Podcasts about street smith

The economics of sports. It's certainly a thing that has disparagement from city to city – Milwaukee being one of the smallest markets in the sports landscape. What is the future of sports in Milwaukee? We talk to Executive Editor of Street & Smith's Sports Business Journal, and keynote speaker at the Business Jorunal's Sports Economics conference Abe Madkour. Abe uses his expertise to explain the future of sports and how economic developments, particularly for our teams, is vital in keeping our teams competitive from the dollars perspective.

With Lon Clark in the title role, the series commenced 11 April 1943, on Mutual, continuing in many different timeslots for well over a decade. Between October 1944 and April 1945, it was heard as a 30-minute program on Sunday afternoons at 3 pm, sponsored by Acme Paints and Lin-X, with a 15-minute serial airing four or five times a week in 1944 from April to September. In April 1945, the Sunday series moved to 6pm, continuing in that timeslot until June 1946, and it was also heard in 1946 on Tuesday from March to August. Sponsored by Cudahy Packing and Old Dutch Cleanser and later Acme Products (makers of such home-improvement chemicals as Kem-Tone paints and Lin-X floor-cleaning waxes, a near-rival to the more-popular Johnson's Wax products heard on numerous NBC Radio shows at the same time), the series finally settled in on Sundays at 6:30 pm for broadcasts from August 18, 1946 to September 21, 1952. Libby Packing was the sponsor when the drama aired on Sundays at 6pm (1952–53). In the last two years of the long run (1953–55), the show was heard Sundays at 4:30 pm. Jock MacGregor was the producer-director of scripts by Alfred Bester, Milton J. Kramer, David Kogan and others. Background music was supplied by organists Hank Sylvern, Lew White and George Wright. Walter B. Gibson, co-creator/writer of The Shadow pulp novels, was fired when he asked for a raise in 1946, and then became head writer for the Nick Carter radio series. Oddly enough, he never liked to write scripts for the radio version of The Shadow, though both characters were published by Street & Smith. Patsy Bowen, Nick's assistant, was portrayed by Helen Choate until mid-1945; then Charlotte Manson stepped into the role. Nick and Patsy's friend was reporter Scubby Wilson (John Kane). Sgt. Mathison (Ed Latimer) was Nick's contact at the police department. The supporting cast included Raymond Edward Johnson, Bill Johnstone and Bryna Raeburn. Michael Fitzmaurice was the program's announcer. The series ended on September 25, 1955.

You get the opportunity to have an intimate conversation with a first-generation Latina college graduate, who happens to also be a Vice President at a Hispanic Serving Institution (HSI).  Where else can you have such an experience?  Not to mention, CAMPOS has many wonderful experiences to share about her journey as an athletic administrator.  Did you know, at one point in her career, CAMPOS was the youngest female, Division I, Vice President for Intercollegiate Athletics in the country? CAMPOS has been recognized by Street & Smith's Sports Business Journal's Forty Under 40 (2017), built $41+ million dollar athletic facilities, negotiated UTSA as host institution for past and future NCAA basketball final four tournaments (both men and women), sits on multiple NCAA councils and committees, all while being a proud wife and mother. SEE US NOW!

The Shadow Radio Show "Shadow League." EpisodeOn July 31, 1930, a sinister voice introduced "The Detective Story Magazine Hour," a weekly radio program that dramatized stories from the pages of Street & Smith's Detective Story Magazine.The mysterious narrator claimed; "The Shadow knows all" and then announced the story from the current issue of the crime magazine with a menacing laugh.Though the program was canceled after 52 episodes, The Shadow became an immediate hit with the listening audience and continued on with his own magazine.The Shadow came back to the airwaves to narrate other crime programs, such as, "Blue Coal Mystery Revue and a handful of his own short lived shows in 1932 and 1934. However, they too were dropped from the airwaves.On September 26, 1937, Street & Smith gave The Shadow a central role, and a long-time radio residence, on the Mutual Broadcasting System network. The first show, starring Orson Welles, was titled "The Death House Rescue." The last radio program had Bret Morrison portraying the mysterious sleuth. It was titled "Murder by the Sea," and aired on December 26, 1954.Bret Morrison and Grace Matthews recorded two final episodes for a special record released in 1968.

