Podcasts about Midnight Cowboy

Eric's tooth extraction revealed a sinus infection and now he's cosplaying as a prospector. To add insult to injury he pulled out his stiches out while practicing for Battersea's upcoming show on June 20th at The Valley in Tacoma, WA. Like the good boyfriend he is, Eric waited too late to get “The Girlfriend” a birthday cake so perhaps we'll have to celebrate when they come to Veranda Beach for the weekend. Stacy's week includes a continuation of her dress quest and finds out she's a yeasty girl (on her scalp) so as predicted by commercials from the 70's dandruff is now a thing. What's next quicksand? As for their Cultural Blindspots, Stacy goes back to the year The Gap opened (1969) and watched Midnight Cowboy. It wasn't what she was expecting; however, she agrees it's worthy of the AFI100 list. Eric finally watched Saturday Night Fever and found the disco music and dancing were the least offensive part for him, ultimately, he preferred Warriors. Hoping for a better outcome, he watched A Night at The Opera, the Marx Brothers classic. Sadly, he found it silly except for Harpo's stellar harp playing. This week's topic on the impact of reality TV was something Stacy and Eric could agree upon. While not judgement for consuming it, it does feel like there's now generations of reality ick. DAMTT is on Facebook and Instagram as @dontaskme to talk or email asking@dontaskmetotalk.com Next Time: Ketchup vs. Mustard

Descubre la historia de Dustin Hoffman, el aclamado actor considerado uno de los mejores de su generación. Una carrera brillante, plagada de éxitos en cine, que contrasta dramáticamente con una vida privada marcada por los excesos, las adicciones y las graves acusaciones de acoso y abuso sexual que salieron a la luz con el movimiento #MeToo. Desde sus polémicos métodos de actuación hasta el oscuro trato que dio a sus compañeras de reparto. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Theme is: best picture winners. You thought Oscars season was over? NEVER! We're looking back at two previous and beloved best picture winners in Hollywood history. Zac watches the only X rated movie to win the prestigious award with MIDNIGHT COWBOY (1969) and Amanda goes from stage to big screen with MY FAIR LADY (1964) Follow Blindspotters 'cross plat': On Instagram: @blindspotterspod On Twitter: @blindspotters On Bluesky: @blindspotters On Letterboxd: Zac Pacleb, Amanda Luberto Zac's Substack: Love and Attention

The unbelievable insider stories of how they “got the shot,” Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get every shot perfect. Behind-the-scenes documentaries and books feature “above the line” talent—actors, producers, directors, and writers. For the first time, readers will hear the unvarnished truth of the New York movie industry—tales about union politics, labor strikes, movie families, dangerous locations, difficult shots, volatile directors, anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more. Readers will hear never heard before stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order. Expect to discover secrets about how your favorite scenes were shot and the outrageous characters with outsized talents whose personalities sometimes dwarfed actors and directors. Tales of their exploits, what they saw (and did) on these sets was previously only passed among themselves as showbiz lore but now, readers learn of Marlon Brando's pranks on the set of The Godfather, how crews kept William Friedkin from killing them, the actors, and himself, and how consummate New Yorker Sidney Lumet was the angel to Friedkin's demons. Michael Lee Nirenberg has worked as a scenic artist in New York since 2006, and in many cases, alongside many of the people featured in the book. This book is a labor of love comprised of over 150 interviews and hundreds of hours of recordings. Cinematic Immunity includes hundreds of behind-the-scenes images from studio archives and from the technicians who were there. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Movie of the Year: 1971Straw Dogs (feat. Erik from the Cradle to the Grave pod!)The Straw Dogs Podcast: Peckinpah's Most Dangerous FilmThe Straw Dogs podcast episode of Movie of the Year confronts one of 1971's most debated, disturbing, and relentlessly provocative films — Sam Peckinpah's psychological siege thriller starring Dustin Hoffman and Susan George. Ryan, Mike, and Greg are joined by Erik Hanson of the Cradle to the Grave podcast. Together, they examine the film's violence, its contested rape scene, and the gender dynamics at the heart of Peckinpah's vision. Consequently, no other episode this season demands more from its hosts — or from its audience.Moreover, the 1971 film Straw Dogs arrived in remarkable company. A Clockwork Orange, Dirty Harry, and The French Connection all hit theaters the same year — forming a cluster of films that fundamentally altered what Hollywood was willing to show. Furthermore, Straw Dogs distinguished itself from all of them. Filmed entirely in a Cornish village, it replaced the city's noise with something quieter and more suffocating. Ultimately, it is a film that has never stopped demanding conversation — and that is exactly what the Taste Buds deliver.About the FilmSam Peckinpah directed Straw Dogs (1971), starring Dustin Hoffman as David Sumner, a mild-mannered American mathematician who relocates with his English wife Amy (Susan George) to her rural hometown in Cornwall. David hires local men to repair their farmhouse. Almost immediately, however, the couple faces escalating harassment, intimidation, and violence from the villagers — including Amy's former boyfriend Charlie (Del Henney).Peckinpah and screenwriter David Zelag Goodman adapted the film from Gordon M. Williams's 1969 novel The Siege of Trencher's Farm. Peckinpah famously dismissed the source material. The film builds to a harrowing siege in which David, pushed past every limit, defends his home with escalating brutality. Additionally, the title derives from the Tao Te Ching, which describes straw dogs as ceremonial objects — used briefly, then discarded without feeling. The Criterion Collection edition includes a discussion of this symbolism in its supplemental materials.Released theatrically in the UK in November 1971, the film earned a nomination for the Academy Award for Best Original Score. It was later issued as a Criterion Collection release featuring new critical scholarship. The British Film Institute also maintains an entry on the film. The British Board of Film Classification banned it for home video release for years after its UK theatrical run.Guest Panelist: Erik HansonJoining the Taste Buds for this Sam Peckinpah film discussion is Erik Hanson, the creator and host of Cradle to the Grave — a horror movie podcast built around a distinctive structural premise. Starting with 1971, his own birth year, Erik ranks and discusses his Top 10 horror films from every year of his life, covering each in depth with rotating guests. The show has developed a devoted following for Erik's knowledgeable, laid-back, and genuinely funny approach to the genre.In addition to podcasting, Erik is the author of Death Machine, a debut horror novel set in 1987 Northern California that reimagines the Zodiac Killer returning to terrorize a group of kids. Based in Sacramento, California, Erik is also a musician. His work across fiction and podcasting reflects a lifelong relationship with horror that goes well beyond fandom and into genuine craft. Notably, the fact that Cradle to the Grave begins precisely with 1971 makes Erik an especially fitting guest for a deep dive into one of that year's most unsettling films. You can pick up Death Machine on Amazon.Peckinpah and Violence: A Director Pushed to the EdgeBy 1971, Sam Peckinpah had already established himself as Hollywood's most uncompromising chronicler of violence. The Wild Bunch (1969) had rewritten the grammar of the Western, deploying slow-motion carnage in a way that made violence impossible to process cleanly. Straw Dogs, however, moved in a very different direction. Furthermore, Warner Bros. had effectively exiled Peckinpah from Hollywood following a chaotic falling out, which is why he filmed this Straw Dogs 1971 production entirely in England, far from his natural terrain.The violence in Straw Dogs is not operatic like The Wild Bunch. Instead, it is domestic, intimate, and deeply uncomfortable. Peckinpah builds menace through accumulation — small humiliations, loaded glances, minor intrusions — before releasing it all in the siege. Additionally, the film implicates the audience in David's rampage by making it feel, at least in the moment, cathartic. That troubling catharsis is entirely the point. As a result, the Straw Dogs podcast discussion centers on Peckinpah's central question: whether violence is ever truly civilized, or whether it simply waits beneath the surface of every man who believes he is better than it. Roger Ebert, writing for the Chicago Sun-Times in 1971, gave the film two stars and called it a film committed to the pornography of violence while laying on moral outrage with a shovel — a dissent worth hearing even for those who disagree.The Rape Scene: Context, Controversy, and CriticismNo discussion of Straw Dogs is complete without addressing its most contested sequence. Charlie, her former boyfriend, first assaults Amy — then a second attacker follows. What makes the scene so difficult to analyze is the way Peckinpah films the first assault. Many critics interpreted Amy's shifting emotional response during the rape as suggesting consent or complicity. That reading fueled decades of fierce feminist criticism of the Sam Peckinpah film.Moreover, the British Board of Film Classification rejected the film for home video release for years, specifically over this content. The studio cut the scene for the US release to secure an R rating. Susan George has spoken in interviews about her complex relationship to the role and the sequence. Notably, film scholar Linda Williams frames the film within the longer history of misogynistic representation in cinema. Her analysis appears in the Criterion Collection release. She argues that Straw Dogs belongs in conversation with works that are technically significant but ethically compromised. Consequently, the scene is not a matter of simple condemnation or simple defense. It is the central wound around which the entire film's meaning turns, and the Taste Buds treat it accordingly.David, Amy, and Gender in Straw Dogs 1971At its core, Straw Dogs is a film about masculinity in crisis. David Sumner is an intellectual — passive, avoidant, and seemingly incapable of the physical authority the Cornish village treats as natural male behavior. The film, however, refuses to position his bookishness as a virtue. Dustin Hoffman understood his character as a man who unconsciously provokes the violence around him — a pacifist whose repressed aggression the siege finally unlocks.Amy occupies an equally impossible position. The film's gaze codes her as provocative — bare feet, no bra, conspicuous in the village — while simultaneously punishing her for that very visibility. Nevertheless, Susan George's performance introduces ambiguity and depth that the script does not always earn on its own. The dynamic between David and Amy is as much a source of tension as the men gathering outside. They seem genuinely ill-suited and miscommunicate constantly. Above all, Straw Dogs asks what gender roles cost everyone involved. Specifically, the film suggests that masculinity, however dormant, will ultimately assert itself through violence. That is Peckinpah's most unsettling argument — and one that the A Clockwork Orange episode of Movie of the Year covers from a very different angle.Career Retrospective: Dustin HoffmanBy the time the Straw Dogs podcast era film was released in 1971, Dustin Hoffman had already fundamentally changed what a movie star could look like. His breakthrough in The Graduate (1967) — neurotic, unhandsome, deeply searching — made him a voice for a generation that distrusted certainty. Midnight Cowboy (1969) proved he could disappear entirely into character, earning his first Academy Award nomination. Little Big Man (1970) demonstrated his ability to age through an entire life on screen. Straw Dogs, therefore, marks something different in his catalog: not charm or pathos, but something colder and harder to forgive.Hoffman's Career After...

