Podcasts about actor director

We've been long inspired and touched by Robert Redford's career in film and politics. He was a screen idol who challenged America's status quo. From acting in Butch Cassidy and the Sundance Kid, Three Days of the Condor and All The President's Men to directing Ordinary People and the Milagro Beanfield War, he took on roles, and later directing projects, that questioned authority and brought a cultural weight to America's cinematic catalog. His political work included fighting for and supporting environmental and Indigenous rights causes. He was part of documentary projects about Leonard Peltier, John Trudell and climate activist Tim DeChristopher. In his later years, he supported the campaign against the Keystone XL Pipeline and called Trump a "monarchy in disguise." In our latest, we pay tribute to iconic actor, director, environmentalist and activist Robert Redford. Rest in Peace, Sundance!--------------------Outro- "Green and Red Blues" by Moody

In this episode, Alyshia dives into the trap of relying too heavily on character breakdowns—and why it can sabotage your auditions. Casting directors aren't looking for someone to play at the breakdown; they're looking for the actor who brings the puzzle piece they didn't know they needed. Using Katherine LaNasa's Emmy-winning performance in The Pitt as a powerful example, Alyshia shares how ignoring the breakdown and leaning into humility helped her stand out in a sea of actors all playing the same “note.” Plus, hear insights from past guest Sheila on how finding a single moment in the script can unlock choices that are uniquely yours. If you've ever felt stuck trying to “give them what they want,” this episode is your reminder: you are the best asset in the room. Read the script first, trust your instrument, and stop chasing the breakdown.

AP Washington correspondent Sagar Meghani reports on Robert Redford's death.

AP correspondent Ed Donahue has a look at Robert Redford's life in the movies.

Want to connect with Tj & Plaideau? Send us a text message.From childhood VHS movie-making to crafting indie films with a distinctive voice, actor-director Zac Cino takes us behind the scenes of his creative journey on this episode of NOLA Film Scene.Zac shares the story of how a prop gun pressed against an actor's face created an unexpectedly authentic moment - which leads to a fascinating discussion about unconventional directing techniques, including how asking an actor about Spider-Man right before a take can elicit the perfect confused expression.Sponsored by Jana McCaffery Attorney at Law. Have you been injured? New Orleans based actor, Jana McCaffery, has been practicing law in Louisiana since 1999 focusing on personal injury since 2008. She takes helping others very seriously and, if you are a fellow member of the Louisiana film industry and have been injured, she is happy to offer you a free consultation and a reduced fee to handle your case from start to finish. She can be reached at

ICYMI: Hour Three of ‘Later, with Mo'Kelly' Presents – A replay of Mo's in-depth conversation with friend of the program, Emmy Award-Winning Actor/Director Obba Babatundé, who returned to the program with wonderful stories gleaned from his life in TV and film and thoughts on the series finale of CBS' ‘S.W.A.T.' and what his character "Pops"/Daniel Harrelson, Sr. (father of "Hondo"/Shemar Moore) has meant to his storied career…PLUS – Mo' revisits his conversation with Disney Legend Bill Farmer (voice of Goofy and Pluto for nearly 30 years), and Bret Iwan (the fourth person EVER to voice Mickey Mouse) who joined the program to introduce 'Mickey Mouse Clubhouse+' - on KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly

