literatura LGBT en Colombia y América Latina. Falleció en pobreza y enfermedad en Ciudad de México. Sus restos fueron repatriados a Colombia en 1946 y depositados en la Rotonda de los Hombres Ilustres. En resumen, Porfirio Barba‑Jacob fue un espíritu cosmopolita y transgresor, cuya poesía y crónicas siguen impactando por su intensidad lírica, su compromiso político y su apertura afectiva.

Francesco Zambon"L'altra metà del sogno mi appartiene"Il libro neroAlicia GallienneMolesini Editore Veneziawww.molesinieditore.itUna ragazza travolta dall'amore, che dà del tu alla morteTraduzione di Francesco Zambon«Dura e segreta è la mia anima». La morte, l'amore, la vita: avrebbe potuto essere questo il motto di una ragazza che adorava la poesia di Éluard e Baudelaire. Tanto più che, a differenza della maggior parte dei poeti che con il pensiero della fine hanno soprattutto un legame intellettuale, Alicia Gallienne ha dato del tu alla morte negli anni dell'adolescenza, fino ad affrontarla, ventenne, all'alba del 24 dicembre 1990. Solo trent'anni dopo, le raccolte poetiche da lei lasciate in alcuni quaderni sono state pubblicate da Gallimard. I suoi versi, precisi e incandescenti, sono carne dolorante che dice di sì alla vita, sono l'eco commossa di un destino che non smette di ardere, sintesi sconcertante di tenebra e di folgore. Nel 2023 sono stati tradotti in questa collana i suoi primi due quaderni di poesie, Le dominanti e I notturni. Si pubblica qui il terzo quaderno – sotto tutti gli aspetti centrale – Il libro nero, quello che, come avverte la stessa Gallienne, «ha il colore del non detto»: libro in cui le esperienze affettive e amorose più intense e le riflessioni più intime raggiungono accenti di un'incandescenza simile a quella delle grandi mistiche. Opera in tre volumi: I. Le Dominanti. I Notturni; II. Il libro nero; III. L'infinito meno unoL'altra metà del sogno mi appartieneIl libro neroLa gente se ne vaCome un rosario che si sgranaRestiamo soliSconcertati e colpevoliArrivederci signoreHo fatto il salto dell'angeloE la mia memoria si è infrantaNulla serve a nullaFuggi in fretta musicistaAl quinto tempo ti uccidoSono solo un sognoChe insegue la sua immagineSono solo un sognoNon faccio altro che passareHo fatto il salto dell'angeloE il mondo è volato viaAlicia Gallienne (Parigi 1970 – ivi 1990) muore, ventenne, per una malattia incurabile. Tra il 1986 e il 1990, gli ultimi quattro anni della sua coraggiosa, straziante e appassionata esistenza, ha scritto centinaia di poesie. Grazie soprattutto a suo cugino, l'attore Guillaume Gallienne, i suoi versi sono stati «ritrovati» nel febbraio 2020, a tre decenni dalla morte, e pubblicati da Gallimard con il titolo L'autre moitié du songe m'appartient. Il libro ha avuto uno straordinario successo di critica e di pubblico. «Non m'importa quello che lascio, mi basta che la materia si ricordi di me, basta che le parole che vivono in me siano scritte da qualche parte e mi sopravvivano».Francesco Zambon (Venezia 1949) è professore emerito di Filologia romanza presso l'Università di Trento. Studioso di fama internazionale, ha indagato su numerosi aspetti della letteratura allegorica e religiosa del medioevo latino e romanzo (bestiari, mito del Graal, trovatori, eresia catara, letteratura mistica). Ha scritto inoltre su alcuni poeti italiani ed europei contemporanei. Con questa casa editrice ha pubblicato L'iride nel fango. L'anguilla di Eugenio Montale e curato la traduzione italiana e il commento di Messaggio di Fernando Pessoa e del primo volume di L'altra metà del sogno mi appartiene di Alicia Gallienne. Ha ricevuto il Premio Nazionale per la Traduzione 2023 del Ministero della Cultura.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Julián del Casal (José Julián Herculano del Casal y de la Lastra; Habana, 7 noviembre 1863 – 21 octubre 1893) fue un poeta, periodista y figura clave del Modernismo latinoamericano, especialmente en Cuba. Nace en La Habana en 1863. Su madre fallece cuando él tenía alrededor de 5 años, y su padre muere en 1885, privándolo de herencia y sumiéndolo en dificultades económicas y emocionalmente marcado. Cursa bachillerato en el Real Colegio de Belén (título en 1879) y estudia Derecho brevemente en la Universidad de La Habana antes de abandonarlos para dedicarse a la literatura. Trabaja como escribiente en la oficina del Ministerio de Hacienda, colabora con revistas como La Habana Elegante, y usa el seudónimo Hernani en algunos escritos. En 1888 viaja a España (llega a Madrid) con la intención de conocer París, pero regresa a Cuba en 1889 sin cumplir ese sueño. Obras principales:Hojas al viento (1890): Primera colección de poemas, influidos por el Parnasianismo francés y Charles Baudelaire. Nieve (1892): Incluye cinco secciones temáticas, reflejando un tono melancólico y esteticista. Bustos y rimas (1893, póstumo): Mezcla de prosa y poesía, publicada tras su muerte con ayuda de Enrique Hernández Miyares. Además, tradujo a Baudelaire al español y mantuvo correspondencia con figuras como Rubén Darío y el pintor Gustave Moreau. Es considerado uno de los precursores del Modernismo en la literatura hispanoamericana, junto a Rubén Darío, Manuel Gutiérrez Nájera y José Asunción Silva. Sus versos muestran una clara preferencia por lo artificial y esteticista, alejándose de la naturaleza y de los sentimientos sentimentales tradicionales. José Martí lo admiró, señalándolo como parte de una generación que buscaba “expresión artística y sincera” . Casal fallece a los 29 años de edad en La Habana, durante una sobremesa, tras reírse de un chiste. Este episodio desata una hemorragia grave por ruptura de un aneurisma, aunque algunos expertos también señalan que pudo tratase de una bronquitis tuberculosa.

Recognizing the Reality of Spiritual WarfareIn reflecting on spiritual warfare, it's tempting to either overemphasize or downplay Satan's influence. While some traditions see every life event as a battle against demonic forces, there's a risk of overlooking the profound impact of personal sin, which can align us with the devil's schemes. Satan seeks to destroy not just individuals but God's very credibility. If he could snatch even one soul from Christ's hand, then he would expose God as a liar. This sobering reality stirs a call to vigilance—not through human strength, but by recognizing the unseen battle. Our fleshly instinct to “buck up” and rely on personal fortitude misses the deeper truth: true victory lies in dependence on Christ, who faced and overcame the ultimate spiritual battle for us.The Ease of Faith and the Devil's DeceptionLiving in a land of relative ease, where faith requires little sacrifice, can dull our appreciation for Christianity's beauty. Unlike those in persecuted regions, where believers face life-threatening risks, our daily struggles often revolve around mundane tasks like getting to church on time. This comfort can blind us to Satan's work, as Baudelaire warned: the devil's greatest wile is convincing the world he doesn't exist. Without a perceived threat, we neglect spiritual defenses. Yet, Christ calls us to a different weapon, which is prayer over the sword. In the face of Satan's relentless efforts to undermine God's integrity, we're urged to turn to prayer, trusting not in our own strength but in the One who has already overcome.Christ's Anguish and Our Call to PrayerIn the Garden of Gethsemane, we witness Christ's intense anguish, sweating drops like gushing blood as He faced the weight of enduring hell's wrath for us. Innocent, yet burdened, He was ministered to by an angel, echoing God's care for Elijah. Meanwhile, the disciples succumbed to grief, sleeping instead of praying, and resorted to swords, misunderstanding the spiritual battle's nature. Christ's rebuke and healing of the servant's ear reveal that spiritual warfare isn't fought with fleshly weapons. Judas's betrayal with a kiss and the crowd's shortsighted rejection of Christ, despite His miracles, which betray his prophetic credibility, highlight human failure to align with God's truth. Yet, Christ's faithfulness calls us to pray, seeking strength to resist temptation and stand firm in His victory.Victory Through Humility and Trust in ChristOur response to Satan's schemes must be rooted in humility and prayer, not self-reliance. Like Hezekiah or the psalmist in Psalm 139, we're called to seek God's conviction and guidance, trusting His Spirit to conform us to His will. Satan prowls, seeking to disrupt our contentment in Christ, but the cross and resurrection assure us of victory. Christ's resurrection guarantees an indestructible kingdom, and through prayer, we participate in His triumph. Let us live as grateful conquerors, not fearing Satan's wiles but resting in the Redeemer's power, praying for wisdom to honor Him and confidence that His promises will never fail.

