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Il film Una ragazza e il suo sogno è una commedia americana per ragazzi del 2003, diretta da Dennie Gordon e interpretata da Amanda Bynes, Colin Firth, Kelly Preston, Eileen Atkins e Anna Chancellor. Una ragazza e il suo sogno è una commedia che mescola elementi di favola moderna e ricerca di identità. La trama segue Daphne, interpretata da Amanda Bynes, alla ricerca del padre aristocratico, Henry Dashwood, impersonato da Colin Firth. Il film è un viaggio divertente e commovente attraverso le differenze sociali e l'amore familiare. La pellicola ha ricevuto valutazioni contrastanti, con alcuni apprezzamenti per la sua natura leggera; altri critici affermano che è banale e poco riuscita. La performance di Bynes è elogiata, mentre il plot potrebbe risultare prevedibile. In sintesi, Una ragazza e il suo sogno può essere apprezzato per il suo tono leggero e la trama orientata alla famiglia, sebbene non raggiunga l'unanimità nella sua accoglienza. Amanda Bynes, la protagonista L'attrice principale, Amanda Bynes, ha recitato in pochi film, tra cui: Easy Girl (2010) Hairspray (2007) Sydney White – Biancaneve al college (2007) She's the Man (2006) Le cose che amo di te (2005) Che fine ha fatto la Bynes? Dopo il 2010, Amanda Bynes è praticamente scomparsa dai set cinematografici. Attualmente, la Bynes ha attirato l'attenzione per i suoi cambiamenti di immagine, inclusa una breve parentesi in cui ha tinteggiato i capelli di nero e successivamente ha optato per il biondo platino all'inizio del 2024. Nel 2023, ha annunciato la decisione di abbandonare il suo podcast per ritornare alla ribalta. Ci sono state preoccupazioni riguardo alla sua salute mentale; è stata a lungo ricoverata in un ospedale. Nonostante sia nata nel 1986, dal 2012 al 2022, la Bynes è stata considerata inadatta a intendere e volere. Pertanto, è stata affidata a suo padre, che ne ha detenuto la tutela legale. Purtroppo, quello di Amanda Bynes non è un caso isolato. Altre giovani attrici e cantanti americane hanno avuto problemi simili a cavallo fra gli anni '00 e'10 del nostro secolo. Queste cattive ragazze formano un gruppo per niente piccolo. --- Send in a voice message: https://podcasters.spotify.com/pod/show/corgiov/message
Welcome back to Film Spill: A Movie Night Podcast! This episode, Chelsea and Sofia talk about Dennie Gordon's Drama/Romance film, What a Girl Wants (2003). Follow us on Instagram, TikTok, Twitter and Pinterest @filmspillpod for updates and exclusive content! Tell a friend about the show and leave us a review on Apple Podcasts to help more people find us! What a Girl Wants is available on Prime Video, Apple TV, Redbox, or Vudu. Timestamps: Intro: 01:46 Slumber Party Game: 17:27 Discussion of What a Girl Wants: 32:44 Outro: 01:03:21 Follow Sofia on Social Media: IG: @sofia.anguita Check out Film Spill's Patreon!
!!!CONTENT WARNING!!! There are some fairly adult jokes in this episode - it's all in good fun, but what can we say, Dave's energy is infectious! And stick around to the very end of the episode to hear some clips of their show The meeting of minds is back for OUR FIFTIETH EPISODE! And WHAT. A. MOVIE to have for episode 50 holy moly This week, Ross is hosting, while the gang review and pitch sequels for the 2004 Olsen Twins teen... comedy? Ferris Beuller rip off? Road Trip movie? How about all of the above! Directed by Dennie Gordon, and starring Mary-Kate Olsen, Ashley Olsen, Andy Richter. Jared Padalecki and the absolute best thing in this movie, Eugene Levy Expect a LOT of inappropriate jokes... seriously, a lot, but my goodness we had fun recording this one. The sequels on this one are NOT in any way trying to be serious, basically, just enjoy Dave's fantastic madcap energy as we all desperately try to keep up! Disturbingly Pragmatic - Find Dave and Paul on socials and podcast apps https://linktr.ee/DisturbinglyPragmatic (here)! Links! Patreon: If you like what we make and want to help us make more, better sounding content, we have a £2 https://www.patreon.com/sequelpitch (Patreon!) Twitter: https://twitter.com/SequelPitch (@SequelPitch) Instagram: https://www.instagram.com/sequelpitchpodcast/ (sequelpitchpodcast) Facebook: https://www.facebook.com/SequelPitch (Sequel Pitch) If you're not already, please consider subscribing on your podcast app of choice so that you get our episodes as soon as they land. And leave us a review if you think we deserve it so that new people can see what others think - the best places for that being https://podcasts.apple.com/gb/podcast/sequel-pitch/id1552718674 (Apple Podcasts), https://www.podchaser.com/podcasts/sequel-pitch-1595953 (Podchaser), https://open.spotify.com/show/1cGj2HGlJ9q6orFzGNKLlW (Spotify) or in the Goodpods app. We'll try to shout you out on the show if you do! Please tell your friends about us if you think they might enjoy the show! We're not in a position to pay to advertise the show right now, so bring people into the fold if you think they'll have some fun!
