Podcast appearances and mentions of David Fleming

On this episode of KVC-Arts, we start off with a conversation with between KVCR's Joel Morales with well-renowned animatronics specialist Garner Holt. Then continues with David Fleming's conversation with guest musician, Dougie Poole.

Superstar composers John Murphy and David Fleming finally enter the same room (you read that correctly) after an unusual but groundbreaking experience co-composing the score for James Gunn's SUPERMAN. How John's electric guitar-focused approach (he writes themes on a zany guitar he named Ned Flanders) harnessed the majesty of John Williams' iconic theme — and why the trailer debut was nerve racking to see if the world would accept his “version” of it. Also, how his precious guitar themes (28 Days Later, Sunshine) helped prep for how to treat this film with the sound needed. David and John discuss their breakthroughs in film composing — an internship leading to working with Hans Zimmer on The Lion King. Blue Planet II and Top Gun: Maverick — and a book titled “How To Write A Film Score” which was promptly discarded for a few pints. The duo also discuss their unique place in the massive re-launch of the DC Universe's first film — tonally a new direction that called for embracing the campiness a little more, but also the authenticity. How John's music was critical to filming, and later how David navigated a final push to expand the film's musical scope thematically. Also, Squirrelgate. Interview by Kenny Holmes and Matt Schrader at Igloo Studios in Burbank. Special thanks to the team at Igloo for making this episode possible!Score: The Podcast is presented by Vienna Symphonic Library. Check out Vienna Symphonic Library's collection of innovating libraries and samples — including their flagship Synchron Series, recorded at Vienna Synchron Stage, where hit films and shows for HBO, Disney, Star Wars, Marvel, and many more are recorded. Check out Synchron Duality Strings libraries, or check out the free sample player, freebie libraries and demos at http://vsl.co.at. To learn more about recording at Vienna Synchron Stage, visit http://synchronstage.comVideo Timecodes0:00 ‘Superman'1:39 John Williams' Theme4:09 Show Open5:06 Vienna Symphonic Library7:02 “How To Write A Film Score”9:10 David's start with Hans Zimmer12:00 John's start with Guy Ritchie and Danny Boyle14:00 '28 Days Later' Theme Re-Use17:24 ‘Sunshine'19:45 Building from an existing theme22:40 Back part of the Williams theme23:50 John's early music & James Gunn29:00 David onboarding ‘Superman'32:15 Score vs. record tracks34:00 Finding the tone40:40 Deadline to finish43:10 Sacredness of John Williams' theme45:20 Trailer release hype47:56 Guitar's American influence49:54 Ned Flanders52:00 Squirrel rescue & Squirrelgate55:45 Three things1:02:00 Ennio Morricone's brilliance1:07:40 VSL Synchron Series1:09:26 VSL ‘Forrest Gump' Demo

CONTAINS BIG SPOILER ABOUT LAST OF US!!! We have a double header of you to start your week, as both composers who worked on James Gunn's Superman join me to discuss their collaboration on the film. We'll release our chat with John Murphy shortly, but first it's the turn of David Fleming, who was previously a guest on this show to talk about his contribution to The Last Of Us.

Hello again, friends, and welcome to the second part of our Superman double bill with the composers that collaborated on James Gunn's movie. First up was David Fleming, in an episode that's already available for your listening pleasure. Now it's the turn of John Murphy, who has worked with James on a number of projects, but has a compiled a rich body of work that includes 28 Days Later and. Sunshine.