After taking an extra week off, we're energized and back with plenty of perfume reviews, laundry recommendations, tips on wearing natural deodorant in Texas, AI rants, and a lot of white floral talk. All that and some real winners in The Game. Scents Mentioned In This Episode:Flower No 1, Smoke, Rain Wood, and Heliotrope by Perfumer H / Bois Obscur and Baudelaire by Byredo /  Vanilla Powder Extrait by Matiere Premiere / Well Dressed Werewolf, Burning Barbershop, Amber Kiso, Bowmakers, and Mississippi Medicine by DS & Durga / Flaming Creature by Marissa Zappas / Diva (laundry detergent) by Tyler Candle Co / Dark Flowers (candle) by Corpus / Rotano by Maison d'ETTO / Monsieur by Frederic Malle / Muscs Koublai Khan by Serge Lutens / Epona by Papillon Perfumes / Geist by La-Curie / Epices by Miskeo / Tempo by Diptyque / Vanille Antique by Byredo / Ambilux by Marlou / Blood Spider Orchids and Fauna by Régime des Fleurs / L'âme Perdue by Le Galion / La Fille de Berlin and Sarrasins by Serge Lutens / Boutonniere No. 7 by Arquiste / Cobra and The Canary, Telegrama, and Slow Explosions by Imaginary Authors / Gardener's Glove by St. Clair / Psychedelique by Jovoy / Reve D'Ossian and Horizon by Oriza L LegrandThe Game:Carnival of Souls by Marissa Zappas / White Smoke by Perfumer H / Bois Flotte by Chambre52 / The Abandoned Mansion by Imaginary Authors / Un Bel Amour D'été by Parfum d'Empire / Le Regent by Oriza L LegrandFilms and Shows Discussed:Lusty Men (1952) by Nicholas RayNight of the Demon (1957) by Jacques TourneurOver The Garden Wall (2014) by Patrick Hale (00:00) - - Intro (01:00) - - Perfumer H and Byredo Cuir Obscur (07:16) - - Vanilla Powder Extrait in Reverse (13:30) - - Well Dressed Werewolf (23:06) - - Diva and Dark Flowers (30:30) - - Jeff vents a bit about AI (37:58) - - Some Movie Talk (47:17) - - Scents of the Week (01:00:25) - - The Game Please feel free to email us at hello@fragraphilia.com - Send us questions, comments, or recommendations. We can be found on TikTok and Instagram @fragraphilia

Cette semaine dans le podcast, focus sur les troubles du comportement alimentaire, un sujet souvent source d'isolement, de tensions et de malentendus au sein des familles.Je reçois Eloïse Besson-Damegon, auteure de « Le goût de la vie » (éditions Baudelaire), qui raconte son parcours vers l'anorexie et son combat pour s'en sortir. Au-delà des idées reçues, elle rappelle que l'anorexie est une maladie mentale, qui altère profondément la perception du corps et impacte le quotidien.Un épisode pour mieux comprendre cette maladie, ses symptômes et ses conséquences.Bonne écoute à tous !_________➡️ Ce podcast est réalisé (avec amour) par Mélanie Ciardi :Mon site Suis-moi sur Instagram Suis-moi sur LinkedIn 

Porfirio Barba‑Jacob fue el seudónimo literario de Miguel Ángel Osorio Benítez (Santa Rosa de Osos, Antioquia, 1883 – Ciudad de México, 1942), uno de los poetas más intensos y errantes de Colombia. Nacido en una familia campesina, creció con sus abuelos en Angostura y desde joven recorrió Colombia fundando revistas y escribiendo bajo distintos seudónimos: Marín Jiménez, Ricardo Arenales y finalmente Porfirio Barba‑Jacob desde 1922. A partir de 1907 vivió en Centroamérica, Estados Unidos y México. Periodista polémico, fue encarcelado por criticar al régimen de Porfirio Díaz, expulsado luego de México y Guatemala, y vivió en Cuba, Honduras, El Salvador (donde presenció el terremoto de 1917), antes de regresar en 1930 a México, donde escribió columnas como “Perifonemas” hasta su muerte por tuberculosis en 1942. Sus primeros poemas fueron “Campiña florida” (Barranquilla, 1907), junto a “Árbol viejo” y la célebre “Canción de la vida profunda”. Obras recogidas en antologías durante su vida: Rosas negras (1932, Guatemala), Canciones y elegías (1933, México) y La canción de la vida profunda y otros poemas (1937, Manizales). Póstumamente se publicaron Poemas intemporales (1944) y Antorchas contra el viento (1944) entre otras. Como periodista, su crónica "El combate de la Ciudadela narrado por un extranjero" sobre la Decena Trágica de México (1913) reflejó su compromiso político y literario. Escribió también relatos de alta calidad literaria como El terremoto de San Salvador: narración de un superviviente (1917), considerada un clásico de la crónica hispanoamericana. Su obra es representativa de un modernismo ecléctico, influido por Baudelaire y Rubén Darío, con una sensibilidad romántica, musical y trágica. Refleja temas como la muerte, la pasión, la nostalgia y la dualidad entre belleza y horror. Abiertamente gay, trató el amor entre hombres en varios poemas, convirtiéndose en un referente pionero de la literatura LGBT en Colombia y América Latina. Falleció en pobreza y enfermedad en Ciudad de México. Sus restos fueron repatriados a Colombia en 1946 y depositados en la Rotonda de los Hombres Ilustres. En resumen, Porfirio Barba‑Jacob fue un espíritu cosmopolita y transgresor, cuya poesía y crónicas siguen impactando por su intensidad lírica, su compromiso político y su apertura afectiva.

Roi de l'aviation et empereur du golf, l'Albatros est surtout connu en tant que "Prince des nuées", grâce au célébrissime poème de Charles Baudelaire, qu'il a baptisé du nom de l'oiseau si majestueux dans l'air mais si maladroit sur terre, un peu comme si l'Albatros était un miroir du Poète. Au delà de l'œuvre de Baudelaire, l'Albatros est une figure majeure de la culture moderne anglo-saxonne, de Coleridge à Disney en passant par Iron Maiden...___Et pour en savoir plus sur la biologie de cet oiseau, un épisode de PPDP featuring l'ami Bill François : https://smartlink.ausha.co/ppdp/s03e37-la-philosophie-des-albatros___

1859 war sich Charles Baudelaire sicher, dass die «Kunst nichts anderes ist und sein kann als die genaue Wiedergabe der Natur». Er betont das, weil zu dieser Zeit eine neue Technik aufkommt: Die Fotografie bildet die Natur einfacher und genauer ab als jeder Künstler. Baudelaire spottet, die fotografische Industrie sei zur «Zuflucht aller gescheiterten Maler» geworden, der «Unbegabten und der Faulen». Die industrielle Bilderproduktion habe eine «allgemeine Überfütterung», eine «Verblendung und Verdummung» zur Folge. Tatsächlich schlug die Fotografie der Malerei ihre Aufgabe, die Welt abzubilden, aus der Hand. Die Kunstmaler reagierten darauf, indem sie nicht mehr das malten, was ihre Augen sahen, sondern das, was sie spürten und empfanden. So entstanden Impressionismus, Expressionismus und schliesslich die moderne, abstrakte Malerei. Heute stehen wir an einem ähnlichen Punkt: Die textgenerierende Künstliche Intelligenz erledigt, was früher nur Menschen konnten: Sie beschreibt, erklärt, argumentiert, fasst zusammen und formuliert auf Knopfdruck und in industriellem Massstab Texte. Welche Folgen hat das für das Schreiben? Wird ChatGPT jetzt zur «Zuflucht aller gescheiterten Autoren»? Muss sich das künstlerische Schreiben vom Transportieren von Informationen abwenden wie vor 150 Jahren die Malerei von der Wiedergabe der Natur? Wenn Maschinen besser Texte produzieren, was bleibt dem Schreiben?Matthias Zehnder ist Autor und Medienwissenschaftler in Basel. Er ist bekannt für inspirierende Texte, Vorträge und Seminare über Medien, die Digitalisierung und KI.Website: https://www.matthiaszehnder.ch/Newsletter abonnieren: https://www.matthiaszehnder.ch/abo/Unterstützen: https://www.matthiaszehnder.ch/unterstuetzen/Biografie und Publikationen: https://www.matthiaszehnder.ch/about/