Welcome to Decorating the Set: From Hollywood to Your Home with Beth Kushnick!  This week on Decorating the Set, Beth and Caroline sit down with Michael Nirenberg, author of the new bestseller, Cinematic Immunity: An Oral History of New York Filmmaking As Told by the Crews that Got the Shot.  This is a MUST LISTEN TO episode for anyone that loves behind the scenes stories. Cinematic Immunity has amazing stories collected from the storied history of NY filmmaking! A big thank you to Michael for his time and sharing his work with us, he was a wonderful guest! Amazon Link to Book (https://www.amazon.com/Cinematic-Immunity-History-Filmmaking-Crews/dp/1627311718) Publisher Link to Book (https://feralhouse.com/cinematic-immunity/) The Interview with Michael begins at Time Code: 3:11 Join the Decorating the Set Community by subscribing to our Official Facebook Group (https://www.facebook.com/groups/decoratingthesetpodcast)! Interact with Beth, Caroline, Producer Mike, and all of the DTS listeners! GUEST BIO: MICHAEL NIRENBERG  Michael Lee Nirenberg is a filmmaker and writer. He has directed several music videos and the award-winning documentary Back Issues: The Hustler Magazine Story, about the history of the magazine, where his father served as creative director in the seventies and eighties. Mr. Nirenberg has also written for several well-known magazines and websites. Since 2006, he has worked as a freelance scenic artist on countless mainstream movies and television shows you've seen. His blog about the environment and climate change can be found at againstnature.org, which he plans to get back to when this book is done. His first book Earth A.D.: The Poisoning of the American Landscape and the Communities That Fought Back was released in July 2020. He has directed music videos and the award-winning documentary Back Issues: The Hustler Magazine Story. Mr. Nirenberg has contributed to national magazines and websites. Since 2006, he has worked as a scenic artist in IATSE local 829. Follow Michael on Instagram: @nirenberg.v2 ABOUT CINEMATIC IMMUNITY: Cinematic Immunity tells the story of New York City's movie industry from the crew members who created the sets, lit the scenes, and shot the film. Focused on the golden age (1950-1990) of New York filmmaking, Cinematic Immunity covers On the Waterfront through The Sopranos. The East Coast film industry, thousands of miles from the Los Angeles executives, existed by its own rules and with little oversight. It was a close-knit and freewheeling community of movie technicians that took on the most outrageous challenges to get the shot.  Readers will hear the unvarnished truth of the New York movie industry—tales about union politics, studio bullshit, movie families, dangerous locations, complex shots, volatile directors, plus anecdotes about actors, pranks, friendships, rivalries, generational shifts, substance use and abuse, technical feats, and more. Includes stories about classic (and not so classic) films and television shows including: Midnight Cowboy, The Warriors, The French Connection, The Exorcist, The Godfather, The Wiz, The Taking of Pelham 123, Annie Hall, Cruising, Do The Right Thing, When Harry Met Sally, Home Alone 2, The Sopranos, and Law and Order. ### For over 35 years, Beth Kushnick has created character-driven settings for countless award-winning television series and feature films. As a Set Decorator, she’s composed visuals that both capture and enhance any story. Now, she wants to help you capture and enhance YOUR story. Join Beth and her co-host, Caroline Daley, each week as they go behind the scenes of Hollywood's magic, and give you approachable, yet sophisticated tips to realize the space that best expresses who you are. ### Follow Beth Kushnick on Social Media:  Instagram: @bethkushnick Twitter: @bethkushnick Website: BethKushnick.com Beth is the Decorator By Your Side and now, you can shop her Amazon Store! CLICK HERE! Follow Caroline Daley on Social Media: Twitter: @Tweet2Caroline Website: PodClubhouse.com ### Credits: “Giraffes” by Harrison Amer, licensed by Pod Clubhouse. This is an original production of Pod Clubhouse Productions, LLC. Produced, engineered and edited at Pod Clubhouse Studios. For more information, visit our Website.

