Podcasts about museopunks

Mutual aid systems rely on forms of exchange, sharing support and resources, to enable communities to care for their members in the face of difficulty. In May this year, Museum Workers Speak started the Museum Workers Relief Fund, a form of ‘radical redistribution’ that seeks donations from those with means to support US-based museum workers who have been laid off, furloughed, or otherwise severely impacted by the COVID-19 pandemic. Those donations are then redistributed as $500 gifts to help recipients stay afloat. In this episode, we speak with Paula Santos, Christian Ramirez and Alyssa Greenberg about the initiative and the role of mutual aid in supporting museum practitioners. While you’re listening, take a moment to support the Museum Workers Speak Relief Fund if you can. Never miss an episode! Subscribe to Museopunks on iTunes, Stitcher or Spotify

It’s been a few weeks since the world was upended in the wake of COVID-19. In this episode, we catch up with an old friend, Sharna Jackson, to hold space for some reflection, some mourning, and some laughter. Never miss an episode! Subscribe to Museopunks on iTunes, Stitcher or Spotify

Even before a pandemic changed everything, we were living in turbulent times. Extreme partisanship defines politics in many countries, inequality grows even wealthy countries, and faith in institutions is diminishing. How do museums create environments of trust, especially where there are histories of distrust, victimisation and oppression? In this episode, we speak with Dina Bailey, former Director of Methodology and Practice for the International Coalition of Sites of Conscience, and Tim Phillips, founder and CEO of Beyond Conflict, to consider what we can learn from transitional justice approaches when addressing the painful legacies of the past. Never miss an episode! Subscribe to Museopunks on iTunes, Stitcher or Spotify

The season for existential crises continued this past month when the International Council of Museums (ICOM) announced that a working group had proposed a new definition for museums and that said definition would be voted on at the ICOM Triennial in Kyoto, Japan. We followed the many conversations that unfolded over the next few weeks, and asked a diverse group of museum colleagues around the world to share their thoughts on the issue with us. What does it mean to be a museum? Who does that definition exclude? And who is the audience for that definition? Guest Contributors Hannah Heller, Armando Perla, Anna Leshchenko, Linda Norris, Maria Vlachou, Jasper Visser, Paul Bowers, Margaret Middleton, Joan Baldwin, Seema Rao and Luis Marcelo Mendes. Never miss an episode! Subscribe to Museopunks on iTunes, Stitcher or Spotify

As decolonisation moves more firmly onto the agenda in museums, so to does its critique. In this episode, we speak with Sumaya Kassim, author of the essay 'The Museum Will Not Be Decolonised', and Nathan “Mudyi” Sentance to ask whether museums can dismantle the colonial gaze. We'll also find out more about the kinds of structural changes inside museums that may be necessary to fully support First Nations people and People of Colour working in our cultural institutions. Never miss an episode! Subscribe to Museopunks on iTunes, Stitcher or Spotify

Unpaid internships are commonplace in the museum world, supported by a culture that suggests “experience” and the chance to get “a foot in the door” are worth the sacrifice of time and lost earnings. This practice necessarily limits the sector’s ability to diversify or become equitable, by ensuring that only those who can afford to work uncompensated can participate. But there is some promise of change afoot! The Association of Art Museum Directors (AAMD) recently made a resolution calling on art museums to provide paid internships. At the same time, the Art and Museum Transparency group, a grassroots initiative to bring transparency to the arts sector through collecting anonymous salary data from the field, launched their recently-launched Unpaid Internships spreadsheet, which aims to shed light on the sector’s reliance on free labor. In this episode, we’re joined by Alison Wade from AAMD, and Michelle Millar Fisher and “E” from the Art + Museum Transparency group to discuss these initiatives, and the implications for the sector of its practice of unpaid internships. Plus, Ed Rodley, Museopunks’ new co-host, makes his official debut. Never miss an episode! Subscribe to Museopunks on iTunes or Stitcher

In early 2019, experience designer Ed Rodley asked the hivemind what they saw as the biggest issues facing ppl who make museum experiences in 2019? The answer from Jay Rounds, E. Desmond Lee Professor of Museum Studies emeritus at the University of Missouri, St. Louis, was “A surfeit of virtues.” Rounds proposed that, “There are so many demands for what an exhibit ought to be or do, or how it should be made, that they can paralyze us. Many of these demands seem virtuous in isolation, but some are in conflict with others, and it is impossible to do all of them at once and end up with an exhibit worth visiting. But we have no overarching principle for prioritizing among them, and thus we become so dedicated to being virtuous that we forget how to be good.” In this episode, Museopunks explores this idea of the surfeit of virtues with both Rodley and Rounds, and discovers a moment of paradigmatic change in museums within the USA. Never miss an episode! Subscribe to Museopunks on iTunes or Stitcher