Local media this week 3rd August  2025 Sponsored by Ruth Griffin Photography Ep 261 -   John S Kelly, David Fleming and Stephen Minogue discuss what's in the papers and online concerning matters in Co Clare. We encourage you to support your local media, the Clare Champion, Clare Echo, and online the Clare Herald.  To send a message or comment  to the studio - Message or what's app  on 089 2582647 or email sbcrstudio@gmail.com

We are living in the era of Peak Cremation, and fans have turned to our true American cathedral as a final resting place: the sports arena. PTFO death correspondent David Fleming reports on a cottage industry for die-hards in the afterlife — from team-branded urns and exploding golf balls to franchises that want the on-field ceremonies gone (and forgotten). And then, of course, we help a woman named Edna spread her husband's ashes... while riding a convertible, on a racetrack, flooring it into eternity. (This episode originally aired January 23, 2025.) • Subscribe to Pablo's Substack for exclusive access, documents and invites ⁠https://pablo.show/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pat O'Brien, David Fleming, Stephen Minogue and host Jim Collins discuss what's in the papers and online concerning matters in Co Clare. We encourage you to support your local media, the Clare Champion, Clare Echo, and online the Clare Herald.  To send a message or comment  to the studio - Message or what's app  on 089 2582647 or email sbcrstudio@gmail.com

La Pandilla de la Justicia compuesta por Kal, Mael, Eze, y MaGnUs se reúne para babear por Superman, la nueva película de James Gunn y el comienzo en pantalla grande y live action del nuevo universo audiovisual de DC. Con toooodoooos los spoilers, hacen una RE: seña de un filme mega comiquero, analizan el guión, la acción, las caracterizaciones, el comentario de la realidad, los guiños a todas las épocas del personaje y otras adaptaciones, y, sobre todo, el tono luminoso y esperanzador de este nuevo Hombre de Acero, siendo un Último Hijo de Krpyon bien, pero bien clásico. DOS HORAS Y MEDIA HABLANDO DE LA PELÍCULA. Además, el comic de 1998 Superman: For All Seasons, de Loeb, Sale, y otros. Con música de David Fleming, R.E.M, y Crash Test Dummies. Próximo programa: ESPECIAL XXII ANIVERSARIO - Grimorio del Plata: ¡EL DEMONIO DEL ESPEJO ETERNO! (sesión de rol).

Composers John Murphy and David Fleming join guest host Jon Burlingame to discuss their original score for “Superman,” directed by James Gunn. In this two-part conversation, Murphy and Fleming share their personal connections to the character, the emotional and thematic goals of the music, and the creative process of scoring an iconic superhero story for a new generation. They also reflect on the legacy of John Williams's original theme and how it influenced their approach.“Everyone who works in film music reveres John Williams, and that score is kind of a gem of film music. So to be asked to explore the DNA of that theme was a privilege, but definitely a humbling privilege. You are confronted with this truly iconic theme… But at the same time, there still felt like there was a lot to explore within the confines of that theme… I remember, I was having a meeting with James [Gunn] and I said, the part of the John Williams theme that always really touched me is the end… There's something about it that's hopeful. Really, really hopeful. And I started playing around with it with some different chords, and I could tell James was getting sort of moved by it. It felt like we were discovering something and finding something new that fit his Clark Kent and his Superman, as well.”—David Fleming, Composer, “Superman”Be sure to check out “Superman,” now playing in theaters and Dolby Cinemas®, in Dolby Vision® and Dolby Atmos®.Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

 talking about the history of the Irish College in Louvain ( Leuven) Interview by David Fleming. Established in 1984, on the former campus of the 17th-century Irish Franciscan college, The campus at Irish College Leuven is a modern state of the art residential conference venue that provides a high quality conference, meeting, and events facilities equipped with the latest technology. Recorded as part of the SBCR trip to Brussels in May 2025. Interview originally broadcast on SBCR 28th  June 2025 as part of Euro News Extra - Democracy in Action Episode 5   INT 8 Billie Kelleher FF  MEP Ireland South https://www.podbean.com/eas/pb-rjstu-18f15cf   INT 7 Noel Rowland  https://www.podbean.com/eas/pb-qhs5w-18f15bf   INT 6 Sean Kelly FG MEP Ireland south https://www.podbean.com/eas/pb-qzkni-18f15b1   Int 5 Méabh McMahon Euro News https://www.podbean.com/eas/pb-bdzkc-18d3d98   Int 4 Michael McNamara MEP https://www.podbean.com/eas/pb-3m9w8-18d3d7a   Int 3 Michael Scanlon https://www.podbean.com/eas/pb-yucwf-18d3d62   Int 2 Anthony Whelan Digital Advisor https://www.podbean.com/eas/pb-wge65-18d3d55   Int 1 Kevin Conmy Irish Ambassador to Belgium https://www.podbean.com/eas/pb-zvnq7-18d3d4c   Ep 0 A live lookback at the the SBCR week of events in Brussels https://www.podbean.com/eas/pb-75a59-18d3d33     

