Podcasts about OMG

Industrial Talk is onsite at OMG, Q1 Meeting and talking to Steve MacLaird, Sr. VP, Government and Industry Strategy with OMG  about "Delivering industry standard to help businesses succeed!" Scott MacKenzie interviews Steve MacLaird, Senior Vice President of Government and Industry Strategy at OMG, about the organization's role in developing and maintaining standards for various industries. OMG, which has been around for over 35 years, has created standards like CORBA, used in 5 billion devices worldwide. They focus on adaptable standards, such as the Software Communication Architecture (SCA) and Systems Modeling Language (SysML), which have been adopted and modified by NASA and the Department of Defense. MacLaird emphasizes the importance of collaboration with government, industry, and academia to identify and address evolving needs. OMG's standards are free and accessible, encouraging broad participation and influence in their development. Action Items [ ] Finalize the release of the RFP for the Statistics Metadata Interface Interoperability standard. [ ] Promote the upcoming release of the Standard Business Report Model standard. [ ] Continue engaging with government, industry, and academia to identify their needs for new standards. Outline OMG Q1 Meeting Introduction and Purpose Scott MacKenzie introduces the Industrial Talk Podcast, emphasizing its focus on industry innovations and the people behind them. Scott thanks the audience for their support and highlights the importance of problem-solving and collaboration in the industry. The podcast is broadcasting from the OMG Q1 meeting in Reston, Virginia, and Scott encourages listeners to visit omg.org for more information. Scott introduces Steve, the senior vice president of government and industry strategy at OMG, and sets the stage for a discussion on government and industry strategy. Steve's Background and OMG's History Steve provides a brief introduction, mentioning his role at OMG and his responsibilities in government, industry, and university engagement. OMG has been around for over 35 years and has developed standards like the Common Object Request Broker Architecture (CORBA), which is widely used in various technologies. CORBA is used in numerous devices, including cell phones, laptops, submarines, and satellites, with over 5 billion instantiations worldwide. Scott asks Steve about the process of engaging with government, industry, and universities, and Steve explains the hands-on approach of meeting people and understanding their needs. Government and Industry Collaboration Steve shares his experience in developing software-defined radios and small unmanned aerial vehicles (UAVs) for the military. He describes how these technologies were used in Afghanistan, allowing special operations personnel to see what was on the other side of a mountain using a laptop and a drone. OMG's standards, such as the Data Distribution Service (DDS), have been adopted by NASA for launching rockets and by the Department of Defense for communication architecture. Steve emphasizes the importance of collaboration with various government agencies, including the Department of Defense, NASA, and the Office of Federal Financial Research. Adapting Standards to Changing Needs Scott inquires about how OMG keeps its standards up-to-date with rapidly changing government needs....

This season, every episode of OMG focuses on a question that directors really need to answer. OMG is written, produced, narrated and scored by Matt Fullbrook.   TRANSCRIPT: Question #46: Are we compromising instead of being intentional? Don't get me wrong: compromise is a useful hack. Both in the “let's make everyone equally unhappy” sense and the “let's shoot down the middle instead of taking an extreme position” sense. And I think compromise is often really appropriate in boardrooms. That said, compromise often turns into a habit, especially in situations where we're really time-constrained…like a board meeting. And doing things habitually is essentially the opposite of being intentional. Are your meeting pre-reads designed to make sure everybody can live with them, or are there certain parts that are designed to specifically engage certain people whose perspectives you'd really like to consider? Are your meetings structured to follow a predictable and accepted formula, or are you creating moments where spontaneity or creativity might thrive, at least fleetingly? I spent all of season 4 detailing conditions that matter, and about which you might be intentional. And remember, I'm not talking about revolution or even disruption. Just intention and habit breaking.

South Korea tries a little martial law, France dusts off the guillotine, Joe Biden dishes out a special Christmas present. 2024 seems to have taken a laxative.Andy Zaltzman is with James Nokise and Ria LinaWhy not check out 15 years of top stories: https://www.thebuglepodcast.com/topstories.Become a paid subscriber - OMG we need you! There are great perks and feel good factor. Also, why not check out 15 years of top stories: https://www.thebuglepodcast.com/topstories.Featuring:Andy ZaltzmanRia LinaJames NokiseProduced by Chris Skinner and Laura Turner. Hosted on Acast. See acast.com/privacy for more information.

In this solo episode we talk about that whole “people don't buy in December” vibe. Spoiler alert: it's just not true! In this solo episode, I'm spilling the tea on the 4 manifestation + strategy codes that have taken my clients from crickets to “OMG, I just hit my biggest month EVER!” We're diving into how to flip the script on those limiting beliefs, align your energy, and take actions that actually work. Whether you're here for more sales, dream clients, or just proof that December can be MAGIC, this episode is your vibe. ✨ Grab your cozy drink, get comfy, and let's make this month (or any month) your best one yet. You've got this, babe! Double Your sales In 90 Days with Manifestation Membership:⁠⁠⁠ ⁠⁠⁠⁠Join us HERE⁠⁠⁠ Follow me on instagram- ⁠⁠⁠⁠https://www.instagram.com/samanthaerincoaching/

The boys drop by for a surprise episode! Omg!

QUICK HITS thanksgiving catchup! caleb had beanless coffee in new york! caleb saw a lot of art with the scientist and then ran into BLACK FRIDAY SHOPPERS. speaking of shoppers, caleb got more PC parts. hooray! if you wanna research charities, look into give.org HIGH LOWS rafe's high-low high: charlie the unicorn series low: neck The post What’s Beanless Coffee? appeared first on rafe hates caleb.

Yacht Rock: A Documentary dropped on Max, UnitedHealthcare CEO assassinated, Britney Spears leaves the US, Eminem's mom died, and Hannah Kobayashi isn't missing anymore. Mr. Methane starts us off with a holiday season message. Despite making $4M/month on OnlyFans, Sophie Rain claims she is a Christian virgin. Drew Crime: Someone assassinated the CEO of UnitedHealthcare. Pajtim Krasniqi's busty wife killed him… and then herself. Hannah Kobayashi has been seen in Mexico. The Black Swan killer is sentenced to 20 years. Music: Spotify Wrapped is out. Taylor Swift, Kendrick Lamar and Joe Rogan are big winners. Billboard declares Beyoncé the top pop star of the 21st century. Sabrina Carpenter has dumped Barry Keoghan. Britney Spears needs attention and claims to be 5-years-old. Valerie Bertinelli can't shut up about herself. Drew and Marc caught Yacht Rock: A Documentary. Nobody can really define the genre of Yacht Rock. This influencer wants to be famous so bad… and the outrage will help. Down goes Clint Eastwood's daughter! Her ex was Jonah Hill's sweaty brother. Politics: Esquire Magazine must not have editors. Joe Biden was led around Angola. Nancy Pelosi and Barack Obama weren't fans of Kamala Harris. Ron DeSantis may be replacing Pete Hegseth as the nominee for Secretary of Defense. Hunter Biden owns un-paid rent. Jessica Simpson is out in public without her wedding ring. OMG. Jessica Alba is also ring-less. There is more to the story of the viral kid trashing Walmart. Turns out she has bad parents. RIP Eminem's mom. DJ Nate is not so sad about it. Howard Stern sucks at basketball. The Detroit Lions and Green Bay Packers brawl tomorrow. What happened to James Houston? Visit our presenting sponsor Hall Financial – Michigan's highest rated mortgage company. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

ANNOUNCEMENTS: Michigan Hockey watch-along tomorrow night. Be here. Kickstarter backers: look for a shipping update soon. Short version is yes you will have them by Christmas but most haven't shipped yet because of Thanksgiving. MGoStore has shirts, books. Things Discussed: Michigan 13, Ohio State 10: You gotta play the game not the board. OMG and KtG are two guys apiece, so if you're seeing five in the box you're running into a seven-man box; you just don't know it. Wink didn't do Wink stuff, OSU's gameplan was to use those opportunities. There were checks on his blitzes and looks all game—he just didn't give them those opportunities. Chip Kelly like Urban Meyer looks where he has numbers and run the ball into light boxes, which is what they did all year (this was their passiest game of the year!). But Urban brought in Ryan Day to not be that. It's not like their pass game was that effective either. It comes down to blocking and tackling. It shouldn't have come to that, but fundamentally is Ryan Day going to catch up to Michigan? Brian's main concern: Michigan's had Hutchinson, Mason Graham…when they don't have super-elite defensive lines can they continue that going forward or do they have to play Ohio State like other teams do? Keep Ryan Day? Would you rather keep beating up on this guy (like one more time) or let Ross Bjork give him a $34 million buyout and hire his definition of a good idea? Brian: It's not like they're going to hire Urban Meyer. Seth: They could literally hire Urban Meyer. Michigan got better on defense when they moved Zeke to cornerback and Paige to nickel. Rod Moore could be the most important guy for next year. Hoops vs Wisconsin: Did Danny Wolf make himself an NBA guy over the offseason? Not ready to say that, but it worked against a John Tonje. Offensive coordinator: Tulane OC Joe Craddock has a good track record of fixing dumpster fires (e.g. at Troy). Toledo HC Jason Candle is in a weird spot where he's too successful in the MAC to move up but not successful enough for more than a Purdue job. Dan Mullen? Pro names also on the list: do they talk to Brian Griese (not an OC) or Byron Leftwich (not currently coaching)? Michigan's priority is finding a guy who will develop Underwood.

This season, every episode of OMG focuses on a question that directors really need to answer. OMG is written, produced, narrated and scored by Matt Fullbrook.   TRANSCRIPT: Question #46: Is the way we do things valuable for our owners/members? We've said before on the show – including a few times this season – that questions about owners or shareholders or members or whatever term is applicable for your corporation...have different implications and flavours in different jurisdictions. Let's also note that we're asking if the way we do things is “valuable” to our owners or members, not whether we're “CREATING value” for them because that implies a positive financial result, which can never be fully guaranteed no matter what we do. Doing things that are “valuable” to our owners or members might include exploring new ideas or opportunities. It might involve carefully navigating circumstances that might lead to disaster. It might involve mundane things like making sure we are being compliant and transparent and all that other good stuff. And if you've spent much time in boardrooms, you've probably spent a bunch of time doing stuff that your owners or members might find…let's say confusing. Not that the time is wasted exactly, but maybe you've gotten fixated on a relatively inconsequential detail or circled around an issue a bunch of times without managing to make a decision. Not bad, but not great. But sometimes it can be helpful to imagine your most significant owners in the room and ask yourself: “how impressed would they be by the way we do things?”

