Podcast appearances and mentions of caleb lewis

Pull up a chair in camp and watch this episode on YouTube! https://youtu.be/x44wqrAFtOM Join Hal and Lee as they sit down with Caleb Lewis of Allagash Antlers. Caleb does a lot of shed hunting with his dogs and has turned it into a thriving business. He also filmed the most famous moose charge on the internet and has some great stories and perspectives on the differences in topography, vegetation and deer behavior where he hunts. 

Join Dr. Steve Freeman and the regular studio cast, along with this week's cold call victim, Bro. Caleb Lewis, as they answer this week's question surrounding one of the plagues in Exodus!

In this episode, Caleb Lewis and Nate Young from "The Bible in Context" podcast segment will talk about "Abraham's Exodus Out Of Babel" in Genesis 12:1-10. Tune in to learn more! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this episode, Caleb Lewis and Nate Young from "The Bible in Context" podcast segment will talk about "The Divine Council and Babel" in Genesis. Tune in to learn more! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this episode, Caleb Lewis and Nate Young from "The Bible in Context" podcast segment will talk about "The Tower of Babel" in Genesis 11. Tune in to learn more! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this episode, Caleb Lewis and Nate Young from "The Bible in Context" podcast segment will talk about "Noah's Exodus and His Family's Fall: Genesis 6-9". Tune in to learn more! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this episode, Caleb Lewis and Nate Young from "The Bible in Context" podcast segment will talk about "Noah's Flood and Floating Temple Genesis 6:13-8:19". Tune in to learn more! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this episode, Caleb Lewis and Nate Young from "The Bible in Context" podcast segment will talk about "The 'Sons of God' and the Pre-Flood in Genesis 6:1-13". Tune in to learn more! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this episode, Caleb Lewis and Nate Young from "The Bible in Context" podcast segment will talk about "The First Genealogies" in Genesis 4:17-5:32. Tune in to learn more! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this episode, Caleb Lewis and Nate Young from "The Bible in Context" podcast segment will talk about "Cain and Abel in Genesis 4". Tune in! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this episode, Caleb Lewis from "The Bible in Context" podcast segment will talk about the "Curses in Genesis 3". Tune in for part 2! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this episode, Caleb Lewis and Nate Young talk about "The Two Trees of Eden" from Gen 2:4-9. Tune in to this episode to learn more about the Bible and to grow your faith! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this episode, Dr. T. Michael W. Halcomb ( @tmichaelwhalcomb ) reads Revelation 11:1-10 and talks about the Koine Greek root στρεφ-. Then, stay tuned in for the following segment in which Caleb Lewis walks through his segment titled “Creation as Exodus”. Don't miss this episode and the chance to go deep! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this episode, Dr. T. Michael W. Halcomb ( @tmichaelwhalcomb ) reads Revelation 10:1-11 and talks about the Koine Greek root στα. Then, stay tuned in for the following segment in which Caleb Lewis walks through “Creation as Temple” and more. Don't miss this episode and the chance to go deep! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

Send us a Text Message.Caleb Lewis, author of Through the Waters, joins us to discuss the Exodus  and the Two Goats Motifs in the book of Genesis.

In this episode, Dr. T. Michael W. Halcomb ( @tmichaelwhalcomb ) talks with newly minted author, Caleb Lewis, about his book "Through The Waters: A Biblical Theology of Genesis." Along the way they discuss poetry, comedy, the exodus, and much more. Tune in and, after you do, go grab a copy of Caleb's new book. --- Send in a voice message: https://podcasters.spotify.com/pod/show/glossahouse/message

In this episode, Caleb Lewis and Nate Young talk about "the Ancient Near East and Genesis 1". Tune in to this episode to learn more about the Bible and to grow your faith! ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this first episode, Caleb Lewis walks through the nature of inspiration and what it means for our reading of scripture. ***GlossaHouse resources are available at our website! - https://glossahouse.com/ ✏️ ***Sign up for classes with GlossaHouse U - https://glossahouse.com/pages/classes

