Podcast appearances and mentions of Misty Copeland

In 2015, Misty Copeland became the first Black woman to become principal dancer at the American Ballet Theatre. Her heartfelt memoir “The Wind at My Back” pays tribute to her mentor and fellow dance pioneer Raven Wilkinson, who performed in the segregated South as a member of the Ballet Russe de Monte Carlo in the 1950s. A few years back, Misty joined guest host Talia Schlanger to talk about Raven's incredible life and legacy.

This week on reCappin', we open with a quick catch-up on time away—including Ashley's dreamy trip to Italy! In Headlines, we discuss Misty Copeland's official retirement, Coco Gauff's historic French Open win, the serious accusations against Jared Leto, Aaron Pierre, and Teyana Taylor going public with a kiss, and we pay our respects to the late Sly Stone and Ananda Lewis. (12:07) In Hot Topics, we touch on the highlights we caught from the Tony Awards and BET Awards. (35:10) Stay tuned for our next episode! We recap Netflix's Hit Show “Forever”. We are available on all podcasting platforms, but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com    

In Misty Copeland's 10 years as the American Ballet Theater's first Black woman principal dancer, she has inspired others to see themselves in ballet shoes and on stages across the world — and St. Louis is no exception. Erica Hill, founder of the Florissant-based dance company Pointe of Surrender, speaks to Copeland's influence — on herself and the Black dancers who come to her studio. Hill also describes Healing Humanity Through Arts, her dance company's nonprofit arm, and its work to make dance accessible to youth through school-based programming and scholarships.

The American Ballet Theater's first Black female principal dancer on everything she's fought for and the decision to end her historic career with the company.Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

The American Ballet Theater's first Black female principal dancer on everything she's fought for and the decision to end her historic career with the company.

Elizabeth Chambers on hosting new true crime series, 'Toxic.' Also, delicious Cinco de Mayo dishes and cocktails. Plus, ballerina Misty Copeland discusses her new book, 'Letters to Misty.' And, a behind-the-scenes look at luxury fashion company Balmain.

Hip-hop mogul Sean "Diddy" Combs rejected a plea deal offer on Thursday. The 55-year-old recording artist is facing federal charges that include sex trafficking and racketeering. He has pleaded not guilty. Jury selection is set to begin on Monday for his trial. The TSA says about 1 in every 5 flyers are showing up to airports without a Real ID, passport or other compliant ID, meaning they could have major travel troubles when the Real ID requirements take effect next week. CBS News senior transportation correspondent Kris Van Cleave has more. R.E.M. is releasing a new "Radio Free Europe" remix to raise money for the real Radio Free Europe/Radio Liberty ahead of World Press Freedom Day. First on CBS Mornings, CBS News' Anthony Mason speaks with former R.E.M. frontman Michael Stipe about the remix & the importance of RFE. In the "Kindness 101," Steve Hartman and his children are sharing a lesson in equality. A young girl loved to play with Army toys, but noticed there were no female soldiers. Hartman reconnects with the girl years after she decided to take action. Actor Connie Britton played Tami Taylor on "Friday Night Lights." She's drawing on her real life parenting experience in her new show on the Hallmark Channel, "The Motherhood." In each episode, Britton and her team of experts, the "Neighborhood Ladies," help a single mother with everything from parenting strategies to wardrobe. Zarna Garg broke into comedy when she was 45 years old. Since then, the former stay-at-home mom's career has skyrocketed, from touring with Amy Poehler and Tina Fey to working with Mindy Kaling and Kevin Hart. CBS News' Shanelle Kaul has more on her journey. Ballerina Misty Copeland made history nearly a decade ago as the first Black female principal dancer at the American Ballet Theatre. Her new book, "Letters to Misty: How to Move Through Life with Confidence and Grace" offers advice on issues like body image and friendship, based on letters she's received from fans throughout her career. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Boldly going where few fandom scholars have gone before, Fandom for Us, by Us: The Pleasures and Practices of Black Audiences (NYU Press, 2025) breaks from our focus on white fandom to center Black fandoms. Alfred L. Martin, Jr., engages these fandoms through what he calls the “four C's”: class, clout, canon, and comfort. Class is a key component of how Black fandom is contingent on distinctions between white, nationally recognized cultural productions and multicultural and/or regional cultural productions, as demonstrated by Misty Copeland's ascension in American Ballet Theatre. Clout refers to Black fans' realization of their own consumer spending power as an agent for industrial change, reducing the precarity of Blackness within historically white cultural apparatuses and facilitating the production of Black blockbusters like 2018's Black Panther. Canon entails a communal fannish practice of sharing media objects, like the 1978 film The Wiz, which lead them to take on meanings outside of their original context. Comfort describes the nostalgic and sentimental affects associated with beloved fan objects such as the television show, Golden Girls, connected to notions of Black joy and signaling moments wherein Black people can just be themselves. Through 75 in-depth interviews with Black fans, Fandom for Us, by Us argues not only for the importance of studying Black fandoms, but also demonstrates their complexities by both coupling and decoupling Black reception practices from the politics of representation. Martin highlights the nuanced ways Black fans interact with media representations, suggesting class, clout, canon, and comfort are universal to the study of all fandoms. Yet, for all the ways these fandoms are similar and reciprocal, Black fandoms are also their own set of practices, demanding their own study. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

How can we recognize potential and unlock it? Misty Copeland was the first Black woman to be promoted to principal dancer with the American Ballet Theatre. But as a child she almost quit after her first class – until an early teacher convinced her to return. Misty talks to Meet The Leader about the ways dance changed how she navigated life and how it taught her key skills such as resilience, empathy and curiosity. She shares how she uses her perspective and experience to found the Misty Copeland Foundation and develop a free afterschool program that reinvents how dance is taught to bridge diversity gaps while also teaching key leadership skills. She shares why these skills and approaches are vital to driving future change and what any leader can learn about elevating others.  This interview was recorded in January 2025 at the World Economic Forum's Annual Meeting in Davos, Switzerland. To learn more:  Misty Copeland Foundation: Special Open Forum Screening: Flower: Dancing Through Adversity: How can art drive equality for women? Two cultural trailblazers weigh in: About this episode:  Transcript: Related Podcasts:  Radio Davos: Dance or die: the ballet dancer who faced down Al Qaeda to become the voice of stateless refugees:

Graham travels to New York City to sit down with dancer Misty Copeland. The ballerina discusses her history-making performance as the Firebird, inequality within the ballet community and her newest role of motherhood. In this 2022 interview, Copeland also remembers a rough childhood in the public eye and how she overcame it all to be the first black woman principal dancer in the history of American Ballet Theatre.