Send us a textOur new Best Friend of the Podcast, Pete Sepenuk joins us!! You might know him from the Anime Naruto and Bleach, or the Final Fantasy VII remake, or MLB!! Give us so many stories about Voice acting and his time working with great Producers, Actors and Directors in Hollywood. We talk about the one our fav films of all time, The Ghost and the Darkness!! We try three brews of course while we had a hell of time together!!! How he fell into Movie Editing!Pop Culture: King of the Hill and Saladin Patterson, Gail Anne Hurd and her works, and much moreBrew had during Pop Culture: Did I Dew that! Baja Blurst by Vice Beer and Sig Brewing CoBeer Flights: We learn about Pete and get to the bottom of his darkest secrets! Yacht Rock, IMF agents and Invincible(MTV)Brew during Beer Flights: PB&J Mixtape by Xul Beer CoTop Shelf : Top 3 Movies or TV shows that cant or shouldnt be rebooted or remadeBrew during Top Shelf Yacht Party by Charles Towne FermentoryTheme Song by Lost Like Lions Guest Links and Social Media:Instagram:   @thesepvoX: @thesepvoHop Station Craft BarGet Beer, Cocktails, and fab food while enjoying darts, vintage games. Hop Station is hopping!Coastalos SodasUrban Artifact launched our own hemp derived THC brand Coastalo. Made with real fruit!!Niles BrewingUnique Beers and Cocktails! They host events and trivia weekly. Located in downtown Niles, Michigan!TavourUse our promo code 'DrunksWithBuds' for $10 off your second order.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Writing Process with Franky Corcoran|playwright, actor, director, and podcasterFranky Corcoran is a versatile artist who wears many hats in the entertainment realm, serving as a playwright, actor, director, and podcaster. In March 2021, he established his own entertainment venture, known as Corcoran Entertainment. In addition to his various roles, he has hosted a weekly podcast titled The Corcoran Entertainment Show since January 2022. New episodes every Tuesday across all major streaming platforms, such as Spotify and Apple Podcasts.Corcoran's acting journey began in 2013 when he joined his high school drama club. After graduating in 2017, he continued to nurture his passion for performing through community theatre. Throughout his career, he has portrayed several memorable characters, including Felix Ungar in The Odd Couple, Eugene Morris Jerome in Brighton Beach Memoirs and Biloxi Blues, Henry Saunders in Lend Me A Tenor, Mr. Fezziwig in A Christmas Carol, and Captain March in Little Women. His talent was recognized at the New Brunswick Provincial Drama Festival in 2017, where he received the Outstanding Actor award for his work in Michael Frayn's Audience.In addition to acting, Franky has made his mark as a writer and director with credits that include A Miramichi Christmas, Death Costs Dearly, The Lies We Tell Ourselves, House of Violations, and Playhouse Quarrel. He also self published one of his first one act plays, The Lies We Tell Ourselves. His directorial debut in the musical realm happened in June 2023 with Jonathan Larson's tick, tick... BOOM!Link:https://open.spotify.com/show/3WQZis2AmXkQYR8mk7sVs1?si=05579faa87a64a9ehttps://www.instagram.com/corcoranent/?hl=enTags:Actor / Actress,Dogs,Music,Playwright,Podcaster,Podcast Host,Theater Director,Theater Producer,Theatre,TV & Film,Writing Process with Franky Corcoran|playwright, actor, director, and podcasterSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

On this episode, Tom goes "On the Aisle" with LaKesha Lorene, the founder of the Naptown African American Theater Collective (N-A-A-T-C). She speaks with Tom about her journey, her vision for the organization, and the significance of their work in the Indianapolis theater scene. Lakesha shares how N-A-A-T-C evolved from a conversation in 2021 and has quickly become a cultural hub reflecting the community's heritage and diversity. She discusses the intentionality behind the organization's name, her background in arts and theater, and her experiences and challenges as a black woman and leader in the arts. They also touch upon the need for equity in theater, the importance of uplifting diverse voices and stories, and the future of N-A-A-T-C. The conversation highlights Lakesha's dedication to her craft and community, and her hopes for fostering a more inclusive and vibrant cultural landscape.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. www.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me.The way I was trained and how I train others is that you know when you're in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?I had to become the father of my family very young because my parents divorced when I was 12. My situation was a little bit unusual in that my father kind of disappeared, and I had been making a fair amount of money as a kid, doing commercials and television and film. We needed money, and I kind of became the breadwinner. But I had this amazing world that I had access to, which was the world of the entertainment industry. My mom was supportive of my taking over and saying, "This is, I think, what we need to do." She liked the idea of moving to New York, so we moved to New York when I was 17 with a play that I had gotten. Then she got cancer and became really sick, so I had to take care of her full time. That lasted for about eight years, and then she died when I was 25. That was a rough go. At the same time, I had an amazing other world, and my other world was the world of make-believe and pretend, which I got to participate in on the soaps, with happy families and Christmases, Easters, miracles, love, weddings, and children. The pretend world that I spent a large amount of time in became a great way to balance what was sort of tragic in my real life.”Our guest today is Cady McClain. You probably know her from her long and celebrated career in daytime television. She is a three-time Emmy® Award-winning actress. She plays Pamela Curtis on CBS' Beyond the Gates, and is the Artistic Director of Axial Theatre, and her directorial work includes the documentary, Seeing is Believing: Women Direct, a fascinating look at the challenges and triumphs of women behind the camera. Her memoir, Murdering My Youth, is an honest and sometimes difficult book about growing up as a child actor in the spotlight. Her work across all these different art forms—acting, directing, writing, art, and music—all seems to be connected by a commitment to telling true stories, no matter how complicated. Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

