Podcasts about This House

Brutalligators started in late 2016 when Paul and Luke met for a coffee and discovered a mutual love of 90s and 00s emo and hardcore. Having been in various hardcore and emo bands throughout the 00s and 10s, they decided to try and write some songs together and Brutalligators was born. Simo and Rhys joined soon after, before they debuted at The Good Ship in Kilburn in 2017. They self-released their first EP Animals I Wish I'd Seen in 2017, following with the second EP Friends I Wish I'd Had in 2019 via Real Ghost Records. Their debut album This House is Too Big, This House is Too Small was released in 2021 on Beth Shalom Records, which Noizze commented that the album “presents the band in their greatest, most intimate and most cathartic form.” Since releasing This House is Too Big… Brutalligators have been tearing up stages across the UK and Europe, supporting bands such as Fresh, Michael Cera Palin, Dikembe, Johnny Foreigner and Martha.  Thanks for listening!!! Please Follow us on Instagram @hiddentracks99Pre and Post roll music brought to you by @sleepcyclespa

Welcome to the Winter 2026 Book Preview with Catherine of Gilmore Guide to Books!   Today, Catherine and Sarah share 16 of their most anticipated books releasing from January through March.   This post contains affiliate links through which I make a small commission when you make a purchase (at no cost to you!). CLICK HERE for the full episode Show Notes on the blog. Announcement The 2026 Reading Tracker is out! This year brings upgraded features across the board — including NEW average star rating and 5-star book tracking for every stat on the Dashboard — plus an updated Lite Tracker for those who prefer a streamlined version. Both Trackers are ONLY available to paid Patreon or Substack subscribers ($7/month) and is no longer sold separately. To avoid Apple's 30% fee, be sure to join directly from the Patreon website (mobile or desktop). Join our Patreon Community (here) OR become a Substack Paid Member (here)!   One of the many benefits to supporting the podcast through either our Patreon Community or our Substack Community (both for just $7/mo) is that you get access to several bonus podcast episode series, including Book Preview Extras! In these episodes, Catherine and Sarah share at least 4 bonus books we are excited about that we did not share in the big show preview episode. Get more details about all the goodies available and sign up here for Patreon and here for Substack! Highlights A lightning round of some big releases coming this winter that we're not featuring in today's preview. Catherine chose books by authors she knows and trusts. This year, Sarah dug deep into the publisher's catalog for potential hidden gems. Sarah's books cover literary suspense, literary fiction, brain candy, nonfiction, and a thriller from 2 debut authors and 3 repeat authors. Sarah has already read one of her picks — and it was 4.5 stars! Plus, their #1 picks for winter. Big Winter Releases The First Time I Saw Him by Laura Dave (January 6) | Amazon | Bookshop.org [2:39] The Future Saints by Ashley Winstead (January 20) | Amazon | Bookshop.org [2:43] My Husband's Wife by Alice Feeney (January 20) | Amazon | Bookshop.org [2:46] Once and Again by Rebecca Serle (March 10) | Amazon | Bookshop.org  [2:49] Crux by Gabriel Tallent (January 20) | Amazon | Bookshop.org  [2:53] Lake Effect by Cynthia D'Aprix Sweeney (March 3) | Amazon | Bookshop.org [2:56] Two Kinds of Stranger by Steve Cavanagh (March 24) | Amazon | Bookshop.org  [3:00] Lady Tremaine by Rachel Hochhauser (March 3) | Amazon | Bookshop.org  [3:03] Daughter of Egypt by Marie Benedict (March 24) | Amazon | Bookshop.org  [3:21]  Missing Sam by Thrity Umrigar (January 27) | Amazon | Bookshop.org  [3:24]  This Is Not About Us by Allegra Goodman (February 10) | Amazon | Bookshop.org  [3:28]  Half His Age by Jennette McCurdy (January 20) | Amazon | Bookshop.org [3:31]  Other Books Mentioned I'm Glad My Mother Died by Jennette McCurdy (2022) [3:35]  Winter 2026 Book Preview [6:57] January Catherine's Picks Skylark by Paula McLain (January 6) | Amazon | Bookshop.org [10:53] Vigil by George Saunders (January 27)  | Amazon | Bookshop.org  [16:48]  Other Books Mentioned Circling the Sun by Paula McLain (2015) [11:04] When the Stars Go Dark by Paula McLain (2021) [13:12]  Lincoln in the Bardo by George Saunders (2017) [17:39]  February Sarah's Picks Good People by Patmeena Sabit (February 3) | Amazon | Bookshop.org [7:59] Royal Spin by Omid Scobie and Robin Benway (February 10) | Amazon | Bookshop.org [13:14] Kin by Tayari Jones (February 24) | Amazon | Bookshop.org  [24:01]  Catherine's Picks Saoirse by Charleen Hurtubise (February 24) | Amazon | Bookshop.org  [22:19] More Than Enough by Anna Quindlen (February 24) | Amazon | Bookshop.org  [28:05] Other Books Mentioned Everything I Never Told You by Celeste Ng (2014) [9:37]  Happiness Falls by Angie Kim (2023) [9:40]  Real Americans by Rachel Khong (2024) [9:42]  The Kite Runner by Khaled Hosseini (2003) [9:50]  Red, White & Royal Blue by Casey McQuiston (2019) [14:04]  Finding Freedom by Omid Scobie and Carolyn Durand (2020) [14:53]  Endgame by Omid Scobie (2023) [14:57]  Long Live the Tribe of Fatherless Girls by T Kira Madden (2019) [19:20]  An American Marriage by Tayari Jones (2018) [24:11] Silver Sparrow by Tayari Jones (2011) [24:13]   Leaving Atlanta by Tayari Jones (2002) [26:48]  Alternate Side by Anna Quindlen (2018) [29:43]  After Annie by Anna Quindlen (2024) [29:51]  March Sarah's Picks No One's Coming by Kevin Hazzard (March 3) | Amazon | Bookshop.org  [30:07]  Whidbey by T Kira Madden (March 10) | Amazon | Bookshop.org [18:50] All the World Can Hold by Jung Yun (March 10) | Amazon | Bookshop.org[35:31] She Fell Away by Lenore Nash (March 10) | Amazon | Bookshop.org  [41:01]  The Complex by Karan Mahajan (March 10) | Amazon | Bookshop.org  [46:35]  Catherine's Picks Ruins by Lily Brooks-Dalton (March 31) | Amazon | Bookshop.org  [33:02]  No Friend to This House by Natalie Haynes (US Release March 10) | Amazon | Bookshop.org [38:44] Son of Nobody by Yann Martel (March 31) | Amazon | Bookshop.org  [43:11]  How to Be Okay When Nothing Is Okay by Jenny Lawson (March 31) | Amazon | Bookshop.org [49:15]  Other Books Mentioned A Thousand Naked Strangers by Kevin Hazzard (2016) [30:48]  The Light Pirate by Lily Brooks-Dalton (2022) [33:06]  Good Morning, Midnight by Lily Brooks-Dalton (2016) [33:13]  Shelter by Jung Yun (2016) [35:41]  Medium Rare by A. Natasha Joukovsky (March 3, 2026) [40:39]  Red Widow by Alma Katsu (2021) [41:45]  Red London by Alma Katsu (2023) [41:46]  Life of Pi by Yann Martel (2001) [43:38]  The High Mountains of Portugal by Yann Martel (2016) [46:16]  The Association of Small Bombs by Karan Mahajan (2016) [47:17]  Let's Pretend This Never Happened by Jenny Lawson (2012) [50:04]  Other Links The New Yorker | "The True Margaret," by Karan Mahajan 

To celebrate the old bird/broad role models who've appeared on The Shift with Sam Baker I'll be rerunning some of these conversations throughout December and into January. Next up is Australian literary legend Helen Garner who, in her 83rd year has finally broken out in the UK and US and won the Baillie Gifford Prize for her collected diaries, How To End A Story... --- My guest today is the writer Helen Garner. I'm pretty sure that right now you are either going, wow I LOVE her, or looking a bit vague. Because despite being one of Australia's greatest living writers she is surprisingly little known here. But not for much longer because, at the age of 81, she is finally about to see almost all her books in print in the UK and US for the first time. Born in 1941 in Geelong, Victoria, the eldest of six, Helen has lived a fascinating life and one that has found its way into her 13 books. Her debut Monkey Grip, published in 1977 when she was a single mother, is still in print today; her second novel, The Children's Bach (which is where I recommend you start if you've never read her), has been compared with Hemingway and Fitzgerald; and, her true crime classic, This House of Grief, has been declared one of the best books of the 21st century. Not bad for a regular kid from, as she puts it, “an ordinary Australian home - not many books and not much talk.” I was lucky enough to get to chat to Helen (and her chooks) from her home near Melbourne. In fact she kept me up long past my bedtime (!) as we discussed the difficult father-daughter relationship, making peace with the older generations and the emotional impact of being a war baby. She also told me why getting married a fourth time would have been the definition of madness, how she couldn't give a monkeys about the withdrawal of the erotic gaze and why grandmothering has been the greatest pleasure of her life.  * You can buy all the books mentioned in this podcast at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Shift bookshop on Bookshop.org⁠. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theshiftwithsambaker.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian Asman, author of Man F*ck This House joins us to talk about his books and movies.Check out all of Brian's work at the link below:https://brianasmanbooks.com/?srsltid=AfmBOorTspJQF4S03mqPf-QH6lQZiZDduqpd1xnwh1DJy-75Tt-gG2JQ

This week, Thom Francis introduces us to poet Shelby Hafener. They were one of the featured readers at the Eight Poets event at The Fish Market on Saturday, October 11. That day, Shelby was joined by poets from the Hudson Valley Writers Guild, online zines Trailer Park Quarterly and Hobo Camp Review, and Troy-based bookstore Paper Moon. ——— Online literary zines Trailer Park Quarterly and Hobo Camp Review presented an afternoon of poetry and spoken word at the Fish Market with Troy-based bookstore Paper Moon and the Hudson Valley Writers Guild. Eight poets took the stage that day and shared their work that afternoon, including Shelby Hafener, who read “God Bless the Forever War,” “This House,” a poem about her grandmother, “Different” in commemoration of National Coming Out Day, and “New Moon Child.” Shelby Hafener (she/they) is a free-form poet based in Troy, NY. Her works are inspired by their life as a lesbian, her struggles with mental health, and a response to the world at large. She uses poetry as a form of expression, showing herself to the world in a way that makes sense. Their first collection of poems is titled “Two Years Under My Teeth” and was self-published in 2023. Hudson Valley Writers Guild Vice President, Mary Panza, introduced Shelby to the audience.

We hear a fantastic recording of Robert Plant with one of his lesser known projects, The Priory of Brion, playing the Copredy Festival on August 11 , 2000. This is a cover band playing beloved songs from Robert's pre-Zep days. I play This House is Not A Hotel, If I Were a Carpenter, and a haunting Darkness Darkness. A good time was had by all. Hooray!

Grab your neighborhood watch pamphlet and a flashlight with dying batteries because today we're getting a broader understanding of Horror in the Suburbs.. and no, not the kind where you can't take a five minute walk to grab a coffee but instead the insidious underbelly hiding behind perfect lawns and closed doors. Why are the suburbs so scary? Urban planning gone wrong or have we just watched Halloween too many times?Sources:Why do the Suburbs Exist? (This House, YouTube)https://youtu.be/JAR7R_tecFc?s...Horror in The Suburbs Trope (SyFy)https://youtu.be/AWzSpjOsMb8?s...How The Suburbs Became the Perfect Setting for Horror (Nylon)https://www.nylon.com/articles...Become a supporter of this podcast: https://www.spreaker.com/podcast/broads-next-door--5803223/support.