Today's Sponsor: Sports Integrityhttp://thisistheconversationproject.com/sportsintegrity      Today's Rundown:Tropical Storm Francine forms in Gulf, headed toward US landfall as a hurricanehttps://www.msn.com/en-us/weather/topstories/tropical-storm-francine-forms-in-gulf-headed-toward-us-landfall-as-a-hurricane/ar-AA1qeeYb?cvid=967ef7c5416546f5a44800253bfc8c35&ei=12  Critics Rip Kevin Costner's ‘Horizon Chapter 2' In First Reviews After Venice Debuthttps://www.forbes.com/sites/timlammers/2024/09/07/critics-rip-kevin-costners-horizon-chapter-2-in-first-reviews-after-venice-debut/  Bryan Kohberger trial to be moved out of Idaho college town where killings took place, judge ruleshttps://nypost.com/2024/09/09/us-news/bryan-kohberger-trial-to-be-moved-out-of-idaho-college-town-where-killings-took-place-judge-rules/  Apple pivots to artificial intelligence with its new iPhone 16 lineuphttps://apnews.com/article/apple-iphone-16-artificial-intelligence-google-samsung-4f30bf40ad89793d80f8ac3a20f9e79c    Trump Media shares rebound after poll shows tight race for White Househttps://www.msn.com/en-us/news/politics/trump-media-shares-rebound-after-poll-shows-tight-race-for-white-house/ar-AA1qgM27?cvid=977141d72000499aeec3ea30abd6a4c1&ei=12 Princess Kate says she's completed 'tough' chemotherapy treatment for cancerhttps://www.nbcnews.com/news/world/princess-kate-chemotherapy-cancer-video-message-prince-william-rcna170203   Prince Documentary Is ‘Dead in the Water' After Four Years of Production Due to ‘Dramatic' Factual Inaccuracieshttps://www.msn.com/en-us/entertainment/other/prince-documentary-is-dead-in-the-water-after-four-years-of-production-due-to-dramatic-factual-inaccuracies/ar-BB1qdFkS   Gwyneth Paltrow's Goop is cutting 18% of staff as it scrambles to change strategyhttps://nypost.com/2024/09/06/business/gwyneth-paltrows-goop-slashing-18-of-workforce-to-focus-on-beauty-products/   Website: http://thisistheconversationproject.com  Facebook: http://facebook.com/thisistheconversationproject  Twitter: http://twitter.com/th_conversation  TikTok: http://tiktok.com/@theconversationproject  YouTube: http://thisistheconversationproject.com/youtube  Podcast: http://thisistheconversationproject.com/podcasts ONE DAY OLDER ON SEPTEMBER 10:Colin Firth (64)Ryan Phillippe (50)Misty Copeland (42)  WHAT HAPPENED TODAY:1846: Elias Howe received a patent for the sewing machine.1963: Twenty black students entered public schools in Birmingham, Tuskegee and Mobile, Alabama, following a standoff between federal authorities and Gov. George C. Wallace, who resisted integration.1989: Hungary stopped enforcing East German visa restrictions and opened its borders, beginning a flood of emigration that led to the fall of the Berlin Wall two months later.   WORD OF THE DAY: passé [ pa-sey; for French pah-sey ]https://www.dictionary.com/browse/passeout of fashionWhile once a staple in every teenager's bedroom, posters of boy bands from the '90s are now seen as quite passé.   DAILY AFFIRMATION: Challenges Help Me Grow And Become Better.Reduces Negative Thoughts: Recognizing challenges as growth opportunities can significantly reduce negative thoughts, allowing you to view difficulties with a more positive outlook and become more aware of your patterns and feelings.https://www.amazon.com/100-Daily-Affirmations-Positivity-Confidence/dp/B0D2D6SS2D/   PLUS, TODAY WE CELEBRATE: World Suicide Prevention Dayhttps://www.who.int/campaigns/world-suicide-prevention-day/world-suicide-prevention-day-2024Suicide is a major public health challenge, with more than 700 000 deaths each year globally. Each suicide has far-reaching social, emotional, and economic consequences, and deeply affects individuals and communities worldwide. The triennial theme for World Suicide Prevention Day for 2024-2026 is "Changing the Narrative on Suicide" with the call to action "Start the Conversation". This theme aims to raise awareness about the importance of reducing stigma and encouraging open conversations to prevent suicides.         

MSNBC's Ari Melber hosts The Beat on Thursday, August 29, and reports on the Harris-Walz ticket, the DNC and women's rights. Plus, Melber does of fact check of his interview with Trump aide Corey Lewandowski and is joined by legendary ballerina Misty Copeland for the latest Summit installment. Jen Psaki, Sophia Bush, Juanita Tolliver and Steve Benen also join.