This was a time unlike any other in our lifetime. The Coronavirus pandemic hit hard and affected every aspect of our lives, from sports to politics and religion. This book contains all kinds of stories about Pittsburgh, Western Pennsylvania and national figures and events and how the hospitalizations and deaths changed things forever. Tiger Woods, Adam Frazier, Ben Roethlisberger, Mike Tomlin, Tunch Ilkin, Bryan Reynolds, Roberto Clemente, Muhammad Ali are just some of sports figures that we see through the in-depth reporting of a writer who mixed with all of them in a 65-year sports-writing career. Pittsburgh sports author Jim O'Brien has written 31 books in his “Pittsburgh Proud” series. O'Brien was the founding editor (1970) for 23 years for Street & Smith's Basketball Yearbook and a contributing writer and editor emeritus for an additional 14 years, and authored The Complete Handbook of Pro Basketball for three years. He wrote a column on pro basketball for The Sporting News for nine years. He was a staff writer for the Philadelphia Evening Bulletin, The Miami News, The New York Post and The Pittsburgh Press. He wrote stories for SPORT magazine, Newsweek, Basketball Times, The Football News and The Washington Post.

Pittsburgh's dean of sportswriters Jim O'Brien (Looking Up: From the ABA to the NBA the WNBA to the NCAA - A Basketball Memoir; Looking Up Again - A Basketball Memoir) has seen it all in his more than 50 years of chronicling stories across the pro and collegiate sports landscape - but perhaps no more deeply than in basketball, and in more detailed fashion than during the old American Basketball Association.   Throughout the life of the league, you could find O'Brien's reliable ABA reportage and musings seemingly everywhere: essential weekly columns in The Sporting News; meticulous pre-season team & player profiles in the annual Complete Handbook of Pro Basketball; and the hugely influential Street & Smith's Basketball Yearbook (which he co-founded in 1970) - where he strove to ensure the challenger circuit's coverage was equal to that of the legacy NBA's.   We merely scratch the surface of O'Brien's treasure trove of stories from the old "red-white-and-blue" in this week's episode - where you'll hear personal reminiscences of legendary ABA figures like Connie Hawkins, Julius Erving, and (Episode 132 guest) Dan Issel; the significance of the former league's recent fiftieth anniversary; and why Pittsburgh was (both in the antecedent American Basketball League, and thrice-versioned in the ABA), and then wasn't a great pro hoops city.

Dr Casey, Published author, A 2008 graduate of Division 4 Piedmont High School ... As a freshman: Helped Piedmont High School claim the state title ... named to the Cal-Hi Sports All-Freshman team ... named third team all-state ... As a sophomore: Named all-metro and all-league ... picked to the End of the Oregon Trail all-tournament team ... As a junior: Averaged 24 points that season and had scored 1,358 points after just three seasons ... named the co-MVP of the End of the Oregon Trail tournament ... selected a Street & Smith's honorable mention All-American ... participated in the 2007 USA Youth Development Festival ... As a senior: Ranked 35th nationally by Blue Star Reports and No. 53 by HoopGurlz.com and the No. 10-rated point guard according to HoopGurlz ... named co-MVP of the Bay Shore Athletic League ... was second team all-metro by the San Francisco Chronicle ... help Piedmont High to a 21-6 record and scored a game-high 19 points in the North Coast Section quarterfinals ... also played softball in high school ... high school basketball coach was Brian Gardere. AAU Played in 32 games with 31 starts ... Scored 20 points or more twice ... scored in double figures 21 times ... second on the team in scoring (378 points) ... second on team in scoring average (11.8 points per game) ... second on team in field goals made (124) ... led team in 3-point field goals made (66) ... led team with 81 percent free-throw percentage (64 of 79) ... second on team in steals (60) ... led team in minutes played (1,144 - 35.8 average) ... scored 15 points at Arizona State ... scored 18 points vs Southern Utah ... scored 19 points with seven steals and was 7 of 10 from field vs Nicholls ... scored 16 points vs New Orleans ... scored 18 points vs Northern Colorado ... scored 20 points at Texas ... scored 16 points vs Kansas ... scored 20 points vs West Virginia ... scored 18 points at TCU ... scored 19 points at Kansas. Finished career with 1,056 points at Texas Tech in just three seasons ... 6th all-time in Texas Tech history with 177 career 3-point field goals made ... 7th all-time in Texas Tech history with 81.6 career free-throw percentage (177 of 217) ... started 99 of 100 games played at Texas Tech. Enjoy the walk through her journey.