Happy Halloween! This episode was supposed to air on 11/4, but we figured you'd all appreciate hearing this one a week early in the spirit of the season. The next episode will air on schedule on 11/18, so make sure you check out some older spooky season TBC episodes while you wait: The Hog from Carnacki, the Ghost Finder by William Hope Hodgson *Special Guests D & Ken from Antiques Freaks* Drag Queen Dino Fighters by MP Johnson *Patron's Choice* Man, F*ck This House by Brian Asman *Patron's Choice* E.T. the Extra-Terrestrial in His Adventure on Earth by William Kotzwinkle *Special Guest Mary Parker* The Haunted Vagina by Carl Mellick III In the House in the Dark of the Woods by Laird Hunt *Patron's Choice* This week it was Chris's turn to head over to r/horrorlit to pick through more of the sub's worst horror books from 2024. He was lured to The Paleontologist simply based on the thought that ghost dinosaurs seemed an especially funny concept.  In addition to our usual barnyard language, today's episode includes discussion or mention of child abuse, abduction, and murder; ghosts; implied pedophillia; and the pandemic. References: Terrible Book Club, Episode 79 (2020): Museum of the Living Dead (A Plot-It-Yourself Horror Story) by Hilary Milton: This week it's 1985 and we're two children in an off-brand "Plot-It-Yourself" horror story. Chris wants to die as quickly as possible while Paris chooses life. Paris's microphone is backwards, Chris can't stop creating new lyrics for a bad 90s song, and we play another round of Power Rangers Monster or Weed Strain? Vintage Burn Podcast    

In this powerful message, "There's Honor in This House," Pastor Ernest Almond dives into the biblical call for valuing Pastoral Leadership as part of Higher Definition Church's annual theme of Honor.Drawing from 1 Timothy 5:17-21, Pastor Ernest teaches the congregation about the concept of Double Honor—the two primary ways the church is called to support and respect its Elders and Leaders. He details the importance of Provision (supporting those who dedicate themselves to preaching and teaching) and upholding a standard of high Respect paired with Biblical Accountability.This special message emphasizes that true, trustworthy leadership must meet the high standards outlined in Scripture. It serves as the official ceremony for the Elevation and Ordination of Pastor Rashid Williams, celebrating his faithfulness, proven character, and dedication to the Spiritual Growth of the church family.This sermon is a must-watch for anyone seeking to understand Church Leadership, the proper role of Accountability in ministry, and why honoring God's faithful servants is an act of Christian Service.

Sally's been reading This House of Grief and Bert's talking to Michael about The Society of Unknowable Objects

Twilight Zone Topic of TerrorThe villains have taken over and they want some land. They're getting on in the Magic Kingdom, but we don't quite know what it's like. We do have some ideas though. From eeks to eats and drops to drinks, we've got a lay of the land. So join Kirk & Rain as they plan this villainous vail an antagonistic new episode of Tramtober!Special Thanks to Jenni T. for inspiring this episode!Music"This House" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/The Twilight Zone - The DisneylandersTomorrowland - Disneylanders, Poor Unfortunate SoulsListen to full episodes every Windsday and topic-only uploads on Big Thunder Thursdays!InstagramTrammin' - https://instagram.com/TramminPodcastChristian Rainwater - https://instagram.com/imrainwaterMusicLocal Forecast - Elevator Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/ Trammin' - The Disneylanders, Addy DaddyUsed with permission.Character Art & AnimationNadia Dar - https://nadsdardraws.carrd.co/Trammin.comTrammin' is written without the use of Artificial Intelligence.©Trammin' - A Disneyland Podcast

The villains have taken over and they want some land. They're getting on in the Magic Kingdom, but we don't quite know what it's like. We do have some ideas though. From eeks to eats and drops to drinks, we've got a lay of the land. So join Kirk & Rain as they plan this villainous vail an antagonistic new episode of Tramtober!Music"This House" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/The Twilight Zone - The DisneylandersTomorrowland - Disneylanders, Poor Unfortunate SoulsListen to full episodes every Windsday and topic-only uploads on Big Thunder Thursdays!InstagramTrammin' - https://instagram.com/TramminPodcastChristian Rainwater - https://instagram.com/imrainwaterMusicLocal Forecast - Elevator Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/ Trammin' - The Disneylanders, Addy DaddyUsed with permission.Character Art & AnimationNadia Dar - https://nadsdardraws.carrd.co/Trammin.comTrammin' is written without the use of Artificial Intelligence.©Trammin' - A Disneyland Podcast

Warning: you might need a drink (or three) to keep up with us this week as things get silly. Grab your favorite beverage and try to follow along as we tackle all the latest rock chaos: Sammy Hagar takes accountability and causes a stunning admission from Aaron. Jon Bon Jovi's Nashville bar hits the market. This House is Not for Sale; but, the business is. Def Leppard finally get their star on the Hollywood Walk of Fame but dare you tread there? Europe's Ian Haugland promises a full-on return to ‘80s glory but is that what we want? Axl Rose becomes a jazz-loving humanoid robot. What? Frank Bello and Billy Sheehan contribute to Accept's 50th-anniversary album. But, what the hell is it? Aerosmith teams with Yungblud for a new track, and Aaron dishes out some unsolicited career advice for him Ace Frehley takes a spill and lands in the hospital—but, hopefully, just Trouble Walkin'. Vince Neil returns to the stage to Knock 'Em Dead; after cheating death multiple times. Mark "The Animal" Mendoza won't be joining Twisted Sister's 2026 reunion. Is the issue cosmetic, or something deeper? Yes, Scott Ian's beard dye is actually for sale Chiller Theatre drops the news that Vinnie Vincent won't be showing up (shocked, anyone?) And Aaron announces a big life change while trying to resurrect an old classic. So pour one out, press play, and try to keep up—it's Geekwire, and sobriety is optional. Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

Warning: you might need a drink (or three) to keep up with us this week as things get silly. Grab your favorite beverage and try to follow along as we tackle all the latest rock chaos: Sammy Hagar takes accountability and causes a stunning admission from Aaron. Jon Bon Jovi's Nashville bar hits the market. This House is Not for Sale; but, the business is. Def Leppard finally get their star on the Hollywood Walk of Fame but dare you tread there? Europe's Ian Haugland promises a full-on return to ‘80s glory but is that what we want? Axl Rose becomes a jazz-loving humanoid robot. What? Frank Bello and Billy Sheehan contribute to Accept's 50th-anniversary album. But, what the hell is it? Aerosmith teams with Yungblud for a new track, and Aaron dishes out some unsolicited career advice for him Ace Frehley takes a spill and lands in the hospital—but, hopefully, just Trouble Walkin'. Vince Neil returns to the stage to Knock 'Em Dead; after cheating death multiple times. Mark "The Animal" Mendoza won't be joining Twisted Sister's 2026 reunion. Is the issue cosmetic, or something deeper? Yes, Scott Ian's beard dye is actually for sale Chiller Theatre drops the news that Vinnie Vincent won't be showing up (shocked, anyone?) And Aaron announces a big life change while trying to resurrect an old classic. So pour one out, press play, and try to keep up—it's Geekwire, and sobriety is optional. Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

Tonight we're chatting with Brian Asman, who's been called “a singular voice in horror fiction,” author of MAN, F*CK THIS HOUSE (AND OTHER DISASTERS) from Blackstone Publishing,  a collection of six brand-new stories of hauntings and California Weirdness. Brian Asman is a writer, actor, and director from San Diego. He's the author of Good Dogs from Blackstone Publishing. His other books include I'm Not Even Supposed to Be Here Today, Neo Arcana, Nunchuck City, Jailbroke, Our Black Hearts Beat as One, and Return of the Living Elves. Find him on social media (@thebrianasman) or his website (www.BrianAsmanBooks.com).In the titular “Man, F*ck This House,” Sabrina Haskins and her family have just moved into their dream home. At first glance, the house is perfect. But things aren't what they seem. Sabrina is hearing odd noises, seeing strange visions. Their neighbors are odd or absent. And Sabrina's already-fraught relationship with her son is about to be tested in a way no parent could ever imagine. Because while the Haskins family might be the newest owners of this house, they're far from its only residents…Join us!Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

Twilight Zone Topic of Terror from Trammin' Episode 283Welcome back, foolish mortals, to Tramtober! Let's begin this malicious month by stepping into Jeff's Haunted Mansion. We've seen a lot of changes lately, welcome and unwelcome. You've certain heard our feelings about them, but not so deeply. Plunge into the dark depths with Jeff, and his own dark thoughts. There's no holding back... So join us as we stretch our legs, and this room, in a headless new episode of Tramtober!Music"This House" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/The Twilight Zone - The DisneylandersTomorrowland - Disneylanders, Poor Unfortunate SoulsListen to full episodes every Windsday and topic-only uploads on Big Thunder Thursdays!InstagramTrammin' - https://instagram.com/TramminPodcastChristian Rainwater - https://instagram.com/imrainwaterMusicLocal Forecast - Elevator Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/ Trammin' - The Disneylanders, Addy DaddyUsed with permission.Character Art & AnimationNadia Dar - https://nadsdardraws.carrd.co/Trammin.comTrammin' is written without the use of Artificial Intelligence.©Trammin' - A Disneyland Podcast

Welcome back, foolish mortals, to Tramtober! Let's begin this malicious month by stepping into Jeff's Haunted Mansion. We've seen a lot of changes lately, welcome and unwelcome. You've certain heard our feelings about them, but not so deeply. Plunge into the dark depths with Jeff, and his own dark thoughts. There's no holding back... So join us as we stretch our legs, and this room, in a headless new episode of Tramtober!Music"This House" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/The Twilight Zone - The DisneylandersTomorrowland - Disneylanders, Poor Unfortunate SoulsListen to full episodes every Windsday and topic-only uploads on Big Thunder Thursdays!InstagramTrammin' - https://instagram.com/TramminPodcastChristian Rainwater - https://instagram.com/imrainwaterMusicLocal Forecast - Elevator Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/ Trammin' - The Disneylanders, Addy DaddyUsed with permission.Character Art & AnimationNadia Dar - https://nadsdardraws.carrd.co/Trammin.comTrammin' is written without the use of Artificial Intelligence.©Trammin' - A Disneyland Podcast

In the summer of 1977, single mother Margaret Hodgson called the police to her council estate apartment in Enfield, London to report that she and her two daughters, Janet and Peggy, had seen furniture move in the apartment and were hearing strange noises coming from within the walls. That simple albeit unusual call set in motion a chain of events that would thrust the unassuming Hodgson family into the center of a debate about the existence of the supernatural and forever associate them with one of England's most notorious paranormal cases, the Enfield poltergeist.Over the course of roughly eighteen months, the family claimed they were subjected to a variety of supernatural harassment that ranged from moving furniture and knocking in the walls to disembodied voices and even involuntary levitation. Soon after the report was made to the police, the story attracted a variety of news outlets and paranormal investigators, all determined to either prove the case a genuine poltergeist or a hoax perpetrated by two adolescent attention-seeking girls.Nearly fifty years later, the case remains controversial among skeptics and believers, all of whom want to know what exactly did happen in the Hodgson's apartment and who—or what—is to blame for the disturbances.Thank you to the Amazing Dave White (of BRING ME THE AXE PODCAST) for research and writing assistance! ReferencesAmin, Meghna. 2022. "Man behind photos of the Enfield poltergeist ‘still can't believe' what he saw." The Metro, October 28.Brimmer, Ryan. 1978. "Ghost Story." Daily Mirror, March 30: 20.Cambridge Evening News. 1978. "Pitfalls facing psychic investigator." Cambridge Evening News, March 31: 18.Couttie, Bob. 1988. Forbidden Knowledge: The Paranormal Paradox. Cambridge, UK: Lutterworth.French, Chris. 2016. Five reasons why London's most famous poltergeist case is a hoax. June 17. Accessed October 7, 2023. https://www.timeout.com/london/blog/five-reasons-why-londons-most-famous-poltergeist-case-is-a-hoax-061616.Grosse, Maurice. 1977. "Poltergeist in Enfield." The Observer, November 20: 16.Hyde, Deborah. 2015. "The Enfield 'poltergeist:' a sceptic speaks." The Guardian, May 1.Nickell, Joe. 2012. "Enfield Poltergeist." Skeptical Inquirer 36 (4): 12-14.Playfair, Guy Lyon. 1980. This House is Haunted. New York, NY: Stein and Day. 

