Podcast appearances and mentions of Herbert F Johnson

Rawi Abdelal is a Herbert F. Johnson Professor of International Management at the Harvard School of Business. He's also the director of HBS's Davis Center for Russian and Eurasian Studies, faculty co-chair of the Bloomberg Harvard City Leadership Initiative, and the faculty chair of the HBS/YPO President's program, which is where I met him. During his 20 years on the HBS faculty, Professor Abdelal has served in many leadership roles and has twice earned the Greenhill award for service to the Harvard Business School. Professor Abdelal is an expert on globalization, geopolitics, and political economy. Widely published, he has written about the global financial system, international politics, the influence of multinational firms on world politics, and the transformation of energy markets. He is currently at work on two projects. One project, The Fragile State of the World, explores the interrelated challenges that undermined the first era of globalization and that threaten to destroy the current age of global capitalism. The second project, The Profits of Power, explores the geopolitics of energy in Europe and Eurasia. Episode in a Tweet: As global political and economic systems break down, business leaders can step up and help fix the problems that plague us by focusing on income inequality, creating dignity at work, and looking at education differently. Quick Background: I met Rawi when I attended the HBS/YPO president's program a few years ago, and I was struck by his speaking style, intellect, and knowledge of geopolitical systems. I love politics, some might say I am a bit of a politics junkie, so his lectures resonated with me. In December 2020, I invited Rawi to join me for a YPO fireside chat about the outcome and ramifications of the Joe Biden presidency. It was a fascinating conversation, and afterward, I asked him if he would come on Reflect Forward and he agreed. In this episode, Rawi and I talk about the state of global politics, why we have seen populist movements, and why politicians are unable to stimulate change. We also talk about how business leaders can make an impact by doing something about income equality, creating inclusive workplaces where people keep their dignity, and revamping our views on education by promoting trade school and alternatives to college degrees. Rawi also gives us insight into himself, sharing stories of deep shyness and how he has overcome his fear of public speaking. This is an in-depth and insightful interview and I feel fortunate to have spent this hour picking Rawi's brain and getting to know him better. You can find Rawi on LinkedIn or on the HBS website. Question of the Episode: Are you on Clubhouse yet? My Answer: I am signed up, but I haven't used it much; I plan to put on a Clubhouse event sometime this summer. Curious about Clubhouse? It is a social networking app that allows people to gather in chat rooms to discuss various topics. You can't see each other; it's just an audio platform where a moderator oversees the discussions and interviews.

Instagram Website BIO Meghan Boody is a multi-media artist and community leader who has long been fascinated by how human beings change and evolve. Whether in large scale photographs, immersive performance or interactive sculpture, she invites her audience to experience the dark night of the soul. Her work revolves around the mystery of this murky process, exploring the pivotal role that loss and struggle often play in personal growth. Boody’s hope is for her viewer to find their own golden nugget as they engage in her fantastical narratives. She has grown increasingly interested in the ability of art to heal, crafting experiences that invoke the transformative power of story. Meghan Boody is considered one of the first photographers to use digital photography effectively. She holds a BA from Georgetown University, has studied at Parsons Paris School of Art & Design and apprenticed with photographer Hans Namuth. Her work is in the collections of the Whitney Museum of American Art, The Herbert F. Johnson Museum of Art at Cornell University and The Museum of Old and New Art (MONA). For the past 10 years, Boody has co-lead Gang of Girls, a think tank for women who want to change their lives.

"A preponderance of foreign elements destroys the most precious thing [a nation] possesses - its own soul,” wrote the politically-influential Immigration Restriction League in early 1919. "The great hotbeds of radicalism lie in the various colonies of alien workmen," declared The New York Times on January 5, 1921. Warning of the "menace" posed by "millions of intending immigrants of the poorest and most refractory sort," The Saturday Evening Post insisted days later that "the character of those who have been coming to us from overseas has unmistakably deteriorated." While anti-Chinese and anti-Asian laws had been on the books for decades, the passing of the Immigration Act in October 1918––and later the Immigration Act of 1924–the United States ushered in a new era of racist, anti-left, anti-immigrant sentiment. By the early 1950s, new laws upheld a racist ranking system for “desirable” ethnic groups, making it easier for the U.S. to deport people suspected of being Communists, anarchists and other radicals. All of which happened in parallel with the rise of major media tropes of immigration reporting; tropes that––with varying degrees of subtlety––still exist today. On this episode - recorded live at Cornell University's Herbert F. Johnson Museum of Art in Ithaca, New York on October 25, 2019 - we highlight a number of these tropes, including the media's rampant association of immigrants with criminality and terrorism, deserving refugees vs. undeserving migrants; frequent references to immigrants as invading hordes or vermin infestations; appeals to allegedly race-neutral “law and order” sentiment; and today's right-wing open border panic. We are joined by Cornell professor Shannon Gleeson.

