Podcasts about actor director

I chatted with #Actor / #Director #azizansari about his new #comedy #GoodFortune and working with co-stars #KeanuReeves & #SethRogen.#ScreenChatter #celebrityinterview #screenwriter

Established actor over decades, also a director of note, Louis Mandylor in conversation on dramatic war action Prisoner of War. It follows a British captive held in camp and forced to fight by Japanese soldiers. Louis has been part of such diverse films as My Big Fat Greek Wedding, Warm Texas Rain, Mafia, Angel Blade, Night Walk, The Flood.  PRISONER OF WAR rent>buy digital platforms; featuring an above level performance from acclaimed star Scott Adkins. Released from EAGLE ENTERTAINMENT AUSTRALIAhttps://youtube.com/@movieanalystshaneadambassett?si=nZyw5fHIS4t_KgXj

Inspired by Leonardo DiCaprio's long-hoped-for recent collaboration with Paul Thomas Anderson, Adam and Josh share the Top 5 Actor-Director Duos They'd Like To See. Plus, Adam's review of Benny Safdie's THE SMASHING MACHINE, and listeners share their 5 Years/5 Movies picks.  This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:03:06) Top 5 Actor-Director Duos We'd Like To See (00:03:07-00:58:08) Filmspotting Family (00:58:09-01:06:28) The Smashing Machine (01:06:29-01:17:06) Next Week / Notes (01:17:07-01:23:58) Polls (01:23:59-01:31:17) 5 Years/5 Movies Feedback (01:31:18-01:41:48) Credits / New Releases (01:41:49-01:46:12) Links: -Redford's Best https://poll.fm/16120054 -Refocus Film Festival https://refocusfilmfestival.org/ Feedback: -Email us at ⁠⁠⁠feedback@filmspotting.net⁠⁠⁠. -⁠⁠⁠Ask Us Anything⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠⁠http://filmspottingfamily.com⁠⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠⁠https://www.filmspotting.net/shop⁠⁠ Follow: ⁠⁠⁠https://www.instagram.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://letterboxd.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://facebook.com/filmspotting⁠⁠⁠ ⁠⁠⁠https://twitter.com/filmspotting⁠⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ https://www.instagram.com/larsenonfilm ⁠https://bsky.app/profile/larsenonfilm.bsky.social⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we welcome writer/director J Davis and Star Andre Hyland on the show to talk about the making of I Hate Myself and I Want to Die which premiered at the Austin Film Festival last fall, just about a year ago! Our producer extraordinaire Eric Toms conducted this interview from the Omni Hotel in Austin so it's sure to be a good one. After that we play another round of THE GAME, enjoy! Don't forget to support us on Patreon! www.patreon.com/mmihpodcast Leave us a Review on Apple Podcasts! https://podcasts.apple.com/us/podcast/making-movies-is-hard-the-struggles-of-indie-filmmaking/id1006416952 Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Is Star Wars Starfighter the next trilogy? Plus, we blind rank director/actor pairings we want to work in Star Wars.---Music credits:Intro: March of the Resistance - Guitar Cover (Star Wars: The Force Awakens Metal Remix) - Trey J. AndersonAd Break: March of the Resistance - Lofi Hip-Hop - Closed on SundaysOutro: Victory Celebration - John Williams, London Symphony Orchestra===Keep up with us on Social Media===Twitter: www.x.com/RecklessRebelsInstagram: www.Instagram.com/RecklessRebelssJack Pues : www.x.com/jackpuesKlein Felt: www.x.com/thekleinfeltThomas Carter Rochester: Linktr.ee/TCRochesterACT---

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Below The Belt Show (www.belowthebeltshow.com) presents and exclusive interview with actor, writer and director Tom Koch of the Oscar qualifying short film "Olive" starring Lesley Ann Brandt. Tom, who won the YDA (Young Director Award) at Cannes Film Festival, talks about the inspiration of his film which was living with his girlfriend's grandmother who has dementia and Alzheimer's disease. The film showcases the family dynamic of loved ones and dementia with a twist that's very unexpected. Tom talks about the casting process, the production and much much more!