In this episode of Intermittent Fasting Stories, Gin talks to Caleb Lewis from. Easley, SC. Are you ready to take your intermittent fasting lifestyle to the next level? There's nothing better than community to help with that. In the Delay, Don't Deny community we all embrace the clean fast, and there's just the right support for you as you live your intermittent fasting lifestyle. You can connect directly with Gin in the Ask Gin group, and she will answer all of your questions personally. If you're new to intermittent fasting or recommitting to the IF lifestyle, join the 28-Day FAST Start group. After your fast start, join us for support in The 1st Year group. Need tips for long term maintenance? We have a place for that! There are many more useful spaces beyond these, and you can interact in as many as you like. Visit ginstephens.com/community to join us. An annual membership costs just over a dollar a week when you do the math. If you aren't ready to fully commit for a year, join for a month and you can cancel at any time. If you know you'll want to stay forever, we also have a lifetime membership option available. IF is free. You don't need to join our community to fast. But if you're looking for support from a community of like-minded IFers, we are here for you at ginstephens.com/community. Caleb is a new college graduate in the field of business management. Caleb did not struggle with his weight prior to intermittent fasting. In February of 2020, Caleb began to experience feelings of depression. He tried supplements and light therapy, but nothing worked. His mother told Caleb that IF could possibly help, and Caleb read Delay, Don't Deny. He immediately began his IF journey, easing into the lifestyle. More than three years later, Caleb's mood has stabilized. His skin has improved, and he enjoys mental clarity. Caleb's advice: IF might be hard at first, but keep pushing through! Experiment to see what works best for you. Caleb also shares this: As a Christian, he is so thankful to God for helping him discover intermittent fasting through Gin Stephens' first book, "Delay, Don't Deny". Do you enjoy Intermittent Fasting Stories? You'll probably also like Gin's other podcast with cohost Sheri Bullock: Fast. Feast. Repeat. Intermittent Fasting for Life. Find it wherever you listen to podcasts. Get Gin's books at: http://www.ginstephens.com/get-the-books.html, including Cleanish and New York Times Bestseller, Fast. Feast. Repeat., available wherever you buy books! Delay, Don't Deny is available on Amazon. Join Gin's community! Go to: ginstephens.com/community Share your intermittent fasting stories with Gin: gin@intermittentfastingstories.com Follow Gin on Twitter @gin_stephens Follow Gin on Instagram @GinStephens Visit Gin's website at: ginstephens.com Check out Gin's Favorite Things at http://www.ginstephens.com/gins-favorite-things.htmlSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Passionate about interrogating, developing and devising new Australian work, Tim trained at the Western Australian Academy of Performing Arts and works as a writer, director, dramaturge and a devising theatre maker. Tim is currently a commissioned writer for Riverside Theatres, Parramatta and The Art House Wyong to create a write a new play based on Colleen McCullough's award-winning novel Tim due to hit the stage in 2023. Most recently Tim saw his 2019 commission by Queensland Theatre to create a theatre script based on Trent Dalton's Boy Swallows Universe come to life with a sold out production which premiered at the 2021 Brisbane Festival. In 2019 he was also commissioned by the Australian Chamber Orchestra (ACO) to write and direct a new work based on Margaret Wild's There's a Sea in My Bedroom which is due to hit the stage in July 2022. In 2018 Tim stepped in as interim Director on Caleb Lewis's Maggie Stone for the Eternity Playhouse, and wrote and directed Music for the Dreaming, a collaboration between ABC Classic FM and Sydney Opera House Presents. Tim also directed the ABC Classic FM/SOH Sounds like Australia earlier in 2018. He devised a new work for the SSO with Simon Tedeschi Who Needs A Conductor Anyway which premiered in March 2018. Tim was engaged by CDP to translate and write additional content for the Australasian version of Spot the Dog, set to tour nationally in 2019. Between 2005-2017 Tim was a Creative Director and Producer at Monkey Baa Theatre Company, one of Australia's largest touring companies for young audiences, where he co-wrote and produced nearly 20 new Australian works, including the critically acclaimed Goodbye Jamie Boyd, award winning Jackie French's Hitler's Daughter and Sonya Hartnett's Thursday's Child. Tim directed multi award winning The Peasant Prince – The True Story of Mao's Last Dancer, which toured 36 theatres nationally. He assistant directed on Tim Winton's The Bugalugs Bum Thief and was the remount Director on The Unknown Soldier, a new Australian play written by Sandra Eldridge. In 2017 he worked as dramaturgical consultant on Randa Abdel Fattah's Where the Streets Had a Name. In 2013 Tim was engaged by CDP Producers to write and direct several works for the Sydney Opera House Baby Proms Program including Swing Baby Swing featuring Wayne Scott Kermond and The Nutcracker (co directed with choreographer Adrian Burnett). He co-devised The Pirate Ship (script) for Urban Myth Theatre Company SA, A More Fortunate Life for Theatre Ink and EscapAIDS for the One Night Stand Theatre Company, a work which targeted both young people at risk and the WA prison population about HIV AIDS. He is devised a new work for the SSO Education with Simon Tedeschi called Who Needs A Conductor Anyway , which premiered in 2018.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