Movement or Action This week's theme encompasses songs that refer to some form of MOVEMENT or ACTION. Included are a few tunes from movies, Everybody's Talking at Me (1969) from “Midnight Cowboy”, Let's Go Slummin' from the 1937 film “On the Avenue” and “You'll Never Walk Alone” from the 1956 film “Carousel”. One of our listeners Pam highlighted the show by saying “what a moving day it has been, travelling down the nostalgic road of great tunes and memories once again, wonderful finish with JOK”. PLAYLIST Laughter in the Rain – Neil Sedaka Move Two Mountains – Marv Johnson Everybody's Talkin’ at Me – Harry Nilsson You're Moving Out Today – Carol Bayer Sager You'll Never Walk Alone – Gerry and the Pacemakers Jump – Pointer Sisters Twist and Shout – Beatles Drift Away – Rod Stewart Let's Go Slummin' – Genevieve Waite Jump Over – Freddy Cannon Movin' Man – Buddy England Move Baby Move – Johnny O'Keefe To re-live previous episodes, visit joy.org.au/yesterdayoncemore ENJOY! Don’t forget to tune into JOY 94.9 next Sunday at 5pm for another most enjoyable episode of Yesterday Once More. JOY 94.9 – Out.Loud.Proud – Your Voice – Your Radio Station Support JOY, support this podcast, donate, become a valued member:  https://www.joy.org.au/support joy For Support visit: joy.org.au/Support Your opinion is highly valued.  Please feel free to share your thoughts and suggestions.  Your feedback helps us to improve your listening experience.  Thank you in advance for your time and contribution The post Movement or Action appeared first on Yesterday Once More.

In this episode of The Dark Mind Podcast, Vincent Midgard sits down with filmmaker Jethro Waters to discuss his surreal southern gothic feature Gunfighter Paradise.​They explore the film's collision of religion, grief, guns, greed, and dark humor, and how Waters sees it as an expression of the American psychosis.​Waters breaks down how his upbringing in the rural South, his father's background as a Vietnam veteran and gunsmith, and his own experience with competitive speed shooting shaped the emotional and visual language of the film.​The conversation also dives into surrealism, David Lynch comparisons, cinematic rhythm, visual authenticity, and why Waters wanted the violence in the film to feel sincere rather than stylized.​They discuss Confederate reenactors, the film's cable installer character, Renato Casaro's hand-painted poster, and the role dark comedy plays in carrying dread without undercutting trauma.​Beyond Gunfighter Paradise, Waters talks about his upcoming documentary on Vietnam veterans and PTSD, his work as a colorist on Desperate Souls, Dark City, and the Legend of Midnight Cowboy, his music video background, and the literary influences that feed his scripts.​He also reflects on teaching cinematography at UNCSA, the realities of independent filmmaking, his war against motion smoothing, and the creative life he has built outside the studio.JETHRO WATERSOfficial Websitehttps://www.jethrowaters.comGunfighter Paradise Official Film Sitehttps://www.gunfightermovie.comIMDbhttps://www.imdb.com/name/nm9135866/Instagramhttps://www.instagram.com/jethrowaters/BUY TICKETS TO GUNFIGHTER PARADISE IN THEATERSAMC Theatreshttps://www.amctheatres.com/movies/gunfighter-paradise-83099Fandangohttps://www.fandango.com/gunfighter-paradise-2024-244731/movie-overviewRequest a Screening Near You (Gathr)https://gathr.com/films/gunfighter-paradiseSTREAM OR BUY F11 AND BE THEREApple TVhttps://tv.apple.com/us/movie/f11-and-be-there/umc.cmc.3il2kfqnoe5d4zwc3urnk5tqmAmazon Prime Videohttps://www.amazon.com/F11-Be-There/dp/B08FBHCKQBOVIDhttps://www.ovid.tvKanopy (Free with library card)https://www.kanopy.comPBShttps://www.pbs.org/video/f11-and-be-there-7gjtfc/SUPPORT THE DARK MIND PODCASTPatreonhttps://www.patreon.com/c/thedarkmindpodcast

On Sunday the first Oscar for Achievement in Casting will be given in the 98-year history of the Academy Awards. Today, The Kitchen Sisters and host Frances McDormand bring you the story of two legendary casting directors: Juliet Taylor and Ellen Lewis.Listen to Part 1 of this saga: Everyone's a Casting Director: The First-Ever Academy Award for Casting in the 98-Year History of the Academy Awards“Casting is the first thing that is done on a movie. Everybody's sort of in a great mood, nothing's gone wrong yet, and everybody's feeling very positive. And it's the first time the director's heard the words read and it can really influence the way the movie goes.” —Juliet TaylorDuring her career, Juliet cast 103 films including Annie Hall, Taxi Driver, Manhattan, Terms of Endearment, Big, Schindler's List, Midnight Cowboy, Network and so many more. “It's an old-fashioned trade. You are learning from the person that you are working for. That's like your graduate school.” —Ellen LewisEllen has cast some dozen films for Martin Scorsese including Goodfellas, Casino, Gangs of New York, The Age of Innocence, Cape Fear, Kundun, The Wolf of Wall Street, The Irishman, The Departed, Killers of the Flower Moon. Also Forrest Gump, The Devil Wears Prada, A League of Their Own, lots of Jim Jarmusch movies, and the television series The Queen's Gambit, Godless, Boardwalk Empire and so much more.“More than 90% of directing a picture is the right casting.” —Martin ScorseseHave a Seat, The Casting Director Will See You Shortly: The Legends of Juliet Taylor & Ellen Lewis was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton, Brandi Howell and Hannah Kaye. Mixed by Jim McKee.

Who discovered Diane Keaton and put her in Annie Hall? Who found Dustin Hoffman and made sure he played Ratso Rizzo in Midnight Cowboy? Who saw Jason Schwartzman and made sure Wes Anderson knew about him for Rushmore? Casting Directors, that's who. When the 98th Oscar ceremony airs on March 15, the first Academy Award for Achievement in Casting will be given in nearly 100 years of Academy history. Five films, laden with stars and fascinating new discoveries, are nominated — Hamnet, Marty Supreme, One Battle After Another, The Secret Agent and Sinners. The Kitchen Sisters and four-time Academy Award winner Frances McDormand take us behind the scenes and into the lives and work of this first-ever batch of nominees and into the mysterious and fascinating world of film casting. Everyone's a Casting Director was produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) in collaboration with Nathan Dalton and Brandi Howell. Mixed by Jim McKee. Hosted by Frances McDormand.