OF/BY/FOR ALL is a global movement and a set of tools to help community institutions around the world become more representative OF and co-created BY their communities. In this episode, we’re joined by OF/BY/FOR ALL founder Nina Simon and Rohini Kappadath, General Manager of Immigration Museum (Australia), to find out how to create a museum for everyone. Never miss an episode! Subscribe to Museopunks on iTunes or Stitcher

Museum collections in established institutions come with long histories. So how do you change a museum’s canon? In this episode, we speak with Christopher Bedford, the Dorothy Wagner Wallis Director of The Baltimore Museum of Art, about the BMA’s decision in early 2018 to deaccession seven works by blue chip artists in the contemporary collection in order to strengthen its holdings of contemporary works by women and artists of colour. Never miss an episode! Subscribe to Museopunks on iTunes or Stitcher

Since the mid-1990s, it has been received wisdom that museums are, or should be, “safe spaces for unsafe ideas.” But is this true? Are museum safe spaces? And do they really deal in unsafe ideas? In this episode, Elaine Heumann Gurian, who is credited with first expressing this idea, helps us unpack whether it continues to make sense in museums today. Never miss an episode! Subscribe to Museopunks on iTunes or Stitcher

How can museums participate in transitional justice, which seeks to address massive human rights violations? In this episode, Suse is joined by Omar Eaton-Martínez and Dr. Karine Duhamel to explore the implications of truth and reconciliation in museums. Dr Duhamel has written that reconciliation “as a process based on hope, remains the core animating principle of a collection of stories that brings together the importance of Indigenous worldviews, the need to acknowledge violations as shared history, and the priority we place on empowering communities to share their stories.” In a time when truth has been greatly complicated by politics, there is still significant value in the act of truth-telling. Never miss an episode! Subscribe to Museopunks on iTunes or Stitcher

In this special two-part episode, Suse and special guest co-host Desi Gonzales, explore virtual reality in museums. In part two, we take a deep dive into Alejandro G. Iñárritu’s academy-award winning virtual reality installation CARNE y ARENA with VR film-maker Paisley Smith. Never miss an episode! Subscribe to Museopunks on iTunes or Stitcher Museopunks is presented by the American Alliance of Museums.

If there is a hot technology in museums right now, it is virtual reality–a technology sometimes credited as being the “ultimate empathy machine.” But can VR live up to the hype for museums? What happens when VR technologies are used to recreate or invoke traumatic experiences? What kinds of scaffolding do museums need to provide when preparing a visitor for these kinds of embodied experiences? And how can museums use VR promote representation and inclusion? In this special two-part episode, Suse and special guest co-host Desi Gonzales, explore the realities of working with the virtual. In part one, Michael Haley Goldman speaks on the prototyping being done at the United States Holocaust Memorial Museum to experiment with VR, while Kai Frazier discusses the work she is doing with her VR start-up CuratedXKai to provide inclusive opportunities and increased exposure in cultural settings for people of colour. Never miss an episode! Subscribe to Museopunks on iTunes or Stitcher Museopunks is presented by the American Alliance of Museums.

With a reticence towards partisan politics, museums are sometimes perceived to be neutral institutions, many avoiding taking a visible stand on issues. But can they really avoid being political when making choices about the allocation of resources, time, and energy? #MuseumsAreNotNeutral is “an initiative that exposes the fallacies of the neutrality claim and calls for an equity-based transformation of museums.” In this episode, LaTanya S. Autry and Mike Murawski break down the #MuseumsAreNotNeutral campaign, while Kaywin Feldman, Nivin and Duncan MacMillan Director and President of the Minneapolis Institute of Art (Mia), discusses what it’s like to run a museum at a time of crisis. Never miss an episode! Subscribe to Museopunks on iTunes or Stitcher Museopunks is presented by the American Alliance of Museums. Graphic Design of the Museopunks logo is by Selena Robleto. Website: Museopunks.org Twitter: @museopunks

The vision of the Abbe Museum in Bar Harbor, Maine, describes how the museum “will reflect and realize the values of decolonization in all of its practices, working with the Wabanaki Nations to share their stories, history, and culture with a broader audience.” But what does it take to decolonise a museum? How does it change the governance structure and the practices of the board? What kinds of frameworks and internal work are necessary to shift the balance of authority within the institution, and turn theory into actionable change? In this episode of Museopunks, Cinnamon Catlin-Legutko, President & CEO of the Abbe Museum, delves into the complexities of decolonisation. Never miss an episode! Subscribe to Museopunks on iTunes or Stitcher