The Couch Time Podcast EP 149: Introducing the New-ish Director of MSM Today on The Couch Time Podcast, Aaron and Ryan welcome Caleb Lewis, the new-ish Director of Middle School Ministry!. PLEASE email us at podcast@graceky.org with ideas or suggestions of what would be helpful to you on the podcast.

New information knocks Detective Barros down. . . . For access to episodes as soon as they are ready, subscribe to our Patreon at patreon.com/sundowntheatre. Thank you all so much for your patience regarding this show. We cannot wait to get episodes 4 and 5 to you! ____ Murder at Action Lanes original script by Julia Bodiford, Ryan Davila, Jacob Drum, Lindsey Hall, Robert Linder, Matt McNabb, and Kelsey Smith. Created and Directed by Kurt Van Zandt. Original score by Matt McNabb. Cast: Julia Bodiford, Nolan Chapa, Ryan Davila, Courtney Dobelbower, Joshua Dobelbower, Reece Frew, Lindsey Hall, Joe Jolley, Naomi Kliewer, Caleb Lewis, Robert Linder, Brandy Townsend, Kurt Van Zandt, and Kelsey Smith.

Time to take control of the situation. . For access to episodes as soon as they are ready, subscribe to our Patreon at patreon.com/sundowntheatre. ____ Murder at Action Lanes original script by Julia Bodiford, Ryan Davila, Jacob Drum, Lindsey Hall, Robert Linder, Matt McNabb, and Kelsey Smith. Created and Directed by Kurt Van Zandt. Original score by Matt McNabb. Cast: Julia Bodiford, Nolan Chapa, Ryan Davila, Courtney Dobelbower, Joshua Dobelbower, Reece Frew, Lindsey Hall, Joe Jolley, Naomi Kliewer, Caleb Lewis, Robert Linder, Brandy Townsend, Kurt Van Zandt, and Kelsey Smith.

Come in out of the rain. Welcome to Action Lanes. For access to episodes as soon as they are ready, subscribe to our Patreon at patreon.com/sundowntheatre. Otherwise, anticipate the next installment of Murder at Action Lanes on August 21st, 2021. ____ Murder at Action Lanes original script by Julia Bodiford, Ryan Davila, Jacob Drum, Lindsey Hall, Robert Linder, Matt McNabb, and Kelsey Smith. Created and Directed by Kurt Van Zandt. Original score by Matt McNabb. Cast: Julia Bodiford, Nolan Chapa, Ryan Davila, Courtney Dobelbower, Joshua Dobelbower, Reece Frew, Lindsey Hall, Joe Jolley, Naomi Kliewer, Caleb Lewis, Robert Linder, Brandy Townsend, Kurt Van Zandt, and Kelsey Smith.

