Podcast appearances and mentions of kristian day

On July 13, 2012, cousins eight-year-old Elizabeth Collins and ten-year-old Lyric Cook-Morrissey vanished from Evansdale, Iowa. Months later, hunters found their bodies 25 miles away from where they were last seen. Their case remains unsolved. We interviewed the documentarians — Dylan Sires, Ned Muhamedagic, and Kristian Day — behind the recent 2024 docuseries: “Taken Together: Who Killed Lyric and Elizabeth?” Watch "Taken Together" on Max. Check out Dylan's website here: https://www.dylansires.com/Check out Kristian's website here: https://www.kristianday.com/Check out Kristian's Intagram here: https://www.instagram.com/kristianday/Pre-order our book on Delphi here: https://bookshop.org/p/books/shadow-of-the-bridge-the-delphi-murders-and-the-dark-side-of-the-american-heartland-aine-cain/21866881?ean=9781639369232Or here: https://www.simonandschuster.com/books/Shadow-of-the-Bridge/Aine-Cain/9781639369232Or here: https://www.amazon.com/Shadow-Bridge-Murders-American-Heartland/dp/1639369236Join our Patreon here! https://www.patreon.com/c/murdersheetSupport The Murder Sheet by buying a t-shirt here: https://www.murdersheetshop.com/Send tips to murdersheet@gmail.com.The Murder Sheet is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On July 13, 2012, cousins eight-year-old Elizabeth Collins and ten-year-old Lyric Cook-Morrissey vanished from Evansdale, Iowa. Months later, hunters found their bodies 25 miles away from where they were last seen. Their case remains unsolved.We interviewed the documentarians — Dylan Sires, Ned Muhamedagic, and Kristian Day — behind the recent 2024 docuseries: “Taken Together: Who Killed Lyric and Elizabeth?” Watch "Taken Together" on Max.Check out Dylan's website here: https://www.dylansires.com/Check out Kristian's website here: https://www.kristianday.com/Check out Kristian's Intagram here: https://www.instagram.com/kristianday/Pre-order our book on Delphi here: https://bookshop.org/p/books/shadow-of-the-bridge-the-delphi-murders-and-the-dark-side-of-the-american-heartland-aine-cain/21866881?ean=9781639369232Or here: https://www.simonandschuster.com/books/Shadow-of-the-Bridge/Aine-Cain/9781639369232Or here: https://www.amazon.com/Shadow-Bridge-Murders-American-Heartland/dp/1639369236Join our Patreon here! https://www.patreon.com/c/murdersheetSupport The Murder Sheet by buying a t-shirt here: https://www.murdersheetshop.com/Send tips to murdersheet@gmail.com.The Murder Sheet is a production of Mystery Sheet LLC.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dylan Sires was a reporter for KWWL-TV in 2012 when Elizabeth Collins and Lyric Cook were kidnapped and murdered. Fourteen years later, the crime remains unsolved. In 2015, Dylan returned to the case and began shooting what would become the documentary “Taken Together,” now running on HBO. Along the way, Ned Muhamedagic and Kristian Day … Continue reading

For this month's show, I talked with filmmaker Kristian Day, who also hosts the weekly radio show Iowa Basement Tapes. Fans of the Diamond Hard series "bae knot me slippin" will be pleased with how much time we spent talking about Slipknot. You can find all of Kristian's work at https://www.kristianday.com Check out these massive archives of Iowa music: https://iowabasementtapes.bandcamp.com https://319dude.bandcamp.com https://quadcitiesmusicarchive.bandcamp.com Watch the last three episodes of The Last American Gay Bar at Varsity Cinema in Des Moines on 10/23: https://varsitydesmoines.com/showtimes/the-last-american-gay-bar-the-last-three-episodes-with-special-guests-10-23-24-700-pm Shows I'm playing: http://justinkcomer.com/shows Find all the old iHearIC stuff at http://ihearic.com, and stay subscribed to Rock Hard Caucus to get future podcast episodes. There's a patreon too where I upload lots of improvised music: https://patreon.com/ihearic https://rockhardcauc.us