Hello Friend, I am excited to hear from you. From Storyteller to Story: Richelle Carey's Remarkable JourneyJoin us for an inspiring episode with Richelle Carey, an Emmy Award-winning American Broadcaster who has led the way in journalism with integrity and truth. Richelle's journey is nothing short of remarkable, transitioning from a storyteller to becoming the story herself when she made the defining decision to become a mommy.In this episode, Richelle opens up about her life, the internal shifts necessary to live her deepest dream, and the challenges and rewards of navigating life's transitions. Her honesty and openness shine through in our in-depth conversation, making this episode a must-listen for anyone going through change.Richelle's Remarkable Career:International Affairs & Media Training: Richelle is not just a journalist but a leader in media training and public relations as the Chief of Media Training at Words Warriors communications firm. She directs initiatives that provide executive media training and coaching for high-profile executives and founders.Broadcast Career Highlights: Richelle has an impressive broadcast career, having held anchor roles at CNN and Al Jazeera. She was a launch anchor at Al Jazeera America in New York before moving to Doha, Qatar, to lead the network's coverage of major world events. At HLN in Atlanta, she hosted 'What Matters', a segment focused on topics important to the African-American community.Advocacy & Community Involvement: Deeply committed to ending violence against women, Richelle serves on the board of No Harm and has previously served on the board of Men Stopping Violence. Her dedication to advocacy also extends to her past role on the board of the Girl Scouts of Greater Atlanta.Richelle's ability to balance authority and compassion in her interviews has made her a thoughtful and impactful voice in journalism. She has conducted interviews with notable figures such as Misty Copeland, Sam Zell, and Janet Jackson, showcasing her versatility across various subjects from current affairs to entertainment.In our chat, Richelle shares the internal and external shifts required to pursue her dreams and the importance of resilience and passion in the face of challenges. Her journey from a young journalist in Houston to an influential broadcaster and advocate demonstrates the power of determination and purpose.Don't miss this episode as we dive deep into Richelle's inspiring story and the life trHave you been developing your big idea to make an impact on the world but don't know what comes next? At Monica Wisdom Consulting, we center your vision and work to create a clear, concise, and strategic plan. You can build all your dreams; you just need a roadmap to get there.If you're ready for your next step, book a call, and let's talk about your vision and your future. Visit www.monicawisdomhq.com.Please support our Sponsors:Vital Body is a nutrient company with an incredible product called Vital Fruits and Vegetables with amazing ingredients, probiotics, and greens with no added sugar. www.blackwomenamplified.com/vitalbodyThey are offering our tribe 20% off when you use the code: monica20Monica Wisdom Global is a consulting agency for women entrepreneurs. We help you build a business aligned with your vision, voice, and values. We also offer copywriting services for your website refresh. Book a discovery call and discover ways to elevate your knowledge and expertise.Visit www.monicawisdomhq.comThank you for supporting our power partners.

How high can you leap? Misty Copeland's memoir is as full of as much grace as she has on the stage.  My friend, Brett, and I discuss her surprising journey to becoming a principal dancer for the prestigious American Ballet Theatre. Her story is packed with  adversity, compassion, but most important of all, hope. She's an inspiration for dancers (and non-dancers) of all ages! Listener discretion advised: this episode contains adult language

Wedding season is here and it is a great time to reminisce on your own love story. In this episode of The MomForce Podcast we are diving into the topic of "Empowering Relationships,"  with some incredible guests who share their insights on how to strengthen relationships. Hear from influencer and author Sazan Hendrix, professional dancer Jenna Johnson of Dancing with the Stars, design queen Julia Marcum, ballerina extraordinaire Misty Copeland, and entrepreneur and philanthropist Camila McConaughey as they discuss their personal experiences and offer tips to be a better partner. Don't miss this opportunity to learn from these amazing women and enhance your own relationships! 2:00 Forbidden love with influencer and author Sazan Hendrix  5:30 Professional dancer Jenna Johnson on working with her spouse 7:45 Family movie night and date night traditions with Julia Marcum of Chris Loves Julia  9:30 Misty Copeland on growing up with a single mom and how amazing single parents are. And how grateful she is for her supportive partner.  10:40 Camila McConaughey on how she keeps curiousity alive in her marriage with Matthew McConaughey.  Use code: MOMFORCE for 20% off your first  Chatbooks order!  Follow Vanessa Follow Chatbooks Try out HeyFam our new family chat app

Misty Copeland joins the show to discuss instability in her childhood, elevating in dance as a black woman, and the unique culture of ballet. Hosted on Acast. See acast.com/privacy for more information.