If you're a regular listener of the show then you're familiar with today's guest, Lisa Graves. In addition to being one of my favorite people, she's also one of the most brilliant. She's currently Director of TrueNorthResearch.org. but appears on this show in her personal capacity offering facts and opinions based on her unimpeachable experience working in the DoJ under AGs Janet Reno and John Ashcroft, in the Senate Judiciary Committee as lead counsel for nominations and so much more. True North Research published a primer on what is now likely the playbook for the D'ump 2.0 administration, better known to us all as Project 2025. It's at Project2025Admin.com and includes a profile of Kash Patel, who D'ump has suggested he'll appoint to lead the FBI. OMG. And the EXTreme Court hear a case this morning -- US vs Skrmetti - about whether Tennessee's ban on gender-affirming medical care for minors violates the US Constitution. (Watch out, this slide is already horribly slippery.)

Hi Listeners! You'll love today's story of triumph and humor! Dave Mowry shares his vulnerability story about his journey with lifelong Bipolar Disorder and Severe Anxiety. From losing his home and job to writing and helping others in their own similar journeys, he found that using humor gave him so much healing. Dave's book, "OMG, That's Me" available on Amazon. www.bphope.comwww.davemowry2@gmail.com#applepodcasts #ineverknewbutmydogdidpodcast#lifecoachmaureen #inspirationalstoriesBecome a supporter of this podcast: https://www.spreaker.com/podcast/i-never-knew-ink-but-my-dog-did-by-lifecoach-maureen--5602763/support.

This week we discuss Steak-Umms.  We also had other things to say, but really, I think that is what is important.  Also the person that is writing this got lazy and kept the notes short this week. Check out our merch and support the show! https://potatothumbspodcast.threadless.com/  OMG we have a Discord! https://discord.gg/SYvh5jvsSH   Email Us PotatoThumbsPodcast@Gmail.com   Twitter https://twitter.com/PotatoThumbs   https://twitter.com/FluffyFingersMD   https://twitter.com/AdmiralNips   IG https://www.instagram.com/fluffyfingersmd   Spotify Playlists Day 1 Playlist https://open.spotify.com/playlist/3u37PzeFv04b3z6Uq5voCO?si=3c52ad41c94348a1   Day 2 Playlist  https://open.spotify.com/playlist/65jrMS8NSxNW5I9IG27drM?si=500a009043b74a17   Day 3 Playlist https://open.spotify.com/playlist/2B3PydCdAhKvhdKfqssRIK?si=6d9adeba01d946eb   Day 4 Playlist https://open.spotify.com/playlist/3R7SI6NNuWw1UPJ2bwN0sk?si=644ac043acb34d7b   Day 5 Playlist https://open.spotify.com/playlist/27acHFnmTbgDoHbXdTLeV8?si=5aa06b2715904062 

Omg omg omg week 2 of all the abstract expressionism drama!!! Come join us for this weeks episode on two bodacious babes of 20th century art!!! There will be retelling of poor times in the past, there will be cackling, there will be drama, and there will be shit talking on art historians GOD DAMNIT! Alright!!!  WE LOVE YOU SM!   the Baroque B's

**You can do it!** • Du willst auch einen Brief an Dein früheres ICH schreiben? Ich unterstütze Dich gerne mit meiner [Vorlage](https://go.femschool.de/brief-an-dich-selbst/) ❤️ • Finde Deine erste Kund:in in 30 Tagen mit Instagram: [Jetzt loslegen!](https://shop.femschool.de/easy-insta-sales/) • Verwandle deine Selbstständigkeit in ein zuverlässiges Einkommen: [Komme in die Mastermind!](http://https://go.femschool.de/esm) • Bleibe motiviert – jeden Tag: [Abonniere unseren Newsletter](https://go.femschool.de/newsletter) • Folge uns auf Instagram: [@FEMschool](https://www.instagram.com/femschool) **OMG wir feiern die 100. Folge!!!!** … und anstatt immer in die Zukunft zu blicken und zu sehen was wir uns aufbauen können, möchte ich die heutige Folge nutzen, um dankbar in die vergangenheit zu blicken. Mit einem Brief an mich selbst vor 10 Jahren. **Themen:** • Brief an mich selbst vor 10 Jahren • Mindset stärken • Depression überwinden • Beruflicher Wandel • Work-Life-Balance als Mutter • Selbstständigkeit ohne Vorbilder • Kochbuchautorin & TV-Präsenz • Kooperationen mit Großunternehmen • Entscheidungsfreiheit als Schlüssel • Authentizität statt Perfektion • Selbstfürsorge & mentale Gesundheit • Vision als innerer Kompass • Gelassenheit entwickeln • Eigene Intuition vertrauen Wenn dir diese Episode gefallen hat, abonniere unseren Podcast, hinterlasse eine Bewertung und teile ihn mit deinen Freundinnen. Besuche [FEMschool](https://go.femschool.de/) für weitere Ressourcen und folge uns auf Instagram für tägliche Inspirationen und Tipps [@FEMschool](https://www.instagram.com/femschool). [Impressum](https://femschool.de/impressum/)

Get ready, because we're diving into something that might surprise you: how being “nice” and people-pleasing could be slowing down your weight loss journey. Yup, I said it! Being too nice can add literal weight to your body. In this episode, I'll walk you through how to fix that!We talk about those sneaky situations where you say “yes” to the second glass of wine or the bread basket because you don't want to rock the boat. Or when you feel guilty saying “no” to dessert because, OMG, what will people think? Girl, I've been there—and I know how exhausting it is. The truth is, every time we people-please with food, we abandon ourselves and our goals. Learning to say “no, thank you” is like a superpower. It doesn't make you a bad person – in fact, it's the ultimate act of self-care. You don't need to explain yourself, and honestly, most people won't even care! We also dig into another way being “nice” shows up: overscheduling yourself. If your calendar is all about making other people happy and you're nowhere to be found on it, it's time for a cancellation tour! You've got to put YOU first to show up as the best version of yourself. Get ready to practice saying no, reclaim your time, and fill your cup in ways that actually serve you. It's time to break free, babe—you've got this! Listen in and hear more about:Why people-pleasing with food adds more than just guilt—it adds pounds, tooHow saying “no, thank you” can strengthen your self-trust and honor your goalsWhy being too “nice” on your calendar is a recipe for stress and pantry raidsHow a cancellation tour can open up space for rest, joy, and true self-careWhy guilt isn't always yours to carry—and how to hand it back to cultureBusy moms need something different when it comes to weight loss. And that's why I'm so excited for the Yummy Mummy 3-step plan to lose weight WITHOUT calorie counting! This offer is now available for only $37. Inside, you get a custom plan to balance your hunger hormones so you won't need to do shit you hate to lose weight. So get your booty over to lauraconley.com/calorie to get your plan today! Hosted on Acast. See acast.com/privacy for more information.

This season, every episode of OMG focuses on a question that directors really need to answer. OMG is written, produced, narrated and scored by Matt Fullbrook.   TRANSCRIPT: Question #45: Is the way we do things working for management? Today's question kinda revisits what we talked about back in episodes 214, 215 and 216, except at this point we've answered a lot more questions that will help us do a better job here. Even though for the most part I work FOR boards, it's most often management that reaches out to me first. In part it's because there's no really useful playbook for CEOs and other senior executives to get the most out of their boards. In part it's because executives ultimately have to live with the work product of board and committee meetings. And in part it's because the very construct of boards and board meetings – as awesome as they can be – is a weird distraction from the way executives really add value from day to day. And it can be hard for boards to fully sympathize with the experience of their senior managers – even when the directors themselves have lots of their own experience as executives. Today's question – asked every once in a while through a lens of curiosity – can orient the board's attention toward the consumer of their work product and potentially reveal interesting questions, insights and even opportunities to make things a bit better. Ultimately, the CEO is our employee and as such we're responsible for empowering them to do an awesome job.

OMG! We're back! once again Paul and Greg attempt to reinvigorate their podcast. This time we're kicking it off with a wild movie, Meet the Feebles! This 80's Peter Jackson indie a puppet movie like no other. Before that though, lets welcome George! Paul and Greg felt they needed another person and they brought in their good friend George! He helps us get through this wackiness as we discuss multiple awkward scenes, Peter Jackson's lounging proposal of this movie, the best place to hide your passwords, and gush over one incredibly well done, but still made with puppets Vietnam flashback! all this is and more! And soon check out the video cast on our YouTube page!

Andy is with Felicity Ward and Hari Kondabolu, to review COP, the latest ceasefire, and if there are any jokes that can be made about assisted dying. Sounds bleak, right, WELL YOU'RE WRONG! Plus there's a new Bugle advent calendar!Become a paid subscriber - OMG we need you! There are great perks and feel good factor. Also, why not check out 15 years of top stories: https://www.thebuglepodcast.com/topstories.Featuring:Andy ZaltzmanHari KondaboluFelicity WardProduced by Chris Skinner and Laura Turner. Hosted on Acast. See acast.com/privacy for more information.

OMG this has episode has been a beast to get right! First only 3 minutes uploaded and then I uploaded an unedited version apparentlys....sigh! Here's the one it should be! And I am not putting all the resources back in the show notes...just trust I didn't steal the material from another podcaster...I'm sorry this particular episode has been a struggle to get out!Become a supporter of this podcast: https://www.spreaker.com/podcast/beyond-the-rainbow-podcast--4398945/support.

