Podcasts about charmides

Olga Ștefan este autoarea volumului „Até (o educație)”, care va apărea într-o colecție nouă de poezie, pocket, la Editura Art.  Pusă sub semnul lui Até, zeița orbirii și a distrugerii ca o consecință a orbirii, a iluzionării, cartea vorbește despre identitate - „Da, am crescut în Europa de Est” e titlul unuia dintre poeme - dar și despre școală - „Profesorul Natural” și „profesorul mediocru” sînt două ipostaze chestionate aici. Olga Ștefan este ea însăși profesoară de română la o școală din Cluj. Am vorbit cu Olga Ștefan despre cartea ei, despre semnificația titlului, despre ce poate spune poezia pe tema educației - o temă atît de importantă în România de azi.Olga Ștefan: „Era inevitabil ca ocupația mea diurnă să pătrundă în poezia pe care o scriu. Acest proiect îl aveam de mai mult timp în gînd, constatînd exact această carență sau această teamă de a explora un subiect care pare mai degrabă destinat literaturii de specialitate. Să nu uităm totuși că primele mărturii pe care le avem despre modul în care funcționează școala provin nu din cercetare, ci din literatură. Literatura e un fel de premergătoare a studiilor pe care le cităm, citim, recitim în domeniul pedagogic, avînd această dimensiune autobiografică, formativă, venind de multe ori dinspre fostul elev care meditează asupra destinului care l-a conturat, distrus, recompus, restructurat în școală. Însă mai rar avem mărturii fruste, oneste și, uneori, chiar autodenigrante ale celor care sînt profesori. De multe ori noi, profesorii, ne apărăm prin tot felul de fraze-clișeu destul de obscure, cum ar fi am făcut tot ce am putut, facem ceea ce se poate, facem ce putem, cînd, de fapt ele conjură o ipostază mult mai problematică. În perioada grevei (profesorilor) de acum doi ani am reușit să găsesc vocea pe care o voiam pentru ca poezia mea să devină mediul, depozitarul gîndurilor mele de profesoară, dar și de fostă elevă. Întotdeauna cele două se întîlnesc în aceste poeme.”Até este zeița orbirii și a distrugerii ca o consecință a orbirii, a iluzionării. De ce ți-ai pus cartea sub semnul acestei figuri mitologice?Olga Ștefan: „L-am ales, pe de-o parte, superficial, pentru tonalitate și sonoritate. Pe de altă parte, pentru paleta largă pe care-o acoperă semnificațiile acestei zeități. Pe care o regăsim, de exemplu, și într-o formulă care mie mi se pare în mod particular melancolică și interesantă și anume aceea de pajiște a lui Até. Mi se pare că Empedocle descria astfel lumea oamenilor. Adică e acel spațiu în care furia asta e dezlănțuită, dar și decăderea ulterioară e resimțită ca parte a condiției umane. Momentul în care am început să scriu poeziile din volum nu era foarte pașnic. Eram prin 2021, pe la finalul pandemiei, ulterior începutul războiului din Ucraina și meditam destul de mult asupra ideii acesteia că sîntem victimele propriei impulsivități, mai des decît ne place să recunoaștem. De asemenea mi se părea că sîntem educați într-o cultură a nesăbuinței și a exceselor. De pildă, Dodds, în Grecii și iraționalul spunea că Até ar sta și în inima exceselor.” Olga Ștefan a mai publicat volumele de poezie „Saturn, zeul” (Charmides), „Civilizații” (Paralela 45), „Resursa” (Casa de Editură Max Blecher).Apasă PLAY pentru a asculta întregul interviu!O emisiune de Adela Greceanu  Un produs Radio România Cultural  

In this episode, the guys are all here, and joined by Zena Hitz of St. John's College. Together, the group dive into Plato's Charmides. What does true wisdom look like? Can self-knowledge lead to a well-ordered soul? Listen in as the cast explore the dialogue's reflections on temperance, philosophy, and the limits of human understanding. Plato's insights offer a compelling perspective on the pursuit of wisdom in the modern world.

Charmides is supposed to be about temperance, but what's it really about? Maybe it's about the Socratic method and whether knowing when you don't know is sufficient for happiness.