Today, we've got a really special conversation for you.Our guest today is a real trailblazer… A boundary breaker in the world of ballet… An incredibly special human… She went from living in motel rooms to performing on the world's biggest stages… She is the legendary Misty Copeland.Misty's journey from living in motel rooms to becoming the first African American female principal dancer at the American Ballet Theatre is nothing short of inspiring.Misty started ballet at the late age of thirteen and rose to perform lead roles in iconic productions like Swan Lake and Romeo and Juliet. During her meteoric rise, she was also featured on the covers of Time, ESSENCE, and Women's Health. Misty didn't just enter the ballet world; she transformed it, merging classical finesse with her powerful narrative. She has not only shattered ceilings but also redefined what safety and success look like in the arts.Misty's influence extends well beyond dance, collaborating with artists like Taylor Swift, Camila Cabello and H.E.R, and authoring several New York Times bestsellers. Her work through the Misty Copeland Foundation continues to inspire a new generation to embrace ballet and find their voice in the arts.In today's episode, Misty will share insights into the pivotal experiences that shaped her, her approach to handling the pressures of her field, and how she crafts her breathtaking performances that tell stories which resonate with so many.With Fire,MG and the FM Team-----WATCH this episode on our YouTube channel.Connect with us on our Instagram.Order my book, "The First Rule of Mastery" HERE!For more information and shownotes from every episode, head to findingmastery.com.To check out our exclusive sponsor deals and discounts CLICK HERESee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Swans of Harlem: Five Black Ballerinas, Fifty Years of Sisterhood, and the Reclamation of Their Groundbreaking History   By:  Karen ValbyThe forgotten story of a pioneering group of five Black ballerinas, the first principals in the Dance Theatre of Harlem, who traveled the world as highly celebrated stars in their field and whose legacy was erased from history until now.At the height of the Civil Rights movement, Lydia Abarça was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem. She was the first Black ballerina on the cover of Dance magazine, an Essence cover star, cast in The Wiz  and on Broadway with Bob Fosse. She performed in some of ballet's most iconic works with her closest friends—founding members of the company, the Swans of Harlem, Gayle McKinney, Sheila Rohan, Marcia Sells, and Karlya Shelton—for the Queen of England and Mick Jagger, with Josephine Baker, at the White House, and beyond.Some forty years later, when Lydia's granddaughter wanted to show her own ballet class evidence of her grandmother's success, she found almost none, but for some yellowing photographs and programs in the family basement. Lydia had struggled for years to reckon with the erasure of her success, as all the Swans had. Still united as sisters in the present, they decided it was time to share their story themselves.Captivating, rich in vivid detail and character, and steeped in the glamor and grit of professional ballet, The Swans of Harlem  is a riveting account of five extraordinarily accomplished women, a celebration of their historic careers, and a window into the robust history of Black ballet, hidden for too long. During Covid, five ballerinas met weekly on Zoom and formed the 152nd Street Black Ballet Legacy Council. Karen Valby joined them and wrote their story “Karen Valby's The Swans of Harlem brings to life the stories of Black dancers whose contributions to the world of ballet were silenced, marginalized, and otherwise erased. Karen introduces readers to important figures of our past, while inspiring us to courageously chase our dreams.”Misty Copeland“These five original Dance Theatre of Harlem ballerinas fell in love with an art form that most of America believed was white and should remain so. Upon Arthur Mitchell's founding of an all-Black company in 1969, they eagerly took their places at the barre and challenged themselves to the utmost. They triumphed. They showed that Blacks could not only excel at classical ballet but could also shape the art in their own vibrant image. Karen Valby weaves their stories together as a choreographer would: the women form an ensemble, yet each gets her own riveting solo. It's thrilling to watch as they join forces at last and claim their unique place in American ballet's past, present and future.”—Margo Jefferson152nd Street Black Ballet Legacy FoundationThe 152nd St. Black Ballet Legacy is an independent non-profit organization created by five trailblazing Black ballerinas.  Their professional careers began at the founding of Dance Theatre of Harlem, where their sisterhood was born.  They have enjoyed and nurtured their sisterhood for over 50 years and continue to thrive for the sake of preserving our their rich history.Lydia Abarca Mitchell is a founding member of the Dance Theatre of Harlem and their first prima ballerina. She danced leading roles in George Balanchine's Agon, Bugaku, Concerto Barocco, Allegro Brillante, Tchaikovsky Pas de Deux, and Swan Lake, Jerome Robbins' Afternoon of a Faun, Ruth Page's Carmen and Jose, William Dollar's Le Combat, and Arthur Mitchell's Ode to Otis, Holberg Suite, and Biosfera. She was featured on the cover of DanceMagazine, in the movie The Wiz, and on Broadway in Bob Fosse's Dancin'.  It was a stunning career on the world stage.Karen Valby Author of Welcome to Utopia, and contributor to The New York Times; O, The Oprah Magazine; Glamour; Fast Company; and Entertainment WeeklyDance Theater of HarlemThe Dance Theater of Harlem was founded in 1969, during the Civil Rights movement by Arthur Mitchell and Karel Shook.Harlem School of the ArtsElizabeth Howard, Producer and Host of the Short Fuse Podcast Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in European Communications, Investor Relations, Law Firm Marketing & Profit Report, Communication World, The Strategist, and the New York Law Journal, among others.  Her books include Queen Anne's Lace and Wild Blackberry Pie, (Thornwillow Press, 2011), A Day with Bonefish Joe (David Godine, 2015) and Ned O'Gorman:  A Glance Back (Easton Studio Press, 2016). She leads reading groups at the Center for Fiction in Brooklyn, New York.  @elizh24 on Instagram     

Prince is finally set to receive a star on the Hollywood Walk of Fame, a recognition he declined twice during his lifetime before his tragic passing on April 21, 2016. The Hollywood Chamber of Commerce announced on Tuesday, June 25, that the late singer will be honored posthumously as part of the Hollywood Walk of Fame Class of 2025, alongside other notable figures like Nia Long, Misty Copeland, Fantasia, Jane Fonda, and David Beckham. According to People, Prince had discussed the prospect of a nomination with a Walk of Famer before his death but expressed that he was "not ready" for the honor, as noted by Walk of Fame producer Ana Martinez. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode of Asked and Answered By Soul, Jennifer Urezzio and Flor Blake, personal branding and commercial photographer and contagious ambassador for self-love, talk about discovering your inner badass, living colorfully, being patient with the process and trusting that the Universe will catch you when you jump out of your comfort zone. Being a badass takes daily practice to keep up your confidence and your trust. Join us here as Jennifer and Flor share that we need to begin with small steps and as we do, then something bigger will become available to us. We need to have trust that even though we want results fast, it takes time and patience to learn what may be holding us back and overcome those fears. It takes a lot of internal work to connect with our Soul and identify the limiting beliefs we have that keep you from embracing our badassness. You can learn more about Flor at https://www.florblakephoto.com/. About Flor Flor Blake is a celebrity and personal branding photographer with a style consisting of creative, bold, and dynamic imagery. Flor knows everybody is gorgeous and is on a mission to help you connect and embrace your inner badass to conquer YOUR WORLD. She has made striking portraits of Michelle Obama, Gloria Estefan, Octavia Spencer, Gloria Steinem, Rigoberta Menchú Tum, Misty Copeland, and many more beautiful faces. She is a contagious ambassador for self-love, confidence, diversity & inclusion, and she wants you to celebrate your existence at every age and every weight because you're always worthy. Flor travels around the world to give her clients the best Personal Branding Photoshoot Experience they'll ever have. Flor's work has been seen in Forbes, The Wall Street Journal, Buzzfeed, People, Inc., The Photographic Journal, 5280 Magazine, El Nuevo Día, The Denver Post, and more. The Asked and Answered by Soul podcast is dedicated to helping you understand that your Soul is the answer. If you want to learn more about your soul's answers and purpose, access your free guide at www.themythsofpurpose.com. And, you can purchase our God magnet at https://jurezzio.etsy.com/listing/1623450013/refrigerator-magnet-borg-of-goodness. Learn more about your ad choices. Visit megaphone.fm/adchoices