England isn't real. Special thank you to SUPER YAKI for sponsoring today's episode of Zillennial Canon, use code SUPERZILLENNIAL for 10% off! Follow us on Twitter @zillennialcanon and Instagram @thezillennialcanon for memes and updates. Adam: @adam_notsandler Kyra: @garlicemoji Leave us a movie memory at (631) 319-0112 or at zillennialcanon@gmail.com. ---Check out some more friends of the canon at https://linktr.ee/zillennialcanon--- Thinking Music by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4522-thinking-music License: http://creativecommons.org/licenses/by/4.0/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
This week on Doubled Feature the boys travel back to a simpler time 2001 and revisit a "classic" of their childhoods in Joe Dirt. As well as the missed "classic" of their childhoods 2002's Run Ronnie Run. Joe Dirt(2001) Directed by Dennie Gordon. Starring David Spade, Brittany Daniel, Dennis Miller and Christopher Walken Trailer: https://www.imdb.com/video/vi3383689497?playlistId=tt0245686&ref_=tt_ov_vi Run Ronnie Run(2002) Directed by Troy Miller. Starring David Cross, Bob Odenkirk, David Koechner and M.C. Gainey Trailer: https://www.youtube.com/watch?v=TbZ-jbVwc4g Twitter: @DoubledFeature Instagram: DoubledFeature Email: DoubledFeaturePodcast@Gmail.com Dan's Twitter: @DannyJenkem Dan's Letterboxd: @DannyJenkem Max's Twitter: @Mac_Dead Max's Letterboxd: @Mac_Dead Executive Producer: Koolaid --- Send in a voice message: https://anchor.fm/doubledfeature/message
Is it my birthday??? Sick S.A.D. Film Club, Your favorite 90s/00s film podcast is back with Dennie Gordon's 2004 teen twinscapade flick, New York Minute. We have a few questions... Why the white villain with the fake Asian accent? Why was that young man on the bike SO horny? Did Roxy ever get to go on tour with Simple Plan? The film stars Mary Kate and Ashley Olsen, Eugene Levy of Schitt's Creek, Riley Smith and Jared Padalecki of Gilmore Girls and Supernatural. We get into everything with a culture recap from Annie (@annalaurieclararives on IG), a plot recap from Shannon (@prickwolf on IG, tik tok & twitter) and a fashion recap from Dominique (@celestialmillenial on IG & @TheDominique on twitter) Shop merch at sicksadfilmclub.com and drop us a line at sicksadfilmclub@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/sicksadfilmclub/message
Mark and Nathan discuss the 2001 film Joe Dirt. Directed by Dennie Gordon, and starring David Spade, Christopher Walken, Brittany Daniel and Adam Beach, the movie focuses on the adventures of Joe Dirt, a super plucky guy who is trying to find his parents after they left him at the Grand Canyon. In this episode, they discuss positive heroes, bad jobs, and Christopher Walken's dancing.
Having directed and produced such shows as Jack Ryan, Hunters, For All Mankind, Hell On Wheels, Legion, Waco, Goliath, and frankly too many others films and shows to count...Dennie Gordon is no stranger to working with giant crews on massive sets. Having also directed a feature film in China during the SARS outbreak, I think it’s safe to say that Dennie knows something about keeping her crew members safe despite the risks. And not more than 2 minutes into our interview, Dennie rolled the following grenade into the middle of the room: “I think the cameras are going to start rolling again when there’s a vaccine.” Whoah. So what does that mean for everyone who’s livelihoods depend on cameras rolling? On needing makeup and hair done, sets to be designed, built, and painted...lights to be set up, focused to be pulled, costumes to be purchased and fitted, and in the case of most of my listeners...footage that needs to be cut. What’s the plan if cameras don’t roll again until we have a vaccine? And are there alternatives? Will production flee to other states or other countries that are willing to take the risks? Are crew members going to have to choose between unemployment or signing death waivers? There are a lot of questions right now, and neither I nor Dennie promise to have the answers. But we do our best to discuss all of the various options out there so all of us can make more informed decisions about what comes next. Want to Hear More Episodes Like This One? » Click here to subscribe and never miss another episode Here's What You'll Learn: Despite the “when there’s a vaccine” grenade Dennie rolled into the room, she assures us the Industry is putting protocols in place to make sets as safe as possible. But we have a long road ahead. Why she thinks talk shows, game shows, stage studio events will come back much sooner. Location set pieces won’t come back for a while. The astonishing story of Dennie Gordon's experience working on a feature film in China DURING the SARS-COV2 outbreak. Insurance. Waivers. Liability… Who’s really going to take this on at the end of the day? What should we expect working on set to look like before a vaccine? How do we tell good stories while following physical distancing guidelines? How can creative professionals continue