Vroeger dachten we dat Wikipedia het begin van alle wijsheid was, maar de online encyclopedie leert ons dat het zelfkennis is. Die komt uitgebreid aan bod in, zo lezen we, de Charmides (niet te verwarren met Chlamydia). Dat is een reeks dialogen van Plato - je weet wel, die man die met de allegorie van de grot aantoonde dat alles één grote leugen was. Of niet. Kon er maar een speleoloog nagaan of de grot die we Het Leven noemen maar echt bestaat… Welkom in Computer Club, een podcast door Frederik 'Freddy' De Bosschere & Thomas 'Smollie' Smolders. Met dank aan Sebastiaan Van den Branden & Toon De Pauw voor de technische hulp. Wekelijks bespreken we de actualiteit op vlak van technologie en gaan we op zoek naar interessante feiten en innovaties. Af en toe nodigen we zelfs een gast uit. Er zijn ook jingles. Forum: https://computerclub.forum Word Vriend van de Show: https://vrienden.computerclub.online Nieuwsbrief: https://nieuwsbrief.computerclub.online Merchandise: https://computerclub.shop

Charmides by Plato audiobook. Charmides - discusses the virtue of temperance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Charmides

Sophrosyne is the ancient Greek word for moderation, which is one of the four classical virtues. But what does Socrates' definition of moderation really mean and how is it connected to another classical virtue: courage? Santa Fe tutor Michael Golluber explores this question by juxtaposing Plato's Charmides against his own passion for the good life, which he defines as consisting of good food, good wine, good company, and good conversation. Together with host Krishnan Venkatesh Golluber seeks to untangle the complexity of sophrosyne—a virtue that often masks a desire for order and control—revealing how difficult it is to both understand and attain. 

Socrates explores the meaning of temperance/self-control/moderation. Charmides is a dialogue of Plato, in which Socrates engages a young boy named Charmides in a conversation about the meaning of sophrosyne, a Greek word usually translated into English as temperance, moderation, self-control, or restraint.Thank you for listening.You can contact us @: ericknga7@gmail.com

The complete audiobook is available for purchase at Audible.com: voicesoftoday.net/0q0 Four Dialogues of Plato Edited by Lloyd E. Smith Featuring the voices of Denis Daly, John Burlinson, Alan Weyman and Mark Crowle-Groves. Socrates, perhaps the most famous philosopher of the ancient world, left no writings. The method of philosophical investigation for which he is celebrated, has come down to us in the form of dialogues, composed by his student, Plato. The four dialogues in this collection are known by the names of the chief characters in each: Lysis, Charmides, Laches, and Euthyphro. As they fall into a more or less natural group due to the fact that each one deals with a single ethical abstract - friendship, temperance, courage, and piety, respectively - they have been renamed based on the subjects which they are investigating. In the course of the discussions a number of interesting hypotheses are advanced, and though these may be discarded in the particular dialogue as insufficient, some of them reappear in other dialogues as material for further consideration. The four dialogues presented here have been summarized and condensed, so that none of these versions is identical with the original Greek or with any one translation.

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Plato , (born 428/427, Athens, Greece—died 348/347 BC, Athens), was a Greek philosopher, who with his teacher Socrates and his student Aristotle laid the philosophical foundations of Western culture. His family was highly distinguished; his father claimed descent from the last king of Athens, and his mother was related to Critias and Charmides, extremist leaders of the oligarchic terror of 404. Plato (whose acquired name refers to his broad forehead, and thus his range of knowledge) must have known Socrates from boyhood. After Socrates was put to death in 399, Plato fled Athens for Megara, then spent the next 12 years in travel. Upon his return, he founded the Academy, an institute of scientific and philosophical research, where Aristotle was one of his students. Building on but also departing from Socrates' thought, he developed a profound and wide-ranging philosophical system, subsequently known as Platonism. His thought has logical, epistemological, and metaphysical aspects, but much of its underlying motivation is ethical. It is presented in his many dialogues, in most of which Socrates plays a leading role.From https://www.britannica.com/summary/Plato. For more information about Plato:“Plato”: https://plato.stanford.edu/entries/plato/“Plato, Republic”: http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0168%3Abook%3D8“PHILOSOPHY - Plato”: ​​https://youtu.be/VDiyQub6vpw

This is the reading of Charmides Part 3 by Oscar Wilde. If you like this content and you like to further support and make this podcast grow please head over to: www.patreon.com/shortstoryscene --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/shortstoryscene/support

This is the reading of Charmides by Oscar Wilde. If you like this content and you like to further support and make this podcast grow please head over to: www.patreon.com/shortstoryscene --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/shortstoryscene/support

The complete audiobook is available for purchase at Audible.com: https://rb.gy/fgxaio Charmides and Other Poems By Oscar Wilde Narrated by Graham Scott First published in 1913, more than a decade after the author's death, Charmides and Other Poems is a collection including the long narrative poem Charmides (1881), and a number of shorter poems, and sonnets, many written when Wilde was at the height of his powers as an author.