In the aftermath of the shipwreck, France was scandalized by what had happened as the details emerged. And artist Théodore Géricault became obsessed with it. Research: Amigo, Ignacio. “How a biologist turned amateur sleuth to solve a century-old art riddle.” The Guardian. Oct. 23, 2023. https://www.theguardian.com/artanddesign/2023/oct/27/how-a-biologist-turned-amateur-sleuth-to-solve-a-century-old-art-riddle Barran, Julian. “Théodore Géricault, Illustrations to Alexandre Corréard’s ‘Le Naufrage de La Méduse.’” The Burlington Magazine, vol. 119, no. 889, 1977, pp. 311–310. JSTOR, http://www.jstor.org/stable/878824 Baudelaire, Charles. “WHAT IS ROMANTICISM?” The Salon of 1848. https://writing.upenn.edu/library/Baudelaire-Salon-1848.pdf Burgos, Javier S. “A new portrait by Géricault.” The Lancet Neurology, Volume 20, Issue 2, 90 – 91. https://www.thelancet.com/journals/laneur/article/PIIS1474-4422(20)30479-8/fulltext Burgos, Javier. S. “In search of Théodore Géricault’s lost monomanias.” Metode. June 3, 2024. https://metode.org/issues/article-revistes/in-search-of-theodore-gericaults-lost-monomanias.html Dard, Charlotte Adelaide Picard. “The sufferings of the Picard family after the shipwreck of the Medusa, in the year 1816.” Constable and Co. Edinburgh, Scotland. 1827. Accessed online: https://www.gutenberg.org/files/22792/22792-h/22792-h.htm Dione, Babacar and Mark Banchereau. “France withdraws from Senegal, ending its permanent military presence in West Africa.” AP. July 17, 2025. https://apnews.com/article/senegal-france-military-withdrawal-57d150687e18cd20ac6a6d7194821208 The Editors of Encyclopaedia Britannica. "Treaties of Paris". Encyclopedia Britannica, 23 May. 2025, https://www.britannica.com/event/Treaties-of-Paris-1814-1815 “The Frigate Medusa … “ The Raleigh Minerva. Nov. 4, 1816. https://www.newspapers.com/image/58081420/?match=1&terms=medusa “Gericault.” The Illustrated Magazine of Art, Vol. 2, No. 11 (1853), pp. 282-283 Stable URL: https://www.jstor.org/stable/20538136 Géricault, Théodore. “Cuirassier blessé, quittant le feu.” 1814. Louvre. https://collections.louvre.fr/ark:/53355/cl010059200 Géricault, Théodore. “Race of the Riderless Horses.” 1817. Getty Museum. https://www.getty.edu/art/collection/object/103RH8 Géricault, Théodore. “Race of the Riderless Horses at Rome, Study.” 1817. The Met. https://www.metmuseum.org/art/collection/search/665793 Huet, Marie-Hélène. “The Face of Disaster.” Yale French Studies, no. 111, 2007, pp. 7–31. JSTOR, http://www.jstor.org/stable/20479368 “Loss of the French Frigate Medusa.” Hartford Courant. Oct. 29, 1816. https://www.newspapers.com/image/1105494685/?match=1&terms=medusa Miles, Jonathan. “The Wreck of the Medusa.” Atlantic Monthly Press. 2007. Savigny, Jean Baptiste Henri, and Alexandre Correard. “Narrative of the Voyage to Senegal.” London : Printed for Henry Colburn. 1818. https://archive.org/details/narrativeofvoyag00savirich/page/xiv/mode/2up Smith, Roberta. “Art Review: Oui, Art Tips From Perfidious Albion.” New York Times. Oct. 10, 2003. https://www.nytimes.com/2003/10/10/arts/art-review-oui-art-tips-from-perfidious-albion.html See omnystudio.com/listener for privacy information.

The first episode of this two-parter covers the French mission to Senegal that the frigate Medusa led in 1816. Soon, the mission fell disastrously apart. Research: Amigo, Ignacio. “How a biologist turned amateur sleuth to solve a century-old art riddle.” The Guardian. Oct. 23, 2023. https://www.theguardian.com/artanddesign/2023/oct/27/how-a-biologist-turned-amateur-sleuth-to-solve-a-century-old-art-riddle Barran, Julian. “Théodore Géricault, Illustrations to Alexandre Corréard’s ‘Le Naufrage de La Méduse.’” The Burlington Magazine, vol. 119, no. 889, 1977, pp. 311–310. JSTOR, http://www.jstor.org/stable/878824 Baudelaire, Charles. “WHAT IS ROMANTICISM?” The Salon of 1848. https://writing.upenn.edu/library/Baudelaire-Salon-1848.pdf Burgos, Javier S. “A new portrait by Géricault.” The Lancet Neurology, Volume 20, Issue 2, 90 – 91. https://www.thelancet.com/journals/laneur/article/PIIS1474-4422(20)30479-8/fulltext Burgos, Javier. S. “In search of Théodore Géricault’s lost monomanias.” Metode. June 3, 2024. https://metode.org/issues/article-revistes/in-search-of-theodore-gericaults-lost-monomanias.html Dard, Charlotte Adelaide Picard. “The sufferings of the Picard family after the shipwreck of the Medusa, in the year 1816.” Constable and Co. Edinburgh, Scotland. 1827. Accessed online: https://www.gutenberg.org/files/22792/22792-h/22792-h.htm Dione, Babacar and Mark Banchereau. “France withdraws from Senegal, ending its permanent military presence in West Africa.” AP. July 17, 2025. https://apnews.com/article/senegal-france-military-withdrawal-57d150687e18cd20ac6a6d7194821208 The Editors of Encyclopaedia Britannica. "Treaties of Paris". Encyclopedia Britannica, 23 May. 2025, https://www.britannica.com/event/Treaties-of-Paris-1814-1815 “The Frigate Medusa … “ The Raleigh Minerva. Nov. 4, 1816. https://www.newspapers.com/image/58081420/?match=1&terms=medusa “Gericault.” The Illustrated Magazine of Art, Vol. 2, No. 11 (1853), pp. 282-283 Stable URL: https://www.jstor.org/stable/20538136 Géricault, Théodore. “Cuirassier blessé, quittant le feu.” 1814. Louvre. https://collections.louvre.fr/ark:/53355/cl010059200 Géricault, Théodore. “Race of the Riderless Horses.” 1817. Getty Museum. https://www.getty.edu/art/collection/object/103RH8 Géricault, Théodore. “Race of the Riderless Horses at Rome, Study.” 1817. The Met. https://www.metmuseum.org/art/collection/search/665793 Huet, Marie-Hélène. “The Face of Disaster.” Yale French Studies, no. 111, 2007, pp. 7–31. JSTOR, http://www.jstor.org/stable/20479368 “Loss of the French Frigate Medusa.” Hartford Courant. Oct. 29, 1816. https://www.newspapers.com/image/1105494685/?match=1&terms=medusa Miles, Jonathan. “The Wreck of the Medusa.” Atlantic Monthly Press. 2007. Savigny, Jean Baptiste Henri, and Alexandre Correard. “Narrative of the Voyage to Senegal.” London : Printed for Henry Colburn. 1818. https://archive.org/details/narrativeofvoyag00savirich/page/xiv/mode/2up Smith, Roberta. “Art Review: Oui, Art Tips From Perfidious Albion.” New York Times. Oct. 10, 2003. https://www.nytimes.com/2003/10/10/arts/art-review-oui-art-tips-from-perfidious-albion.html See omnystudio.com/listener for privacy information.

Quel est le point commun entre une prison étatsunienne, la mythologie grecque, un sport de plein air et un ancêtre de l'avion ? Réponse... l'Albatros ! La preuve en 4 fun facts :

Sie lösen verzwickte Fälle in Krimis, schreiben Autobiographien, kämpfen als Fantasy-Krieger, schnurren erotisch in der Lyrik oder assistieren gar dem Teufel: Katzen. Eleganter und häufiger streunt kein anderes Tier durch die Weltliteratur. Warum sind ausgerechnet Katzen die prominenten "Helden" so vieler Geschichten?