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We've been long inspired and touched by Robert Redford's career in film and politics. He was a screen idol who challenged America's status quo. From acting in Butch Cassidy and the Sundance Kid, Three Days of the Condor and All The President's Men to directing Ordinary People and the Milagro Beanfield War, he took on roles, and later directing projects, that questioned authority and brought a cultural weight to America's cinematic catalog. His political work included fighting for and supporting environmental and Indigenous rights causes. He was part of documentary projects about Leonard Peltier, John Trudell and climate activist Tim DeChristopher. In his later years, he supported the campaign against the Keystone XL Pipeline and called Trump a "monarchy in disguise." In our latest, we pay tribute to iconic actor, director, environmentalist and activist Robert Redford. Rest in Peace, Sundance!--------------------Outro- "Green and Red Blues" by Moody

In this episode, Alyshia dives into the trap of relying too heavily on character breakdowns—and why it can sabotage your auditions. Casting directors aren't looking for someone to play at the breakdown; they're looking for the actor who brings the puzzle piece they didn't know they needed. Using Katherine LaNasa's Emmy-winning performance in The Pitt as a powerful example, Alyshia shares how ignoring the breakdown and leaning into humility helped her stand out in a sea of actors all playing the same “note.” Plus, hear insights from past guest Sheila on how finding a single moment in the script can unlock choices that are uniquely yours. If you've ever felt stuck trying to “give them what they want,” this episode is your reminder: you are the best asset in the room. Read the script first, trust your instrument, and stop chasing the breakdown.

AP correspondent Ed Donahue has a look at Robert Redford's life in the movies.

AP Washington correspondent Sagar Meghani reports on Robert Redford's death.

ALSO: Charlie Kirk's accused killer heads to court, potential TikTok deal, and its win or stay home for the Indiana Fever.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hour 3 - Some breaking news this morning, Robert Redford has passed away.

Juan Martín Delgado (Actor, Director, Coreógrafo Creadorde "Magia Blanca, El Musical") Hora 15 @Hora15ECO

Want to connect with Tj & Plaideau? Send us a text message.From childhood VHS movie-making to crafting indie films with a distinctive voice, actor-director Zac Cino takes us behind the scenes of his creative journey on this episode of NOLA Film Scene.Zac shares the story of how a prop gun pressed against an actor's face created an unexpectedly authentic moment - which leads to a fascinating discussion about unconventional directing techniques, including how asking an actor about Spider-Man right before a take can elicit the perfect confused expression.Sponsored by Jana McCaffery Attorney at Law. Have you been injured? New Orleans based actor, Jana McCaffery, has been practicing law in Louisiana since 1999 focusing on personal injury since 2008. She takes helping others very seriously and, if you are a fellow member of the Louisiana film industry and have been injured, she is happy to offer you a free consultation and a reduced fee to handle your case from start to finish. She can be reached at

ICYMI: Hour Three of ‘Later, with Mo'Kelly' Presents – A replay of Mo's in-depth conversation with friend of the program, Emmy Award-Winning Actor/Director Obba Babatundé, who returned to the program with wonderful stories gleaned from his life in TV and film and thoughts on the series finale of CBS' ‘S.W.A.T.' and what his character "Pops"/Daniel Harrelson, Sr. (father of "Hondo"/Shemar Moore) has meant to his storied career…PLUS – Mo' revisits his conversation with Disney Legend Bill Farmer (voice of Goofy and Pluto for nearly 30 years), and Bret Iwan (the fourth person EVER to voice Mickey Mouse) who joined the program to introduce 'Mickey Mouse Clubhouse+' - on KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly

Send us a textOur new Best Friend of the Podcast, Pete Sepenuk joins us!! You might know him from the Anime Naruto and Bleach, or the Final Fantasy VII remake, or MLB!! Give us so many stories about Voice acting and his time working with great Producers, Actors and Directors in Hollywood. We talk about the one our fav films of all time, The Ghost and the Darkness!! We try three brews of course while we had a hell of time together!!! How he fell into Movie Editing!Pop Culture: King of the Hill and Saladin Patterson, Gail Anne Hurd and her works, and much moreBrew had during Pop Culture: Did I Dew that! Baja Blurst by Vice Beer and Sig Brewing CoBeer Flights: We learn about Pete and get to the bottom of his darkest secrets! Yacht Rock, IMF agents and Invincible(MTV)Brew during Beer Flights: PB&J Mixtape by Xul Beer CoTop Shelf : Top 3 Movies or TV shows that cant or shouldnt be rebooted or remadeBrew during Top Shelf Yacht Party by Charles Towne FermentoryTheme Song by Lost Like Lions Guest Links and Social Media:Instagram:   @thesepvoX: @thesepvoHop Station Craft BarGet Beer, Cocktails, and fab food while enjoying darts, vintage games. Hop Station is hopping!Coastalos SodasUrban Artifact launched our own hemp derived THC brand Coastalo. Made with real fruit!!Niles BrewingUnique Beers and Cocktails! They host events and trivia weekly. Located in downtown Niles, Michigan!TavourUse our promo code 'DrunksWithBuds' for $10 off your second order.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Writing Process with Franky Corcoran|playwright, actor, director, and podcasterFranky Corcoran is a versatile artist who wears many hats in the entertainment realm, serving as a playwright, actor, director, and podcaster. In March 2021, he established his own entertainment venture, known as Corcoran Entertainment. In addition to his various roles, he has hosted a weekly podcast titled The Corcoran Entertainment Show since January 2022. New episodes every Tuesday across all major streaming platforms, such as Spotify and Apple Podcasts.Corcoran's acting journey began in 2013 when he joined his high school drama club. After graduating in 2017, he continued to nurture his passion for performing through community theatre. Throughout his career, he has portrayed several memorable characters, including Felix Ungar in The Odd Couple, Eugene Morris Jerome in Brighton Beach Memoirs and Biloxi Blues, Henry Saunders in Lend Me A Tenor, Mr. Fezziwig in A Christmas Carol, and Captain March in Little Women. His talent was recognized at the New Brunswick Provincial Drama Festival in 2017, where he received the Outstanding Actor award for his work in Michael Frayn's Audience.In addition to acting, Franky has made his mark as a writer and director with credits that include A Miramichi Christmas, Death Costs Dearly, The Lies We Tell Ourselves, House of Violations, and Playhouse Quarrel. He also self published one of his first one act plays, The Lies We Tell Ourselves. His directorial debut in the musical realm happened in June 2023 with Jonathan Larson's tick, tick... BOOM!Link:https://open.spotify.com/show/3WQZis2AmXkQYR8mk7sVs1?si=05579faa87a64a9ehttps://www.instagram.com/corcoranent/?hl=enTags:Actor / Actress,Dogs,Music,Playwright,Podcaster,Podcast Host,Theater Director,Theater Producer,Theatre,TV & Film,Writing Process with Franky Corcoran|playwright, actor, director, and podcasterSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

