1969 film by John Schlesinger
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Pretty Woman was released in 1990. One of the most beloved and successful romantic comedies of all time, the film tells the Cinderella story of a sex worker, played by Julia Roberts, who finds love with a slick businessman - Richard Gere - after he picks her up on Hollywood Boulevard.Fast forward to 2025 and the astonishing Oscar success of Anora - director Sean Baker's tale of a young sex worker whose whirlwind affair with a Russian billionaire's son turns bad, fast.So how has the way we treat sex work on screen changed? Ellen E Jones and Mark Kermode delve into the long and thorny relationship between cinema and sex work. Mark speaks to film historian and critic Pamela Hutchinson about how sex work has been tackled in over a hundred years of movies - from early silent films like Pandora's Box, to the work of Sean Baker. They discuss Jane Fonda's Oscar-winning turn as a ‘call girl' in Klute, and look at how male sex worker films like Midnight Cowboy might approach the subject differently. Meanwhile, Ellen talks to Andrea Werhun, the writer, performer and real-life sex worker who served as a consultant on Anora - about her work on the film, and her love for another Richard Gere sex work film, American Gigolo. And Ellen also speaks to Kristen Lovell and Zachary Drucker, whose 2023 documentary The Stroll traced the history of trans sex workers in New York City's Meatpacking District. Kristen and Zachary discuss why sex work has been a key part of trans history - and what they think Anora's success means for sex workers. Producer: Jane Long A Prospect Street production for BBC Radio 4
This week on the InSession Film Podcast, we preview the summer movie season and conclude the 1960's portion of our Best Picture Movie Series with MIDNIGHT COWBOY! We also discuss the new Academy rules in regards to members and voting. - Sinners Box Office / Academy News (3:039) - Summer Preview (29:15) - Midnight Cowboy (1:29:13) Visit https://insessionfilm.com for merch and more! Episode sponsor: Koffee Kult - Visit koffeekult.com and get 15% OFF with the code: ISF25 Thanks for listening and be sure to subscribe! Become a Member today to get exclusive bonus content! Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy
Tori Allen-Martin is In The Frame!Tori is currently playing Cass and others in the premiere of Midnight Cowboy at Southwark Playhouse Elephant.Based on the novel by James Leo Herlihy which was adapted into the 1969 film, Midnight Cowboy has a book by Bryony Lavery and music by Francis “Eg” White who has written songs for Adele, Sam Smith, Florence + The Machine and James Morrison. The production is directed and choreographed by Nick Winston, with Tori starring alongside Paul Jacob French and Max Bowden as Joe Buck and Rico ‘Ratzo' Rizzo.Last year Tori starred as Kristin in I Wish You Well at the Edinburgh Fringe Festival and in the West End. Some of her other theatre credits include: Samuel Takes A Break (The Yard Theatre), Then, Now and Next (Southwark Playhouse), Park Bench (Park Theatre), One Man, Two Guvnors (New Wolsey, Ipswich/Nuffield Southampton), The Season (Glass Half Full Productions and Tim Johanson), The Hardest One (The Other Palace/Criterion) and Hair (Concert).On screen, Tori is best known for her performances in Here We Go (BBC), London Kills (BBC) and Pure (Channel 4). Her further screen credits include: Mrs Sidhu Investigates (Acorn), Significant Other (Hatrick), Plebs: The War (the finale) (Rise films), The Other Half (Ranga Bee Productions), Flatshare (42 for Paramount+), Back To Life (Two Brothers Pictures) and Pandemonium (BBC). Tori is also an established writer. She has co-created and produced multiple new musicals, including Streets (Cockpit Theatre/Hackney Empire).Tori recently came into the podcast booth to discuss why she said "yes" to new challenges with Midnight Cowboy, her whirlwind journey with I Wish You Well, how she established herself on stage and screen... and her recent appearance on Celebrity Mastermind!Midnight Cowboy runs at Southwark Playhouse Elephant until 17th May. Visit www.midnightcowboymusical.com for info and tickets.This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.
Author Gene Kansas discusses his new book “Civil Sights: Sweet Auburn, a Journey through Atlanta’s National Treasure,” plus Kosmo Vinyl stops by with the story behind John Barry’s theme for “Midnight Cowboy.”See omnystudio.com/listener for privacy information.
Meg traces the link between the murder of Johnny Pius and the Long Island Serial Killer. Jessica revels in the artistry of savage theater reviews and the unlikely phenomenon of UES ska.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica
Joe Gash (Rock of Ages / Grease) co-hosts The West End Frame Show!Andrew and Joe discuss Midnight Cowboy (Southwark Playhouse Elephant) as well as the latest news about Six breaking cinema records, Alexia McIntosh reprising her performance as Anna Of Cleves, Pop Off, Michelangelo! casting and lots more.Joe recently played Teen Angel and Vince Fontaine in the UK tour of Grease, having previously played Kenickie for Royal Caribbean. His other credits include playing Lonny in Rock Of Ages (UK Tour) and Galileo in We Will Rock You (Royal Caribbean).Joe also works extensively as a rock singer. He appeared as Freddie Mercury on Starstruck (ITV) and tours with The Darkniss (the no.1 Darkness Tribute Show) and The Glam Rock Show.Follow Joe on Instagram: @joegashhThis podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.
If you haven't seen the movie Midnight Cowboy, don't read Baylor professor James Kendrick's new book Midnight Cowboy. It is full of spoilers…full.