Leah Sweet, the Lynch Curatorial Coordinator for Academic Programs at the Herbert F. Johnson Museum of Art on Cornell’s campus, discusses how museums can be integrated into language teaching. She also touches on the current Johnson exhibition of contemporary art about the movement of people across the globe. Learn more about the Johnson Museum, including current, past, and upcoming exhibits, at https://museum.cornell.edu/

In this episode, I talk to artist Joanne Greenbaum about education, politics of art language, the deep internal intelligence in painting, the power of introversion, mark-making, color and her exploration of materials. We dive into so many wonderful topics including the myth that "real artists don't have day jobs" and "everything has been done".   Joanne Greenbaum earned a BA from Bard College, Annadale-on- Hudson, NY. Over the past twenty years, Joanne Greenbaum has exhibited widely at international venues including at the Nerman Museum of Contemporary Art,   Overland Park, KS; Kusthalle Düsseldorf, Dusseldorf, Germany; and MoMA PS1, New York, NY; among many others. In 2008, a career-spanning survey of her work, with corresponding catalogue, was mounted by Haus Konstruktiv in Zurich, Switzerland and traveled to the Museum Abteiberg in Monchengladbach, Germany. In 2018, The Tufts University Art Galleries at the School of the Museum of Fine Arts in Boston, MA mounted Joanne Greenbaum: Things We Said Today, a comprehensive solo exhibition that traveled to the Otis College of Art and Design in Los Angeles, CA.   Greenbaum is the recipient of numerous awards and fellowships, including The Gwendolyn Knight Lawrence Award from the Academy of Arts and Letters, New York, NY; The Joan Mitchell Foundation Grant; Artist in Residence at The Chinati Foundation, Marfa, TX; The Pollock-Krasner Foundation Grant; and the John Simon Guggenheim Memorial Foundation Grant. Her work is included in the collections of the Brandeis Rose Art Museum, Waltham, MA; CCA Andratx, Majorca, ES; Hammer Museum, Los Angeles, CA; Haus Konstruktiv Museum, Zurich, CH; Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY; Museum Abteiberg, Monchengladbach, Germany; Museum of Fine Arts, Boston, MA; The Nerman Museum of Contemporary Art, Overland Park, KS; and the Ross Art Collection at the University of Michigan, Ann Arbor, MI. Greenbaum lives and works in New York.   Joanne Greenbaum: Things We Said Today, Exhibition Brochure with Essay by Kate McNamara, Jan. 2018   LINKS:   http://www.joannegreenbaum.com/   http://www.pollyapfelbaum.com/   http://www.bullseyeglass.com/   https://www.amazon.com/Quiet-Power-Introverts-World-Talking/dp/0307352153   https://www.racheluffnergallery.com/   http://tellesfineart.com/   http://flagartfoundation.org/   https://www.sunlighttax.com/ilikeyourwork   http://bridgettemayer.com/