Attend any baseball game, professional or amateur, and likely there's a scout in the stands with a stopwatch, clipboard, and maybe even a radar gun. The life and work of a scout seem easy, but it requires a lot of detail and diligence with reports, numbers, and analytics for the entire summer season.In this episode, Terry catches up with his longtime friend, and former writing partner, Deric McKamey, at a local baseball game. This episode takes place in studio and behind home plate at Four Winds Field in South Bend, Indiana. About Deric McKameyDeric McKamey got his start in baseball writing about minor league baseball players for Ron Shandler's Baseball Forecaster service for those playing fantasy baseball. His quality of work garnered the attention of Street & Smith's and Deric began writing their annual review of the minor leagues while also debuting the Minor League Analyst book for Shandler. His work there attracted the attention of Jeff Luhnow of the St. Louis Cardinals (now the GM of the Houston Astros) and soon Deric was serving as an advisor to a major league baseball team. Deric attended the MLB's annual scout school and Deric was asked to scout for the St. Louis Cardinals where he has continued to advance to become one of their main scouts, scouting the teams within their own division.Deric is also a perfusionist and he and his wife Amy live in the Cincinnati area. Terry and Deric used to write for BaseballHQ.comAbout This Better WorkYOUR HOST: Terry LinhartThe This Better Work Podcast websiteTerry Linhart on TwitterThis show was recorded in studio space provided by Bethel University. To learn about Bethel's online degree programs, including one of the country's only Masters in Sport Administration (and compliance) degree and their fast-growing online MBA, visit CheckOutBethel.com.

Andy Bernstein, Executive Director & Co-Founder of HEADCOUNT Andy Bernstein helped found HeadCount in 2004 and became its executive director in the spring of 2008. Under his stewardship, HeadCount has registered nearly 500,000 and become a leader in harnessing the power of music to drive social change. Andy was one of the founders of National Voter Registration Day, and conceived the corresponding social media campaign that has involved over 500 musicians and celebrities and generated over one billion social media impressions. He also helped create “Participation Row,” an activism village where concert attendees have taken over 100,000 socially-conscious actions while raising nearly $1.5 million for various music-industry charities (including over $500,000 generated from the auction of one guitar signed by members of the Grateful Dea). Andy has produced nearly a dozen benefit concerts and live music events, including 2012’s “The Bridge Session,” which paired HeadCount board member Bob Weir with members of The National for the first time. Prior to creating HeadCount, Andy was best known in the music community as an author of “The Pharmer’s Almanac”, a guide to the band Phish that sold over 70,000 copies. He also worked in sports for more than a decade, as media editor of Street & Smith’s SportsBusiness Journal and a vice president at the sports technology company Kangaroo TV. HEADCOUNT Mission HeadCount is a non-partisan organization that uses the power of music to register voters and promote participation in democracy. We reach young people and music fans where they already are – at concerts and online – to inform and empower. Our message is not about what party you support or where you land on an issue. It’s that you must speak to be heard.

Dan talks motivation, lists and treating every day like gameday. Bio: Vice President at IMG College, after recently moving over from his role as Vice President and General Manager of USC Sports Properties, a division of Fox Sports. Coached men's basketball at St. Mary's College and the University of Oklahoma. Former General Manager of IMG College - West Coast Conference. In 2015 he was named by Street & Smith's Sports Business Journal as one of the Forty Under 40. Interview Notes: You have had the privilege to work under some incredible leaders: what did you learn from them about leadership? Randy Bennett (St. Mary's College men's basketball coach) – Work Ethic Randy Freer (Fox Sports) – Both sides winning makes the best deals Tell us about how you landed a title sponsorship with Zappos when you were with the West Coast Conference. Following Randy Freer's advice/model Not the largest deal I've done, but the one I'm the most proud of. How do you approach hiring and putting together your team? Best person for the job Best fit Careful not to just hire someone you know I read where you have a different strategy for motivating sales people: can you tell us more about that? Sales team doesn't compete for commissions.  When one person makes a sale, the entire team is rewarded. People are more motivated by whether they are benefiting or costing the team than they are any other type. Who are your mentors or people you look up to today? Already mentioned Randy Bennett and Randy Freer Jeff Shell (brother) - When did you learn a big leadership lesson, and what was it? Kelvin Sampson at University of Oklahoma - Treat every day like it's a game What habits have been key to your success? Make Lists! What advice do you have for young professionals who are striving to be better leaders or maybe even trying to get that first opportunity to lead? Relationships matter – key inner circle v. network/contact/acquaintance Where can people go to learn more about you or IMG? IMG College LinkedIn Twitter Thank Yous/Acknowledgements: Antioch Live/Clear Day Media Group - music Jonathan Davis - production Clint Musslewhite - voice over