Cette question quasi philosophique sous-tend chaque départ et oriente aussi chaque retour. Interroger les motifs du voyage dit beaucoup de nos désirs et représentations de l'ailleurs, de l'autre comme de nous-même. Il éclaire notre époque et nos héritages. Introspection historique… Dans L'usage du monde, l'écrivain voyageur suisse du XXe siècle Nicolas Bouvier écrivait que « le voyage se passe de motifs ». « Il ne tarde pas à prouver qu'il se suffit à lui-même. On croit qu'on va faire un voyage, mais bientôt, c'est le voyage qui vous fait ou vous défait » ajoute-t-il. Au-delà de cette si belle formule depuis devenue célèbre, cette citation porte en elle un romantisme certain du voyage et des lettres en voyage, tout droit venu du XIXe siècle.  Cet héritage, pour le meilleur et le pire, l'historien français Sylvain Venayre a décidé de l'interroger dans son dernier livre Pourquoi voyager ? 17 leçons du XIXe siècle, car ce siècle a laissé des traces dans les imaginaires européens et notre rapport au voyage, ses modalités comme son récit, encore aujourd'hui…  Ce spécialiste de l'histoire culturelle du voyage et des représentations plonge alors dans les récits des grandes plumes nomades de ce siècle (Verne, Chateaubriand, Flaubert, Gautier, Baudelaire…) et vient détailler les fondements d'une certaine culture du voyage qu'il soit pèlerinage, savant, d'étude ou d'agrément. Des fondements posés donc au XIXe siècle, siècle de progrès et de mouvements, de révolutions industrielles, de trains et de bateaux à vapeur, d'exploration coloniale, de récits de voyage à la première personne et de romans d'aventures.  Ce faisant, il nous invite à regarder ce siècle en face pour mieux en tirer les leçons et qui sait réinventer le voyage, mieux le libérer… Avec Sylvain Venayre, historien français, spécialiste de l'histoire culturelle du voyage et des représentations. À lire Pourquoi voyager ? 17 leçons du XIXe siècle de Sylvain Venayre. Éditions CNRS. 2025 L'Épicerie du monde. La mondialisation par les produits alimentaires du XVIIIe siècle à nos jours sous la direction de Pierre Singaravélou et Sylvain Venayre. Éditions Fayard, 2022. Écrire le voyage de Sylvain Venayre. Éditions Citadelles & Mazenod, 2014 Panorama du voyage : 1780-1920 : mots, figures, pratiques de Sylvain Venayre. Éditions Les belles lettres, 2012

Cette question quasi philosophique sous-tend chaque départ et oriente aussi chaque retour. Interroger les motifs du voyage dit beaucoup de nos désirs et représentations de l'ailleurs, de l'autre comme de nous-même. Il éclaire notre époque et nos héritages. Introspection historique… Dans L'usage du monde, l'écrivain voyageur suisse du XXe siècle Nicolas Bouvier écrivait que « le voyage se passe de motifs ». « Il ne tarde pas à prouver qu'il se suffit à lui-même. On croit qu'on va faire un voyage, mais bientôt, c'est le voyage qui vous fait ou vous défait » ajoute-t-il. Au-delà de cette si belle formule depuis devenue célèbre, cette citation porte en elle un romantisme certain du voyage et des lettres en voyage, tout droit venu du XIXe siècle.  Cet héritage, pour le meilleur et le pire, l'historien français Sylvain Venayre a décidé de l'interroger dans son dernier livre Pourquoi voyager ? 17 leçons du XIXe siècle, car ce siècle a laissé des traces dans les imaginaires européens et notre rapport au voyage, ses modalités comme son récit, encore aujourd'hui…  Ce spécialiste de l'histoire culturelle du voyage et des représentations plonge alors dans les récits des grandes plumes nomades de ce siècle (Verne, Chateaubriand, Flaubert, Gautier, Baudelaire…) et vient détailler les fondements d'une certaine culture du voyage qu'il soit pèlerinage, savant, d'étude ou d'agrément. Des fondements posés donc au XIXe siècle, siècle de progrès et de mouvements, de révolutions industrielles, de trains et de bateaux à vapeur, d'exploration coloniale, de récits de voyage à la première personne et de romans d'aventures.  Ce faisant, il nous invite à regarder ce siècle en face pour mieux en tirer les leçons et qui sait réinventer le voyage, mieux le libérer… Avec Sylvain Venayre, historien français, spécialiste de l'histoire culturelle du voyage et des représentations. À lire Pourquoi voyager ? 17 leçons du XIXe siècle de Sylvain Venayre. Éditions CNRS. 2025 L'Épicerie du monde. La mondialisation par les produits alimentaires du XVIIIe siècle à nos jours sous la direction de Pierre Singaravélou et Sylvain Venayre. Éditions Fayard, 2022. Écrire le voyage de Sylvain Venayre. Éditions Citadelles & Mazenod, 2014 Panorama du voyage : 1780-1920 : mots, figures, pratiques de Sylvain Venayre. Éditions Les belles lettres, 2012

Reposted from Still Slaying: A Buffy-verse podcast which you can find at Still Slaying: a Buffy-verse podcast | Podcastica. Fun, in-depth talk about great TV.   Content Warning: Discussion of volence against women in many forms, including sexual violence, forced pregnancy and birth, ….. “Oh, and Baudelaire was actually a little taller and a lot drunker than he's depicted here.” The Scooby Duo gets into some of the serious issues raised in these two episodes. They have the “serious” conversation about exploitation of women and personal thoughts on current events in the US up top. If you'd like to skip to the fun stuff, jump to the 39 minute mark. Then the conversation ranges as usual, through the variety of silliness, like cigarette lighters in cars, vintage cell phones, the beauty of platonic friendship, grappling hooks, rules of demon deals, the power of an English cuppa, hot beverages on The Big Bang Theory, found family, “what's in the box,” Repo Man, Marcellus Wallace, Batman, Entourage, and the male gaze. In a few weeks, Still Slaying will be covering the smash hit, “K-Pop Demon Hunters” so send us your thoughts on that.  Next time, we'll be covering BTVS, Season 4, Episode 12, “A New Man.” Keep Slaying! News Links/Referenced Links Original Trailers/WB Promos: “Expecting” and “She”  Angel and Wesley Dancing https://youtu.be/A8fcH8I4bp0 Maternal Mortality in the United States After Abortion Bans - Gender Equity Policy Institute (GEPI) Rep. Ayanna Pressley's Statement on Adriana Smith FL House Speaker Oliva calls women "host bodies" in CBS interview about abortion legislation • Florida Phoenix 'It's A Complex Issue': Incoming Florida House Speaker Jose Oliva On Abortion - CBS Miami Female genital mutilation or cutting | Office on Women's Health How Much Are You Paying Your Stay-At-Home Partner? https://www.instagram.com/reel/DN55X8Ok1PP/ Wax Episodic | Alien: Earth | Podcastica. Fun, in-depth talk about great TV. What's On Tonight Podcast https://youtube.com/playlist —---------------------------------------- Viewing Order Angel 1x12 - Expecting Angel 1x13 - She Buffy 4x12 - A New Man Buffy 4x13 - The I In Team Buffy 4x14 - Goodbye Iowa Angel 1x14 - I've Got You Under My Skin Angel 1x15 - The Prodigal Buffy 4x15 - This Year's Girl (1/2) Buffy 4x16 - Who Are You? (2/2) Buffy 4x17 - Superstar Angel 1x16 - The Ring Angel 1x17 - Eternity Buffy 4x18 - Where the Wild Things Are Buffy 4x19 - New Moon Rising Angel 1x18 - Five by Five (1/2) Angel 1x19 - Sanctuary (2/2) Buffy 4x20 - The Yoko Factor (1/2) Buffy 4x21 - Primeval (2/2) Buffy 4x22 - Restless Angel 1x20 - War Zone Angel 1x21 - Blind Date Angel 1x22 - To Shanshu in LA Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover.  Follow us on Instagram Still Slaying: a Buffyverse Podcast from Podcastica Network (@stillslayingcast) • Instagram photos and videos Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. #feminism #patriarchy #adrianasmith #forcedbirth #abortionrights #reproductiverights #ayannapressley #hostbodies #unpaidlabor #rapeculture #fgm #angel #buffyverse #davidboreanaz #charismacarpenter #alexisdenisof #buffythevampireslayer #btvs #buffy #buffyverse #buffyfans #vampires #stillslaying #stillslayingpodcast #stillslayingcast  #slayer #vampireslayer  #smashthepatriarchy #slaythepatriarchy #mysticalpregnancy #kenmarino #bailing #seangunn #podcastica Learn more about your ad choices. Visit megaphone.fm/adchoices