The book was fictional, but a perfect reflection of the treatment I had received since arriving to New York City; nothing was free, and it was almost as if the incessant hazing, entrapment, harassment, and terrorism had been at the cost of my own clarity— no longer could I trust another human being, ever. if these fictional ballerinas could do such horrible things to one another, what could their equally as devious adult counterparts do in order to disarm a potential threat—and if this was the simple and evil way women dealt with one another on a competitive level, how much potentially deadlier could make adults be in targeting potential peers, especially of opposite genders, and particularly—of thr opposite race. I wished race had no impact on anything, but in the United States, as the underlying cause of all conflict, it actually seemed to be at the root of everything. Next was money, and it would be ignorant to say that the two hadn't become so drastically intermingled with each other, the least of it belonging to colored people, and the most of it belonging to the dominant source of global power, the whites. Still, the way that people seemed to move was almost a color coded system in itself, and it seemed as though the pawns most often moved around the map in certain ways were almost always one thing or another, and now, understanding the way that politics were more likely than not conducted in this same way— I had collected, by studying the personal-professional lives of fictional adolecent ballerinas, I kept my head down, and my nose out of it—with no intention at anything besides getting out of New York alive, and put together—knowing that the possibility of my making any real money at all might have been some sort of threat itself, to any opposing party. The whites, as it seemed, would only ever be comfortable in a world where they had more, and better—at all times, and always. Nothing any colored person could ever come close to what they had maintained as their own world; everything was a system kept intricately in place—movement outside of this grid of power was not only forbidden, but nearly impossible. Especially on the grid and especially above ground, which almost everything was. Death of A Superstar DJ. [Hanz brings Gretl into his lair, where he co ducts his experimentation in creating “Ze Deepest Bass” Zis makes ze vierd sounds, yes. Yas, Very vweaird. [He presses a button which activates the system to begin playing the severely awkward sound of a Dillon Francis bass drop; embarrassed, he immediately switches the power completely ‘off'.] Zis is stupid. I'm sorry. Vwat vwere you sthinking? I wvasn't. An entire laboratory of sythezizers, and you've wasted it on this abominable— {Enter The Multiverse} The terror tactics began to become next level; though certain sounds were inaduible by my phone recording, they could still be heard and sensed by vibration within my body; an engine had started and had yet to stop, positioned behind me—and though I knew already that the terrorists were more than likely Americans, the tasks themselves were carried out typically by the black and brown underlings, almost with the intention to hide the fact that these commands were coming from a higher source of power; the illusion however could not be made that these kinds of terror campaigns were of course only carried out by the military itself, or another organization; that the men driving the cars and sent about on motorcycles were following orders and being paid by the military themselves. It was psychological terrorism, but because of its being carried out in New York City, it was almost the easiest thing to hide, masquerading the terrorism as the normal sounds of an only partially gentrified busy intersection—but I knew better. I knew that my phone and documents had been compromised long ago, along with my emails and messages— and I knew that, depending on what I was doing, where I was placed in my apartment, or even what I was writing, the incessant engine reving, the motorcycles racing up and down the block or otherwise just in circles, the cars honking and other sounds made with the direct intention of intercepting my personal frequency—was tactical warfare. Once the recording of these events became frequent enough, the sounds had moved only just further away as to be still audible and to disturb my peace, but just out of the range that my iPhone could continue to gather evidence to take to court against the owners of the garages, the city, or even the property management, for having not maintained the peace in the area surrounding their buildings. Still, it was of no coincidence quite obviously that I had been placed here purposely, and that the carlot, the motorcycle garages, the car garages and their respective car clubs, and the auto repair shops all adjacent and within dysfunctional earshot had been created after the year in the homeless shelter where it had been gathered, my sensitivity to sound and synesthesia could be used as weapons in order to dismantle and disable me. The moral reprocussions of these ugly little men on bikes or the even uglier ones in cars were none more then the soldiers that were just as often placed on the front lines of any war— a tactical betrayal of peace and freedom, I could only gather that this operation perhaps intended to pursuade that I should abandon my creativity and instead pursue with passion the humanitarian interests I was capable of, or maybe even political, however—because these things were being carried out in such an in humanitarian way, I became less interested in anything having to do with it, and it only made them more stupid and dirty, lowly and evil like the snakes they were, now that I had rearranged my furniture to always have my backs facing them. Now, not only were they below me, but behind me; once and for all positioned in such a way of knowing that everything they did on the outside of this apartment was underhanded, cold and treacherous, and against the forces of God and of nature. My right to peace and privacy has been violated, and now, worse, my body had been attacked. They were no better, no smarter, and no more powerful than the weakest men on earth—men who could do nothing themselves, but be made to do by others, subsisting entirely by consumption— the product of the light and enchantment had had been wasted with the minimal effort of having created such as these, otherwise useless creatures. The less I chose to interact with people on this level, the less opportunity it gave them to attempt to penetrate my mind or dismantle it am any way, psychological or otherwise. I had become seemingly erratix and unpredictable, moving about at times and in directions that couldn't necessarily be pinpointed— but the more time I spent away from these hostiles, the less erratic I actually was, able to think with clarity and move with stealth, only appearing at the surface for air every once and awhile, and realizing how remarkably desperate the groups that had been stalking and harassing me for to get my attention. It must have been military, and being stalked particularly by men not just simply smoking cigarettes, but intentionally going out of their way to smoke them and blow the smoke into my face— people almost needing to catch up with me or end up in my line of sight and however, it had become easy to avoid them, finally having realized that at this point, most of the time— even I didn't know where I was going. My dismissiveness made me harder to track, and my indecision had suddenly become an asset. I was always ahead of the people who were sent after me in one way or another, and besides the plants in my own building, making themselves obvious as gangstalkers by their particular way of dress and behavior— it was impossible for anyone to understand my way of thinking anymore, because it wasn't in a straight line, nor was it on any grid of systematic standard. I was almost always offline, and off grid, which meant that the people who were online and on grid were of greater number, and more predictable — instead of being moved around, I was the one moving things. I knew that anybody with a cellphone—almost everybody— had to have been connected to something—something that I wasn't connected to, especially moving about, and so the movement and frequency of these beings differed so greatly from my own it was as if playing a two player game in which the other player is simply a computer. The algorithmic nature of things just as often caused me to think about Joel Zimmerman as it did anything in life, and it was just as likely that the more time I spent thinking of anyone or anything fondly enough, then would appear in public anyone that looked just enough like them to momentarily trick my brain out of reason, and typically even more a tiny blonde girl just beside them to remind me of the pecking order of the evil world. The lightheartedness of being ideal in any must be so attractive to the male psyche that its dominance over the structure of the human species will forever stay unmoving. —Tales of a Superstar DJ. MOOOOOOOAAHAHAHAHAHAHAHAHAH! NOW THAT I HAVE THE PELOTON BIKE AND THIS JUICER, THE ENTIRE WORLD WILL BE MINE! AHAHAHAHAHAHAHAHAHAHAHAHAH!! You are psychotic. You think I'm psychotic now—just you WAIT. (I also have a pink treadmill) AHAHAHAHAHAHAHA—MOOAAAAHAHAHAHAHA!! Dang girl, chill. I WILL NOT CHILL. YOU CHILL. I'm going to be so devastatingly effing RIIIIIIPED! Srsly. Some.. uh.. Houseplants… Like, a shag rug, Some blackout curtains— Minimal effort here. Uhhhhh. What are you doing? I'm fung shueing. L E G E N D S Last night I slept totally in the nude; Of course, leave it to good old fashioned good timing-/— The return of the hellicoopyer, and whatever's at stake with it No time to breathe, I'm having a spiritual experience on the cycle bike No time to lose— That's right. About face Walk away It's central intelligence Too much sweat in my palms To use my palm pillow? Hi god I love you God knows my timing, Lord know me well Don't tell me it's a writing assignment Really, yo I'm just here to spectate LETS GO! LETS GO!!! If you're not early, you're LATE! Okay, okay. Make my bed, wash the dishes. 2X202-ST5, Aphex Twin Either way, it's a pit of snakes Either way it's a den of wolves Either way it's a rat race, on my way somewhere else, I don't know how to go under the radar. You look ridiculous. Good. Are you sure this is the right place and time. I'm pretty sure that's my eye, up there. CBS Television Studios( New York City. Jesus, oh, Jesus Christ— Just for the ride; I asked nicely— …are the police here. No. Okay. Thx. Terminate, terminate— Hesitate a little. Turn your head around, a mate A million, a mile a minute Temper, temper Remember your severance Remember you made it Remember the parade and what day it's on Who makes up holidays anyway? Banks. Cool it, on your woodwind, would you Smells like barbeque, And I called it Forget to light a candle Summer winds, summer winds With your blood on the ceiling Remember who it is when you get there Hit me one more time Like the nightmare— Way up high I guess; Way less impressive, your crucifix I don't trust nobody with two first names, son So let's try the one With a traditionally masculine. So let's, So let's. Let's try the brown eyes on next, shall we. I like these. Same as. Wonderful, really. What's next. Hands, I think. Eyes, and then hands Ryes, and then hands, Eyes, and then hands Would you get the fuck off of me? I'm. Going to pay my tithes early Get the fuck away from me, you absolutely inferior rodent. At least I'm cognoscenti. I'll actually fucking kill you, And if you come back, I'll kill you again. Damn, I almost wish I was a lesbian. Nothing? Nothing yet. GODDAMIT. What. What do you actually want from me? I told you don't be late. What the fuck are you wearing!? Progress. Ough! —and jewel tones. The fact that I'm not wearing makeup, Could easily be hidden, With larger frames, And a little less giving a fuck About fashion instinct, And intensity The ce el.followed me all the way to the L train; Don't bother me none; She needs somebody, And all I need is a one hour slot, On Comedy Central. Somebody get this robot out of my peripheral. Somebody get the paramedic stat! What happened!? He thought it was payday and it's actually next week! 911– what's your emergency! Quit playing with me. Always look at the way it matters less When you lay attention to the face, and the stance— And it matters why she's mad at me, when after all these years, after all The veil has been lifted, but the mask hasn't And I just happened to make way to the goddamned Goddammit The mansion. So they said they'd give you a million dollars, just to— Yeah. What'd you— No. You didn't. No. You thought I would? Are you ready for wisdom and witches And wishes galore? Not yet. I asked for a prayer and “You're pitiful” —proud as pitaya, But I prefer Açaí, And after all Either one or the other is better than pina colada But of course, I'll take it If the other refreshments Are unavailable What the fuck is that in reference to? Nothing, probably Let's just be honest, I'm not getting In anywhere dressed like this in LA; Which is why I did it— And brought an extra set of clothes just in case Click my heels, two times Who farted. It's the subway; Pick any three people, and you'd probably be right This is hilarious. I ride the subway to Manhattan around lunch time, and it was mostly just— White people on vacation. lol lol Here's the trumpeter counting his money; Here's hoping he plays something Conveniently losing my cash . Means he's missing a dollar The way to the market makes subway trains unbearable, Which could only mean one thing l— Getawayfromme. Sing it! I'm intolerably horny most the time, And that counts anytime between now and forever So the Jptown a it is. As the train rolled slowly into Columbus circle, I started to get that feeling again— the same feeling I had the other night on the way to the comedy club, as if I was about to go on stage. I wasn't, and this, if anything was more of a consumer experience mainly meant for my entertainment, but still, I had butterflies— and there was no reason for them besides not having had any water— I wanted to make sure I had no need to run off to the restroom, either on the way, or during the taping , and— If anything. SOME BACKGROUND MUSIC!! Congratulations, you actually made it somewhere— Anywhere in New York City, On time. ..:I was on time to my stand up show. Exactly. MWAHAHAHHA!!!!! At least you laugh like a real villain, bro. I don't know what what's in reference to— Me neither. Now where was I…? Thank you. Everywhere in New York City is exactly one hour away. Even in midtown— Even in midtown. I told you they're all the devil. That's kind of incredible. Or god Liz Or, it's one in the same l. I might not ever make it on television— Even the assistant is gorgeous, (And majors in engineering) Somebody tell me why it's 100 degrees in fucking October! Global warming! I told you already l! What about the ice caps?! I TOLD YOU THEY MELTED!!!! Then again, Really kid— five o clock shadow at 1:48 in the afternoon. This is Telivision. It's a little ridiculous— Whose kid is this? If nobody claims him, I'll take that instead of lunch. How were you planning on lunch with it your wallet? I wasn't— But suddenly i'm hungry… Shut up! I used to get paid for this. I still do; watch this. I just realized, that I'm not having a good time I am method, so just— try to remember that. Where did the husbands come from? I was just in a room full of women— Now where am I? Remember the portals, and remember the Tenements, tenements— Tenements, tenements!? Old New York. What the fuck ever. Omg is the lady behind me possibly pregnant— And if she is she's keeping it— But she doesn't see herself being with the guy— “He's kind of affermenante” What? “He doesn't have that like, Charisma” I told you I still can get paid for this. Appearances, appearances, Charisma, Charisma So— its voice activated— And then once so many cell phones like, Detect my voice, a small signal is sent to that phone To make them start coughing. We can only assume that what is happening? Almost no one was coughing Until the banter in the bathroom I love this demographic of demigogs And badic bitches And tenements And tenements In intimate settings— OLD NEW YORK. How old Well, there are the tenements. We never really grow up, so we? We never really show out— Goes to show for sure I am indeed a God; For as soon as I walk in— They all start coughing. Where did the husbands come from?! This was, I promise you, an entire room full of women. THERE HE IS. GET HIM. GET THE FUCK OUT OF MY KITCHEN! But—I didn't do anything! GO! Multiple steps in the directions of the Gods; Nothing to lose, but getting lost In the buildings and the tabletops The shadows of the others; Supposedly blocked into our time Blacklisted in hesitation that I could One day Very nearly and dearly Wish for something other than the best for Everyone involved, However I say no, For one million dollars only is a very small sum In accordance to the torture and disorder in the chaos I've come on here And here it is ; Again, Something to live for Something to love by Something it get into go for it, There was nothing other than the storm to come And yet A pool of course, You wanted full force for under The wind blows south And gone so deep under the water, There's no terror system! Here it is! All are actors, The world is a stage and yet, You fear it There's no conforming, Just admittance I came to get the app with the DJ's jumping off boats That's it. That's it. That's what I came for. Move still! Be you mad! I am mad, and envious of thee here, knowing not what I know and— Doing nothing in the midsts of my heartache, None glory being this, knoelege and yet Without wisdom The feeling of teeth sinking in, Hind legs ready to run, Water under no northern skies, But droughted— And mine, the thought of l weary skin The keeping of Times Times Times Tenements Times, Times, times- a Tenements Times, times times Percius, be you still? Still I wait. No honor. No judgement, mine is. There was no gain; There was no wise knowledge There was no wise for wisdom The times here The times here And even when you want to stop recording Turn your phones off— Even when you want to stop You keep rolling until the very last The very last The very last minute. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