Renowned American ballet dancer Misty Copeland opens up about the instability she faced in her childhood and how her natural athleticism and incredible discipline led her to shine as a dance prodigy in her teens. She talks about the evolution of her relationship to food and nutrition from growing up in various different kitchens to eating like an athlete. Plus, you'll hear how to make one of her healthy, go-to recipes: Baked tilapia with veggies.Misty Copeland is a Principal Dancer with the American Ballet Theatre. She made history in 2015, becoming the first African-American woman to ever be promoted to that position. She's written several New York Times bestselling books and launched her own foundation in 2022. Hosted on Acast. See acast.com/privacy for more information.

Award-winning ABC News journalist, Deborah Roberts, curates a collection of essays and musings from celebrity friends and colleagues alike that share how teachers changed them, imparted life lessons, and helped them get to where they are today. Contributors include Oprah Winfrey, Jenna Bush-Hager, Robin Roberts, Brooke Shields, Octavia Spencer, Rachel Ray, Misty Copeland and more. Everyone can name a teacher who had an impact on their life. Educators not only open our minds to new ideas, but they also help us recognize our potential and our passions. However, rarely do they get credit for the life-changing work they do, and often teachers have no idea how their work can influence a student all the way into adulthood.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Ballet traces its origins to the 15th century and the Italian Renaissance. But the art form has continued to evolve, with choreographers and dancers creatively incorporating new interpretations reflective of contemporary culture. Despite its evolution, today's ballet still lacks dancers of color, especially in principal roles.Trailblazer Lauren Anderson was one of the first Black dancers to climb the ranks to become the principal dancer at a major ballet company. Though it's been 34 years since she made history in that role, Anderson tells I SEE U that while progress has been made, more needs to be done so that young people of color can feel like they belong in this industry. She admits that more ballerinas of color are, indeed, taking lead roles – but too often, preference is given to light-skinned dancers. Anderson, who is dark skinned and has a muscular physique, was told as a teen that she didn't fit the right look of a ballerina – despite being recognized as a huge talent at a young age.Stay tuned as host Eddie Robinson chats unguarded with the first African American Principal Dancer with the Houston Ballet, Lauren Anderson. Born and raised in Houston's Third Ward, the iconic dancer reveals how she dealt with discrimination, which led her to unhealthy coping mechanisms due to the pressures of perfection. While she almost lost her way because of addiction, Anderson is now celebrating 14 years of sobriety as she continues to educate and mentor students on their quest to achieve their own hopes and dreams.

From "Center Stage" to "Black Swan," movies and TV shows about dance usually portray a toxic world of competition, cruelty and out-of-control stage moms. We talked to legendary ballerina Misty Copeland and film producer Leyla Fayyaz about what that world is really like.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This is her biography on her website. "Joia Jefferson Nuri has a keen intuition for helping women of color executives achieve their goals. Her training as a coach in executive Leadership and public speaking has sharpened her ability to understand and support clients in clarifying their objectives. Joia helps her clients build a toolkit to battle their destructive inner critic, allowing them to rise from their zone of excellence to their zone of genius. Trained in the rubric of positive psychology, her techniques put clients in touch with their inner critic so they can quiet it. As a leadership coach, her ultimate goal is to help clients understand their worth, maximize their abilities, and live the lives they see for themselves. Joia's signature executive team-building and inner critic workshops assist companies, social change groups, and women's organizations maximize their Leadership while aligning their values and practices. Before coaching, she was a human rights communication strategist for Harry Belafonte and Danny Glover, TransAfrica, The Institute for Policy Studies, and Truly Living Well Center for Urban Agriculture. As a communication strategist, she testified before Congress on Haiti Relief and co-wrote Congressional Testimony for Danny Glover. Joia Nuri has co-written, edited, and coached 14 TEDx Talks, including one for herself. She was honored to be invited to deliver the keynote address in Vienna, Austria, before the 53 nations of the Organization for Security and Cooperation in Europe (OSCE). Her communications career began at NBC News, where she was one of the first women hired as a technician. Her move to CBS News made her the first Black woman to serve as Technical Director of the CBS Evening News and Face The Nation. She also worked as a senior producer at NPR, PBS, and C-SPAN. Her public speaking training began with her father, a classical baritone. Later, her training continued with Shakespearean actress Naomi Jacobson. Joia has performed voiceovers for documentaries on Civil Rights icon John Lewis, ballet dancer Misty Copeland, filmmaker Ava Duverney, and Secretary of State Hilary Clinton. She applies her experience, intuition, and training to help each client achieve authentic Leadership. Today, she coaches government, education, corporations, and philanthropy leaders. AWARDS & ACCOMPLISHMENTS: EMMY AWARD, WRC-TV CORPORATION FOR PUBLIC BROADCASTING AWARD FOR PROGRAMMING EXCELLENCE SPIRIT AWARD, PACIFICA RADIO NETWORK  JUDGE FOR THE ROBERT F. KENNEDY MEMORIAL HUMAN RIGHTS AWARDS DELIVERED KEYNOTE ADDRESS BEFORE THE OSCE IN VIENNA, AUSTRIA TEDX TALK, WILMINGTON EVENT STRATEGIST, OBAMA INAUGURAL GALAS, 2009 & 2013." - Joia's Full Bio - In The Public Eye Coaching. --- Support this podcast: https://podcasters.spotify.com/pod/show/antonio-myers4/support

In this week's motivational podcast, ballet dancer Misty Copeland explains how her upward trajectory in the ballet community was met with resistance from its predominantly white industry professionals. She says the resistance spiked her anxiety and led to her seeking therapy from a sports psychologist.