On The Kenny & JT Show, actor, director, and North Canton native Eddie McClintock to talk about his new movie in production called “On Air” with portions of it to bel filmed at our WHBC studios. And he'll be riding with the guys in the Hall of Fame Grand Parade.

Chris Candy grew up as the child of the legendary actor, John Candy, star of Stripes, Vacation, Uncle Buck and an endless number of iconic movies. Chris followed his father into the entertainment industry as an actor/writer/director/producer/etc. He starred in Where's This Party and directed two different Coldplay videos, among many, many other things. Chris has seen it all, done it all, and has an endless array of stories about his father and, uh, his therapy, too.Support this podcast at — https://redcircle.com/90who10/donations

On this episode, Tom goes "On the Aisle" with husband and wife Jolene and Michael Moffatt, She's a freelance actor, director and acting coach and he is a technical director and sound and lighting designer.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, FPEA Chairman Suzanne Nunn speaks with Kevin Sorbo, actor, producer and director. Kevin has an inspiring story of what it looks like to pursue passions, make the most of open doors and being sure that no one puts limitations on what you can do. He is a champion for freedom, families, faith and wholesome entertainment.

There are certain guests who make the conversation so easy and enjoyable that time simply passes too quickly. This was the case with old friend Greg Stuhr. Having recently appeared on Broadway (and CNN) in the highly acclaimed production of Good Night and Good Luck, this became the starting point for a rousing and revealing chat-fest that begged to be broken into two parts! In this portion, Greg talks knowledgeably and with great candor about casting, rehearsals, and time onstage with George Clooney. Then he continues with an inside preview of his Shakespeare in Delaware Park directorial debut of Richard III, opening in late July. And it's only the first half of this not-to-be-missed interview!

Join me as we get transparent with Actor/Director/Writer- Jay Jones Dive into the real struggles and victories of entrepreneurs, musicians, and entertainment industry giants with the Transparency Talks Podcast. We pull back the curtain on their journeys, exposing the raw truth behind the glamour.Hear it straight from the source:• Syndicated across the globe: Tune in on stations in London, Italy, Japan, South Africa, Nigeria, Canada, and iHeartRadio, plus major digital platforms.• Candid conversations: We peel back the layers, exploring the highs and lows of navigating the creative landscape.• From music to film and TV: Discover the diverse stories of those who chase their dreams in different artistic arenas.Join the movement:• Support independent voices: Make a CashApp donation @ $buttabrocka or become a sponsor.• Subscribe and follow: Get your weekly dose of inspiration on YouTube and social media.• Engage with the community: Share your thoughts, connect with other creative souls, and let's get real!Find us everywhere:• YouTube: https://www.youtube.com/@transparencytalkspodcast• Instagram/Facebook/Twitter: @Buttabrocka and @TransparencyTalksPodcast#TransparencyTalksPodcast: Where authenticity meets ambition. Join the conversation and let's get transparent!** I do not own the rights to this music#musicianslife, #filmmakingtips, #entreprenerdreams #PodcastLife #Motivation #Success #Creativity #IndieFilm #Filmmaking #Hollywood #EntrepreneurLife #Hustle #MusicProduction #PodcastLove #ActorsAccess #DirectorsLife #Storytelling #OnTheAir #Livestream #CashappDonates #SupportSmallBusiness #PodcastersOfIG #PodcastersOfColor #buttabrocka #IndependentPodcast #ListenNow #BehindTheScenes #transparencytalkspodcast #transparency