Pat O'Brien, John S Kelly,  David Fleming, Stephen Minogue and host Jim Collins discuss what's in the papers and online concerning matters in Co Clare. We encourage you to support your local media, the Clare Champion, Clare Echo, and online the Clare Herald.  To send a message or comment  to the studio - Message or what's app  on 089 2582647 or email sbcrstudio@gmail.com

The time is finally here. My most anticipated movie of the year - James Gunn's SUPERMAN - is finally arriving in theaters this weekend. I had the incredible opportunity to see this movie at an early Fan First Screening yesterday, which is how I'm getting this review out about the time it is debuting worldwide, in a select few countries today. This is the official, theatrical launch of James Gunn and Peter Safran's DCU, that I really hope will actually have the chance to thrive. I love DC Comics, and I've loved Superman since I was a small child. I was introduced to the character through the Justice League cartoons and the original 1978 Richard Donner film. I dressed up as Superman and tried to do the curl and all of that. It has been a LONG wait to finally have another Superman movie on the big screen, and - boy, oh boy - has it been a tumultuous one.I was a huge fan of Henry Cavill's Superman and am one of the people who love Man of Steel. Zack Snyder's Justice League is one of my favorite comic book movies of all-time too, but the toxicity around the excitement and hate for this new movie has been rough. It's the 'sports-ation' of movie fandoms that has really frustrated me over the last few years, and it's showcased no more clearly than how people talked about this movie up until release (and probably after release too). That being said, because the character means so much to me and because James Gunn's film really resonate with me on an emotional level, I've always known he was going to deliver a worthy film that starts the Big Blue again. You'd know that about me if you've listened to any of my reviews of James Gunn's films and shows, which are all glowing, and listened to my breakdowns of the trailers. The trailers certified for me that it seemed like Gunn was finally taking the character back to its much needed hopeful and optimistic, yet slightly retro, roots. So, does James Gunn's Superman deliver on its promises; is it the truest version of Superman we've had in a long time? Find out in this SPOILER-FREE review!Superman:Written and Directed by: James GunnSuperman created by: Jerry Siegel & Joe ShusterProduced by: James Gunn, Peter SafranExecutive Producers: Nikolas Korda, Chantel Nong Vo, Lars P. WintherMusic by: David Fleming, John MurphyDirector of Photography: Henry BrahamEdited by: Craig Alpert, William HoyCasting by: John PapsideraProduction Design by: Beth MickleCostume Design by: Judianna MakovskyCast: David Corenswet, Rachel Brosnahan, Nicholas Hoult, Edi Gathegi, Anthony Carrigan, Nathan Fillion, Isabela Merced, María Gabriela de Faría, Sara Sampaio, Skyler Gisondo, Terence Rosemore, Wendell Pierce, Pruitt Taylor-Vince, Neva Howell, Beck Bennett, Mikaela Hoover, Frank GrilloSynopsis: Superman, a journalist in Metropolis, embarks on a journey to reconcile his Kryptonian heritage with his human upbringing as Clark Kent.