James and Dan had never seen John Schlesinger's Oscar-winning classic Midnight Cowboy, so they watched it together and recorded a podcast about it. In this episode, they explore Dustin Hoffman and Jon Voight's unforgettable performances, the film's groundbreaking approach to taboo themes in late 1960s cinema, and its gritty portrayal of loneliness, friendship, and survival in a decaying New York. “I'm walkin' here!” — and so are they.Throughout this discussion, we use terms like ‘male prostitution' or ‘prostitute,' as they relate to the language that reflects the film's era and framing, as well as the term ‘sex worker' which is the preferred modern term.Stay Connected:Twitter: @talkinfilmTikTok: @talkin_filmFacebook: You Talkin' to Me? Film PodcastSubscribe: Available on all major podcast platformsEnjoy our podcast? Share it with friends and leave a review on Apple Podcasts or SpotifyIf you'd like to support James's band, Butterfly Handshake, you can listen to their music here:https://open.spotify.com/artist/4mLRUaR5tED1C1RosS9ZrY?si=xe63muZPQLSoYvWy0FVF_Q
We kick off this edition of arts24 with a look at the world's oldest moving images, courtesy of France's Lumière Brothers, in Thierry Frémaux's documentary "Lumière! The Adventure Continues". Next, get ready for the musical adaptation of the Oscar-winning classic "Midnight Cowboy", which is hitting London's Southwark theatre soon. Plus, discover Alain Chabat's new 3D animated Asterix series and a stylish Snoopy exhibition in Paris marking the Peanuts gang's 75th anniversary.
Gaby Dellal discusses the journey of creating her latest film “Park Avenue”, which just premiered at the Santa Barbara International Film Festival. Her past inspirations include “Midnight Cowboy” and “Midnight Express”.She reflects on her transition from acting to directing, the themes of motherhood in her work, and the impact of industry politics on her projects. Gaby also speaks on the intricacies of independent filmmaking, including her experiences working with the now infamous Harvey Weinstein.The discussion also highlights the importance of collaboration to create emotional depth in storytelling, patience and resilience when facing gaps between projects, and today's challenges in navigating film festivals.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature
Anora won five Academy Awards on Sunday, including the coveted Best Picture Oscar. Writer-director-producer-editor Sean Baker's sex worker tale about Ani — a Brooklyn stripper played by now-award-winning actress Mikey Madison — stole the show at the 97th Academy Awards while also raising awareness for the sex worker community. But whores have always been at the Oscars! Let's discuss. Mentioned: March 14 & 15 - The Naked Comedy Show - https://www.eventbrite.com/e/the-naked-comedy-show-best-stand-up-comedy-without-pants-in-bushwick-tickets-1224473837209 The Naked Comedy Show - Philadelphia updates - http://eepurl.com/i4WHBA New York Speed Dating - https://www.eventbrite.com/o/ditto-bing-productions-68695817023 Use code MANPOD for 10% off your tickets at http://humpfilmfest.com For a full list of the films mentioned in today's show, visit https://www.patreon.com/posts/sex-work-movie-123663989 Follow Billy! Instagram: @billyprocidajr TikTok: @TheBillyProcida Threads: @billyisprocida BlueSky: @thebillyprocida 0nlyFans: @callmebilly Money Stuff Venmo: @BillyProcida Cash App: $manwhorepod PayPal/Zelle: funnybillypro@gmail.com Get your books the indie way at http://bookshop.org/shop/billy! Become an Official Fanwhore at https://www.patreon.com/manwhorepodcast! Share your thoughts in The Champagne Room at http://manwhorepod.com/discord Email your comments, questions, and criticisms to manwhorepod@gmail.com. Late Night Radio by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ www.ManwhorePod.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Inbetween our many celeb impressions & movie tropes examined, we sum up a double feature of the HIGH NOON movies while also summing up the various regurgitations of a common cinematic movie formula that is present in just about any blockbuster movie today! SONG USED: "RIO BRAVO(1959) Song" By John Wayne, Dean Martin, Ricky Nelson & Walter Brennan MOVIE/TV SHOW CLIPS SHOWN IN INTRO: DIE HARD (1988) THE SURE THING (1985) MIDNIGHT COWBOY (1967) THE SOPRANOS S6E15 MAIN LINKS: LinkTree: https://linktr.ee/JURSPodcast Facebook Page: https://www.facebook.com/JackedUpReviewShow/ Facebook Group: https://www.facebook.com/groups/2452329545040913 Twitter: https://twitter.com/JackedUpReview Instagram: https://www.instagram.com/jacked_up_podcast/ SHOW LINKS: YouTube: https://m.youtube.com/channel/UCIyMawFPgvOpOUhKcQo4eQQ iHeartRadio: https://www.iheart.com/podcast/269-the-jacked-up-review-show-59422651/ Podbean: https://jackedupreviewshow.podbean.com Spotify: https://open.spotify.com/show/7Eg8w0DNympD6SQXSj1X3M Apple Podcasts: https://podcasts.apple.com/us/podcast/the-jacked-up-review-show-podcast/id1494236218 RadioPublic: https://radiopublic.com/the-jacked-up-review-show-We4VjE Overcast: https://overcast.fm/itunes1494236218/the-jacked-up-review-show-podcast Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNDYyOTdjL3BvZGNhc3QvcnNz Anchor: https://anchor.fm/s/a46297c/podcast/rss PocketCasts: https://pca.st/0ncd5qp4 CastBox: https://castbox.fm/channel/The-Jacked-Up-Review-Show-Podcast-id2591222 Discord: https://discord.com/channels/796154005914779678/796154006358851586 #MovieReview #FilmTwitter #PodFamily #PodcastersOfInstagram #Movies #Film #Cinema #Music #Reviews #Retrospect #Podcasts #MutantFam #MutantFamily #actionmystery #bmovies #scifihorror #truecrime #historydramas #warmovies #podcastcollabs #hottakes #edgy #cultmovies #nsfw #HorrorFam #badass
Pete and Hannah review movie 43 on AFI top 100 1970 big picture Midnight Cowboy
Can Jon Voight save Hollywood? Probably not. But President Trump's announcement that the Midnight Cowboy, Mad Max (Mel Gibson) and Rocky (Sylvester Stallone) would be his “special envoys” in L.A. on the eve of his inauguration followed the latest report on L.A.'s continued production exodus. Sean McNulty, Elaine Low and Richard Rushfield dissect the numbers and where the industry is heading in 2025. Plus: How is Gen Z outfoxing studio and streaming marketers? Matthew Frank explains. Learn more about your ad choices. Visit megaphone.fm/adchoices