QUICK HITS HAPPY THANKSGIVING AND BLACK FRIDAYYYYY. ever thought of having raccoon instead of turkey? rafe talks about her romance novels like glint (raven kennedy) and the monsters night trilogy. caleb spills about the secrets of world of warcraft green motorcycle mount!?! HIGH LOWS rafe's high-low high: reading low: tough conversations caleb's high-low high: computer The post Holiday First Aid appeared first on rafe hates caleb.

It's that time again! It's Neatvember! Adam is back to chat about all things OMG. You have probably heard about "/save" but what about "/spend"!? Martin was away so we snuck into Obsidian corner! (Don't tell him please) Using Apple Podcasts? All notes can always be found here (https://listen.hemisphericviews.com/125)! AIFF, IFF, and WAV 00:00:00 IFF (https://en.wikipedia.org/wiki/Interchange_File_Format)

1/ SHARIF. Amor y morfina. 2/ SD KONG. Apollo 33. 3/ RAPP GOTTI & BISHOP ONE. Kwisatz Harerach. 4/ FLAVIA BEAKA. Fuck fame. feat FAENNA.5/ FAENNA & MANU BEATS. Aléjate. 6/ CANCHALERA. Panes y peces. feat. Jakob y Fran Pizarro. 7/ SOCIO EJECUTOR. 5J. 8/ NEJMA NEFERTITI, DOBLE A.B. & DUB SONATA. Cats. 9/ AB SOUL. California Dream. feat. Kamm Carson y Vince Staples.10/ Jack Harlow. Hello Miss Johnson. 11/ KENDRICK LAMAR. Man at the garden.12/ CORDAE. Saturday Morning. feat. LIL WAYNE. 13/ 7xvethegenius. Graymatter. 14/ PHILMORE GREENE. OMG. 15/ ANDREW NEIMAN & TAKER PRODS. No son barras. feat. Svfo y Jch.16/ VIRUTEN ROI-ELSSO RODRIGUEZ. Joint#2.17/ CHACHEBLACK - GOSPEL BOYZ FT GUDSON x KAVA DELAJOSE x MEICK MF.Escuchar audio