The story of Medea has been popular since antiquity and continues to endure today. Not least because big names want what's undoubtedly one of the meatiest female roles in theatre. Meatiest in its most gruesome sense, as Medea is most famous for killing her children in order to get revenge on her faithless husband.  Or at least that's the headlines. It is, of course, more complicated (if no less horrifying) than that, so our Mick was delighted that author, broadcaster and classicist Natalie Haynes' latest novel, No Friend to This House, is her take on the Medea story.   They talk Medea as witch and midwife, Medea as refugee, the power of love, the dangers of motherhood and why Medea has proven so endlessly fascinating to storytellers and story listeners alike.  No Friend to This House is published by Mantle on Thursday 11 September, but available for pre-order now. And you can find out where near you Natalie is touring by following her on X @officialnhaynes and on Insta @nataliehaynesauthor. Learn more about your ad choices. Visit megaphone.fm/adchoices

Natalie Haynes has never been easy to categorise. A stand-up comedian turned broadcaster and best-selling author, she has built a career out of making the ancient world vivid, funny and urgent. In this episode of Full Disclosure, James O'Brien talks with the presenter of Stand Up for the Classics about her unusual path from Birmingham bookshops to the Edinburgh Fringe, and from Radio 4 to re-imagining Medea.They explore the strange alchemy of combining scholarship with humour, the myths that refuse to let her go, and why Jason may be one of antiquity's least heroic heroes. Natalie reflects on the teachers and family who first filled her life with books, the risks of carving out a career that no one else was doing, and the joy of turning classical stories into something alive for modern audiences.Clever, warm and very funny, Natalie shows how ancient tragedy and modern comedy can illuminate each other- and why she still feels most at home with the ghosts of Greece.Find out more about Natalie Haynes book and tour No Friend to This House here

Oh, hello! We're back and trying a new format. In short: we burnt out and lost the love for making the podcast (although we loved speaking to authors). While we've not been recording podcasts, we have been sharing monthly recommendations on Substack. You can take a look (and subscribe!) here. In this episode, we're chatting about:Watching some classic 2000s TV and the joy of not bingingA preview of books we're excited for coming out in the last months of 2025Our favourite read of the year so farBut for your convenience, here's everything we mentioned in this episode:Veronica Mars (TV)Supernatural (TV)Charmed (TV)The Summer I Turned Pretty (TV)The Traitors UK (TV)Married at First Sight Australia (TV)The Americans (TV)Katabasis by R.F. KuangBabel by R.F KuangYellowface by Rebecca KuangUncharmed and Rewitched by Lucy Jane WoodThe Love Of Our Lives by Emma Steel (listen to our interview)Paper Heart by Cecila Ahern (listen to our interview)Sad Girl Hours by Anna Zoe Quirk (listen to our interview)The Killer Question by Janice Hallett (listen to our interview)When Gavin Met Stacey and Everything in Between by James Corden and Ruth JonesCat: On The Road to Findout by Yusuf/Cat StevensWings by Paul McCartneyThe Mushroom Tapes by Helen Garner, Chloe Hooper and Sarah KrasnosteinIf you missed the 'Mushroom murder' you can catch up with this episode of Just the GistThe Gingerbread Bakery by Laurie GilmoreGravity Let Me Go by Trent DaltonChosen Family by Madeleine Gray (listen to our interview)This House of Grief by Helen Garner (which was picked for Dua Lipa's book club)One Golden Summer by Carly FortuneConsider Yourself Kissed by Jessica StanleyEnjoyed this episode? Share it with a bookish friend to help spread the word. We've got a Substack publication now! On the last day of the month, we share recommendations for two things we reckon you should read/watch/listen to. The beauty of Substack is you can revisit all our old editions and comment on our episode updates to share your thoughts. Come say hi! Connect with us on Instagram: @betterwordspod

Pastor Ernest continues the series PURIFIED RELATIONSHIPS as we explore what honor looks like between parents and children in the message "What Happens in This House".Higher Definition Church - OnlineIf you are checking us out for the first time today, let us know by clicking here: https://form.church/Jtcj7ioByHG7f4Ct2kKr If you need prayer, click here: https://app.textinchurch.com/connect-cards/SYtprYv4ArNgqbMsdo8M If you would like to support HD Church financially you can give through Cashapp to $higherdefchurch or online through our website by clicking here: https://higherdefchurch.org/give ....#hdchurch #lifeinHD #onlinechurch #church #churchonline #jacksonville #duval #faith #hope #love

We're heading back to the archives for the next few weeks and first up here's one of my favourite episodes. With the desperately overdue publication of her brilliant diaries, How To End A Story, in the US and UK, the Australian novelist Helen Garner is finally, finally getting some of the credit she's due up here in the Northern hemisphere. Here's our chat... ---- My guest today is the writer Helen Garner. I'm pretty sure that right now you are either going, wow I LOVE her, or looking a bit vague. Because despite being one of Australia's greatest living writers she is surprisingly little known here. But not for much longer because, at the age of 81, she is finally about to see almost all her books in print in the UK and US for the first time. Born in 1941 in Geelong, Victoria, the eldest of six, Helen has lived a fascinating life and one that has found its way into her 13 books. Her debut Monkey Grip, published in 1977 when she was a single mother, is still in print today; her second novel, The Children's Bach (which is where I recommend you start if you've never read her), has been compared with Hemingway and Fitzgerald; and, her true crime classic, This House of Grief, has been declared one of the best books of the 21st century. Not bad for a regular kid from, as she puts it, “an ordinary Australian home - not many books and not much talk.” I was lucky enough to get to chat to Helen (and her chooks) from her home near Melbourne. In fact she kept me up long past my bedtime (!) as we discussed the difficult father-daughter relationship, making peace with the older generations and the emotional impact of being a war baby. She also told me why getting married a fourth time would have been the definition of madness, how she couldn't give a monkeys about the withdrawal of the erotic gaze and why grandmothering has been the greatest pleasure of her life.  * You can buy all the books mentioned in this podcast at The Shift Bookshop on bookshop.org including How To End A Story, Monkey Grip, The Children's Bach and This House of Grief by Helen Garner and the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on buymeacoffee.com • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at https://theshiftwithsambaker.substack.com. • The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Juliette Nicholls @ Pineapple Audio Production. If you enjoyed this podcast, please rate/review/follow as it really does help other people find us. And let me know what you think on twitter @sambaker or instagram @theothersambaker. Learn more about your ad choices. Visit megaphone.fm/adchoices

Too much of our history is looked at through either a colonial lens or a patriarchal one. Ira Mukhoty joins Amit Varma in episode 421 of The Seen and the Unseen to share her gaze on India's history, and all that it has taught her. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.)   Also check out: 1. Ira Mukhoty on Instagram, Twitter, Goodreads and Amazon. 2. Women in Indian History -- Episode 155 of The Seen and the Unseen (w Ira Mukhoty). 3. The Lion and The Lily: The Rise and Fall of Awadh -- Ira Mukhoty. 4. Akbar: The Great Mughal -- Ira Mukhoty. 5. Song of Draupadi -- Ira Mukhoty. 6. Daughters of the Sun: Empresses, Queens and Begums of the Mughal Empire -- Ira Mukhoty. 7. Heroines: Powerful Indian Women of Myth and History -- Ira Mukhoty. 8. Jahangir the Curious — Episode 147 of The Seen and the Unseen (w Parvati Sharma). 9. The Many Cities of Delhi — Episode 172 of The Seen and the Unseen (w Rana Safvi). 10. Episodes of The Seen and the Unseen with Manu Pillai: 1, 2, 3, 4, 5. 11. Wifedom: Mrs Orwell's Invisible Life -- Anna Funder. 12. Invisible Women -- Caroline Criado Perez. 13. An Immense World -- Ed Yong. 14. What Is It Like to Be a Bat? — Thomas Nagel. 15. History of European Morals — WEH Lecky. 16. The Expanding Circle — Peter Singer. 17. Yuganta -- Irawati Karve. 18. The Great Indian Kitchen -- Jeo Baby. 19. Heart Lamp -- Banu Mushtaq. 20. Misogyny is the Oldest Indian Tradition -- Amit Varma. 21. One Bad Law Goes, but Women Remain Second-Class Citizens -- Amit Varma. 22. The Incredible Curiosities of Mukulika Banerjee — Episode 276 of The Seen and the Unseen. 23. Mughal History as a window to Modern India -- Ira Mukhoty on The India Briefing. 24. The Life and Times of Shanta Gokhale — Episode 311 of The Seen and the Unseen. 25. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 26. Caste, Capitalism and Chandra Bhan Prasad — Episode 296 of The Seen and the Unseen. 27. In defence of suit, boot — Chandra Bhan Prasad. 28. The Indianness of Indian Food — Episode 95 of The Seen and the Unseen (w Vikram Doctor). 29. Pushpesh Pant Feasts on the Buffet of Life — Episode 326 of The Seen and the Unseen. 30. Real Birds in Imagined Gardens -- Kavita Singh. 31. The Light in Winter -- Episode 97 of Everything is Everything, on Spanish art. 32. Tawaif — Episode 174 of The Seen and the Unseen (w Saba Dewan). 33. Swapna Liddle and the Many Shades of Delhi — Episode 367 of The Seen and the Unseen. 34. The Broken Script — Swapna Liddle. 35. Culture of Encounters: Sanskrit at the Mughal Court -- Audrey Truschke. 36. The Tibetan Book of the Dead. 37. The Year of Magical Thinking -- Joan Didion. 38. Blue Nights -- Joan Didion. 39. H is for Hawk -- Helen Macdonald. 40. The Procrastination Matrix -- Tim Urban. 41. The Age of the Partial Outsider -- Janan Ganesh. 42. Wolf Hall, Bring Up the Bodies and The Mirror and the Light -- Hilary Mantel. 43. The Silence of the Girls -- Pat Barker. 44. The Hindus: An Alternative History -- Wendy Doniger. 45. Daily Rituals -- Mason Currey. 46. Daily Rituals: Women at Work -- Mason Currey. 47. The Surface Area of Serendipity -- Episode 39 of Everything is Everything. 48. Tawaifnama — Saba Dewan. 49. The Other Song -- Saba Dewan. 50. Sex and the Family in Colonial India -- Durba Ghosh. 51. Blueprint for Armageddon — Episode 50-55 of Dan Carlin's Hardcore History. 52. Roam Research. 53. Zettelkasten on Wikipedia. 54. The History Thieves: Secrets, Lies and the Shaping of a Modern Nation -- Ian Cobain. 55. Vagabond Princess: The Great Adventures of Gulbadan -- Ruby Lal. 56. Empress: The Astonishing Reign of Nur Jehan -- Ruby Lal. 57. Coming of Age in Nineteenth-Century India: The Girl-Child and the Art of Playfulness -- Ruby Lal. 58. What is Islam? -- Shahab Ahmad. 59. Gods, Guns and Missionaries: The Making of the Modern Hindu Identity -- Manu Pillai. 60. The House Divided: Sunni, Shia and the Making of the Middle East -- Barnaby Rogerson. 61. Muntakhab-ut-Tawarikh -- ʽAbd al-Qadir Badayuni. 62. Sarkai Lo Khatiya Jada Lage -- Song from Raja Babu. 63. Edge of Empire -- Maya Jasonoff. 64. Shatranj Ke Khiladi -- Satyajit Ray. 65. That Obscure Object of Desire -- Luis Buñuel. 66. This House of Grief -- Helen Garner. 67. Joe Cinque's Consolation -- Helen Garner. 68. Grief Is the Thing with Feathers -- Max Porter. 69. Burial Rites -- Hannah Kent. 70. Maya Angelou and Toni Morrison. 71. The Wonder -- Emma Donahue. 72. When Montezuma Met Cortés -- Matthew Restall. 73. Stolen -- Karan Tejpal. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Unseen Histories' by Simahina.