H. Alan Scott/Sadie Pines and Kerri Doherty are joined by the one, the only... Brenda Vaccaro! You know her as Angela aka Big Sally or from her incredible work in film and TV. (She's an Oscar nominated actress, thank you very much!) We're talking movies like Midnight Cowboy and The Mirror Has Two Faces (with her friend, Barbra Streisand) and shows like Friends and And Just Like That. (She's got a story about that one!) Join the GG VIP Club at Patreon.com/GoldenGirlsPodcast Watch video versions of the podcast on YouTube.com/OutonTheLanai For more Golden Girls greatness, visit OutOnTheLanai.com and follow us at... instagram.com/OutOnTheLanaiOfficial facebook.com/GoldenGirlsPodcast twitter.com/GoldenGirlsPod FOLLOW H. ALAN SCOTT/SADIE PINES... instagram.com/SadiePines instagram.com/HAlanScott linktr.ee/HAlanScott FOLLOW KERRI DOHERTY... instagram.com/squidsy twitter.com/SquidEatSquid Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Eric and Josh are again joined by Emily to discuss: her Aunt Dayle Haddon, Odd Burger, the Academy Awards memorium, projection booth tricks, Minority Report, Nintendo Wii, Suspiria (2018), Home Alone, Midnight Cowboy, Heretic, and more! They also mention the movies screening the week of Friday January 10 - Thursday January 16, 2025: Queer, A Real Pain, The Room, Flow, Vixen!, Rabid, and Saturday Night Sinema!
Join us with our good friend Kellie Arnold as we discuss the only X-rated film to ever win the best picture Oscar: Midnight Cowboy! From 1969 and directed by John Schlesinger. "Hey! I'm walking here!"
The craft of filmmaking is as much about the soul as it is about the frame. In today's conversation, we sit down with Kansas Bowling, a maverick filmmaker who began charting her creative course at just 17 years old. As the first graduate of the Troma Institute for the Gifted, Kansas burst onto the scene with her debut feature, B.C. Butcher, a cavewoman slasher filmed on 16mm. From that bold beginning, her journey has only intensified, guided by a vision both rebellious and deeply personal.Kansas embodies the heart of artistic defiance, carving her path outside the confines of conventional education."I thought it would be easier to just make a movie than go to film school," she reflects, and her success vindicates her instincts. Her philosophy is one of doing: creating without overthinking, trusting her voice, and stepping into the arena without waiting for permission. Her work ethic shines through her portfolio, from feature films to over 20 music videos, all captured on her beloved 16mm film.Kansas opens a window into her creative process. For her, filmmaking is as much about confidence as it is about technical skill. "Directing is just telling people what you want to see. Everything else, you can learn along the way." This candid wisdom is refreshing, cutting through the mystique often associated with creative mastery.With humor and humility, she explains her preference for shooting on film, emphasizing its "timeless look" that digital can never replicate.Despite the beauty of her craft, Kansas has faced challenges that mirror the rawness of her stories. From navigating the loss of her Instagram account due to a controversial post, to fielding inappropriate offers as a female filmmaker, she moves forward with resilience. "People always send me horrible scripts where the whole thing is just a giant sex scene," she shares, laughing off the absurdity. Yet, she balances these experiences with genuine collaborations, such as her role in The Electra Complex, a project she describes as "the most well-written screenplay I've ever read."When asked about her influences, Kansas rattles off a list of cinematic gems: F for Fake by Orson Welles, Midnight Cowboy, and the Italian classic Don't Torture a Duckling. These films, she notes, have a unique authenticity—a quality she strives to infuse in her own work.For Kansas, filmmaking isn't about mimicking others; it's about harnessing inspiration while remaining true to her distinctive voice.As she wraps up production on her second feature, Kansas is also directing multiple music videos, preparing for a shoot in Miami, and starring in a major project. Her days are packed, yet her focus remains sharp. The secret to her productivity? She simply follows her passion. "If you see a film in your head, just go out and make it," she advises, encouraging budding creatives to trust their instincts and take action.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
INTRO - Setting the stage for our positivity re: this Anora review + what you can expect from an Oscars Profile. NON-SPOILER REVIEW SECTION: Anora's Reception thus far - 2:19 Box Office Study of potential Best Picture Nom/Winner comparables - 4:29 Composition Thoughts - 10:24 Where do we give Sean Baker more credit? As a director, editor, writer? - 13:03 The Mikey Madison love fest & 3 tiers in Lead Actress - 14:36 Favorite Supporting Performance - 19:59 Heartstopping Production Values - 21:38 The Oscar Lens + Our Nomination Over/Under - 27:38 SPOILER FILLED REVIEW SECTION: Does any election result help or hurt the film? We're recording on Monday night before the election takes place btw - 30:30 Why this is one of the best coming of age stories in a long time - 32:36 Pretty Woman Meets Uncut Gems Meets Midnight Cowboy - 34:50 The importance of rounding the characters & interpretations of that key fight scene - 36:22 The Ivan & Igor Conversation leads to a part 1 of the discussion on the ending - 40:15 Hilarious scenes & great NYC movie moments - 45:26 A nuanced back and forth over a red scarf & we finish our talk on the end scene - 47:08 How family dynamics underlie the film's true sadness - 50:05 Final Grades & if we can see it winning Best Picture - 53:50 OUTRO - How Mike 1's film year has turned around dramatically so. You can reach out to us, and we tell you how. We also talk about what's coming next from us including an incoming predictions special, more film studies, and especially, more episodes of Oscar Race Checkpoint. Plus, many naughty words from Anora herself to fittingly end the episode. Follow Us On X https://x.com/MMandOscar
The eleventh episode of our season on the awesome movie year of 1969 features the Academy Awards Best Picture winner, John Schlesinger's Midnight Cowboy. Directed by John Schlesinger from a screenplay by Waldo Salt (based on the James Leo Herlihy novel) and starring Jon Voight, Dustin Hoffman, Sylvia Miles and Brenda Vaccaro, Midnight Cowboy was the first and only X-rated movie to win the Oscar for Best Picture.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/midnight-cowboy-1969), Vincent Canby in The New York Times (https://archive.nytimes.com/www.nytimes.com/packages/html/movies/bestpictures/cowboy-re.html), and Robert J. Landry in Variety (https://variety.com/1969/film/reviews/midnight-cowboy-review-1200421996/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring our future cult classic pick, Richard Lester's The Bed Sitting Room.