The Total Tutor Neil Haley will interview NBA Legend Alton Lister. •The 21st overall pick in the 1981 NBA Draft by Milwaukee Bucks. Wearing No. 53 his entire NBA career, the 7-0 center played 16 NBA seasons with the Milwaukee Bucks from 1981-86 and 1994-95, Seattle SuperSonics (1986-89), Golden State Warriors (1989-93), Boston Celtics (1996-1997) and the Portland Trail Blazers (1997-98). Played in 953 NBA games and notched 6,298 points, with a career-best 11.6 points per game while playing in 75 games for Seattle in 1986-87. •One of just two Sun Devil basketball players (Joe Caldwell in Tokyo in 1964 was the other) to be selected for the United States Olympic team, but his 1980 squad boycotted the games. •A starter on the ASU squad which posted one of the largest defeats of an Associated Press top-ranked team when it defeated unbeaten Oregon State 81-61 on March 7, 1981, in Corvallis on the final day of the regular season. The 1980-81 Sun Devils were ranked as high as third that season and his 9.7 rebounds per game was the best by a Sun Devil in a 27-year span (1978-2004). •Inducted into the Arizona State Hall of Fame in 2000 after a tremendous career that saw his Sun Devil teams post records of 16-14 in 1978-79 (first year in the Pac-10), 22-7 in 1979-80 and 24-4 in 1980-81. In his final two years, ASU was 15-3 (1979-80) and 16-2 (1980-81) in the Pac-10, the top two Pac-10 win totals in school history. •A two-year starter and three-year letterman who earned honorable mention All-America honors by Associated Press and Street & Smith's in 1980-81. Also earned All-Pac-10 honors in 1980-81 and 1979-80 (honorable mention) and was named Team Most Improved Player in 1980-81 as he averaged 15.4 points and 9.7 boards in his senior year.

THE SHADOW - On July 31, 1930 a sinister voice came over the radio into American Homes. The voice of the Shadow appeared for the first time. In the beginning the Shadow was not a crime fighter. He was a mysterious narrator of mystery tales taken from the pages of Street & Smith's Detective Story Magazine. The publisher Street & Smith began to use radio as an advertising medium to promote their fiction publications. The Shadow was a perfectly creepy teller of tales promoting Street & Smith. This format continued until 1935 when creative differences between Street & Smith and NBC called a halt to the Shadow on the air. On September 26, 1937, the Shadow reappeared on radio with the voice of Orson Welles playing the part. The Shadow was now a full-fledged character on radio, not just narrating and introducing stories. The Shadow had an identity as Lamont Cranston, a wealthy man about town. He was accompanied by Margo Lane, originally played by Agnes Moorehead. Margo Lane was the only person who knew that Lamont Cranston and the Shadow were one and the same. No other agents assisted the Shadow, as did in the Walter Gibson fictional accounts. This radio Shadow had hypnotic power to make himself invisible to those around him and he possessed mental telepathy to read minds. Orson Welles played the Shadow from 1937 through March 1938. The Shadow became the highest rated radio show on the air at that time.