In which your wait is finally over. Amy Lockhart and Bea Alighieri arrive at the House. But what awaits them inside? Content Warnings: Strong language, alcohol drinking, grief, ghosts.You can find the text of the transcript for this episode below, and a written form of the chapter, along with the poll, for free on our Patreon. https://docs.google.com/document/d/1ysbQgHneV08a9QKTVYTU0Ya-03ajPNzVTfTbXz8RfQo/edit?tab=t.0This audio can be found on Patreon, Spotify, and Apple Podcasts. https://www.threefatescollective.org/ghostYou are the Ghost in This House is an audience-directed horror podcast and audio drama. It will feature both written and audio chapters. Each chapter will be followed by a poll: What will the Ghost do next? And will the House ever let you go? To vote, join our Patreon (for free; no payment information required, only your email). https://www.patreon.com/3fatesThe poll for this episode closes Friday at 5 PM Eastern. You are the Ghost in This House is... Written & Created by Hannah Semmelhack and Paige Elizabeth Allen Produced by Hannah Semmelhack, Fiona Clare, and Paige Allen as part of the Three Fates Collective. With recording, mixing, and sound design by Rhea Patil And with original cover art by Aryn Myatt The theme song is ‘haunted house' by Hibah Hassan. This Episode Featured: C. Luke Soucy as The Voice You Hear Fiona Clare as the Announcer Paige Allen as Amy Lockhart Nora Aguiar as Bea Alighieri Hannah Semmelhack as Z Lockhart Alice Eve Cohen as Annette Lockhart Christopher Lau as Addison Lockhart Shadow, Loki, and Mochi as Crumble Thank you for listening.Join Three Fates on Discord or on social media. Hosted on Acast. See acast.com/privacy for more information.

This month the Opera Theatre of St. Louis is producing a new opera by one of the world's most-celebrated living playwrights. Lynn Nottage — the only woman so far to win the Pulitzer Prize for Drama twice — wrote the libretto for “This House” with her daughter, Ruby Aiyo Gerber. The opera looks at African American history through the intersecting powers of memory and place.

Two-time Pulitzer Prize winner Lynn Nottage and her daughter, poet and writer Ruby Aiyo Gerber, talk about co-writing the opera, “This House.” in this encore episode. Taking place in a majestic Harlem brownstone, the opera explores themes of gentrification and losing Black histories. It also delves into what connects – and binds – people to history and to one another. “This House” will have its world premiere at Opera Theatre of St. Louis this May.

I interview Jane Casey about her latest book The Secret Room I review: This House of Burning Bones by Stuart MacBrideBy Your Side by Ruth Jones & The Trad Wife's Secret by Liane Child.The three books Jane Casey recommends are The Guests by Agnes RavatnThe Last Days of Summer by Sara ManningThe Death of Us by Abigail Dean Hosted on Acast. See acast.com/privacy for more information.

Stuart MacBride is the Sunday Times No.1 bestselling author of the Logan McRae and Ash Henderson novels. He's also published standalones, novellas, and short stories, as well as a slightly twisted children's picture book for slightly twisted children. His latest book, This House of Burning Bones, is out now.Despite some technical difficulties (explained at the start!) we enjoyed chatting with Stuart and hearing about how he loves the thrill of the blank page and how every story starts with him writing the cover copy for the novel. We also chat about true crime and the danger of sensationalising it, as well as whether he prefers writing long-running series or standalones.Links:Buy Stuart's books nowVisit Stuart's websiteSupport us on Patreon and get great benefits!: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on Threads Hosted on Acast. See acast.com/privacy for more information.

A Taste of Evil (1971), Snowbeast (1977), This House Possessed (1981) We're back on the small screen for our fourth dive into the world of made-for-TV horror—which should tell you something: we love these things. Maybe it's nostalgia from growing up in an era when you couldn't stream whatever you wanted, whenever you wanted. Or maybe it's because some of these films were just plain good—tight, creepy little stories that managed to leave a mark. This time around, we're not talking about the crown jewels of the genre, but rather three solid, middle-of-the-pack entries: well-made, weirdly memorable, and wildly watchable. You've got disturbed minds, ski lodge mayhem, and a haunted house that's a little too into you. If the stories don't grab you, the casts just might. Films mentioned in this episode: 1941 (1979), Abominable (2006), Alien (1979), Amityville Horror (1979), Asylum (1972), Beetlejuice (1988), Beyond the Door (1974), Blazing Saddles (1974), Butcher Baker, Nightmare Maker (1981), City of the Dead (1960), City Slickers (1991), The Curse of Frankenstein (1957), Don't be Afraid of the Dark (1973), Dark Night of the Scarecrow (1981), Devil Dog: Hound of Hell (1978), The Devil's Daughter (1973), Double Indemnity (1944), Drag Me to Hell (2009), Duel (1971), Frankenstein: The True Story (1973), Halloween (1978), House by the Cemetery (1981), House that Wouldn't Die (1970), Horror of Dracula (1958), I, Desire (1982), The Dirty Dozen (1967), Jaws (1975), A Nightmare on Elm Street (1984), Night of the Creeps (1986), The Night Stalker (1972), The Night Walker (1964), Pat Garrett & Billy the Kid (1973), Planes, Trains, and Automobiles (1987), Psycho (1960), Re-Animator (1985), Salem's Lot (1979), Satan's School for Girls (1973), Scream of Fear (1961), Shriek of the Mutilated (1974), Snowbeast (1977), Strange and Deadly Occurrence (1974), Suspiria (1977), A Taste of Evil (1971), Three Stooges Meet Hercules (1962), This House of Possessed (1981), The Tingler (1959), Trilogy of Terror (1975), Videodrome (1983)

This House of Burning Bones by Stuart MacBride Stuartmacbride.com Amazon.com The Granite City is ready to burn, and all it takes is a single spark… In the heat of a blistering summer, Aberdeen's police are struggling: half the force is off sick, all leave has been cancelled, someone's firebombed a hotel full of migrants, and there's a massive protest march happening this Saturday. With officers dropping like flies, Detective Inspector Logan McRae is forced to juggle cases and run a major murder investigation with a skeleton staff of misfits, idiots and malingerers until the top brass can arrange back-up from other divisions. It doesn't help that the Aberdeen Examiner has just been bought by Natasha Agapova, a tabloid media tycoon, hell-bent on blaming local police for everything. And she's more than happy to fan the flames. But, as bad as everything seems, it's all about to get much, much worse . . . * * *About the author Stuart MacBride is the Sunday Times No.1 bestselling author of the Logan McRae and Ash Henderson novels. He's also published standalones, novellas, short stories, and a slightly twisted children's picture book for slightly twisted children. Stuart lives in the wilds of northeast Scotland with his wife Fiona; cats Gherkin, Onion, and Beetroot; some hens; some horses; and an impressive collection of assorted weeds.

Daniela Candillari grew up in Serbia and Slovenia.  She holds a Doctorate in Musicology from the Universität für Musik in Vienna, a Master of Music in Jazz Studies from the Indiana University Jacobs School of Music, and a Master of Music and Bachelor's degree in Piano Performance from the Universität für Musik in Graz. She is also a Fulbright Scholarship recipient.Daniela is in her fourth season as principal conductor at Opera Theatre of Saint Louis. In celebration of its 50th anniversary season, she is conducting the company's 44th world premiere, This House, with music by Ricky Ian Gordon and libretto by Pulitzer Prize-winner Lynn Nottage and her daughter, Ruby Aiyo Gerber.Daniela made her New York Philharmonic debut in its inaugural season in the new David Geffen Hall, conducting cellist Yo-Yo Ma in Elgar's Cello Concerto.  And she made her “Carnegie Hall Presents” debut leading the American Composers Orchestra in a program of premieres.  Other engagements include debuts with the Metropolitan Opera and Deutsche Oper Berlin, and productions with Lyric Opera of Chicago, Minnesota Opera, Detroit Opera, Orchestre Métropolitan Montreal, and Classical Tahoe Festival.Finally, Daniela has been commissioned by established artists including instrumentalists from the Boston, Cleveland, Detroit, and Pittsburgh Symphonies, as well as the three resident orchestras of Lincoln Center: the Metropolitan Opera Orchestra, the New York Philharmonic, and the New York City Ballet. She is deeply involved with Music Academy of the West's programming for young artists and she recently participated in master classes and discussions at DePaul University, Chicago Humanities Festival, and Valissima Institute.It's a pleasure to have her with me on this episode.

On this episode of Currently Reading, Meredith and Kaytee are discussing: Bookish Moments: piles of books and bookishness in non bookish places Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: how we purge our shelves The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site) .  .  .  .  1:47 - Ad For Ourselves 2:08 - Currently Reading Patreon 3:24 - Fabled Bookshop 4:56 - Our Bookish Moments Of The Week 5:52 - Voyage of the Dawn Treader by C.S. Lewis (Finnish version) 5:53 - The Horse and His Boy by C.S. Lewis (Finnish version) 10:41 - Become a CR Patron to access the reading tracker! 12:20 - Our Current Reads 12:25 - There are Rivers in the Sky by Elif Shafak (Kaytee) 16:12 - This House is Haunted by John Boyne (Meredith) 20:56 - The Plan by Kendra Adachi (Kaytee) 21:55 - The Lazy Genius Way by Kendra Adachi 21:57 - The Lazy Genius Kitchen by Kendra Adachi 25:52 - CR Season 4: Episode 42 w/Kendra Adachi 26:29 - Sandy Hook: An American Tragedy and the Battle for Truth by Elizabeth Williamson (Meredith) 32:18 - Columbine by Dave Cullen 33:20 - The Trees by Percival Everett (Kaytee) 35:25 - Erasure by Percival Everett 36:42 - James by Percival Everett 38:07 - Sunrise on the Reaping by Suzanne Collins (Meredith) 38:27 - Ballad of Songbirds and Snakes by Suzanne Collins 39:48 - The Hunger Games by Suzanne Collins 45:56 - How We Purge Our Shelves 51:43 - Half Price Books 57:00 - Meet Us At The Fountain 57:08 - I am wishing for a good laugh, so send me recs of books that made you laugh. (Kaytee) 58:47 - Victorian Psycho by Virginia Feito 58:48 - The Millicent Quibb School of Etiquette for Young Ladies of Mad Science by Kate McKinnon 59:09 - @hollyslitmagic on Instagram 59:29 - I wish to have the discussion about whether book publishing has gone the route of fast fashion. (Meredith)   Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. April's IPL is brought to you by Warwick's in La Jolla, California! Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

In this episode of Sippin' On Country, we sit down with Gareth, a rising country artist from Northern Ireland who just made the big move to Nashville!