Join Tyler as he discusses the only X Rated film to earn Best Pictur at the Oscars, Midnight Cowboy. And Why he went from hating it to loving it. He also talks about the other films nominated for Best Picture -    Butch Cassidy and the Sundance Kid Hello, Dolly! Z Anne of the Thousand Days And tell you how they rank up against the winner. Want to see what I've been watching through the course of the year? Be sure to check out my letterboxd https://boxd.it/7ChT

Hermine Duerloo, Laurent Maur and Alexandre Piret join me on episode 150, for a retrospective on the great Toots Thielemans. Toots was born in 1922 to humble beginnings, in Brussels, Belgium, where his parents ran a cafe. His first instrument was an accordion, which he started playing at age three and showed great promise. He took up guitar and the chromatic harmonica around the age of sixteen. He then went on to tour Europe with Benny Goodman in 1950 before moving to the US in 1951 where landed a seat in the George Shearing Quintet, mainly as a guitar player, but also playing some songs on chromatic. Toots made his first solo albums from the late 1950s, including the iconic Man Bites Harmonica. From the 1960s Toots was in great demand as a session musician, recording with many giants of the music industry, such as Bill Evans, Paul Simon and Billy Joel. He also made some notable musical collaborations, including with Jaco Pastorius and Quincy Jones, and recorded on numerous film and tv scores, such as Midnight Cowboy and Sesame Street. Toots had such a long and glorious career that it's hard to do it justice, but this episode attempts to highlight some of the key moments from the undisputed giant of the chromatic harmonica, and one who has inspired pretty much every chromatic player that has followed. Links:Compilation of interviews with Toots put together by a Belgian DJ Nico Kanakaris: https://www.mixcloud.com/bluenote71/toots-thielemans-100/Articles on Toots from Roger Trobridge's The Archivist site: http://www.the-archivist.co.uk/tag/toots-thielemans/Videos:The story of Toots Thielemans by Steven De Bruyn: https://www.youtube.com/watch?v=Ar7CnZS0m0kWith Paul Simon in 1975: https://www.youtube.com/watch?v=q8v2j4lJJZY&list=RDq8v2j4lJJZYWith Billy Joel in 1983: https://www.youtube.com/watch?v=6Te0DB86-wY&list=RD6Te0DB86-wYThree Views of a Secret live with Jaco Pastorius: https://www.youtube.com/watch?v=yBhoDaS5SKQ&list=RDyBhoDaS5SKQToots Thielemans 100th Anniversary Official Concert: https://www.youtube.com/watch?v=e4hqApO5BH8Podcast website:https://www.harmonicahappyhour.comDonations:If you want to make a voluntary donation to help support the running costs of the podcast then please use this link (or visit the podcast website link above):https://paypal.me/harmonicahappyhour?locale.x=en_GBSpotify Playlist: Also check out the Spotify Playlist, which contains most of the songs discussed in the podcast:https://open.spotify.com/playlist/5QC6RF2VTfs4iPuasJBqwT?si=M-j3IkiISeefhR7ybm9qIQPodcast sponsors:This podcast is sponsored by SEYDEL harmonicas - visit the oldest harmonica factory in the world at www.seydel1847.com  or on Facebook or Instagram at SEYDEL HARMONICAS--------------------------------Blue Moon Harmonicas: https://bluemoonharmonicas.comSupport the show

Lyndon joins Gregory, Justin, and Dan on the podcast to bring forth a new collaborative creative proposal to help create new comics.Transition clips are from Midnight Cowboy (1969) - https://youtu.be/o29GST0Lj28?si=zhIrE2XnWaPQAYtePick up Gregory's new book ⁠⁠⁠⁠Blood Letters⁠⁠⁠⁠, wherever books are sold: ⁠⁠⁠⁠https://www.amazon.ca/Blood-Letters-Ariel-Gordon/dp/1773371436⁠⁠⁠Follow the gang online:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/gmbchomichuk/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/chasingartwork/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@danwatchesmovies⁠⁠⁠⁠GMB Chomichuk's online store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.gmbchomichuk.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chasing Artwork's online store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.chasingartwork.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Production: Dan VadeboncoeurTitles: Jesse Hamel & Nick Smalley

GGACP squeezes a few extra scares out of spooky season with this ENCORE of a 2016 interview with the “King of Splatter,” makeup effects wizard Tom Savini. In this episode, Tom reveals the secret of onscreen suspense, shares his admiration for legendary makeup artists Dick Smith and Jack Pierce and explains how “Midnight Cowboy” changed his life. Also, Tom praises George Clooney, defends Jerry Lewis, laughs it up with Tony Curtis and shakes hands with the Three Stooges. PLUS: Joe Spinell! “Dr. Terror's House of Horrors”! Christoper Lee makes an entrance! Tyrone Power battles Basil Rathbone! And the Cary Grant movie that brings Tom to tears! Learn more about your ad choices. Visit megaphone.fm/adchoices

Randall Carver joined me to discuss watching Mighty Mouse as a child; going to military school; getting cast in Midnight Cowboy; becoming friends with Jon Voight; recreating a Ben Hecht story as UCLA drama piece; Barbara Sigel gets him an audition for Time to Run; being a reform student on Room 222; doing a TV movies Detour to Terror and befriending OJ; watching Lucille Ball run the show on Hello Lucy and Andy Griffith yelling at stagehands for cursing; doing a special with Minnie Riperton and telling Maya Rudolph about it forty years later; studying with Robin Williams; playing Jeffrey DeVito on Forever Fernwood; being typecast as young; his experience at the DMZ during Vietnam; being introduced on Taxi's pilot; his audition; the episodes "Blind Date", "The Great Line"; his TV wife, Ellen Regan; Ruth Gordon; Tony Clifton famous guest appearance; sending Tony a welcome gift; seeing Christopher Lloyd as Reverend Jim and knowing his time is short; not remembering saving a house in 1979; his next sitcom The Six O'Clock Follies was interrupted during the premiere with news of Iranian hostage tragedy; being on four episodes of The Norm Show; hanging out with Norm MacDonald; being in There Will Be Blood; getting married on the last day of the Mayan calendar; being on Emergency led his brother to become an EMT; Alias Smith and Jones; Randall, Jim Carrey & Andy Kaufman's love of Howdy Doody; hanging out with Andy right after he got his cancer diagnosis; forgetting TV appearances

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Filmmaker and actor Caleb Alexander Smith (The Catch, Modern Family) and his co-star David Krumholtz (Oppenheimer, The Santa Clause, Supergirl) join his episode of the the Movies In Focus podcast to discuss their thought provoking new film, Forelock. It's a work that could easily slip under the radar in today's crowded cinematic landscape - and that would be a massive shame.Forelock strikes an impressive balance: it deftly engages with the modern superhero conversation while simultaneously echoing the raw humanity and urban melancholy of the 1969 classic, Midnight Cowboy.This conversation dives into the Forelock's unique rhythm, its artistic intent, and how both Smith and Krumholtz approached creating something that really manages to resonate. 