Culture Crawl 941 “Trading Cigarettes for Marriage” Film producer and Cedar Rapids native Kristian Day's documentary, “The Last American Gay Bar.” Despite it's title, the documentary series is not so much the story of a Des Moines gay bar as it is the stories of the men for whom that bar was the center of … Continue reading

Night Listeners -I got a bonus show that was JUST recorded this morning at the studios of 98.9FM KFMG here in Des Moines. Gary Monte interviews me for the stations fall fund drive on The Morning Show. We talk about the history of Iowa Basement Tapes and other nonsense.Iowa Basement Tapes has its own archive of Iowa music. Be sure to check out iowabasementtapes.bandcamp.com and download any of the releases for free. If you would like to contribute any music please send an email to kristianday@gmail.com. Hear us every Thursday at 9PM on 98.9FM KFMG – Des Moines and every Friday at 11PM on 90.3FM KWIT – Sioux City & 90.7FM KOJI – Okoboji. If you miss the show please subscribe to the broadcast archives: https://apple.co/2MzdH5e Find me on twitter @kristianmday #trustkristianday

This week's episode is a very fun and informative Roundtable discussion with Brad Henderson Aquisitions and Special Features for Vinegar Syndrome along with Producers Justin Beahm and Kristian Day who have worked with Vinegar Syndrome, Shout Factory, Paramount and more. This is a very informative INSIDE discussion of the business that fans of media will be highly interested in checking out, ONLY HERE on DEADPIT.com!

Night Listeners of 98.9FM KFMG -Dude, October is coming to an end! I hope everyone has been enjoying the Halloween season to the fullest potential. Tonight was our last show for October. The next time you hear my voice it will be November. I can't say much will change around here. I will still be playing the best in the heartland's alternative music but Iowa Basement Tapes is in the process of syndicating to other stations across the state of Iowa. It has been something that has always been in the works and I hope more music is discovered along the way.Tonight I spin tunes from Iowa City's Milk Duct Tape who does a cover of Blue Oyster Cult's "Godzilla", Sioux City Pete, Samuel Locke Ward, The Vahnevants and Sires.- Kristian Day#trustkristiandayMilk Duct Tape - "Gojira" / Gojira (Iowa City)Sioux City Pete and The Beggers - "Farmlands" / Necro Blues (Sioux City)Person Whale - "Boogeyman" / Last Train Out Of Dogtown (Des Moines)Goldblum's - "My Dad's In It" / Gnat Bones (Des Moines)Mister Clean - "Meter Maid KIller" / Screaming Queens and Chicken Wings (Cedar Rapids)Land of Blood and Sunshine - "Gravel Chapel" / AEONS ( Marshalltown)Samuel Locke Ward and the band They Could Not Hang - "The Harvest" / Country & Western Funeral - The Lame Years Vol. 10 (Iowa City)Steve Reverb & the Sound Tones - "Creature from the Black Lagoon" / Tiki Run (Marion)Captain Three Leg - "High Tail" / All Fours (Ottumwa)Dangtrippers - "Maxwell's Demon Box" / Days Between Stations (Iowa City)The Vahnevants - "I Saw a Ghost" (alt version) / I Saw a Ghost (Des Moines)Hot Carl - "Human Pharmacy" / It Hits the Sauce (Dubuque)The Huns - "Fugitive from Love" / Rednecks Under the Moonlight (Iowa City)Sires - "Colorbook" / Soul For Sale (Waterloo)

Night Listeners of 98.9 FM KFMG -We are halfway through October and I am in the mood for blues. My buddy Buffalo Bonker brought me a pile of Iowa blues tunes and I'm going to dig into them with Scarlet Runner from Gilbertville and The Graveyard Blues Band from Cedar Rapids (there is also rad avant-garde jazz band from Lansing, MI called Graveyards that everyone should check out). I also met a stone mason who talked to me about the Iowa metal and punk scene of the 80s. He talked a lot about Voodoo Gearshift which made me finally want to check them out. I also got Sioux City Pete with a song from Necro Blues (I had to omit the title).For full show notes please check out my blog at Kristian Day.com | On The Radio.- Kristian#trustkristianday