EPISODE 189: Moving is tough for adults, but it's even more challenging for children! That's why today's guest, Katelyn Starceski, wrote a book to help them manage all the big feelings that come with moving. Katelyn Starceski is an experienced real estate agent in Pittsburgh who has always valued having a strong relationship with her clients. Through her work, she realized that kids often get overlooked in the moving process, which inspired her to write her first book, This House is SO Special to Me! In this episode, we discuss her writing process, how she found the right editor and illustrator, and how she self-published her book. We also talk about her approach as a real estate agent and her tips for building strong bonds with her clients. Tune in!   Key Takeaways: 00:00 Intro 00:32 Katelyn's background  02:37 What inspired Katelyn to write a book for children  08:10 Writing and editing process  23:36 Utilizing Amazon KDP as an author  25:21 ISBN explained 26:10 Where to get Katelyn's book and reach out to her  27:30 Outro   —   If you want to watch the video episode, go to: www.motivatedleads.com/podcast/episode-189-helping-kids-cope-with-moving---a-real-estate-agents-solution-with-katelyn-starceski   —   Get in touch with Katelyn Starceski:  

For the final episode of the 2025 Winter Season, Mike talks with Helen Green, winner of a 2016 Windham-Campbell Prize for Non-fiction, about Henry Green's Party Going. They celebrate the joys of the NYRB Classics sale, the mysteries of Australian Rules football, and the joys of this ensemble novel. Helen Garner writes novels, stories, screenplays, and works of non-fiction. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham–Campbell Literature Prize for Non-fiction. In 2019 she was honoured with the Australia Council Award for Lifetime Achievement in Literature. Her books include Monkey Grip, The Children's Bach, Cosmo Cosmolino, The Spare Room, The First Stone, This House of Grief, Everywhere I Look, and her diaries Yellow Notebook, One Day I'll Remember This, and How to End a Story. Her latest book is The Season. Learn more about your ad choices. Visit megaphone.fm/adchoices

Two-time Pulitzer Prize winner Lynn Nottage and her daughter, poet and writer Ruby Aiyo Gerber, talk about co-writing the opera, “This House.” Taking place in a majestic Harlem brownstone, the opera explores themes of gentrification and losing Black histories. It also delves into what connects – and binds – people to history and to one another. “This House” will have its world premiere at Opera Theatre of St. Louis this May.