On July 31, 1930 a sinister voice came over the radio into American Homes. The voice of the Shadow appeared for the first time. In the beginning the Shadow was not a crime fighter. He was a mysterious narrator of mystery tales taken from the pages of Street & Smith's Detective Story Magazine. The publisher Street & Smith began to use radio as an advertising medium to promote their fiction publications. The Shadow was a perfectly creepy teller of tales promoting Street & Smith. This format continued until 1935 when creative differences between Street & Smith and NBC called a halt to the Shadow on the air. On September 26, 1937, the Shadow reappeared on radio with the voice of Orson Welles playing the part. The Shadow was now a full-fledged character on radio, not just narrating and introducing stories. The Shadow had an identity as Lamont Cranston, a wealthy man about town. He was accompanied by Margo Lane, originally played by Agnes Moorehead. Margo Lane was the only person who knew that Lamont Cranston and the Shadow were one and the same. No other agents assisted the Shadow, as did in the Walter Gibson fictional accounts. This radio Shadow had hypnotic power to make himself invisible to those around him and he possessed mental telepathy to read minds. Orson Welles played the Shadow from 1937 through March 1938. The Shadow became the highest rated radio show on the air at that time.

On July 31, 1930 a sinister voice came over the radio into American Homes. The voice of the Shadow appeared for the first time. In the beginning the Shadow was not a crime fighter. He was a mysterious narrator of mystery tales taken from the pages of Street & Smith's Detective Story Magazine. The publisher Street & Smith began to use radio as an advertising medium to promote their fiction publications. The Shadow was a perfectly creepy teller of tales promoting Street & Smith. This format continued until 1935 when creative differences between Street & Smith and NBC called a halt to the Shadow on the air. On September 26, 1937, the Shadow reappeared on radio with the voice of Orson Welles playing the part. The Shadow was now a full-fledged character on radio, not just narrating and introducing stories. The Shadow had an identity as Lamont Cranston, a wealthy man about town. He was accompanied by Margo Lane, originally played by Agnes Moorehead. Margo Lane was the only person who knew that Lamont Cranston and the Shadow were one and the same. No other agents assisted the Shadow, as did in the Walter Gibson fictional accounts. This radio Shadow had hypnotic power to make himself invisible to those around him and he possessed mental telepathy to read minds. Orson Welles played the Shadow from 1937 through March 1938. The Shadow became the highest rated radio show on the air at that time.

On July 31, 1930 a sinister voice came over the radio into American Homes. The voice of the Shadow appeared for the first time. In the beginning the Shadow was not a crime fighter. He was a mysterious narrator of mystery tales taken from the pages of Street & Smith's Detective Story Magazine. The publisher Street & Smith began to use radio as an advertising medium to promote their fiction publications. The Shadow was a perfectly creepy teller of tales promoting Street & Smith. This format continued until 1935 when creative differences between Street & Smith and NBC called a halt to the Shadow on the air. Go To GoDaddy, use the promo code blu19 and save 10%

The Shadow - 2 Episodes From 1938On July 31, 1930 a sinister voice came over the radio into American Homes. The voice of the Shadow appeared for the first time. In the beginning the Shadow was not a crime fighter. He was a mysterious narrator of mystery tales taken from the pages of Street & Smith's Detective Story Magazine. The publisher Street & Smith began to use radio as an advertising medium to promote their fiction publications. The Shadow was a perfectly creepy teller of tales promoting Street & Smith. Orson Welles played the Shadow from 1937 through March 1938. The Shadow became the highest rated radio show on the air at that time.

From out of the pulps comes Nick Carter, Master Detective! This week "another case for that most famous of all man hunters - the detective whose ability at solving crime is unequal in the history of detective fiction - Nick Carter, Master Detective." The character of Nick Carter goes back to 19th century detective stories as one of the staples of early Street & Smith publishing. Nick Carter may be the most published character in American fiction. By the time radio got a hold of him, the character had evolved into a private investigator. Starring Lon Clark (right) for the whole series. I'll look a little at the history of this pulp character and the strange ride he took over the last 100 years! This week's episode: The Echo of Death. Please Take our Listener Survey

From out of the pulps comes Nick Carter, Master Detective! This week "another case for that most famous of all man hunters - the detective whose ability at solving crime is unequal in the history of detective fiction - Nick Carter, Master Detective." The character of Nick Carter goes back to 19th century detective stories as one of the staples of early Street & Smith publishing. Nick Carter may be the most published character in American fiction. By the time radio got a hold of him, the character had evolved into a private investigator. Starring Lon Clark (right) for the whole series. I'll look a little at the history of this pulp character and the strange ride he took over the last 100 years! This week's episode: The Echo of Death. Please Take our Listener Survey