building their careers? After all, we never learn anything when we’re not working. How will we be able to collaborate at the same level as before? For example, if writer’s rooms are meeting on Zoom calls instead of in person, how much gets lost in the creative process? Why not create stories that reflect the reality we’re living in with COVID-19? Dennie’s thoughts on having everyone live on set as a closed community where everyone is tested. (Example: Tyler Perry who built a set on a former army barracks.) Does she think people will be willing to live in a quarantined set, isolated from family and friends for months just to have a job again? What about reality shows? Will they resume before scripted? People in some countries such as Australia, New Zealand, Czechoslovakia, Iceland, & South Korea have already started shooting. What opportunities does that present? How do you navigate production when one state says they’re not ready to start shooting because it’s unsafe and in the next state, they’re saying “We’re already making television, what are you guys doing over there?” Since it’s going to be more expensive for productions to operate and doing so with less people, and considering that so many people will want to work and do it for less money, what effect do you expect that downward pressure on wages to have and what would you hope to see? What are we going to do about post-production or are they in a good enough position with remote workflows? Can you still tell the same quality stories if you never meet your post-production crew in person? What does pilot season look like? Do we think the structure of the way we do the business side of things is going to change? What do you think is going to happen to television in general considering the expected reduction in the volume of shows that will be produced? What are some of the ideas you’ve come up with to pivot and be innovative when it looks like you may not be able to go back to directing for a year or two? Does it make sense for you to provide value in other ways such as mentorship? And what does mentorship and networking look like in the time of coronavirus? Dennie Gordon’s words of wisdom: “Use this time. When this is all over, people will be able to define themselves by how they used this time.” Why Dennie expects us to have to get much better at communicating their ideas to each other. Do you think we’ll end up going towards making features and not doing episodic T.V. for a long time because it’s just so hard to sustain the level of production T.V. requires? Can we expect a resurgence of small indie movies? Useful Resources Mentioned: How The World’s Biggest Producers Are Plotting Their Way Out Of The Pandemic Reopening Hollywood: From Insurance To Testing, Crowd Scenes & Craft Services, Here Are The Pandemic Problems Studios Are Trying To Solve Before The Restart Reopening Hollywood: Kurt Sutter On How To Bring Back TV Dramas After Coronavirus Shutdown What’s needed for Hollywood to get back to work safely? Ep85: Mentorship, Networking, and Surviving Hollywood Blockbusters | with Dody Dorn, ACE Ep97: When Are We Going Back to Work? And How Can We Earn Income Now? | Community Q&A Our Generous Sponsors: This episode is made possible for you by Ergodriven, the makers of the Topo Mat, my #1 recommendation for anyone who stands at their workstation. The Topo is super comfortable, an awesome conversation starter, and it’s also scientifically proven to help you move more throughout the day which helps reduce discomfort and also increase your focus and productivity. Click here to learn more and get your Topo Mat. Guest Bio: Dennie Gordon has been a trailblazing female director her entire career; spanning the worlds of feature films, television series, mini-series and branded content. Her range of genre busting entertainment spans an unusual spectrum of comedy and drama. After being one of the first women to graduate from Yale's School of Drama with an MFA in Directing, Gordon first gained recognition when A HARD RAIN was chosen by Showtime's Discovery Program. Thanks to Steven Spielberg, a rough cut of her film attracted the attention of George Lucas who donated the film's mix at Skywalker Ranch. A HARD RAIN, which Gordon also wrote, went on to win dramatic awards at the British Short Film Festival and the Hampton's Film Festival. This film also caught the eye of David E. Kelley who enlisted Gordon to helm multiple episodes of his television series including GOLIATH, (where she was Co EP) PICKET FENCES, CHICAGO HOPE, ALLY MCBEAL, and THE PRACTICE. Gordon has directed over 100 hours of network television including such critically acclaimed series as LEGION, which was on many critic’s lists as a top 10 show of 2017, with the “astounding direction of Dennie Gordon and her twisted visionary imagery taking the X-Men universe to a whole new level”. Her other work includes BLOODLINE, RECTIFY, EMPIRE, KINGDOM, POWER, HELL ON WHEELS, GRACE & FRANKIE, THE OFFICE, 30 ROCK, Aaron Sorkin’s SPORTS NIGHT, and HBO's