Given the shameful American sacrifice of Ukraine, there will be few timelier movies than Anna Kryvenko's upcoming “This House is Undamaged”,. It will be an Orwellian documentary examining the Russian destruction of Mariupol, the Ukrainian city devastated by Putin's invasion in 2022. Krivenko, a Fellow at the Artist in Residence program, Institute for Advanced Studies at CEU, explains how Russian authorities are rapidly rebuilding and selling properties there while erasing Ukrainian history and creating the big lie of Mariupol as a historically Russian city. Kryvenko, originally from Kyiv, also discusses the parallels between Putin's and Trump's lies about Ukraine, summarizing their fundamental misrepresentation of the truth as a "carnival of hypocrisy."Here are the five KEEN ON takeaways from our conversation with Kryvenko:* The Russians are engaged in a systematic erasure of Mariupol's Ukrainian identity, not just through physical reconstruction but through an aggressive propaganda campaign that claims the city was "always Russian." This reconstruction effort began shortly after the city's destruction in 2022.* Pre-war Mariupol was not characterized by deep Russian-Ukrainian divisions as Russian propaganda claims. According to Kryvenko, language differences weren't a source of conflict before political forces deliberately weaponized them.* The rebuilding of Mariupol has a dark commercial aspect - Russians are selling apartments in reconstructed buildings, sometimes in properties where the original Ukrainian owners were killed, and marketing them as vacation properties while ignoring the city's tragic recent history.* There's a humanitarian crisis unfolding as some Ukrainians are being forced to return to occupied Mariupol because they have nowhere else to live, with Kryvenko citing statistics that around 150,000 people returned to occupied territories by the end of 2024.* The filmmaker is using a unique methodology of gathering evidence through social media content, vlogs, and propaganda materials to document both the physical transformation of the city and the narrative being constructed around it, rather than traditional documentary filming techniques.Transcript of Anna Kryvenko InterviewAndrew Keen: Hello, everybody. As the situation in Ukraine becomes more absurd, it seems as if the lies of Donald Trump and the lies of Vladimir Putin are becoming increasingly similar. Trump has been talking about Zelensky and Ukraine, what is described as a barrage of lies. As CNN reports, Trump falsely called Zelensky a dictator. It's becoming more and more absurd. It's almost as if the whole script was written by some Central European or East Central European absurdist. Meanwhile, the Russians continue to lie as well. There was an interesting piece recently in the Wall Street Journal about Russia wanting to erase Ukraine's future and its past. My guest today, Anna Kryvenko, is a filmmaker. She's the director of an important new movie in the process of being made called "This House Is Undamaged." She's a visual fellow at the Central European University, and she's joining us from Budapest today. Congratulations on "This House is Undamaged." Before we talk specifically about the film, do you agree with my observations that there seems to be an increasingly eerie synergy between the lies coming out of Washington, D.C. and Moscow, between Trump and Putin?Anna Kryvenko: I think the situation is becoming more crazy and absurd. That's a better word to use in this situation. For me, all of this looks like some carnival of hypocrisy. It's unbelievable that someone can use the word "dictator" in comparison with Vladimir Putin or speaking about this 4% of the people who support Zelensky when he says it's only four persons. It looks completely absurd. And this information comes from Moscow, not from actual Ukrainian statistics.Andrew Keen: The phrase you use "carnival of hypocrisy" I think is a good description. I might even use that in the title of this conversation. It's almost as if Trump in particular is parodying himself, but he seems so separated from reality that it seems as if he's actually being serious, at least from my position in California. How does it look from your perspective in Budapest? You're originally from Ukraine, so obviously you have a particular interest in this situation.Anna Kryvenko: I don't even know what to think because it's changing so fast into absurd situations. Every day when I open the news, I'm speaking with people and it looks like some kind of farce. You're expecting that the next day someone will tell you that this is a joke or something, but it's not. It's really hard to believe that this is reality now, but unfortunately it is.Andrew Keen: Kundera wrote his famous novel "The Joke" as a parody of the previous authoritarian regime in Central Europe. Your new movie, "This House is Undamaged" - I know you are an artist in residence at the Institute for Advanced Study at Central European University - is very much in that vein. Tell us about the project.Anna Kryvenko: We're in work in progress. I was doing research in the archives and internet archives. This documentary film will explore the transformation of Mariupol, a Ukrainian city that was destroyed by the Russian invasion in 2022. I will use only archives and found footage materials from people who are in Mariupol now, or who were in Mariupol at the time of invasion, who were actually trying to film what's going on. Sometimes I'll also use propaganda images from Russia, from Russian authorities. In May 2022, Mariupol, after intense fighting, was almost completely destroyed.Andrew Keen: Tell us the story of Mariupol, this town on the old border of Russia and Ukraine. It's in the southeast of Ukraine.Anna Kryvenko: It's on the shore of the Azov Sea. It's part of Donetsk region. It was always an industrial city, most known for the Azovstal factory. In 2022, after incredible brutality of Russian war against Ukraine, this strategically important city was almost completely destroyed in May 2022 and was occupied by Russian government. About 90% of buildings were destroyed or demolished in some way.Andrew Keen: The Russians have essentially leveled the town, perhaps in the same way as the Israelis have essentially destroyed Gaza.Anna Kryvenko: Exactly. For a lot of people, we have this image of destroyed Mariupol until today. But after these terrible events, the Russians started this big campaign to rebuild the city. Of course, we know it was done just to erase all the scars of war, to erase it from the city's history. They started the reconstruction. Some people who stayed in Mariupol thought they would have new housing since they had no place to live. But business is business - Russian authorities started to sell these apartments to Russian citizens.Andrew Keen: I'm surprised Trump hasn't got involved. Given his real estate background and his cozy relationship with Putin, maybe Trump real estate will start selling real estate in Mariupol.Anna Kryvenko: I was thinking the same thing this last week. It was looking like such an absurd situation with Mariupol. But now we are in this business mode again with Ukraine and all the minerals. It's only the economical part of war they look at.Andrew Keen: He probably would come up with some argument why he really owns Mariupol.Anna Kryvenko: Yes.Andrew Keen: Coming back to the Wall Street Journal piece about Russia wanting to erase Ukraine's future and its past - you're originally from Kyiv. Is it the old East Central European business of destroying history and creating a new narrative that somehow conforms to how you want history to have been made?Anna Kryvenko: I was really shocked at how fast this idea of Russian Mariupol is repeating after two years in Russian media, official and semi-professional blogs, YouTube, and so forth. As a person working with this type of material, watching videos every day to find what I need, I'm listening to these people doing propaganda from Mariupol, saying "we are citizens of the city and it's always been Russian." They're repeating this all the time. Even when I'm hearing this - of course it was always a Ukrainian city, it's completely absurd, it's 100% disinformation. But when you're hearing this repeated in different contexts all the time, you start to think about it.Andrew Keen: It's the same tactics as Trump. If you keep saying something, however absurd it sounds or is, if you keep saying it enough times, some people at least start believing it. You're not a historian or political scientist, but Mariupol is in the part of Ukraine which had a significant population of Russian-speaking people. Some of the people that you're filming and featuring in your movie - are they Russians who have moved into Mariupol from some other part of Russia, or are they people originally from Mariupol who are somehow embracing their new Russian overlords?Anna Kryvenko: The people I'm watching on social media, most of them say they're from Mariupol. But you can find journalistic articles showing they're actually paid by the Russian government. It's paid propaganda and they're repeating the same narrative. It's important that they're always repeating "we were born in Mariupol" and "we want the city to be Russian." But of course, you can see it's from the same propaganda book as 2014 with Crimea. They're repeating the same narrative from Soviet times - they just changed "Soviet Union" to "Russia" and "the West" to "European Union."Andrew Keen: You grew up in Kyiv, so you're familiar with all these current and historical controversies. What's your take on Mariupol before 2020, before it was flattened by the Russians? Was it a town where Russian-speaking and Ukrainian people were neighbors and friends? Were there always deep divisions between the Russian and Ukrainian speaking populations there?Anna Kryvenko: It's hard to explain because you need to dig deeper to explain the Russian-speaking and Ukrainian-speaking parts of Ukraine. But it was never a problem before Yanukovych became prime minister and then president. It was his strategy to create this polarization of Ukraine - that the western part wants to be part of the European Union and the eastern part wants to be part of Russia because of language, and they cannot live together. But it's not true. For me as a person from Kyiv, from the center of the country, with friends from different parts of Ukraine, it was never a problem. I'm from a Russian-speaking family and have many friends from Ukrainian-speaking families. It was never a question. We were in a kind of symbiotic connection. All schools were in Ukrainian, universities in Ukrainian. We were bilingual. It was not a problem to communicate.Some of this division came from Yanukovych's connections to Putin and his propaganda. It was important for them to say "we are Russian-speaking people, and because we are Russian-speaking, we want to be part of Russia." But I have friends from Mariupol, and after 2014, when war in eastern Ukraine started and Mariupol was bombed a few times, it became a really good city to live in. There were many cultural activities. I know friends who were originally from Mariupol, studied in Kyiv in theater or visual art, and went back to Mariupol because it was a good place for their art practice. Ukraine is still a bit centralized, with most activity in Kyiv, Kharkiv, Lviv, and the big cities, but Mariupol wasn't a city with internal conflict. It's weird that so fast after 2022, people started saying it was always problematic in wanting to be part of Russia. It was never like that.Andrew Keen: It's as if I lived for a year in Bosnia before the civil war, and it was almost as if ethnicity was invented by the nationalist Serbian regime. It seems as if the Putin regime is doing or has done the same thing in the eastern part of Ukraine.Anna Kryvenko: Yes.Andrew Keen: You talk to lots of friends still and you're from Kyiv originally, and obviously your professional life remains focused on the situation. In late February 2025, what's your sense of how Ukrainians are feeling given what Trump is now saying?Anna Kryvenko: I think a lot of people in Ukraine or Ukrainians abroad are feeling lonely, that they don't have support. Again we are in this situation where you have big deals about Ukraine without Ukraine. You feel like nothing, just an empty space on a map with minerals or sea access. We're just sitting there waiting while they're agreeing on deals. That's the negative layer. But it's important for all Ukrainians to be together and speak about the situation. After Trump's words about the 4% support for Zelensky, there were statistics from last year showing 57-55% support for Zelensky. Today, after these few days, new statistics show 65% support.Andrew Keen: Zelensky started his political career as a satirical comedian, and it's as if he's participating in his own comedy - as if he's almost paid Trump to promote him. What about the broader take on the US? Obviously Trump isn't all America, but he was just elected a couple of months ago. Are your Ukrainian friends and associates, as well as many people at the Central European University in Budapest, taking this as a message from America itself, or are people able to separate Trump and America?Anna Kryvenko: This is a hard question because we always know that you have a president or representative figure, but that's not the whole state. I spoke with someone from our university who was in Pennsylvania before the election, and he said all the people were pro-Trump. The logic was really simple - "he's good" and "he will stop this war" - though people sometimes don't even know which war or which country. They're just repeating the same talking points.Andrew Keen: It's sort of Orwellian in the sense that it's just war and it doesn't really matter who's involved - he's just going to stop it.Anna Kryvenko: It reminded me of how everyone was repeating about Lukashenko from Belarus that "he's a good manager" and can manage things, and that's why he's still president - not that he's a dictator killing his opponents. They use this to explain why he's good and people choose him. Now with Trump, they say "he's a good businessman," but we can see how this business works. Today, someone from Trump's administration said Zelensky needs to stop being arrogant because Trump is in a bad mood. In what world are we living where this is used as an argument?Andrew Keen: Coming back to real estate, he probably sees Mariupol as a nice strip on the Black Sea, like Gaza, which he sees as a valuable strip on the Mediterranean for real estate development. I found an interesting piece online about the Russian invasion, "When Buildings Can Talk: The Real Face of Civilian Infrastructure Ruined by Russian Invaders." In a way, your project "This House is Undamaged" is your way of making buildings talk. Is that fair?Anna Kryvenko: I think it's the best description you can use.Andrew Keen: Perhaps you might explain how and why.Anna Kryvenko: This name "This House is Undamaged" might or might not be the final name. For me, it's important because after the first months when it started to be a Russian city, some people were trying to sell apartments just to have some money. The reconstruction started a bit later. They were using video websites like Craigslist. It immediately became Russian, part of Russian territory. People from different Russian regions who saw this opportunity were trying to buy something because prices were so cheap. People needed money to buy a ticket and go to other cities or to relatives. In every advertisement, there was this phrase "this house has no damages" or "this house is undamaged." You had to put it there even if it wasn't true - you could see pictures where one building had a hole, but they were still saying "this house is undamaged."Andrew Keen: It's just again coming back to the carnival of hypocrisy or the carnival of absurd hypocrisy - you see these completely destroyed homes, and then you have the signs from the Russians saying this house is undamaged.Anna Kryvenko: It was also interesting why some people from Russia want to buy apartments in Mariupol, in these reconstructed buildings with weird pro-Russian murals - it's like Stalinism. They don't even know where Mariupol is - they think it's somewhere near Crimea, but it's not the Black Sea, it's the Azov Sea, an industrial region. It's not the best place to live. But they think it will be some kind of resort. They're living somewhere in Russia and think they can buy a cheap apartment and use it as a resort for a few months. This is absurd because the city was completely destroyed. You still have mass graves. Sometimes they're selling apartments where they can't even find the owner because the whole family is dead.On Google Maps, someone made an alternative version where you can see all the buildings that were destroyed, because officially you can't find this information anywhere. People were putting crosses where they knew someone died in a building - entire families. And after this, people are buying their apartments. For me, this is unbearable. You can do research about what you're doing, but people are lazy and don't want to do this work.Andrew Keen: It comes back to the Journal piece about Russia literally erasing not just Ukraine's past but also its future, creating a culture of amnesia. It's chilling on so many levels. But it's the old game - it's happened before in that part of the world and no doubt will happen again. As a filmmaker, what particular kind of political or aesthetic responsibility do you have? People have been writing - I mentioned Kundera, Russian writers, Gogol - satires of this kind of absurd political power for centuries. But as a filmmaker, what kind of responsibility do you have? How does your form help you make this argument of essentially restoring the past, of telling the truth?Anna Kryvenko: A lot of filmmakers in Ukraine, with the start of invasion, just brought cameras and started making films. The first goal wasn't to make a film but to document the crimes. My case is different - not only because my family's in Ukraine and I have many friends there and lived there until my twenties. For the last ten years, since the Maidan events in 2013-2014, I started working with archive and found footage material. This is my methodology. For me, it's not important to go somewhere and document. It's more interesting to use media deconstruction from propaganda sources, maybe from Ukrainian sources also because it's a question of ideology.One of my favorite materials now is people doing vlogs - just with their camera or mobile phone going from Russia to Crimea or back. You only have two ways to go there because airports aren't working, so you go through the Kerch-Crimea bridge. Now because of Mariupol's strategic location, you can go through there, so you have two different roads. People from different Russian cities sometimes film their road and say "what is this, is it destroyed?" This is the average Russian person, and you can hear the propaganda they're repeating or what they're really thinking. For me, it's important to show these different points of view from people who were there or are there now. I don't have the opportunity as a Ukrainian citizen to go there. Through this method, in the near future when I finish this film, we can have testimonies from the inside. We don't need to wait for the war to end because we don't know how or when it ends. It's important to show it to people who maybe don't know anything about what's going on in Mariupol.Andrew Keen: Given the abundance of video on the internet, on platforms like YouTube, how do you distinguish between propaganda and truth yourself in terms of taking some of these segments to make your film? It could be conceivable that some of the more absurd videos are put out by Ukrainians to promote their own positions and undermine the Russians. Have you found that? Is there a propaganda war on YouTube and other platforms between Ukrainian and Russian nationalists? And as a filmmaker who's trying to archive the struggle in an honest way, how do you deal with that?Anna Kryvenko: Of course, there are many people, and Mariupol is the best example because the Russian government is paying people to repeat pro-Russian ideology. Sometimes you can see just an average person from Mariupol going with a camera and shooting something without speaking - this is just documentation. Sometimes you have Russian people there for some days just saying something. And of course, you get different segments of real propaganda from some ministry in Russia with drone material and big music. I'm always trying to question myself: What am I looking at? Who is speaking? On technical aspects, why is this like this? It helps me to be holistic.Of course, I'm from Ukraine, and sometimes this is the most uncomfortable - you can hear actual people from Mariupol saying something you don't want to hear because it's not your point of view on the war. But these are people really from the city giving some kind of realistic point of view on the situation. It's sad, but there were statistics at the end of 2024 that about 150,000 people were returning to occupied territories, not only to Mariupol but all occupied territories. Maybe 40% were coming back to register their property and then returning to Ukrainian territory, but many people are returning to Mariupol because they don't have anywhere to live in Ukraine. It's not hundreds but thousands of people. As Ukrainians, we're not comfortable with this because we're all in different situations. But if something's not comfortable for my point of view, it doesn't mean it's bad or good.Andrew Keen: It's an important project. I know your artist residency at the Central European University is finishing at the end of February. You're going to focus on finishing the movie. When do you think it will be ready and what are your ambitions for the finished movie? Will you put it online, in theaters? What's your ideal?Anna Kryvenko: If everything goes well, we can finish it in a year and a half because it will be a long process of editing and working with rights. We only started working on it six months ago, and it's starting to go faster. Documentary making is a long process because of funding and everything. Even though I don't need to go somewhere physically, it's still a long process with a lot of waiting. First, we're thinking about festivals, maybe a theater release, maybe we'll have some broadcasters because it's an important topic to show to a wider audience. After a year, we'll see.Andrew Keen: If "Buildings Can Talk" is the subtitle of this upcoming movie "This House is Undamaged," it's a really important project about Mariupol. Thank you for being on the show. I'm going to have to get you back when the movie is done because I can't wait to see it.Anna Kryvenko: Thank you so much. Thank you.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Anna Kryvenko (1986, Ukraine) is a video and fine art photography artist based in Prague and Kyiv. She is a Fellow at the Artist in Residence program, Institute for Advanced Studies at Central European University. She graduated from the Centre for Audio-Visual Studies at the Film and TV School of the Academy of Performing Arts (FAMU, Prague). Her films and performances were screened at Dok Leipzig, ZagrebDox, Visions du Reel Nyon, Fluidum Festival, Jihlava Documentary Film Festival, etc. With her found-footage film Silently Like a Comet, she won the prize for the Best Experimental Act at FAMUFEST, Prague (CZ), and a few others. Her film Listen to the Horizon won the prize for the Best Czech Experimental Documentary, Jihlava IDFF (CZ). Her first feature documentary film My Unknown Soldier won the Last Stop Trieste 2018 Postproduction Award, Special Mention at Zagreb Dox, the Special Prize of the Jury at IDFF CRONOGRAF, and the Andrej Stankovič Prize. Her newest short film Easier Than You Think won the Jury Award of the Other Vision Competition 2022 (PAF, Czech Republic).Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

