Podcasts about Wakefield

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James Sweat | Recorded October 13, 2025

James Sweat | Recorded October 13, 2025

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Anthony Stroud | Recorded October 13, 2025

Anthony Stroud | Recorded October 13, 2025

Wakefield Prison in West Yorkshire is one of Britain's most notorious high-security prisons, known by the tabloid nickname “Monster Mansion” because of the number of infamous killers, sexual offenders and other high-risk prisoners who have been held there. Its history stretches back more than 400 years, from an Elizabethan house of correction to a modern … Continue reading Episode 528: Britain’s Wakefield Prison, aka Monster Mansion

Gerald E. Weston | Recorded

Gerald E. Weston | Recorded

With both Hull clubs' seasons now over, our attention turns to the business end of the Super League play-offs. Warrington Wolves and Wakefield Trinity came through their respective semi-finals to book their places at Old Trafford, setting up a Grand Final that guarantees a new name on the Super League trophy. We break down both semi-finals before looking ahead to the big one, giving our thoughts and predictions ahead of Warrington vs Wakefield in the 2026 Super League Grand Final. We also catch up on the latest news from around rugby league, including a quick look back at the Women's Super League Grand Final, plus all the usual talking points, debates and general nonsense that comes with an episode of Bragging Rights. Support Our Monthly Cause

Lambert Greer | Recorded October 9, 2025

Lambert Greer | Recorded October 9, 2025

In this week's episode of the League Express Podcast, Editor Martyn Sadler and Host Jake Kearnan look back on a dramatic weekend of Super League and NRL preliminary-final action, with two new teams booking their places in the Super League Grand Final.They begin with Warrington Wolves' dramatic victory over Leeds Rhinos, which was decided by a controversial late penalty after George Williams was taken out while chasing a kick. Martyn and Jake discuss the decision, the resulting penalty goal and whether Warrington deserved to get the crucial call. They then turn to the biggest surprise of the weekend as Wakefield Trinity stunned Wigan Warriors to reach their first-ever Super League Grand Final. The pair discuss Adam Keighran's yellow card, the impact it had on the game and what it means for Super League to have Warrington and Wakefield contesting the Grand Final.Over in the NRL, they review the Sydney Roosters' win over the Dolphins and the Newcastle Knights' incredible victory over the Penrith Panthers, which sent Newcastle into their first Grand Final since 2001. The Knights' victory came at a huge cost, however, with Nathan Cleary suffering a serious leg injury following the tackle from Phoenix Crossland. Martyn and Jake discuss the incident, Crossland's red card and whether he should face a suspension for the Grand Final. Crossland has since been referred to the NRL Judiciary. They also provide an update on the ongoing NRL–RFL negotiations before giving their predictions for the Super League and NRL Grand Finals.

Bob Rodzaj | Recorded October 9, 2025

Bob Rodzaj | Recorded October 9, 2025

This week on NY CERTIFIED PODCAST! After President Trump bans reporters from CNN and others, a judge reinstate their credentials. Nor Easter hits New York causing coastal flooding injuries and kills one NYCHA worker by falling tree. Our prayers and condolences to everyone involved. Number 2 train station catches fire in the Wakefield 241.st. Different festivals have been canceled due to the weather. Also uptown a 13 year-old robbed for a scooter in Cortona Park and the legionnaires is up to 23 cases in the Bronx. Saturday Night Live (SNL) is having a ball with Trump and NY mayor Mamdani. This week the New York mayor was voted most popular elected official. Bill Burr is in New York City on Wednesday the 30th and other shows. Next preseason game, October 8 7:30 PM. If you have children check out the children's museum of Manhattan, Bronx and Brooklyn. They participate in the museum for all program if you have a EBT or snap card. You can get up to four free tickets on the upper west side. Or a discounted ticket of three dollars in the Bronx. Whole of science free on Fridays from 2 to 5. And the New York aquarium is free on Wednesdays after 3p. NEW podcast every Monday. Comment topics questions. @MRCAKEAVE. Available on Apple podcast Spotify to name a few. Subscribe and share.

It's one of the biggest weeks of the rugby league year - and what better way to warm up for the Super League Grand Final than with the new episode of the Love Rugby League podcast. Ahead of an historic Old Trafford showdown between Wakefield Trinity and Warrington Wolves, the boys are back to look ahead to the big game, debrief the semi-finals and bring you one or two exclusives, too. Here's what's on this week's show.There's only one place to start - Aaron and Matt go into depth about this weekend's Grand Final, with an extensive preview.. as well as the dreaded predictions.Should Warrington have been awarded the controversial penalty that proved key in their semi-final win, though? The boys look back at that, and a 'world class' Wakefield performance as they stunned Wigan Warriors.There's been a dramatic twist in the Super League-NRL story - with London now looking set to be ADMITTED into Super League in 2027. We'll exclusively tell you more on the show.Meanwhile, we'll tell you where Lee Briers is heading next, after he agreed a deal to leave St Helens and join another club. Sticking with the Saints, we'll explain why their recruitment plans are on ice.. for now. And we'll also tell you which frontline NRL forward has been offered to Super League clubs, and who is attracting a few admirers in the English game, too.. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bob Knakal has closed $25 billion in NYC real estate by doing less. Here's how saying no built his career.After 43 years brokering New York real estate, two firings from the biggest firms in the business, and a fresh start with BKREA in 2024, Bob Knakal sold 43 properties for $1.8 billion in his first full year back on his own. He joins Jack to break down why narrowing your focus beats chasing every deal, and how proprietary information and relentless fundamentals create an edge nobody can copy.In this episode:Why Bob turns down 3 to 4 times more listings than he competes forThe Map Room: 220 hours walking an empty Manhattan that won 104 of 106 listing pitchesHow specializing literally creates timeThe Stonecutter's Creed and why most brokers quit too soonWhy AI will push more professionals out of big firms and into boutiquesBob Knakal is the founder of BKREA and co-founder of Massey Knakal Realty Services, which sold to Cushman & Wakefield for $100 million. He has closed 2,422 deals covering 100 million square feet and co-wrote Selling Buildings: A Tactical Playbook with Rod Santomassimo.Connect with Bob:

Phil Sena | Recorded October 9, 2025

Phil Sena | Recorded October 9, 2025

Jonathan McNair | Recorded October 7, 2025

Wyatt Ciesielka | Recorded October 7, 2025

Wyatt Ciesielka | Recorded October 7, 2025

Gerald E. Weston | Recorded

In this episode, we take a closer look at Montreal's capital markets with Jason Ansel, Vice President of Capital Markets at Cushman & Wakefield.Jason shares his perspective on the Montreal real estate market, commercial real estate investment, institutional investors, private capital, financing, and the factors shaping real estate transactions in today's market.We discuss where capital is flowing, what investors are looking for, how market conditions are affecting real estate transactions, and what developers and investors should understand about the current Montreal commercial real estate market.Whether you are a real estate investor, developer, broker, or simply interested in Montreal real estate and capital markets, this conversation provides valuable insight into the market and where it may be heading.Jason AnselJason.Ansel@cushwake.comhttps://www.cushmanwakefield.com/en/canada/people/jason-anselhttps://www.linkedin.com/company/cushman-&-wakefieldMy Men Richard/Richard Lesperance⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠richard.lesperance@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linkedin.com/in/richardlesperance⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@mymenrichard⁠⁠⁠⁠

Rob Clark is a Senior Director at Cushman & Wakefield where he is designing client strategies at the intersection of experiences and real estate, while also sharing his story as an accomplished motivational speaker and author of "Everyday Resilience for Everyday Heroes" and The Resilient Worker blog. Mike Petrusky asks Rob why he believes that assuming good intentions and maintaining positivity are essential strategies for workplace and facility management professionals who often face adversity and competing interests. They explore the power of human connection, collaboration, and community through organizations like IFMA and discuss the role of the FM in the future of the built environment. The workplace has shifted from being a mandatory destination to a chosen environment, making thoughtful workplace strategy, culture, and design more important than ever and Rob says that facility managers play a key role in creating safe, comfortable, and collaborative environments. Personal resilience, a growth mindset, and the ability to appreciate diverse perspectives can contribute to a more positive, empathetic, and productive workplace culture, so Mike and Rob offer the encouragement and inspiration you will need to be a Workplace Innovator in your organization! Connect with Rob on LinkedIn: https://www.linkedin.com/in/rob-clark-2b93622/ Read Rob's blog and get the books: https://www.resilientworker.net/ Learn more about Cushman & Wakefield: https://www.cushmanwakefield.com/en Watch the podcast on YouTube: https://www.youtube.com/playlist?list=PLSkmmkVFvM4H3pwnlU2AuqynuRDpvnh4J Discover free resources and explore past interviews at: https://eptura.com/discover-more/podcasts/workplace-innovator/ Learn more about Eptura™: https://eptura.com/ Connect with Mike on LinkedIn: https://www.linkedin.com/in/mikepetrusky/  

David Stifter has spent more than two decades at the intersection of real estate, technology, and finance. As Managing Director and functional CTO at Digital Bridge (formerly Colony Capital), he led data architecture, process improvement, and finance transformation initiatives across major acquisitions. In 2020, he co-founded PredictAP with a team of B2B SaaS and AI veterans from Blizzard, Apple, and HubSpot. Since then, the company has grown to serve more than 130 real estate firms and process more than 7 million invoices a year. David is based in Lincoln, MA.(02:20) From Colony Capital to founding PredictAP(05:11) When a $60B firm couldn't pay bills(07:23) Why invoice coding is harder than it looks(09:29) CAM pools, triple net leases, and the permutation problem(13:43) When institutional knowledge walks out the door(16:38) How to tell a real solution from a pretty demo(20:48) PredictAP: From inbox to Yardi in 30 seconds(24:47) Related Group, Cushman & Wakefield, and what 130 clients taught PredictAP(27:59) Why integration makes or breaks AP automation(30:17) Build vs. buy: what CFOs & COOs get wrong(33:51) Sheriff vs. shepherd: how to manage AI adoption internally(35:50) AP coding, audit risk, and financial misstatement(38:44) Collaboration superpower: Richard Feynman

Wallace G. Smith | Recorded October 2, 2025

Please Welcome New York Horror Author, Adam Wakefield to TYOUSK! Mr. Adam & I explore the following: - Shadow Characters-The Discomfort & Brilliance of Susannah Dean-Favorite Stephen King Endings- Trains, Coffee, Cigarettes & The Dark TowerMore from Kim C: Instagram/Threads: UnderratedSKPodcastPatreon.com/dansewithkimcKim C. will return soon with a Carrie Re-Read! GET YOUR KING CON TICKETS!!! KingConinfo.com

Rick Stafford | Recorded May 9, 2026

Rick Stafford | Recorded May 9, 2026

Boomband, a new talent intelligence platform founded by Monster.com creator Jeff Taylor, officially rolled out across all six New England states on Wednesday. Headquartered in Wakefield, Rhode Island, the startup is directly targeting the region's dense concentration of tech, healthcare, finance, and higher-education employers, bringing nearly 500,000 local, hybrid, and remote roles to the platform at launch. According to Boomband, the traditional online job board model has collapsed under a flood of low-signal, AI-generated applications. The average job posting drew 244 applications in 2025, more than double the volume from 2022, while the regional search cycle for candidates now stretches to an average of 6.6 months. “In a roundabout way, I helped build the system that is now breaking hiring,” said Taylor, Boomband's founder and CEO. “With Monster.com, we took the Help Wanted section from the newspaper to the internet… Now overlay AI on top of that broken foundation, and you have a full collapse. Everyone is drowning in volume and starving for signal.” By debuting regionally, Boomband aims to give New England employers a localized network that bypasses the flood of irrelevant, nationwide resume-spamming while surfacing local candidates based on actual skill alignment and commute preferences. https://hrtechfeed.com/boomband-expands-to-new-england-for-debut-of-new-ai-talent-platform/ SAN FRANCISCO & LONDON — AI-native hiring marketplace Jack & Jill has raised a $40 million Series A round to upend traditional recruitment and make warm professional introductions at scale. Founded by Matthew Wilson (CEO) and Saaras Mehan (CTO), the platform operates on a dual-agent model designed to eliminate cold outreach, resume spam, and traditional job boards: Jackis a voice agent dedicated to job seekers, holding conversations with professionals to deeply understand their career ambitions, preferences, and ideal roles. Jillis an embedded recruiting agent for companies, learning team dynamics, technical bars, and culture to surface vetted talent. Rather than candidates submitting resumes into applicant tracking systems (ATS), the two autonomous agents negotiate on behalf of their respective sides. When both agents agree on mutual alignment, they directly facilitate a warm introduction between the candidate and hiring team—skipping the application phase altogether. The company says they have already registered 389k candidates and count 5k employers as clients. https://hrtechfeed.com/jack-jill-secures-40m-series-a-to-replace-job-applications-with-ai-agents/ NEW YORK — BoomerangHR has closed a $12.7 million seed round to expand its AI-powered offboarding and corporate alumni platform, targeting a talent market where trusted candidate signals are becoming increasingly scarce. Founded by CEO Jeff Wald, BoomerangHR is designed to democratize the structured alumni networks historically reserved for elite consulting firms and investment banks. The platform plugs into existing HRIS and ATS stacks in under an hour, focusing on three core operational pillars: Automated Offboarding:  Alumni Network Management:  Talent Migration & Reporting:  “A company's relationship with great talent shouldn't end when they leave,” said Wald. “We built BoomerangHR to automate offboarding and transform former team members into an active growth network. Through Boomerang, companies can easily access warm rehires, referrals, and sales leads—because your best next hire is someone who already knows your culture, your customers, and your mission.” https://hrtechfeed.com/boomeranghr-secures-12-7m-seed-round-to-turn-offboarding-into-an-ongoing-talent-engine/ The Las Vegas Raiders have selected human resources and workforce technology provider UKG to manage and streamline operations across the franchise's business, football, and gameday staff. Under the new agreement, the NFL franchise will deploy the UKG Pro suite to consolidate human resources, payroll, and workforce intelligence onto a single operating platform. The move is designed to connect a wide-ranging employee base—from coaches, trainers, and front-office executives to hourly and frontline stadium workers. https://hrtechfeed.com/ukg-lands-an-nfl-team/ Workday, Inc. has named Sarah Kennedy Ellis chief marketing officer, effective October 5, 2026, reporting to Aneel Bhusri, Workday co-founder, CEO, and chair. Kennedy Ellis will lead Workday's global marketing and communications organization and will be responsible for championing the company's brand narrative and growth strategy for the AI era. Kennedy Ellis brings more than 20 years of marketing expertise to the role. She joins Workday from Google, where she led global marketing for Google Cloud and Google Workspace and helped build the engine behind one of the fastest growing businesses in enterprise technology. Prior to joining Google, she was chief marketing officer of Adobe Experience Cloud, and chief marketing officer of Marketo, playing a critical role in Marketo's successful acquisition by Adobe in 2018. https://hrtechfeed.com/workday-has-a-new-cmo/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeffrey Havsy is the commercial real estate industry practice lead at Moody's Analytics, where he focuses on combining property fundamentals with economic, credit, climate, and alternative data to help lenders, investors, and operators make better decisions. He has spent his career at the intersection of economics and real estate, including roles at NCREIF and CBRE. Moody's Analytics covers more than 600 million public and private entities worldwide and generated over $7 billion in revenue in 2025. Jeffrey is based in Needham, Massachusetts.(02:46) From data scarcity to data curation(03:39) What lenders and investors miss beyond property fundamentals(05:34) Tenant credit, crime data, and truck traffic as signals(09:16) Moody's commercial location score explained(12:52) Cap rates: overrated, underrated, or misused(15:39) Moody's MCP launch and what it means for CRE decisions(18:32) Why Moody's stays AI platform-agnostic(20:44) Where the human stays in the loop(23:33) Physical risk vs. ESG(26:11) The hidden risks in industrial real estate(30:06) How robotics changes what a warehouse is worth(31:09) The one macro data point CRE ignores: productivity(33:10) Collaboration superpower: Abraham Lincoln

What happens when someone who never really believed in the paranormal suddenly finds themselves running a haunted location?This week on Pursuit of the Paranormal, Greg and Ash are joined by Scott Kaye from The Daily Detour Paranormalfor a brilliant conversation about how a spontaneous paranormal investigation turned into an obsession — and eventually led Scott and the team to take over The Old Vicarage in Wakefield as their own investigation location.Scott takes us right back to the beginning, including an early investigation at 30 East Drive, strange REM pod and music-box activity, and the bizarre story of a set of rosary beads that repeatedly disappeared, returned damaged and ultimately ended up locked away in the team's paranormal museum.We also get into The Old Vicarage itself and the stories surrounding the building — reported shadow figures, unexplained whistling and knocking, the feeling of being watched, physical sensations experienced by investigators and the story of a supposed Victorian boy named Jack associated with the basement.Then there are the objects.Scott talks about The Vault, the Vicarage's collection of supposedly haunted and historic items, including a new object allegedly connected with a young boy — and Bob the Clown, an object with a history connected to My Haunted Hotel / The Old King's Head in Chester before eventually finding its way to The Daily Detour.But what makes this conversation particularly interesting is Scott's willingness to question his own experiences. Even after moments that felt completely paranormal at the time, he talks openly about going back afterwards, looking for ordinary explanations and asking whether an experience really proves anything at all.And there's one experience he still struggles to explain: while investigating The Junction Inn, Scott says he heard what sounded like a young girl crying — almost immediately followed by a REM pod activating in another room. It remains one of the moments that has stayed with him most. Pasted text.txtTXTWe talk haunted locations, attachments, haunted objects, investigation methods, belief vs scepticism, paranormal equipment, building a new investigation team and what comes next for The Daily Detour Paranormal.

Avery Ticer, an executive director at Cushman & Wakefield, talks to F&C reporter Dan Netter. Ticer talks about the West End and what makes it such a valuable micro-market within the I-394 corridor submarket.

A paranormal investigator is dispatched to a small town to find out more about an interrupted BBC radio broadcast that appeared to a sinister supernatural occurence.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “SURPRISE ITEM” by H. R. Wakefield, 1929.CREATOR'S NOTE: Please accept my apologies. I made a mistake in this one, saying "interpret" when I meant "interrupt". I didn't notice until after the mix was complete. Hopefully it won't affect your enjoyment too much.

Gerald E. Weston | Recorded September 23, 2025

Jonathan McNair | Recorded September 23, 2025

Gerald E. Weston | Recorded September 23, 2025

Jonathan McNair | Recorded September 23, 2025

In this Margin Notes episode of the #amwriting podcast, host Jennie Nash talks with book coach and author Stuart Wakefield about approaching marketing as a creative project by making joyful “artifacts” that expand a story world rather than simply asking readers to buy a book. Wakefield shares his creative background, a past period when his creative practice stopped, and how he now immerses himself in projects tied to his latest novel, All Hands on Dick, set in 1956 aboard the cruise ship SS Celestial. Stuart describes the book's comedic, queer, mid-century influences and its characters, explains creating items like a 3D-printed ocean liner and a hand-cut 10-inch vinyl record featuring AI-assisted big band songs, and discusses building an animated music video. Nash also previews upcoming episodes with Wakefield on using the Blueprint method to develop a series, as he launches his trilogy A Gay Odysea.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Connect with Stuart* Visit his book coaching site* Read his books* Watch his music videoTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Hi, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work or creative lives.I'm here today to talk with Stuart Wakefield about making marketing a creative project. And you've heard from Stuart before. He has coached on the podcast, and we'll link to that episode in the show notes. He also will be in episodes to come, which we'll talk about in a moment, and Stuart is a fascinating individual who's had a long career in all kinds of things, including TV writing, playwriting, a long stint in IT.What? [00:01:00] And, and now Stuart works with me at Author Accelerator, and he runs his own book coaching business at thebookcoach.co. Welcome, Stuart.Stuart: Thank you for having me, Jennie. I'm really excited to talk to you today.Jennie: I'm excited too. This is such a, such a interesting topic. So the reason this came up is that Stuart launched a new book, which he'll tell you about in a moment, which is part of a series, which he'll tell you about in a moment, and I started seeing out on social media just all this really fun content that he was producing.And obviously then I would get to talk to him at work, and I- he just would have so much joy, and then he would say, “Oh, let me show you this other thing.” And when I talk about fun content, I'm talking about, like, music videos, cartoons, animated [00:02:00] little shorts. He wrote a song. He, he's writing a music video. He 3D printed a ship.He printed a vinyl record. I mean, it's bonkers. And so I just wanted to dig into this about what are you doing, and why is it creating so much joy, and what can we learn from it? So that's what we're here to talk about.Stuart: Oh, oh, oh. Right. Okay. So, so in, in my creative practice, I have always enjoyed... You know, I started acting when I was five, um, so I've always been in kind of around the theater, even when my kind of IT career and project management career was all kind of going on.So I've always enjoyed that. I, um, started a, a- A degree in fashion design. Um, after a year at art college, I, you know, carried on acting and then had a break in 2003. Uh, if I'm really honest with you, I had a breakdown and- Yeah ... m- [00:03:00] my creative practice just stopped. And about six years later in 2009, I started writing.And you know, I've always been a creative person, and I've always been a storyteller, and I tend, but I tend to do it in a very short, concise way. So the shortest piece of fiction I've sold was 50 words.Jennie: That's short.Stuart: Right. Okay. So I, um- Have had like a, a side art project. It's called The Queer Historian of Emotional Truths.Um, and there is a website that sits with that, and the idea is that the queer historian has found artifacts, um, and he is curating those and sharing those on the website, and they might be voicemails, they might be found photos, found objects. And when I got my... So I really love that kind of very small to- storytelling, those, those really poignant moments, [00:04:00] as opposed to great big, long stories.Um, I recently s- sold a story to Divine Femins- Feminine Publishing as well, um, which is again, it's cozy sci-fi, but it's very much the small kind of human moments.Jennie: Right.Stuart: And I found that after writing this book, I became so invested in the world that I wanted to do small art projects that kind of lived within that world.So that's where this has come from. I, I don't see it as marketing. I see it as telling those smaller stories within that wider world that really convey the joy that not only have I got from writing that, that work, but I think lives on after the reader closes and reads that last, that last page and then closes the book.Jennie: Well, this is why it's so exciting and inspiring to me, because so often when writers talk about marketing or think about marketing, they're thinking [00:05:00] about, “Buy my book. Buy my book. Buy my book,” and that's not at all where you're coming from. I suspect... Well, with this current project, it's, it's brand new, but I suspect that that's where it's gonna go, right?That it's impossible to imagine sh- that you're gonna share all these creative acts and artifacts and not get people... I was gonna say on board, but that's gonna be like- The, it's a- ItStuart: is set follow... It's set on board a, a ocean liner. Right. So on, on board is great.Jennie: Right? Like the, how could those two things not happen?That, I guess what I'm getting at is I, I often think that the results people want don't usually come from the path that they think is gonna get them there. Right. The results come from doing the work you love, writing the story you want, and in your case, making this a creative project. Do you- Yes ... do you think that's [00:06:00] true?Stuart: Yeah. You know, very much so, and I was discussing this with a marketing book coach, uh, Rebecca Grogan.Jennie: Mm-hmm.Stuart: Highly recommend her to any romance writer. So that's beckythebookcoach.com, and, you know, we got talking about creative projects and how much I don't really like marketing. I always thought it was a very British thing not to like marketing, but the more and more US writers I, I meet and fellow coaches, again, you know, marketing can feel like something unsavory.Jennie: RightStuart: And what I really want to do is show people these cool things I've made and invite them very much into the world. Because what I do in any of my creative writing projects, I have objects that represent what I'm writing on my desk. So, um, I have a book that's set in 1907, so I got [00:07:00] artifacts from, from that time.I have a book that's set, well hopefully coming out in a few months, which is, uh, set in Madrid in 1958, and one of the characters works in a print shop. So I have wooden blocks, wooden printing blocks that spell out this character's names. So-Jennie: Oh,Stuart: that'sJennie: so cool.Stuart: So as I switch from project to project, I bring those things and put those onto my desk, and I just find it helps me get into that head space-Jennie: YeahStuart: and that emotional connection.Jennie: Yeah.Stuart: So because I still have a, a very strong emotional connection to what it is that I've just published, and I know there are two more books coming, I really wanted to sit and kind of immerse myself in that world. And the first object I created was this 3D printed ocean liner, because that has what has been sitting on my desk while I've been writing this first book.Jennie: So when you say you 3D printed it, how did you go about [00:08:00] that?Stuart: Okay, so I-Jennie: Oh, and, and let's just describe, since people can't see it. It's, it's about like eight inches, 10 inches? Uh, yeah, yeah. So- And it's... Is it made of plastic?Stuart: Yeah. So it's 3D printed, uh, so it's kind of a, a resinous kind of plastic that's- Yeahjust melted as it comes through the head. And yeah, so I found, uh, a model online, and then I... My comput- my computer modeling is not great. It's one of the few things that I'd see that I don't really, you know, have a skill at. So I contacted a friend and said, you know, “Can you modify this for me? Um, can you change the name on the side of the ship?”‘Cause the model that was already there, um, had a different name. And yeah, you know, we, we worked on the look and the feel, and then when we were ready, we found someone else to, to actually print it up. So for me, it's just a lovely object, and I know I'm going to be able to take it to book fairs. There's one coming up at the end of September- So I have little [00:09:00] wooden life rings, we have ship's rope, I have a reception bell.Um, so all of these artifacts, again, when s- if somebody comes to my stand at the book fair, they will be walking into the world of the SS Celestial.Jennie: That's so fun. Okay, so let's, let's talk about the, this, the ship and what happens on the ship and the story and the whole thing, ‘cause it's just too much fun.So it's, um, set in 1956 on a cruise ship. The name of the book is called All Hands on Dick, and it is currently out. So why don't you tell us about first All Hands on Dick, and then the series that it, um, begins?Stuart: Okay. So All Hands on Dick follows cruise director Dick Dockery, and Dick is one of those people that puts the passengers' needs before his own.So, and he is very good at his job But on the voyage from New York to Bermuda, [00:10:00] a slightly seedy kind of underground guy with a reputation called Van Valentine boards the ship. And Van very quickly identifies that what Dick is doing, that he's fulfilling everybody's needs but his own. So throughout a...It's very much a comedy of manners. So throughout that and some farcical moments and lots of beautiful sub-stories, um, Dick eventually learns that being needed is not the same as being loved.Jennie: Very, very, uh, profound message in a very fun setting. So some of the other characters, tell us about some of these other characters.Stuart: Okay. So we have, uh, newlyweds, uh, Buck and Kitty Devereaux. And Buck seems very nervous in his marriage, so one of the kind of mysteries is what is Buck hiding? And then eventually we start to learn that actually Kitty might be hiding some- something as well. We have [00:11:00] Aurelia Cashmere, who is a sort of a, a grande dame, I guess.She, she's first class. Um, she has come on board with a secret that she's going to reveal something when they get to Bermuda. We have, uh, Tony's sidekick, uh, Bunny Marlowe. We have a steward who seems to know everything called Tony Two Towels. We have a light-fingered magician called Pip Larkin. Um, and- ThisJennie: is just so great.And you s-Stuart: And then lounge singer... Sorry, then we have a l- a lounge singer called Rex Devereaux. Uh, and he has a on-off affair with his piano player, Joey Lamplight.Jennie: Okay. So you shared with me that, um, you loved The Love Boat, the, the TV show, right? Oh,Stuart: it's one of my... It, it's just fantastic. And I, I tell you what happened, I love the movie An Affair to Remember-Jennie: Mm-hmmStuart: with Deborah Kerr and Cary Grant. [00:12:00] And you know, I was... My mom loved kind of ‘40s, ‘50s movies. So she kind of introduced me to those when I was growing up, ‘cause I was born in the early ‘70s. So you know, sh- I was kind of weaned on, on movies by watching those. And I loved watching The Love Boat, and more recently...I say recently, it's a few years old now, but the movie Down with Love, uh, with Renee Zellweger.Jennie: Yeah.Stuart: And I watched that and it reminded me of the Doris Day, Rock Hudson kind of sex comedies.Jennie: Yeah.Stuart: So the vision for All Hands on Dick and the series that it fits into, um, very much came from those, those influences, and the love of, of the, all of those things.Jennie: Well, and it has that, and has that feel. So we'll talk about the whole series in a minute, but some of the other things that you made artifacts that you made, uh, well, there was a song and then there was a record, [00:13:00] and then there was a music video. So how much time have you spent making all these things?Stuart: I, I, I think, I think that wh- what, what happened was, I, I, I'd finished the book and I w- I was, I, something had happened.I think, I think an old Drifters song came up on my, um, Irene's, uh, list, and I'd been listening to... We have a, a TV, um, advert that's on in the UK that, uh, has the song, um, Beyond the Sea.Jennie: Oh, sure, sure.Stuart: It's Bobby... Yeah, yeah, yeah. Yeah. And I was, “Oh, okay.” So I knew that Rex, the lounge singer, one of his storylines is that there's a song that he can't sing.Jennie: Oh.Stuart: It is too emotional for him, and he's desperately trying to get his career back on track and, but there's this one song that he just cannot sing, but it's one of the most powerful songs that could potentially bring his [00:14:00] career back. And I'd been thinking about songs and, you know, again, my mom was just a very, very funny wom- woman and, you know, we would make songs up together.And I wrote some jokey lyrics, uh, called, for a big band number sung by Bunny, called Everybody Needs Dick. And, and, you know, uh, you, the lyrics are, are, you know, a bit silly here and there, but, uh, I just had fun with it.Jennie: Yeah.Stuart: You know? So none of this was planned. Um, now I know some people are gonna be really anti-AI, and I, I totally get that, but this was for my personal consumption.So I put those lyrics into an, a, an AI and said like, “Can you write a big band, you know, backing track to go with this?” Just as an experiment, and what came out just really took me by surprise. So-Jennie: It's amazing. I mean, it sounds like a fully produced Andrews Sister song.Stuart: Yes, yes. Love The [00:15:00] Andrews Sisters.Yeah. And then I got thinking about Rex's song, and I thought, “What kind of avoidant thing would Rex sing?” So I wrote some lyrics for that and, um, again, put it into the same AI, AI, and it came out with a couple of versions, and one of them immediately made me start to cry. Oh, no. And I thought, “Okay, if I have an emotional connection to this song, then I need to do something with these tracks.”So I'd been kind of living in the world of the SS Celestial, which is the, the ship that the story is set on, and got to thinking about kind of souvenirs and, and would the ship sell souvenirs, and what kind of things might they sell? And I thought, “Okay, if I'm gonna have an object that's all my own, then as my kind of reward for finishing the book,” I thought, “wouldn't it be great to have a vinyl record?”So then I get into researching how much music can you get on, you know, a seven-inch, a 10-inch, [00:16:00] 12-inch record. Settled on a 10-inch record because, um, Rex's song is six minutes. It won't sit on the seven-inch. Then I had to do my research. You know, were 10-inch singles available in the US in the 1950s? Turns out they still were.Um, then I got to designing the record covers and the labels. I found a company in, uh, the, in London who handcraft. So rather than press a record, they hand-cut it.Jennie: Oh,Stuart: wow. Um, found a company to do that. And yeah, you know, a week later I had in my hands a, a, a 10-inch record, and that is just for my personal consumption, but, you know, I will share that on,um, you know,uh, social media. I will play parts of the record on social media. And yeah, that's where I kind of got to in there, and I just wanted to share with people like, “Oh, look, I made this cool thing.”Jennie: Yeah, yeah.Stuart: And-Jennie: I mean, it's so cool, and [00:17:00] when... We'll share, hopefully, uh, uh, cover a picture of the, um, m- the, uh, record so, in the show notes so people can see.But when, when you share it and talk about it, again, you're just filled with so much joy, like a kid. Yeah. Like, “Look at this.” Yeah. “Look at what I made.” And that has to feel really good, right?Stuart: It, it really, really does. And, and, you know, my family, immediate and wider, are going through some really difficult times at the moment.We started kind of March last year, and, um, I won a, a, a grant from the Arts Council here in the UK to, to really help me kind of zone in on my playwriting.Jennie: Right.Stuart: And a full-length play that I've written is, it's very dark, and it deals with some very dark kind of, uh, themes and issues. And a friend of mine had said to me, she said, “There's something wrong with you.There's, [00:18:00] there's, like, this little light that has gone out.”Jennie: Oh.Stuart: And she said, “I think you should get back to writing comedy.” Um, when I wrote for TV, that was comedy. Um, my last full-length novel, you know, had lots of comedic stuff going on. Um, and she's like, “Why don't you, you consider going back to comedy?”She'd read a lot of my writing when I was doing my master's degree, and she said, “I, I really think you need that, that kind of lift.” So when I was thinking about what to write, I was like, “Okay, I need to do something that, that just really sits with me.” I'm not... You know, writing a novel is a big commitment, and you need to be around people that you kind of really love.Jennie: Yeah.Stuart: And I wanted these people to- So many queer stories I think are written from a place of trauma.Jennie: Mm-hmm.Stuart: And I really wanted a group of people who had relatively low stakes threat, but [00:19:00] could really live and breathe in their environment and find joy. And that's exactly as passengers are disembarking at the end of this, this book, that's, you know, there is hope and there is joyJennie: And I imagine that's what you want your reader to feel.Stuart: Um, uh, a- absolutely. I've absolutely written it for people who, you know, to take on a take on a cruise- Right ... or read on the beach. And, you know, I think it's fair to say that, you know, politically and, um, literally the world is on fire, right?Jennie: Yeah.Stuart: Yeah. You know, we're seeing huge fires all over, you know, we're seeing political, just appalling political stuff.And I, and I just thought I, I need this story and I need these people, and I think other people out there need just some fun and some joy and some lightness.Jennie: So tell me about, um, right before we r- started [00:20:00] recording, you said you were almost finished with the music video. Tell me about that.Stuart: Right. Okay. So, uh, Everybody Needs Dick is a huge, joyous, big band number, and I was creating a little short animation to go on, um, social media, and also I wanted the challenge of learning something new from an IT point of view.Jennie: Mm-hmm.Stuart: And it kind of grew, ‘cause I was putting some music to the, the reel on Inst- on Instagram, and I just thought, “Hmm, this could... Like, I really like the results of what I've been able to animate here. Like, maybe this could be something bigger.” And I used to work for Turner Broadcasting Systems, which is now, like, part of Warner Brothers Discovery.Was there for about three years working mainly on the Cartoon network side, and I did some work with the animators of The Amazing World of Gumball, which is a very [00:21:00] popular show, um, in the US, and I kind of thought, like, maybe there's something in this. Maybe I could put all of the Everybody Needs Dick story into, like, an MGM musical number.Jennie: Right.Stuart: And like, so again, it, it captures the look and the feel and the tone of the joy of the book as well. So I'm 40 seconds away from finishing. It takes about an hour to get 14 kind of decent seconds. And I... But I'm, I'm exhausted, but what's keeping me going is watching it over and over again and feeling emotional, feeling that emotional connection to the relationships that are developing, even just through the video i- itself.Jennie: Right. AndStuart: what- So again, for me, it's just immersive.Jennie: What, um... When you approach Something like that, and you, you know, obviously we're all, uh, learning, if any of us listening use AI for [00:22:00] various things, we're all learning as we go d- because it's so new. How do you approach the technology side of it? Like, in addition to the creative part, you have to figure things out, right?Figure out how to do it.Stuart: Yeah. I mean, you know, I spend a lot of time engineering prompts for all different sorts of things. So for my own writing, um, I have a prompt that runs through my chapters and looks at all of the nasty habits that I have.Jennie: Yeah.Stuart: And I was talking to another coach the other day, and I was like, “Let me, let me just do a quick word count.”And that search, that, um, AI prompt, is 9,510 words.Jennie: Wow.Stuart: So I might have spent a long time working on that, that prompt, but it really helps me sit back, look at my chapters, really understand what's working and what's not working, and then from my past mistakes and patterns of writing, it helps me see those and that I've fallen back into to some of those [00:23:00] habits.Jennie: Yeah.Stuart: So, you know, I, I like to think I'm relatively good. Um, but again, some of the graphics that I was using on Instagram were... They were by real people.Jennie: Yeah.Stuart: And I thought, “Well, that's not really the kind of look I'm after. I'm kind of after that... For the, for the video, I'm after that mid-century American illustrated look that is somewhere between J.C.Leyendecker's illustrations of the sort of ‘20s, and the illustrations that you would expect to see in an American magazine in the mid-'50s.”Outro: Right.Stuart: So I worked and worked and worked, you know, with an AI tool on getting the look right, and then locking that look in. Then I was able to take the images from Instagram and say, “Okay, what would those character models look like if they were in dr- had been drawn in this style?”So again, we worked through those looks, um, you know, how smooth their skin was, what the kind of folds in their clothes should look like. [00:24:00] You know, we did a lot of work on that, and then it was really down to the things that I kind of learned at Warner Brothers and watching the extras on DVDs about storyboarding, um, the animations, and then really teaching myself the best way to use, um, the AI that I was using to get the best kind of effects out of it.And I- So it sound- You know... Hmm.Jennie: It, it sort of sounds like play.Stuart: It is. It really is. And I, you know, I, I love learning. I loved learning to be a book coach. I'm always doing some kind of course, whether it be creative or, you know, to do with writing. And, you know, I like a challenge, and teaching- Yeah ... me this new technology, I mean, I'm 54, and, you know, there's always that risk that the kids are gonna com- going to kind of overtake you.Jennie: Sure. Uh,Stuart: but I'm very curious about the world. You know, I l- I like my K-pop. I'm very excited today ‘cause Hatsize, you know, new EP is out. Um, I've had many a conversation with a 13-year-old who's just shocked that I know anything about K-pop- ... [00:25:00] let alone I'm kind of into different bands. So, you know, I'm interested in, in pop culture and learning new technologies and, you know, it has been a huge, huge challenge for me to do this.But again, it's playing in this world, and I've also noticed as I'm doing these other creative projects, because I'm still mentally in the world, some of the stories for the later books are, are coming to me.Jennie: Yeah. Yeah. So let's talk about the series. At what point did you decide that All Hands on Dick was going to be a series?Stuart: Pretty much from the beginning. I-Jennie: Okay ...Stuart: I, I... So the series is called A Gay Odyssey, and that's- AndJennie: it's, I have to spell it. It's- Yeah ... O-D-Y-S-E-A.Stuart: Yes. So it- it's A Gay Odyssey, and I call it, like, a naughty cal adventure. So- So, you know, I, I very much saw this as the ship as a [00:26:00] container.Jennie: Mm-hmm.Stuart: Okay? Quite literally.Right. But also like a story engine.Jennie: Right.Stuart: So I thought this is, this is a world in miniature, and I wanted to have one overarching love story that covers all three books. But like The Love Boat, I wanted that episodic nature to it as well, because I knew I wanted to bring in different characters and different crew.So A Gay Odyssey is, it's a trilogy of mid-century American queer romantic novels that also examine, uh, the life we live as performance as well as the life we live in private.Jennie: Mm-hmm. So that's where the, the lounge singer and the piano player, the literal- Yeah ... performers and the magician, as well as the just regular people who are performing different roles and things.Ab-Stuart: a- absolutely. You know, Buck is, is performing kind of the dutiful husband, and that's clearly not what's going [00:27:00] under, on under the surface. And, you know, Kitty is very much wanting to go out, you know, understand what's w- I want to say in quotes, “wrong with him.”Jennie: Right.Stuart: And yet Kitty starts to believe that actually she might not entirely be the person she thinks she is.So again, it's, some of it's around self-discovery, um, and some of it is just how you move in the world when the world is telling you you shouldn't be who you are. I mean, it's coming off the back of the Lavender Scare- Mm-hmm ... in the US, um, that Eisenhower signed in 1953 where queerJennie: people-Stuart: I'm not familiar withJennie: that.Stuart: Oh, okay. So I think it was Order 105410or s- or, or something. But Eisenhower signed it, signed it in 1953, and it basically meant that nobody, no gay man or lesbian could work in a federal job.Jennie: Oh, I, I was not aware of that.Stuart: So, you know, thousands and thousands of people were put [00:28:00] out of employment in the US. Wow. So it's coming off the back of that Lavender Scare, um, and it was very much treated like they were a security risk.Jennie: Wow. Um, I'm not gonna get really deep into the series because you and I are gonna do a deep dive on, uh, series development. Um, and for our listeners, Stuart is obviously, um, I would say one of the world's foremost experts on my blueprint method. H- how's that for a title?Stuart: That's very kind of you.Jennie: Um, he teaches it, he coaches it, he holds the high bar for certification that we have at Author Accelerator around the blueprint and other things.But one of the things that he has really done is, is to do a very deep dive on understanding how to use the blueprint [00:29:00] to develop a series, and how you think about one book, how you think about the whole series, the, the order of things, the, the way this tool can be used in this way, and his work on this is, uh, blew me away truly.So I've asked Stuart to come back onto the podcast, and we're going to do a series of two, uh, podcasts, where in one we're gonna talk about the overview of how to use the blueprint to develop a series, and it can be any genre, uh, any- Mm-hmm ... fictional genre, and then we're gonna do a second podcast on ... Now I can't remember what it was, but I think it wasOh, the story engine, and you, and you referenced that with, for your series, the, the ship and, and this container and how to develop a story engine. [00:30:00] And this will also all lead to a special offer to work directly with Stuart on a series, so, um, using the blueprint. So all of that, I'm making all these big promises.I hope they all come true.Stuart: They will. They will.Jennie: Um, all of this is just, uh, laying the groundwork for, for folks who are interested in designing, developing, building a series, and, um, doing it with somebody who has this incredible creative and playful mind, and you can get a sense of the way Stuart thinks and, and works and, um, of the things that he makes.Uh, can you tell us, Stuart, w- if people wanna read All Hands on Deck right now, where can they go? If people wanna find you, and how on earth can they see and hear all this cool stuff you've made? Tell us all the things.Stuart: Okay. [00:31:00] So, uh, in terms of, obviously you can find me at thebookcoach.co. On Instagram, I'm Mr.S Wakefield. Um, so that's where you'll be able to see where I share the cool things that I've made. Um, and then in terms of buying, I mean, all good bookstores. I've already had some, some podcast listeners of mine send me pictures of them holding their, uh, books in, you know, American bookstores, which is fantastic to see.Uh, so yeah, you know, everywhere that you can buy a book. It's not just Amazon, boo, hiss. Um, you know, you should be able to get it in all, all, you know, good, good bookstores.Jennie: Excellent. So, uh, say your, say that Instagram again, just so people can hear.Stuart: Uh, it's Mr. S Wakefield.Jennie: Okay, great. Well, um, we have much more to talk about, and we, and we will be talking about, but this was just so fun to hear your process and this, um, this sense of marketing as a [00:32:00] creative project.And it'll be really fun to follow along and check in with you in our next episodes about where all of this stands as well.Stuart: Great. Thank you.Jennie: Thanks for joining us, Stuart.Stuart: Okay. Take care, Jennie. Bye.Jennie: And for our listeners, thanks for listening. Now let's get back to work and finish what matters mostOutro: The hashtag amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their [00:33:00] work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

The Middlesex League is one of the tougher leagues in football and that is because of programs like Wakefield High School. New Coach Jim Rabbitt takes over a program that has some tough physical talent.Coach has been a coach of the yea in the state and has an incredible resume he brings over to a strong town like Wakefield. Here we laughed with boys and talked about the season.

Jamie Borodin is the founder and CEO of Docuverus, a document verification and fraud detection platform purpose-built for multifamily housing providers. With over 30 years in resident screening, Jamie founded Docuverus in 2017 to address a gap no existing tool was solving: authenticating income documents at the metadata level while simultaneously reading and calculating their contents. Docuverus is one of the only platforms with a direct connection to the Social Security Administration for synthetic identity detection. Jamie is based in southern New Jersey.(02:16) Why standard screening misses income fraud (05:03) How fraud evolved from COVID to AI-generated documents (07:13) What a sophisticated fake pay stub looks like today(09:09) What bad debt files actually reveal (13:10) Operators don't know how much bad debt is fraud (14:12) False security: when your PMS fraud tool isn't enough (18:27) Why bank account linking isn't fraud detection (19:11) Fraud hotspots: Houston, Atlanta, and why NYC is different(24:27) Social Security fraud and synthetic identity detection (25:36) What a CPN is and how it fabricates a credit file (27:58) Florida's felony law and the limits of regulation (29:29) Screening compliance: why the liability falls on the operator (33:27) Where fraud prevention goes as AI lowers the barrier (35:42) Collaboration superpower: Albert Einstein

John Strain | Recorded July 11, 2026

John Strain | Recorded July 11, 2026

TODAY ON THE ROBERT SCOTT BELL SHOW: Amish Vaccine Mandate, Dr. Andreas Kalcker, CDS - Chlorine Dioxide, Therapeutic Frequencies, Mercurius Iodatus Ruber, Andy Wakefield Encore, The Bequest, Autism Research and MORE! https://robertscottbell.com/amish-vaccine-mandate-dr-andreas-kalcker-mercurius-iodatus-ruber-andy-wakefield-encore-and-more/ Purpose and Character The use of copyrighted material on the website is for non-commercial, educational purposes, and is intended to provide benefit to the public through information, critique, teaching, scholarship, or research. Nature of Copyrighted Material Weensure that the copyrighted material used is for supplementary and illustrative purposes and that it contributes significantly to the user's understanding of the content in a non-detrimental way to the commercial value of the original content. Amount and Substantiality Our website uses only the necessary amount of copyrighted material to achieve the intended purpose and does not substitute for the original market of the copyrighted works. Effect on Market Value The use of copyrighted material on our website does not in any way diminish or affect the market value of the original work. We believe that our use constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the U.S. Copyright Law. If you believe that any content on the website violates your copyright, please contact us providing the necessary information, and we will take appropriate action to address your concern.

SEASON 2 - EPISODE 209 Robin Swicord - Writer / Director In this episode of the Team Deakins Podcast, we speak with writer and director Robin Swicord (WAKEFIELD, WHEN THEY SEE US, PRACTICAL MAGIC). Throughout the episode, Robin is frank about her experience working in the film industry as a woman, and we discuss how she's seen the culture and behaviour within the industry change over the years. Robin wrote the script for the 1994 adaptation of LITTLE WOMEN, and she shares what it took for the studio to finally greenlight the film after 12 years of development. She also reflects on the long development process of BENJAMIN BUTTON, and she reveals what her initial vision for the story was. After years as a writer, Robin was able to direct her first feature, THE JANE AUSTEN BOOK CLUB, and she shares how she cast the film on short notice and how she prepped for it as a first-time director. We later discuss how she shot her second film as a director, WAKEFIELD, in just 18 days, and she reflects on what she brought from her experiences on her first film to the second one. - This episode is sponsored by Aputure ⁠

Show Notes:This week I'm chatting with horror writer named Adam Wakefield. He self published his novel The Usher and is finishing up his forthcoming book Elder Lake. He told me who his favorite authors are, where the inspiration for his stories have stemmed from, and what his writing process is. He also told me about a super spooky experience he had while watching The Conjuring and what horror movie he'd remake if he could, and so much more.Adam's Socials: Instagram: https://www.instagram.com/_adam.wakefield_/Buy The Usher: https://www.authorsnote.com/item/qJ9W9y92IBBU-o2oZYXR0w Who's There? Socials:Bluesky: https://bsky.app/profile/whostherepc.bsky.social Instagram: https://www.instagram.com/whostherepcTwitter: https://www.twitter.com/whostherepcLetterboxd: https://letterboxd.com/thatgirlallison/ Email: whostherepc@gmail.com Website: https://www.whostherepodcast.com Join the Email List: https://mailchi.mp/4a109b94d3bc/newsletter-signup 

Wallace G. Smith | Recorded July 4, 2026

Wallace G. Smith | Recorded July 4, 2026