Podcast appearances and mentions of Janet Collins

Join Cate Tsahalis and Shannon Barillari as they interview our very own Mary Dattilo about the new and improved Secrets of Russell Library! This season, actors will entertain the audience with historical stories told by an eclectic cast of library characters. Shannon returns with Kim Spachman for "Turn That Shhh Up!" where they discuss library card signup month and the goings on here at Russell this September. Lastly, Stephanie Rush, Kate McCarthy-Bond, and Christy Billings give theatrical book recommendations to pair with the upcoming Secrets of Russell Library performance. Book RecommendationsR-E-S-P-E-C-T : Aretha Franklin, the queen of soul by Carole Boston WeatherfordBrave ballerina : the story of Janet Collins by Michelle MeadowsThe Breakup Lists by Adib KhorramAll the Right Notes by Dominic LimKate in Waiting by Becky AlbertalliThe Chance to Fly by Ali Stroker and Stacy DavidowitzStand Up, Yumi Chung! By Jessica KimSecond Chance Summer by Sarah KapitThe Backstagers by James Tynion IVTom Lake by Ann PatchettThis podcast uses music by Ashutosh, under a creative commons license:Time by ASHUTOSH | https://soundcloud.com/grandaktMusic promoted by https://www.free-stock-music.comCreative Commons Attribution 3.0 Unported Licensehttps://creativecommons.org/licenses/by/3.0/deed.en_US

As I reminisce about my own ballet slippers scuffing the floor during Sunday school, I can't help but feel a kinship with the young protagonist of "Dance Like Starlight: One Ballerina's Dream." In a heartfelt narrative that stretches from the scuffed floors of a dance studio to the grand stages of the Metropolitan Opera House, we follow the journey of an African American girl in the 1950s who dares to dream of becoming a prima ballerina, just like the trailblazing Janet Collins. This episode is steeped in the wisdom of knowing that hope is more than just wishing; it's the labor of dreams bound by determination and grace. There's a personal thread throughout this conversation, as I share how my own path in dance has informed my perspective on the arts and the power of representation.With a twirl and a leap, we then shift the focus to educators and how literature like Kristie Dempsey's enchanting tale can be woven into a curriculum that fosters young dreamers. I invite you to consider how stories can inspire students to elevate their aspirations from the "floor of their hearts" to the reality of their lives. This episode wraps up with an expression of gratitude for your company in our multicultural educational journey and a hint at the diverse topics awaiting us in the wings. So, lace up your own metaphorical ballet shoes and join me in this celebration of hope, hard work, and the dance of dreams. COME SAY Hey!! Instagram: @cultrallyjebeh_ Facebook: @JebehCulturalConsulting Pinterest: @Jebeh Cultural Consulting LinkedIn: @Jebeh Edmunds Leave a Review on our Podcast! We value your feedback!Are you ready to take your diversity, equity, and inclusion efforts to the next level? Sign Up for My Free Workshop: 3 Massive Mistakes To Avoid When Learning About DEIhttps://jebeh-edmunds.mykajabi.com/pl/2148161149Save time and effort with our informative newsletter that offers strategies, tools, resources, and playlists from the culturally competent and socially just educator and creator Jebeh Edmunds! https://jebehedmunds.com/digitalcourse/email-signup/

When you think of Black ballerinas, names like Misty Copeland or Janet Collins may come to mind. But did you know that a classical ballet dancer from L.A. named Bernice Harrison predated both of them?Today, the lesser-known story of Harrison's rise to become the first Black prima ballerina, and the legacy of the First Negro Classical Ballet Company. Read the full transcript here.Host: L.A. Times producer Ashlea BrownGuest: Kenneth Marcus professor of history at the University of LaverneMore reading:First Negro Classical Ballet and Bernice HarrisonL.A. Times Today: In ‘Kylie,' a Black ballerina shares her experience in the ballet communityMisty Copeland, Calvin Royal III and the rarity of a black couple dancing lead roles