God's ultimate purpose for man is that we should be TEMPLES of the LIVING GOD, with God living in us and shining His glory through us. God introduced the concept of Temples (places where God chooses to dwell among men) to the human race from the beginning, which is why temples are in every ancient culture & religion. All EARTHLY TEMPLES of God were patterned according to a heavenly blueprint, the HEAVENLY TEMPLE (Heb 8:5). The Bible describes a sequence of earthly Temples, and all these earthly & heavenly Temples are pictures, encoding revelation of God's ultimate eternal Temple – redeemed Man in Christ. We need to put together all the clues provided by all the different temples, to see how they all harmonise together, to give a complete picture of who we're called to be as His ultimate Temple. All Temples of God have a tripartite structure: (1) HOLY of HOLIES, (2) HOLY PLACE & (3) OUTER COURT. Likewise, we (1) ARE a SPIRIT, (2) HAVE a SOUL, and (3) LIVE in a BODY. Gen 2:7: “The Lord formed man (1) of the dust of the ground (man's BODY), and (2) BREATHED into his nostrils the BREATH of LIFE (man's SPIRIT); and (3) man became a living SOUL.” The fusion of man's SPIRIT (created by God's breath) & BODY (made from the earth) formed his SOUL. We're not just individually Temples of God, but are designed to be part of one great corporate TEMPLE of God consisting of all believers. We're LIVING STONES that fit together into a far greater Temple of God. Each has a unique place in that greater Temple of the Holy Spirit. We are all (1) living stones in the TEMPLE of God the Spirit, (2) members of the FAMILY of God the Father, and (3) members of the BODY of Christ the Son. So, we need to think corporately as well as individually. In Matthew 16, Peter is used as an example of a believer, who comes into and becomes part of God's Temple by faith in Christ (v15-17). Jesus said in v18: “you are Peter (petros, small stone), and ON this ROCK (petra, massive foundation stone) I will build My CHURCH.” The FOUNDATION STONE or ROCK for the Church is CHRIST Himself (1Cor 3:11, 10:4). Peter, an example & picture of all believers, is a small LIVING STONE, that becomes part of the Church, the Temple of God, built on the FOUNDATION ROCK - CHRIST. As living stones built on Christ, we partake of His life & nature (made of the same stuff). He then predicted His death & resurrection (v21). By laying His life down and then rising from the dead, he established Himself as the FOUNDATION STONE for the CHURCH, the TEMPLE of God. The CHURCH only came into existence as the new TEMPLE of God after He laid Himself down as its FOUNDATION STONE in His death & resurrection. In v18, Jesus declared He will BUILD His CHURCH on HIMSELF as the ROCK FOUNDATION. But first, He had to lay Himself down as the Foundation Stone (v21). He's saying in v18-21: “I am the foundation ROCK & foundation SACRIFICE of my new Temple, the Church.” So, thru His death & resurrection, His Temple has a firm FOUNDATION, consecrated to God - the risen CHRIST, who upholds the whole Building before God. Having declared Himself the ROCK-FOUNDATION of His CHURCH, He said: “I first have to die as the foundation Blood Sacrifice, to make this a reality” (v21). He died and was buried as the Foundation Sacrifice, dedicating Himself to God as the FOUNDATION for God's Temple. On the basis of His shed Blood, He was resurrected & established & consecrated to God as the Foundation Stone for God's eternal Temple (Heb 13:20). To be in the Kingdom (Temple) of God, we must enter in through Christ, our Threshold Stone, through faith in His sacrificial death & resurrection for us. To reject His Blood Sacrifice, counting it as something of no value, is to trample on Him & His precious Blood, resulting in eternal punishment (Heb 10:29). CHRIST Himself is the FOUNDATION STONE or ROCK (1Cor 3:11). He completed the laying down of this FOUNDATION of HIMSELF in His death, burial & resurrection. So, He's now our living FOUNDATION. 1Peter 2:4: “COMING to HIM (the risen CHRIST) as to a LIVING STONE (the FOUNDATION STONE), rejected indeed by men (His death), but chosen by God & precious (His resurrection & exaltation).” 1Peter 2:5: “You also, as LIVING STONES, are being BUILT UP (together) as a spiritual HOUSE (upon Christ, filled with the Holy Spirit), a holy priesthood, to offer up spiritual sacrifices acceptable to God through Jesus Christ.” Thru our union with CHRIST, the LIVING FOUNDATION STONE, we are blessed with His life & nature, and so become LIVING STONES, built together into the Temple of God upon Christ, our Foundation. So, Christ told Peter he was a LIVING STONE, BLESSED with eternal life, part of God's Temple, built on the ROCK of CHRIST, the LIVING FOUNDATION STONE in Matthew 16, and Peter applies this to all believers in 1Peter 2:5. This House is the HOLY TEMPLE of God, the DWELLING PLACE of God (1Cor 3:16-17, Eph 2:21-22).

God's ultimate purpose for man is that we should be TEMPLES of the LIVING GOD, with God living in us and shining His glory through us. God introduced the concept of Temples (places where God chooses to dwell among men) to the human race from the beginning, which is why temples are in every ancient culture & religion. All EARTHLY TEMPLES of God were patterned according to a heavenly blueprint, the HEAVENLY TEMPLE (Heb 8:5). The Bible describes a sequence of earthly Temples, and all these earthly & heavenly Temples are pictures, encoding revelation of God's ultimate eternal Temple – redeemed Man in Christ. We need to put together all the clues provided by all the different temples, to see how they all harmonise together, to give a complete picture of who we're called to be as His ultimate Temple. All Temples of God have a tripartite structure: (1) HOLY of HOLIES, (2) HOLY PLACE & (3) OUTER COURT. Likewise, we (1) ARE a SPIRIT, (2) HAVE a SOUL, and (3) LIVE in a BODY. Gen 2:7: “The Lord formed man (1) of the dust of the ground (man's BODY), and (2) BREATHED into his nostrils the BREATH of LIFE (man's SPIRIT); and (3) man became a living SOUL.” The fusion of man's SPIRIT (created by God's breath) & BODY (made from the earth) formed his SOUL. We're not just individually Temples of God, but are designed to be part of one great corporate TEMPLE of God consisting of all believers. We're LIVING STONES that fit together into a far greater Temple of God. Each has a unique place in that greater Temple of the Holy Spirit. We are all (1) living stones in the TEMPLE of God the Spirit, (2) members of the FAMILY of God the Father, and (3) members of the BODY of Christ the Son. So, we need to think corporately as well as individually. In Matthew 16, Peter is used as an example of a believer, who comes into and becomes part of God's Temple by faith in Christ (v15-17). Jesus said in v18: “you are Peter (petros, small stone), and ON this ROCK (petra, massive foundation stone) I will build My CHURCH.” The FOUNDATION STONE or ROCK for the Church is CHRIST Himself (1Cor 3:11, 10:4). Peter, an example & picture of all believers, is a small LIVING STONE, that becomes part of the Church, the Temple of God, built on the FOUNDATION ROCK - CHRIST. As living stones built on Christ, we partake of His life & nature (made of the same stuff). He then predicted His death & resurrection (v21). By laying His life down and then rising from the dead, he established Himself as the FOUNDATION STONE for the CHURCH, the TEMPLE of God. The CHURCH only came into existence as the new TEMPLE of God after He laid Himself down as its FOUNDATION STONE in His death & resurrection. In v18, Jesus declared He will BUILD His CHURCH on HIMSELF as the ROCK FOUNDATION. But first, He had to lay Himself down as the Foundation Stone (v21). He's saying in v18-21: “I am the foundation ROCK & foundation SACRIFICE of my new Temple, the Church.” So, thru His death & resurrection, His Temple has a firm FOUNDATION, consecrated to God - the risen CHRIST, who upholds the whole Building before God. Having declared Himself the ROCK-FOUNDATION of His CHURCH, He said: “I first have to die as the foundation Blood Sacrifice, to make this a reality” (v21). He died and was buried as the Foundation Sacrifice, dedicating Himself to God as the FOUNDATION for God's Temple. On the basis of His shed Blood, He was resurrected & established & consecrated to God as the Foundation Stone for God's eternal Temple (Heb 13:20). To be in the Kingdom (Temple) of God, we must enter in through Christ, our Threshold Stone, through faith in His sacrificial death & resurrection for us. To reject His Blood Sacrifice, counting it as something of no value, is to trample on Him & His precious Blood, resulting in eternal punishment (Heb 10:29). CHRIST Himself is the FOUNDATION STONE or ROCK (1Cor 3:11). He completed the laying down of this FOUNDATION of HIMSELF in His death, burial & resurrection. So, He's now our living FOUNDATION. 1Peter 2:4: “COMING to HIM (the risen CHRIST) as to a LIVING STONE (the FOUNDATION STONE), rejected indeed by men (His death), but chosen by God & precious (His resurrection & exaltation).” 1Peter 2:5: “You also, as LIVING STONES, are being BUILT UP (together) as a spiritual HOUSE (upon Christ, filled with the Holy Spirit), a holy priesthood, to offer up spiritual sacrifices acceptable to God through Jesus Christ.” Thru our union with CHRIST, the LIVING FOUNDATION STONE, we are blessed with His life & nature, and so become LIVING STONES, built together into the Temple of God upon Christ, our Foundation. So, Christ told Peter he was a LIVING STONE, BLESSED with eternal life, part of God's Temple, built on the ROCK of CHRIST, the LIVING FOUNDATION STONE in Matthew 16, and Peter applies this to all believers in 1Peter 2:5. This House is the HOLY TEMPLE of God, the DWELLING PLACE of God (1Cor 3:16-17, Eph 2:21-22).

From police chase phantoms that vanish in the snow, to disembodied hands beckoning in Ski resort crawlspaces- Join us, on this episode of belief hole, as we clock in for the graveyard shift to share True terrifying tales of encounters with the unseen things that never clock out!

Show Notes:Compassion and Understanding: • Emphasis on compassion related to people's behavior. • Connection between outbursts and long-term personal issues. • Potential societal improvements through increased compassion.Men's Mental Health: • Discussion on the stigma surrounding men's mental health. • Need for acceptance of emotional expression among men. • Reference to returning soldiers with PTSD. • Shalaine's song tackling societal expectations about men's emotions.Songwriting and Personal Expression: • Shalaine's song about her husband hypothetically committing suicide. • Importance of authenticity in songwriting for musicians. • Shalaine's independent songwriting process. • Balancing personal vulnerability with broader themes in her music.Performance Dynamics: • Unique dynamic created by performing with her father as her drummer. • Emotional impact of on-stage performances, leading to personal moments. • Shalaine's father stepping back from active drumming.Musical Background and Growth: • Shalaine's journey from musical theater, dance, and choral music to country music. • Early performance experiences influencing her stage presence. • Inheritance of her grandfather's guitar sparking a renewed passion for music.Musical Preferences and Influences: • Shalaine's strong roots in country music and lack of interest in genre shifting. • Influences from Allison Krauss, Carolyn Dawn Johnson, and others. • Comparison of music streaming payouts, preference for Apple Music over Spotify.Song Release and Genre Evolution: • Upcoming release of "Dirt Road Race Remix 1." • Original recording of "Dirt Road Race" with revisions to remove jazz elements. • Collaboration with Sound Foundation and advice from Michael Botte to achieve a modern country rock style.Inter-generational Musical Connections: • Nostalgia for Backstreet Boys and NSYNC. • Exposure of Shalaine's children to 90s music like "I Want It That Way." • Discussion on the nature of "guilty pleasure" songs from the past.Community and Personal Connection: • Shalaine's participation with "the Amigos" group. • Building confidence through community and family-oriented performances. • Relationship management and emotional themes in songwriting, like "Ghost in This House."Online Presence and Merchandise: • Shalaine's presence on social media platforms like Instagram, Facebook, and TikTok. • Challenges and learning curve with TikTok for those over 30. • Merchandise availability and personal production for fan interactions.Financial Aspects of Music: • Challenges associated with low streaming royalties. • Discussion on making excessive money and its impact on enjoyment.Support and Recognition: • Introduction of Shalaine by Kayden Gordon to the podcast. • Participation and success at the International Singers Songwriters Association Awards.Personal Influence and Legacy: • Influence of Shalaine's grandfather on her musical passion. • Writing of "Silver and Gold" in tribute to her grandfather.Closing Remarks: • Appreciation for Shalaine's guest appearance. • Finishing the episode with the ethos: "when words fail, music speaks."