Way back in episode 220, we spoke to American novelist and journalist Jared Feldschreiber about his excellent novella Reckless Abandon. One of the strengths of the story is how it weaves real life and fictional characters together in its tapestry. One of those real-life characters who crosses the pages is legendary actor Dustin Hoffman. It is well known that Dustin Hoffman is something of a perfectionist, always looking to attaining excellence in his work, and driving others to do the same. This has led to some critics calling him difficult to work with, yet his technique has produced incredible performances in such films as Rainman, The Graduate and Midnight Cowboy. It's also true that not everything he has done has been successful; that's what happens when you take risk. Some of those less successful films contain some incredible Dustin Hoffman performances that are sadly not as well known as that found in his more successful work. Recently we have been talking to Jared about this very topic and collectively thought it would be interesting to create a short series of shows to highlight some of those now forgotten films and the work Dustin created for them. Our aim is to bring these movies to your attention and perhaps encourage you to give them a second chance (or even a first chance if you haven't seen any of them before). First up and the subject of this show is Billy Bathgate. This is a 1991 feature based on the acclaimed book by E L Doctorow about the influence 30's gangster Dutch Schultz has over a young impressionable teenage in the Bronx during that tough decade. Sadly, the feature was a box office disappointment for Touchstone pictures on first release and has been overshadowed by other more acclaimed gangster films from the same period, such as Goodfellas and Bugsy. During our discussion about Billy Bathgate we will talk about: · The production problems · Was Dustin Hoffman miscast? · Is this Shakespearean in approach? · Bruce Willis's performance · The real Dutch Schultz · The positive qualities of the movie And more besides….. Have you seen Billy Bathgate? If so what did you think about the film – do you think it is worth revisiting? Please let us know. Until our next visit to Dustin Hoffman lost classics, we'll see you At The Flicks
The tenth episode of our season on the awesome movie year of 1969 features one of the Venice International Film Festival's major award winners, Federico Fellini's Fellini Satyricon. Directed and co-written by Federico Fellini and starring Martin Potter, Hiram Keller, Max Born and Salvo Randone, Fellini Satyricon won the Pasinetti Award for Best Italian Film at the 1969 festival and was nominated for an Oscar.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/fellini-satyricon-1970), Vincent Canby in The New York Times (https://www.nytimes.com/1970/03/15/archives/fellinis-magical-mystery-tour-fellinis-magical-mystery-tour.html), and Pauline Kael in The New Yorker.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring the Academy Awards Best Picture winner, John Schlesinger's Midnight Cowboy.
Demorou tanto pra sair que eu até esqueci do que falamos --- Support this podcast: https://podcasters.spotify.com/pod/show/farofaconceito/support
Erik Childress and Steve Prokopy are back on the review beat this weekend with eight new releases, many of them from the festival circuit. Horror comes in the form of sleepwalking for a couple (Sleep), for the woman that came before Rosemary (Apartment 7A) and creatures after a silent Samara Weaving (Azrael). Joseph Gordon-Levitt investigates a potential murder for Shailene Woodley (Killer Heat). Will Ferrell accompanies his newly transitioned friend on a road trip (Will & Harper) while Kate Winslet is the war photographer who captured the Holocaust (Lee). The director of How To Train Your Dragon has another heartwarming adventure (The Wild Robot) and the one who brought us The Godfather, The Conversation and Apocalypse Now finally delivers his passion project and the duo make no apologies for the final effort. 0:00 - Intro 4:29 - Sleep 12:47 - Apartment 7A 23:08 - Azrael 33:49 - Killer Heat 41:39 - Will & Harper 52:53 - Lee 59:16 - The Wild Robot 1:09:22 – Megalopolis 1:28:06 - Outro
Welcome to Hit Rewind! In this episode, Michael and Kersey take a trip back to 1968 to explore how cinema began pushing boundaries. The year saw the emergence of the R and X ratings, reflecting a shift towards more mature themes. First on the list is Valley of the Dolls, a melodrama about three women navigating the dark side of Hollywood. Despite its reputation for being trashy, it's a fascinating look at the industry's underbelly, with standout performances, especially from Patty Duke. The conversation then shifts to Beyond the Valley of the Dolls, a wild, bizarre follow-up that blends comedy, musical acts, and surrealism. Directed by Russ Meyer and co-written by Roger Ebert, this film is a cult classic that defies conventional storytelling. Next up is Midnight Cowboy, a groundbreaking film that delves into the gritty life of a wannabe male prostitute in New York City. With stellar performances by Jon Voight and Dustin Hoffman, this movie is a masterpiece that stands the test of time. Finally, they discuss The Wild Bunch, a film that redefined action and Western genres with its raw, unfiltered portrayal of violence and camaraderie. Directed by Sam Peckinpah, it's a gritty tale of outlaws facing the end of their era. Join us as we explore these iconic films and their impact on the world of cinema. Enjoy the journey through the transformative year of 1968!