Carmen de Lavallade grew up in a Mexican neighborhood in East Los Angeles and started dancing as a teenager. It was her time with Lester Horton that inspired her teaching and choreography career.  She was so inspired she invited her junior high school friend Alvin Ailey, to study dance with Horton as well. Both dancers moved to New York to star in an all-star cast of the Broadway show "House of Flowers." On this show she met her husband, Geoffrey Holder who was "always chasing after me." Their love story of 60 years captured our hearts. Ms. de Lavallade is also the first cousin of Janet Collins, the first Black ballerina to perform at the Metropolitan Opera. When Ms. Collins retired from her position, Ms. de Lavallade was her replacement. Dance under Ms. Carmen de Lavallade's influence became a celebration of Black talent in a variety of spaces. She's got the Kennedy Center Honor to prove it!Brava, Ms. de Lavallade!This episode first aired on KBLA Talk 1580, Los Angeles.

Happy Birthday to: Janet Collins, Genevieve Stebbins, Myra Chouteau, Carolyn Carlson, and Andy Blankenbuehler! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

Today's Episode is with actress, choreographer and dance legend, Carmen De Lavallade.  Raised by a single father in post-depression Los Angeles, Carmen began her formal training at 14, a bit late for female dancers, but that didn't stop her one bit.  Within 5 years she became a lead dancer under the tutelage of renown teacher and choreographer Lester Horton, who's technique is taught in modern dance classes around the world. It was around this time she encountered another modern dance legend, eventually taking him to his first dance class, a young 15 year old gymnast by the name of Alvin Ailey. Increasingly in demand, Carmen skipped town with Alvin to New York to make her Broadway debut in House of Flowers, starring Pearl Bailey.  It was here that she met her soon-to-be husband, the multi-hyphenate artist and future Director of Broadway's The Wiz, the Tony-award winning Geoffrey Holder. The following year she made her debut as prima ballerina in the Metropolitan Opera's Samson and Delilah, further integrating the storied opera house who's color barrier was broken just 5 years earlier by her cousin, prima ballerina Janet Collins.   Making her television debut in Duke Ellington's “A Drum is a Woman” an encounter with actress Lena Horne lead her to a bevy of film roles, however Carmen's feet remained solidly on the stage where she danced with companies all over the world, including that of her childhood friend Alvin, and his nascent Alvin Ailey American Dance Theater, now the most widely toured and  well-known modern  dance company in the world.  Her acting chops led her to to be named  Artist-in-Residence at Yale Repertory theatre, later joining the faculty where she trained young upstarts like Meryl Streep and Sigourney Weaver., among others, and she was awarded a Kennedy Center Honors in 2016 In today's episode, we discuss Carmen's journey to becoming one of the most celebrated performers of her time, the lessons she learned from mentor Josephine Baker, how to maintain relationships as a creative, and the greatest lesson she's learned in her ninety years here on earth. That's right, ninety. This episode is a special one for us at the Institute of Black Imagination because it was her donation of over 2000 books from her late husband's archive that began this entire project. It's an honor and a privilege to present this beautiful conversation with the great, Carmen De Lavallade. Be sure to subscribe where ever you receive your podcasts, share a favorite quote with friend, and be sure sure to tag us on instagram at @blackimagination and on twitter at @blkimagination.  To Support this work, click here! Support this podcast