This next guess is known primarily for his work in  the independent horror genre, but we are are going to be talking about one of his cooler projects in recent time: He Never Left. He is an actor, director, producer & write, but let's welcome James Morris!"He Never Left" : After hearing disturbing noises from the next motel room, a fugitive on the run and his girlfriend become prey to the notoriously brutal 'Pale Face' killer, whose legend has haunted the local community for decades. James MorrisIG: https://www.instagram.com/jamesmorris7403/He Never LeftIMDB: https://www.imdb.com/title/tt15789102/?ref_=nm_knf_t_1Crazy Train RadioFacebook: facebook.com/realctradioInstagram: @crazytrainradioX/Twitter: @realctradioBlueSky:  @crazytrainradio.bsky.socialWebsite: crazytrainradio.usYouTube: youtube.com/crazytrainradio 

Theatre actor and director Jerry Dixon stops by to talk about his past roles and what's "Up Next" for him. 

Rachel Walker MasonEver since I can remember I've been able to see music as colours when I listen to music or compose a song. I've since learned that this condition is called synaesthesia and people often refer to it as “my superpower”.I always felt my happiest and most fulfilled when I was singing or writing music so it felt natural to make it my career path. I've never wanted to do anything else as a job and am very lucky that I've been able to live my dream, pursuing music through school, my undergraduate degree then a masters in songwriting before starting my career as a freelance songwriter, musical director and vocal coach.During my career, I've performed all over the world, coached hundreds of singers from beginners to west end performers, run an artist management company and worked extensively in my community to encourage different generations to bond through the arts. For this, I was crowned Freelancer Of The Year and Woman of the Year. Throughout my life, I've struggled with my mental health and when my children were born I was diagnosed with postnatal depression. After recovering I set up Lyrical Light as a songwriting workshop for those struggling with their mental health after becoming parents. It's a real honour to be able to help people through music.My work now encompasses both of these aspects from co-writing and songwriting, working as a Maternal Mental Health Ambassador and with parents who are suffering from Post-Natal Depression. Eloise Hodder is the HE Programme Co-ordinator for BA (Hons) Performing Arts - Acting at University Centre Weston (UCW). Eloise delivers on the BA Hons degree in Performing Arts which is validated by Bath Spa University.  Eloise also works as a guest lecturer and examiner both nationally and internationally encompassing a range of institutions from The Brit School, to consultant Actor/Director at L'Ecole d'Architecture Universite de Montreal. Eloise trained as an actor and holds BA (Hons) from Royal Welsh College of Music and Drama (Franchise University of South Wales) and has a Postgraduate Diploma from Royal Central School of Speech and Drama Applied Theatre specialising in Directing. Eloise is also a member of Royal Academy of Dance and the Institute for Learning. Eloise is an actor, director, interdisciplinary performer and educator. She has worked as the director/creator of Trapped (Donmar and Endeavour), received the Jack Petchey Youth Community Project Award for Delicate Rose tour and has been nominated for a Royal Television Society Award for Gannin' Yem. Eloise has been an Education Associate for the Donmar, Bush Theatre and Michael Grandage Theatre Company.

As co-founder and guitarist for the very popular Texas swing band Skiffle Minstrels, Phil Knoerzer has performed as widely as a musician as he has as an actor. But with credentials in the Buffalo theater community going back nearly five decades, he was a prime target for an Off Road interview with his old friend. The resulting chat is as enlightening as it is fun.