On this episode, Tom goes "On the Aisle" with LaKesha Lorene, the founder of the Naptown African American Theater Collective (N-A-A-T-C). She speaks with Tom about her journey, her vision for the organization, and the significance of their work in the Indianapolis theater scene. Lakesha shares how N-A-A-T-C evolved from a conversation in 2021 and has quickly become a cultural hub reflecting the community's heritage and diversity. She discusses the intentionality behind the organization's name, her background in arts and theater, and her experiences and challenges as a black woman and leader in the arts. They also touch upon the need for equity in theater, the importance of uplifting diverse voices and stories, and the future of N-A-A-T-C. The conversation highlights Lakesha's dedication to her craft and community, and her hopes for fostering a more inclusive and vibrant cultural landscape.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

On The Kenny & JT Show, actor, director, and North Canton native Eddie McClintock to talk about his new movie in production called “On Air” with portions of it to bel filmed at our WHBC studios. And he'll be riding with the guys in the Hall of Fame Grand Parade.

Chris Candy grew up as the child of the legendary actor, John Candy, star of Stripes, Vacation, Uncle Buck and an endless number of iconic movies. Chris followed his father into the entertainment industry as an actor/writer/director/producer/etc. He starred in Where's This Party and directed two different Coldplay videos, among many, many other things. Chris has seen it all, done it all, and has an endless array of stories about his father and, uh, his therapy, too.Support this podcast at — https://redcircle.com/90who10/donations

On this episode, Tom goes "On the Aisle" with husband and wife Jolene and Michael Moffatt, She's a freelance actor, director and acting coach and he is a technical director and sound and lighting designer.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, FPEA Chairman Suzanne Nunn speaks with Kevin Sorbo, actor, producer and director. Kevin has an inspiring story of what it looks like to pursue passions, make the most of open doors and being sure that no one puts limitations on what you can do. He is a champion for freedom, families, faith and wholesome entertainment.

There are certain guests who make the conversation so easy and enjoyable that time simply passes too quickly. This was the case with old friend Greg Stuhr. Having recently appeared on Broadway (and CNN) in the highly acclaimed production of Good Night and Good Luck, this became the starting point for a rousing and revealing chat-fest that begged to be broken into two parts! In this portion, Greg talks knowledgeably and with great candor about casting, rehearsals, and time onstage with George Clooney. Then he continues with an inside preview of his Shakespeare in Delaware Park directorial debut of Richard III, opening in late July. And it's only the first half of this not-to-be-missed interview!