In today's news, Brandon Marshall & crew discuss…Why does Michael Beasley think LBJ is the G.O.A.T. over MJ, Misty Copeland joins the show, and then, Aaron Rodgers out as VP in the 2024 race! Plus, much more!

Gaslit Nation is recharging our batteries for the big election ahead so we're re-running a popular episode this week: Andrea's interview with her longtime friend and mentor, the journalist, filmmaker, and author Nelson George. Exclusively for our Patreon community we're publishing an all new bonus show this Saturday on how to stop MAGA. To our supporters at the Democracy Defender level and higher, submit your questions for our Q&A in the comments below or in a private message -- we always love hearing from you! Our Q&A will be out later this month! Thank you to everyone who supports the show -- we could not make Gaslit Nation without you!     Nelson George set off to become the greatest music writer in the world. In this surreal essay, he explains his strange relationship with Prince who summoned him to listen to new music; this confirms George's dream was achieved. Having come out of the projects in Brooklyn to contribute to the bohemian renaissance of Spike Lee turning Brooklyn into a global brand, George lived the explosion of Black culture across film, music, art, and more at the close of the 20th century and looks back at this groundbreaking time in a sweeping and important discussion of why art matters.     This is an interview about artists -- it's for people who want to be artists -- it's for artists at all stages of their careers -- it's for people who love and consume art -- it's a discussion about the value of mentorship -- and the way to get to the heart of being an artist, why that's important, what that means, the practical ins and outs of how to do it.     From the biography on his website: "Nelson George is the author of several histories of African American music, including Where Did Our Love Go: the Rise and Fall of the Motown Sound, The Death of Rhythm & Blues, and the classic Hip Hop America. He has published two collections of music journalism: Buppies, BBoys, Baps & Bohos: Notes on Post-Soul America and the recent The Nelson George Mixtape, which is available through Pacific Books. He has written several novels with music themes (The Accidental Hunter, The Plot Against Hip Hop, The Lost Treasures of R&B, and To Funk and Die in LA). In television, George was a producer on the Emmy Award winning The Chris Rock Show on HBO, a producer on Hip Hop Honors on VH1, and executive producer of the American Gangster crime series on BET. As a filmmaker, George has co-written the screenplays to Strictly Business and CB4. He directed Queen Latifah to a Golden Globe in the HBO film Life Support, which he also co-wrote. He has directed a number of documentaries including Finding the Funk, The Announcement, and Brooklyn Boheme (Showtime). George was a producer on the award winning documentary on Black music executive Clarence Avant, The Black Godfather, for Netflix. His theatrical documentary on ballerina Misty Copeland is called A Ballerina's Tale. He was a writer/producer on Baz Lurhmann's hip hop inspired Netflix series The Get Down. He is an executive producer of Dear Mama, a documentary series about Tupac Shakur directed by Allen Hughes." And, to add to this illustrious biography, Nelson has been a longtime friend and mentor who helped Andrea navigate the wily world of getting Mr. Jones written and produced.     Fight for your mind! To get inspired to make art and bring your projects across the finish line, join us for the Gaslit Nation LIVE Make Art Workshop on April 11 at 7pm EST – be sure to be subscribed at the Truth-teller level or higher to get your ticket to the event!     Join the conversation with a community of listeners at Patreon.com/Gaslit and get bonus shows, all episodes ad free, submit questions to our regular Q&As, get exclusive invites to live events, and more!     Check out our new merch! Get your “F*ck Putin” t-shirt or mug today! https://www.teepublic.com/t-shirt/57796740-f-ck-putin?store_id=3129329

Jessica Wallis, founder and executive director of the non-profit organization, Ballet in the City, joined the studio for the March 19th episode! Ballet in the City presents programming and events to promote and enhance the culture of ballet in cities all over the world. It works to connect ballet enthusiasts with professional dancers, scholarships, and educational opportunities. Jessica is a dancer and a two-time honors graduate of The University of Akron. She has been honored for her work with an official proclamation from the City of Cleveland in her home state of Ohio and was presented with a Distinguished Alumni award by the Cuyahoga Falls Schools Foundation in 2018. On this episode, she discusses how she's working to expand inclusivity and access to ballet all over the world with programs like the Ballet in the City Scholarship, which began in 2015 in collaboration with Misty Copeland to promote equality in the arts for Black dancers. Ballet in the City also has a Guys Dance Too program to make dance more accessible for men of all ages and abilities and an adult ballet program, including a pointe program for adults who want to return to pointe or begin it for the first time.  Follow Ballet in the City on Instagram: ⁠@balletincity Learn more about Ballet in the City: www.balletinthecity.org Donate to help Ballet in the City expand access to ballet: https://www.balletinthecity.org/donate Music in this episode: Waltz of the Flowers - Tchaikovsky Barroom Ballet - Silent Film Light - Kevin MacLeod Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Source: ⁠http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310⁠ Artist: ⁠http://incompetech.com/⁠ ⁠@eblosfield⁠ | theadultballetstudio@gmail.com Support this podcast on Patreon! ⁠https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link --- Support this podcast: https://podcasters.spotify.com/pod/show/elizabeth-blosfield/support

Many of Darren Aronofsky's films could qualify as horror films, and the director himself has said that Black Swan belong to the genre, even if it wasn't marketed as such. Inspired by their recent trip to see Swan Lake, Juliet and Theresa talk about this psychological horror film, IMDB's parents' guides and why the Oscars snub our favorite genre and CW/TW: eating disorders, weight loss, fatphobia, sexual and psychological abuseFurther reading: And the Oscar for best picture doesn't go to ... horror! by Brianna Scott (NPR)Black Swan - Possession theory, step by step via CinematicCorner'It chips away at you': Misty Copeland on the whiteness of ballet by Terry Gross (NPR)Support us on Patreon!Theme music: "Book of Shadows" by Houseghost (Rad Girlfriend Records) Hosted on Acast. See acast.com/privacy for more information.