“Seth Meyers And the Cauldron of Doom” OMG— YOU have a cauldron of doom?! I have a cauldron of doom!!! DO NOT SHAKE THIS SNOWGLOBE. I had been avoiding Rockefeller plaza for months as it was, without the sometimes accidental ending up there anyway, and I thought not once but twice or three times about changing into my regular pants so that the deep pockets could hold my keys and passports sans wallet— or a purse and considered taking a notebook as well; on the list of prohibited items were backpacks and large bags, and though the dress code seemed to be null in void at all, I was happy to be able to wear my hat at least— and almost prepared to be dogged out, the last min it e change into my harem pants would probably be the comfortable choice; looking intentionally dressed down as a statement—a broad statement that I wasn't looking to be noticed at all, or trying to be noticed. The guest for the show was nearly an EGOT winner, probably younger, and definitely skinner and more beautiful than I was; a black woman, but a British woman, and it would be almost entirely impossible to think that besides Whoopi Goldberg, an American black woman would strive to win such a thing as an EGOT herself. Still, I was looking for a cure to the writer's block and crippling depression that I had been in, however—knowing who the president of Peacock was, and after the elections at all's though I knew NBC to be left-leaning— I didn't feel at all as if I would ever belong on the stage, and was quite happily taking my place as simply a fan…and audience member, though ready to creep back into obscurity, and probably more likely than not with a pint of Ben and Jerry's after the show. I had gone to see Drew Barrymore sand makeup, and would do the same, but only as a proclamation that I had read Tina Fey's book nearly religiously now rounding three times, and I almost wish I had an oversized black t-shirt which read “hot water heater” to accompany my lax look and blonde hair—a testament to her correctness standing, as the grossities of tinder loved “the blonde”, almost as if, without the hair I would be ugly, and just as much in the same breath, unworthy of such status anyway. But more than anything, I just wanted to be able to write again, at least for my own sake, and certainly not for anyone else's. I was still in hiatus, for the better, and had not completely recovered from the unbearable racism and parallel of doom the election had tossed me into with trajectory—in this world—supposedly “fascist”. I was comfortable enough in the jeans, but had nowhere to put my phone. I was ready to be dogged out and shown what a real a list celebrity looked like, and why I simply wasn't one. I left the house with a sink full of dishes, an unmade bed, and a pile of laundry unfolded—a pile of books in boxes I had collected for my son but would cost too much to send—almost as a testament to his sick I had been since the election. In this world, I was just another poor black fat single mother— a dead beat living in poverty. In trump's world, I was an ugly, poor nothing. Everywhere I had gone about the past week, the rich seemed richer and the poor poorer, the whites whiter and the blacks blacker, good gone and evil fleeting, with the return of the motorcycles and pieces of me dying, simply giving up. I planned my return to the workforce, and the eventual fortitude of my freedom; the wealthy had become more arrogant, and the rest of us more distraught. What was I going to rocketfeller plaza for, anyway? The news. My apartment was disgusting, but at least I had been to the gym—I had run the full mile and lifted and pulled, all with the gym to myself. My harem pants still felt even better, and for the first time in me months I ventured into the world in only one waist trainer. Be prepared to be [lost in a revolving door Be cool to the two dudes in blue suits goddamnit I never know where I'm going in this bitch. I can never breath in this bitch and I don't know why. How do you get lost at the rock? Like this: [Infinitely Lost at Rockafeller Plaza] This is why I avoid this place like the plague. Maybe I'm the plague. First of all, there's no track on the floor upstairs. (I've never been upstairs.) It's just store after store of ways to spend money. This is my only pair of clean socks. No shit, this is the reason practicing your mantras on the train becomes dangerous. DANGEROUS. Somewhere in the frenzy, I remember this. Frequency, however, Not yet partial to my own inner self, and empty in the array of superstardom, I become nothing, Only a spectator of celebrity— And now, suddenly. 8 remember this day Why? Suddenly, now, in the Is moment. Where I always have been, waiting for myself— I avoid Rockerfeller plaza at all costs. Why. I heard a grimlin lives here. Now is the time for Skrillex! I would really love you forever if you didn't. Que the Arc! Oh boy, this writer's block is a doozy. The only reason I had even bothered was because it was as if I had been summoned, as if something had clocked in my sense memory where, all of a sudden, looking at an unrelated picture of some kid on Tinee, with his hands covering his mouth the way that Stefon always did, made me immidiately stop whatever I was doing—probably eating tacos or pancakes, insurmountably out of bounds— and pausing the comedian I was watching instead, just to watch Stefon, and in the way that I remembered it all, it made me laugh. Although now, I knew exactly what he was talking about by the avant-grade and strangely abysmal club scene not just of the time, but of any time in New York City— and, somehow summoning a laugh even in the darkness that had been my own distraught and depression in the previous weeks, something of a belly roll laugh might have triggered something in the alrgorithm to send last minute tickets to my email in almost that exact moment. Are they going to tell me to take off my hat?! There was no dress code, They had better not tell me to take off my motherfucking hat. I won't do it. Fuck Seth Meyers . I'm not taking off my hat for Seth Meyers. Oh yeah. That's why I'm here. I found it hard to say that I was there for such a thing; I— I turned off my peripheral vision and hyperfocus. I didn't know there would be music. Goddammit. I had deleted Shazam filming for I love New York, an all but abandoned project—the writer's block had been too real, and now the real rest had come—would I laugh at anything in show show when in reality I wanted to cry? The way the lights kept going up and down as if it were intermission only slightly distracted from the fact that I had never seen a page in real life. THEY EXIST . I had never seen an actual NBC PAGE. GODDAMMIT GET THIS BLUE SUIT LOAFER WEARING MOTHERFUCKER OUT OF MY PERIPHERAL BEFORE I LOSE IT. Shoot a midget at her. What. Just do it. Don't do that. What Don't put the midget in the cannon. What! Thays's what he's here for! I'm a stunt double! This is a stunt. That's a horrible joke. That's not a joke. SHAZAM. WTF IS THIS. Some top 40 bullshit. Good, get it ( I'm never going to have any other l exposure to top 40, ever in my life. ) Congratulations, you've made the A list What?! NO FAIR. What. What does that mean. It means I can't do shit and mandatory attendance to everything. What is everything “Everythin—g.” Man, fuck this. Alright At this moment, I realize I must be some sort of autistic. Let's get this over with… I let the sound of my own mix blare in my ears to drown out the sound of whatever pop singer was on over the loud speakers; I didn't realize there would be music, and I hoped the flutter was good l. Maybe it was the lights, or whatever, but— SUNNI BLU what in the fuck dimention is this . It's the same dimension, you're just drunk. Ah. Now what? I was as uncomfortable as ever, there was a track on the higher level, but it didn't matter, the cattle call was contained inside of velvet ropes— black ones, unlike the typical red ones, and it was at this point I realized that not only had I never seen actual NBC pages— Yo, their skirts are kinda short… RIGHT. I THOUGHT THE PAGES WERE THE PARAGON OF SANCTITY! No, those are, um… Nvm. Maybe the ugly shoes distract from the shortness of their skirts on the general basis. Oh come on, nobody gives a fuck how ugly your shoes are if your skirt is that short! These are facts, Liz. No, I'm serious what dimention is this. I already told you. I had to ask for directions three times just get here. THIS IS MY LEVEL. why is your level on acid. Cause. This is—just— Where I'm at. CUT TO: Jimmy Fallon after Mardi Gras's. Come on that's not fair! {Enter The Multiverse} What exactly isn't fair?! He's in all the scenes. Well, how else are you going to explain a time traveling helicopter?! Got him. THERES MY INVISIBLE MOTORCYCLE. I'm not going to pa— Goddamn it. I'm not going to p— It actually hurt not to write and just stand there; but I still didn't feel like myself—or sound like myself—or look like myself; I was playing a character, I just didnt know who. As I moved forward in line, the music began to fade away behind me and into the nothingness that was whatever was behind, in front of, and all around me. I hated cattle calls, but after all, I was still just a fan and as the world began to fold into chaos, I realized that my pants were falling off of me, though I had been feeling fat, and walking, and running, and cycling, and protein shaking—the only thing that had gained any extra weight was my ass, which was exactly what I was intending on hiding with my same old usual harems. My blonde hair made it so that I stuck out like a sore thumb, but that didn't matter, I was a walking statement piece and almost in a fit of tears just thinking about my own status; the NBC pages probably all had crazy incredible accolades and numerous degrees and achievements—what was I, if anything at all— ? I had put the candles out, but had I left the stove on? Did I really unplug the nail dryer and leave the stove on? I had almost washed all of the dishes, but stopped just short of right on time to leave; my producer brain was on fire and wanted more pancakes, but however hard I tried I could not find where I had placed my EBT card; probably for the better—celebrities didn't carry EBT cards, and even my awkward general being thrown off by the doorman or security— —whichever I wasn't sure— standing outside of the roller rink— probably ice this time of year, by the looks of the Zamboni in the foreground of it… ‘Don't stop writing, no matter what. ‘ Dammit, dammit dammit— That seems inappropriate. I told you to get this motherfucker out of my peripheral before something— Nevermind, don't write that. [redacted] (But imma remember this shit cause it's heavy.) A remarkable and accidental tableau, My feet flat to the floor, as my ankles bare, This is my only pair of hole-less socks. I feel so much better with my back against the wall and Listening to mau5 and, Not giving a fuck about the music playing Or the people watching But keeping it for later Forgetting how to codeswitch, Just an ever so limited existence Trying not to stick out like a sore thumb in the wrong world It's a long way up, But even longer way down, And in all the demoralizing humiliation and emasculation, I realize I'm no man at all, No man at all I realize I'm no man at all, No man at all, No mana I realized my son's Lego Lamborghini should be waiting for me as I returned to my apartment in Brooklyn probably starting but pretending not to care; I winced at everything— this was a dangerous disaster, to even be in the building at all and edging closer to death were the secrets I kept that were not only secrets, but non existences. Nothing in nothing and nothing— Oh shit, is the suffering done? This is the end of the End of the end It's the Beginning of the end It's the end of the beginning This will be the end Of the end Of the end, This will be the end of the end Of the end Of the end Of the beginning Of the end Of the beginning of the end. This will be the end Of the end Of the end Of the beginning of the beginning Of the end of the end Of the beginning Of the end This will be the end Of the beginning Of the beginning Of the beginning Of the end Of the end Of the end This will be the end Of the beginning of the beginning This will be the beginning of the beginning of the beginning This will be the beginning, The beginning of the end This will be the end of the end of the end This will be the end of the end of the end This will be the end (This will be the end) Of the beginning This will be the beginning The beginning of the beginning Of the end My friends. LET US COMMECE! All of it, this is recorded history, Smoke and mirrors, here portions and pardons This is probably why can't breathe at the rock Was I here last time; I choked last time I wrote nothing remarkable at all (Nothing remarkable at all.) I love getting lost at the rock Okay, this is the host— This is the host of the show (I think I lost my lunch before.) I was at a show, I never woke up, Okay; This is the host This is the host (This is the host) This is the host. Cue the Nirvana; Curtains go up, I don't want to see the show, I just want to host it. I don't want to get lost no more On the way to the rock Or the store Cause only one train goes there I wanna climb the straits to the top Get lost at the rock, Guess this isn't he host huh This is the lost god, That was a long walk The top of the rock off is a long jump And I'm still in talks how's every morning Someone told me not to ignore you So, this is the host, huh. Someone told me, go hard or go home (Almost time tknkove) Parenthesises, please and—Parenthetical, hypotheticals and paleontology's, Please, I need a mixologist (And anthologist) Please slow down to peace, Mr poltergeist, Please Mr poltergeist The ghost of Mr giest I'm doing a hiest Please, slow down mister poltergeist, Please for the peace Mr. Poltergeist, Or what have you? How old are you, 40. I'm the whole medium and still, Nice to meat you sir. A house made of mediums I hope that shock, And I hop to the rock there's still something in it A pogo stick Or a poltergeist Slow down, poltergeist. Terrible timing, Victoria Beckham and monsuier, Please Mr, I mean it no more— If I'm Mr ooltergieat (A policeman and polgergeist) Please, sir, no jokes. All sandwhich, no buns and pastrmi, And all the God, I'm going cold, I'm going ghost again And a the god, on all the rocks, I'm going old, I'm going cold again; On all the God on all the rocks, I'm going God, I'm going old again Hold on again, mi got a song again? I'm just a serviceman WATCH OUT FOR THE DOORMAN. MORE FUEL. So all the Rockerfeller plazas on all the earths aim alll yhr parallel dimensions can actually communicate with each other RADIO CITY BABBBBBBBYYYYYYY! OH GOD. WHAT ARE YOU DOING HERE Did you get his dog's name!? I think so. Good. [meniacal rubbing of hands] good. Cue the nirvana. Cue the m— Mitosis. The migos. Nah, I can't catch the flow. There it is. [the flow is a literal] Something medicinal in this meniacal, is this I spy a specscle, monocle— monopoly, Time to go, it's the devil at my left; Time for the fight against darkness, And it all is, Cause this is the ark, Noah This is the arc, God. This is apartheid and apart from that. You're fired. What. You heard me. But—I'm Seth Meyers. That's debatable. I am! I'm Seth Meyers. If you say so. This is nonsense. It's not nonsense. It is nonsense. And it's also impossible; cause this is my show. It's my show, I'M SETH MEYERS. Debatable, Not debatable. I'm ME. THAT'S ME. Debatable. I can't even hear the words, But the bass is so fire, I summon Shazam! …I want a ham sandwhich. Oh good! He's alive. Ham. Sandwhich. What the fuck happened buddy?! Where were you man?! —Zoolander. What. disleylandhamsandwhich. Get him a sandwhich!!!!! YO QUIERO CUBANO. Here's your sandwhich. CUBANO. Remember what you look like Who you are What your place is What you weigh, And Check your status Remember how still started What your mark is And what happened to your wallet; Did you leave the stove on Do you put the show on; Did you miss your mark Your mom was hotter Please remember the circumstances In which you—- [BLACKOUT] After several days gone completely missing, Jimmy Fallon is found under the craft services table sleeping peacefully. The apparatus I entered in with Is not adjusted to this condition The biometrics are non concurrent; {enter the multiverse} I felt tragic. By the time I got back to my apartment, my ribcage was showing again—although I had only been wearing one waist trainer, it was the skimpy one, and it was already wearing, it was after all eight dollars. Really and once and for all, something had come over me at Rockerfeller plaza that I didn't understand. I was more awkward and nervous than usual, and sure that I should have eaten, but couldn't —even after a long gym session, there was no time for food before the show, and I had no stomach for it. I chose to as much as I could ignore the code switching, and the more I picked it up, the further my mind began to drift. —a door slammed. My documents were probably compromised, and my phone hacked which I might have guessed, but continuing the thought I had often wondered how or why anything could have possibly known what I had written, or how—or how anyone would know what I had written, or of the things I had written, and most importantly of all—what did I write?! Most of the previous months' entries into the festival project were a blank, and the time I had spent considerably enough sifting through whatever masked man acting in part of Fallon, whoever he really was had been turbulent, as if I had been disfigured to be brainwashed into half a mind—then, slowly peeking back the layers of such a chaotic artifact of time and this, Seth Meyers, to whom now I had become a loyal fan, an actual fan—and had noticed something ingenuously crafted here. A genuine and talented, very kind and gifted man, who was not in any sense miserable or in peril. Peril, so to speak, as I remembered the almost villainous approach that the decent into madness had accompanied this Fallon and his mask, and besides this was the assumption that Seth Meyers, though professionally trained as such, seemed happy. Fallon did not. We had all learned to craft masks in order to protect our inner selves—however, with such a veil lifted as the partitioned screen of all does, this spoke to me with numerous volumes and sometimes even screamed, with the ethics of no worse a gentleman than some surgeon soldier or sailor and no more a nobleman than a king or god itself; I had not been Shocked and all but murmured even to just the slightest gawk of just an awkward cry, a muster of some shallow disaster which had called me to all of them— to whom I had loved and yet somehow not known, at least being here—and here I was, slightly convulsed, bearing no armor and gripping at the fortitude of death's barriers; On wheels with no bearings plummeted towards a forged death of sorts, by my own hands but also at the hands of others, the forgery calling from the halls of a place I had known as once my own fortress; but was no more. I belonged and now, almost with gratitude, to the eye of all gods, and all things that moved. No cherished nature, perhaps, was this into my own eye, but of disgust for what I had not yet accomplished, and still might never— I was a skull and crossbones with no love, and nothing known at all besides my own. —Tales of a superstar DJ “16 Songs” I got it. What's that. The thing that sets Seth Meyers apart from the other hosts. What is it? Seth Meyers is not a host—he's an anchor. Goddammit, you're right . I know I'm right. GODDAMIT. It just took me this long to figure it out . Great. Now how long's it gonna get you to take this thing fixed. Possibly forever. Entaer The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