Actor, director, Austin Pendleton stops by to talk about his film and stage work. 

It's another cracking episode of the (freshly award-nominated) Empire Podcast this week, folks, as Helen O'Hara slips into the hosting chair and tries to wrestle James Dyer and Alex Godfrey into shape as they talk about changeable movie titles, great actor/director pairings, Alex's favourite teen movies, the week's movie news including Donald Trump's proposed tariffs on the film industry, The Long Walk and Highest 2 Lowest trailers, and review The Uninvited, The Extraordinary Miss Flower, The Surfer, and The Wedding Banquet. That last movie also provides us with our guests, as Chris Hewitt sits down for an incredibly fun chat with its stars, Lily Gladstone and Kelly Marie Tran. [22:12 - 44:11 approx] Have a listen, you won't regret it. Enjoy!

James S. Murray is a writer, Executive Producer and comedian, best known as "Murr'' on the hit TV show Impractical Jokers. Impractical Jokers airs on TruTV and TBS between the hours of 8am through 8am the next day, pretty much 7 days a week. The show is in its 11th season, with Season 12 on the way in 2025.Prior to Impractical Jokers, he worked as the Senior Vice President of Development for the TV company NorthSouth Productions for over a decade. During his tenure there, he developed and pitched thousands of TV shows, and even sold a bunch; of which a couple were pretty good.As the President of Impractical Productions, a TV and Film Production company, Murr develops and sells highly commercial, produceable content in the TV, film and literary worlds. Impractical Productions adapts Murray's literary IP for the big and small screen while also developing and producing original content.Murray is also a co-owner of Bad Woods Entertainment, part of a first look TV development deal with Warner Brothers Discovery. Our legal team likes us to disclose that while the company is called "Bad Woods" the ideas are quite ok actually.Murr also tours the world playing sold out venues such as Madison Square Garden & the 02 Arena in London. That being said, he'd perform at a Knights of Columbus hall if the price were right.He is an international bestselling author with 9 published titles from major publishing houses such as HarperCollins, St. Martin's Press, Blackstone Publishing and Penguin Random House. Murr's action-packed novels span many different genres (including mystery-thrillers, horrors, science-fiction, serial killer novels and paranormal). And he's written 3 sci-fi comedy kids books. You know, for the kids.He's also a loving husband to his wife, Melyssa, and to his puppies, Penny & Pepper. Just to be clear - he's only married to Melyssa.When not filming, producing or touring the world, Murr is at home in PrincetBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

James S. Murray is a writer, Executive Producer and comedian, best known as "Murr'' on the hit TV show Impractical Jokers. Impractical Jokers airs on TruTV and TBS between the hours of 8am through 8am the next day, pretty much 7 days a week. The show is in its 11th season, with Season 12 on the way in 2025.Prior to Impractical Jokers, he worked as the Senior Vice President of Development for the TV company NorthSouth Productions for over a decade. During his tenure there, he developed and pitched thousands of TV shows, and even sold a bunch; of which a couple were pretty good.As the President of Impractical Productions, a TV and Film Production company, Murr develops and sells highly commercial, produceable content in the TV, film and literary worlds. Impractical Productions adapts Murray's literary IP for the big and small screen while also developing and producing original content.Murray is also a co-owner of Bad Woods Entertainment, part of a first look TV development deal with Warner Brothers Discovery. Our legal team likes us to disclose that while the company is called "Bad Woods" the ideas are quite ok actually.Murr also tours the world playing sold out venues such as Madison Square Garden & the 02 Arena in London. That being said, he'd perform at a Knights of Columbus hall if the price were right.He is an international bestselling author with 9 published titles from major publishing houses such as HarperCollins, St. Martin's Press, Blackstone Publishing and Penguin Random House. Murr's action-packed novels span many different genres (including mystery-thrillers, horrors, science-fiction, serial killer novels and paranormal). And he's written 3 sci-fi comedy kids books. You know, for the kids.He's also a loving husband to his wife, Melyssa, and to his puppies, Penny & Pepper. Just to be clear - he's only married to Melyssa.When not filming, producing or touring the world, Murr is at home in PrincetBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