Guimi You is as artist who was born in Seoul, South Korea and lives and works in New York. She received her BFA and MFA from the Seoul National University and also received a Masters in painting from the Royal College of Art in London. She has had exhibitions at Kwanhoon Gallery in Seoul, Kakiden Gallery in Tokyo, A.P.T. Gallery in London, Bonington Gallery in Nottingham, Kristian Day in London and her current solo show called ‘Mystical Moist Night Air’ at Monya Rowe Gallery in NYC. In 2016 she attended the residency at the Vermont Studio Center and in 2017 she was a resident at MassMoCA. Brian sat down with Guimi at her show at Monya Rowe and they spoke about her many travels and relocations, playful painting, dancing and even some K-pop. Sound & Vision is brought to you by Charter Coffeehouse located on Graham Avenue in East Williamsburg. Find out more at www.chartercoffee.com or follow them on Instagram at @charter_bk and check out their soon to be released collaborative coffee blend with Middle State Coffee roasters, coming soon. Sound & Vision is also sponsored by Kensington Stretchers & Panels. Check them out at kensingtonpanels.com or email them at info@kensingtonpanels.com. You can also see some of their work on Instagram @kensingtonpanels

"My work is very auto-biographical. I’m a loud, exuberant, emotional and probably exhausting character, and my work will always reflect this." Could you tell us a bit about yourself. How long have you been a practising artist and where did you study?I left high school and quite quickly the band I was playing with took off, allowing us to play music together for quite a few years. As all of that came to an end I was left with a bit of a hole in my life. Painting and being creative has always been an intrinsic part of growing up in my family household so applying to study painting at a higher level seemed like a good route to go down. I studied Fine Art Painting, BA at Wimbledon College of Art, graduating in 2015. It was a great school, filled with some brilliant tutors and funny people. The fact that I started when I was twenty-four worked in my benefit, I had already spent some time away from home and had already had my social awakening, meaning I was in the studio most of the time. I was also very aware of how great it was to have a studio and resources readily available, and didn’t want to waste any of that time (or money). After completing my degree Stevie (my wife) and I moved to Antwerp for greener and cheaper pastures, painting there for a year after which we then came to be in Suffolk. I’m now soon to be thirty and would say that I’ve been thinking about art as a focus for fifteen years now! You were recently in a group show called "Dumb" Curated by Kristian Day. Could you tell us about that show?It was a great show, filled with heavy hitters. Some painters which I have been looking at and up to for a while so it was an honour to be hanging in there. It happened at Mercer Chance which is a brilliant non-profit in Hoxton, run by artists for artists. The show was called “Dumb” which is a word that one of the the other exhibitors, Paul Housley has been playing with in different connotations in relation to painting. In certain examples the word “dumb” is used to describe base materials such as paint and canvas which need to be activated by the intelligence of the artist. I can get on with this. He’s a good painter who I can identify with in terms of his obvious love of Picasso and Guston. Shit, that Robert Rush painting in the show was a knock-out too! Probably quite an obvious choice for me though. Repo Man, 2017 Bright White Electric Feel, 2016 Pollen, 2017 Your paintings often feature strange/comical figures, could you tell us about these and where your inspiration comes from?My work is very auto-biographical. I’m a loud, exuberant, emotional and probably exhausting character, and my work will always reflect this. Painting has always been a form of self-help for me, or a way to work out any problem solving that life throws up. Funny and sad - sad and funny. After finishing my studies at Wimbledon I watched the movie “Mid-night Cowboy” a bunch of times, Loving everything about it. I started to see parallels between Joe Buck’s (the lead) path and my own - country boy moving to a bright new city (Antwerp), thinking he’s going to crack it, living on a crazy busy street filled with busy, crazy people - soon realising that what was once gold is now dust. I’m a theatrical guy, and really like to throw myself into a role. So once I had made these connections I started to try and live my life as “Joe Buck” as possible. It was all really fun. I’ve put that one to bed after having a solo show which bought together all my ideas and am happy to move on. Right now I’m working on a body of work which is a response and inspired by Drones Club’s new EP. They are old friends of mine so I’m able to talk with them in depth about the ideals that they have in regards to the music they make and what kind of message they want to get across. They are ideas that I’m very much on board with and I’ve