A history of the dandy from below, from Beau Brummell and Baudelaire to Bowie and Bolan... and beyond. The historical figure of the dandy has commonly been described as an upper-class gentleman, often exemplified by well-known men such as Beau Brummell, Charles Baudelaire, Oscar Wilde, and Max Beerbohm. But there is a broader history to be told about the dandy - one that incorporates unknown men from the lower strata of society. The Dandy: A People's History of Sartorial Splendour (Oxford UP, 2025) constitutes the first ever history of those dandies who emanated from the less privileged layers of the populace - the lowly clerks, shop assistants, domestic servants, and labourers who increasingly during the modern age have emerged as style-conscious men about town. Peter Andersson shows that dandyism is far from just an elite phenomenon represented by famous poets and artists. He shows how dandyism as a popular youth subculture grew into an influential cultural movement, from the days of Beau Brummell in the early 19th century to the age of mods in the 1960s. A series of fascinating in-depth studies of the wide variety of dandy subcultures that have surfaced around the world in the last two centuries tell the story of how the shaping of fashions and the image of men became increasingly democratized, with the arbiters of taste increasingly coming from the other end of the social spectrum. Along the way, we encounter such long-forgotten groups as the mashers, the knuts, the Paris gandins and the Berlin transgender dandies, alongside more well-known but unexplored figures like the zoot suiter, the teddy boy, and the New Romantic. Above all, this is a story of how fundamental aspects of modern culture such as fashion, style, and conduct have been shaped from below just as much as from above. It is a story that shows how the problematic business of young men trying to find an identity is an enduring phenomenon - and one sadly often accompanied by innocent victims along the way. Peter K. Andersson is a historian and writer, with a PhD in History from Lund University in Sweden. He has been a visiting scholar at the universities of London, Oxford, and Bologna, and has written extensively on Victorian cultural history, urban history, and popular culture. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A history of the dandy from below, from Beau Brummell and Baudelaire to Bowie and Bolan... and beyond. The historical figure of the dandy has commonly been described as an upper-class gentleman, often exemplified by well-known men such as Beau Brummell, Charles Baudelaire, Oscar Wilde, and Max Beerbohm. But there is a broader history to be told about the dandy - one that incorporates unknown men from the lower strata of society. The Dandy: A People's History of Sartorial Splendour (Oxford UP, 2025) constitutes the first ever history of those dandies who emanated from the less privileged layers of the populace - the lowly clerks, shop assistants, domestic servants, and labourers who increasingly during the modern age have emerged as style-conscious men about town. Peter Andersson shows that dandyism is far from just an elite phenomenon represented by famous poets and artists. He shows how dandyism as a popular youth subculture grew into an influential cultural movement, from the days of Beau Brummell in the early 19th century to the age of mods in the 1960s. A series of fascinating in-depth studies of the wide variety of dandy subcultures that have surfaced around the world in the last two centuries tell the story of how the shaping of fashions and the image of men became increasingly democratized, with the arbiters of taste increasingly coming from the other end of the social spectrum. Along the way, we encounter such long-forgotten groups as the mashers, the knuts, the Paris gandins and the Berlin transgender dandies, alongside more well-known but unexplored figures like the zoot suiter, the teddy boy, and the New Romantic. Above all, this is a story of how fundamental aspects of modern culture such as fashion, style, and conduct have been shaped from below just as much as from above. It is a story that shows how the problematic business of young men trying to find an identity is an enduring phenomenon - and one sadly often accompanied by innocent victims along the way. Peter K. Andersson is a historian and writer, with a PhD in History from Lund University in Sweden. He has been a visiting scholar at the universities of London, Oxford, and Bologna, and has written extensively on Victorian cultural history, urban history, and popular culture. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A history of the dandy from below, from Beau Brummell and Baudelaire to Bowie and Bolan... and beyond. The historical figure of the dandy has commonly been described as an upper-class gentleman, often exemplified by well-known men such as Beau Brummell, Charles Baudelaire, Oscar Wilde, and Max Beerbohm. But there is a broader history to be told about the dandy - one that incorporates unknown men from the lower strata of society. The Dandy: A People's History of Sartorial Splendour (Oxford UP, 2025) constitutes the first ever history of those dandies who emanated from the less privileged layers of the populace - the lowly clerks, shop assistants, domestic servants, and labourers who increasingly during the modern age have emerged as style-conscious men about town. Peter Andersson shows that dandyism is far from just an elite phenomenon represented by famous poets and artists. He shows how dandyism as a popular youth subculture grew into an influential cultural movement, from the days of Beau Brummell in the early 19th century to the age of mods in the 1960s. A series of fascinating in-depth studies of the wide variety of dandy subcultures that have surfaced around the world in the last two centuries tell the story of how the shaping of fashions and the image of men became increasingly democratized, with the arbiters of taste increasingly coming from the other end of the social spectrum. Along the way, we encounter such long-forgotten groups as the mashers, the knuts, the Paris gandins and the Berlin transgender dandies, alongside more well-known but unexplored figures like the zoot suiter, the teddy boy, and the New Romantic. Above all, this is a story of how fundamental aspects of modern culture such as fashion, style, and conduct have been shaped from below just as much as from above. It is a story that shows how the problematic business of young men trying to find an identity is an enduring phenomenon - and one sadly often accompanied by innocent victims along the way. Peter K. Andersson is a historian and writer, with a PhD in History from Lund University in Sweden. He has been a visiting scholar at the universities of London, Oxford, and Bologna, and has written extensively on Victorian cultural history, urban history, and popular culture. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

A history of the dandy from below, from Beau Brummell and Baudelaire to Bowie and Bolan... and beyond. The historical figure of the dandy has commonly been described as an upper-class gentleman, often exemplified by well-known men such as Beau Brummell, Charles Baudelaire, Oscar Wilde, and Max Beerbohm. But there is a broader history to be told about the dandy - one that incorporates unknown men from the lower strata of society. The Dandy: A People's History of Sartorial Splendour (Oxford UP, 2025) constitutes the first ever history of those dandies who emanated from the less privileged layers of the populace - the lowly clerks, shop assistants, domestic servants, and labourers who increasingly during the modern age have emerged as style-conscious men about town. Peter Andersson shows that dandyism is far from just an elite phenomenon represented by famous poets and artists. He shows how dandyism as a popular youth subculture grew into an influential cultural movement, from the days of Beau Brummell in the early 19th century to the age of mods in the 1960s. A series of fascinating in-depth studies of the wide variety of dandy subcultures that have surfaced around the world in the last two centuries tell the story of how the shaping of fashions and the image of men became increasingly democratized, with the arbiters of taste increasingly coming from the other end of the social spectrum. Along the way, we encounter such long-forgotten groups as the mashers, the knuts, the Paris gandins and the Berlin transgender dandies, alongside more well-known but unexplored figures like the zoot suiter, the teddy boy, and the New Romantic. Above all, this is a story of how fundamental aspects of modern culture such as fashion, style, and conduct have been shaped from below just as much as from above. It is a story that shows how the problematic business of young men trying to find an identity is an enduring phenomenon - and one sadly often accompanied by innocent victims along the way. Peter K. Andersson is a historian and writer, with a PhD in History from Lund University in Sweden. He has been a visiting scholar at the universities of London, Oxford, and Bologna, and has written extensively on Victorian cultural history, urban history, and popular culture. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

A history of the dandy from below, from Beau Brummell and Baudelaire to Bowie and Bolan... and beyond. The historical figure of the dandy has commonly been described as an upper-class gentleman, often exemplified by well-known men such as Beau Brummell, Charles Baudelaire, Oscar Wilde, and Max Beerbohm. But there is a broader history to be told about the dandy - one that incorporates unknown men from the lower strata of society. The Dandy: A People's History of Sartorial Splendour (Oxford UP, 2025) constitutes the first ever history of those dandies who emanated from the less privileged layers of the populace - the lowly clerks, shop assistants, domestic servants, and labourers who increasingly during the modern age have emerged as style-conscious men about town. Peter Andersson shows that dandyism is far from just an elite phenomenon represented by famous poets and artists. He shows how dandyism as a popular youth subculture grew into an influential cultural movement, from the days of Beau Brummell in the early 19th century to the age of mods in the 1960s. A series of fascinating in-depth studies of the wide variety of dandy subcultures that have surfaced around the world in the last two centuries tell the story of how the shaping of fashions and the image of men became increasingly democratized, with the arbiters of taste increasingly coming from the other end of the social spectrum. Along the way, we encounter such long-forgotten groups as the mashers, the knuts, the Paris gandins and the Berlin transgender dandies, alongside more well-known but unexplored figures like the zoot suiter, the teddy boy, and the New Romantic. Above all, this is a story of how fundamental aspects of modern culture such as fashion, style, and conduct have been shaped from below just as much as from above. It is a story that shows how the problematic business of young men trying to find an identity is an enduring phenomenon - and one sadly often accompanied by innocent victims along the way. Peter K. Andersson is a historian and writer, with a PhD in History from Lund University in Sweden. He has been a visiting scholar at the universities of London, Oxford, and Bologna, and has written extensively on Victorian cultural history, urban history, and popular culture. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