ICYMI: Hour Two of ‘Later, with Mo'Kelly' Presents – An in-depth conversation with friend of the program, Emmy Award-Winning Actor/Director Obba Babatundé, who returns to the program with wonderful stories gleaned from his life in TV and film PLUS a preview of the series finale of CBS' ‘S.W.A.T.' with a very special episode in store for his character "Pops"/Daniel Harrelson, Sr. (father of "Hondo"/Shemar Moore) scheduled to air Friday, May 9, 9 PM ET/PT on CBS - KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly

ICYMI: ‘Later, with Mo'Kelly' Presents – An in-depth conversation with friend of the program, Emmy Award-Winning Actor/Director Obba Babatundé, who returns to the program with wonderful stories gleaned from his life in TV and film PLUS a preview of the series finale of CBS' ‘S.W.A.T.' with a very special episode in store for his character "Pops"/Daniel Harrelson, Sr. (father of "Hondo"/Shemar Moore) scheduled to air Friday, May 9, 9 PM ET/PT on CBS - KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly

On this episode, Tom goes "On the Aisle" with Actor-Director and Phoenix Theatre Cultural Center founding member Suzanne Fleenor.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Los pasajeros invitados de este Cocodrilo, conducido por Sergio Almazán son Ana Graham y Estanislao González, actores y productores de teatro en México. Ana Graham promueve la obra Django con la soga al cuello, una conmovedora historia sobre la depresión, donde el teatro en miniatura, los títeres y las sombras se fusionan en un western sonorizado al estilo de las películas antiguas, que se presenta hasta el 27 de abril en el teatro Juan Ruiz de Alarcón del Centro Cultural Universitario de la UNAM. Por su parte, Estanislao González invita a la puesta Bereshit - En el principio, un monólogo que explora los recuerdos y cicatrices, testigos de la compleja relación entre Dios y la Humanidad, contado por la ancestral y mítica Babilonia, en una versión Drag. Se presenta en El77 Centro Cultural Autogestivo hasta el próximo mes de mayo. Únete a la comunidad de El Cocodrilo con Sergio Almazán en su sitio web y redes sociales: www.sergioalmazan.com X: @salmazan71 https://x.com/salmazan71 IG: @ElcocodriloMVS https://www.instagram.com/elcocodrilomvs/ Facebook: El Cocodrilo MVS https://www.facebook.com/ElCocodriloMVSSee omnystudio.com/listener for privacy information.

Rick Kogan is joined in studio by actor Phil Donlon to discuss his career, such as appearing in ‘Chicago Fire,’ the film ‘Hotshot’ and other adventures in the movie business.

This episode's guest is, actor, director, producer, improviser, and all-around wonderful human, Jennifer Clymer.Jen's journey is a rich tapestry of creativity, resilience, and community building. From founding Chicago's Playground Improv Theater to producing and directing both indie darlings and major studio projects (Spider-Man, Charlie's Angels), Jen brings heart and hustle to everything she does.We talk about her early days in Chicago's theater scene, how she pivoted into producing, and the powerful work she does now at the Motion Picture & Television Fund (MPTF)—where she helps care for aging and retired members of the entertainment industry. 

Lisa Ludwig is arguably the most recognizable face in Buffalo Theater history, having performed in or produced more shows at more venues than virtually anyone. And her wide variety of activities, even those not connected with the stage, assure that her fame is widespread. The fact that she was able to sit down with Peter for a lengthy conversation about her life is not mysterious, however, because she has a self-admitted problem with saying “no.” Soon to celebrate the 50th anniversary of Shakespeare In Delaware Park, its executive director is so much more than an administrative whirlwind, as anyone hearing this interview will discover.