TRACEY TAKES ON, for which Gordon won the DGA Comedy Award. Gordon recently completed the mini-series WACO, JACK RYAN Season 2 FOR ALL MANKIND for Apple, and THE HUNT starring Al Pacino. Gordon directed the comedy cult hit JOE DIRT starring David Spade, and Christopher Walken, and WHAT A GIRL WANTS starring Oscar Winner Colin Firth, Dame Eileen Atkins, and Jonathan Pryce. Gordon was the first American woman to direct a film for the domestic Chinese market, called MY LUCKY STAR. The 2013 film starred Oscar nominee Zhang Ziyi and Wang Leehom and was filmed in China and Singapore in the summer of 2012. MY LUCKY STAR was the number one film in China for 4 weeks on 5000 screens. Gordon is a sought after commercial director having completed campaigns for Honda, Toyota, Tsingtao beer and Xcel energy as well as campaigns with Jimmy Fallon, Betty White, Adam Devine and Don Cheadle. She recently completed a short dramatic film for Huawei, which was shot in Prague. She is repped by Little Minx and CAA. Dennie Gordon's website Dennie in the L.A. Times article: What’s needed for Hollywood to get back to work safely? Show Credits: This episode was edited by Curtis Fritsch, and the show notes were prepared and published by Glen McNiel. The original music in the opening and closing of the show is courtesy of Joe Trapanese (who is quite possibly one of the most talented composers on the face of the planet). Note: I believe in 100% transparency, so please note that I receive a small commission if you purchase products from some of the links on this page (at no additional cost to you). Your support is what helps keep this program alive. If you have any questions, please don’t hesitate to contact me.
Creeps lock up your diaries! We watched season 2 episode 2 “Crossroads” (Original airdate October 14th, 1998. Written by Dana Baratta et al. and directed by Dennie Gordon) and as such, we were not girls and not yet women aka Gabby totally Dawson’d her recording situation and may or may not sound like she’s reporting from her watery grave in the creek. But PLEASE dive in anyway for such hits as: the first appearance of Jackers! Pacey giving Jawson a glorious dressing down! A divisive slow-mo rain montage! And for the love of god visit us on instagram, twitter, and spotify for the life giving Do You Want to Dance Tomorrow playlist.
"As a volunteer Sheriff's Deputy I have been doing surveillance for years. One time I suspected an ex-girlfriend of mine of cheating on me. So I tailed her for six straight nights. Turns out she was, with a couple of guys actually so... mystery solved." This week, Dan and Rob spread out a blanket, have a little picnic, order some 'za and talk about you know who! Join them as they discuss "The Secret," the thirteenth episode of the second season of The Office and meet director Dennie Gordon and actor Tom Chick. Dwight illustration by Rob's sister Laurel Social Media Links Twitter Facebook Email
In Episode 11 of An American Workplace, Chad and Katie talk about Season 2 Episodes 15 and 16 of The Office, “Boys and Girls” and “Valentine’s Day”! An American Workplace on iTunes Show Notes “Evil like a hobbit” blooper on YouTube “Boys and Girls” on iTunes “Valentine’s Day” on iTunes 215 - “Boys and Girls” Aired February 2, 2006 Dir. Dennie Gordon Written by BJ Novak 216 - “Valentine’s Day” Aired February 9, 2006 Dir. Greg Daniels Written by Michael Schur Contact Katie Twitter Facebook Chad Twitter Facebook Cinescope An American Workplace Facebook Twitter Website Email workplacepod@gmail.com iTunes/Amazon links contain affiliate tags that help us to earn a bit of money when you click on them. Your support is much appreciated!
In Episode 10 of An American Workplace, Katie and Chad talk about Season 2 Episodes 213 and 214 of The Office, “The Secret” and “The Carpet”! An American Workplace on iTunes Note: There are some slight audio problems in this episode. Please pardon our dust - we'll be back to normal next week! Thank you! Show Notes “The Secret” on iTunes “The Carpet” on iTunes 213 - “The Secret” Aired January 19, 2006 Dir. Dennie Gordon Written by Lee Eisenberg and Gene Stupnitsky 214 - “The Carpet” Aired January 26, 2006 Dir. Victor Nelli Jr. Written by Paul Lieberstein Contact Katie Twitter Facebook Chad Twitter Facebook Cinescope An American Workplace Facebook Twitter Website Email workplacepod@gmail.com iTunes/Amazon links contain affiliate tags that help us to earn a bit of money when you click on them. Your support is much appreciated!
Dennie Gordon directed fan favourite episode 7 of Legion, and we’re thrilled that she agreed to sit down with Paul and chat about that episode, and about Legion in general.
Dennie Gordon directed fan favourite episode 7 of Legion, and we’re thrilled that she agreed to sit down with Paul and chat about that episode, and about Legion in general.
Dennie Gordon directed fan favourite episode 7 of Legion, and we're thrilled that she agreed to sit down with Paul and chat about that episode, and about Legion in general.