Hollywood has long been a place of glamour and storytelling, but its history with LGBTQ+ representation is complex and ever-evolving. Film critic Alonso Duralde dives deep into this fascinating world in his new book, Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film. Hollywood Pride is a history of queer Hollywood in chronological order, starting from the very beginnings of cinema in 1895 and journeying all the way to 2022. It's not just about the movies themselves; Alonso delves into the lives of the artists – actors, directors, writers, and more – who have shaped Hollywood, both on and off screen. "The book is a look at how queer history evolved over those decades, off the screen and in society," Alonso explains. "And then how that was reflected in the movies." Each chapter focuses on a specific period, highlighting the key LGBTQ+ figures and films of that era. It explores not only positive portrayals but also the coded messages and subtext that emerged during times of censorship, like the Hays Code era. Alonso argues that even negative portrayals hold certain significance. "Even negative inclusion is at least visibility and a reminder that we exist," he says. "It's not the greatest reminder, but it's better than nothing." The book examines Alfred Hitchcock's films, some of which are very homophobic, but still offer a glimpse of LGBTQ+ characters.There are also unexpected gems celebrated in the book, such as 1999's The Mummy, a film that has resonated with the bisexual community. By the 1970's, Dog Day Afternoon and Midnight Cowboy could more openly deal with gay characters, if not in the best light. Alonso especially enjoyed writing about Salome, Caged, I Am a Fugitive from a Chain Gang, Ed Wood's Glen or Glenda, and by the 1990's, the era of the New Queer Cinema movement. While celebrating the strides made in LGBTQ+ representation, Alonso acknowledges there are still many stories waiting to be told. "It feels like I was skimming the surface of a very deep topic," he says. But even a glimpse into this rich history is a valuable step forward, offering a deeper understanding of LGBTQ+ experiences in cinema and beyond. You can find Hollywood Pride as a book, ebook, or audiobook wherever books are sold. **WIN A COPY OF HOLLYWOOD PRIDE! Like, Follow and Comment on our post for this week's episode on Instagram, Facebook or Threads and we will pick a winner** *Winner must be within the continental U.S.!* Find Alonso Duralde: Instagram: @alonso.duralde Listen to our previous interview with Alonso Duralde about his Christmas film book, Have Yourself a Movie Little Christmas. https://www.camnoir.com/holiday2018/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ Sponsored by Aputure: https://www.aputure.com/ The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz
On today's episode, Elliott Lester talks about his latest film ‘The Thicket', starring Peter Dinklage and Juliette Lewis, and shares his inspirations from movies like 'The Rocky Horror Picture Show', 'Midnight Cowboy', and the works of Martin Scorsese. He also discusses his experience working with global stars such as Arnold Schwarzenegger and Jason Statham.Elliott speaks on Tubi as a production partner and distribution platform, the challenges of making and distributing films in today's landscape, the value of audience feedback, and the impact of awards and reviews. He also shares his casting process and the importance of finding the right actors for a role.Elliott offers advice on creating a collaborative and enjoyable atmosphere on set and reflects on his journey in the industry.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature
With two episodes left in Season 5, Grant Z and Artie B are here to tackle the 1969 counter culture Best Picture Winner MIDNIGHT COWBOY. Three of the BPC Originals chat about the first X Rated Movie to win the big prize. Check out our Best Picture Merch: https://best-picture-cast.creator-spring.com/ Follow us on Social Media, Twitter, Facebook, Instagram, Letterboxd: @bestpicturecast Email us bestpicturepodcast@yahoo.com Follow The Co Hosts on Twitter: Artie B: @heyyyitssme Chris G: @chrisgallant17 Joey R: @joey0314 Grant Z: @Grant_Zep Jay Dowski: @JayDowski Grant's Art on Instagram: @exit28studios Chris G's Art on Instagram: @popvultureart
In the final episode of the latest season – Neil's solo adventure – Neil talks to filmmaker, writer and comedian Scott Tanner Jones about collecting physical media. In an episode with a similar approach to the previous one with Kat Flint-Nicol, Neil brings to the podcast a conversation about themes and ideas that permeate his thinking around a particular area of film, and wider popular culture. In this episode Neil and Scott discuss their approaches to collecting films (and records) in physical form. The conversation takes in areas such as curating what you watch, interest in particular physical media boutique labels, how physical media isn't the be all and end all, cataloguing the year in film in different ways, studio interest and care in their back catalogues, Scott's favourite places in his adopted hometown of LA to watch movies, the demand on our eyeballs and they answer the question, is David Lynch quirky? Films discussed in this episode include Cocoon, Something Wild, Midnight Cowboy, E.T., Midnight Run, MaXXXine, La Chimera, Evil Does Not Exist and Hit Man. To close out the episode and season, Neil shares some of his thoughts on his favourite releases of 2024 so far, and his first half of the year in film watching more broadly. — You can listen to The Cinematologists for free wherever you listen to podcasts: click here to follow. We also produce an extensive monthly newsletter and bonus/extended content that is available on our Patreon page: https://www.patreon.com/cinematologists You can become a member for only £2. We really appreciate any reviews you might write (please send us what you have written and we'll mention it), and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. — Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing.
This week, Vision On extends and replays his recent set at Spun Records' CopyCats session. Each track featured has to be a cover version, not a remix, edit or mash up and Vision On is more than happy to oblige. Sit back and enjoy 2hrs of covers of Film and TV Theme music from the past 50 years, including Magnum Force, Sorry, The Anderson Tapes, Midnight Cowboy and many more.Tune into new broadcasts of Vision On, LIVE, Opposite Sunday from 6 – 8 AM EST / 11 - 1 PM GMT.For more info visit: https://thefaceradio.com/vision-on///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
"Shaft." "Taxi Driver." "Midnight Cowboy." What do all these movies have in common? The old Times Square is a central setting. The Criterion Channel's new "Times Square" series is a curated list of movies that feature Times Square back when it was known for its, let's say, less than welcoming qualities. Curator Clyde Folley discusses his favorite old Times Square movies, and we take your calls.*This segment is guest-hosted by Kousha Navidar.