You're listening to the Westerly Sun's podcast, where we talk about the best local events, new job postings, obituaries, and more. First, a bit of Rhode Island trivia. Today's trivia is brought to you by Perennial. Perennial's new plant-based drink “Daily Gut & Brain” is a blend of easily digestible nutrients crafted for gut and brain health. A convenient mini-meal, Daily Gut & Brain” is available now at the CVS Pharmacy in Wakefield. Now for some trivia. Did you know that Cormac McCarthy was born in Providence in 1933? Famous for his novels, plays, and short stories, McCarthy has had a storied career. A number of his books have been made into feature films including All the Pretty Horses, The Road, Child of God, and most notably, No Country for Old Men which won four academy awards, including Best Picture. Now, here are a few events today that we're looking forward to. At 10 am this morning join Miss Chamoni at the Clark Memorial Library for a virtual story hour for kids. Head over to clarklib.org to register and receive your invite. There's a virtual exhibit opening at the Layman Allyn Art Museum on May 28th in New London. You'll celebrate Memories & Inspiration: The Kerry and C. Betty Davis Collection of African American Art. This event will include a video tour of the exhibition, followed by a conversation with the collectors, Kerry and Betty Davis, as well as Lyman Allyn's Tanya Pohrt, Jane LeGrow and Sam Quigley. There will be time at the end for Q&A with attendees. It's free but you need to register in advance. Head over to lymanallyn.org for more information. Looking for a new role? We're here to help. Today's Job posting comes from Body Mechanix Physical Therapy in Wakefield. They're looking for a part-time or full-time medical receptionist. One year of experience and a high school degree are preferred. Pay starts at $13.00 per hour and must be great with customers. Benefits include health insurance, a 401k, and dental. ,If you'd like to learn more or apply, you can do so by using the link in our episode description.  https://www.indeed.com/l-Westerly,-RI-jobs.html?vjk=c488c3fe4e01bbbb&advn=11341438340280433 Today we're remembering the life of Janet Collins Schab, 82, of Westerly. She was married to Heinz Schab for 24 years. Born in Goessel, Kansas in 1939, she taught English at Westerly High School for over 30 years. She earned a BA from Emporia State University in Kansas and two MAs from the University of Rhode Island. She and her husband were avid travelers, visiting such places as Austria, Greece, Italy, Egypt, Turkey, and China. Following her retirement, she continued to pursue her professional interests by writing her memoirs (published in her book April in Kansas) and taking continuing education classes on a wide variety of topics. She loved reading, films, and spending time with her girlfriends. She was politically active, and campaigned enthusiastically for the candidates of her choice. She never lost touch with her Kansas roots, and traveled there regularly to reunite with family and her college roommates. She leaves behind her husband, three children, two stepchildren, six grandchildren, one great-grandchild, her sister and her friends. Thank you for taking a moment today to remember and celebrate Janet's life. That's it for today, we'll be back next time with more! Also, remember to check out our sponsor Perennial, Daily Gut & Brain, available at the CVS on Main St. in Wakefield! See omnystudio.com/listener for privacy information.

Guest host Jane Kaczmarek presents works celebrating dance.  A domineering mother uses an evening at the ballet to find fault in "My Mother Explains the Ballet to Me,” by Jesse Eisenberg, performed by Patricia Kalember. A pioneering African-American dancer remembers an audition in “Léonide Massine,” by Janet Collins, performed by Carmen de Lavallade. A magical garment transforms its owner in “The Cape,” by Ben Loory, performed by Tony Yazbeck. And the “Tango” undermines a stuffy WASP community in this funny story by Kurt Vonnegut, performed by Tony Shalhoub. Join and give!: https://donatenow.networkforgood.org/symphonyspacenyc?code=Splashpage See omnystudio.com/listener for privacy information.

#OTD Dancer Janet Collins became the first African American to perform at New York's Metropolitan Opera House

#OTD Dancer Janet Collins became the first African American to perform at New York's Metropolitan Opera House

PERSEVERANCE. How many rejections can you handle before getting the yes that changes everything? When you get to where you want to be, how do you hold your space and help others get there? In this episode, let Eva Jessye tell you how her music kept her lights on and later lit up Broadway. Stand with Janet Collins at the barre as she goes from suffering utter disappointment at the age of fifteen, to dazzling the national stage. Walk the neighborhood with Bertha Knox-Gilkey as she proclaims tenants' rights and dignity for all.