As former Museopunk Jeffrey Inscho leaves the museum world, we take a moment reflect on the factors that influence a decision to leave or join the museum profession. We also examine what outside organizations can gain from hiring museum professionals–and what museums can gain from those who have grown up professionally in complementary industries. Plus, we preview a soon-to-air podcast that focuses on the wildly circuitous ways through which people come to, and leave, museums. This episode is cohosted by Jason Alderman and Chad Weinard, and features interviews with Jeffrey Inscho and Ros Lawler. Museopunks is presented by the American Alliance of Museums. Website: Museopunks.org Twitter: @museopunks

Increasingly, it feels like progressive museum practice is also political museum practice. So what does it mean for a museum to take a stand, and put social just at the heart of its work? In this episode, Suse talks with David Fleming, Director of National Museums Liverpool (NML) and President of the UK Museums Association, about the social impact of museum work, advocacy as a strategic objective, and what it means for a museum service to be openly political. Plus, news about some big changes to the podcast! And quiet snorts from a new baby softly echoing throughout the interview. Museopunks is presented by the American Alliance of Museums. Website: Museopunks.org Twitter: @museopunks

This week, we feature special guest host Jeffery Inscho. Along with running the Innovation Studio for the Carnegie Museums of Pittsburgh, Jeffery is the cohost of the awesome MuseoPunks podcast. Also, there's fluorescent coral, tree lobsters and more!   Hosted by Charissa Sedor and Ralph Crewe Music by Kyle Simpson and Al Snyder A Carnegie Science Center Podcast

Did you know that several studies in recent years have shown that when women enter a specific field in large numbers, the pay for that field declines overall, even for the same jobs that men were doing? This is one of many implications of gendered professions, which are at the core of this month’s episode of Museopunks. The Punks dig into the implications of the gendered museum, and its impact on pay and the sector more broadly with Anne W. Ackerson and Joan H. Baldwin, whose new book Women in the Museum explores the professional lives of the sector’s female workforce today and examines the challenges they face working in what was, until recently, a male-dominated field. The Punks are then joined by nikhil trivedi for a conversation about the impact of gender and masculinity on technology work, inside museums and beyond. Please note: nikhil’s interview includes discussion of specific actions men can take to dismantle gender oppression and create more supportive institutions for people of all genders. He has kindly created a supportive document with more information for those who wish to dig deeper, which we’ve included in the show notes at http://museopunks.org Museopunks is presented by the American Alliance of Museums. Website: Museopunks.org Twitter: @museopunks

Since the 1960s, artists have been critically examining the practices of museums, at times critiquing the idea of what a museum is and how it presents its stories. One of the most influential exhibitions of Institutional Critique was Mining the Museum–an installation by artist Fred Wilson at the Maryland Historical Society, in collaboration with The Contemporary. In this episode–made 25 years after Mining the Museum–the Punks explore the role outsiders such as artists and external consultants play in driving creative change and innovation within museum practice. What can outsiders do within the institution that permanent staff cannot? What are the limitations they face? And how does a reliance on external talent impact the sustainability of progress in the museums they work with? GUESTS: George Ciscle has mounted groundbreaking exhibitions, created community arts programs, and taught fine arts and humanities courses for close to 50 years. He trained as a sculptor, studying with Isamu Noguchi. For 15 years he developed high school interdisciplinary curriculum and work-study programs for the emotionally disadvantaged. In 1985, he opened the George Ciscle Gallery where he promoted the careers of young and emerging artists. From 1989-1996 Ciscle was the founder and director of The Contemporary, an “un-museum,” which challenges existing conventions for exhibiting art in non-traditional sites focusing its exhibitions and outreach on connecting artists’ works with people’s everyday lives. From 1997-2017, as Curator-in-Residence at Maryland Institute College of Art, he continued to develop new models for connecting art, artists, and audiences by creating the Exhibition Development Seminar, Curatorial Studies Concentration and the MFA in Curatorial Practice. Jen Brown is the Founder and Artistic Director of The Engaging Educator. Through EE, her pedagogical approach of Improv as Continuing Education has reached over 25,000 people – all non-actors! Since 2012, Jen has given three TEDx Talks on the power of Improv, grown EE to three locations in NYC, Winston-Salem, NC and LA, and recently began The Engaging Educator Foundation, a 501(c)(3) which offers free and low-cost Improv workshops for educators, at-risk adults, teens and students on the Autism Spectrum. Jen holds degrees and accreditation from Marquette University, City College of New York, St. Joseph’s University and Second City. -- Museopunks is presented by the American Alliance of Museums. Website: Museopunks.org Twitter: @museopunks