GGACP celebrates the birthday of comedian and radio host Jim Norton (b. July 19) by revisiting this LIVE interview (in connection with NY Comic Con) from way back in 2015. In this episode, Jim holds court on topics ranging from his friendship with Sherman (George Jefferson) Hemsley to his love of Jack Klugman to his admiration for “Midnight Cowboy” and “One Flew Over the Cuckoo's Nest.” Also, the boys break down celebrity conspiracy theories, sing the praises of character actor Frank McRae and look back at the groundbreaking shows of Norman Lear. PLUS: Moms Mabley! Iron Balls McGinty! Sammy Davis plugs “Skidoo”! Paul Lynde disses KISS! And Gilbert stakes out the Playboy mansion! Learn more about your ad choices. Visit megaphone.fm/adchoices
“Corpses, Fools and Monsters: The History and Future of Transness in Cinema” (out Tuesday) is one of our favorite film books of the year, and we're welcoming both of its authors as consecutive guests. This week, film critic Willow Catelyn Maclay joins us to talk about the movies of 1969, from the ahead-of-its-time freedom of “Funeral Parade of Roses” to the Gotham grime of “Midnight Cowboy” to the delightful silliness of “Gamera vs Guiron.” For show notes - including where to stream this week's movies, links to referenced media, and more - subscribe on Buttondown at https://buttondown.email/AVeryGoodYear. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.
Helen and Gavin chat about Thelma, Daddio, and A Quiet Place: Day One, and it's Week 21 of the list of Oscar Best Picture Winners from 1969 and 1970; Oliver!, and Midnight Cowboy.
Will, Adam and Mike watched Midnight Cowboy (1969) and discuss this delightful film. IMDb: https://www.imdb.com/title/tt0064665/ Trailer: https://www.youtube.com/watch?v=DzvIBd88iS4
Harvey Brownstone conducts an in-depth Interview with Brenda Vaccaro, Legendary Stage, Screen and TV Star About Harvey's guest: Today's special guest, Brenda Vaccaro, guest is a legendary actress whose many unforgettable performances spanning over 6 decades on the stage, in the movies and on TV have brought her world wide acclaim. She won a Theater World Award in 1962 for her Broadway debut in "Everybody Loves Opal". She then received 3 Tony Award nominations for her performances on Broadway in "Cactus Flower," "How Now, Dow Jones," and "The Goodbye People." She received a Golden Globe Award nomination in 1970 for Most Promising Female Newcomer for her very first movie role in “Where It's At”. For her performance in “Midnight Cowboy”, she received Best Supporting Actress nominations for a Golden Globe Award AND a Laurel Award. And a few years later, she received an Academy Award nomination for Best Supporting Actress, and she WON a Golden Globe Award for her brilliant portrayal of “Linda” in “Once is not Enough”. She earned a Saturn Award nomination for her work in “Capricorn One”. And she's co-starred in many other great movies including “I Love My Wife”, “Going Home”, “The House By the Lake”, “Airport ‘77”, “The First Deadly Sin”, “Love Affair”, “The Mirror Has Two Faces”, “Once Upon a Time in Hollywood” and one of my all-time favourite romantic comedies, “Boynton Beach Club”. For her work on television, she won an Emmy Award for Best Supporting Actress in “The Shape of Things”. And she received 3 more Emmy Award nominations for her work in “Sara”, “The Golden Girls” and the highly acclaimed mini-series, “You Don't Know Jack”, for which she also won a Satellite Award for Best Supporting Actress AND a nomination for an Online Film and Television Association Award. Her television credits also include “Judgment: The Trial of Julius and Ethel Rosenberg”, “Guyana Tragedy: The Story of Jim Jones”, “A Long Way Home”, “Paper Dolls”, “Gypsy”, and many more shows. And of course, she's renowned for her voice work in “The Smurfs”, “The Critic” and “Johnny Bravo”. In 1992, our guest was named the "Queen of Brooklyn" at the Welcome Back to Brooklyn Festival. And in 2001 she received an Outstanding Achievement Award from the Los Angeles Italian Film Association. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To learn more about Brenda Vaccaro, go to:https://www.instagram.com/officialbrendavaccaro/ #BrendaVaccaro #harveybrownstoneinterviews
David discusses the movies he's been watching, including Lilies, Daddio, The Muppet Movie, Dodes'ka-den, Midnight Cowboy, My Own Private Idaho, Ivans xtc. and Twentynine Palms.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
What happens when good trees go bad? You get the laurel oak (Quercus laurifolia), a suitable template oak with a bad habit. Living in the wild, this tree does its thing as well as it can, but this Midnight Cowboy wasn't cut out for the big city.Completely Arbortrary is produced and hosted by Casey Clapp and Alex CrowsonSupport the pod and become a Treemium MemberFollow along on InstagramFind Arbortrary merch on our storeFind additional reading on our websiteCover art by Jillian BartholdMusic by Aves and The Mini-VandalsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Dana and Tom discuss the only Best Picture winner with an X rating, Midnight Cowboy (1969): directed by John Schlesinger, music by John Barry, written by Waldo Salt, starring Jon Voight and Dustin Hoffman.Plot Summary: "Midnight Cowboy" is a poignant exploration of friendship and survival in the gritty urban landscape of New York City. Joe Buck, a naive Texas cowboy with dreams of becoming a rich gigolo, arrives in the city only to find himself struggling to make ends meet. He befriends Ratso Rizzo, a streetwise hustler, forming an unlikely bond as they navigate the harsh realities of their circumstances. Together, they embark on a journey of self-discovery and redemption, facing the harsh truths of their own identities and the unforgiving nature of the city they call home. With powerful performances from Jon Voight and Dustin Hoffman, "Midnight Cowboy" is a timeless classic that delves deep into the human experience, blending heartbreak and hope in equal measure.You can now follow us on Instagram, Twitter, or TikTok (@gmoatpodcast) or find our Facebook page at Greatest Movie of All-Time Podcast.For more on the episode, go to: https://www.ronnyduncanstudios.com/post/midnight-cowboy-1969For the entire rankings list so far, go to:Full Graded List - Greatest Movies of All-Time Ronny Duncan Studios