  Vidcast:  https://youtu.be/P_4fV4Bdx0k   The FDA and Flagstone Foods LLC are recalling NorthStar Sweet and Salty Caramel Trail Mix.  This product contains undisclosed cashew nuts.  Those who are cashew-allergic may develop a severe or life-threatening reaction if they consume this confection.  This product was distributed nationally at military PXs.  If you bought this product, return it to the point of purchase for a complete refund. For more information, contact Janet Collins at the company by calling 1-612-222-3857.   https://www.fda.gov/safety/recalls-market-withdrawals-safety-alerts/flagstone-foods-llc-issues-voluntary-recall-north-star-sweet-salty-caramel-trail-mix-due-undeclared   #recall #caramels #cashews  

Click here to enter to win a Shaper Origin: http://www.finewoodworking.com/shapertools Click here to enter the Fine Woodworking Live Military Scholarship: http://www.finewoodworkinglive.com/scholarship/ For more information on the American Association of Woodturners: http://www.woodturner.org For more information on the 2020 Turning Symposium in Louisville, June 4-7, 2020: http://bit.ly/2wcI4Me For more on Janet Collins: http://www.greenmountainwoodturning.com/ For more on Josh Friend: http://jfriendwoodworks.com/

Click here to enter to win a Shaper Origin: http://www.finewoodworking.com/shapertools Click here to enter the Fine Woodworking Live Military Scholarship: http://www.finewoodworkinglive.com/scholarship/ For more information on the American Association of Woodturners: http://www.woodturner.org For more information on the 2020 Turning Symposium in Louisville, June 4-7, 2020: http://bit.ly/2wcI4Me For more on Janet Collins: http://www.greenmountainwoodturning.com/ For more on Josh Friend: http://jfriendwoodworks.com/

Today we celebrate dancer Janet Collins, the first African American to dance at New York's famed Metropolitan Opera House.

Today we celebrate dancer Janet Collins, the first African American to dance at New York's famed Metropolitan Opera House.

Today we’ll get to know and celebrate children’s book illustrator Ebony Glenn. An Atlanta based illustrator who enjoys bringing stories to life with whimsical imagery. A passion for the arts, great storytelling, and advocating for more diverse narratives in children's books, Ebony aims to create illustrations that will foster a love of reading in young readers. Over the next few weeks, we will feature two amazing books she illustrated: Brave Ballerina: The Story of Janet Collins and Not Quite Snow White. Picturebooking is made possible through the generosity of our listeners. Thank you.

In 1932, the year the College Women's Club of Cranford was formed, tuition, books, room and board at the University of Pennsylvania was a little over $1,000 a year. Costs this year at the Ivy League school are over $65,000. Scholarships from the CWC have helped students pay for rising college costs. Cranford Radio spoke with four members of the club; President Janet Collins, Vice President Vicki Goralski, Sandy Held and Elaine Romano, to learn about the CWC. We also talked about the upcoming Scholar Tea, which is being held the afternoon of March 24 in Bates Hall at the First Presbyterian Church.

Today we celebrate dancer and choreographer Janet Collins

Today we celebrate dancer and choreographer Janet Collins

Today we celebrate ballet dancer Janet Collins

Tune in for some background on dancer Janet Collins

Tune in for some background on dancer Janet Collins

Tony and Carla, interviewed Brian Chapman and Ribb Hillis about an adventure of a lifetime of dancing their way into Guinness Book of World Records. Karyn Parsons stopped by to talk about raising funds for her latest short on Janet Collins, which will