Prominent Harness Racing figure Caleb Lewis joins Miles Pfitzner to chat about his super mare PINK GALAHS ahead of her crack at Saturday's Group 1 Trotting Championship Final at Albion Park. We find out more about the horse and the connection with the Craven stable as well.

The Word Docs bare their bruised egos this week and attempt to find a balming (is that a word?) salve. Alex drags Sean and Amy into the cobwebby corners of their psyches, seeking to learn whether ego is a help or a hindrance in an artist's life. This week we'll learn about the book that broke Sean; traverse the Dark Place and the Vague Place; confront mediocrity; and try to ignore the fact that Alex's dad seems to be popping out of the wardrobe. We tackle troubling questions, such as: Is smugness perilous? What projects should we say no to? Where's the line between self-belief and delusion, or self-belief and narcissism? And is Caleb Lewis real? (Spoiler: we don't believe he's real.) Join us for an unusually serious and vulnerable episode Of Word Docs. Please...? See omnystudio.com/listener for privacy information.

The Word Docs bare their bruised egos this week and attempt to find a balming (is that a word?) salve. Alex drags Sean and Amy into the cobwebby corners of their psyches, seeking to learn whether ego is a help or a hindrance in an artist's life. This week we'll learn about the book that broke Sean; traverse the Dark Place and the Vague Place; confront mediocrity; and try to ignore the fact that Alex's dad seems to be popping out of the wardrobe. We tackle troubling questions, such as: Is smugness perilous? What projects should we say no to? Where's the line between self-belief and delusion, or self-belief and narcissism? And is Caleb Lewis real? (Spoiler: we don't believe he's real.) Join us for an unusually serious and vulnerable episode Of Word Docs. Please...? See omnystudio.com/listener for privacy information.

The Word Docs bare their bruised egos this week and attempt to find a balming (is that a word?) salve. Alex drags Sean and Amy into the cobwebby corners of their psyches, seeking to learn whether ego is a help or a hindrance in an artist's life. This week we'll learn about the book that broke Sean; traverse the Dark Place and the Vague Place; confront mediocrity; and try to ignore the fact that Alex's dad seems to be popping out of the wardrobe. We tackle troubling questions, such as: Is smugness perilous? What projects should we say no to? Where's the line between self-belief and delusion, or self-belief and narcissism? And is Caleb Lewis real? (Spoiler: we don't believe he's real.) Join us for an unusually serious and vulnerable episode Of Word Docs. Please...? See omnystudio.com/listener for privacy information.

In 2015, the Royals were a young team that had won it all and had young players who could keep that same momentum going. Now in 2020, the Royals are nowhere near the top and have had three losing seasons in a row. With Wilson Truing and Caleb Lewis, we... --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Jason Bonnington & Blake Redden host the latest episode of Talking Trots. Joined by, Caleb Lewis after winning the Bill Collins Sprint with Pink Galahs. Nick Hooper chats Humbo Day. Plus, Metrospective - Melton Review with Nikkita Ross.

Caleb joined Jason Bonnington & Blake Redden on Talking Trots, after winning the Bill Collins Sprint with Pink Galahs.

Today's episode features Caleb Lewis, the head boys basketball coach at English Valley High School. In today's episode, we discuss Coach Lewis's journey to be the head coach at English Valley and some of the things he has done to try build a basketball program in a rural school. Below are some links and an outline for the show. IBCA Website: http://iowabca.com/press/ IBCA Membership Registration: http://iowabca.com/press/2020/08/29/ibca-membership-20-21/ IBCA Clinic Information: http://iowabca.com/press/2020/09/07/ibca-clinic-2020-information/ Episode Outline 1:04 -- Coach Lewis's Journey 21:49 -- Building a Rural Basketball Program

On this episode of the Kinda Live Kinda Livin' Podcast, we invite on Caleb Lewis and Connor Lenihan to recap the 2010s and much more!