Our podcast is about learning life lessons through cars, so who better to have as our guest on this episode than Brian Paone, a man who makes a living writing stories as a successful, published author which he used to fund his dream car purchase.Brian comes from a family with deep automotive roots; growing up in Massachusetts he shares how his father owned a successful automobile repair business and was able to use that for sponsorship in racing real dragsters on 1/4 mile speedways. And let's not forget the tale of the "Midnight Cowboy," his trusty blue 1989 Ford Tempo, whose custom decal and lady-charming prowess are just as unforgettable as the car itself. Every car tells a story, and every laugh shared is a reminder of the joy these metal beasts bring into our lives.------Brian Paone, a Massachusetts native displaced to Virginia, has been a published novelist since 2007 and has performed in bands since 1995. Cumulatively, Brian's novels and are primarily speculative fiction, ranging from thrillers to drama to horror to science-fiction to fantasy and romance. His bands cover a wide range of different metal and industrial genres and styles.To learn more about Brian and his novels, please visit:https://www.brianpaone.com/https://www.facebook.com/BrianPaonesNovelshttp://www.youtube.com/channel/UCbJkUkHDsDUcjmWufcH90kQhttp://tiktok.com/@brianpaone_authorhttps://www.instagram.com/brianpaone_author/https://twitter.com/PaoneBrianCall to Action: Share your thoughts on the podcast with Christian and Doug....
With celebrated out filmmaker John Schlesinger at the helm, 1969's Midnight Cowboy has entered the queer canon, flaws and all. We pair it up with 2017's Beach Rats from director Eliza Hittman.
It's Valley Forge... Follow our clues for patriotic problem-solving, endangered Declarations, and Nicolas Cage doing the most. The person most confused by the film this week was: Riley, defintiely Riley. See omnystudio.com/listener for privacy information.
On our 80th episode of Fabulous Film & Friends what better way to follow up a Road House podcast than by looking at the highlights of pioneering gay director John Schlesinger? We're talking about 1969's Midnight Cowboy starring Dustin Hoffman, Jon Voight, Brenda Vaccaro, John McGiver, Sylvia Miles, Bob Balaban and Barnard Hughes as well as 1971's Sunday, Bloody Sunday starring Peter Finch, Glenda Jackson, Murry Head and Dame Peggy Ashcroft topped off with 1975's The Day of the Locust starring William Atherton, Donald Sutherland, Karen Black, Burgess Meredith, Bo Hopkins, Pepe Serna, Geraldine Paige, Richard Dysart, Lil' Jackie Earl Haley, an even littler Billy Barty and Mrs. Lovey Howell, herself, Natalie Schaeffer. I'm joined this week by the reliably ab-fab crew of my kid-sister and lit major Roseanne Caputi as well as the sensitive cowhand himself, actor, photographer and snappy patter producer par excellence Gordon Alex Robertson! Okay, before we don the fringed suede jackets and find a spot on 43rd St., the synopses: In Midnight Cowboy big, dumb Texan Joe Buck quits his job as a dishwasher and hops on a Greyhound to the big town, New York City with dreams of making his fortune as a male prostitute servicing rich, bored housewives on Park Avenue. After a series of cringe-inducing misfires, Joe finds himself penniless and living in a squalid, condemned apartment with a sickly, limping con man named Enrico “Ratso” Rizzo. With Ratso serving as Joe's manager the only place they can go is straight down. Barely surviving a New York winter, Joe's fortunes finally start to change for the better until a dying Ratso implores Joe to get him to Florida. Sunday, Bloody Sunday slowly--ever so slowly-- catalogues the highs and lows of two middle-aged, upper-class Londoners, one man, Dr. Daniel Hirsch, a perennially single doctor and one woman, Alex Greville a divorcee who both find purpose and vitality in a love triangle with Bob Elkin, a young sculptor in his 20's. The three must deal with abrupt change, loss and acceptance when Bob the sculptor moves to America. The Day of the Locust, based on the 1939 novel by Nathaniel West, follows the course of three, tragic dreamers who came to Hollywood with eyes toward stardom but end up victims of its cold-hearted excess: Tod Hacket, a somewhat idealistic --if a bit rapey set designer from Yale-- who is in love with Fay Greener, a beautiful but talentless day playing actress who refuses to date men that aren't wealthy, and none other than Homer Simpson, a simple, religious and socially awkward accountant who naively takes Fay in to live with him. Was Mr. Schlesinger an all time great? Or a one hit wonder? Find out! Watch this podcast on Youtube: https://youtu.be/rVaMo465c8A Follow FF&F on Facebook: https://www.facebook.com/groups/fabulousfilmandfriends
Gay homosexuals Nick and Joseph discuss Midnight Cowboy - a 1969 American drama film directed by John Schlesinger, starring Dustin Hoffman and Jon Voight. Additional topics include: -44th Golden Raspberry Awards -Queer Eye drama -Rehab for workaholics -The death of Jaclyn Jose Join us on Patreon: https://www.patreon.com/FishJellyFilmReviews Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support
When the clock strikes nostalgia, there's no better place to be than in the throes of 1969's music and movies—a year where revolution wasn't just in the air, it was on our turntables and silver screens. Embarking on this retro ride with Scott are the Wrecking Two—Mark Smith and Lou Callicho. Together, we unspool tales from the Beatles' last hurrah on a rooftop to Led Zeppelin's ground-shaking debut, all while interweaving stories of our own personal connections to this unforgettable year.Buckle up as we careen through the twists and turns of 1969's cultural milestones, from Hendrix's wah-wah wonders to the managerial mayhem that rocked the Beatles' world. We navigate past the milestones and mishaps, offering a window into the soul-stirring, genre-bending tracks that shaped our collective soundtrack. As we reminisce about "Midnight Cowboy" and chuckle over "The Love Bug," you'll find the cinematic landscape of '69 as vivid and varied as the music that accompanied it—a testament to the timeless power these classics hold.And what's a time travel journey without the treasure trove of albums that continue to captivate us today? We revel in the roots of Americana with The Band's "Brown Album," groove to the primal beats of The Stooges, and savor the soulful strains of Dusty Springfield, all while exploring the stories behind these seminal sounds. Whether you're a die-hard fan of Creedence Clearwater Revival or still swooning over Sinatra's "My Way," we've got the tracks that'll transport you back to that revolutionary year. So slip on those headphones, join our raucous crew, and surrender to the spirit of '69—it's a trip you won't want to miss.