What does it mean for a contemporary scholar to be trusted with the unfinished autobiography of a dance legend? How does one ensure that the integrity of their research matches the depth of life experience embodied in their subject's narrative? Who is best served by the sharing of the untold stories of those whose narratives have been historically marginalized? And what does it mean for today's dancers to learn about those who have paved the way for them under harsh and unjust circumstances? These were the questions I had in mind when I was lucky enough to interview historian and dancer Yael Tamar Lewin, author of Night's Dancer, The Life of Janet Collins (Wesleyan University Press, 2011), a soaring work that includes Ms. Collin's unfinished autobiography. Born in 1917, Janet Collins was raised in Los Angeles and has the historic distinction of being the first African – American prima ballerina at the Metropolitan Opera. A dancer with demonstrable skill in both ballet and modern dance vocabularies, Janet's career included performances on television, in film and on Broadway. Despite her triumphs as an artist, Ms. Collins faced intense racial bias throughout her career as a dancer, choreographer and teacher. An accomplished painter and deeply spiritual person, Janet's story is tenderly and meticulously recounted in both her own words and through Ms. Lewin's wonderful research. The book stands as a testament to any dancer today wishing to fulfill their artistic potential in a world that can be unwelcoming and cold. Notably, Yael's research on Collins began during her own undergraduate studies and took shape over several years during which a trusting relationship budded between subject and author. This model of scholarship and the resulting work shares lessons on how to handle the narrative of a beloved artist with care. Yael Tamar Lewin is a writer, editor, choreographer, and alternative medicine practitioner. She holds undergraduate and graduate degrees from Barnard College and Columbia University, and has performed with several dance companies, including her own. She lives in New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it mean for a contemporary scholar to be trusted with the unfinished autobiography of a dance legend? How does one ensure that the integrity of their research matches the depth of life experience embodied in their subject's narrative? Who is best served by the sharing of the untold stories of those whose narratives have been historically marginalized? And what does it mean for today's dancers to learn about those who have paved the way for them under harsh and unjust circumstances? These were the questions I had in mind when I was lucky enough to interview historian and dancer Yael Tamar Lewin, author of Night's Dancer, The Life of Janet Collins (Wesleyan University Press, 2011), a soaring work that includes Ms. Collin's unfinished autobiography. Born in 1917, Janet Collins was raised in Los Angeles and has the historic distinction of being the first African – American prima ballerina at the Metropolitan Opera. A dancer with demonstrable skill in both ballet and modern dance vocabularies, Janet's career included performances on television, in film and on Broadway. Despite her triumphs as an artist, Ms. Collins faced intense racial bias throughout her career as a dancer, choreographer and teacher. An accomplished painter and deeply spiritual person, Janet's story is tenderly and meticulously recounted in both her own words and through Ms. Lewin's wonderful research. The book stands as a testament to any dancer today wishing to fulfill their artistic potential in a world that can be unwelcoming and cold. Notably, Yael's research on Collins began during her own undergraduate studies and took shape over several years during which a trusting relationship budded between subject and author. This model of scholarship and the resulting work shares lessons on how to handle the narrative of a beloved artist with care. Yael Tamar Lewin is a writer, editor, choreographer, and alternative medicine practitioner. She holds undergraduate and graduate degrees from Barnard College and Columbia University, and has performed with several dance companies, including her own. She lives in New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