Joanne Greenbaum is an artist who lives and works in Tribeca and Long Island. She earned a BA from Bard College. Over the past twenty years, Joanne has exhibited widely at international venues including at the Nerman Museum of Contemporary Art, Overland Park, KS; Kusthalle Düsseldorf, Dusseldorf, Germany; and MoMA PS1, New York, NY; among many others. In 2008, a career spanning survey of her work, with a corresponding catalogue, was mounted by Haus Konstruktiv in Zurich, Switzerland and travelled to the Museum Abteiberg in Monchengladbach, Germany. In 2018, The Tufts University Art Galleries at the School of the Museum of Fine Arts in Boston, MA mounted Joanne Greenbaum: Things We Said Today, a comprehensive solo exhibition that travelled to the Otis College of Art and Design in Los Angeles, CA. 
Joanne is the recipient of numerous awards and fellowships, including The Gwendolyn Knight Lawrence Award from the Academy of Arts and Letters, New York, NY; The Joan Mitchell Foundation Grant; Artist in Residence at The Chinati Foundation, Marfa, TX; The Pollock-Krasner Foundation Grant; and the John Simon Guggenheim Memorial Foundation Grant. Her work is included in the collections of the Brandeis Rose Art Museum, Waltham, MA; CCA Andratx, Majorca, ES; Hammer Museum, Los Angeles, CA; Haus Konstruktiv Museum, Zurich, CH; Herbert F. Johnson Museum of Art at Cornell University, Ithaca, NY; Museum Abteiberg, Monchengladbach, Germany; Museum of Fine Arts, Boston, MA; The Nerman Museum of Contemporary Art, Overland Park, KS; and the Ross Art Collection at the University of Michigan, Ann Arbor, MI. She just closed a show at Texas Gallery in Texas and has an upcoming solo shows next year at Richard Teles and Rachael Uffner Gallery. Brian visited Joanne at her Tribeca studio to talk about starting from scratch, putting in time, waiting for your moment and more. Sound & Vision is proudly sponsered by Golden Artist Colors.

Suzette McAvoy has served as executive director and chief curator at the Center for Maine Contemporary Art since September 2010. She spearheaded the institution’s recent $5.2 million capital campaign and relocation to a newly constructed building, designed by internationally known architect Toshiko Mori, which opened in Rockland, Maine, on June 26, 2016. McAvoy previously served for 12 years as chief curator of the Farnsworth Art Museum and has more than 30 years’ experience in the art and museum field. She has lectured and written extensively on the art and artists of Maine, and has organized national traveling exhibitions of the work of Louise Nevelson, Alex Katz, Kenneth Noland, Lois Dodd, Karl Schrag, and Alan Magee. Additionally, she has organized recent exhibitions of the work of Jonathan Borofsky, Richard Van Buren, Inka Essenhigh, David Driskell, Katherine Bradford, and Steve Mumford, among others. She is currently working on upcoming exhibitions with John Walker, William Wegman, and Ann Craven. Prior to moving to Maine, McAvoy was Director of the University of Rhode Island Art Galleries in Kingston, Rhode Island, and also worked at the Herbert F. Johnson Museum of Art, Cornell University, and the Smithsonian Institute’s National Museum of American History. She has served as adjunct professor of museum studies at the University of Maine, and as a lecturer for the Smithsonian Journeys Program. She has also been an arts writer for Maine Home and Design magazine and an art advisor to private collectors. She received a BA in art history from Hobart and William Smith College in Geneva, New York, and an MA in museum studies from the Cooperstown Graduate Program at State University of New York. She lives in Belfast, Maine. https://www.themainemag.com/radio/radio-guests/suzette-mcavoy-executive-director-cmca/

Hajra Waheed seeks to address personal, national and cultural identity formation in relation to political history, popular imagination and the broad impact of colonial power globally.  Her mixed-media practice consists of ongoing bodies of work that constitute a growing personal archive – one developed in response to all those seemingly lost amongst rapid regional development and/or political strife.  Although works on paper remain the foundation of her practice, they often act as starting points for larger mixed media installations. Over the last decade, Waheed has participated in exhibitions worldwide, most recently including Collages: Gesture & Fragments, Musée d’art contemporain de Montréal, QC (2014), Sea Change, Experimenter, Kolkata (2013), (In) the First Circle, Antoni Tapies Foundation, Barcelona and Lines of Control, Herbert F. Johnson Museum of Art, NY (2012).  She lives and works in Montréal.In this episode Hajra talks about growing up on a transnational oil corporation in Saudi Arabia; fallen satellites; her preoccupation with undisclosed documents; telling stories as a means of ordering chaos; intimacy and distance in her representations of surveillance; and collage's potential for transformation.Hajra Waheed's solo exhibition Asylum in the sea will be presented at Darling Foundry in Montreal from June 18th to August 27th 2015.fonderiedarling.org/en/Asylum-in-the-sea.htmlThis episode was hosted and produced by Yaniya Lee. Tumblr design and podcast logo by Naomi Cook.  Hajra's website: hajrawaheed.com"The Homeless Wanderer" by Emahoy Tsegue-Maryam Guebrou collected on Éthiopiques 21: Ethiopia SongJoe Grass performed this lap steel cover of the Beach Boys' "God Only Knows" live for La Blogothèque Write to arttalksmtl@gmail.com and subscribe the podcast on iTunes or Tumblr