Join me as we get transparent with Actor/Director/Writer- Jay Jones Dive into the real struggles and victories of entrepreneurs, musicians, and entertainment industry giants with the Transparency Talks Podcast. We pull back the curtain on their journeys, exposing the raw truth behind the glamour.Hear it straight from the source:• Syndicated across the globe: Tune in on stations in London, Italy, Japan, South Africa, Nigeria, Canada, and iHeartRadio, plus major digital platforms.• Candid conversations: We peel back the layers, exploring the highs and lows of navigating the creative landscape.• From music to film and TV: Discover the diverse stories of those who chase their dreams in different artistic arenas.Join the movement:• Support independent voices: Make a CashApp donation @ $buttabrocka or become a sponsor.• Subscribe and follow: Get your weekly dose of inspiration on YouTube and social media.• Engage with the community: Share your thoughts, connect with other creative souls, and let's get real!Find us everywhere:• YouTube: https://www.youtube.com/@transparencytalkspodcast• Instagram/Facebook/Twitter: @Buttabrocka and @TransparencyTalksPodcast#TransparencyTalksPodcast: Where authenticity meets ambition. Join the conversation and let's get transparent!** I do not own the rights to this music#musicianslife, #filmmakingtips, #entreprenerdreams #PodcastLife #Motivation #Success #Creativity #IndieFilm #Filmmaking #Hollywood #EntrepreneurLife #Hustle #MusicProduction #PodcastLove #ActorsAccess #DirectorsLife #Storytelling #OnTheAir #Livestream #CashappDonates #SupportSmallBusiness #PodcastersOfIG #PodcastersOfColor #buttabrocka #IndependentPodcast #ListenNow #BehindTheScenes #transparencytalkspodcast #transparency

This next guess is known primarily for his work in  the independent horror genre, but we are are going to be talking about one of his cooler projects in recent time: He Never Left. He is an actor, director, producer & write, but let's welcome James Morris!"He Never Left" : After hearing disturbing noises from the next motel room, a fugitive on the run and his girlfriend become prey to the notoriously brutal 'Pale Face' killer, whose legend has haunted the local community for decades. James MorrisIG: https://www.instagram.com/jamesmorris7403/He Never LeftIMDB: https://www.imdb.com/title/tt15789102/?ref_=nm_knf_t_1Crazy Train RadioFacebook: facebook.com/realctradioInstagram: @crazytrainradioX/Twitter: @realctradioBlueSky:  @crazytrainradio.bsky.socialWebsite: crazytrainradio.usYouTube: youtube.com/crazytrainradio 

Theatre actor and director Jerry Dixon stops by to talk about his past roles and what's "Up Next" for him. 

As co-founder and guitarist for the very popular Texas swing band Skiffle Minstrels, Phil Knoerzer has performed as widely as a musician as he has as an actor. But with credentials in the Buffalo theater community going back nearly five decades, he was a prime target for an Off Road interview with his old friend. The resulting chat is as enlightening as it is fun.

Actor, director, Austin Pendleton stops by to talk about his film and stage work. 

It's another cracking episode of the (freshly award-nominated) Empire Podcast this week, folks, as Helen O'Hara slips into the hosting chair and tries to wrestle James Dyer and Alex Godfrey into shape as they talk about changeable movie titles, great actor/director pairings, Alex's favourite teen movies, the week's movie news including Donald Trump's proposed tariffs on the film industry, The Long Walk and Highest 2 Lowest trailers, and review The Uninvited, The Extraordinary Miss Flower, The Surfer, and The Wedding Banquet. That last movie also provides us with our guests, as Chris Hewitt sits down for an incredibly fun chat with its stars, Lily Gladstone and Kelly Marie Tran. [22:12 - 44:11 approx] Have a listen, you won't regret it. Enjoy!

ICYMI: Hour Two of ‘Later, with Mo'Kelly' Presents – An in-depth conversation with friend of the program, Emmy Award-Winning Actor/Director Obba Babatundé, who returns to the program with wonderful stories gleaned from his life in TV and film PLUS a preview of the series finale of CBS' ‘S.W.A.T.' with a very special episode in store for his character "Pops"/Daniel Harrelson, Sr. (father of "Hondo"/Shemar Moore) scheduled to air Friday, May 9, 9 PM ET/PT on CBS - KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly

ICYMI: ‘Later, with Mo'Kelly' Presents – An in-depth conversation with friend of the program, Emmy Award-Winning Actor/Director Obba Babatundé, who returns to the program with wonderful stories gleaned from his life in TV and film PLUS a preview of the series finale of CBS' ‘S.W.A.T.' with a very special episode in store for his character "Pops"/Daniel Harrelson, Sr. (father of "Hondo"/Shemar Moore) scheduled to air Friday, May 9, 9 PM ET/PT on CBS - KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly

This episode's guest is, actor, director, producer, improviser, and all-around wonderful human, Jennifer Clymer.Jen's journey is a rich tapestry of creativity, resilience, and community building. From founding Chicago's Playground Improv Theater to producing and directing both indie darlings and major studio projects (Spider-Man, Charlie's Angels), Jen brings heart and hustle to everything she does.We talk about her early days in Chicago's theater scene, how she pivoted into producing, and the powerful work she does now at the Motion Picture & Television Fund (MPTF)—where she helps care for aging and retired members of the entertainment industry.