Last night I slept totally in the nide; Of course, leave it to good old fashioned good timing-/— The return of the hellicoopyer, and whatever's at stake with it No time to breathe, I'm having a spiritual experience on the cycle bike No time to lose— That's right. About face Walk away It's central intelligence Too much sweat in my palms To use my palm pillow? Hi god I love you God knows my timing, Lord know me well Don't tell me it's a writing assignment Really, yo I'm just here to spectate LETS GO! LETS GO!!! If you're not early, you're LATE! Okay, okay. Make my bed, wash the dishes. 2X202-ST5, Aphex Twin Either way, it's a put of snakes Either way it's a den of wolves Either way it's a rat race, on my way somewhere else, I don't know how to go under the radar. You look ridiculous. Good. Are you sure this is the right place and time. I'm pretty sure that's my eye, up there. CBS Television Studios( New York City. Jesus, oh, Jesus Christ— Just for the ride; I asked nicely— …are the police here. No. Okay. Thx. Terminate, terminate— Hesitate a little. Turn your head around, a mate A million, a mile a minute Temper, temper Remember your severance Remember you made it Remember the parade and what day it's on Who makes up holidays anyway? Banks. Cool it, on your woodwind, would you Smells like barbeque, And I called it Forget to light a candle Summer winds, summer winds With your blood on the ceiling Remember who it is when you get there Hit me one more time Like the nightmare— Way up high I guess; Way less impressive, your crucifix I don't trust nobody with two first names, son So let's try the one With a traditionally masculine. So let's, So let's. Let's try the brown eyes on next, shall we. I like these. Same as. Wonderful, really. What's next. Hands, I think. Eyes, and then hands Ryes, and then hands, Eyes, and then hands Would you get the fuck off of me? I'm. Going to pay my tithes early Get the fuck away from me, you absolutely inferior rodent. At least I'm cognoscenti. I'll actually fucking kill you, And if you come back, I'll kill you again. Damn, I almost wish I was a lesbian. Nothing? Nothing yet. GODDAMIT. What. What do you actually want from me? I told you don't be late. What the fuck are you wearing!? Progress. Ough! —and jewel tones. The fact that I'm not wearing makeup, Could easily be hidden, With larger frames, And a little less giving a fuck About fashion instinct, And intensity The ce el.followed me all the way to the L train; Don't bother me none; She needs somebody, And all I need is a one hour slot, On Comedy Central. Somebody get this robot out of my peripheral. Somebody get the paramedic stat! What happened!? He thought it was payday and it's actually next week! 911– what's your emergency! Quit playing with me. Always look at the way it matters less When you lay attention to the face, and the stance— And it matters why she's mad at me, when after all these years, after all The veil has been lifted, but the mask hasn't And I just happened to make way to the goddamned Goddammit The mansion. So they said they'd give you a million dollars, just to— Yeah. What'd you— No. You didn't. No. You thought I would? Are you ready for wisdom and witches And wishes galore? Not yet. I asked for a prayer and “You're pitiful” —proud as pitaya, But I prefer Açaí, And after all Either one or the other is better than pina colada But of course, I'll take it If the other refreshments Are unavailable What the fuck is that in reference to? Nothing, probably Let's just be honest, I'm not getting In anywhere dressed like this in LA; Which is why I did it— And brought an extra set of clothes just in case Click my heels, two times Who farted. It's the subway; Pick any three people, and you'd probably be right This is hilarious. I ride the subway to Manhattan around lunch time, and it was mostly just— White people on vacation. lol lol Here's the trumpeter counting his money; Here's hoping he plays something Conveniently losing my cash . Means he's missing a dollar The way to the market makes subway trains unbearable, Which could only mean one thing l— Getawayfromme. Sing it! I'm intolerably horny most the time, And that counts anytime between now and forever So the Jptown a it is. As the train rolled slowly into Columbus circle, I started to get that feeling again— the same feeling I had the other night on the way to the comedy club, as if I was about to go on stage. I wasn't, and this, if anything was more of a consumer experience mainly meant for my entertainment, but still, I had butterflies— and there was no reason for them besides not having had any water— I wanted to make sure I had no need to run off to the restroom, either on the way, or during the taping , and— If anything. SOME BACKGROUND MUSIC!! Congratulations, you actually made it somewhere— Anywhere in New York City, On time. ..:I was on time to my stand up show. Exactly. MWAHAHAHHA!!!!! At least you laugh like a real villain, bro. I don't know what what's in reference to— Me neither. Now where was I…? Thank you. Everywhere in New York City is exactly one hour away. Even in midtown— Even in midtown. I told you they're all the devil. That's kind of incredible. Or god Liz Or, it's one in the same l. I might not ever make it on television— Even the assistant is gorgeous, (And majors in engineering) Somebody tell me why it's 100 degrees in fucking October! Global warming! I told you already l! What about the ice caps?! I TOLD YOU THEY MELTED!!!! Then again, Really kid— five o clock shadow at 1:48 in the afternoon. This is Telivision. It's a little ridiculous— Whose kid is this? If nobody claims him, I'll take that instead of lunch. How were you planning on lunch with it your wallet? I wasn't— But suddenly i'm hungry… Shut up! I used to get paid for this. I still do; watch this. I just realized, that I'm not having a good time I am method, so just— try to remember that. Where did the husbands come from? I was just in a room full of women— Now where am I? Remember the portals, and remember the Tenements, tenements— Tenements, tenements!? Old New York. What the fuck ever. Omg is the lady behind me possibly pregnant— And if she is she's keeping it— But she doesn't see herself being with the guy— “He's kind of affermenante” What? “He doesn't have that like, Charisma” I told you I still can get paid for this. Appearances, appearances, Charisma, Charisma So— its voice activated— And then once so many cell phones like, Detect my voice, a small signal is sent to that phone To make them start coughing. We can only assume that what is happening? Almost no one was coughing Until the banter in the bathroom I love this demographic of demigogs And badic bitches And tenements And tenements In intimate settings— OLD NEW YORK. How old Well, there are the tenements. We never really grow up, so we? We never really show out— Goes to show for sure I am indeed a God; For as soon as I walk in— They all start coughing. Where did the husbands come from?! This was, I promise you, an entire room full of women. THERE HE IS. GET HIM. GET THE FUCK OUT OF MY KITCHEN! But—I didn't do anything! GO! Multiple steps in the directions of the Gods; Nothing to lose, but getting lost In the buildings and the tabletops The shadows of the others; Supposedly blocked into our time Blacklisted in hesitation that I could One day Very nearly and dearly Wish for something other than the best for Everyone involved, However I say no, For one million dollars only is a very small sum In accordance to the torture and disorder in the chaos I've come on here And here it is ; Again, Something to live for Something to love by Something it get into go for it, There was nothing other than the storm to come And yet A pool of course, You wanted full force for under The wind blows south And gone so deep under the water, There's no terror system! Here it is! All are actors, The world is a stage and yet, You fear it There's no conforming, Just admittance I came to get the app with the DJ's jumping off boats That's it. That's it. That's what I came for. Move still! Be you mad! I am mad, and envious of thee here, knowing not what I know and— Doing nothing in the midsts of my heartache, None glory being this, knoelege and yet Without wisdom The feeling of teeth sinking in, Hind legs ready to run, Water under no northern skies, But droughted— And mine, the thought of l weary skin The keeping of Times Times Times Tenements Times, Times, times- a Tenements Times, times times Percius, be you still? Still I wait. No honor. No judgement, mine is. There was no gain; There was no wise knowledge There was no wise for wisdom The times here The times here And even when you want to stop recording Turn your phones off— Even when you want to stop You keep rolling until the very last The very last The very last minute. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

This season, every episode of OMG focuses on a question that directors really need to answer. OMG is written, produced, narrated and scored by Matt Fullbrook.   TRANSCRIPT: Question #44: Is the way we do things working for my fellow board members? I did a session a few months ago with a group of board chairs of cool complex organizations. I made a case to them – similar to the one from the previous episode – that each person in the room has different needs and preferences, and that an important part of a board chair's work is to understand those needs and preferences the best they can and be intentional about giving directors opportunities to thrive. One of the participants had a very sensible question: “aren't directors supposed to do what they need to show up ready and willing to do the job well?” My response was that it HAS to be a both-and situation. As in, it's true both that the directors need to be as ready as possible to do an awesome job AND that an important part of a chair's job is to do what they can to empower board members to thrive. But why should it stop with the chair? Let's say you notice that one of your fellow directors is always too cold or too hot. Or that someone is struggling to understand a particular technical topic. Or that someone rarely volunteers to participate even when they likely have awesome insights to share. Or whatever. What could possibly be the downside to taking steps to improve the situation for your peers and increase the probability that they might be the best directors they can be?