A history of the dandy from below, from Beau Brummell and Baudelaire to Bowie and Bolan... and beyond. The historical figure of the dandy has commonly been described as an upper-class gentleman, often exemplified by well-known men such as Beau Brummell, Charles Baudelaire, Oscar Wilde, and Max Beerbohm. But there is a broader history to be told about the dandy - one that incorporates unknown men from the lower strata of society. The Dandy: A People's History of Sartorial Splendour (Oxford UP, 2025) constitutes the first ever history of those dandies who emanated from the less privileged layers of the populace - the lowly clerks, shop assistants, domestic servants, and labourers who increasingly during the modern age have emerged as style-conscious men about town. Peter Andersson shows that dandyism is far from just an elite phenomenon represented by famous poets and artists. He shows how dandyism as a popular youth subculture grew into an influential cultural movement, from the days of Beau Brummell in the early 19th century to the age of mods in the 1960s. A series of fascinating in-depth studies of the wide variety of dandy subcultures that have surfaced around the world in the last two centuries tell the story of how the shaping of fashions and the image of men became increasingly democratized, with the arbiters of taste increasingly coming from the other end of the social spectrum. Along the way, we encounter such long-forgotten groups as the mashers, the knuts, the Paris gandins and the Berlin transgender dandies, alongside more well-known but unexplored figures like the zoot suiter, the teddy boy, and the New Romantic. Above all, this is a story of how fundamental aspects of modern culture such as fashion, style, and conduct have been shaped from below just as much as from above. It is a story that shows how the problematic business of young men trying to find an identity is an enduring phenomenon - and one sadly often accompanied by innocent victims along the way. Peter K. Andersson is a historian and writer, with a PhD in History from Lund University in Sweden. He has been a visiting scholar at the universities of London, Oxford, and Bologna, and has written extensively on Victorian cultural history, urban history, and popular culture. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

A history of the dandy from below, from Beau Brummell and Baudelaire to Bowie and Bolan... and beyond. The historical figure of the dandy has commonly been described as an upper-class gentleman, often exemplified by well-known men such as Beau Brummell, Charles Baudelaire, Oscar Wilde, and Max Beerbohm. But there is a broader history to be told about the dandy - one that incorporates unknown men from the lower strata of society. The Dandy: A People's History of Sartorial Splendour (Oxford UP, 2025) constitutes the first ever history of those dandies who emanated from the less privileged layers of the populace - the lowly clerks, shop assistants, domestic servants, and labourers who increasingly during the modern age have emerged as style-conscious men about town. Peter Andersson shows that dandyism is far from just an elite phenomenon represented by famous poets and artists. He shows how dandyism as a popular youth subculture grew into an influential cultural movement, from the days of Beau Brummell in the early 19th century to the age of mods in the 1960s. A series of fascinating in-depth studies of the wide variety of dandy subcultures that have surfaced around the world in the last two centuries tell the story of how the shaping of fashions and the image of men became increasingly democratized, with the arbiters of taste increasingly coming from the other end of the social spectrum. Along the way, we encounter such long-forgotten groups as the mashers, the knuts, the Paris gandins and the Berlin transgender dandies, alongside more well-known but unexplored figures like the zoot suiter, the teddy boy, and the New Romantic. Above all, this is a story of how fundamental aspects of modern culture such as fashion, style, and conduct have been shaped from below just as much as from above. It is a story that shows how the problematic business of young men trying to find an identity is an enduring phenomenon - and one sadly often accompanied by innocent victims along the way. Peter K. Andersson is a historian and writer, with a PhD in History from Lund University in Sweden. He has been a visiting scholar at the universities of London, Oxford, and Bologna, and has written extensively on Victorian cultural history, urban history, and popular culture. Caleb Zakarin is editor of the New Books Network.

James Frey is the author of "A Million Little Pieces," a book that spoke to the deepest, darkest parts of countless readers in early recovery. This conversation explores his journey to become literature's bad boy, his heroes like Baudelaire and Henry Miller, and his philosophy of "prowling with the panther." We discuss the intersection of creativity and the Tao, where inspiration comes from, and his unique approach to capturing vitality on the page. Along the way, James recounts a few things he's never shared publicly. This is a manifesto on the importance of muscular books written by authors with courage. Buckle up. Enjoy! Show notes + MORE Watch on YouTube Newsletter Sign-Up   Today's Sponsors: Go Brewing: Use the code Rich Roll for 15% OFF

durée : 00:06:55 - Les Nuits de France Culture - par : Albane Penaranda - Baudelaire est le poète du Paris des années 1850, en pleine transformation. Dans "Le Crépuscule du soir" on y entend sa plainte de ce que font la ville et la nuit aux hommes, du danger et du vice qu'elle éveille. C'est le poète André du Bouchet qui nous en fait la lecture. - réalisation : Emily Vallat - invités : André Du Bouchet Poète

Dans cet épisode, Christophe Paco et Lisa Kamen explorent les règles du sonnet, un poème de 14 vers. Ils discutent des quatrains et tercets, des rimes embrassées et de l'alternance entre rimes féminines et masculines. Clément Marot, qui a introduit le sonnet en France, est mentionné, ainsi que des poètes comme Baudelaire et Rimbaud qui ont défié ces règles. Retrouvez l'épisode sur RTL.fr et en podcast.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Spleen: scopri il significato che questo termine ha in Baudelaire, termine che descrive uno stato d'animo, reso famoso dal poeta che ne parla nelle sue poesie.

Biografia, poesie e stile di Stéphane Mallarmé, poeta simbolista, scrittore e drammaturgo francese autore di raccolte come Un colpo di dadi mai abolirà il caso e maestro dei poeti maledetti.

durée : 01:00:48 - Club Jazzafip - Nous recevons en session live la captivante chanteuse-guitariste et le fougueux pianiste à l'occasion de la sortie de l'album "Le Carillon" sur des textes de Baudelaire et Ferré, des mélodies de Joao Gilberto, Kurt Weil, Purcell, Carole King et quelques inventions personnelles. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Biografia, opere e stile del poeta maledetto Charles Baudelaire, esponente del simbolismo, autore de I fiori del male, la sua opera più famosa.

Giorgio Ghiberti"John Florio. La vita d'un italiano nell'Inghilterra di Shakespeare"Frances A. YatesCasa dei Libri Edizioniwww.casadeilibri.comJohn Florio è noto ancora oggi per la sua grande traduzione in inglese degli Essays di Montaigne. Per i suoi contemporanei, era una delle figure più prominenti dei circoli letterari e sociali dell'epoca. Attraverso la ricostruzione della vita e del carattere di Florio, il testo di Frances Yates del 1934 fa luce sulla controversa questione delle sue relazioni con Shakespeare.Frances A. Yates, Scelse di studiare “storiografia interdisciplinare” e per più di quarant'anni fu legata al Warburg Institute della University of London, rivestendo anche incarichi di docenza. Gran parte del suo lavoro si è concentrato su neoplatonismo, filosofia e occultismo nel Rinascimento. Le sue opere principali, come Giordano Bruno e la tradizione ermetica o l'Arte della memoria, si concentrano sul ruolo centrale svolto dalla magia, dalla tradizione ermetica e dalla cabala nella scienza e nella filosofia nel Rinascimento. Oltre che di Giordano Bruno e Raimondo Lullo, si è occupata anche di Giovanni Florio, William Shakespeare e di storia della tradizione mnemotecnica da Simonide a Gottfried Leibniz. Insignita nel 1972 con il rango di Officer dell'Ordine dell'Impero Britannico, nel 1977 fu elevata al rango di Dama (Dame).Nel 2008 è uscita Frances Yates and the Hermetic Tradition, la prima biografia di Frances Yates, a cura di Marjorie G. Jones, tradotta in italiano da Andrea Damascelli per Casadei Libri nel 2014 con il titolo Frances Yates e la tradizione ermetica.Il merito di questo lavoro di riscoperta italiana va anche a Giorgio Ghiberti, curatore e traduttore d'eccezione, già noto per le sue splendide versioni di poeti come Baudelaire, Pessoa, Dickinson e Eliot. Ghiberti, nato a Ravenna nel 1952, porta nella sua traduzione tutta la sensibilità di chi conosce profondamente il valore della parola poetica e narrativa.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

REDIFF - Reims, c'est un peu "luxe calme et volupté", comme le disait Baudelaire. Enfin pour Reims, ce serait plus précisément "luxe calme et champagne". Parce que vous allez le voir, à travers les âges, c'est une ville qui a souvent fait le choix de la paix, de la stabilité et du développement. Une pacifiste du genre pragmatique... Tout l'été en podcast, Lorànt Deutsch vous raconte l'histoire de grandes villes de France. Retrouvez l'intégralité des épisodes dans le podcast "Entrez dans les Villes".Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:58:42 - Avec philosophie - par : Géraldine Muhlmann, Antoine Ravon - Baudelaire, Segalen et Michaux sont des poètes qui ont pour point commun de s'intéresser au voyage "en dedans". Mais quels liens entre voyage intérieur et voyage extérieur ? - réalisation : Riyad Cairat - invités : Sophie Nauleau Ecrivain, productrice à France Culture, ancienne directrice du “Printemps des poètes”; Adrien Cavallaro Maître de conférences en littérature française à l'université Grenoble Alpes; Christian Doumet Professeur de littérature française à l'Université Paris VIII - Auteur de nombreux ouvrages

Naomi L.A ‘Baudelaire' Smith, a global DEI consultant, discusses why she is committed to rearchitecting systems to honor marginalized voices and foster meaningful, lasting change.