Is knowledge of all knowledge, including of that which is not knowledge, logically possible? This, among other questions, was the subject of discussion in this March 14, 2021 live recording of a discussion of the Toronto Philosophy, Calgary Philosophy, and Online Rebels Meetup groups. The range of our own dialogue covered the nature of self and of temperance, which Plato represents as the “science of self”, and Socrates' words that “…it was not living scientifically that was making us fare well and be happy, even if we possessed all the sciences put together but that we have to have this one science of good and evil.”

Greean Areas. A poem by Gabi Eftimie (English, Romanian) Author: Ana Teodora Popa green areas (Gabi Eftimie) Pretending to be a tourist in my own town, I take the bus to the last stop. It doesn`t take long and all filters disappear when you`re on autopilot. Soon, I arrive to my destination. My electrified hair is spread in the same direction as I’m headed to. I pick up crumbs left behind of my fellow passengers and I try to guess: bread, biscuits, falafel? Ahead:” the park, the green lung of the city.” In the deepest depth, fishes hobble, enduring like uranium. The crows` croaking doesn’t pierce through anymore. The black-throated loon spreads out its cry like a fishnet through the lake´s surface. I surrender to these inputs. Like in some guided meditation. The park, now on mute, is lost in space. Pigeons coo their mantras. Happiness to all humankind! Let us be spared by weakness! May all care for their fellows´ well-being! Don´t let anyone experience gloom and sorrow! Suddenly, a green, lit water-bus pops up in the surrounding twilight. Translated from Romanian to English by the poet. The piece is composed by Ana Teodora Popa with a poem by Gabi Eftimie in the frame of POLYPHONIC ECHOES, a project organized by Jumătatea plină for SEMI SILENT. Partners: Czech Center and the National Museum of Romanian Literature. With the support of the Administration of the National Cultural Fund. * Ana Teodora Popa (b.1988) is a sound engineer and composer from Iași, Romania. She studied at Ontario Institute of Audio Recording Technology and worked as a live sound engineer for the London City Music Theatre. In 2013, she started her dream job at the National Theatre in Iași, Romania, and later became the Sound and Video Department leader. To stay involved in more creative projects, in 2017 she become a freelancer. In 2018, she won third place in the Grand Prix Nova competition with a nonverbal binaural piece, created using only mono/stereo files and a unique editing method. She takes part in innovative and challenging independent projects, including theater plays, experimental performances, sound installations and films. She worked with Regenerator and Descentrat projects, and she participated to Sonic Future Residencies. She currently writes music and works on her own binaural audio research and technique. Her artistic goal is to reach the listeners at a level where they can relate and be moved by what is already inside them. Gabi Eftimie has been living in Sweden since 2011, where she teaches Swedish and translates literature and children’s books from German, Swedish, and English. Her debut poetry collection, ochi roșii polaroid. acesta este un test (Vinea) was published in 2006, followed by nordul e o stare de spirit (Charmides), in 2014. Her work was also featured in several anthologies in Romanian, Hungarian, German, Swedish, and English. She has participated in various festivals and workshops, among which the one organized by the Romanian Cultural Institute in Visby, Sweden in 2009. In 2020, she published her third book on nature: Sputnik în grădină (OMG), awarded by Sofia Nădejde Awards for literature written by women. Recorded, played, composed, edited by Ana Teodora Popa for SEMI SILENT. Voices: Ana Teodora Popa and Sebastian Bădărău

Here on this episode of Classics with Combest, we get into Charmides. We discuss the nature of temperance and delve further into the depths of the perfect forms. More of a visual learner? Check out my youtube video here: https://youtu.be/pvtH0qzJjYY . link to the source: http://www.gutenberg.org/ebooks/1580 link to the audiobook of the source: https://librivox.org/charmides-by-plato/ Intro and ending music is "Spring Migration (instrumental)" by Chad Crouch.