In the latest episode of Asli Akhada, we dive into the Bloodline WarGames match one last time before Survivor Series. Will Seth Rollins' involvement alongside CM Punk, Bronson Reed, and Roman Reigns create chaos? We analyze CM Punk and Paul Heyman's roles and their impact on Roman's dominance. Who will take the pinfall, and what could the OMG moment be? Plus, we discuss the chances of The Rock or Brock Lesnar making shocking returns during this high-stakes showdown. Don't miss it! Language: Hindi

Find my Dilbert 2025 Calendar at: https://dilbert.com/ God's Debris: The Complete Works, Amazon https://tinyurl.com/GodsDebrisCompleteWorks Find my "extra" content on Locals: https://ScottAdams.Locals.com Content: Politics, Optimist Longevity, Mars Water, Battery Technology, AI Future, Presidential Cabinet Loyalty, OMG, Kamala Campaign, Anti-Woke James Carville, Anti-Tesla Law California, Anti-Trump Lawfare, Kash Patel, Military Recruitment, President Trump, Trump Fentanyl Strategy, Tariff Strategy, Anneke Lucas, PDB Interview, Anti-Racism Training, Government Family Policies, City Futures, Scott Adams ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ If you would like to enjoy this same content plus bonus content from Scott Adams, including micro-lessons on lots of useful topics to build your talent stack, please see scottadams.locals.com for full access to that secret treasure. --- Support this podcast: https://podcasters.spotify.com/pod/show/scott-adams00/support

OMG! OMG!We are spiraling!!!!!Sarah brings the latest news on Vanderpump Rules!Congrats to Kristen and Luke!Follow us on Patreon!

Amy Reynolds, Keith Huewen, Renita Vermeulen are joined by Crash.net's Pete McLaren for the 2024 OMG MotoGP Season Review. They go through the winners and losers of this year's championship and pick out some personal highlights.Join our Patreon to join us live as we record our review shows and Support us continuing OMG!- patreon.com/user?u=34973707OMG! MotoGP is part of the MotorMouth Media Network. Do check out our other shows:•Pitlane Life Lessons: https://podfollow.com/1552890037•The MotorMouth F1 Podcast: https://podfollow.com/the-motormouth-podcast•Padel Movement: https://podfollow.com/the-padel-movement-podcast•Tommo's Race Chinwag: https://podfollow.com/1674915123 Hosted on Acast. See acast.com/privacy for more information.

Buckle up, Bravo fans! Picture this: mingling with Housewives royalty and getting the latest buzz straight from Bravo Fan Fest. I share my personal experience from the festival, where the air was buzzing with rumors and revelations. From the new Housewives trailers to the juicy tidbits on Vanderpump Rules, this episode is your front-row ticket to the biggest changes on the horizon. Plus, I'll spill exclusive tea that was overheard at the event—don't miss the drama and excitement surrounding our favorite network!The Bravo universe isn't just about the drama; it's about the heartfelt moments too. Kristen Doute's pregnancy announcement is the emotional highlight, capturing a journey of love and hope. As we celebrate this new chapter for Kristen and Luke, we also sneak a peek at the latest antics from The Real Housewives of Salt Lake City—prepare for quirky hairstyles and historical mix-ups! With a nod to the sociology of reality TV, we explore the authenticity and connections these shows foster, and even provide a space for laughter with our weekly OMG and LOL moments.As if that weren't enough drama, the latest Bravo divorces are making waves. The spotlight's on Lisa and Lenny's split and Ashley and Michael Darby's divorce saga—what does this mean for their futures? The potential closure of Schwartz and Sandy's is yet another bitter pill for fans, especially with speculation about Vanderpump Rules' fate looming. And for Housewives enthusiasts, we dissect the latest legal resolutions and standout Beverly Hills moments. This episode promises a rollercoaster of emotions, insights, and speculation on the thrilling world of Bravo television.Support the showFollow me @BellaTalksTV

Season 6 Episode 23 'Leap of Faith' jumps into the world of crime and car chases and we kinda love it!Colin's run-in with the cops, Kelly Taylor's comment about killing Valerie, OMG we couldn't get enough.  While Brandon gives a master-class on how to deal with awkward in-laws, Jennie shares her house rules when it comes to boys sleeping over.Plus, as holiday travel begins, find out what car accessory Amy recommends for your next road trip! See omnystudio.com/listener for privacy information.

What does it mean to truly honor the name of the Lord, and to not use it in vain?  In this episode, we dive into the Third Commandment: “Do not misuse the name of the Lord your God.” While many think it simply prohibits phrases like "OMG" and "GD" there's far more to this command. From understanding the Hebrew word Shav—which conveys emptiness and falsehood—to exploring how we bear God's name in daily life, we unpack what it means to respect and represent Him faithfully. Join us as we discuss the weight of words, the importance of reverence, and the profound responsibility of carrying God's name. Grab a seat on the cozy, comfy, virtual couch! Sign up for our bi-weekly newsletter with all our faves here!  

This season, every episode of OMG focuses on a question that directors really need to answer. OMG is written, produced, narrated and scored by Matt Fullbrook.   TRANSCRIPT: Question #43: Is the way we do things working for me? I've said before on OMG and elsewhere that your work as a director isn't about you. You're serving others. Nonetheless, you're still a human being with your own preferences, moods, skills, experience and needs. Sometimes mundane things will dramatically affect the way you show up for something – even if it's something super important like your board work. Ever hear about that research that showed how judges assign different sentences to criminals before lunch than they do after lunch – even if they committed the exact same crime? Lunch matters. It's a fact. But other less mundane things also matter, like disability or illness or big life events or neurodivergence and so on. There's no such thing as a group of people who will all thrive under the exact same conditions. And there's no such thing as an individual person whose needs and preferences will be the same from year to year, or moment to moment. So, does the way your board does things work for you? What could be better? Listen back to OMG season 4 for a bunch of conditions that you might consider. Is the room too cold? Is the information too complex or not complex enough? Do you need lunch? It all matters because it affects the way you engage in the work of making decisions.  

Andy is with Alice and Anuvab and they pick the finest moments from this week's news. What a week! Social media bans, war and corruption aplenty! Also, we set you a new challenge.Become a paid subscriber - OMG we need you! There are great perks and feel good factor. Why not check out 15 years of top stories: https://www.thebuglepodcast.com/topstories.Featuring:Andy ZaltzmanAlice FraserAnuvab PalProduced by Chris Skinner and Laura Turner. Hosted on Acast. See acast.com/privacy for more information.

Industrial Talk is onsite at OMG, Q1 Meeting and talking to Chuck Byers, CTO with Industry IoT Consortium  about "Developing AI standards to insure market trustworthiness!" Chuck Byers, a seasoned industry professional, discussed the integration of AI and IoT technologies in the context of the Object Management Group (OMG) and the Digital Twin Consortium. Byers highlighted the importance of AI in real-time systems, emphasizing the need for prompt engineering and meta AI to ensure trustworthiness. He detailed the computational requirements of training large language models, noting that retraining the ChatGPT 3 model would require 195 NVIDIA DGX servers, costing $80 million and consuming 2.5 million watts. Byers also stressed the importance of sustainable energy sources and efficient cooling solutions for future data centers. Action Items [ ] Explore ways to detect when AI results are not as trustworthy as they need to be, and develop methods to validate AI outputs [ ] Investigate the use of small modular nuclear reactors to power data centers for AI model training [ ] Promote the work of OMG and the Digital Twin Consortium in addressing the challenges of AI and the Internet of Things Outline Introduction and Welcome Scott MacKenzie introduces the podcast and its focus on industry innovations and trends. Scott welcomes listeners and mentions the broadcasting location at the OMG SQ1 meeting in Reston, Virginia. Scott introduces Chuck Byers, highlighting his extensive background in electrical engineering and his contributions to Bell Labs and Cisco. Chuck Byers joins the conversation, expressing his pleasure in being invited and his admiration for Scott's hosting style. Chuck Byers' Background and Contributions Chuck Byers shares his educational background, including a Master's degree in electrical engineering and teaching at the University of Wisconsin. He discusses his work at Bell Labs and his invention of a US patent for a device that alerts users to approaching badness. Chuck talks about his tenure at Cisco, where he worked on computer control, IoT, edge computing, and drone technology. He mentions his current role as Chief Technical Officer of the Industry IoT Consortium and its recent integration into the Digital Twin Consortium. Digital Twin Consortium and Industry IoT Consortium Chuck explains the Digital Twin Consortium's focus on pairing simulation models with real-time physical systems. He describes the Industry IoT Consortium's focus on sensors, actuators, and the computation necessary for IoT systems. Chuck highlights the synergy between the two consortiums, emphasizing their combined potential to sense, network, and actuate the physical world into the digital world. He provides an example of using simulation models to optimize oil refinery processes without physical experimentation. Challenges and Opportunities in AI Scott MacKenzie and Chuck Byers discuss the challenges of AI, particularly the lack of standards and trustworthiness. Chuck explains the different types of AI, including machine vision and generative AI, and the unique challenges of generative AI. He describes the use of large language models in generative AI and their applications in tools like ChatGPT and Microsoft 365. Chuck emphasizes the importance of prompt engineering and fact-checking to ensure