Shifting the pass-the-parcel of news and removing the wrapping when the music stops. Which this week happens here … … will rock bands get offered the Saudi money? … “there could be no British nightclubs in 2030” … Diane Keaton and why all men were besotted … the day Led Zeppelin played an Aqua Theatre for an audience swimming and in boats … “the optimum number of band members is either three or loads” … did Easy Rider invent the music video? … Trainspotting, Reservoir Dogs, Midnight Cowboy, Almost Famous – soundtrack moments that made their movies … 12 million more UK tickets were sold than in 2019 yet 150 small venues closed in two years: “scale is now part of the appeal” … the genius of John Sebastian … the end of MTV UK and how video changed the landscape … “Here's to you Mrs Roosevelt”: how Simon & Garfunkel got into the Graduate … can anyone fathom Ghost Town Blues by Prefab Sprout? Plus Tim Hardin, Harry Nilsson and birthday guest Matthew Elliott on why three is the magic number.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Shifting the pass-the-parcel of news and removing the wrapping when the music stops. Which this week happens here … … will rock bands get offered the Saudi money? … “there could be no British nightclubs in 2030” … Diane Keaton and why all men were besotted … the day Led Zeppelin played an Aqua Theatre for an audience swimming and in boats … “the optimum number of band members is either three or loads” … did Easy Rider invent the music video? … Trainspotting, Reservoir Dogs, Midnight Cowboy, Almost Famous – soundtrack moments that made their movies … 12 million more UK tickets were sold than in 2019 yet 150 small venues closed in two years: “scale is now part of the appeal” … the genius of John Sebastian … the end of MTV UK and how video changed the landscape … “Here's to you Mrs Roosevelt”: how Simon & Garfunkel got into the Graduate … can anyone fathom Ghost Town Blues by Prefab Sprout? Plus Tim Hardin, Harry Nilsson and birthday guest Matthew Elliott on why three is the magic number.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Shifting the pass-the-parcel of news and removing the wrapping when the music stops. Which this week happens here … … will rock bands get offered the Saudi money? … “there could be no British nightclubs in 2030” … Diane Keaton and why all men were besotted … the day Led Zeppelin played an Aqua Theatre for an audience swimming and in boats … “the optimum number of band members is either three or loads” … did Easy Rider invent the music video? … Trainspotting, Reservoir Dogs, Midnight Cowboy, Almost Famous – soundtrack moments that made their movies … 12 million more UK tickets were sold than in 2019 yet 150 small venues closed in two years: “scale is now part of the appeal” … the genius of John Sebastian … the end of MTV UK and how video changed the landscape … “Here's to you Mrs Roosevelt”: how Simon & Garfunkel got into the Graduate … can anyone fathom Ghost Town Blues by Prefab Sprout? Plus Tim Hardin, Harry Nilsson and birthday guest Matthew Elliott on why three is the magic number.Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Hang onto your slipcases because Alexei Toliopoulos (Finding Drago, The Last Video Store) and Blake Howard (One Heat Minute Productions) team up to unbox, unpack and unveil upcoming IMPRINT FILMS physical media releases.In this episode, we discuss:Midnight Cowboy (1969) – 4K UHD + Blu-ray Limited Edition Hardbox – Imprint Collection #429Malcolm X (1992) – 4K UHD + Blu-ray Limited Edition Hardbox – Imprint Collection #427In The Heat Of The Night (1967) – 4K UHD + Blu-ray Limited Edition Hardbox – Imprint Collection #428Hud (1963) – Imprint Collection #432Shaw-Shock: Shaw Brothers Horror Collection – Volume One (1976 – 1984) – Imprint Asia #18 – 20Support: JOIN THE ONE HEAT MINUTE PATREON FOR AS LITTLE AS $1 A MONTHFollow the hosts:Blake Howard - Twitter & One Heat Minute Website Alexei Toliopoulos - Twitter & The Last Video StoreSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode, Chris and Chantel Nicole go track by track through JADE's highly anticipated solo debut, "That's Showbiz Baby!" - her first full-length release since her time in Little Mix. With sharp songwriting, big vocals, and bold, theatrical production, this album is already making waves as a potential pop album of the year.We discuss the lyrics, vocals, concept, and creative direction, including standout tracks like “Angel of My Dreams”, “It Girl”, and “FUFN”, with contributions from RAYE, Cirkut, Lostboy, and more. JADE drops the “Thirlwall” and steps into her own chaotic pop universe - filled with synth-pop, electroclash, and full diva energy.Is this the strongest solo debut from a girl group alum in years? Or just a really fun, messy moment? Let's talk.0:00 - Intro1:17 - "That's Showbiz Baby!" Album Info2:19 - Album Cover4:13 - "Angel of My Dreams"11:18 - "IT Girl"17:15 - "FUFN (F*** You For Now)"24:56 - "Plastic Box"31:25 - "Midnight Cowboy"37:39 - "Fantasy"44:04 - "Unconditional"49:51 - "Self Saboteur"54:36 - "Lip Service"59:15 - "Headache"1:05:12 - "Natural at Disaster"1:09:33 - "Glitch"1:13:59 - "Before You Break My Heart"1:20:23 - "Silent Disco"1:24:44 - Overall Thoughts & Final RatingReferences:“Angel Of My Dreams” MV https://youtu.be/UEc-oy93lf8?si=Q3gp3V2lHIRbLJs5 “IT Girl” Visualizer https://youtu.be/DO6vYic0TyA?si=FImp3pbLLnpmkep6 “FUFN” MV https://youtu.be/xA4ORUeCods?si=2LyvcStwFlsrAcey “FUFN” Live at Radio 1 Big Weekend https://www.youtube.com/watch?v=1MhPlR3OVik&pp=ygUOamFkZSBmdWZuIGxpdmU%3D “Plastic Box” MV https://www.youtube.com/watch?v=Vn4mni6GJD0 “Midnight Cowboy” Visualizer https://youtu.be/ZEriLZ4VhQ8?si=R52ZB0uoa1mlXAlO “Fantasy” MV https://youtu.be/zgUwi6RmC9Q?si=16-npPKO4U8VNX7a “Unconditional” Visualizer https://youtu.be/cu4--ehajz0?si=SKWVkxnQSkpDyIkM “Self Saboteur” Visualizer https://youtu.be/YVbipGXwi0o?si=IEoxp4BSoZAefEf7 “Lip Service” Visualizer https://youtu.be/XRZjuaGugiQ?si=sryRHOrH9bQO2w03 “Headache” Visualizer https://youtu.be/ibNCW4P48BM?si=KHDqulVxmLkVZYtE “Natural at Disaster” Visualizer https://youtu.be/Y7Dtvr41Jy8?si=qkvKlOB-Vy33siUj “Glitch” Visualizer https://youtu.be/835e-KXNf5A?si=DbGJ4HAW7HPMaImP “Before You Break My Heart” Visualizer https://youtu.be/eU0eVJPDxoE?si=tPE7AvznMbvEpol3 “Silent Disco” Visualizer https://youtu.be/6QkYn1uYs7Y?si=kUdpdc6QR4z3dpm2

Join Tony Michas and John Mathews along with very special guest, Co-Host of the Podcasts CineJourneys and Criterion Now and the author of the upcoming book A24: The New Wave, Aaron West discuss the July 2025 Film BundlesThe July film bundles includes Dune: Limited Edition Sandbox Edition, Malcolm X, In the Heat of the Night, Midnight Cowboy, Blue, Fade In, Hud, This Property is Condemned, Track of the Cat, You Only Live Once, The Juggler and Jet Storm.

Aw shiiiit! This episode of Late To The Table is rated X…FOR EXTREMEEEEEEEEEEE…NACHO CHEESE FLAVOR. Brought to you by doritos! Does the 1970 best picture winner hold up in 2025? FIND OUT NOW.

In this week's episode, the guys experience a moment right out of Midnight Cowboy when a Cleveland legend tells them, “I'm talking here!” A surprising number of D-list celebrities and a few members of the usual rogues gallery make appearances as Jack and Jeremy take in a game at Wrigley and try to get some ink on their Guardians cards.