Ryan Williams and Jack McGrath on the call. Jordan Milewczik, Caleb Lewis and Lucas Owens in studio. Mizzou women's basketball looks to start 2-0, faces big home challenge against former Big 12 foe Nebraska.

On this episode of the Kinda Live Kinda Livin' Podcast, Caleb Lewis returns to the show! We talk about live music related news, ADK Fest 2019, Cardi B 50 minute sets, Session Skateboarding Video Game, Aliens and much more!

On this episode of the Kinda Live Kinda Livin' Podcast we invite on Caleb Lewis and Shane Lenihan to test out the Burger King Taco, talk about Area 51, Rock the Dock Music Festival and much more!

The audience at La Mama Courthouse demanded encore bows from the cast of Rust and Bone on the night of its Victorian premiere performance, which they very humbly gave and most definitely deserved. Caleb Lewis’ three-pronged play asks a lot of its actors, and quite a bit from its audience as well. A trio of male performers - Luke Mulquiney, Adam Ibrahim and Glenn Maynard in this production - play out three of the stories from Craig Davidson's collection of the same title. Ibrahim plays a SeaWorld whale trainer whose leg was torn off by an Orca, Maynard a fading boxer in need of someone to fight for, and Mulquiney a crazed dog fighter who's struggling with his infertility. The narratives are all interspersed, such that Lewis needs to carefully choose when to switch from one to the next, director Daniel Clarke has to think carefully about how to transition between stories, and the actors have to be ready to change gears in an instant. As well as that, each of them needs to have the range to play all of the key supporting characters in the other two stories, most memorably a vigorous American boxing trainer, a bouncy surrogate son, a long-suffering wife and a lively new girlfriend. It’s always impressive when actors can play different ages, genders and nationalities without falling into stereotypes or farce. It certainly changes the equation when multiple stories are being told at once. It can make it harder for the audience to orient themselves at the beginning, and easier for them to drift away in the middle. The strong characterisations certainly help here, as does the very tight choreography by Ingrid Voorendt. For her, a boxing punch, the shattering of rust and bone, becomes a very effective motif to express the torment of these three characters. It definitely makes for the cleanest transitions, and, if nothing else, snaps the audience out of any confusion. Certain parts of each story feel very similar and almost interchangeable, which often seemed intentional. Of course, all three protagonists are men who are frustrated with the limitations of their bodies, and who loathe themselves much more than those around them ever could. There’s always something exhilarating about watching parallel lives play out in such tantalising proximity, both literally given it’s a small stage but also in terms of their inner experiences, even if their outer experiences might be wildly different. Making this many hops between the three stories, Lewis doesn't always land gracefully. Not all of the threads get tied securely, and some of the most thought-provoking moments are barely given any breathing space. No doubt, for each audience member, one narrative will probably emerge with all the connections intact while another might have a few pieces missing for them. It all depends on what makes a greater impression on you: the spiritual escapism of the whale story, the primal intensity of the boxer's tale or the urgent pathos of the dog fighter's plight.See omnystudio.com/listener for privacy information.