Ben, of the legendary Ben's Weekly Music Pick on PTP came to bless the mic.  It has been a minute since Ben has stopped by.  We had a blast catching up, touching on art, music, and gaming.  We hope you enjoy the show and make sure to check out his IG posts with his art and his shoes. https://www.instagram.com/detbenmalone/    Check out our merch and support the show! https://potatothumbspodcast.threadless.com/  OMG we have a Discord! https://discord.gg/SYvh5jvsSH   Email Us PotatoThumbsPodcast@Gmail.com   Twitter https://twitter.com/PotatoThumbs   https://twitter.com/FluffyFingersMD   https://twitter.com/AdmiralNips   IG https://www.instagram.com/fluffyfingersmd   Spotify Playlists Day 1 Playlist https://open.spotify.com/playlist/3u37PzeFv04b3z6Uq5voCO?si=3c52ad41c94348a1   Day 2 Playlist https://open.spotify.com/playlist/65jrMS8NSxNW5I9IG27drM?si=500a009043b74a17   Day 3 Playlist https://open.spotify.com/playlist/2B3PydCdAhKvhdKfqssRIK?si=6d9adeba01d946eb   Day 4 Playlist https://open.spotify.com/playlist/3R7SI6NNuWw1UPJ2bwN0sk?si=644ac043acb34d7b   Day 5 Playlist https://open.spotify.com/playlist/27acHFnmTbgDoHbXdTLeV8?si=5aa06b2715904062 

OMG that kiss! We've got a lot to get through before we get to that, but oh me oh my, what a moment. Join Jayne and Heather as they go through each episode, sharing their thoughts, feelings and observations while throwing in a healthy dose of millennial nonsense, tangents, feminist quips and general gal pal energy. If you're new here or just need more of our dulcet Scottish tones between releases, you can still listen to every episode of our original podcast, I've Never Seen The OC. New episode release every Friday for all ten episodes of Season 1. Don't forget you can still get in touch with us on Instagram ⁠@neverseentheoc

QUICK HITS MANIFEST is the word of the year. the incredibles and singing in the rain! double d&d for caleb was lovely. and what’s up with the shelf pins in cupboards? caleb will never get what he needs. also young dog problems. can’t just have a calm home life. HIGH LOWS rafe's high-low high: stream The post Manifest Destiny appeared first on rafe hates caleb.

This season, every episode of OMG focuses on a question that directors really need to answer. OMG is written, produced, narrated and scored by Matt Fullbrook.   TRANSCRIPT: Question #42: What are we excited about? I know that boardrooms aren't typically environments that provoke much excitement. And I'm not trying to pretend that getting excited is really the point of a board's work. But just because it's not the point doesn't mean that it's not worth aiming for. Yes, it's true that the emotions we feel when we're in an exciting moment can make it hard to approach decision-making rationally. In fact, there's cool science that shows excitement and fear, when mushed together, can incite risk-taking behaviour. But also the relationship between the emotional and the rational is complex, in that humans simply don't really make fully rational decisions. We have preferences, biases, and, yes, emotions that cause us to choose different things in different circumstances. But that's not exactly what today's question it about – what if there were a question, opportunity, experience or process or whatever that your board were collectively pretty excited to engage with or try out? Chances are you'd all go out of your way to be thoroughly prepared, well-informed, and ready to dive in and engage when the time came. Even though we can't expect every moment of every board meeting to be thrilling, it's worth aiming for every once in a while, even for a few minutes.

Amy Reynolds and Keith Huewen are joined by Simon Crafar to review the first test of MotoGP 2025. They analyse the first touch of the MotoGP rookies, the big moves and discuss what Honda and Yamaha need to return to the top step of the podium.Join our Patreon to join us live as we record our review shows and Support us continuing OMG!- patreon.com/user?u=34973707OMG! MotoGP is part of the MotorMouth Media Network. Do check out our other shows:•Pitlane Life Lessons: https://podfollow.com/1552890037•The MotorMouth F1 Podcast: https://podfollow.com/the-motormouth-podcast•Padel Movement: https://podfollow.com/the-padel-movement-podcast•Tommo's Race Chinwag: https://podfollow.com/1674915123 Hosted on Acast. See acast.com/privacy for more information.

OMG, y'all, this episode of Literally, Not OK is pure CHAOS in the best way. I sit down with the hilarious and wildly talented Katherine Blanford (host of the Cheatys podcast and creator of the comedy special Catholic Cowgirl). We cover everything from childhood antics (remember lighting dog poop on fire?) to how kids these days have zero street cred, monogamy, and why weddings (and exit rows) might be the biggest scam of all time. Oh, and Katherine reveals some BIG NEWS you do not want to miss!   Make sure you're following us for all the juicy updates:

In this week's episode of The Bones Booth, Andrew, Maggie and Taryn discuss season nine episode six of Bones, "The Woman in White."  (OMG!)

Episode description: In our final episode of Season 3, Jessica speaks with Josh Willis, actor, improviser, filmmaker and occasional Elvis impersonator.  Known to his friends and fans as Climate Elvis, he also has a secret identity: Josh is a climate scientist who studies global warming for NASA. He's the lead NASA scientist for the satellites that measure sea level rise from space. He worked on a project called Oceans Melting Greenland, or conveniently, OMG for short, where he led an airborne mission to Greenland to understand how the oceans were melting away Greenland's ice from below.  Josh studied physics and mathematics at the University of Houston and earned his PhD in Oceanography from the Scripps Institution of Oceanography. He's a graduate of the Conservatory Program of The Second City Training Center and teaches improv in the LA area at Turbine Arts Collective. Follow the OMG Nasa project on Instagram @omgnasa Find Climate Elvis at facebook.com/ClimateElvis Take an improv class with Josh at https://www.turbine-arts.org/ Find out more about Cazadero Performing Arts Family Camp at cazfamilycamp.org ~ This is our last episode of season 3, and what a season it's been!  We started off with a conversation with Rich Lyons, Chancellor of UC Berkeley + Musician – all the way back in July, and have talked with an aspiring Olympian, several authors who straddle other worlds, and a meditation teacher who's created art with Björk.  We're going to be taking a holiday break and will be back with new episodes in early 2025. Take this chance to catch up on episodes you might have missed, and if you want to give some extra love, leave a rating and review so more people can find out about this show.  Have a beautiful, safe, and peaceful holiday season. ~ Are you a high achiever, a leader, or an Ampersand who's recently taken on more responsibility at work?  From steering relationships at the C-level to piloting conversations with teams and peers, increasing visibility and opportunities in your field, integrating your creative endeavors, or connecting the dots in your personal life — as a parent, child, and partner — Jessica can help you traverse the unknown challenges and situations that arise as a leader. BOOK AN INTRO CALL: ⁠https://calendly.com/jessicawancoaching/intro-call-coaching⁠⁠ Follow Jessica on LinkedIn Credits Produced and Hosted by ⁠⁠Jessica Wan⁠⁠ Co-produced, edited, and sound design by ⁠⁠⁠⁠Carlos Schmitt⁠ Theme music by ⁠⁠Denys Kyshchuk⁠⁠ and ⁠⁠Stockaudios⁠⁠ from ⁠⁠Pixaba⁠y

NY Mets' Jose Iglesias joined us to talk about the Mets season, his hit song ‘OMG' and his appearance coming up this week at Boomer & Gio Live at the Paramount on Friday. We asked him about coming back to the Mets and the potential of Juan Soto going to Queens. Jerry went around the NBA last night. Luis Gil won the A.L. Rookie of The Year. In the final segment of the hour, BT & Sal and Spike are battling with Gary Myers of the NY Daily News.

Hour 1 Boomer read an ESPN article about Aaron Rodgers effect on the Jets locker room. In the article, former WR Mike Williams talked about his friends sending him the clips of Aaron Rodgers throwing him under the bus. His presence in the locker room is making it hard for coaches to coach. And he simply is not performing at the level we all thought he would. If you look at his completion chart from this week, there is nothing being thrown down the field. Jerry is here for his first update of the day and started with the Cowboys losing to the Texans as they fumbled twice on one play that was then returned for a Houston TD. Brian Daboll met the media to talk about the decision to play Tommy DeVito. The Knicks beat Washington last night and Boomer is looking ahead at the rest of the November schedule. In the final segment of the hour, Gio said his feed on X keeps telling him about guys ‘dressing as lesbians'. First it was Mark Cuban and now it's Joe Burrow. Hour 2 Is there any actual Juan Soto news, because if not we can't talk about him. Gio wonders what it would cost to have former Mets bust Carlos Baerga at a kid's birthday party. Boomer then said the next 7 weeks are going to be tough for Daniel Jones now that he's been benched. Gio said Drew Lock is the one that should be upset. A caller said Daniel Jones is going to have plenty of other opportunities in the NFL and already got a huge paycheck. A caller said, ‘don't draft a quarterback out of a basketball college'. Jerry returns for an update and starts with the Cowboys losing to the Texans as Joe Mixon scored 3 TDs. Chris Russo could not believe sports fans watched the Tyson/Jake Paul fight. Paul Skenes won the N.L. Rookie of The Year: ‘This is cool'. In the final segment of the hour, Gio talked about passing out on Thursday night. He wondered if he died, would we still be doing the live show on Long Island on Thursday. Hour 3 NY Mets' Jose Iglesias joined us to talk about the Mets season, his hit song ‘OMG' and his appearance coming up this week at Boomer & Gio Live at the Paramount on Friday. We asked him about coming back to the Mets and the potential of Juan Soto going to Queens. Jerry went around the NBA last night. Luis Gil won the A.L. Rookie of The Year. In the final segment of the hour, BT & Sal and Spike are battling with Gary Myers of the NY Daily News. Hour 4 Adam and The Metal Hawks are in the studio to play a song as the lead up to Friday night's B&G Live at The Paramount. Jerry returns for his final update of the day and starts with the sounds of the Knicks beat the Wizards last night at the Garden. Kevin Harlan was on the call as the Texans beat the Cowboys. The Cowboys fumbled twice on the same play and it was eventually returned by the Texans for a TD. Joe Mixon scored 3 TDs. Jerry Jones once again said he is not making a coaching change in season. The last time he did that, he regretted it. Jeff Ulbrich talked about the bye week where they have to listen to the criticism. The Moment of The Day: Boomer is making Gio & Jerry hate the Knicks. In the final segment of the show, Boomer loved the Elvis documentary that's on Netflix right now.