A co to za odcineczek dla Was zgotowaliśmy? A taki nawet fajny! Dyskutujemy w nim np. na temat kryzysu rynkowego, odpowiadając na maila słuchacza! Poza tym mówimy o RE9 i tym, dlaczego w grze nie gramy Leonem. Albo też o najpopularniejszej grze w historii. Nie, nie zgadniecie jakiej. Albo o zwolnieniach w Build a Rocket […]

Joe talks about when actors being governors seemed incredible, why he's been scarce lately, and the recent situation involving the Weezer bass player's wife.

Pretty Woman was released in 1990. One of the most beloved and successful romantic comedies of all time, the film tells the Cinderella story of a sex worker, played by Julia Roberts, who finds love with a slick businessman - Richard Gere - after he picks her up on Hollywood Boulevard.Fast forward to 2025 and the astonishing Oscar success of Anora - director Sean Baker's tale of a young sex worker whose whirlwind affair with a Russian billionaire's son turns bad, fast.So how has the way we treat sex work on screen changed? Ellen E Jones and Mark Kermode delve into the long and thorny relationship between cinema and sex work. Mark speaks to film historian and critic Pamela Hutchinson about how sex work has been tackled in over a hundred years of movies - from early silent films like Pandora's Box, to the work of Sean Baker. They discuss Jane Fonda's Oscar-winning turn as a ‘call girl' in Klute, and look at how male sex worker films like Midnight Cowboy might approach the subject differently. Meanwhile, Ellen talks to Andrea Werhun, the writer, performer and real-life sex worker who served as a consultant on Anora - about her work on the film, and her love for another Richard Gere sex work film, American Gigolo. And Ellen also speaks to Kristen Lovell and Zachary Drucker, whose 2023 documentary The Stroll traced the history of trans sex workers in New York City's Meatpacking District. Kristen and Zachary discuss why sex work has been a key part of trans history - and what they think Anora's success means for sex workers. Producer: Jane Long A Prospect Street production for BBC Radio 4

This week on the InSession Film Podcast, we preview the summer movie season and conclude the 1960's portion of our Best Picture Movie Series with MIDNIGHT COWBOY! We also discuss the new Academy rules in regards to members and voting.   - Sinners Box Office / Academy News (3:039) - Summer Preview (29:15) - Midnight Cowboy (1:29:13)   Visit https://insessionfilm.com for merch and more!   Episode sponsor: Koffee Kult - Visit koffeekult.com and get 15% OFF with the code: ISF25   Thanks for listening and be sure to subscribe! Become a Member today to get exclusive bonus content!   Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

Tori Allen-Martin is In The Frame!Tori is currently playing Cass and others in the premiere of Midnight Cowboy at Southwark Playhouse Elephant.Based on the novel by James Leo Herlihy which was adapted into the 1969 film, Midnight Cowboy has a book by Bryony Lavery and music by Francis “Eg” White who has written songs for Adele, Sam Smith, Florence + The Machine and James Morrison. The production is directed and choreographed by Nick Winston, with Tori starring alongside Paul Jacob French and Max Bowden as Joe Buck and Rico ‘Ratzo' Rizzo.Last year Tori starred as Kristin in I Wish You Well at the Edinburgh Fringe Festival and in the West End. Some of her other theatre credits include: Samuel Takes A Break (The Yard Theatre), Then, Now and Next (Southwark Playhouse), Park Bench (Park Theatre), One Man, Two Guvnors (New Wolsey, Ipswich/Nuffield Southampton), The Season (Glass Half Full Productions and Tim Johanson), The Hardest One (The Other Palace/Criterion) and Hair (Concert).On screen, Tori is best known for her performances in Here We Go (BBC), London Kills (BBC) and Pure (Channel 4). Her further screen credits include: Mrs Sidhu Investigates (Acorn), Significant Other (Hatrick), Plebs: The War (the finale) (Rise films), The Other Half (Ranga Bee Productions), Flatshare (42 for Paramount+), Back To Life (Two Brothers Pictures) and Pandemonium (BBC). Tori is also an established writer. She has co-created and produced multiple new musicals, including Streets (Cockpit Theatre/Hackney Empire).Tori recently came into the podcast booth to discuss why she said "yes" to new challenges with Midnight Cowboy, her whirlwind journey with I Wish You Well, how she established herself on stage and screen... and her recent appearance on Celebrity Mastermind!Midnight Cowboy runs at Southwark Playhouse Elephant until 17th May. Visit www.midnightcowboymusical.com for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Author Gene Kansas discusses his new book “Civil Sights: Sweet Auburn, a Journey through Atlanta’s National Treasure,” plus Kosmo Vinyl stops by with the story behind John Barry’s theme for “Midnight Cowboy.”See omnystudio.com/listener for privacy information.

Meg traces the link between the murder of Johnny Pius and the Long Island Serial Killer. Jessica revels in the artistry of savage theater reviews and the unlikely phenomenon of UES ska.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

We kick off this edition of arts24 with a look at the world's oldest moving images, courtesy of France's Lumière Brothers, in Thierry Frémaux's documentary "Lumière! The Adventure Continues". Next, get ready for the musical adaptation of the Oscar-winning classic "Midnight Cowboy", which is hitting London's Southwark theatre soon. Plus, discover Alain Chabat's new 3D animated Asterix series and a stylish Snoopy exhibition in Paris marking the Peanuts gang's 75th anniversary.

Gaby Dellal discusses the journey of creating her latest film “Park Avenue”, which just premiered at the Santa Barbara International Film Festival. Her past inspirations include “Midnight Cowboy” and “Midnight Express”.She reflects on her transition from acting to directing, the themes of motherhood in her work, and the impact of industry politics on her projects. Gaby also speaks on the intricacies of independent filmmaking, including her experiences working with the now infamous Harvey Weinstein.The discussion also highlights the importance of collaboration to create emotional depth in storytelling, patience and resilience when facing gaps between projects, and today's challenges in navigating film festivals.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Anora won five Academy Awards on Sunday, including the coveted Best Picture Oscar. Writer-director-producer-editor Sean Baker's sex worker tale about Ani — a Brooklyn stripper played by now-award-winning actress Mikey Madison — stole the show at the 97th Academy Awards while also raising awareness for the sex worker community. But whores have always been at the Oscars! Let's discuss. Mentioned: March 14 & 15 - The Naked Comedy Show - https://www.eventbrite.com/e/the-naked-comedy-show-best-stand-up-comedy-without-pants-in-bushwick-tickets-1224473837209 The Naked Comedy Show - Philadelphia updates - http://eepurl.com/i4WHBA New York Speed Dating - https://www.eventbrite.com/o/ditto-bing-productions-68695817023 Use code MANPOD for 10% off your tickets at http://humpfilmfest.com For a full list of the films mentioned in today's show, visit https://www.patreon.com/posts/sex-work-movie-123663989 Follow Billy! Instagram: @billyprocidajr TikTok: @TheBillyProcida Threads: @billyisprocida BlueSky: @thebillyprocida 0nlyFans: @callmebilly Money Stuff Venmo: @BillyProcida Cash App: $manwhorepod PayPal/Zelle: funnybillypro@gmail.com Get your books the indie way at http://bookshop.org/shop/billy! Become an Official Fanwhore at https://www.patreon.com/manwhorepodcast! Share your thoughts in The Champagne Room at http://manwhorepod.com/discord Email your comments, questions, and criticisms to manwhorepod@gmail.com. Late Night Radio by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ www.ManwhorePod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Inbetween our many celeb impressions & movie tropes examined, we sum up a double feature of the HIGH NOON movies while also summing up the various regurgitations of a common cinematic movie formula that is present in just about any blockbuster movie today!   SONG USED:  "RIO BRAVO(1959) Song" By John Wayne, Dean Martin, Ricky Nelson & Walter Brennan   MOVIE/TV SHOW CLIPS SHOWN IN INTRO:  DIE HARD (1988) THE SURE THING (1985) MIDNIGHT COWBOY (1967) THE SOPRANOS S6E15             MAIN LINKS:  LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview  Instagram: https://www.instagram.com/jacked_up_podcast/        SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ   iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/   Podbean: https://jackedupreviewshow.podbean.com   Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M   Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218   RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE   Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast   Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz   Anchor:  https://anchor.fm/s/a46297c/podcast/rss   PocketCasts: https://pca.st/0ncd5qp4   CastBox:  https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222   Discord:  https://discord.com/channels/796154005914779678/796154006358851586         #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass 