What is the nature of the relationship between embracing the arts and participating in the life of a community? When and under what circumstances do the arts bind people and places together—and when do they divide us? And what do we need from the arts at a moment when many people are more isolated, and our civic life more polarized? These questions were discussed during a panel, “Does Art Really Make Us Better Citizens?” at a Zócalo/Irvine Foundation conference, “What Can the World Teach California About Arts Engagement?” moderated by Suse Anderson, co-host of Museopunks and Assistant Professor of museum studies at George Washington University. The speakers included Middle East Institute Arts & Culture Program director Lyne Sneige; Arts and Humanities chair of Mexico’s Universidad Autónoma Metropolitana Lerma, Luz María Sánchez; global arts consultant Gail Dexter Lord; and cultural historian and chair of Theatre at the University of North Carolina at Charlotte Lynne Conner.

Don’t call this a comeback! After an almost three-year hiatus, Museopunks returns to explore progressive museum practice. How much has changed since the ‘Punks last hit the airwaves? Does Jeffrey have any new tattoos? Has Suse lost her Australian accent? In this first episode of season two, the ‘Punks unpack the trials and tribulations of trust with Dr. fari nzinga and Adriel Luis. Report after report indicates that public trust in institutions is plummeting. The 2017 Edelman Trust Barometer, which surveys more than 33,000 people across 28 countries, showed the largest-ever drop in trust across the institutions of government, business, media and NGOs. Meanwhile, the Economist’s Intelligence Unit downgraded the US to a “flawed democracy” in its 2016 Democracy Index, due to erosion of trust in government and elected officials. Museums have traditionally appeared to be cushioned against drops in trust. The American Alliance of Museum reports that museums are considered the most trustworthy source of information in America. Yet a 2013 UK study on public trust in museums showed that although museums are highly trusted, there was “a strong sense that if they started “telling people what to think” or became spaces for controversial debate, this might damage their integrity.” What does this mean for our institutions at a time when there is increasing pressure on public institutions to promote social justice, and intervene in political and social discourse? Join us to unpack these questions and more. Show notes: http://museopunks.org

Museopunks regularly digs into some of the more innovative practice in museums, but so far, we’ve haven’t tackled curating. In this episode, Suse catches up with one of the most powerful people in the world of art – Paola Antonelli (@curiousoctopus), Senior Curator of Architecture & Design, Director of Research & Development, MoMA – to find out what innovative curating looks like. What does it mean to collect the @ symbol? Do museums need R&D departments? There are more and more entrepreneurial museum projects and labs beginning to pop up, like the Spark!Lab National Network, started at the Smithsonian in 2008, or the Indianapolis Museum of Arts IMA Lab (which we discussed during our recent MCN2013 session), but what do they offer the museum? And are such projects different when approached from curatorial position, than when driven from (say) the technology department? In this episode, we find out.

In 2012, Collections Trust CEO Nick Poole did a short analysis of 40 mission statements of leading UK museums and galleries, and discovered that the word “Future” was the third most common word used to describe the missions of the museums, double that of the word “past”. With such an eye to the future, it is little surprise to discover that museums spend some time thinking about the shape of things to come. During recent museum conferences, there have been a number of sessions that consider museum futures and how cultural institutions can prepare for likely economic, social, and technological scenarios. At Museums Australia 2013 in May 2013, Dr Stefan Hajkowicz: Leader, CSIRO Futures gave a talk on the Our Future Worlds report, which outlines six megatrends facing the world – and the arts – in the coming twenty years. At MuseumNext, also in May, Bridget McKenzie from Flow Associates examined ways in which museums might engage with communities to maintain relevance in the coming decade and the key technologies that may be influential in future planning. In this episode of Museopunks, your Punks will delve deep into the future to ask how museums can use future scanning techniques to better plan for the future, and meet their missions. As the OECD notes, ‘A solid ‘scan of the horizon’ can provide the background to develop strategies for anticipating future developments and thereby gain lead time. It can also be a way to assess trends to feed into a scenario development process.’

In this, the inaugural episode of the Museopunks podcast, the Punks chat to Michael Edson, Director of Web and New Media Strategy at the Smithsonian Institution, and Paul Rowe, CEO of Vernon Systems, about museums in the Age of Scale. How can museums rethink their practices to work at web scale, from the smallest institutions up to the biggest?