Trial of Socrates The trial of Socrates is the central, unifying event of Plato's dialogues. Because of this, Apology is among the most frequently read of his works. In the Apology, Socrates tries to dismiss rumors that he is a sophist and defends himself against charges of disbelief in the gods and corruption of the young. Socrates insists that long-standing slander will be the real cause of his demise, and says the legal charges are essentially false. Socrates famously denies being wise, and explains how his life as a philosopher was launched by the Oracle at Delphi. He says that his quest to resolve the riddle of the oracle put him at odds with his fellow man, and that this is the reason he has been mistaken for a menace to the city-state of Athens. If Plato's important dialogues do not refer to Socrates' execution explicitly, they allude to it, or use characters or themes that play a part in it. Five dialogues foreshadow the trial: In the Theaetetus and the Euthyphro Socrates tells people that he is about to face corruption charges. In the Meno one of the men who brings legal charges against Socrates, Anytus, warns him about the trouble he may get into if he does not stop criticizing important people. In the Gorgias, Socrates says that his trial will be like a doctor prosecuted by a cook who asks a jury of children to choose between the doctor's bitter medicine and the cook's tasty treats. In the Republic Socrates explains why an enlightened man (presumably himself) will stumble in a courtroom situation. The Apology is Socrates' defense speech, and the Crito and Phaedo take place in prison after the conviction. In the Protagoras, Socrates is a guest at the home of Callias, son of Hipponicus, a man whom Socrates disparages in the Apology as having wasted a great amount of money on sophists' fees. Unity and diversity of the dialogues Two other important dialogues, the Symposium and the Phaedrus, are linked to the main storyline by characters. In the Apology Socrates says Aristophanes slandered him in a comic play, and blames him for causing his bad reputation, and ultimately, his death. In the Symposium, the two of them are drinking together with other friends. The character Phaedrus is linked to the main story line by character (Phaedrus is also a participant in the Symposium and the Protagoras) and by theme (the philosopher as divine emissary, etc.) The Protagoras is also strongly linked to the Symposium by characters: all of the formal speakers at the Symposium (with the exception of Aristophanes) are present at the home of Callias in that dialogue. Charmides and his guardian Critias are present for the discussion in the Protagoras. Examples of characters crossing between dialogues can be further multiplied. The Protagoras contains the largest gathering of Socratic associates. In the dialogues Plato is most celebrated and admired for, Socrates is concerned with human and political virtue, has a distinctive personality, and friends and enemies who "travel" with him from dialogue to dialogue. This is not to say that Socrates is consistent: a man who is his friend in one dialogue may be an adversary or subject of his mockery in another. For example, Socrates praises the wisdom of Euthyphro many times in the Cratylus, but makes him look like a fool in the Euthyphro. He disparages sophists generally, and Prodicus specifically in the Apology, whom he also slyly jabs in the Cratylus for charging the hefty fee of fifty drachmas for a course on language and grammar. However, Socrates tells Theaetetus in his namesake dialogue that he admires Prodicus and has directed many pupils to him. Socrates' ideas are also not consistent within or between or among dialogues. Platonic scholarship "The safest general characterisation of the European philosophical tradition is that it consists of a series of footnotes to Plato." (Alfred North Whitehead, Process and Reality, 1929). Although their popularity has fluctuated over the years,

The complete audio is available for purchase at Audible.com: https://adbl.co/2XvFQEx Poems By Oscar Wilde Narrated by Denis Daly Wilde's first collection of verse, published in 1881, contains many poems which had already been published individually. Among the 61 poems can be found four major works, "The Garden of Eros", "The Burden of Itys", "Charmides", and "Humanitad". Although the initial critical reaction was not particularly enthusiastic, Wilde's poetry aroused enough attention for him to become the object of ridicule in the Gilbert and Sullivan comic opera Patience, in which he is characterized as the "fleshly poet", Reginald Bunthorne. More recent research has suggested that Bunthorne was actually based on Swinburne, who was a major influence on Wilde.

Join Will and Rugm0 for a dialogue on the Dialogues of Socrates written by Plato. Today we have a conversation regarding Charmides also known as Temperance. Using the ancient Greek text, we try just as hard Socrates to define what exactly it means to be Temperate. BUY DIALOGUES OF SOCRATES NOW: https://amzn.to/2FSumk7 BUY PLATO'S REPUBLIC NOW: https://amzn.to/2YFazw5 BUY PLATO'S SYMPOSIUM NOW: https://amzn.to/2I2bb9I Matt on Youtube: https://www.youtube.com/channel/UCt_P8VQuKVZLejC7S8h2vdA?ab_channel=MattAllison PatMan on Minds: https://www.minds.com/Patmanmeow Akira The Don on youtube: https://www.youtube.com/user/akirathedon?&ab_channel=AkiraTheDon --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/bookwave/support