Can Jon Voight save Hollywood? Probably not. But President Trump's announcement that the Midnight Cowboy, Mad Max (Mel Gibson) and Rocky (Sylvester Stallone) would be his “special envoys” in L.A. on the eve of his inauguration followed the latest report on L.A.'s continued production exodus. Sean McNulty, Elaine Low and Richard Rushfield dissect the numbers and where the industry is heading in 2025. Plus: How is Gen Z outfoxing studio and streaming marketers? Matthew Frank explains.  Learn more about your ad choices. Visit megaphone.fm/adchoices

H. Alan Scott/Sadie Pines and Kerri Doherty are joined by the one, the only... Brenda Vaccaro! You know her as Angela aka Big Sally or from her incredible work in film and TV. (She's an Oscar nominated actress, thank you very much!) We're talking movies like Midnight Cowboy and The Mirror Has Two Faces (with her friend, Barbra Streisand) and shows like Friends and And Just Like That. (She's got a story about that one!)Join the GG VIP Club at Patreon.com/GoldenGirlsPodcastWatch video versions of the podcast on YouTube.com/OutonTheLanaiFor more Golden Girls greatness, visit OutOnTheLanai.com and follow us at...instagram.com/OutOnTheLanaiOfficialfacebook.com/GoldenGirlsPodcasttwitter.com/GoldenGirlsPodFOLLOW H. ALAN SCOTT/SADIE PINES...instagram.com/SadiePinesinstagram.com/HAlanScottlinktr.ee/HAlanScottFOLLOW KERRI DOHERTY...instagram.com/squidsytwitter.com/SquidEatSquid Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

H. Alan Scott/Sadie Pines and Kerri Doherty are joined by the one, the only... Brenda Vaccaro! You know her as Angela aka Big Sally or from her incredible work in film and TV. (She's an Oscar nominated actress, thank you very much!) We're talking movies like Midnight Cowboy and The Mirror Has Two Faces (with her friend, Barbra Streisand) and shows like Friends and And Just Like That. (She's got a story about that one!) Join the GG VIP Club at Patreon.com/GoldenGirlsPodcast Watch video versions of the podcast on YouTube.com/OutonTheLanai For more Golden Girls greatness, visit OutOnTheLanai.com and follow us at... instagram.com/OutOnTheLanaiOfficial facebook.com/GoldenGirlsPodcast twitter.com/GoldenGirlsPod FOLLOW H. ALAN SCOTT/SADIE PINES... instagram.com/SadiePines instagram.com/HAlanScott linktr.ee/HAlanScott FOLLOW KERRI DOHERTY... instagram.com/squidsy twitter.com/SquidEatSquid Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us with our good friend Kellie Arnold as we discuss the only X-rated film to ever win the best picture Oscar: Midnight Cowboy! From 1969 and directed by John Schlesinger. "Hey! I'm walking here!"

The craft of filmmaking is as much about the soul as it is about the frame. In today's conversation, we sit down with Kansas Bowling, a maverick filmmaker who began charting her creative course at just 17 years old. As the first graduate of the Troma Institute for the Gifted, Kansas burst onto the scene with her debut feature, B.C. Butcher, a cavewoman slasher filmed on 16mm. From that bold beginning, her journey has only intensified, guided by a vision both rebellious and deeply personal.Kansas embodies the heart of artistic defiance, carving her path outside the confines of conventional education."I thought it would be easier to just make a movie than go to film school," she reflects, and her success vindicates her instincts. Her philosophy is one of doing: creating without overthinking, trusting her voice, and stepping into the arena without waiting for permission. Her work ethic shines through her portfolio, from feature films to over 20 music videos, all captured on her beloved 16mm film.Kansas opens a window into her creative process. For her, filmmaking is as much about confidence as it is about technical skill. "Directing is just telling people what you want to see. Everything else, you can learn along the way." This candid wisdom is refreshing, cutting through the mystique often associated with creative mastery.With humor and humility, she explains her preference for shooting on film, emphasizing its "timeless look" that digital can never replicate.Despite the beauty of her craft, Kansas has faced challenges that mirror the rawness of her stories. From navigating the loss of her Instagram account due to a controversial post, to fielding inappropriate offers as a female filmmaker, she moves forward with resilience. "People always send me horrible scripts where the whole thing is just a giant sex scene," she shares, laughing off the absurdity. Yet, she balances these experiences with genuine collaborations, such as her role in The Electra Complex, a project she describes as "the most well-written screenplay I've ever read."When asked about her influences, Kansas rattles off a list of cinematic gems: F for Fake by Orson Welles, Midnight Cowboy, and the Italian classic Don't Torture a Duckling. These films, she notes, have a unique authenticity—a quality she strives to infuse in her own work.For Kansas, filmmaking isn't about mimicking others; it's about harnessing inspiration while remaining true to her distinctive voice.As she wraps up production on her second feature, Kansas is also directing multiple music videos, preparing for a shoot in Miami, and starring in a major project. Her days are packed, yet her focus remains sharp. The secret to her productivity? She simply follows her passion. "If you see a film in your head, just go out and make it," she advises, encouraging budding creatives to trust their instincts and take action.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

INTRO - Setting the stage for our positivity re: this Anora review + what you can expect from an Oscars Profile. NON-SPOILER REVIEW SECTION: Anora's Reception thus far - 2:19 Box Office Study of potential Best Picture Nom/Winner comparables - 4:29 Composition Thoughts - 10:24 Where do we give Sean Baker more credit? As a director, editor, writer? - 13:03 The Mikey Madison love fest & 3 tiers in Lead Actress - 14:36 Favorite Supporting Performance - 19:59 Heartstopping Production Values - 21:38 The Oscar Lens + Our Nomination Over/Under - 27:38 SPOILER FILLED REVIEW SECTION: Does any election result help or hurt the film? We're recording on Monday night before the election takes place btw - 30:30 Why this is one of the best coming of age stories in a long time - 32:36 Pretty Woman Meets Uncut Gems Meets Midnight Cowboy - 34:50 The importance of rounding the characters & interpretations of that key fight scene - 36:22 The Ivan & Igor Conversation leads to a part 1 of the discussion on the ending - 40:15 Hilarious scenes & great NYC movie moments - 45:26 A nuanced back and forth over a red scarf & we finish our talk on the end scene - 47:08 How family dynamics underlie the film's true sadness - 50:05 Final Grades & if we can see it winning Best Picture - 53:50 OUTRO - How Mike 1's film year has turned around dramatically so. You can reach out to us, and we tell you how. We also talk about what's coming next from us including an incoming predictions special, more film studies, and especially, more episodes of Oscar Race Checkpoint. Plus, many naughty words from Anora herself to fittingly end the episode. Follow Us On X https://x.com/MMandOscar