What does it mean for a contemporary scholar to be trusted with the unfinished autobiography of a dance legend? How does one ensure that the integrity of their research matches the depth of life experience embodied in their subject’s narrative? Who is best served by the sharing of the untold stories of those whose narratives have been historically marginalized? And what does it mean for today’s dancers to learn about those who have paved the way for them under harsh and unjust circumstances? These were the questions I had in mind when I was lucky enough to interview historian and dancer Yael Tamar Lewin, author of Night’s Dancer, The Life of Janet Collins (Wesleyan University Press, 2011), a soaring work that includes Ms. Collin’s unfinished autobiography. Born in 1917, Janet Collins was raised in Los Angeles and has the historic distinction of being the first African – American prima ballerina at the Metropolitan Opera. A dancer with demonstrable skill in both ballet and modern dance vocabularies, Janet’s career included performances on television, in film and on Broadway. Despite her triumphs as an artist, Ms. Collins faced intense racial bias throughout her career as a dancer, choreographer and teacher. An accomplished painter and deeply spiritual person, Janet’s story is tenderly and meticulously recounted in both her own words and through Ms. Lewin’s wonderful research. The book stands as a testament to any dancer today wishing to fulfill their artistic potential in a world that can be unwelcoming and cold. Notably, Yael’s research on Collins began during her own undergraduate studies and took shape over several years during which a trusting relationship budded between subject and author. This model of scholarship and the resulting work shares lessons on how to handle the narrative of a beloved artist with care. Yael Tamar Lewin is a writer, editor, choreographer, and alternative medicine practitioner. She holds undergraduate and graduate degrees from Barnard College and Columbia University, and has performed with several dance companies, including her own. She lives in New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it mean for a contemporary scholar to be trusted with the unfinished autobiography of a dance legend? How does one ensure that the integrity of their research matches the depth of life experience embodied in their subject’s narrative? Who is best served by the sharing of the untold stories of those whose narratives have been historically marginalized? And what does it mean for today’s dancers to learn about those who have paved the way for them under harsh and unjust circumstances? These were the questions I had in mind when I was lucky enough to interview historian and dancer Yael Tamar Lewin, author of Night’s Dancer, The Life of Janet Collins (Wesleyan University Press, 2011), a soaring work that includes Ms. Collin’s unfinished autobiography. Born in 1917, Janet Collins was raised in Los Angeles and has the historic distinction of being the first African – American prima ballerina at the Metropolitan Opera. A dancer with demonstrable skill in both ballet and modern dance vocabularies, Janet’s career included performances on television, in film and on Broadway. Despite her triumphs as an artist, Ms. Collins faced intense racial bias throughout her career as a dancer, choreographer and teacher. An accomplished painter and deeply spiritual person, Janet’s story is tenderly and meticulously recounted in both her own words and through Ms. Lewin’s wonderful research. The book stands as a testament to any dancer today wishing to fulfill their artistic potential in a world that can be unwelcoming and cold. Notably, Yael’s research on Collins began during her own undergraduate studies and took shape over several years during which a trusting relationship budded between subject and author. This model of scholarship and the resulting work shares lessons on how to handle the narrative of a beloved artist with care. Yael Tamar Lewin is a writer, editor, choreographer, and alternative medicine practitioner. She holds undergraduate and graduate degrees from Barnard College and Columbia University, and has performed with several dance companies, including her own. She lives in New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it mean for a contemporary scholar to be trusted with the unfinished autobiography of a dance legend? How does one ensure that the integrity of their research matches the depth of life experience embodied in their subject’s narrative? Who is best served by the sharing of the untold stories of those whose narratives have been historically marginalized? And what does it mean for today’s dancers to learn about those who have paved the way for them under harsh and unjust circumstances? These were the questions I had in mind when I was lucky enough to interview historian and dancer Yael Tamar Lewin, author of Night’s Dancer, The Life of Janet Collins (Wesleyan University Press, 2011), a soaring work that includes Ms. Collin’s unfinished autobiography. Born in 1917, Janet Collins was raised in Los Angeles and has the historic distinction of being the first African – American prima ballerina at the Metropolitan Opera. A dancer with demonstrable skill in both ballet and modern dance vocabularies, Janet’s career included performances on television, in film and on Broadway. Despite her triumphs as an artist, Ms. Collins faced intense racial bias throughout her career as a dancer, choreographer and teacher. An accomplished painter and deeply spiritual person, Janet’s story is tenderly and meticulously recounted in both her own words and through Ms. Lewin’s wonderful research. The book stands as a testament to any dancer today wishing to fulfill their artistic potential in a world that can be unwelcoming and cold. Notably, Yael’s research on Collins began during her own undergraduate studies and took shape over several years during which a trusting relationship budded between subject and author. This model of scholarship and the resulting work shares lessons on how to handle the narrative of a beloved artist with care. Yael Tamar Lewin is a writer, editor, choreographer, and alternative medicine practitioner. She holds undergraduate and graduate degrees from Barnard College and Columbia University, and has performed with several dance companies, including her own. She lives in New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Centers for Disease Control and Prevention is a Federal agency dedicated to protecting health and reducing death and disability. The CDC is focusing resources on winnable battles. Learn what those battles are and how they will be fought from CDC Director of Program Dr. Janet Collins. The post Getting Better Health Care – Winnable disease prevention battles appeared first on WebTalkRadio.net.