The audience at La Mama Courthouse demanded encore bows from the cast of Rust and Bone on the night of its Victorian premiere performance, which they very humbly gave and most definitely deserved. Caleb Lewis’ three-pronged play asks a lot of its actors, and quite a bit from its audience as well. A trio of male performers - Luke Mulquiney, Adam Ibrahim and Glenn Maynard in this production - play out three of the stories from Craig Davidson's collection of the same title. Ibrahim plays a SeaWorld whale trainer whose leg was torn off by an Orca, Maynard a fading boxer in need of someone to fight for, and Mulquiney a crazed dog fighter who's struggling with his infertility. The narratives are all interspersed, such that Lewis needs to carefully choose when to switch from one to the next, director Daniel Clarke has to think carefully about how to transition between stories, and the actors have to be ready to change gears in an instant. As well as that, each of them needs to have the range to play all of the key supporting characters in the other two stories, most memorably a vigorous American boxing trainer, a bouncy surrogate son, a long-suffering wife and a lively new girlfriend. It’s always impressive when actors can play different ages, genders and nationalities without falling into stereotypes or farce. It certainly changes the equation when multiple stories are being told at once. It can make it harder for the audience to orient themselves at the beginning, and easier for them to drift away in the middle. The strong characterisations certainly help here, as does the very tight choreography by Ingrid Voorendt. For her, a boxing punch, the shattering of rust and bone, becomes a very effective motif to express the torment of these three characters. It definitely makes for the cleanest transitions, and, if nothing else, snaps the audience out of any confusion. Certain parts of each story feel very similar and almost interchangeable, which often seemed intentional. Of course, all three protagonists are men who are frustrated with the limitations of their bodies, and who loathe themselves much more than those around them ever could. There’s always something exhilarating about watching parallel lives play out in such tantalising proximity, both literally given it’s a small stage but also in terms of their inner experiences, even if their outer experiences might be wildly different. Making this many hops between the three stories, Lewis doesn't always land gracefully. Not all of the threads get tied securely, and some of the most thought-provoking moments are barely given any breathing space. No doubt, for each audience member, one narrative will probably emerge with all the connections intact while another might have a few pieces missing for them. It all depends on what makes a greater impression on you: the spiritual escapism of the whale story, the primal intensity of the boxer's tale or the urgent pathos of the dog fighter's plight.

The Honey Bees is a stage play written by veteran playwright Caleb Lewis and directed by Ella Caldwell, starring Eva Seymour, Christopher Brown, Rebecca Bower, Mara (Kat-Marek) Kaczmarek and Katerina Kotsonis. It is now showing at Red Stitch Theatre on Chapel Street in St Kilda's East, and is running until the 16th of July. Caleb Lewis' gradually and masterfully details his characters in a dexterous juggling of intersecting plotlines and overlapping relationships. His writing is enhanced by the strong direction of Caldwell, who proves to be a master of the long pause, drawing silences between characters out to a length just long enough to be painful and not tedious, creating an atmosphere of tension from the first interactions of the play. At the centre of the drama is Joan, a bitter yet charming Polish immigrant, both bee-keeper and now elderly mother, who rules her long standing (yet struggling) apiary with an iron will. Daryl is her estranged, middle aged son, vulnerable and ambitious, living in his dead fathers shadow. His younger sister, Clover, remains inert in a life resigned to helping her mother with the apiary in placeof her own ambitions as an artist. Kerry, Joan's employee and Clover's lover, is a gruff, tough farmhand who dreams of leaving the apiary - a place she perceives full of broken dreams and stagnant lives - and eloping for the city with Clover. And finally, there is the mysterious Melissa, a teenager from Sydney who enters explosively into this already strained dynamic. She proves to be the moody and abused catalyst for change and highly charged drama. A void at the heart of every character is left by the long dead but seemingly omnipresent spectre of Harry, Joan's husband, and the father of Daryl and Clover, who's actions in life prove to be the impetus for much of the desperate love and hate in the play Desperate is the key word to unlocking much at the heart of the performance, and is highlighted in a quote from Clover: Quote: ' A bee might fly over 800km in their life, and only ever produce less than a teaspoonful of Honey' End quote To a honey bee, this might be a fine achievement, but to a human audience, this fact sounds unbearably pitiable. So much hard work produces such a meagre teaspoon of positive creation. And indeed, like the struggling honeybee, all the characters have their own vast, lifelong journeys, riddled with resentment, abuse, sacrifice and lies, for such minuscule moments of sweet honey and happiness. The play seems to stress that there is only a teaspoonful of sweetness to life at times, a point emphasised in a devastating fashion by the countless tragedies realised throughout the performance, which ultimately bares the ugly truths that lurk hidden within the infinitely subtle and complex relationships that human beings invariably encounter. The set design is economic and well utilised, with strong unity between lighting and audio creating powerful atmospheres that were compelling and engaging. Furthermore, there are strong performances by the cast all round, but the standout performance is by Marta Kaczmarek as Joan - a powerful tour de force worthy of the award winning actress. You can get tickets to a performance of The Honey Bees at redstitch.net/honeybees. Once again, it is running until the 16th of July. Review written by Jim Thomas Photo credit: Jodie Hutchinson. Featuring: Eva Seymour, Marta Kaczmarek and Christopher BrownSee omnystudio.com/listener for privacy information.