The Stories: “Literally no one would know who I was in Australia at all! It wasn't until very recently that it changed. It's not something I focus on. I'm quite a private person and quite protective of my life. It's funny to finally feel embraced by the country that you always wanted to work in. I can't say that I haven't had some of those earlier struggles, where there was a juvenile resentment for not feeling important enough in your own country.” “I think I have a healthy relationship with wellness and balance where I want to be as healthy to myself as I can, but in terms of more tangible wellness practices, I think moving your body is always a good thing. I do pilates, yoga. I think trying to take care of your mental health is important. I'm someone who has my own struggles with anxiety and trying to manage that in a healthy way. I do a lot of journaling. Art is also really helpful for me.”The Backstory: “I had very early exposure to the arts growing up. My mom was a children's television writer and my dad was a musician. So that definitely reinforced and encouraged a lot of creative pursuits from a very early age.”Wisdom Rains: “What I've learned in my work, is that so much is out of my control, creatively. There's something to be said about learning to embrace the wave; the flow of things.”On Inspo: “I always go in with this idea that you're always trying to be as honest as you can; you're finding the essence of truth. My process and my style is to make sure I'm doing the best job and justice to the character – and that means working from a place of real honesty and truth.”On Netflix's Apple Cider Vinegar: “People are drawn to the complexity of the wellness and medical industries, and we all know someone who has been affected by cancer or a serious illness. Not only are we constantly bombarded by new information about health and wellness all the time, the chase for eternal youth and wellness is everywhere and so pervasive in our lives. Apple Cider Vinegar really touches on the complexities of conventional and nonconventional medicine.”What Else: “Creativity has been so imbued in my life, and I feel like I have a strong idea of my taste, so directing is something I'm wanting to explore more. Obviously, it's quite hard to get your foot in the door, so I'm going to try to write – in order to facilitate it.”Discover more + Shop The Podcast:Christopher Esber Gondola Mini ToteSkinCeuticals C E FreulicLeset Yoko Pocket PantFlower Box French Kiss Dutch TulipsWatch Apple Cider Vinegar on NetflixWatch Saint X on HuluWatch Fear the Walking Dead on Netflix

For a long time, the name Eileen Dugan had been a familiar one throughout the Buffalo theater scene. She worked at nearly every professional theater, directed, taught acting, and produced shows for her own company. Though her name may not be as prominent around town as it used to be, she recently found herself with a suddenly busy calendar, and this talented artist took the time to look back on her career and look forward to the future.

Listen in as Charlie and I talk about what directors look for in an operator, the joy of working with great crews, The Work, The Battle of the Network Stars, Hill St. Blues, ER and much much more. Charlie's IMDb To see pictures and things we discussed in todays episode check out the podcast page of The Op. Please check us out on the web and instagram and like us and review us if you enjoyed the episode. Theme Music - Tatyana Richaud Theme Mix - Charles Papert  

Scarlett Johansson is an actor, director, producer, and co-founder of the skincare company The Outset. She began acting at age nine and continued to work steadily through adolescence and beyond, making films alongside industry legends like Robert Redford and taking on increasingly ambitious roles like the titular character in Girl With the Pearl Earring. Her career climbed to new heights in the last decade, as she was nominated for Academy Awards for the films Jojo Rabbit and Marriage Story, and played the lethal superhero Black Widow in the Marvel movie franchise. But after years as an accomplished actress, she knew that she wanted to expand her horizons and use some of her hard-earned expertise for her own projects. She then founded her own production company, These Pictures, and in 2022, co-founded the skincare company, The Outset, to provide solutions for adult acne and other skin issues that had plagued her for years. The brand, which launched on Amazon and QVC earlier this year, has come to be known for its effective ingredients and simple, nonirritating formulas. As if that wasn't enough, this year, Scarlett directed her first feature film, Eleanor the Great, starring the 94-year-old acting legend June Squibb.PS: Listeners can use code SECONDLIFE for 20% off their purchase of The Outset products (bundles and sets not included)See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.