World famous ballerina Misty Copeland has an incredible story to share. When she discovered ballet at the age of 13 she was living in motel rooms and struggling to find a place to sleep on the floor between her five siblings. Thanks to a ballet class offered at the Boys and Girls Club and a mentor that took special interest in her abilities, Misty was on pointe shoes within three months of starting classes. A true prodigy, she began performing professionally less than a year after that.  Misty's mentor and teacher from the Boys and Girls Club invited her to live in her home so that she could provide the stability Misty needed to focus all of her time and energy on ballet. From there Misty continued to excel in every aspect of the ballet world.  On June 30, 2015, she became the first African American woman to be promoted to principal dancer in American Ballet Theater's 75-year history. Since that time she has used her voice to promote inclusion and diversity in ballet through her foundation. You are going to love hearing from Misty. Time codes:  00:50 Photos of her son Jackson that have a fun backstory  13:30 Support your kids dreams and listen to them  14:00 How to be a hands on parent and nurture your kids interests  15:00 If Misty will have her little boy do ballet  17:30 The importance of representation in ballet and the steps Misty has taken through her foundation and philanthropy to make that happen  19:50 Why Misty is hopeful for the future of diversity and inclusion in the dance world  21:30 How to help move diversity and inclusion forward wherever you are  26:25 Misty's ultimate mom hack secret  28:00 The role journaling has and still does play a part in Misty's life  29:30 Creating a Chatbook of her little family and sending it to relatives as a surprise  31:15 Misty on growing her family and writing her next children's book, Bunheads 2  Use code: MOMFORCE for 20% off your first Chatbooks order!  Follow Vanessa Follow Misty  Check out the Misty Copeland Foundation  Follow Chatbooks Try out HeyFam our new family chat app

Dancing is for everyone... and in this episode Misty Copeland joins Kevin to discuss her achievement as the first black prima ballerina, her recent foray into filmmaking, and her focus on making space in the dance world for more little girls like her. They are joined by Caryn Campbell, Executive Director of The Misty Copeland Foundation as they discuss their new initiative - the Be Bold Program - an after school program aimed at making dance accessible for young children of color. To learn more and get involved with The Misty Copeland Foundation, head to MistyCopelandFoundation.org. To support more initiatives like this program, text 'BACON' to 707070 or head to SixDegrees.Org to learn more.See omnystudio.com/listener for privacy information.

Activist, writer, author and founder of #1000BlackGirlBooks, Marley Dias, is here! She shares: What she credits the success of #1000BlackGirlBooks to. What parents and caregivers can do to help support the big ideas of kids. Why giving back is a practice.  The long term problem she sees with book banning and why she's so vocal about it. The books that changed her life and why reading is so important to staying hopeful. The impacts of being in Gen Z and how that affects her mental health. The biggest takeaways from her interviews with Misty Copeland, Ava DuVernay and Hillary Clinton  Why her mom has instilled the importance of having fun and how that's been helpful.

For our Season 3 premiere of She Pivots, host Emily Tisch Sussman sits down with Misty Copeland—principal ballerina with American Ballet Theater, mother, designer, author, and philanthropist. Misty recounts falling in love with ballet, being part of a difficult public custody battle, and the challenges of injuries in her early career. She also opens up about the isolation of being the only Black ballerina in the room, –an experience that drives her advocacy and philanthropy today–and how becoming a mother has shaped her life. (And for the Swifties: Misty talks about how performing with the superstar at the American Music Awards was “an incredible experience.”)Be sure to subscribe, leave us a rating, and share with your friends if you liked this episode!She Pivots was created by host Emily Tisch Sussman to highlight women, their stories, and how their pivot became their success. To learn more about Misty, follow us on Instagram @ShePivotsThePodcast or visit shepivotsthepodcast.com. Hosted on Acast. See acast.com/privacy for more information.

She Pivots returns for its third season to dig deeper into the personal moments that shifted our guests' perspectives and opened up new, unexpected paths. Hear from our all-star roster of women, including trailblazer Misty Copeland, actress Vanessa Hudgens, fashion designer Rebecca Minkoff, and iconic CEO Cindy Gallop. Whether you're in the midst of your own pivot or considering a change in the new year, our guests will inspire you with their stories of perseverance and transformation.With a new episode every week, be sure to subscribe and follow us on Instagram @ShePivotsThePodcast! Hosted on Acast. See acast.com/privacy for more information.

Misty Copeland is the rare ballerina who's recognizable well beyond the world of ballet. In 2015, she became the first Black woman to reach the title of principal dancer with the prestigious American Ballet Theatre. Throughout her career, Misty has spoken out about being one of the few Black dancers on the professional stage, and why early and equal access to the arts is so important. Through her foundation, she's trying to connect more young people to ballet through after-school programs. Niala Boodhoo spoke to Misty this week about forging new paths in an old art form, and why that matters for equity and inclusion beyond the stage. WATCH: Misty Copeland dancing at the 2015 Vail International Dance Festival. Guest: Misty Copeland, principal dancer with American Ballet Theatre, and founder of the The Misty Copeland Foundation. Author of several books, most recently "The Wind at My Back.” Credits: 1 big thing is produced by Niala Boodhoo, Alexandra Botti, and Jay Cowit. Music is composed by Alex Sugiura. You can reach us at podcasts@axios.com. You can send questions, comments and story ideas as a text or voice memo to Niala at 202-918-4893. Learn more about your ad choices. Visit megaphone.fm/adchoices