Every year when Halloween rolls around, we roll out THE SPICE. Spicy is supposedly spooky for some reason. The Halloween Time Foodie Guide contains a lot of hot cheeto dusted items, some ghostly peppers, and some arguably bland items. Let's take the end of Tramtober to transition out of spooky spices and into some systematic spice. Whether seasonal or regular, let's dig in to some items with less heat than advertised. Join Kirk & Rain as they fan the flames on a spicy final episode of Tramtober!Artwork characters by August - eerochromehttps://www.instagram.com/eerochrome/Halloween Music"This House" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Tomorrowland - Disneylanders, Poor Unfortunate SoulsTrammin' - The Disneylanders, Addy DaddyUsed with permission.Listen to full episodes every Windsday and topic-only uploads on Big Thunder Thursdays!InstagramTrammin' - https://instagram.com/TramminPodcastChristian Rainwater - https://instagram.com/imrainwaterMusicLocal Forecast - Elevator Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/ Trammin' - The Disneylanders, Addy DaddyUsed with permission.Character Art & AnimationNadia Dar - https://nadsdardraws.carrd.co/Trammin.comTrammin' is written without the use of Artificial Intelligence.©Trammin' - A Disneyland Podcast

This is Halloween. Or is it Halloween? What makes this season what it is? What makes the ticks tick? What makes the creepies crawl? Do you feel it now Mr. Krabs? Those spooky fall vibes? We don't think we did. It's been a weird season for us, and maybe too long as well. Let's explore what defined this Halloween season for us. Join Kirk & Rain as they put the belt through the loop in the center strap before buckling on a foggy new episode of Tramtober!Artwork characters by August - eerochromehttps://www.instagram.com/eerochrome/Halloween Music"This House" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Tomorrowland - Disneylanders, Poor Unfortunate SoulsTrammin' - The Disneylanders, Addy DaddyUsed with permission.Listen to full episodes every Windsday and topic-only uploads on Big Thunder Thursdays!InstagramTrammin' - https://instagram.com/TramminPodcastChristian Rainwater - https://instagram.com/imrainwaterMusicLocal Forecast - Elevator Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/ Trammin' - The Disneylanders, Addy DaddyUsed with permission.Character Art & AnimationNadia Dar - https://nadsdardraws.carrd.co/Trammin.comTrammin' is written without the use of Artificial Intelligence.©Trammin' - A Disneyland Podcast

This is an extended version of a programme first broadcast on Sunday 10 March 2024.James Graham is an award-winning dramatist whose plays include This House, Ink and Dear England starring Joseph Fiennes as the England football manager Gareth Southgate. His acclaimed television productions include Sherwood and Quiz, based on the story of the so-called coughing Major Charles Ingram who was found guilty of cheating on the game show Who Wants to be a Millionaire? James was born in Kirkby-in-Ashfield in Nottinghamshire in 1982. He was a shy boy who was encouraged to perform in school plays by his teachers. He went on to study drama at Hull University where he wrote his first play Coal Not Dole! He took the play to the Edinburgh fringe and the reception it received from audiences encouraged him to carry on writing.After graduating he worked as a stage doorkeeper at the Theatre Royal in Nottingham where one of his personal highlights was looking after Danny La Rue, the star of the Christmas panto. His first London premiere came in 2005 at the Finborough Theatre in London with Albert's Boy, which explored the arguments for and against nuclear weapons. In 2020 James was awarded an OBE for services to drama and young people in British theatre. DISC ONE: Disco 2000 - Pulp DISC TWO: Chatanooga Choo Choo - Glenn Miller DISC THREE: Up In Arms - Foo Fighters DISC FOUR: Syncopes - Gabriel Yared DISC FIVE: Your Disco Needs You - Kylie Minogue DISC SIX: Where Are We Now? - David Bowie DISC SEVEN: If You Came To See Me Cry - Katie Brayben (from Tammy Faye: The Musical) DISC EIGHT: Going To A Town - Rufus Wainwright BOOK CHOICE: A Brief History of Time by Stephen Hawking LUXURY ITEM: A keg of Single Malt Scotch Whisky CASTAWAY'S FAVOURITE: Where Are We Now? - David Bowie Presenter Lauren Laverne Producer Paula McGinley

Welcome, Foolish Mortals, to Trammin's Frightful Food Festival! We are your ghost hosts for this evening and we are here to serve man. Enter our grand dining room and peek at our menu. We have many devilish delights and terrifying treats to offer you. We know you're dying to sink your teeth into these ghoulish goodies. Join Kirk & Rain as they conjure up an imaginary and imaginative dining experience on a delectable new episode of Tramtober!Halloween Music"This House" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Tomorrowland - Disneylanders, Poor Unfortunate SoulsTrammin' - The Disneylanders, Addy DaddyUsed with permission.Listen to full episodes every Windsday and topic-only uploads on Big Thunder Thursdays!InstagramTrammin' - https://instagram.com/TramminPodcastChristian Rainwater - https://instagram.com/imrainwaterMusicLocal Forecast - Elevator Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/ Trammin' - The Disneylanders, Addy DaddyUsed with permission.Character Art & AnimationNadia Dar - https://nadsdardraws.carrd.co/Trammin.comTrammin' is written without the use of Artificial Intelligence.©Trammin' - A Disneyland Podcast

Welcome, Foolish Mortals, to The Tramtober Gathering. We decided to meet up with some of the TramFam to celebrate Tramtober and have a spooky lil' time at DCA. We laughed, we ate, we drank, we honked, and in a way, we danced. A few unfortunate souls were missed, but we hope you're here in spirit to hear what we've got to say. Join Kirk as he recounts this sacred meeting on a communal new episode of Trammin' - A Disneyland Podcast. Stay tuned until We Have It So Ghoul where Kirk performs a seance and summons another ghost host ;)Halloween Music"This House" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Tomorrowland - Disneylanders, Poor Unfortunate SoulsTrammin' - The Disneylanders, Addy DaddyUsed with permission.Listen to full episodes every Windsday and topic-only uploads on Big Thunder Thursdays!InstagramTrammin' - https://instagram.com/TramminPodcastChristian Rainwater - https://instagram.com/imrainwaterMusicLocal Forecast - Elevator Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/ Trammin' - The Disneylanders, Addy DaddyUsed with permission.Character Art & AnimationNadia Dar - https://nadsdardraws.carrd.co/Trammin.comTrammin' is written without the use of Artificial Intelligence.©Trammin' - A Disneyland Podcast

Big Thunder Topic from Trammin' Episode 236Welcome, foolish mortals, to Tramtober! Disneyland is not often thought of as "scary." And when it is, we may be thinking of its more thrilling attractions. But that's a different episode. What makes a ride scary? Are and rides even worthy of a title? What is a man? A miserable little pile of secrets, but enough talk... Join Kirk & Rain as they do the talking about some certified scary selections on ahair-raising new episode of Trammin' - A Disneyland Podcast!See you at our Tramtober meetup on Friday, October 4th at Disney California Adventure! 5:00pm to close. Halloween Music"This House" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Tomorrowland - Disneylanders, Poor Unfortunate SoulsTrammin' - The Disneylanders, Addy DaddyUsed with permission.Listen to full episodes every Windsday and topic-only uploads on Big Thunder Thursdays!InstagramTrammin' - https://instagram.com/TramminPodcastChristian Rainwater - https://instagram.com/imrainwaterMusicLocal Forecast - Elevator Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/ Trammin' - The Disneylanders, Addy DaddyUsed with permission.Character Art & AnimationNadia Dar - https://nadsdardraws.carrd.co/Trammin.comTrammin' is written without the use of Artificial Intelligence.©Trammin' - A Disneyland Podcast

Welcome, foolish mortals, to Tramtober! Disneyland is not often thought of as "scary." And when it is, we may be thinking of its more thrilling attractions. But that's a different episode. What makes a ride scary? Are and rides even worthy of a title? What is a man? A miserable little pile of secrets, but enough talk... Join Kirk & Rain as they do the talking about some certified scary selections on a hair-raising new episode of Trammin' - A Disneyland Podcast!See you at our Tramtober meetup on Friday, October 4th at Disney California Adventure! 5:00pm to close. Halloween Music"This House" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Tomorrowland - Disneylanders, Poor Unfortunate SoulsTrammin' - The Disneylanders, Addy DaddyUsed with permission.Listen to full episodes every Windsday and topic-only uploads on Big Thunder Thursdays!InstagramTrammin' - https://instagram.com/TramminPodcastChristian Rainwater - https://instagram.com/imrainwaterMusicLocal Forecast - Elevator Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/ Trammin' - The Disneylanders, Addy DaddyUsed with permission.Character Art & AnimationNadia Dar - https://nadsdardraws.carrd.co/Trammin.comTrammin' is written without the use of Artificial Intelligence.©Trammin' - A Disneyland Podcast

Full Text of ReadingsMemorial of Saint Pius of Pietrelcina, Priest Lectionary: 449The Saint of the day is Saint Pio of PietrelcinaSaint Pio of Pietrelcina's Story In one of the largest such ceremonies in history, Pope John Paul II canonized Padre Pio of Pietrelcina on June 16, 2002. It was the 45th canonization ceremony in Pope John Paul's pontificate. More than 300,000 people braved blistering heat as they filled St. Peter's Square and nearby streets. They heard the Holy Father praise the new saint for his prayer and charity. “This is the most concrete synthesis of Padre Pio's teaching,” said the pope. He also stressed Padre Pio's witness to the power of suffering. If accepted with love, the Holy Father stressed, such suffering can lead to “a privileged path of sanctity.” Many people have turned to the Italian Capuchin Franciscan to intercede with God on their behalf; among them was the future Pope John Paul II. In 1962, when he was still an archbishop in Poland, he wrote to Padre Pio and asked him to pray for a Polish woman with throat cancer. Within two weeks, she had been cured of her life-threatening disease. Born Francesco Forgione, Padre Pio grew up in a family of farmers in southern Italy. Twice his father worked in Jamaica, New York, to provide the family income. At the age of 15, Francesco joined the Capuchins and took the name of Pio. He was ordained in 1910 and was drafted during World War I. After he was discovered to have tuberculosis, he was discharged. In 1917, he was assigned to the friary in San Giovanni Rotondo, 75 miles from the city of Bari on the Adriatic. On September 20, 1918, as he was making his thanksgiving after Mass, Padre Pio had a vision of Jesus. When the vision ended, he had the stigmata in his hands, feet, and side. Life became more complicated after that. Medical doctors, Church authorities, and curiosity seekers came to see Padre Pio. In 1924, and again in 1931, the authenticity of the stigmata was questioned; Padre Pio was not permitted to celebrate Mass publicly or to hear confessions. He did not complain of these decisions, which were soon reversed. However, he wrote no letters after 1924. His only other writing, a pamphlet on the agony of Jesus, was done before 1924. Padre Pio rarely left the friary after he received the stigmata, but busloads of people soon began coming to see him. Each morning after a 5 a.m. Mass in a crowded church, he heard confessions until noon. He took a mid-morning break to bless the sick and all who came to see him. Every afternoon he also heard confessions. In time his confessional ministry would take 10 hours a day; penitents had to take a number so that the situation could be handled. Many of them have said that Padre Pio knew details of their lives that they had never mentioned. Padre Pio saw Jesus in all the sick and suffering. At his urging, a fine hospital was built on nearby Mount Gargano. The idea arose in 1940; a committee began to collect money. Ground was broken in 1946. Building the hospital was a technical wonder because of the difficulty of getting water there and of hauling up the building supplies. This “House for the Alleviation of Suffering” has 350 beds. A number of people have reported cures they believe were received through the intercession of Padre Pio. Those who assisted at his Masses came away edified; several curiosity seekers were deeply moved. Like Saint Francis, Padre Pio sometimes had his habit torn or cut by souvenir hunters. One of Padre Pio's sufferings was that unscrupulous people several times circulated prophecies that they claimed originated from him. He never made prophecies about world events and never gave an opinion on matters that he felt belonged to Church authorities to decide. He died on September 23, 1968, and was beatified in 1999. Reflection Referring to that day’s Gospel (Matthew 11:25-30) at Padre Pio's canonization Mass in 2002, Saint John Paul II said: “The Gospel image of ‘yoke' evokes the many trials that the humble Capuchin of San Giovanni Rotondo endured. Today we contemplate in him how sweet is the ‘yoke' of Christ and indeed how light the burdens are whenever someone carries these with faithful love. The life and mission of Padre Pio testify that difficulties and sorrows, if accepted with love, transform themselves into a privileged journey of holiness, which opens the person toward a greater good, known only to the Lord.” Learn more about Padre Pio! Saint of the Day, Copyright Franciscan Media