Un dialog despre tehnologie și volumul de poezie Monoideal cu poetul V. Leac în episodul 13 al Podcastului Narativ cu Cezar Gheorghe. V. Leac, n. 1973. Traieste si lucreaza in Arad si Bucuresti. A publicat mai multe carti de poezie: Seymour: sonata pentru cornet de hartie, Ed. Vinea (2005, 2006, 2013); Dictionar de vise, Ed. Cartea Romaneasca, 2006; Lucian – un experiment – CDPL, 2009; Toti sunt ingrijorati, Ed. TracusArte – colectia NEO – 2010, 2015; Unchiul este incantat, Ed. Charmides, 2013. Membru fondator al gruparii literare Celebrul animal si al revistei Ca si Cum. In 2012, impreuna cu Bianca Baila, infiinteaza MOI la Timisoara; curator al evenimentului W.A.D. Arad, 2014. Filme: 2014 – The Village Drones (I); 2015 – The Village Drones (II); Trasee descriptive cu intrus. „Intotdeauna mi-am dorit sa scriu poeme pentru doi, trei astronauti usor distrati, in care abia mai palpaie viata; navigheaza, asa, fara o destinatie precisa. Vreau sa-ti imaginezi surasul astronautului stand acolo, langa hublou, la o masa; sorbind din bautura – oare ce-o fi band? Dupa lectura sa ai impresia ca poemul se ridica (din pagina) in varful picioarelor; te saruta pe obraz; apoi se indeparteaza in fuga; se opreste; se intoarce si-ti rade in nas, ca un copil smecher despre care ai impresia ca stie secretul fericirii.“  

Am celebrat la Intersecțiile de miercuri Ziua Internațională a Poeziei împreună cu invitații noștri, poeții Mina Decu și Vasile Leac. Citim și vorbim despre starea poeziei, condiția poeților azi și despre premiile literare. Mina Decu a debutat anul trecut la editura Charmides cu volumul „Desprindere”. Este masterandă în Filosofie și Studii europene și-l traduce pe Roberto Bolaño. A fost desemnată Tânărul poet al anului 2018 și a primit Premiul Național pentru Poezie Mihai Eminescu, Opera Prima. Vasile Leac trăieşte şi lucrează în Arad şi Bucureşti. A publicat mai multe cărţi de poezie: Seymour: sonată pentru cornet de hârtie, Ed. Vinea (2005, 2006, 2013); Dicţionar de vise, Ed. Cartea Românească, 2006; Lucian – un experiment – CDPL, 2009; Toţi sunt îngrijoraţi, Ed. TracusArte – colecţia NEO – 2010, 2015; Unchiul este încântat, Ed. Charmides, 2013. Pentru volumul ”Monoideal”, publicat anul trecut, este nominalizat la Premiul pentru Poezie 2018 în cadrul Premiilor Radio România Cultural și Observatorul Cultural.

I was considering the superabundant information in the AVB/KJV that corresponds to statements in Plato's Apology, Laws, Gorgias, Seventh Letter, Charmides, and Republic: it is far too much to be incidental. One has to conclude that there is a definite relationship/connection between the works of Plato and that of the AVB/KJV, and that that relationship/connection is on purpose. I want to introduce some hard evidence the discoverer has penned. The Connection is too great, and the evidence too abundant, to be dismissed, minimized, or left alone and forgotten. Join me.

This week we examine the nature of temperance along with Socrates and company in Plato's Charmides.   Facebook: https://www.facebook.com/philosophybythebook

Charmides (ΧΑΡΜΙΔΗΣ) is a Socratic dialogue written by Plato which discusses the virtues of temperance, modesty and self control. Translated by Benjamin Jowett. Painting: The Daughter of the Painter by Charles Joshua Chaplin.

Michial Farmer moderates a conversation with David Grubbs and Nathan Gilmour about Plato's writings on poetry, painting, music, and other kinds of art. Stepping beyond the standard "Plato hates poets" treatment, the trio starts with a conversation about the state of literary, visual, and musical arts in Athens, then enters into a handful of dialogues in which Socrates and his interlocutors make a complex array of assertions about the places of music and poetry and such in the good life. Among the dialogues and other realities discussed are tragedy, comedy, Republic, Phaedrus, Charmides, Symposium, and allegory.

Michial Farmer moderates a conversation with David Grubbs and Nathan Gilmour about Plato's writings on poetry, painting, music, and other kinds of art. Stepping beyond the standard "Plato hates poets" treatment, the trio starts with a conversation about the state of literary, visual, and musical arts in Athens, then enters into a handful of dialogues in which Socrates and his interlocutors make a complex array of assertions about the places of music and poetry and such in the good life. Among the dialogues and other realities discussed are tragedy, comedy, Republic, Phaedrus, Charmides, Symposium, and allegory.