The eleventh episode of our season on the awesome movie year of 1969 features the Academy Awards Best Picture winner, John Schlesinger's Midnight Cowboy. Directed by John Schlesinger from a screenplay by Waldo Salt (based on the James Leo Herlihy novel) and starring Jon Voight, Dustin Hoffman, Sylvia Miles and Brenda Vaccaro, Midnight Cowboy was the first and only X-rated movie to win the Oscar for Best Picture.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/midnight-cowboy-1969), Vincent Canby in The New York Times (https://archive.nytimes.com/www.nytimes.com/packages/html/movies/bestpictures/cowboy-re.html), and Robert J. Landry in Variety (https://variety.com/1969/film/reviews/midnight-cowboy-review-1200421996/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring our future cult classic pick, Richard Lester's The Bed Sitting Room.

The tenth episode of our season on the awesome movie year of 1969 features one of the Venice International Film Festival's major award winners, Federico Fellini's Fellini Satyricon. Directed and co-written by Federico Fellini and starring Martin Potter, Hiram Keller, Max Born and Salvo Randone, Fellini Satyricon won the Pasinetti Award for Best Italian Film at the 1969 festival and was nominated for an Oscar.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/fellini-satyricon-1970), Vincent Canby in The New York Times (https://www.nytimes.com/1970/03/15/archives/fellinis-magical-mystery-tour-fellinis-magical-mystery-tour.html), and Pauline Kael in The New Yorker.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring the Academy Awards Best Picture winner, John Schlesinger's Midnight Cowboy.

Hollywood has long been a place of glamour and storytelling, but its history with LGBTQ+ representation is complex and ever-evolving. Film critic Alonso Duralde dives deep into this fascinating world in his new book, Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film. Hollywood Pride is a history of queer Hollywood in chronological order, starting from the very beginnings of cinema in 1895 and journeying all the way to 2022. It's not just about the movies themselves; Alonso delves into the lives of the artists – actors, directors, writers, and more – who have shaped Hollywood, both on and off screen. "The book is a look at how queer history evolved over those decades, off the screen and in society," Alonso explains. "And then how that was reflected in the movies." Each chapter focuses on a specific period, highlighting the key LGBTQ+ figures and films of that era. It explores not only positive portrayals but also the coded messages and subtext that emerged during times of censorship, like the Hays Code era. Alonso argues that even negative portrayals hold certain significance. "Even negative inclusion is at least visibility and a reminder that we exist," he says. "It's not the greatest reminder, but it's better than nothing." The book examines Alfred Hitchcock's films, some of which are very homophobic, but still offer a glimpse of LGBTQ+ characters.There are also unexpected gems celebrated in the book, such as 1999's The Mummy, a film that has resonated with the bisexual community. By the 1970's, Dog Day Afternoon and Midnight Cowboy could more openly deal with gay characters, if not in the best light. Alonso especially enjoyed writing about Salome, Caged, I Am a Fugitive from a Chain Gang, Ed Wood's Glen or Glenda, and by the 1990's, the era of the New Queer Cinema movement. While celebrating the strides made in LGBTQ+ representation, Alonso acknowledges there are still many stories waiting to be told. "It feels like I was skimming the surface of a very deep topic," he says. But even a glimpse into this rich history is a valuable step forward, offering a deeper understanding of LGBTQ+ experiences in cinema and beyond. You can find Hollywood Pride as a book, ebook, or audiobook wherever books are sold. **WIN A COPY OF HOLLYWOOD PRIDE! Like, Follow and Comment on our post for this week's episode on Instagram, Facebook or Threads and we will pick a winner** *Winner must be within the continental U.S.!* Find Alonso Duralde: Instagram: @alonso.duralde Listen to our previous interview with Alonso Duralde about his Christmas film book, Have Yourself a Movie Little Christmas. https://www.camnoir.com/holiday2018/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by Aputure: https://www.aputure.com/ The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

With two episodes left in Season 5, Grant Z and Artie B are here to tackle the 1969 counter culture Best Picture Winner MIDNIGHT COWBOY. Three of the BPC Originals chat about the first X Rated Movie to win the big prize. Check out our Best Picture Merch: https://best-picture-cast.creator-spring.com/ Follow us on Social Media, Twitter, Facebook, Instagram, Letterboxd: @bestpicturecast Email us bestpicturepodcast@yahoo.com Follow The Co Hosts on Twitter: Artie B: @heyyyitssme Chris G: @chrisgallant17 Joey R: @joey0314 Grant Z: @Grant_Zep Jay Dowski: @JayDowski Grant's Art on Instagram: @exit28studios Chris G's Art on Instagram: @popvultureart

"Shaft." "Taxi Driver." "Midnight Cowboy." What do all these movies have in common? The old Times Square is a central setting. The Criterion Channel's new "Times Square" series is a curated list of movies that feature Times Square back when it was known for its, let's say, less than welcoming qualities. Curator Clyde Folley discusses his favorite old Times Square movies, and we take your calls.*This segment is guest-hosted by Kousha Navidar.

GGACP celebrates the birthday of comedian and radio host Jim Norton (b. July 19) by revisiting this LIVE interview (in connection with NY Comic Con) from way back in 2015. In this episode, Jim holds court on topics ranging from his friendship with Sherman (George Jefferson) Hemsley to his love of Jack Klugman to his admiration for “Midnight Cowboy” and “One Flew Over the Cuckoo's Nest.” Also, the boys break down celebrity conspiracy theories, sing the praises of character actor Frank McRae and look back at the groundbreaking shows of Norman Lear. PLUS: Moms Mabley! Iron Balls McGinty! Sammy Davis plugs “Skidoo”! Paul Lynde disses KISS! And Gilbert stakes out the Playboy mansion! Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when good trees go bad? You get the laurel oak (Quercus laurifolia), a suitable template oak with a bad habit. Living in the wild, this tree does its thing as well as it can, but this Midnight Cowboy wasn't cut out for the big city.Completely Arbortrary is produced and hosted by Casey Clapp and Alex CrowsonSupport the pod and become a Treemium MemberFollow along on InstagramFind Arbortrary merch on our storeFind additional reading on our websiteCover art by Jillian BartholdMusic by Aves and The Mini-VandalsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As we prepare to launch our fourth season at iHeartRadio, we're revisiting some of host Alec Baldwin's favorite episodes from the archives. In this episode, Alec speaks with actor Dustin Hoffman. “The Graduate,” “Midnight Cowboy,” and “Lenny” were just the beginning of Dustin Hoffman's legendary Hollywood career. Over the last five decades, he's stretched and contorted himself into dozens of defining roles, earning recognition as one of the most talented actors in cinema history. In this 2015 conversation, Hoffman tells Alec that he savors each new opportunity like it's the first, and recalls his salad days when he was mis-cast, underestimated, and, on at least one notable occasion, sick on a co-star's shoe. See omnystudio.com/listener for privacy information.