“They would take you around, introduce you to all of their contacts, translate for you, and help you put together the story,” says scholar-journalist Kira Brunner Don in this week's episode of The World in Time. “And I often felt like, you pay them, of course, a day rate, but there was this understanding that real news was made by American journalists who flew in and told you what was what. All of us were depending on journalists from the country, or writers from the country, who knew it far better than we did and really had the context and the sensibility. But there was this unspoken rule that they'll be biased. I really felt like I wanted to create something that instead focused on the actual voices of the people who live in the countries we're covering.” This week on the podcast Donovan Hohn hosts a two-part episode. First, he speaks with Kira Brunner Don, former executive editor of Lapham's Quarterly, about the making of our first issue, States of War, from Winter 2008, and about the magazine Brunner Don edits now, Stranger's Guide. In part two of this episode, Hohn speaks with Nathan Brown, translator of Verso's new dual-language edition of Charles Baudelaire's The Flowers of Evil, about the history of Baudelaire's magnum opus. Brown gives us a guided tour of “Recueillement,” the Baudelaire poem read at Lewis Lapham's memorial service, which Brown has translated anew for Lapham's Quarterly, under the title “Introspection.”

“Lewis was always engaging with some important piece of literature from the past,” says historian and classicist Emily Allen-Hornblower in this episode of The World in Time, edited from audio recorded at the memorial service held for Lewis H. Lapham in September 2024. “You can be chatting about the insanity of the current political landscape and quickly things would shift to how history repeats itself, how humanity simply does not learn. And Thucydides or Cicero would rear their heads. To quote Cicero, ‘To be ignorant of what occurred before you were born is to remain always a child. For what is the worth of human life, unless it is woven into the life of our ancestors by the records of history?' Lewis understood that without the past, we lose the ability to think productively or even understand the present. He made himself a warrior for the humanities, putting up a splendid fight on behalf of the arts and letters. 'Til the end.” In this second of two episodes this week, we are joined once again by Lewis, first in the tributes and remembrances of his friends and colleagues and then in his own voice. Public Theater artistic director Oskar Eustis introduces the proceedings. Former Harper's Magazine literary editor Ben Metcalf recalls Lapham the mentor. Emily Allen-Hornblower reads from Homer and Baudelaire. Actor Alec Baldwin reads Mark Twain's essay “At the Funeral.” Actor Christopher Lloyd performs Prospero's epilogue from Shakespeare's The Tempest. Producer and director Sandy Gotham Meehan shares a letter by Flaubert. In audio from our archives, Lewis Lapham reads from “'Round Midnight,” his preamble to Music, the Fall 2017 issue of Lapham's Quarterly.

It's time to watch To Wong Foo, Thanks for Everything, Julie Newmar! and get ready for PRIDE!  Put on your most rainbow-y outfit and catch this, the first of two special PRIDE episodes this month!  Today's episode we introduce Alice B. Toklas.  Lover, confidant and essentially spouse to writer Gertrude Stein, she also was a writer in her own right and one of her books The Alice B. Toklas contained a recipe for Haschich Fudge that made her a counterculture icon.  (we will of course share the recipe here in the show notes, we are nothing if not full service.)  She also wrote, had her ups and downs and saw Gertrude through her final days, staying on alone afterwards.  So join us in this special PRIDE episode (the first of two this month) and enjoy!Haschich Fudge (which anyone could whip up on a rainy day)This is the food of Paradise—of Baudelaire's Artificial Paradises: it might provide an entertaining refreshment for a Ladies' Bridge Club or a chapter meeting of the DAR. In Morocco it is thought to be good for warding off the common cold in damp winter weather and is, indeed, more effective if taken with large quantities of hot mint tea. Euphoria and brilliant storms of laughter; ecstatic reveries and extension of one's personality on several simultaneous planes are to be complacently expected. Almost anything Saint Theresa did, you can do better if you can bear to be ravished by “un évanouissement reveillé.”Take 1 teaspoon black peppercorns, 1 whole nutmeg, 4 average sticks of cinnamon, 1 teaspoon coriander. These should all be pulverised in a mortar. About a handful each of stoned dates, dried figs, shelled almonds and peanuts: chop these and mix them together. A bunch of cannabis sativa can be pulverised. This along with the spices should be dusted over the mixed fruit and nuts, kneaded together. About a cup of sugar dissolved in a big pat of butter. Rolled into a cake and cut into pieces or made into balls about the size of a walnut, it should be eaten with care. Two pieces are quite sufficient.Become a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.

durée : 00:19:25 - Les Nuits de France Culture - par : Christine Goémé - En 1962, dans l'émission "Un poète, une voix", le comédien Jean-Louis Barrault disait Baudelaire. Avec Madeleine Renaud, il a fondé l'une des plus belle compagnie de théâtre française. Dans sa lecture, il insiste sur le coté obscure, parfumé et frémissant des Fleurs du Mal. - réalisation : Virginie Mourthé