The Honey Bees is a stage play written by veteran playwright Caleb Lewis and directed by Ella Caldwell, starring Eva Seymour, Christopher Brown, Rebecca Bower, Mara (Kat-Marek) Kaczmarek and Katerina Kotsonis. It is now showing at Red Stitch Theatre on Chapel Street in St Kilda's East, and is running until the 16th of July. Caleb Lewis' gradually and masterfully details his characters in a dexterous juggling of intersecting plotlines and overlapping relationships. His writing is enhanced by the strong direction of Caldwell, who proves to be a master of the long pause, drawing silences between characters out to a length just long enough to be painful and not tedious, creating an atmosphere of tension from the first interactions of the play. At the centre of the drama is Joan, a bitter yet charming Polish immigrant, both bee-keeper and now elderly mother, who rules her long standing (yet struggling) apiary with an iron will. Daryl is her estranged, middle aged son, vulnerable and ambitious, living in his dead fathers shadow. His younger sister, Clover, remains inert in a life resigned to helping her mother with the apiary in placeof her own ambitions as an artist. Kerry, Joan's employee and Clover's lover, is a gruff, tough farmhand who dreams of leaving the apiary - a place she perceives full of broken dreams and stagnant lives - and eloping for the city with Clover. And finally, there is the mysterious Melissa, a teenager from Sydney who enters explosively into this already strained dynamic. She proves to be the moody and abused catalyst for change and highly charged drama. A void at the heart of every character is left by the long dead but seemingly omnipresent spectre of Harry, Joan's husband, and the father of Daryl and Clover, who's actions in life prove to be the impetus for much of the desperate love and hate in the play Desperate is the key word to unlocking much at the heart of the performance, and is highlighted in a quote from Clover: Quote: ' A bee might fly over 800km in their life, and only ever produce less than a teaspoonful of Honey' End quote To a honey bee, this might be a fine achievement, but to a human audience, this fact sounds unbearably pitiable. So much hard work produces such a meagre teaspoon of positive creation. And indeed, like the struggling honeybee, all the characters have their own vast, lifelong journeys, riddled with resentment, abuse, sacrifice and lies, for such minuscule moments of sweet honey and happiness. The play seems to stress that there is only a teaspoonful of sweetness to life at times, a point emphasised in a devastating fashion by the countless tragedies realised throughout the performance, which ultimately bares the ugly truths that lurk hidden within the infinitely subtle and complex relationships that human beings invariably encounter. The set design is economic and well utilised, with strong unity between lighting and audio creating powerful atmospheres that were compelling and engaging. Furthermore, there are strong performances by the cast all round, but the standout performance is by Marta Kaczmarek as Joan - a powerful tour de force worthy of the award winning actress. You can get tickets to a performance of The Honey Bees at redstitch.net/honeybees. Once again, it is running until the 16th of July. Review written by Jim Thomas Photo credit: Jodie Hutchinson. Featuring: Eva Seymour, Marta Kaczmarek and Christopher Brown