found it very rewarding exploring those together with them. We are working on a collaborative show together for the start of June. Tell us a bit about how you spend your day/studio routine? What is your studio like?Stevie and I share a studio at Asylum Studios. It’s set on an old American air base which was abandoned after the Cold War. The old buildings, radio station, bunkers etc. have been filled with a mixture of different and weird businesses. Asylum Studios is where a lot of the police work and intelligence operations happened. In fact, between Stevie’s and mines studio is a partition wall with a one-way mirror window set in. It’s where the Americans would hold their interrogations. In the late eighties there was quite a significant U.F.O sighting - it was our studio where the American air men who saw the U.F.O were bought for questioning. It’s a very atmospheric place, old jet fighter planes are strewn across dis-used runways, radio domes and watch towers spike the horizon. Its very close to our house that we live in on the South East coast. Asylum Studios itself is a co-op run by some brilliant, active and entertaining artists that we now call our friends. Its great to be part of a certain community that makes decisions together and pull each other forward. Having a partner in the same line of work as yourself is such a bonus - Stevie and I both drive each other. There is a constant support net there if ideas are wavering and you don’t have to twist an arm too hard for a crit! Trouble on Turnhoutsebaan, 2016 This House, 2017 Hurricane, 2017 West German Fat Lava, 2016 What artwork have you seen recently that has resonated with you?If you can call The Louisiana in Copenhagen an artwork in itself then that! Just as a building it was beautiful. The lines, the alluring corridors leading to perfectly framed views of the Scandinavian shoreline and the architecture of the gardens. It was incredible. As a museum - just as great. Whilst we were there we caught an ever poignant Louise Bourgeois show - next door, Asger Jorn! But for current resonant work, the John Kröner show at Gallery Bo Bjerggaard that we caught whilst in the city. It was such an excellent example of incorporating the space into the exhibition, right from the windows of the gallery being left open to let the white chiffon curtains billow in the cold, Danish air to raising the floor through the show so it finally meets the ceiling to create the feeling of a wave of doom! The paintings were fresh and a perfect mixture of comic noir, using techniques which I hadn’t thought about before. He is also a painter who I wasn’t previously aware of so it was all the more exciting. Where has your work been headed more recently?I have always had light-play with sculpture, but I think about it more and more. It’s a crazy beast which needs looking at with a whole different eye, which is probably why everything 3-D I’ve made are very much literal reliefs from my paintings. It’s something that I would like to learn more about and be able to use as a vessel for my painting or vice versa.How do you go about naming your work?A lot of the Midnight Cowboy paintings were named after one-liner quotes from the film, sometimes translated into Flemish as I was living in Belgium at the time. There’s a lot of lines in that movie which made me chuckle. This most recent body of work I’m making I have named after the song titles from Drones Club’s EP. My work, is figurative, honest and brutal - the titles should reflect that. Is there anything new and exciting in the pipeline you would like to tell us about?I’m working with an artist I really love, Jonathan DeDecker, towards a solo show of mine which will be curated by him in an brand new space in China Town, New York. The show will be large scale works on paper which is something I’ve never done before but I’m up for the challenge and feel comfortable in Jonathan’s hands. I’ve worked with him before and trust him. For me the idea alone of China Town excites me enough. It’s totally romantic. www.thomtrojanowski.comwww.kristianday.co.ukAll images courtesy of the artistInterview published 01/06/17

Just in time for Halloween, Horrorhound Radio presents a special episode dedicated to the classic lps produced by Peter Pan records! Tune in to hear the regular Horrorhound Radio crew of Aaron Crowell, Jason Kretten and Freddy Morris discuss the latest in horror news (Friday the 13th, Night of the Living Dead restoration and King Kong vs Godzilla) and special guest Kristian Day, contributor for Horrorhound Magazine, inform listeners on the history of these historic records of the 70s and 80s! We always want to hear from you, so be sure to write us radio@horrorhound.com!

Good lord it has almost been a whole month! A 1000 apologies for how long this has taken to get this show out. Kristian Day is back with Ben Smith (vocalist & drummer for Satan’s Amighty... Iowa Music Buzz.com's weekly podcast featuring interviews, reviews, and exclusive content that can only be found right here. Please join us each week as we explore Iowa's eclectic music scene...