Pat O'Brien, Tom Hanley, David Fleming and host Jim Collins discuss what's in the papers and online concerning matters in Co Clare. We encourage you to support your local media, the Clare Champion, Clare Echo, and online the Clare Herald.  To send a message or comment  to the studio - Message or what's app  on 089 2582647 or email sbcrstudio@gmail.com

Send us a textIn this episode of The Last Honest Realtor, David Fleming strips away the summer optimism and asks the question on every homeowner's mind: when Toronto heads for the cottage, does the real estate market grind to a halt?With data-driven analysis and candid field stories, David unpacks the seasonal myths and inconvenient truths behind sluggish sales, desperate price cuts, and the rush of sellers hoping the fall will “save” their year. If you're expecting a summer lull, brace yourself—this year, it's more than just the temperature that's set to drop.In This Episode:The reality behind Toronto's summer market slow-down—and why it's worse than usual in 2025Why buyers, sellers, and agents all pin their hopes on the fall, despite the numbersThe surge of latecomers listing in June, and what it reveals about seller psychologyHow market fatigue is fueling a record number of relistings and terminated listingsWhat absorption rates and sales volumes actually say about condo and freehold demandWhy the rental market is bucking its own seasonal trends—and what it means for investorsInterest rate cuts: what to expect, and why predictions rarely pan out as plannedLessons from the data: market troughs, false optimism, and how to make decisions in a buyer-seller standoffTimestamps:00:00 – Intro: Toronto real estate meets vacation season02:00 – Summer market myths vs. 2025 reality05:00 – The June seller rush: who lists, and why09:00 – Sluggish sales and the cold, hard numbers14:00 – The relisting spiral: inside the cycle of failed listings18:00 – Why sellers are betting on the fall (and why that rarely works)22:00 – Condos, rentals, and the decline of the “hot” summer market28:00 – Predictions, data, and the path forward for buyers and sellers33:00 – Closing thoughts: decision-making in a market on pauseSubscribe, comment, and share this episode with anyone banking on a summer sale—or expecting the market to do their heavy lifting.Bosley Real EstateBosley Real Estate: Family-owned since 1928, delivering trusted real estate services across Ontario.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showSubscribe and Follow:Toronto Realty Group WebsiteToronto Realty Group YouTubeToronto Realty Blog InstagramToronto Realty Blog TwitterToronto Realty Blog Facebook

David Fleming is a mortgage broker and property investment financial expert as well as co-founder of Equity Resource Proprietary Limited. He has been in the property investment industry for over 20 years. With that wealth of knowledge behind him, he helps his clients implement strategies that can save them money within their budget to pay off their mortgage faster. Join us as we delve into David Fleming's background and his upbringing in New Zealand, what his time spent in the United States was like, how he got his start in the property investing industry, how he is able to help his clients with their budget, a story about a situation that nearly ended in disaster, and much more in this episode of Property Investory! Hosted on Acast. See acast.com/privacy for more information.

David Fleming is a mortgage broker and property investment financial expert as well as co-founder of Equity Resource Proprietary Limited. He has been in the property investment industry for over 20 years. With that wealth of knowledge behind him, he helps his clients implement strategies that can save them money within their budget to pay off their mortgage faster. Join us as we delve into David Fleming's background and his upbringing in New Zealand, what his time spent in the United States was like, how he got his start in the property investing industry, how he is able to help his clients with their budget, a story about a situation that nearly ended in disaster, and much more in this episode of Property Investory! Hosted on Acast. See acast.com/privacy for more information.

Ahead of the 2025 event SBCR Presents a flavour of the annual world famous horse fair, with Pat O'Brien and David Fleming. Including interviews with Willie Daly,Amy Ryan, Christy McNamara, JJ McCabe and the late Paddy Hassett. Interviews recorded at Spancillhill on the 24th of June 2024 and originally broadcast on SBCR on Sunday 22nd June 2025

This edition of KVC-Arts has David Fleming in conversation with Tracy Wise, author of Madame Sorel's Lodger, a fictionalized look at a period in the life of someone MUCH like Vincent Van Gough… more at twisewriter.com

Pat O'Brien, David Fleming, John S Kelly, Stephen Minogue and host Tom Hanley, discuss what's in the papers and online concerning matters in Co Clare. We encourage you to support your local media, the Clare Champion, Clare Echo, and online the Clare Herald.  To send a message or comment  to the studio - Message or what's app  on 089 2582647 or email sbcrstudio@gmail.com

Send us a textIn this episode of The Last Honest Realtor, David Fleming exposes the costly cycle of builder homes hitting Toronto's market at fantasy prices—again and again. Every new build, the same result: a sky-high listing, a string of failed agents, and a year spent chasing buyers who never come.From the scorpion-and-frog parable to brutal, fact-driven case studies, David breaks down why builders stubbornly ignore local tastes, overvalue irrelevant features, and sabotage their own sales—all while the neighbourhood looks on in disbelief.In This Episode:Why every new builder home in Toronto launches at 20% over market value—and stays thereThe critical mistakes out-of-area builders make when they ignore the local buyerHow hiring the wrong agent costs sellers time, money, and brand reputationThe features nobody wants: pools, basement apartments, and gaudy finishes that drive buyers awayWhy serial price drops and relistings destroy buyer trust and erode valueWhat actually works: understanding neighbourhood demand, staging, and fit-for-market designThe economics of ego: how builders talk themselves out of a deal, every single timeTimestamps:00:00 – Intro: Why every new builder home is overpriced, every single time01:22 – The scorpion and the builder: a parable for Toronto real estate05:10 – Out-of-area builders: repeating the same mistakes10:45 – What buyers actually want (and what they'll never pay for)19:04 – The price drop dance: relistings, terminated agents, and wasted months25:25 – Reputation, brand, and the agent that actually gets it sold32:15 – Closing thoughts: adapt, or stay stuck on the marketSubscribe, comment, and share this episode with anyone convinced that “their” new build is the one exception.Bosley Real EstateBosley Real Estate: Family-owned since 1928, delivering trusted real estate services across Ontario.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showSubscribe and Follow:Toronto Realty Group WebsiteToronto Realty Group YouTubeToronto Realty Blog InstagramToronto Realty Blog TwitterToronto Realty Blog Facebook

This is a rebroadcast of a recent interview between David Fleming and Brenton Wood. We hear about The OOgum Boogum Song, Gimme Little Sign and more. Brenton Wood passed away in early January of 2025.

Send us a textIn this episode of The Last Honest Realtor, David Fleming reveals how the disappearance of buyer feedback and agent follow-up is quietly reshaping Toronto real estate. In 2025, buyers have gone silent—and most listing agents are missing the signals, killing deals through inexperience, confusion, and a refusal to adapt.From aggressive feedback calls before a showing is over, to agents clinging to 2022 tactics in a buyer-driven market, this episode breaks down the small missteps and missed conversations that now separate a successful sale from a lingering listing.In This Episode:Why listing agents are chasing feedback the moment you leave a showingHow fear and confusion are paralyzing agents on both sides of the dealThe critical difference between patient buyers and buyers stuck in indecisionWhat actually happens when agents refuse to negotiate or communicateThe new metrics that matter: showings, inspection requests, and vanished offersWhy outdated playbooks are costing sellers six figures in lost opportunitiesWhat listing agents must start doing differently—or risk irrelevanceTimestamps:00:00 – Intro: Why the feedback loop is broken in 202502:10 – Agents desperate for live feedback (and what it signals)06:15 – Real stories: missed deals, stubborn sellers, and silent buyers12:00 – Patience vs. inaction: which buyers win?17:30 – How poor communication turns opportunity into failure23:10 – What metrics actually matter now (and which don't)28:00 – The case for direct, honest agent collaboration32:15 – Closing thoughts: adapt or be left behindSubscribe, comment, and share this episode with anyone still waiting for the market to “go back to normal.”Bosley Real EstateBosley Real Estate: Family-owned since 1928, delivering trusted real estate services across Ontario.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showSubscribe and Follow:Toronto Realty Group WebsiteToronto Realty Group YouTubeToronto Realty Blog InstagramToronto Realty Blog TwitterToronto Realty Blog Facebook

 -   Pat O'Brien, David Fleming, Tom Hanley, John S Kelly and Host Jim Collins are joined by Head of News and Sport for the Clare Echo Paraic McMahon to discuss what's in the papers and online concerning matters in Co Clare. We encourage you to support your local media, the Clare Champion, Clare Echo, and online the Clare Herald.  To send a message or comment  to the studio - Message or what's app  on 089 2582647 or email sbcrstudio@gmail.com

to Belgium met the SBCR team at the Irish Embassy in Brussels where he spoke to David Fleming, Tom Hanley and Jim Collins about the services that the Embassy provides, Irelands position in Europe as well as his own career and links to east Clare. Recorded as part of the SBCR trip to Brussels in May 2025. Interview originally broadcast on SBCR 31st May 2025 as part of Euro News extra - Democracy in Action Episode 1 

There's a deadly fungus among us! Alexis Hejna from Honeysuckle Rose Creations hosts a roundtable look the second season of the hit TV series based off the hit video game (and its sequel), joined by Jesse Starcher and Jayson Teasely. Let's take a look at this story of vengeance, love, and mushrooms. The second season of the American post-apocalyptic drama television series The Last of Us was originally broadcast on HBO between April and May 2025. Based on the video game franchise developed by Naughty Dog, the season is set twenty-five years into a pandemic caused by a mass fungal infection, which causes its hosts to transform into zombie-like creatures and collapses society. The second season, based on the first half of the 2020 game The Last of Us Part II, follows Joel (Pedro Pascal) and Ellie (Bella Ramsey) five years after the events of the first season, after they have settled into Jackson, Wyoming, with Joel's brother Tommy (Gabriel Luna) and Ellie's friends Dina (Isabela Merced) and Jesse (Young Mazino).HBO renewed The Last of Us for a second season less than two weeks after the series premiered in January 2023. Co-creators Craig Mazin and Neil Druckmann were joined in the writers' room by Halley Gross and Bo Shim; Druckmann wrote and co-directed the games, and Gross co-wrote Part II. Principal photography took place in British Columbia from February to August 2024. Druckmann, Mazin, and Peter Hoar returned to direct the seven episodes alongside newcomers Kate Herron, Nina Lopez-Corrado, Mark Mylod, and Stephen Williams. Gustavo Santaolalla and David Fleming returned to compose the score.Critics felt the season reinforced The Last of Us as the best video game adaptation, praising the action sequences, direction, performances, production design, and writing, though some criticized the pacing and considered the story incomplete. It was nominated for several awards. Across linear channels and Max, the season premiere was watched by 5.3 million viewers on the first day, a 13% increase from the first-season premiere; by May, the series averaged almost 37 million global viewers per episode.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Min 4: STICKS: CRACKS DEL GOLF (Apple Tv) "Sticks: Cracks del Golf" es la nueva comedia dramática de Apple TV+ que, con un tono optimista y emocional, se adentra en el mundo del golf para explorar temas universales como la redención, las segundas oportunidades y la familia elegida. La serie sigue a Pryce Cahill (Owen Wilson), un exgolfista profesional cuya carrera se descarriló hace 20 años. Tras el fracaso de su matrimonio y ser despedido de su trabajo en una tienda de artículos deportivos, Pryce pone todas sus esperanzas en Santi (Peter Dager), un joven prodigio del golf de 17 años. Juntos, emprenden un viaje de redención y crecimiento personal, enfrentando desafíos tanto en el campo de golf como en sus vidas personales. NOTA EDC: 3,5 estrellas Min 12: MATICES (Skyshowtime) "Matices", la nueva serie española de SkyShowtime, se presenta como un thriller psicológico que explora los rincones más oscuros de la mente humana. Con un elenco estelar y una narrativa que combina intriga y drama, la serie promete mantener al espectador en vilo. Ambientada en una bodega aislada reconvertida en centro terapéutico, "Matices" sigue a seis pacientes que se someten a un tratamiento experimental bajo la guía del prestigioso psiquiatra Dr. Marlow (Eusebio Poncela). Lo que comienza como una oportunidad de sanación se transforma en una experiencia cargada de tensión y misterio cuando un suceso trágico desencadena una investigación liderada por un teniente de la Guardia Civil (Raúl Prieto) NOTA EDC: 2,5 estrellas Min 20: LOS SUPERVIVIENTES (NETFLIX) "Los supervivientes" es una miniserie australiana de seis episodios, recién estrenada en Netflix, basada en la novela The Survivors de Jane Harper. Dirigida por Tony Ayres, la serie se adentra en el suspense psicológico y el drama emocional, ambientada en el ficticio pueblo costero de Evelyn Bay, donde los secretos del pasado resurgen con fuerza. NOTA EDC: 3,5 ESTRELLAS Min 34. BSO TLOU 2: SANTAOLALLA SE AMPLIFICA CON FLEMING La banda sonora de la segunda temporada de The Last of Us Max, se erige como un pilar emocional que enriquece la narrativa postapocalíptica de la serie. Compuesta por Gustavo Santaolalla y David Fleming, la música no solo acompaña, sino que amplifica la intensidad de las escenas, consolidándose como un personaje más en la historia. David Fleming introduce sonidos industriales y texturas más agresivas, representando la crudeza del mundo devastado en el que se desarrolla la trama. Esta colaboración equilibra la introspección emocional con la tensión inherente a la serie. NOTA EDC: 4 ESTRELLAS