On this special episode of The Projection Booth we're looking at John Schlesinger's Midnight Cowboy. It's the story of Joe Buck (Jon Voight), a hick from Texas who goes to the big city to become a hustler. Instead, he's hustled by everyone he meets including Ratso Rizzo (Dustin Hoffman). The two form an unlikely friendship as they try to survive in New York.Chris Stachiw (The Kulturecast) and Jon Towlson (author of the Queer Cinema Classics book on Midnight Cowboy) join Mike to discuss the movie. Author Glenn Frankel discusses his book, Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, and the documentary it inspired.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
This week, the boys head to film school with 1969's ‘Midnight Cowboy'. Directed by John Schlesinger, adapted by Waldo Salt, starring Dustin Hoffman and John Voight, this movie takes place largely in the part of New York City that the rats have since taken over. Before we get there, Dave talks about Nassar, John teases next week's Dune 2 mini-review, and Jeff gripes about AppleTV and big tech, before providing some context of what was happening in 1969 on film and around the world! Check the time stamps if you want to skip ahead. Find all of our Socials at: https://linktr.ee/theloveofcinema. Our phone number is 646-484-9298, it accepts texts or voice messages. 0:00 Intro; 08:58 Gripes; 14:51 1969 + ‘Midnight Cowboy'; 47:10 Spoilers; 01:17:41 What You Been Watching?; 01:22:30 Next Week's Episode Teaser Additional Cast/Crew: Bob Balaban, Gilman Rankin, Barnard Hughes, Brenda Vaccaro, John McGiver, Sylvia Miles, M. Emmet Walsh, Kenneth Utt, Jerome Hellman, John Barrym Adan Gikender, Hugh A. Robertson. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Pivot, Ross, Friends, Couch, NASA, Killers of the Flower Moon, Leonardo DiCaprio, Robert DeNiro, Martin Scorcese, Lily Gladstone, Jesse Plemmons, David Ellison, David Zazlav, Al Jolson, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, The Crown: Season 6 part 2, Napoleon, Ferrari, Beer, Scotch, The Weekend, Clifford Odets, Travis Scott, U2, Apple, Apple Podcasts, 101 Dalmatians, The Parent Trap, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike.
On this special episode of The Projection Booth we're looking at John Schlesinger's Midnight Cowboy. It's the story of Joe Buck (Jon Voight), a hick from Texas who goes to the big city to become a hustler. Instead, he's hustled by everyone he meets including Ratso Rizzo (Dustin Hoffman). The two form an unlikely friendship as they try to survive in New York.Chris Stachiw (The Kulturecast) and Jon Towlson (author of the Queer Cinema Classics book on Midnight Cowboy) join Mike to discuss the movie. Author Glenn Frankel discusses his book, Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic, and the documentary it inspired.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
As we prepare to launch our fourth season at iHeartRadio, we're revisiting some of host Alec Baldwin's favorite episodes from the archives. In this episode, Alec speaks with actor Dustin Hoffman. “The Graduate,” “Midnight Cowboy,” and “Lenny” were just the beginning of Dustin Hoffman's legendary Hollywood career. Over the last five decades, he's stretched and contorted himself into dozens of defining roles, earning recognition as one of the most talented actors in cinema history. In this 2015 conversation, Hoffman tells Alec that he savors each new opportunity like it's the first, and recalls his salad days when he was mis-cast, underestimated, and, on at least one notable occasion, sick on a co-star's shoe. See omnystudio.com/listener for privacy information.
What Is This Episode - Top of Show . GOLDEN GLOBES AND CRITICS' CHOICE HAVE THEIR HOSTS - 1:37 . CHRISTMAS WEEK BOX OFFICE REPORT: Aquaman 2, Wonka Lead the Way - 6:48 AlsoMke Reviews The Color Purple - 10:01 AM Reviews Ferrari - 16:19 The Field + Paramount/Max Merger Rumors - 20:21 . A24 Signs Deal w/ Max - 29:40 Scream 7 Has No Director Now. Don't Worry. We Got It. - 31:17 . Mike1 WALKS YOU THROUGH THE ENTIRE JONATHAN MAJORS SAGA - 37:36 . REVEIW SECTION: AM Reviews Four Daughters - 52:51 AM on Desperate Souls, Dark City, Midnight Cowboy - 57:26 MMO on Leave the World Behind - 1:02:13 AM on Eileen/Rebel Moon - 1:05:44 . AlsoMike Finally Finished Seinfeld - 1:09:30 . . Your Homework/LEAVE US 5 STARS! - 1:16:20 Words of Wisdom/What's Coming Next - 1:17:10