Giuseppe Conte"Poesia, al cuore dell'uomo"Seminare Idee Festivalhttps://www.seminareideefestival.it/evento_festival/poesia-al-cuore-delluomo/Seminare Idee Festival, Pratodomenica 8 Giugno 2025, ore 10:00Chiostro San Domenicoincontro con Giuseppe Conte"Poesia, al cuore dell'uomo"I primi esempi di coraggio in cui ci imbattiamo da lettori sono nel mito e nella poesia dei Greci. Pensiamo ad Achille, il giovane eroe che osa contrastare il Signore di Uomini Agamennone e accettare il proprio destino, o, caso ancora più emblematico, a un'eroina come Antigone, la figlia di Edipo che in nome della giustizia morale e dell'amore fraterno e in contrasto con la timorosa sorella Ismene, sfida Creonte, re di Tebe. Nei tempi medioevali e moderni c'è un coraggio che si manifesta di fronte al mare. Esempio principale è quello dell'Ulisse dantesco che sfida l'ignoto e l'infinito. Poi quello di Colombo, dei doppiatori di Capo Horn, degli ammutinati come Fletcher Christian, di Lord Byron con le sue celebri traversate a nuoto. Nel quotidiano esiste un coraggio nel fare il proprio dovere sino in fondo e il proprio lavoro con passione. Esiste anche un leggero coraggio nell'affrontare con humour (non sarcasmo e irrisione) i casi che ci toccano giorno dopo giorno. In una società dominata dalla tecnocrazia capitalista, esiste un coraggio nella pratica della poesia, che, umiliata e accantonata, continua a tener vivo tutto ciò che è umano, tutti i movimenti dell'anima, e continua a sognare una rivoluzione che riguardi nuove forme del vivere e nuovi assetti della società. Esiste infine il coraggio dell'esilio e del migrante, e il coraggio della speranza, come si legge in Un altro giorno verrà, del poeta palestinese Mahmud Darwish.Giuseppe Conte"Ferite e rifioriture"Lo Specchio / Mondadorihttps://www.ibs.it/ferite-rifioriture-libro-giuseppe-conte/e/9788804801283?inventoryId=796241997&queryId=71f0e56f9fea5c7008c2543a2bb5111cQuando nel 2006 apparve questa compatta e insieme articolata raccolta, la non esibita originalità del suo percorso interno valse a Giuseppe Conte la vittoria del premio Viareggio. Diverse le ragioni, a cominciare dall'ariosa, insolita e vitale apertura al canto che subito vi si impone, insieme ai diversi rivoli del pensiero che ne percorre le pagine e i capitoli, realizzando una testimonianza poetica dell'essere nel mondo nella sottile vibrazione delle emozioni che l'accompagnano. Con la fluida eleganza aperta della sua pronuncia, in quella che definisce come l'«assurda gioia di essere vivo», Conte porta sulla scena della pagina l'amore e il dolore, che sempre nell'umano vivere si insinua. "Ferite", dunque, che inevitabilmente ci colpiscono, ma anche felici riprese, e quindi autentiche "rifioriture". Il poeta ascolta la memoria, quella personale, ma anche quella storica, sempre attiva nello scorrere del tempo che inesorabilmente ci muta. La sua parola dialoga con l'esempio dei grandi autori prediletti, da Hölderlin a Baudelaire, da Ungaretti e Milosz a Kavafis e Ginsberg. Ma Conte procede muovendosi ben fedele all'amato territorio ligure, e al contempo visitando e facendosi coinvolgere da altri mondi, dall'Aquitania all'isola Maurizio, luoghi sempre in grado di offrire alla sua sensibilità nuove tracce di apertura. Dedica poi versi alla divinità ctonia, a Persefone, nel segno del mito, tema ben radicato nel cuore della sua vicenda umana e di scrittore. Il suo pensiero è sempre libero e limpido, pur nelle ombre che il vissuto ci riserva e che tanto spesso ci colgono inattese. Ed eccolo allora in un quotidiano confronto con la materia, «la madre nostra comune», nella desolazione della precarietà e dunque nella consapevolezza che «tutto scompare». Ma la mobilità del suo pensiero gli consente non di meno di cogliere l'azione dello «Spirito che ci genera / come uomini e ci dà il canto», facendo di "Ferite e rifioriture" un testo di molteplice e inesausta vitalità.Giuseppe Conte (Imperia, 1945), poeta e narratore, ha pubblicato raccolte di poesia, saggi e romanzi, sui temi della natura dell'eros e del mito. Autore di resoconti di viaggi, cultore appassionato del mito, ha tradotto poesie di Blake, Whitman, D. H. Lawrence e Shelley. Tra le raccolte di poesia: L'Oceano e il Ragazzo (BUR, 1983 e TEA, 2002); Le stagioni (BUR, 1988, Premio Montale); Ferite e rifioriture (Mondadori, 2006, Premio Viareggio); Poesie 1983-2015 (Oscar Mondadori, 2015); Non finirò di scrivere sul mare (Mondadori, 2019). Tra i suoi romanzi: Il terzo ufficiale (Longanesi, 2002, Premio Hemingway); La casa delle onde (Longanesi, 2005, Selezione Premio Strega); L'adultera (Longanesi, 2008, Premio Manzoni); Il male veniva dal mare (Longanesi, 2013); Sesso e apocalisse a Istanbul (Giunti, 2018); I senza cuore (Giunti, 2019); Dante in Love (Giunti, 2021) e Il mito greco e la manutenzione dell'anima (Giunti, 2021). Il suo ultimo libro è Nessuno può uccidere Medusa (Bompiani, 2024).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

La Biblioteca de Julio vuelve y abre su cuarta temporada con el descubrimiento de un librito de una Patti Smith que, en 1973, está dando sus primeros pasos en la poesía y en el rock. En “Witt” Cortázar anota, dibuja y le habla a la autora, cantante y artista visual de Chicago. Suenan grandes versos influenciados por Rimbaud, Blake, Ginsberg, Baudelaire y el punk en este episodio, que cuenta con la poeta invitada Elsa Moreno. 

In this episode of One Thing In A French Day, I take you with me to the Librairie de Paris near Place de Clichy. Discover how bookstores can be magical places where we always end up buying more books than intended! Join me as I wander through the shelves, looking for specific architecture books but getting distracted by poetry collections, Parisian literature guides, and works by Baudelaire and Modiano. Experience authentic French culture and improve your listening skills with this real-life story about Paris bookshops and the irresistible allure of books. Perfect for French learners who love literature and Paris!   #FrenchBookstores #LearnFrenchWithStories #ParisianWalks #FrenchLiterature #FrenchListeningPractice #EverydayFrench #FrenchInContext #FrenchReadingCulture #FrenchPodcast #DailyFrenchListening

Extrait de l'épisode SARTRE - On a la vie qu'on mériteCet épisode sera publié sur YouTube et en podcast vendredi prochain le 2 maiIl est d'ores et déjà disponible en intégralité sur ma page Patreon : https://www.patreon.com/posts/127269685Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

What happens when a band ditches thrash just as it goes mainstream… and dives headfirst into French poetry, industrial noise, and orchestral arrangements? You get Into the Pandemonium by Celtic Frost, a boundary-shattering 1987 album that still divides, bewilders, and inspires.In this episode, we dig deep into this genre-defying masterpiece that blurred the lines between black metal, gothic atmospheres, and avant-garde experimentation. Was it ahead of its time or just too weird to work? Either way, it's unforgettable.We explore the album's fascinating backstory—from label resistance and chart failure to its underground cult status and lasting influence on extreme music. Along the way, we unpack everything from Baudelaire lyrics and Bosch album art to dive-bomb guitar solos and operatic vocals. If you're into the darker corners of 80s metal or love when bands break all the rules, this one's for you.If you're a fan of Ministry, Bauhaus, Slayer, or the experimental side of Metallica, hit play.

durée : 00:11:08 - Les Nuits de France Culture - par : Antoine Dhulster - En 1995, France Culture consacre à Michel Bulteau une série de cinq épisodes pour l'émission "Jeu de l'ouïe". Dans ce second volet, le poète poursuit l'aventure de ses années new-yorkaises. Il nous explique son attirance pour le dandysme et l'underground musical et littéraire américain. - réalisation : Jeanne Cherequefosse - invités : Michel Bulteau Poète et éditeur français

durée : 01:03:33 - Les Nuits de France Culture, archives d'exception - par : Philippe Garbit - Alexandre Privat d'Anglemont est un "inconnu de l'Histoire". Écrivain guadeloupéen, embarqué dans la vie de bohème parisienne du 19e siècle, ami de Baudelaire, il est tombé dans l'oubli. Cette série, enregistrée en 1983, nous fait redécouvrir sa vie et son oeuvre. - réalisation : Virginie Mourthé - invités : Claude Pichois Professeur de littérature

durée : 01:07:13 - Les Nuits de France Culture, archives d'exception - par : Philippe Garbit - L'écrivain métis Alexandre Privat d'Anglemont était l'un des symboles de la vie de bohème au 19e siècle. Ami de Baudelaire, on a retenu de lui ses deux livres sur Paris. On le redécouvre grâce à cette série des "Inconnus de l'Histoire" enregistrée en 1983. - réalisation : Virginie Mourthé - invités : Claude Pichois Professeur de littérature

« Le premier voyant, roi des poètes, un vrai dieu » : ainsi Rimbaud parlait-il de Charles Baudelaire, auquel la BNF vient de consacrer une belle exposition sous ce titre : « La modernité mélancolique ». Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

What makes the taste of a Meyer lemon so special? And why is there a secret society in Louisiana that holds a giant omelet festival every year? This week our friends at the The Atlas Obscura Podcast — which celebrates the world's strange and wondrous places — bring us stories that answer each of those questions. First up, professional taster Mandy Naglich tells us the twisty history of the Meyer lemon, from the eccentric man it's named after to the role it played in a citrus epidemic. Then we visit Abbeville, Louisiana, to eat that giant omelet, and learn about the French culture and history preserved in that town.The Sporkful production team includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Nora Ritchie, and Jared O'Connell. Special thanks to host Dylan Thuras and the rest of the Atlas Obscura Podcast team: Amanda McGowan, Julia Russo, Katie Thornton, Johanna Mayer, Doug Baldinger, Chris Naka, Kameel Stanley, Manolo Morales, Baudelaire, Gabby Gladney, Alexa Lim, Casey Holford, and Luz Fleming. The Atlas Obscura theme music is by Sam Tindall. Transcript available at www.sporkful.com.Right now, Sporkful listeners can get three months free of the SiriusXM app by going to siriusxm.com/sporkful. Get all your favorite podcasts, more than 200 ad-free music channels curated by genre and era, and live sports coverage with the SiriusXM app.

Absinthe is a drink that has been both romanticized and demonized over the centuries. While the spirit was a favorite of avant-gardists like Toulouse-Lautrec, Van Gogh and Baudelaire, it was also thought to be hallucinogenic and the catalyst for violent crime. My guest is Evan Rail, author of "The Absinthe Forger: A True Story of Deception, Betrayal, and the World's Most Dangerous Spirit". He tells us about the history of the infamous drink and his investigation into a modern-day counterfeiter who imploded the secretive pre-ban absinthe market with his fakeries. More about the author here: http://www.evanrail.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices