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For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

Stockdale centenarian Theresa Shaw, born in October 1922, celebrates her 103rd year of life with a meal June 7 at La Vernia's Den restaurant. Shaw, who served as a nurse in World War II, has longevity in her genes; her mother lived to the age of 104, and Theresa and six of her siblings were celebrated in 2022 by the Guinness Book of World Records for having the highest combined living age of siblings, at 682 years and 36 days. (See “Theresa Shaw, centenarian in Guinness Book, shares secrets for long, happy life,” June 28, 2023, Wilson County News.)Article Link

Ellie explains how she was attacked in Dublin last week. Work is under way to seal off part of the site of the former mother-and-baby home in Tuam, Co Galway. Grainne explains how bottles and cans that her GAA Club were collecting were stolen. John in Wexford is still on the hunt for some Guinness Books of World Records to complete his collection.

This is The DX Mentor podcast. I hope to help those hams trying to move up the DXCC ladder as well as those that at on the DXCC Honor Roll. As fast as technology is moving, no one can keep up on it all. I am here to help. #DX #HamradioWelcome to episode 68 of The DX Mentor –All About DX. Thank you for joining us..I'm Bill, AJ8B.If this is the first time you are joining us, Welcome! We have a back catalog covering many aspects of DX in both podcast and YouTube format. Please check us out. If you like what you find, please subscribe, like, and share to always be notified about upcoming events!    Another way to keep in touch and to see what we are up to is via the DX Mentor Facebook page. I will be posting aboutupcoming podcasts as well as other DX events so please follow us.   Our guests today are Sarath, VU2RS, and Joe, W8GEX. Sarath & Joe are experienced, passionate DXers and the conversation should be lively and informative.  This text is what grabbed my attention and made me realize that VU2RS would be a great guest. “In celebration of World DX Day, DX India Foundation is proud to announce its commitment to promoting DXing activities from India. Following the resounding success of previous IOTA activations, such as Sacrifice Rock, Kanika Island, Sagar Island, and Nachugunta IOTA, the foundation is gearing up for more exciting adventures. DX India Foundation's primary objective is to activate rare IOTAs, organize DXpeditions, and foster a vibrant DXing culture in the region. To achieve this goal, thefoundation is seeking support from manufacturers, individuals, and organizations to acquire essential equipment, including: – HF radios and amplifiers. – Band-pass filters and power supplies. – Tents and generators. – Coax cables and all necessary accessories. The foundation plans to establish a self-sufficient setup, comprising three stations, which can be easily transported in a container to various locations. This will enable DX India Foundation to activate rare IOTAs and provide DXers and IOTA chasers with exciting opportunities to log new entities. By promoting DXing activities and providing support to IOTA enthusiasts, DX India Foundation hopes to elevate the region's profile in the global amateur radio community. Join us in celebrating World DX Day and stay tuned for updates on DX India Foundation's initiatives and activities! for more details: sara@vu2rs.com 73, Sarath,VU2RS - DX India Foundation” Here is some information about our guest:Sarath was born and raised in Hyderabad, India. He developed an interest in amateur radio at the age of 15, inspired by Bharathi, VU2RBI, and his family of hams. This early exposure sparked a lifelong passion for amateur radio. In recognition of his family's remarkable achievement, they were featured in the Guinness Book of Records for having the largest number of amateur radio operators in a single family - an impressive 60 hams!  Sarath has received several awards and recognition for his contributions to amateur radio and public service, including:  - Rajiv Gandhi Award for Amateur Radio(1996-97 and 1997-98) - International Humanitarian Award - Honorary citizenship of Florida State, USA  All of this and contest work, DXpeditions, Fox Hunting and EMCOMM will be discussed. Let's get started!Resources mentioned include:VU2RS https://vu2rs.com/Amateur Radio Society of Indiahttps://arsi.info/Southwest Ohio DX Assoc. https://www.swodxa.orgDaily DX https://www.dailydx.com/DX Engineering https://www.dxengineering.com/Icom https://www.icomamerica.com/ IC-905 https://www.icomamerica.com/lineup/products/IC-905/ IC-9700 https://www.icomamerica.com/lineup/products/IC-9700/ IC-7610 https://www.icomamerica.com/lineup/products/IC-7610/ IC-7300 https://www.icomamerica.com/lineup/products/IC-7300/      

With the Real ID policy in place at the TSA, some travelers are still attempting to use alternate forms of identification!  Anna & Raven found someone using their own discount version at an airport. It's the end of the school year, and Anna & Raven hear from excited students talking about their summer plans, and find out just how different they are from their own school breaks! After hearing from some amazingly motivated students, listeners tell Anna & Raven all about their own first summer jobs…and the experiences are eye-opening! With the NBA Finals in full swing, Anna & Raven are still on the hunt for the biggest celebrity fans of the Pacers and Thunder!  The quest to interview Brendan Fraser and/or Dr. Phil continues! Are you up to date on this week's biggest news story? Anna and Raven will get you caught up on what's trending, including the ongoing Blake Lively/Justin Baldoni situation! The Great Sock Challenge: Anna & Raven welcome two listeners into the studio to compete against Producer Julie for the Guinness Book of World Records title of “Most Socks Put On One Foot in 30 Seconds”.  The winner gets the glory, and the losers have to rap on-air. Eric & Morgan were on vacation with their family, and after a long, tiring day, their 14-year-old son accidentally broke an ugly $68 vase in a gift shop, which they had to pay for.  Eric wants to ground the son for two weeks, with time reduced for extra chores, to teach him a lesson in responsibility and the cost of things.  Morgan feels the punishment is too strong with the start of summer coming up, and that the son certainly didn't mean to do it.  What do you think? Lina has a chance to win $300! All she has to do is answer more pop culture questions than Raven in Can't Beat Raven!

“Everything changed for the gay choral movement because they had twins: music and mission. They weren't just there for the music, and they weren't just there for the mission. I've been feeding my twins every day, and I feed them equally. Audiences that are interested in just music for music making are dying out. There are a lot more reasons to get them in: many concerts can reach into the community and be of service.”Tim Seelig is a conductor, speaker, author and educator. He is the Conductor Laureate of the San Francisco Gay Men's Chorus and Conductor Emeritus of the Turtle Creek Chorale in Dallas, Texas. He serves as founding conductor of the Portland Sage Singers.Dr. Seelig holds four degrees, including a Diploma from the Mozarteum in Salzburg, Austria and Doctor of Musical Arts from the University of North Texas. He has eight books and DVDs on choral technique published by Hal Leonard Music, several of which are best-sellers. His memoir, Tale of Two Tims, was published in 2020. He made his operatic debut in St. Gallen, Switzerland and solo debut at Carnegie Hall. He has been conducting at Carnegie Hall and Lincoln Center for 30 years, including an upcoming appearance at Lincoln Center in November 2025.He has conducted over 60 recordings which have been on Billboard Top Ten and iTunes Top Ten classical charts. His choruses have been the topic of three documentaries. The first PBS documentary was awarded the national Emmy for best documentary. The most recent had its world premiere at the Tribeca Film Festival, won the Audience Favorite and is streaming on Paramount +.He has commissioned major choral works for 35 years. Some of these include the first AIDS Requiem, When We No Longer Touch; Sing for the Cure for the Komen Breast Cancer Foundation featuring Dr. Maya Angelou; “Testimony,” by Stephen Schwartz and the 2022 “Songs of the Phoenix” by Andrew Lippa, Stephen Schwartz and Stephen Sondheim.Aside from guest-conducting, he is often seen trading in his podium for the speaking stage. He won the Moth Grand Slam and his recent TEDx Talk has passed 100K views.Fun facts: he conducted the Guinness Book of World Records Longest Choral Concert and carried the Olympic torch as a community Hero.  He has not run since.He is the proud grandfather of the amazing Clara Skye, Eden Mae, Cora Rose, and Ivy Hope.To get in touch with Tim, you can find him on Facebook (@tim.seelig) or email him at tgseelig@gmail.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Hour 2 of the Monday Bob Rose Show, on the respect pouring in for stunts performed by actor Tom Cruise, who set a Guinness Book of World Records mark for number of jumps from a helicopter with a parachute ON FIRE. Plus the morning's biggest stories and breaking news for 6-9-25

President and Chairwoman of the Saudi Mixed Martial Arts Federation join co-hosts Hanaa and Lucien for an exclusive interview, shedding light on her journey from being the first Saudi woman certified as a boxing coach to holding prominent positions in international sports organizations and her new role as head of the Saudi MMA Federation. Rasha talks with The TWENTY30 about the significant investments and strategies driving the growth in the sport, with ambitious plans under Vision 2030. The 4-time Guinness Book of World Records-holder was also recently named one of ADWEEK's Most Powerful Women in Sports 2025. Before the conversation, the hosts catch up on feedback on Episode 54, with viewers and listeners chiming in on US-Saudi relations. After the conversation with Rasha, the hosts catch up on some of the latest news, including "reports" that alcohol is coming to the Kingdom.

L'esercito giapponese riesce finalmente nel difficile scopo di conquistare le fortificazioni di Port Arthur. Tuttavia la guerra a terra finirà per divenire uno stallo. Lo scontro fra i due imperi verrà deciso in una delle battaglie navali più importanti della storia. Le conseguenze dell conflitto russo-giapponese avranno ripercussioni geopolitiche di lunghissimo termine.Seguimi su Instagram: @laguerragrande_podcastSe vuoi contribuire con una donazione sul conto PayPal: podcastlaguerragrande@gmail.comScritto e condotto da Andrea BassoMontaggio e audio: Andrea BassoFonti dell'episodio:Jesse Alexander, World War Zero - The Russo Japanese War 1904-1905, The Great War, 2022 Herbert Bix, Hirohito and the Making of Modern Japan, HarperCollins, 2000  Georges Blond, Admiral Togo, Jarrolds Publishers, 1961  Noel Busch, The Emperor's Sword: Japan vs Russia in the Battle of Tsushima, Funk and Wagnalls, 1969  Shannon R. Butler, Voyage to Tsuhima, Naval History 26, 2012  Franco Cardini, Sergio Valzania, La scintilla: da Tripoli a Sarajevo. Come l'Italia provocò la Prima Guerra Mondiale, Mondadori, 2014  Micheal Clodfelter, Warfare and Armed Conflicts, a statistical reference, Volume II 1900–91, McFarland, 2017  Richard Connaughton, Rising Sun and Tumbling Bear, Cassell, 2003  J. Corbett, Maritime Operations In The Russo-Japanese War 1904–1905, Naval Institute Press, 1915  Marc Ferro, Nicholas II: Last of the Tsars, Oxford University Press, 1995  Orlando Figes, A People's Tragedy: The Russian Revolution, 1891-1924, Jonathan Cape, 1996Robert Forczyk, Russian Battleship vs Japanese Battleship, Yellow Sea 1904–05, Osprey, 2009  R. Garson, Three Great Admirals – One Common Spirit?, The Naval Review 87, 1999  Andrew Gordon, Social Protest In Imperial Japan: The Hibiya Riot of 1905, Asia-Pacific Journal: Japan Focus 12, 2014  Stephen Gwynn, Spring Rice to Robert H. M. Ferguson. The Letters and Friendships of Sir Cecil Spring Rice: A Record, Houghton Mifflin, 1929  Kyung Moon Hwang, A History of Korea, Palgrave, 2010  Marius Jansen, The Making of Modern Japan, Harvard University Press, 2002  Geoffrey Jukes, The Russo-Japanese War 1904–1905. Essential Histories, Osprey Publishing, 2002  Yōko Katō, What Caused the Russo-Japanese War: Korea or Manchuria?, Social Science Japan Journal 10, 2007  Donald Keene, Emperor of Japan, Meiji and his World, 2005  Eugene Kim, Japanese Rule in Korea (1905–1910): A Case Study, Proceedings of the American Philosophical Society 106, 1962  Yoji Koda, The Russo-Japanese War: Primary Causes of Japanese Success, Naval War College Review 58, 2005  William Koenig, Epic Sea Battles, Octopus Publishing Group, 1977  Rotem Kowner, Historical Dictionary of the Russo-Japanese War, The Scarecrow Press, 2006  Thomas Lyell, Case History of Japan, 1948  Cristopher Martin, The russo-japanese war, Abelard Schuman, 1967  Francis McCullagh, With the Cossacks; Being the Story of an Irishman who Rode with the Cossacks throughout the Russo-Japanese War, Nash, 1906  Bruce Menning, Bayonets before bullets: The Imperial Russian Army, 1861–1914, Indiana University, 1992  Ian Nish, The Origins of the Russo-Japanese war, Longman, 1985  John Noss, Man's Religions, 1980  Oyama Iwao, The National Archives of Japan, National Diet Library  Sarah Paine, The Sino-Japanese War of 1894–1895: Perceptions, Power, and Primacy, Cambridge University Press, 2003  Costantine Pleshakov, The Tsar's Last Armada: Epic Voyage to the Battle of Tsushima, 2002  Roger Reese, The Imperial Russian Army in Peace, War, and Revolution, 1856-1917, University Press of Kansas, 2019  Geoffrey Regan, The Battle of Tsushima 1905, The Guinness Book of Decisive Battles Guinness Publishing, 1992  Edwin Reischauer, Storia del Giappone, Bompiani, 2013  Edward Rhoads, Manchus and Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861–1928, University of Washington Press, 2011  Andrew Rhodes, Same Water Different Dreams: Salient Lessons of the Sino-Japanese War for Future Naval Warfare, Journal of Advanced Military Studies 11, 2020  John Röhl, Wilhelm II: Into the Abyss of War and Exile, 1900–1941, Cambridge University Press, 2014   Lawrence Sondhaus, Naval Warfare, 1815–1914, Routledge, 2001  Richard Storry, Japan and the Decline of the West in Asia, 1894–1943, St. Martins' Press, 1979  Hew Strachan, The First World War. To Arms, Oxford University Press, 2003  The San Bernardino Daily Sun, 30 May 1934  The Straits Times, 4 June 1934  Hesibo Tikowara, Before Port Arthur in a Destroyer: The Personal Diary of a Japanese Naval Officer, John Murray, 1907  Togo Heihachiro, Encyclopaedia Britannica  Ko Unoki, International Relations and the Origins of the Pacific War, Springer, 2016  Vauvineux, Affairs du Corée, 1897  Denis e Peggy Warner, The Tide at Sunrise: A History of the Russo-Japanese War: 1904-1905, Charter House, 1974  Anthony Watts, The Imperial Russian Navy, Arms and Armour Press, 1990  Allen Wildman, The End of the Russian Imperial Army: The Old Army and the Soldiers' Revolt (March-April 1917), Princeton University Press, 1980In copertina: Il capitano Lebediev, in servizio presso una delle fortificazioni di Port Arthur, difende uno dei bastioni della fortezza da solo contro centinaia di soldati giapponesi che eseguono una "scala umana", dal Petit Journal del 25 settembre 1904.Ishikari Lore di Kevin MacLeod è un brano concesso in uso tramite licenza Creative Commons Attribution 4.0. https://creativecommons.org/licenses/by/4.0/Fonte: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100192Artista: http://incompetech.com/

Remembering D-Day 81 years after landing on beaches of Normandy; Tom Cruise lands in Guinness Book of World Records for movie stunt; Former police chief turned killer captured after escaping Arkansas prison Learn more about your ad choices. Visit podcastchoices.com/adchoices

Les musées Grecs placés sous haute protection. Cruise saute avec un parachute en feu dans le Guinness Book of Records. A-Ha contraint au silence par la maladie de Parkinson.

Send us a textThis is the time of year for planting. Small gardens are cropping up all over my neighborhood. One of my favorite things to plant is pumpkins. I love the beautiful pumpkin blossoms and having a Halloween Jack-o-lantern that was grown in my own yard. In our story, “The World's Biggest Pumpkin,” by Nathaniel Lewis, a man from the Guinness Book of World Records is out on a farm to measure and weigh a likely winner in the pumpkin category. Unfortunately, he also discovers what has made it so big, and it's not Miracle Grow.  Do pumpkins, unassuming squash, have a history and lore of their own? The answer is, yes, and we'll explore.MusicFesliyan Studios: "Ghost Stories," Audio Jungle: "Halloween Waltzes" Ellen Edsen: "The Pumpkin Song"Spooky Scary Sounds: "Evil Lurks on Halloween"Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become " patron of the Cemetery Hills Library, or (even better!)  jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                  Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal Podcast

Send us a textThis is the time of year for planting. Small gardens are cropping up all over my neighborhood. One of my favorite things to plant is pumpkins. I love the beautiful pumpkin blossoms and having a Halloween Jack-o-lantern that was grown in my own yard. In our story, “The World's Biggest Pumpkin,” by Nathaniel Lewis, a man from the Guinness Book of World Records is out on a farm to measure and weigh a likely winner in the pumpkin category. Unfortunately, he also discovers what has made it so big, and it's not Miracle Grow.  Do pumpkins, unassuming squash, have a history and lore of their own? The answer is, yes, and we'll explore.MusicFesliyan Studios: "Ghost Stories," Audio Jungle: "Halloween Waltzes" Ellen Edsen: "The Pumpkin Song"Spooky Scary Sounds: "Evil Lurks on Halloween"Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become " patron of the Cemetery Hills Library, or (even better!)  jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                  Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal Podcast

Dopo aver dato prova di sé nel conflitto contro la Cina, il nuovo Giappone moderno si ritrova a dover affrontare un avversario apparentemente fuori dalla sua portata: la Russia dello zar Nicola II. Il conflitto che scoppierà fra i due paesi avrà delle ripercussioni a livello mondiale.Seguimi su Instagram: @laguerragrande_podcastSe vuoi contribuire con una donazione sul conto PayPal: podcastlaguerragrande@gmail.comScritto e condotto da Andrea BassoMontaggio e audio: Andrea BassoFonti dell'episodio:Jesse Alexander, World War Zero - The Russo Japanese War 1904-1905, The Great War, 2022 Herbert Bix, Hirohito and the Making of Modern Japan, HarperCollins, 2000  Georges Blond, Admiral Togo, Jarrolds Publishers, 1961  Noel Busch, The Emperor's Sword: Japan vs Russia in the Battle of Tsushima, Funk and Wagnalls, 1969  Shannon R. Butler, Voyage to Tsuhima, Naval History 26, 2012  Franco Cardini, Sergio Valzania, La scintilla: da Tripoli a Sarajevo. Come l'Italia provocò la Prima Guerra Mondiale, Mondadori, 2014  Micheal Clodfelter, Warfare and Armed Conflicts, a statistical reference, Volume II 1900–91, McFarland, 2017  Richard Connaughton, Rising Sun and Tumbling Bear, Cassell, 2003  J. Corbett, Maritime Operations In The Russo-Japanese War 1904–1905, Naval Institute Press, 1915  Marc Ferro, Nicholas II: Last of the Tsars, Oxford University Press, 1995  Orlando Figes, A People's Tragedy: The Russian Revolution, 1891-1924, Jonathan Cape, 1996Robert Forczyk, Russian Battleship vs Japanese Battleship, Yellow Sea 1904–05, Osprey, 2009  R. Garson, Three Great Admirals – One Common Spirit?, The Naval Review 87, 1999  Andrew Gordon, Social Protest In Imperial Japan: The Hibiya Riot of 1905, Asia-Pacific Journal: Japan Focus 12, 2014  Stephen Gwynn, Spring Rice to Robert H. M. Ferguson. The Letters and Friendships of Sir Cecil Spring Rice: A Record, Houghton Mifflin, 1929  Kyung Moon Hwang, A History of Korea, Palgrave, 2010  Marius Jansen, The Making of Modern Japan, Harvard University Press, 2002  Geoffrey Jukes, The Russo-Japanese War 1904–1905. Essential Histories, Osprey Publishing, 2002  Yōko Katō, What Caused the Russo-Japanese War: Korea or Manchuria?, Social Science Japan Journal 10, 2007  Donald Keene, Emperor of Japan, Meiji and his World, 2005  Eugene Kim, Japanese Rule in Korea (1905–1910): A Case Study, Proceedings of the American Philosophical Society 106, 1962  Yoji Koda, The Russo-Japanese War: Primary Causes of Japanese Success, Naval War College Review 58, 2005  William Koenig, Epic Sea Battles, Octopus Publishing Group, 1977  Rotem Kowner, Historical Dictionary of the Russo-Japanese War, The Scarecrow Press, 2006  Thomas Lyell, Case History of Japan, 1948  Cristopher Martin, The russo-japanese war, Abelard Schuman, 1967  Francis McCullagh, With the Cossacks; Being the Story of an Irishman who Rode with the Cossacks throughout the Russo-Japanese War, Nash, 1906  Bruce Menning, Bayonets before bullets: The Imperial Russian Army, 1861–1914, Indiana University, 1992  Ian Nish, The Origins of the Russo-Japanese war, Longman, 1985  John Noss, Man's Religions, 1980  Oyama Iwao, The National Archives of Japan, National Diet Library  Sarah Paine, The Sino-Japanese War of 1894–1895: Perceptions, Power, and Primacy, Cambridge University Press, 2003  Costantine Pleshakov, The Tsar's Last Armada: Epic Voyage to the Battle of Tsushima, 2002  Roger Reese, The Imperial Russian Army in Peace, War, and Revolution, 1856-1917, University Press of Kansas, 2019  Geoffrey Regan, The Battle of Tsushima 1905, The Guinness Book of Decisive Battles Guinness Publishing, 1992  Edwin Reischauer, Storia del Giappone, Bompiani, 2013  Edward Rhoads, Manchus and Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861–1928, University of Washington Press, 2011  Andrew Rhodes, Same Water Different Dreams: Salient Lessons of the Sino-Japanese War for Future Naval Warfare, Journal of Advanced Military Studies 11, 2020  John Röhl, Wilhelm II: Into the Abyss of War and Exile, 1900–1941, Cambridge University Press, 2014   Lawrence Sondhaus, Naval Warfare, 1815–1914, Routledge, 2001  Richard Storry, Japan and the Decline of the West in Asia, 1894–1943, St. Martins' Press, 1979  Hew Strachan, The First World War. To Arms, Oxford University Press, 2003  The San Bernardino Daily Sun, 30 May 1934  The Straits Times, 4 June 1934  Hesibo Tikowara, Before Port Arthur in a Destroyer: The Personal Diary of a Japanese Naval Officer, John Murray, 1907  Togo Heihachiro, Encyclopaedia Britannica  Ko Unoki, International Relations and the Origins of the Pacific War, Springer, 2016  Vauvineux, Affairs du Corée, 1897  Denis e Peggy Warner, The Tide at Sunrise: A History of the Russo-Japanese War: 1904-1905, Charter House, 1974  Anthony Watts, The Imperial Russian Navy, Arms and Armour Press, 1990  Allen Wildman, The End of the Russian Imperial Army: The Old Army and the Soldiers' Revolt (March-April 1917), Princeton University Press, 1980In copertina: Battaglia del fiume Sha, Yoshikuni, 1904Ishikari Lore di Kevin MacLeod è un brano concesso in uso tramite licenza Creative Commons Attribution 4.0. https://creativecommons.org/licenses/by/4.0/Fonte: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100192Artista: http://incompetech.com/

Did you know these were the lyrics?! What was your favourite record in the Guinness Book of World Records? Radio Community Theatre presents... The Hunger Games. Mumma Di thinks these voices are the sexiest. See omnystudio.com/listener for privacy information.

Mike Bausch is an industry leader whose restaurant, Andolini's Pizzeria, is a top ten pizzeria in the US, as named by Trip Advisor, BuzzFeed, CNN and USA Today. Andolini's began in 2005 and has grown to five pizzerias, two gelaterias, two food-hall concepts, a food truck, and a fine dining restaurant by 2020. He's a World Pizza Champion, a Guinness Book world record holder, and a writer for Pizza Today, and the author of Unsliced: How to Stay Whole in the Pizzeria Business. Mike was previously on the show for episode 772. Do YOU want to work with Mike? Click here -> https://getunsliced.com/unstoppable This workshop covers Mike's "3 Steps to Systemize Your Ownership." Workshops can be found every Thursday in the Restaurant Unstoppable podcast feed or on YouTube. Most have a visual component, so consider watching the video version here. Join the RUNetwork to take part in workshops and ask the experts YOUR questions! Join the Restaurant Unstoppable Network TODAY! Restaurant Unstoppable - EVOLVE! - Eric of Restaurant Unstoppable is now taking consultation and coaching calls! Book a consultation today! Schedule your call to become UNSTOPPABLE! Check out the website for more details: https://www.restaurantunstoppable.com/evolve Today's sponsors: Franchise Law Solutions - Thinking about franchising your restaurant? Success doesn't have to mean 100 units overnight. With the right plan, you can build a profitable, local or regional franchise brand. The team at Internicola Law Firm — franchise lawyers and franchise development experts — will show you how.  Visit www.franchiselawsolutions.com. Meez: Are you a chef, owner, operator, or manage recipes in professional kitchens? meez is built just for you. Organize, share, prep, and scale recipes like never before. Plus, engineer your menu in real-time and get accurate food costs. Sign up for free today and get 2 FREE months of invoice processing as a listener of the Restaurant Unstoppable Podcast. Visit getmeez.com/unstoppable to learn more. Restaurant Systems Pro - Join the 60-day Restaurant Systems Pro FREE TRAINING. This is something that has never been done before. This 60-day event is at no cost to you, but it is not for everyone. Fred Langley, CEO of Restaurant Systems Pro, will lead a group of restaurateurs through the Restaurant Systems Pro software and set up the systems for your restaurant. During the 60 days, Fred will walk you through the Restaurant Systems Pro Process and help you crush the following goals: Recipe Costing Cards; Guidance in your books for accounting; Cash controls; Sales Forecasting(With Accuracy); Checklists; Budgeting for the entire year; Scheduling for profit; More butts in seats and more… Click Here to learn more.  Let's make 2025 the year your restaurant thrives. Today's guest recommends:  Ovation Asana 7Shifts Loom Cling App Wisely Guest contact info:  https://getunsliced.com/ Thanks for listening! Rate the podcast, subscribe, and share!  We are on Youtube: @RestaurantUnstoppable

We cover Cap #179 panel by panel - Nomad Part 4. Steve Rogers is no longer Captain America but he is stalked by the Golden Archer who knows his secret identity! Plus... the Top 20 TV shows of 1974, Donny Osmond's comeback, Funyuns, Guinness Book of World Records, and Rick shares an embarrassing story with SNL's A. Whitney Brown... Watch on YouTube: https://youtu.be/gZPZVmyjQ88Love the show? Help support with a one-time donation or become a member and get cool perks! https://buymeacoffee.com/capcomicfansConnect with Rick & Bob and fellow Cap fans at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/captainamericacomicbookfans⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠ Please subscribe, rate and review! Our home page is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://captainamericacomicbookfans.com⁠

  In Episode #62 of The Thermal, the global tariff chaos and the impact on American glider pilots. We talk to the man behind gliding supply shop Cumulus Soaring to find out what is and isn't happening.   Looping a glider is fun when done properly. It's something that most of us have done at some point or another. But breaking the Guinness Book record for the number of loops is a completely different matter. We speak to the two Australian pilots who now hold the world record.   And what's it like when there's far more of your gliding career behind you than in front of you. It's something that all of us will face at some point. We talk to an octogenarian glider pilot who is processing and contemplating his ability to continue to do what he loves.   That's all on Episode #62 of The Thermal.

Dennis Dunaway was inducted into the Rock and Roll Hall of Fame in 2011 as a founding member of the band named Alice Cooper. Dennis and the group are in the Grammy Hall of Fame for co-writing “School's Out.” The original Alice Cooper group have sold millions of singles and albums and were on the cover of Forbes for having the largest grossing tour in 1973 over Led Zeppelin and the Rolling Stones. The original Alice Cooper group is in the Guinness Book of World Records for largest indoor audience of an estimated 120,000 to 148,000 in Sao Paulo, Brazil in 1974. The Billion Dollar Babies album reached number 1 in America and Britain, and the group are recognized as the innovators of theatrical rock shows, which included giant balloons, hangings, snakes and spidery eye makeup.Dennis currently records and tours with Blue Coupe featuring Joe and Albert Bouchard of Blue Öyster Cult fame and singers Tish and Snooky of Manic Panic.The original Alice Cooper group recorded 3 songs on Alice's Welcome 2 My Nightmare album, and re-recorded “School's Out” with Brian Johnson, Joe Perry and Johnny Depp for the Hollywood Vampires album. The Alice Cooper group reunited to record several songs on Alice's Paranormal album produced by Bob Ezrin, and the group did a five-city tour in the United Kingdom in November 2017, which included 14,000 people at Wembley. Dennis is constantly recording and playing shows with bands involving his musical friends. His fans inspire him to take new risks while remaining true to legendary roots.For more on Dennis....https://www.dennisdunaway.com

The plan was for the Fantastic Four to go on a short little trip. That was all. Just a short trip and then boom....back to the old nine to five grind. But we ran into a little problem, didn't we. Well, hi there! Welcome to our wonderful treaty on pools, tubs, water holes, and puddles. Hopefully you will learn something. If you do not, please do not sue us. The "Great Bath" at the site of Mohenjo-Daro in modern-day Pakistan was most likely the first swimming pool, dug during the 3rd millennium BC. This pool is 12 by 7 metres (39 by 23 feet), is lined with bricks, and was covered with a tar-based sealant. Swimming pools became popular in Britain in the mid-19th century. As early as 1837, six indoor pools with diving boards existed in London, England. The Maidstone Swimming Club in Maidstone, Kent is believed to be the oldest surviving swimming club in Britain. It was formed in 1844, in response to concerns over drownings in the River Medway, especially since would-be rescuers would often drown because they themselves could not swim to safety. he modern Olympic Games started in 1896 and included swimming races, after which the popularity of swimming pools began to spread. In the US, the Racquet Club of Philadelphia clubhouse (1907) boasts one of the world's first modern above-ground swimming pools. The first swimming pool to go to sea on an ocean liner was installed on the White Star Line's Adriatic in 1906. he Amateur Swimming Association was founded in 1869 in England, and the Oxford Swimming Club in 1909. The presence of indoor baths in the cobbled area of Merton Street might have persuaded the less hardy of the aquatic brigade to join. So, bathers gradually became swimmers, and bathing pools became swimming pools. According to the Guinness World Records, the largest swimming pool in the world is San Alfonso del Mar Seawater pool in Algarrobo, Chile. It is 1,013 m (3,323 ft) long and has an area of 8 ha (20 acres). At its deepest, it is 3.5 m (11 ft) deep. It was completed in December 2006. In 2021, Deep Dive Dubai, located in Dubai, UAE, was certified by the Guinness Book of World Records as the world's deepest swimming pool reaching 60 metres (200 ft). The Y-40 swimming pool at the Hotel Terme Millepini in Padua, Italy, previously held the record, 42.15 m (138.3 ft), from 2014 until 2021. The Fleishhacker Pool in San Francisco was the largest heated outdoor swimming pool in the United States. Opened on 23 April 1925, it measured 1,000 by 150 ft (300 by 50 m) and was so large that the lifeguards required kayaks for patrol. It was closed in 1971 due to low patronage.   To check out some wet art, go to: https://jeffandrickpresent.wordpress.com/2025/04/14/ff-9-last-splash/   We also have some merchandise over at Redbubble. We have a couple of nifty shirts for sale. https://www.redbubble.com/people/jeffrickpresent/?asc=u   You can also subscribe and listen to us on YouTube!  Our show supports the Hero Initiative, Helping Comic Creators in Need.  http://www.heroinitiative.org/ Eighties Action by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3703-eighties-action License: http://creativecommons.org/licenses/by/4.0/ Shake Your Leg by Sascha Ende Cinematic Suspense Series Episode 001 by Sascha Ende

As Bournemouth continue to push for European football, midfielder Justin Kluivert speaks to Kelly Somers about his season and career.He tells us about playing with the famous Kluivert name, and his footballing brothers. And the Dutchman explains how he's settled on the South Coast.And we find out why Kluivert thinks he should be in the Guinness Book of Records. 00:10 The appeal of Bournemouth 02:55 Being Patrick Kluivert's son 08:30 Andoni Iraola's influence 19:00 His hopes for the futureBBC Sounds / 5 Live Premier League weekend commentaries: Sat 1500 Everton v Ipswich, Sat 1730 Arsenal v Bournemouth, Sun 1200 Man Utd v Man City in the WSL on Radio 5 Sports Extra, Sun 1400 Brighton v Newcastle, Sun 1400 Brentford v Man Utd on Radio 5 Sports Extra, Sun 1400 West Ham v Tottenham on BBC Sport website, Sun 1630 Chelsea v Liverpool.

Travis Horn is The Balance Guru.  He is a two time Guinness Book of World Records holder.  He holds the record for greatest height to hold a handstand on interlocking platforms at 18 feet 5 inches.  He also holds the record for highest hippie jump on a longboard.  Travis was a contestant on the Go Big Show. He is a Marine Veteran, humanitarian, and has a new venture Heritage Reserve Guatemala Coffee.  Travis is currently a contestant on America's Got Talent Season 20. 4:36 The 2nd Home In Guatemala 10:51 The History Of Getting Imbalance  16:54 Becoming A Pioneer  20:51 Hands Are My Feet And My Feet Are My Hands 22:28 The Hinge Moment Of Breaking The First Handstand Record 29:21 Feelings After The Record 30:39 Slipping Up But Bouncing Back 35:29 Re-Breaking The Record 38:17 An Artist Backed By Physics  44:56 All About Enlightenment 47:34 Experiences From Guatemala 52:22 The Love Put Into Every Coffee Bean 55:24 Get Out Of The Zero Don't forget you can also follow Dr. Rob Bell on Twitter or Instagram.  Follow At:  Twitter @drrobbell Instagram @drrobbell Download Your Daily Focus Road Map! https://drrobbell.com/ If you enjoyed this episode on Mental Toughness, please subscribe and leave a review! Dr. Rob Bell    

Anthony Anderson (G20, Black-ish, The Departed) is an Emmy Award-nominated actor, comedian, and television host. Anthony joins the Armchair Expert to discuss being in the Guinness Book of World Records for furthest hit golf ball with the longest usable club, why he thinks Stevie Wonder can see, and calling Lionel Richie to cash in on his long-promised dinner. Anthony and Dax talk about how it felt to grow up in the hotbed of music, movies, and culture, both being called for availability by SNL only to be ghosted, and realizing that he still hasn't really processed the death of his father. Anthony explains all the serendipity surrounding his return to Howard University, the epic story of defeating Michael Jordan in dominoes, and being handpicked to star alongside EGOT Viola Davis in his new action thriller.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Adam Carolla, the comedic legend and host of The Adam Carolla Show, the Guinness Book of World Records #1 Most Downloaded Show on the Entire Internet, joins Steve in studio. This is a top billed face off that you are not gonna want to miss. LET'S GET READY TO RUMBLE!!!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this special live recording of Hey History! host Axel Clark asks historians Clare Wright, Anna Clark and Kiera Lindsey what historical objects can tell us about the past? What can a piece of ochre tell us about Australia’s Deep Time History? Can an old gold pan help us to hear the past? And what about a pair of South Australian pink shorts? We ask kids what objects are special to them, and play guessing games with objects - including one that's in the Guinness Book of World Records! This episode of Hey History! was recorded on Kaurna Country for the 2025 Schools Day of Adelaide Writers Week. Many thanks to Adelaide Festival, especially Suzanne Critchley, and Tahlia Greco. Many thanks to the History Trust of South Australia for the use of an image of Don Dunstan's shorts, and the National Museum of Australia for kindly granting permission and usage of images from their collection including: The water bottle of Robert O'Hara Bourke A gold panning dish Chris the sheep Voices Anna Clark is a Professor of History at the University of Technology, Sydney. Clare Wright is a Professor of History and Public Engagement at La Trobe University. Kiera Lindsey is South Australia's History Advocate and an award-winning historian. Episode image Photo of Hey History on stage live in front of primary school students in the Women's Pioneer Memorial Garden in Adelaide, South Australia. Credits Hosted by Axel Clark. Produced on Gadigal Country by Anna Clark, Clare Wright and Jane Curtis. Executive producers are Clare Wright and Anna Clark. Podcast concept, design and development by Anna Clark. Thanks to all the students whose voices you hear in this episode and their schools and teachers. Hey History! is produced by the Australian Centre for Public History at UTS and UTS Impact Studios. Impact Studios' executive producer is Sarah Gilbert.

A passenger on a flight to Milan threw a fit when they didn't like the food they were given. The pilot had to turn the plane back around to JFK. A new vacuum cleaner is hitting the market that shows users when they're receiving a text. A woman with the biggest mouth gape is in the Guinness Book of World Records. Lastly a man was looking to stir up trouble at a Applebee's, you won't want to miss out on what he did!See omnystudio.com/listener for privacy information.

Welcome to Sci-Fi Talk Podcast Plus! In today's episode, we're delving into the creative mind of Omar Morales, a remarkable storyteller and Guinness Book of World Records holder for the largest comic book. Omar's latest graphic novel, "Major Thomas," explores the incredible journey of a Mexican American farm worker who transcends his humble beginnings to become an astronaut on the first hyperspace mission. With artwork by Serge Akuna and Mal Mora, "Major Thomas" is a Comixology original that's sure to captivate fans of sci-fi, fantasy, and comics. We'll discuss how Omar's personal inspirations from real-life stories and films like "Gattaca" shaped this graphic novel, all while celebrating the diverse, all-Latino creative team behind the project. Tune in as we explore how "Major Tomas" reflects the human spirit and perseverance, highlighting the theme of rising from humble origins to achieve greatness.  Visit his site Start Your Free One Year Trial At Sci-Fi Talk Plus Get Major Thomas Here

Skating Across America for Sobriety and Purpose In this week's Team Never Quit episode, Marcus and Melanie are joined by the incredible Chad Caruso — a skateboarder, YouTuber, and Guinness World Record holder who skated 3,000 miles across America in just 57 days, from Venice Beach, CA to Virginia Beach, VA. Chad didn't just break records — he used this cross-country journey to raise money for Natural High, a nonprofit youth drug prevention program, and to share his powerful story of overcoming addiction and injury. Skateboarding became more than a passion — it became a lifeline, helping Chad find sobriety, resilience, and purpose. In this episode Chad shares about: •His record-setting skate across the U.S. •What pushed him to keep going — physically, mentally, and emotionally •How skateboarding saved his life •His work raising awareness for addiction and mental health •The creation of his book, “Pushing Through America” •What's next in his mission to inspire and uplift others Chad's journey is one of grit, growth, and giving back. Whether you're a skater, in recovery, or just need a push to chase your own goals — this episode is for you. Follow Chad on Instagram: @chad_caruso Check out his book: Pushing Through America In This Episode You Will Hear: • I've been skateboarding for a little over 25 years. That's really all I've devoted my life to. (3:19) • I definitely recommend finishing school. (5:36) • It doesn't happen overnight. You go to a party here, a party there. Then you're 26, 28. The habit thing. I didn't want to be a part of the system. I was just all about rebelling. (7:40) • That was the real turning point [when facing jail time] I had to look around and say “Alright, what are you doin?” (10:02) • [I got into the Guinness Book of World Records] It was this year. (13:30) • It's nice to get the pat on the back, but ultimately, it was about much more than that. It was about giving up the drinking, focusing on something positive. I did the Skate Across America to raise money for charity. (13:40) • When you're at the start line it's all fun. Everyone's there filming, talking, it's exciting. Then you push off, and then a couple of miles in, you're like “Oh, I'm gonna be doing this for the next 2 months. (18:32) • [I completed the entire distance with] 1 board; I didn't change the wheels or the bearings, or anything. (23:56) • Even if it's way slower than you normally go, if you keep treading that ground, you're gonna make it there. (28:55) • I figured out that if I skate head-on to trucks, like tractor trailers; they're coming at me at 70 mph. If I made myself seen, I could take over the whole lane. So, I would basically play chicken with them, and wave them out of the way. (30:14) • [At the finish] The mayor put his hand up for a high five. I skated right past him, I didn't even notice. (35:23) • “If you keep pushing, you're gonna get there.” (36:17) • When you're out there alone for so many hours, all the noise of society and people's opinions kinda fades away. (36:26) • When you're left to yourself, you realize how simple life is. (36:35) • Quitting drinking and focusing on my hobby turned my life around. (41:34) • Whatever you're most interested in or gets you excited – just pursue that. (41:52) • If I can help to make this life a little bit better, that's a win. (47:41) Socials:   - Chad's Website: https://chadcaruso.com/?srsltid=AfmBOop-itFsFDe1VaizcL5bdyRpDn-edp0YecWQ-SdGcoBmGKkCH3lo   - Chad's YouTube: https://www.youtube.com/@ChadCaruso   - Chad's Instagram: https://www.instagram.com/chad_caruso/?hl=en   - Chad's TikTok: https://www.tiktok.com/@chadcaruso Support TNQ - IG: team_neverquit , marcusluttrell , melanieluttrell , huntero13 -  https://www.patreon.com/teamneverquit Sponsors:    - WARFARE IN THEATERS   - Groundnews.com/TNQ   - You can find Cremo's new line of antiperspirants and deodorants at Target or Target.com    - selectquote.com/TNQ    - shipsticks.com/TNQ    - Navyfederal.org           - Robinhood.com/gold    - strawberry.me/TNQ    - stopboxusa.com {TNQ}    - ghostbed.com/TNQ [TNQ]   -  kalshi.com/TNQ    - PXG.com/TNQ   -  joinbilt.com/TNQ    - Tonal.com [TNQ]   - greenlight.com/TNQ   - PDSDebt.com/TNQ   - drinkAG1.com/TNQ   - Shadyrays.com [TNQ]   - qualialife.com/TNQ [TNQ]   - Hims.com/TNQ   - Shopify.com/TNQ   - Aura.com/TNQ   - Policygenius.com   - TAKELEAN.com [TNQ]   - usejoymode.com [TNQ]

Freeman Jones was a black, PhD-educated scientist in Jim Crow America, who was the lead of his team. However, when his company opened up the facility for tours for investors or the public, he was kindly asked by ownership to exit the facility and go wait in the yard with the other black employees, most of whom were part of the cleaning crew. Freeman would go onto marry Mada Myers, who had marched with Dr Martin Luther King in Mobile, Alabama, and was active in that legendary Civil Rights movement of the 1960s American South. She later taught English Literature for nearly 30 years. Freeman and Mada were married for 62 years.  It's not surprising that such people would go on to raise four lovely children – the youngest of whom they named: Cobi N'Gai Jones. As a young man, Cobi was very nervous when he approached his highly educated parents with his desire to put his education on hold to pursue a career in soccer, where there was no established league, hardly any professional players and very little money.  Surprisingly to Cobi, it was his mother, the educator, who told her son, " Go chase this dream of yours, son, and see where it takes you.”Cobi went on to have a legendary US soccer career; he is in the Guinness Book for most games played for the US National Team, and the most continuous years played with one MLS club – two records that will never be touched.So, as he poignantly told me: in the end, he was glad his mother won the argument. Cobi was kind enough to host me at the LA Galaxy facility where he will soon join Landon Donovan and David Beckham in the form of a 10-foot-tall bronze statue - soon to be unveiled in the Legends Plaza at the Galaxy stadium entrance. It was a pleasure to sit with Cobi Jones and I hope you enjoy it was well. Ep 24 – Cobi Jones Thanks for listening! We appreciate your support. If you love SoccerPod, please consider supporting us through our Patreon: https://www.patreon.com/soccerpodBy subscribing to our Patreon, you get behind-the-scenes content, discounts on merchandise and the opportunity to submit questions for future guests. Connect with us on social:Instagram: https://www.instagram.com/soccer.pod/Facebook: https://www.facebook.com/soccerpodTwitter: https://twitter.com/SoccerPod1YouTube: https://www.youtube.com/@soccerPod-go5vx

Have you ever noticed your dog sneezing during playtime? It's not a sign of allergies—it's actually a way dogs communicate excitement and playfulness! In this episode, we explore when playful sneezing happens, what it means in dog language, and whether you need to do anything about it. Understanding this quirky behavior can help you better interpret your dog's moods and interactions. Dog Fact of the Week: Did you know the Saluki is considered the world's oldest dog breed? According to the Guinness Book of World Records, the Saluki dates back to 329 BC. Even more astonishing, ancient carvings in Iraq depict a dog resembling the Saluki from as far back as 7000 BC! Join us as we dive into the fascinating ways dogs communicate and share fun canine history along the way! Courtesy 93.9 WLVB Join the Early Bird VIP Wait List for my Canines & Culture Program

Four more beers!We just can't get away from talking about tariffs. The ever changing topic that politicians are using to swing their johnsons around at each other. Well, it's really just one politician, but it's impacting everyone. And, it could impact your beer in a big way. On a lighter note we learn about the highest brewery in the world, according to the Guinness Book of World Records. Did you know the records thing was started by Guinness the brewery? Sir Hugh Beaver (seriously) got into a debate about the fastest game bird and commission a book for records and facts that eventually became the Guiness Book of World Records. They're no longer officiially connected, but they do have common heritage.Science! The scientists say hanxiety is a real thing. That anxiety you feel a day (or two) after having one too many. We've got the details on why.Canada is really taking a lot of heat in this political circus. Moosehead has a cure, at least a treatment, they created a Presidential Pack of 1,461 cans - one for each day of Trump's presidency. If you want to grab one you're out of luck, they sold out fast.Cheers!Thanks for listening to Beer Guys Radio! Your hosts are Tim Dennis and Brian Hewitt with producer Nate "Mo' Mic Nate" Ellingson and occasional appearances from Becky Smalls.Subscribe to Beer Guys Radio on your favorite app: Apple Podcasts | Google Podcasts | Spotify | Stitcher | RSSFollow Beer Guys Radio: Facebook | Instagram | Twitter | YouTube If you enjoy the show we'd appreciate your support on Patreon. Patrons get cool perks like early, commercial-free episodes, swag, access to our exclusive Discord server, and more!

Send us a textSixty-six-year-old Yolanda Holder, also known as the “Walking Diva,” is a professional ultra-marathon walker and a two-time Guinness World Record holder for the “Most Marathons Completed in a Calendar Year.” She set her first record in 2010 by completing 106 marathons and ultras, then surpassed it in 2012 with 120. In 2019, she became the oldest person to achieve US Race Walk Centurion status (#94) by race-walking 100 miles in under 24 hours (23:52:17). A decorated athlete, Yolanda also holds the title of World Champion Pedestrian for finishing the Sri Chinmoy Self-Transcendence 3100 Mile Race in 51 days, 17 hours, and 13 seconds. Beyond her athletic achievements, Yolanda is a wife, mother, grandmother, inspirational speaker, author, and an advocate for Type 2 Diabetes awareness, promoting health through walking and positivity.To learn more about Yolanda, you can check out her book, "My Journey to Guinness: "Walking Diva" Walking My Way into the Guinness Book of World Records."

My annual St. Paddy's Day repost! This was a fun conversation from St. Patrick's Day 2022 with the team at Guinness Open Gate Brewery in Baltimore MD. I have since visited and was welcomed with open arms.In this episode, we're talking with the National Brand Ambassador, Ryan Wagner and Head Brewer of the Guinness Open Gate Brewery in Baltimore Maryland, Sean Brennan.First things first, we pronounce “Sláinte” properly and what it actually means.  We discuss the history of the Nitro Pour, a 9,000 year lease (!) and the Guinness Book of World Records.  The more you know!We dive into the plethora of breweries Guinness has that you didn't know about, including Open Gate in MD, their 1,000,000 visitor(!) and all of the 20+ other beers you were unaware of.  Oh, and they have a new brewery in Chicago, IL!Happy St. Paddy's Day and, well, Slainte!https://www.guinnessbrewerybaltimore.com/ #guinness #guinnessstout #beermightythings #slainte #stpaddysday #beerpodcast

Welcome to The Bubbles Mushrooms' Podcast - everyone's favorite! It's Monday again so we have a hot new episode for everyone to enjoy. Chad is back this week for his first ever BMAD episode, Luke and Jac are recovering from the Bubonic Plague that has been spreading all over west Michigan, Edward has a fat teenage raccoon update live from the TrailCam and Chad gets his first ever introduction to ALF porn. Jac breaks down the logistics of emigrating to Michigan from Tennessee, Chad talks about his IT montage, Freddie Prinze Jr's wife is super bummed out, Renee writes in to welcome Jaclyn to Michigan and Skarunch writes in talk with Edward about Mo from Save Ferris while Katie notices his lack of email address in his email signature. It's also Katie's game this week and she's bringing us all a math hardon. That's right, were playing the guessing game this week and it all revolves around the Guinness Book of World Records! We use some pretty wacky units of measurements, try to guess the number of Slinkies and cheese slices would reach the moon, figure out how long the longest ear hair is and talk about some coiled up thickness. Follow us on Instagram, TikTok and Facebook @bubbmush and email the show at bubbmush@gmail.com - Thanks for listening!

The bagpipes will be back on the Capitol Square this weekend for the annual St. Patrick's Day parade. With the official holiday mere days away, how are you celebrating?  If you're Fitchburg alder Gabriella Gerhardt, you're adding to your world-record-setting four-leaf clover collection. Four-leaf clovers, technically a genetic mutation of the common three-leaf variety, are considered lucky due to their rarity. Gerhardt already holds the Guinness Book of World Record honors for “Most four-leaf clovers collected in one hour” and “Most four-leaf clovers collected in eight hours.” She's got a whole room in her house devoted to them. We're revisiting our conversation with her today to get her secrets on finding these treasures. This show originally aired March 14, 2023. Wanna talk to us about an episode? Leave us a voicemail at 608-318-3367 or email madison@citycast.fm. We're also on Instagram!  You can get more Madison news delivered right to your inbox by subscribing to the Madison Minutes morning newsletter.  Looking to advertise on City Cast Madison? Check out our options for podcast and newsletter ads.  Learn more about the sponsors of this March 12th episode: Doyenne Group Learn more about your ad choices. Visit megaphone.fm/adchoices

Guinness Book of World Records coming to Union Station! Hour 3 3/6/2025 full 2009 Thu, 06 Mar 2025 22:00:00 +0000 zfbuoncxTGY7EFJ57UkOdK4lfltW6lFN news The Dana & Parks Podcast news Guinness Book of World Records coming to Union Station! Hour 3 3/6/2025 You wanted it... Now here it is! Listen to each hour of the Dana & Parks Show whenever and wherever you want! 2024 © 2021 Audacy, Inc. News False https://player.amperw

This is a Grave Talks CLASSIC EPISODE! Blair Murphy, an independent filmmaker, and his friends found themselves embarking on a journey into the unknown when they bought the Grand Midway Hotel in Windber, Pennsylvania, all thanks to a unique eBay listing. What they didn't realize was that the hotel came with more than just history—it brought with it ghosts. The Grand Midway Hotel, though no longer operating as a hotel, still plays host to restless spirits, including Martha, a young woman who tragically lost her life on the balcony during a 4th of July celebration. From unsolved murders and human bones discovered within the walls to the tragic tale of a child buried in the basement, the hotel's dark past has left a permanent mark. Adding an air of mystique, the hotel is home to two Guinness Book of World Records: the largest Ouija board on its rooftop and the world's largest Tarot card on its ceiling. Join us as we explore the terrifying and strange stories of the Grand Midway Hotel, uncovering the secrets and spirits that still linger within its walls. If you'd like more information on the hotel, check out their website at grandmidwayhotel.com. Become a GRAVE KEEPER and get access to ALL of our EPISODES - AD FREE, BONUS EPISODES & ADVANCE EPISODES!!! Sign up through Apple Podcast Channel or Patreon. Sign up through Apple Podcasts or Patreon http://www.patreon.com/thegravetalks

This is a Grave Talks CLASSIC EPISODE! Blair Murphy, an independent filmmaker, and his friends found themselves embarking on a journey into the unknown when they bought the Grand Midway Hotel in Windber, Pennsylvania, all thanks to a unique eBay listing. What they didn't realize was that the hotel came with more than just history—it brought with it ghosts. The Grand Midway Hotel, though no longer operating as a hotel, still plays host to restless spirits, including Martha, a young woman who tragically lost her life on the balcony during a 4th of July celebration. From unsolved murders and human bones discovered within the walls to the tragic tale of a child buried in the basement, the hotel's dark past has left a permanent mark. Adding an air of mystique, the hotel is home to two Guinness Book of World Records: the largest Ouija board on its rooftop and the world's largest Tarot card on its ceiling. This is Part Two of our conversation. If you'd like more information on the hotel, check out their website at grandmidwayhotel.com. Become a GRAVE KEEPER and get access to ALL of our EPISODES - AD FREE, BONUS EPISODES & ADVANCE EPISODES!!! Sign up through Apple Podcast Channel or Patreon. Sign up through Apple Podcasts or Patreon http://www.patreon.com/thegravetalks

In this special feed drop episode from our friend Brad at Doomsday: History's Most Dangerous Podcast, What hops downstairs, alone or in pairs, enough to block out the sun? Nothing good, I promise. I hope you brought your appetite for destruction – because this episode is going to bug you. On this episode: you'll learn the horror of insect biomass, we'll learn that some problems can only be solved with a knife and a fork, and you'll need them because we are facing our very first extinction level event. And if you had been listening to this on Patreon, we also would have discussed whether Aesop was a thieving jerk, we found out Maury Povich never loved you, we met the loneliest/most extreme insects in the world, we found out if having grasshopper superpowers would kill you, we looked at the weirdest historical plague ever, we discussed the most disturbing regional delicacies in the world, and we shared a recipe for cricket protein energy balls. I never preach about environmental issues on the show, but you are going to hear about a kind of insect apocalypse that plays the weather the way my dad used to play the ponies. How big an issue will we be talking about? To this day, according to the Guinness Book of World Records, our story remains the largest concentration of living creatures, ever. Celebrity cameos include the God of the Old Testament; biblical prophet Moses; the Angel of Death, Pharoah Ramesses II of Egypt; Aesop the Greek fable man; Frau Troffea, queen of the Strasbourg plague dance, and human guinea pig John Stapp. Send us your listener questions to bit.ly/AskYOC. Become a member on Buy Me A Coffee for as little as $1/month to support the show.  Get your groceries and essentials delivered in as fast as 1 hour via Instacart. Free delivery on your first 3 orders. Min $10 per order. Terms apply. You can write to us at: Ye Olde Crime Podcast, PO Box 341, Wyoming, MN 55092. Join the conversation over at the Cultiv8 Discord and join the Olde Crimers Cubby to chat with us and other listeners of the show. Leave us a rating and review on Apple Podcasts, Podchaser, Spotify, Podcast Addict, Audible, or Goodpods! Don't forget to follow us on Twitter, Instagram, Threads, Facebook, TikTok, and YouTube. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Idiots talk with Kimy Winters, The holder of the Guiness World Record for loudest belch by a woman.  Ted doesn't help a woman pick which roommate is her favorite but he does make sure no one is posioned.  The guys remind everyone to be nice, even to gingers.

Welcome to the daily304 – your window into Wonderful, Almost Heaven, West Virginia.   Today is Monday, Feb. 17, 2025. Morgantown native Emily Calandrelli shares a video of her historic flight into space…coming up in March, the West Virginia Science and Engineering Fair showcases the work of creative and resourceful students…and learn about the New River Gorge hotel that hosted the world's longest continuous poker game (14 years!)...on today's daily304. #1 – From WBOY-TV – The Morgantown native who became the 100th woman to go to space back in November has shared the never-before-seen video of her space flight. Emily Calandrelli, a West Virginia University and MIT educated engineer known for her education shows like “Xploration Outer Space” and “Emily's Wonder Lab,” has released a video sharing everything that happened on her flight from Blue Origin's West Texas spaceport. The 16-minute video, which can be watched on Calandrelli's YouTube page, includes details from her astronaut training, some of the unique things she did to make the flight special for herself, women, kids and West Virginia, and her full reaction to experiencing weightlessness and seeing Earth from space. Calandrelli also raised more than $30,000 for West Virginia foster youth via a fundraiser involving a flash drive she carried into space loaded with nearly 10,000 hopes and dreams of West Virginia children. Read more: https://www.wboy.com/news/monongalia/west-virginia-woman-shares-full-video-of-trip-to-space-how-to-watch/   #2 – From THE REAL WV – The West Virginia Science and Engineering Fair takes place March 10 at the Charleston Coliseum and Convention Center.  The fair provides opportunities for students to ask questions about their world and discover how the world works. It also allows students to be creative and resourceful as they contemplate problems to solve in the real world.  It also acts as an entry point for West Virginia high school students to qualify for the Regeneron International Science and Engineering Fair. Middle school students can qualify for the Thermo Fisher Scientific Junior Innovators Challenge and the Lemelson Early Inventor Prize. For more information, including lodging information, previous year's winners and how to register, visit wvde.us. Read more: https://therealwv.com/2025/02/11/science-and-engineering-fair-scheduled-for-march-10-at-charleston-coliseum/   #3 – From WBOY-TV –  A now near-ghost town in West Virginia was once the home of a lavish hotel, known as a “historic spot for trouble,” that hosted a continuous poker game that lasted more than a decade. Located just outside of Thurmond, the Dun Glen Hotel was infamous in the early 1900s. The New River Gorge Convention and Visitor's Bureau describes it as an “upscale den of sin” where “alcohol flowed freely and gambling was the pastime of choice.”  The hotel bars stayed open 24/7, allowing for crazy parties and lengthy poker games—the longest ever being 14 years, according to Ripley's Believe it or Not and the Guinness Book of World Records. While the hotel is long gone, the land where it was housed is now controlled by the National Park Service. Read more: https://www.wboy.com/news/west-virginia/the-longest-poker-game-ever-was-played-at-a-historic-west-virginia-hotel/   Find these stories and more at wv.gov/daily304. The daily304 curated news and information is brought to you by the West Virginia Department of Commerce: Sharing the wealth, beauty and opportunity in West Virginia with the world. Follow the daily304 on Facebook, Twitter and Instagram @daily304. Or find us online at wv.gov and just click the daily304 logo.  That's all for now. Take care. Be safe. Get outside and enjoy all the opportunity West Virginia has to offer.  

According to the Guinness Book of World Records, 16th Century Hungarian Countess Elizabeth Bathory has the distinction of being the most prolific serial killer in the world with a suspected 650 murders of young women to her name. In her time, Countess Bathory was accused of vicious atrocities, most notably bathing in the blood of her victims to gain immortality. She seems to have earned the title of the Blood Countess, but she really a mass murderer? Tonight, Kent, Adrianna and Tracy discuss the Blood Countess and explore the possibility that not only was she not a sadistic killer, but was instead a religious subversive and reformer who spirited noble women away to save their lives. Also, apologies to our listeners for the fact that no one on the show can pronounce Hungarian, but we try our best! Welcome to Episode 157 of "What In The...? Podcast!"

Send us a text This episode explores one of the most ridiculous Hollywood crimes ever committed, the kidnapping of Frank Sinatra Jr. Plus, we take a deep dive into the Guinness Book of World Records and some of its most absurd entries. It's a show packed with pure dumb. "Did You Hear About This?" breaks down unusual pop culture topics and news stories that might be new to you. Enjoy learning useless stuff? Welcome home. Please subscribe, like, and review us — we always need support to grow in this algorithmic world. If you don't, we'll find you.Do you know someone who would like our show? Please share. It's the only way a show like ours grows. We aren't afraid to beg. Visit us at didyouhearaboutthis.show

#crimechatwithnatandkat brings you the Episode 119: The Psychic from New Jersey

The surprising history of the Commodore 64, the best-selling home computer of the 1980s—the machine that taught the world that computing should be fun. The Commodore 64 (C64) is officially the best-selling desktop computer model of all time, according to The Guinness Book of World Records. It was also, from 1985 to 1993, the platform for which most video games were made. But although it sold at least twice as many units as other home computers of its time, such as the Apple II, ZX Spectrum, or Commodore Amiga, it is strangely forgotten in many computer histories. In Too Much Fun: The Five Lives of the Commodore 64 Computer (MIT Press, 2024), Jesper Juul argues that the C64 was so popular because it was so versatile, a machine developers and users would reinvent again and again over the course of 40 years. First it was a serious computer, next a game computer, then a computer for showcasing technical brilliance (graphical demos using the machine in seemingly impossible ways), then a struggling competitor, and finally a retro device whose limitations are now charming. The C64, Juul shows, has been ignored by history because it was too much fun. Richly illustrated in full color, this book is the first in-depth examination of the C64's design and history, and the first to integrate US and European histories. Containing interviews with Commodore engineers as well as an insightful look at C64 games, music, and software, Too Much Fun will appeal to those who used a Commodore 64, those interested in the history of computing and video games and computational literacy, or just those who wish their technological devices would last longer. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this free-for-all Friday Trent explores the rise and overly commercialized downfall of the Guinness Book of World Records.

In this episode of The Wholesome Fertility Podcast, I sit down with Dr. Marc Sklar to delve into evolving perspectives on fertility, especially for women over 40. We discuss the need to shift our focus from quantity to quality in fertility treatments, and the empowering impact this has on women navigating their fertility journeys. We cover the realities of IVF, the importance of patience, self-advocacy, and creating space for personal growth and healing. Marc and I also explore complex factors such as genetics, autoimmune issues, and male-related factors in recurrent pregnancy loss. This conversation is full of valuable insights for anyone on their fertility journey, promoting a holistic approach to healing and growth.   Takeaways   A shift in mindset is crucial for couples seeking fertility care after 40. Quality of eggs and embryos becomes more important than quantity as women age. Understanding hormones is important, but shouldn't be the sole focus. Regular ovulation is a key indicator of fertility, regardless of age. Real-life success stories provide hope and perspective for those trying to conceive. Patients should feel empowered to advocate for themselves in medical settings. IVF is not a guaranteed solution and should not be the first option considered. Donor eggs can be a valuable option, but should not be the first recommendation based solely on age. The energetics of fertility are crucial for healing. Recurrent pregnancy loss can stem from various factors, including genetics and autoimmune issues. Male factors contribute to 50% of miscarriages, often overlooked. The importance of the uterine environment in fertility cannot be ignored. Quick fixes are a societal conditioning that impacts health decisions. Understanding the microbiome can enhance fertility treatments. Emotional states can significantly affect physical health and fertility.   Be sure to check out our Fertility Empowerment Holiday Bundle here https://www.michelleoravitz.com/fertilityempowermentbundle before it's gone!   Guest Bio:   Dr. Marc Sklar — a.k.a The Fertility Expert — is a natural fertility specialist helping couples get pregnant for 21 years. He's mission is to help you feel HOPEFUL and CONFIDENT about your fertility journey again.    In addition to his Doctor of Acupuncture and Oriental Medicine, Dr. Sklar trained at the Harvard Medical School, Mind/Body Medical Institute. He is the creator of Fertility TV, MarcSklar.com and ReproductiveWellness.com, and a Fellow of the American Board of Oriental Reproductive Medicine and Medical Advisor for Symphony Natural Health.   As well as his online program, he also supports his community via his highly popular YouTube channel: FertilityTV where he shares information packed videos to educate his followers on all things fertility.    The Fertility Expert lives in San Diego, with his wife and two sons, where he has his clinic Reproductive Wellness. He also works with couples all over the world through his fertility online coaching - the Hope Fertility Program.   FERTILITY TV WEEKLY EPISODE - http://bit.ly/thefertilityexpert FACEBOOK - https://www.facebook.com/thefertilityexpert INSTAGRAM - https://www.instagram.com/the_fertility_expert/     For more information about Michelle, visit: www.michelleoravitz.com   Be sure to check out our Fertility Empowerment Holiday Bundle here https://www.michelleoravitz.com/fertilityempowermentbundle before it's gone!   Click here to get free access to the first chapter in The Way of Fertility Book! https://www.michelleoravitz.com/thewayoffertility   The Wholesome FertilityFacebook group is where you can find free resources and support: https://www.facebook.com/groups/2149554308396504/   Instagram: @thewholesomelotusfertility   Facebook: https://www.facebook.com/thewholesomelotus/     Transcript:   Michelle (00:00) Welcome back to the podcast, Dr. Scalari.   Marc Sklar (00:03) Welcome, well, thank you for having me. It's automatic. But no, it's awesome to reconnect. It's been a while and I'm excited to have a conversation that we both are passionate about, which is everything fertility.   Michelle (00:07) I know it's automatic. Yes.   For sure. We're like, you could say we're a little obsessed, right? With fertility. It's like, live it, we breathe it, So awesome. actually today we're going to talk about a couple of different topics, but I wanted to talk to you about pregnancy after 40. Cause I know that a lot of what we hear out there, even about,   Marc Sklar (00:25) 100%. Yeah, absolutely. Yeah.   Michelle (00:46) how even after 35, it's considered a geriatric pregnancy, which I don't know about you. just don't love that term at all. It's icky. yeah, because I'm sure you see most people like closer to the age of 40 and doing really well. So I'd love for you to talk about it, your experience with that, and also some really cool examples of how it can work despite all of the naysayers.   Marc Sklar (00:55) Yeah, not a fan of it.   Mm-hmm   Yeah, so I think, I so many things I want to talk about when you say this that I need to prioritize it in a good way. here's a couple of things that I think are really important. One is, I think our perspective about fertility, and when I say our, not ours as practitioners and doctors and providers, but more like ours as in like,   the couple who is seeking care during this time and wanting to get pregnant in their 40s, I think a mind shift has to happen. And I think that they need to think about their fertility in a slightly different way. If we are thinking about our fertility and reading everything that is really focused on   couples that are 30 or 35 or whatever age in their 30s, then we're going to be skewed differently about our own fertility and our approach needs to be different. And so I say that in the sense that, you know, we have to have a different reality of what is okay and what we're trying to achieve. A woman who's in her 30s is trying to get as many eggs as possible.   Michelle (02:43) Mm-hmm.   Marc Sklar (02:43) So they have as many options when they have their embryos created and they are, you know, it's usually more about in general and this is a making a generalization, but it's more about quantity versus quality. We're like, let's have as many as we have so that we can choose the best quality of those and then we can move forward, you know, with our pregnancy. And...   the approach may or may not be in those situations about egg quality, because there might be other variables that are impacting their ability to conceive. Whereas I think when we are 40 and older, my approach really shifts. I don't care about quantity. I'm really, really focused on quality. And I think that mindset has to be different as a couple.   because then we were not as disappointed like, I didn't get that many follicles and they didn't retrieve as many eggs as I would have hoped. But because that's all we hear about. We hear about, look, we need all these eggs, we need all these embryos. But the reality is, is when we get older, I don't need 20 eggs or 20 embryos, I need a couple good ones. That's really what I'm looking for is a couple good embryos.   to work with and to transfer. So I think really a mind shift needs to happen and our perspective on fertility needs to change. And so for reading and understanding things as if we were 30 versus 40 or older, then we're gonna have, I believe, skewed perspective on our fertility journey. So that to me is number one. Number two is we do all get caught up in our hormones and some of that is appropriate and some of that is not appropriate.   Is it appropriate to understand where our hormones are at when we're at any age? 100%. Is it important to understand what our estrogen is doing and what our progesterone and FSH are doing? Absolutely. Is it important to know what our AMH is? Yes. Should we get caught up in AMH and make our whole focus about AMH? No.   The research doesn't promote, doesn't support these variables. Even FSH, AMH are not good indicators for a couple's ability to conceive and have a healthy pregnancy. Are they important for us to just have a baseline and understand? Yes. Will they potentially or can they potentially influence your IVF protocol? Yes.   But that doesn't mean we as couples need to get wrapped up in those numbers and make our fertility all about that because it shouldn't be. My rule of thumb is are you having a regular cycle? Check. Are you ovulating regularly? Check. Is your bleed healthy? Check. You can conceive.   Michelle (05:40) Mm-hmm.   Marc Sklar (06:00) Do we have to look at these other variables? Do we need to check your thyroid? Do we need to work on your adrenal glands and stress? Do we need to make sure your gut is healthy? Do we need to make sure all the systems are functioning properly? Seem analysis is good. Fallopian tubes are open. All of those things are still important. But the main thing that as long as you're ovulating, you can get.   And I think that's a really important piece. Now, we're not talking about IVF or not IVF right now. It's just like conception at 40, right? And or older. And so I think if we just focus on the right things and don't get bogged down by these little details of someone who might approach things a little differently if they were 30, then our approach will be better. It will be healthier.   Michelle (06:37) Mm-hmm.   Marc Sklar (06:57) you'll be more grounded in your approach. And we could focus on the areas that really need attention and support. And so I think that piece is really important as we are in our 40s, approaching fertility, still wanting to conceive. If we're always comparing ourselves to other women and other circumstances, we're gonna lose sight of what we need to do and always be trying to like catch up or do what they're doing. And I think that is...   That can really push us down the wrong road. I say this because truly I work with so many women who are over 40. And I see this time and time again. So it's coming from a lot of experience working with women over 40. And I have a wonderful story to share of a woman who is, and everyone will gasp when they hear, okay, when she conceived she was 48.   Michelle (07:55) That's awesome. I love that.   Marc Sklar (07:55) She is, I just spoke to her two days ago. When she delivers, she will be 49. Okay? And I'm not saying she didn't have a long journey.   Michelle (08:08) Was this natural or was it IVF?   Marc Sklar (08:11) This time was natural, but I'm not saying she didn't have a long journey. She did. I'm not saying it was easy. It was not. It was a long journey. It was difficult. Miscarriages, conceiving naturally, conceiving through IVF, long IVF protocols, multiple clinics, like all these things. So it wasn't easy. It was long, but she's 32 weeks pregnant right now.   Michelle (08:40) Wow, amazing.   Marc Sklar (08:41) And I say that because it's possible. It can happen. And these are the sorts of things we see on a regular basis. I'm not saying it's easy at 48, not at all. But I say that for some perspective on the process. Okay. And I think that, you know, do I think everyone could last for seven plus years trying? No, I don't think that's for everybody. She was never going to give up.   Michelle (08:51) Mm-hmm.   Marc Sklar (09:11) Like regardless, like she was never going to stop and never give up until she was pregnant. And that's what she told me. She's like, I'm not going to stop and I'm determined. I was like, okay, I'll support you. Right. That, that, that process is not for everybody. Some people will be on it for a year or just have one or two IVF transfers. And they're like, this is too much. I'm done. I'm going to move on. And I respect everybody's path in that process, but   Michelle (09:21) Wow, amazing. Yeah.   Right.   Marc Sklar (09:39) I want everyone to know it's possible and that's why I share that story. I think it's possible regardless of age with the right support and the right process and the right focus of our attention.   Michelle (09:51) I love that. I really do. And I love the stories because I think that there's so many people that can benefit and you have that sign hope in the background. And it's true. Like those are, but stories, real life stories, there's nothing like real life stories to provide real hope. Cause you can hear, you know, there's a chance of this or a chance of that. But when you actually see an example of somebody going through those challenges that you are and having a successful pregnancy,   Marc Sklar (10:00) Yeah.   Michelle (10:21) I think that there's nothing that compares to that.   Marc Sklar (10:24) Yeah, absolutely. And I love to bring in stories wherever possible. And she was just at top of mind because I just booked her two days ago. So yeah.   Michelle (10:33) That's awesome. You know what I find really cool is the Guinness Book of World Records, the oldest pregnancy is 58 and it was natural. And it was a woman in England who, you know, in England, they don't have a lot of sunlight and, know, and vitamin D access naturally. So I thought that was really cool. But it's, it could be done. It's possible. Just like you said, and I love that you said   Marc Sklar (10:45) Wow. No.   Michelle (10:58) as long as you're ovulating, there is a possibility that you can get pregnant.   Marc Sklar (11:02) Yeah, yeah, we see this, we do see this all the time. Look, as soon as you hit 35 and 38 and certainly 40 and older, you're going to read things and hear things that say, you can't, it's not possible, you won't, you need donor, you need IVF, whatever it is that you're gonna hear, you're gonna hear it all.   I think the hardest time is when you hear it from the person on the other side of the desk in a white coat that says to you, your only option is donor, just give up. And we all hear variations of those words, whether it's not possible, just use donor, whatever variation of that, of what I just said, when you go into an office, whether that's your OB,   Michelle (11:46) True.   Marc Sklar (12:01) or your REI or whoever it might be, and you're sitting down talking to them and they see your age, they assume certain things and they make certain judgments. And they express those verbally to you. And you hear that and that registers in your brain that embeds into your brain. And you start to believe it. Well, yeah, right.   Michelle (12:22) It's nocebo.   True.   Marc Sklar (12:28) I've never heard it, say it. really like that phrase. Yeah.   Michelle (12:31) You're never going to be able to get it out of your head now. Every time a woman comes in and tells you the story.   Marc Sklar (12:36) Yeah. And so look, they said this to you, it and our our brains are really strong and we imprint with these negative things very easily. It's much harder to imprint with all the positive, it takes more effort. And so it imprints into our brain. And now we start to believe it. Well, Dr. So and so said, it's not possible, I'm not going to do it, I can't. And then we repeat that to ourselves so often that   Michelle (12:49) Right. It's true.   Marc Sklar (13:05) Now our body and our brains believe that to be true. so if someone says something negative to you, you have to work double or triple as hard on yourself to get that out. And you need to express to them, I didn't come here to hear negativity. I didn't come here for you to tell me that I can't. I'm determined to get pregnant.   Michelle (13:09) 100%.   Marc Sklar (13:33) And it's fine if you're not able or willing to help me, I'll go someplace else, but I don't need you to tell me that I can't do it, because I know that I can. And you have to do it in that moment. You have to say that in that moment to them, because what you're saying to them is repeating it back to yourself to retrain yourself and get rid very quickly, get rid of that negative comment so it doesn't embed into your brain, into your conscious.   Michelle (13:52) Yeah.   Marc Sklar (14:00) But it also allows them, they need to be woken up. One, they need to be told this is not okay. And two, you have to have the power and the strength to verbalize that truth to them. Okay. You might not be getting pregnant in the conventional way that you thought or they thought. You might not get pregnant in the way that they would like you to. It doesn't mean that you cannot get pregnant. It means that it might take longer. It might be a different path. It might be...   whatever. And so I think it's really important in those moments to stand up for yourself and verbalize that and let them know they might not like it. It's okay. Yeah, you didn't like what they said to you. So it's fine.   Michelle (14:41) Yeah, exactly.   Totally, totally. And that's like really taking your power back regardless, ultimately it's your journey. You're not there to make the doctor feel better.   Marc Sklar (14:53) Right, listen, I think that's such an important piece. Unlike most other medical visits and specialties, you are a consumer buying their service. Just because they're wearing a white coat and they have MD after their name does not mean   that they get the say in everything. It's your journey, it's your process. You're paying them a lot of money for their service. And even if you have insurance coverage, by the way, it's still insurance coverage that can go someplace else to pay for somebody else. So it doesn't have to go to them. And so...   You have the power, like they make it feel like they have the power and they control the situation. I want you to know you have the power. You control the situation and your outcome. It's your dollars that you're spending. You are and should be an equal participant in this process with them. And they don't have to dictate everything. Now, I'm not saying, you you're telling them the protocols to use all the time, but   It needs to be a joint effort in this process. It's totally different than going into a different medical environment and a different provider for different services. They're not charging you $20,000, those other people, for a service that's elective. So stand up for yourself. Have that empowerment to do so.   Michelle (16:34) Yeah.   Right.   Yeah. And another point that I want to make is, you know, when you're working with a doctor, it doesn't matter how qualified, like, I feel like they should believe in your outcome. If they're doubting your outcome, find another person.   Marc Sklar (16:57) Yeah, right now, 100%, 100%. Look, I am not opposed to donor egg. I think that donor egg is something that is super valuable and has its place. What I don't like is that just because of your age, someone is telling you, need to use donor egg. What they're really saying,   And there is certainly a place for donor egg. have lots of women that I work with that use donor egg very successfully and I'm a big proponent of it. But what, why they are telling you just based on your age to use donor egg is because their success rates are impacted by your age and the challenge, the potential challenge of getting pregnant at your age.   Michelle (17:51) Right.   Marc Sklar (17:55) And so for them and their success rates, they have higher chances with using donor egg and they would just prefer, it's an easier process, they would prefer that you use donor egg for that purpose. Okay, now again, does it mean that it's not the right decision for some? It just means that I think if they're just making that decision based on age, I think there's a lot of other pieces that need to be looked at before that decision is made.   Michelle (18:24) What you just said is so important because it's the reality. Really if the system, it's the reality because their ability to really stay on top of their game is for their statistics to make them look really good. And it's human nature. They're going to be thinking about that when they're talking to you, regardless if they're, you know, they can be great doctors, the two can coexist, but   They're also in a business. So it's important to keep that in mind in the realistic aspect of it is that it's going to make them look better. They don't want to take a risk. They see it as a risk, but that doesn't mean that just because they see it that way, that that's really the case for you.   Marc Sklar (18:54) 100%.   Right, yeah. Look, absolutely. I say this also from, so everyone knows who's listening, 50 % of the couples that I work with, 50 % of them are doing IVF. I could group IUI into that as well, so IUI or IVF, some form of assistive technique. Of that number, about 15%, use donor egg.   Michelle (19:33) Mm-hmm.   Marc Sklar (19:34) So I'm fine with it. I'm happy to support you with it. I just often think that choice is made prematurely or that push in that direction is done prematurely without really giving you a fair chance, really looking at your case as a whole versus just looking at you as an age, as a number.   Michelle (19:56) Same thing with IVF. I also find that with IVF that people will start out maybe three months and they're young and they're like, you know, I just want a baby now. So I'm going to go to IVF. And a lot of people have a preconceived notion just because you're paying a huge amount of money and that there's technology involved that doesn't give a guarantee. in fact, I've seen people get more successful naturally, even at an older age than going through IVF.   Marc Sklar (20:05) Easy.   Well, the success rates for IVF for those who are listening and aren't aware are relatively low. You know, in your, from 30 to 35, those success rates are around 35 to 40 % ish. You know, depending on the clinic, some clinics might have a little higher, some a little bit lower, but roughly, you know, in the United States, that's an accurate statistic. It only goes down as you get older. And if you look, because most clinics,   Michelle (20:50) you   Marc Sklar (20:56) Don't have to report, but most clinics do report their statistics. If you look at statistics for IVF in their 40s without donor egg, those statistics are very, very low. So then you have to ask yourself, is this worth the money or can I get the same or better statistics and results trying naturally by addressing the root issues, by focusing on the things that I need to focus on, by getting healthy.   are those better for me? Are those odds better? One of the beautiful things you mentioned it with, you work with younger women and after three months they move forward with IVF. One of the beautiful things that's happened over the last 20 years is that fertility treatments and the fertility journey has become something that is more accepted and people are more willing to talk about it. And as a result of that,   marketing towards those communities has increased dramatically. And as a result, IBF has been spoken about more frequently because of that marketing. And so it's become so much more commonplace that couples who want to get pregnant, young, try for three months or six months, hey, it's not working.   you know, so and so did IVF and got pregnant or so, you know, we should just go do IVF. And they don't know the real statistics. They believe that it's a hundred percent successful. And as a result, it becomes the first line of treatment versus, you know, what used to be the third or fourth or fifth line of treatment, right? Well, I used to go to my OB and they used to do that. And then I would try other things. Now it's like, I'm not pregnant. Let's just go do IVF. Right. And so so many couples end up doing IVF.   thinking it's faster or more convenient without really working on themselves. And in turn, then they realized later on, I really shouldn't have started this way because it's not a guarantee. I haven't been successful. So they go there very prematurely. My preference would be is to see couples have patience. Take a step back. What's not working for me?   Michelle (23:03) Mm-hmm.   Yeah.   Marc Sklar (23:17) What do I need to improve and correct? And let's work on the root issues so that way you can be successful moving forward. And I had a conversation two weeks ago with a woman. I talked about it briefly this week on my Instagram stories because I think we were both frustrated with each other during this conversation. She has a history of repeated chemical pregnancies.   And she is frustrated with the lack of results and I've just started working with her. And so I asked her, know, she, and as we just started working together, she had another chemical and I asked her to stop trying for a little bit. I'm like, you're just having these ongoing chemicals and we're really not able to make progress. I just wrote out this plan for you. I want to give it some opportunity. You know, it's the end of the, it's close to the end of the year.   How about we just take off right now through the end of the year? Let's just take a break. Let's enjoy life and let's work on ourselves. And she felt like she was wasting time and she was feeling, I could feel her as soon as I said it, like getting anxious about like just the time of giving, creating this time to, and she's in her early forties. And she said, you know, I don't think I'm gonna do that. I can't do that. I'm gonna.   Michelle (24:19) Mm-hmm.   Marc Sklar (24:44) I'm going to keep trying because I feel like I'm wasting time. We had this back and forth, this long conversation back and forth. I'm going to totally support her and respect her decision about how she wants to move forward. I just don't agree. Sometimes taking a step back and working on ourselves and creating space is progress towards our ultimate goal. I know that we think that if we're not actively having intercourse and trying to conceive at ovulation every month, that we're wasting time.   Michelle (24:57) Yeah.   yeah.   Marc Sklar (25:15) Well, in a situation like this, we're just spinning our wheels. If all we do is continue to do the same thing every month, expecting a different result, I don't know how that's gonna change. So we need to give ourselves a little bit of opportunity. And she's so worked up about it and anxious about it, she's trying to control every aspect and she's scared. She's making this decision out of fear.   Michelle (25:19) Totally.   Mm-hmm.   Marc Sklar (25:43) So one, the decision's being made out of fear, and two, she's trying to strangle, like, I'm gonna control all of this. It's not, we are typically not successful if we make decisions out of fear, number one, okay? And number two, the more we try to strangle something, the more you strangle it and you don't allow it to be successful.   We need to create some space, some room for things to occur. Okay? And I'm a big proponent of this, like, let's just take a step back. Let's take a deep breath. Let's understand, let's give ourselves some space and not have to be so stressed about this. Most things, if you think about it, are created in space, in a little bit of a vacuum. Sorry, not a vacuum, in a little bit of a space. If we have this vacuum, we're constantly trying to control it. There's no space for creation.   Michelle (26:19) Yep. Yeah.   Marc Sklar (26:39) There's no place for an opportunity for something to be created in. So I think it's, know, painting a beautiful painting is created from a blank canvas. It's created from space. And the same thing with our life. We need to create an opportunity for life to be created. And so that means not straining, not holding on so tight, not trying to control every little thing.   Michelle (26:52) Mm-hmm. Yep.   Marc Sklar (27:08) Let's take a step back. I'm not saying you don't like do the right things. I'm saying we don't try to control all of those things so closely. And I think this is really such an important lesson for all of us because our tendency when we're told is I'm gonna do it differently. I'm gonna add this in like, right? And you're just like more and more and more more and more. So that's like this stranglehold that happens.   Michelle (27:29) Mm-hmm.   Marc Sklar (27:35) And I want us all to just let go a little bit more. It doesn't mean you're giving up. It doesn't mean you're taking a break. It doesn't have to be. It means you're just not holding on so tight to the outcome and the process. And I think this is so, so valuable for us. Difficult to do. I'm not saying it's easy, but it's so valuable. you know, I know her and I, were both...   kind of frustrated by the conversation because it didn't feel like she was listening to me and she didn't feel like she wanted to move on with my recommendations. She felt frustrated by me asking her to take a break. But I say it out of all love, like that is what I feel like is going to be the most beneficial for her in that situation. And I've had these conversations with others in the past and I'm just saying this from experience. So for all of you listening, sometimes we just gotta let go a little bit.   We've got to just ease up just a little bit.   Michelle (28:31) love this.   Yeah, no, I love this so much. you have no idea. Cause it, think that like you just said, you've had so much experience, you've seen this. And when you do something over and over again for many years, what happens is you start to get a feeling for it. You know, my husband works in the ER. He's starting to have a feel. He gets a sense when somebody's really sick or somebody saying they're sick, you start to get a sixth sense. You know, maybe we can't measure that, but it's a real thing. And I love that you talk about that. Cause to me that's   Marc Sklar (28:37) Yeah.   Michelle (29:04) being in a state of flow, being in a state of flow is the same exact thing that happens in our body when our chi flows and our vitality is able to feed all of our organs. cannot happen when it's constricted. And then going inward. Yeah, that's just going into the yin. You can't be constantly yang. You have to go back into the yin as well. And yin is incredibly productive.   Marc Sklar (29:25) Yeah.   Michelle (29:28) Like what happens when we're sleeping? We're in a state of yin. It's the most productive thing your body can do. You can't possibly have so much going on without that kind of like inert state. know, so it's, yeah, it's totally important, but also I don't know if you ever follow Dr. Joe Dispenza. I'm obsessed with his teachings. And have you ever done his meditations? So his meditations, he actually takes you through a form of induction, which   Marc Sklar (29:48) Mm-hmm. Yeah.   No.   Michelle (29:58) It's not hypnosis, but he gets you into a state of space, of becoming aware of space. Because when you become aware of space and everything that he does is based on science. actually has a whole research team on this. And this idea of kind of allowing this state of space, as they learn in quantum physics, you know, getting to this place where we're not locked in to the material world. We're not locked in.   We're kind of like moving back so we can allow this divine intelligence to take over. And then, and then it fixes things. It takes care of your body. does what it needs to do. Cause that's not our job. Our job is yet to direct and to intend, but our job is not to fix every single thing. When we try to do that, all we're doing is getting in the way of this divine intelligence. So I love that you're saying this because it totally like, it totally speaks the language that I'm feeling when it comes to.   fertility health and overall health like every way really.   Marc Sklar (31:00) Yeah, I agree. it's something I talk about. I have to do it, I feel like, repeatedly to the same person to get them to hear the message. And it's not intuitive. Like, personality-wise and for many of us, our goal is like, just want to fix it. I want to solve it. I want to do it. That creates this stranglehold. And so it's not intuitive for them to kind   Michelle (31:08) Yeah, because it's not common knowledge. It's not common.   Mm-hmm.   Marc Sklar (31:30) pull back a little bit and feel like that's moving forward. But it is.   Michelle (31:34) Yeah. Yeah, totally. Cause I mean, we have, we're conditioned to, you know, to first of all, get quick fixes. I mean, this is, we've been conditioned for years and this is all marketing for quick fixes, like quicker, faster, better, you know, and we also are conditioned to no pain, no gain. You know, you have to work for it. You have to get it. You have to be on top and   Marc Sklar (31:46) Mm-hmm.   Michelle (31:59) So over time, this is just a habit. That's going to be our knee jerk reaction or response to pretty much anything, but it's not necessarily the response your body needs.   Marc Sklar (32:10) Yeah, no, absolutely. And it's actually with the younger generation, that's only getting worse. Maybe not the no pain, no gain part, but the quick fix. That's our generation. Yeah. The younger generation is like, I don't want any pain, but I want all the gain. Yeah. And the quick fix, you know, part of it is because of the phone.   Michelle (32:20) Yeah, that might be more our generation. This is true. It's true. Yeah. I just want to be on my phone.   Dopamine.   Marc Sklar (32:39) the dopamine, but also like this, as much as Amazon has been a great service to so many people, it's a huge disservice. We, and especially the younger generation, expect everything now in a day. Right? That's the quick fix. That's like immediate gratification. Free delivery, two days. Now everyone expects free delivery and they want it there in two days. And it doesn't work like,   Michelle (32:55) Mm-hmm. Yeah.   Marc Sklar (33:09) The world doesn't typically work that way, but they've preconditioned us to this. And that's to our detriment, right? Because that gets translated across the board to all aspects of our life. Now we want things faster. We more immediate gratification. it should have been fixed. Why didn't they get back to me, right? Like all of these things, I think that's a problem. Yeah.   Michelle (33:32) I'm like, we're on the same page. 100%. Yeah. And I think that, yeah, it just, these are mental patterns that we're constantly repeating. And I'll be honest. I mean, ever since I had my phone, I just don't feel as sharp. I don't remember as much. My attention can't stay on one thing. And even me, I'm aware of this and it's impacting me.   Marc Sklar (33:41) Mm-hmm.   Right, yeah, yeah, yeah. One of my favorite things to do both to bother my children and because it's beneficial to them is if we need to order something from Amazon, I put it on the longest shipping option as possible. Like if it says one week or two weeks, that's what I pick. Every time. I mean, unless I like immediately need something, whatever. But like.   Michelle (34:08) that's smart.   That's actually really smart.   You need it. You'll use it when you need it.   Marc Sklar (34:18) Yeah, but like in general, I use the longer shipping option because I'm trying to retrain their minds to be like, it's not here yet. Okay, we'll come. It's not, it's not the end of the world, right? It will arrive. and usually Amazon gives you a little benefit for that delay, by the way. Yeah.   Michelle (34:36) Yeah, yeah, yeah, right. It's a little cheaper. That's really smart. That is actually really, really smart. And then you can put things in one box. So it also is good for the environment. So when it comes to recurrent pregnancy loss, because you'd mentioned you're talking about chemical pregnancies and what are some of the common factors that you've seen clinically?   Marc Sklar (34:46) Yeah, and good for the environment.   Yeah.   Yeah, so chemical pregnancy could be a little bit different, but if we're talking about, you know, reoccurring pregnancy laws or, you know, multiple miscarriages, then the, there are four buckets that I put things into. The first bucket is one we have to look at and analyze, but one we potentially can't do much about, which is genetics, right? Is there some sort of genetic abnormality that's occurring potentially?   Michelle (35:24) Mm-hmm.   Marc Sklar (35:30) due to my genetics or the combination of mine with my partners and what's that going on. I might end up with five causes actually now that I think about it. The next one is autoimmune issues. I find this is a huge reason for reoccurring pregnancy loss. will say also I find this is a big reason for secondary fertility issues.   Michelle (35:41) Hey, good.   Marc Sklar (35:59) with recurrent pregnancy loss. So secondary meaning you've been successful with the pregnancy one time or multiple times, and then at some point you're trying again and you're not successful, but in this case you've had, let's just say a loss. And so I would say I find that autoimmune issues are much more common in that situation because something happened in one of the previous pregnancies or postpartum that caused some sort of autoimmune issue that has triggered this outcome or contributed to this outcome.   Michelle (36:26) Mm-hmm.   Marc Sklar (36:28) Another one is blood clotting factors, that there is some sort of, you know, some issue, whether that's genetic or not, because it doesn't have to be genetic, that is contributing to more clotting factors that doesn't allow for that embryo to implant properly, and you could have a miscarriage. So that's three. Four, uterine issues.   That could be wide, that could be like a bigger bubble that doesn't get talked about as frequently. So what's going on in implantation that might be contributing to that? Is there an infection, a virus, a bacteria? Is there inflammation? Is there endometriosis? What is going on inside the uterine cavity and with the endometrium that could be causing this pregnancy or multiple pregnancies to not be able to be held?   And then the last one, which is male factor. So 50 % of all miscarriages are male factor related. Most typically in those, it's going to be some sort of DNA fragmentation issue. So the DNA of the sperm has been compromised in some way and that's contributing to that loss. That's the one that unfortunately we don't talk about as much because, like why would a male...   Michelle (37:43) Mm-hmm.   Marc Sklar (37:57) contribute to the miscarriage, you know, and they're not carrying. So that one gets ignored, but something that needs to be ruled out. So those are the, I said four, but really five, those are the five reasons that, you we should look at.   Michelle (38:10) Yeah, for sure. And also the microbiome, know vaginal microbiome can impact a lot.   Marc Sklar (38:14) Yeah, so that I look at that in that fourth one with the uterine environment. So to me, that microbiome is a piece that I look at when I'm evaluating that. Yeah.   Michelle (38:23) Yeah. And I feel like, I feel like they should always look at that, like before transfers. mean, cause people are paying so much money. And I know in Spain, it's more commonplace for them to give vaginal, suppositories for, probiotics. And I feel like it would really be very helpful for a lot of people.   Marc Sklar (38:33) Yep.   Great.   Yeah, I've started running that test much more frequently in the last year. And I can't say I run it for everybody because at some point I'm just balancing cost of things, right? Like we could run every test under the sun. It's just like, it's a matter of cost. But certainly if I see implantation failure, if I see chemical pregnancies, you know, these are the sorts of things that for sure I'll start to look at.   Michelle (38:48) Yeah.   Mm-hmm.   Yeah.   Chris. Yeah.   Yeah, for sure. I mean, we could talk for hours, I love that we talked about, first of all, it's really interesting just to get your take on things and to hear from another person who's doing the same thing, But also, you know, I love the fact that you were talking about the energetics of it, because I think that when you do this long enough, you start to see patterns and you could start to see how emotions can really constrict the chi, you know, from our perspective.   Marc Sklar (39:38) Yeah, sure.   Michelle (39:39) So I think that that is really important because yes, we could look at all the little details and the numbers and the stats, but the energetics aspect, we can get so kind of like focused on the small parts. And then sometimes it's good to kind of go zoom back and see the bigger picture. So I thought what you said about that to me was very, very powerful.   Marc Sklar (40:01) Yeah, all of these things, like everything we talked about today is so valuable for those individuals who need that specific message, right? Like we're all in a different place and we all have our own journey, but hopefully, you know, the messages we shared today and the information we shared today really resonated with those who are listening.   Michelle (40:10) Yeah.   I'm sure they did for sure. mean, was a really valuable information. So it's been great having you back, Dr. Sklar. It's been too long and we should do this every so often because I feel like we're never going to really run out of things to talk about. Thank you so much for coming on.   Marc Sklar (40:34) I agree. I'm happy to be on any time. Yeah,   Yeah, I appreciate it and wishing everyone success on their journeys.

Eminem & Obama rally in Detroit, Bronny James makes nepo-baby history, new Van Halen music, RIP Fernando Valenzuela, Nicole Kidman's orgasms, Drew's Hollywood Palace deep dive, and a Bristol Stool Scale lesson. One Direction's Liam Payne's girlfriend Kate Cassidy was being “held hostage” in Argentina. Liam was TOTALLY going to marry her before he passed away. The Menendez Bros will likely be getting out of prison on Friday. Local political ads remain our favorites. Nicole Kidman has had it with all her orgasms at work. Zach Bryan still has to deal with his old fling. Zach only acted this way because his mom died… 8 years ago. Van Halen's “Unfinished” rocks. Graham Nash did an interview with Rolling Stone. This leads to several videos. We fall down a rabbit hole of The Hollywood Palace. Turns out former NFL WR Lance Rentzel is not a good dude, but he was good enough to keep playing in the league. Sponge has a new album of covers out now called 1994. OnlyFans model and former adult film star Sienna Grace bangs famous dudes and dishes. Sophia Rosing is in the Guinness Book of World Records for amount of times using the n-word in one setting and now she's headed to the slammer. Election 2024: Donald Trump is going on Joe Rogan Friday… Kamala Harris will not. Eminem and Barack Obama rallied for Kamala in Detroit. Hallie Jackson's Harris interview was a debacle. A car messed with the wrong motorcade. ICP's Violent J endorses Kamala Harris. Michael Keaton hates Donald Trump and Elon Musk. Stevie Wonder had tech issues last night at Little Caesars Arena. Drew tells the tale of his high school buddy ‘Eggy'. I'll take a Quarter Pounder with E. Coli and cheese, please. Nice job, McDonald's. We educate Trudi on the Bristol Stool Scale. The Abercrombie and Fitch guy was arrested for sex trafficking. CBS reporter Manuel Bojorquez did a good job on the story, but we have questions about Manuel. RIP Fernando Valenzuela. Eight days before his birthday and he'll have to watch his Los Angeles Dodgers in the World Series from heaven. LeBron James and his nepo-baby, Bronny, made NBA history last night. Rosie O'Donnell is NOT funny. Here is the proof. Ojani Noa is blaming Diddy for his heartbreak with JLo. Drake is totally banging her now. James Franco has a new much younger girlfriend. Some people are saying he kept it a secret for years. Trudi is watching Dark Matter on Apple TV+. Marc is not impressed. Andrew Tate is a douchebag. Despite high ratings and attendance, the WNBA lost $40M this year. The Unrivaled Basketball League is looking to gain more female basketball participation. Generators are BS. Hey Gwen Stafani… why you look different? Enjoy a special Trump Unity Bridge Bonerline before tomorrow's real Bonerline brought to you by BranDon and the callers of 209-66-Boner. Store 209-662-6637 in your phone, dammit! Check out Field of Greens and use promo code Drew and visit our presenting sponsor Hall Financial – Michigan's highest rated mortgage company. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

#764: Join us as we sit down with Adam Carolla – comedian, actor, podcast host, radio personality, TV host, & best-selling author. From humble beginnings to earning the Guinness Book of World Record for the most downloaded podcast with The Adam Carolla Show. In this episode, Adam reflects on his journey to becoming a well-known comedian, offers his perspective on criticism & cancel culture, & shares how he uses comedy to discuss controversial topics. To connect with Adam Carolla click HERE To connect with Lauryn Bosstick click HERE To connect with Michael Bosstick click HERE Read More on The Skinny Confidential HERE To Watch the Show click HERE For Detailed Show Notes visit TSCPODCAST.COM To Call the Him & Her Hotline call: 1-833-SKINNYS (754-6697) This episode is brought to you by The Skinny Confidential Head to the HIM & HER Show ShopMy page HERE to find all of Michael and Lauryn's favorite products mentioned on their latest episodes. This episode is sponsored by Cymbiotika Go to cymbiotika.com/theskinny and use code SKINNY to get 15% off on your subscription order. This episode is sponsored by Dreamland Baby Go to dreamlandbabyco.com and enter code SKINNY at checkout to receive 20% off sitewide + free shipping. This offer is for new and existing customers! This episode is sponsored by Nutrafol  For a limited time, Nutrafol is offering our listeners $10 off your first month's subscription and free shipping when you go to Nutrafol.com and enter the promo code SKINNYHAIR. This episode is sponsored by JLO Beauty Head to JLOBeauty.com/SKINNY for four free Masks and free shipping today. This episode is sponsored by Philadelphia Cream Cheese Visit creamcheese.com. This episode is sponsored by Prolon Go to ProlonLife.com/SKINNY for 15% off a 5-day nutrition program. Produced by Dear Media

Adam Carolla, the comedic legend and host of The Adam Carolla Show, the Guinness Book of World Records #1 Most Downloaded Show on the Entire Internet, joins Steve in studio. This is a top billed face off that you are not gonna want to miss. LET'S GET READY TO RUMBLE!!!