The terms “Prodigy” and “Trailblazer” are often thrown around casually - but in this episode, Henrik sits down with someone who carries both of these titles with ease. Misty Copeland, the first African American Principal Dancer at the American Ballet Theatre, talks to Henrik about her unique journey from her first ballet class at thirteen years of age to collaborating with the likes of Prince and Drake. Misty talks about the physical and creative skill-sets required to be at the top of her craft and how she's on a mission to make ballet and black ballet history accessible to everyone, regardless of their background. Club 30 is presented by Verizon.Become a member of Club 30 by subscribing to our YouTube channel and following us on Instagram and Twitter.Brought to you by MSG Sports and Audiorama.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, our guests are Misty Copeland, the first African American female principal dancer at American Ballet Theatre and Caryn Campbell, Executive Director of the Misty Copeland Foundation, an organization that aims to bring greater DEI to dance, especially ballet. Listen now to learn more about their inspiring work!

Succeeding in such a saturated and competitive industry requires more than just a good product; it needs a compelling story that resonates with consumers. Chris Riccobono's journey to success has been marked by tenacity and the ability to spot opportunities where others might see challenges. He is never content with merely following the beaten path; instead, he thrives on disruption and change.   Chris Riccobono, a dynamic entrepreneur and visionary, has embarked on a remarkable journey from his humble upbringing to becoming a successful figure in the world of fashion and entrepreneurship. Hailing from a background that values hard work and determination, Chris has always been driven by a relentless pursuit of greatness.   His path to success took shape with the birth of "Untuckit," a brand that revolutionized men's fashion by introducing shirts designed to be worn untucked. His drive to stand out in a crowded market led him to emphasize quality and the power of storytelling in marketing. Chris knew a compelling brand narrative was essential for capturing consumers' attention.   Despite the highs, there were inevitable lows, from quality control issues to adapting to the changing retail landscape. Chris recounts these setbacks candidly, viewing them as the essential building blocks that make the moments of triumph so rewarding. He also touches on the vital topic of consumer experience, emphasizing that consistent quality is the key to a successful brand, especially in an era where online shopping has become the norm.   Chris's commitment to quality was unwavering. He conducted extensive research, comparing the products of major athletic brands and athleisure companies. His findings confirmed what he already suspected—the industry lacked high-end, proper athletic apparel that offered both performance and aesthetics.   With a name that raised eyebrows and piqued curiosity, "Greatness Wins" was born. This brand sought to fill the athletic apparel industry gap by focusing on high-quality, performance-driven products that combined style with functionality. Riccobono's choice of brand name, rather than conforming to conventional norms, reflected his desire to make a statement and spark intrigue. He knew this brand had to have a meaning beyond its products—a message resonating with the youth and anyone seeking greatness in their lives.   Despite the hardships and the daunting prospect of starting a new business during a global pandemic, Riccobono's passion and pursuit of greatness never wavered. He embraced the inevitable struggles of entrepreneurship, knowing that they would ultimately make his success all the more rewarding. Collaborating with legendary athletes like Derek Jeter, Drew Brees, Wayne Gretzky, and Misty Copeland, these partnerships weren't merely endorsements but rooted in shared values and a commitment to building something exceptional.   Today, Chris Riccobono's vision for "Greatness Wins" is taking shape. The brand is making waves in the athletic apparel industry, focusing on consistency, quality, and aesthetics. Challenges have marked the journey, but Riccobono's unwavering dedication to his craft and refusal to conform to the status quo have set him on a path to greatness again.   As he looks to the future, Riccobono remains committed to expanding "Greatness Wins," venturing into new territories and continuing to disrupt the industry. With his tenacity, passion, and ability to craft compelling narratives, there's no doubt that Chris Riccobono's story of success is far from over. His pursuit of greatness, both in business and in life, is a testament to the power of determination and the belief that, indeed, "Greatness Wins."

As the principal dancer of American Ballet Theatre and a legend who has broken glass ceilings in dance, Misty Copeland knows what it takes to reach the pinnacle of her profession. She joins Renee to talk about her life and career and the historic and inspirational trail that she leaves for little black girls trying to reach her star. Plus, Thanksgiving is next week. The crew gets together to let you know what the dos and don'ts are when it comes to the family get together. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the principal dancer of American Ballet Theatre and a legend who has broken glass ceilings in dance, Misty Copeland knows what it takes to reach the pinnacle of her profession. She joins Renee to talk about her life and career and the historic and inspirational trail that she leaves for little black girls trying to reach her star. Plus, Thanksgiving is next week. The crew gets together to let you know what the dos and don'ts are when it comes to the family get together. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

As the principal dancer of American Ballet Theatre and a legend who has broken glass ceilings in dance, Misty Copeland knows what it takes to reach the pinnacle of her profession. She joins Renee to talk about her life and career and the historic and inspirational trail that she leaves for little black girls trying to reach her star. Plus, Thanksgiving is next week. The crew gets together to let you know what the dos and don'ts are when it comes to the family get together. Learn more about your ad choices. Visit megaphone.fm/adchoices

Misty Copeland was the first Black principal ballerina for the American Ballet Theatre. We talk about the pressure of being first, touring with Prince, and experiencing homelessness as a child. Her memoir is The Wind at My Back.Michael Imperioli plays a sex-addicted Hollywood producer on vacation in Sicily in HBO's The White Lotus. He's best known for his role as Tony Soprano's hot-headed protégé, Christopher Moltisanti. He talks about both roles with us.

Copeland was the first Black principal ballerina for the American Ballet Theatre. We talk about the pressure of being first, the injury that nearly ended her career, and her mentor, pioneering Black ballerina Raven Wilkinson. Her memoir is The Wind at My Back.