Father Son - from Nathan & Noah East, out for just a little over a month now. David Fleming speaks with both Nathan and Noah, with 95% of the conversation on the new album. Several incredible original mainstream jazz compositions. Outstanding covers as well including Killer Joe, Over the Rainbow, My Favorite Things, Yesterday, and more. A personalized treatment puts it mildly. Some of these have such an incredible touch on them that you would think that they weren't covers at all.

Golda Zahra has been immersed in the world of opera since she was four. A polyglot, she's able to capture nuance in performances which others may not be able to attain. It's not ALL classical and operatic with Golda though. She also loves jazz, pop, broadway standards… even Madonna.Having returned from Italy close to a year ago, where she continued her studies with amongst the most elite, Golda now has a series of concerts going from near the end of May through the summer. The first one is free and is coming up rather soon. David Fleming speaks with Golda about the series of concerts as well as a bit of her past.

David Fleming speaks with Andy Timmons about his newest release, Recovery. A mostly instrumental, guitar-driven album with MANY layers, textures, colors... Every release from Andy or The Andy Timmons Band has been outstanding... this one is no exception.

This episode was recently honored as a unanimous finalist for the prestigious Peabody Awards. But it's been 26 years since he was sentenced to death, and Charles Flores still maintains his innocence — while talking trash, playing fantasy football and making enchiladas on game day. Last fall, correspondent David Fleming visited Inmate No. 999299 at a notorious supermax prison in Texas, to learn about life when there isn't always next year. • Learn more about the case of Charles Flores https://www.freecharlesflores.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

This episode was recently honored as a unanimous finalist for the prestigious Peabody Awards. But it's been 26 years since he was sentenced to death, and Charles Flores still maintains his innocence — while talking trash, playing fantasy football and making enchiladas on game day. Last fall, correspondent David Fleming visited Inmate No. 999299 at a notorious supermax prison in Texas, to learn about life when there isn't always next year. • Learn more about the case of Charles Flores https://www.freecharlesflores.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

The second season of the American post-apocalyptic drama television series The Last of Us premiered on HBO on April 13, 2025. Based on the video game franchise developed by Naughty Dog, the series is set twenty years into a pandemic caused by a mass fungal infection, which causes its hosts to transform into zombie-like creatures and collapses society. The second season, based on the 2020 game The Last of Us Part II, follows Joel (Pedro Pascal) and Ellie (Bella Ramsey) five years after the events of the first season, after they have settled into Jackson, Wyoming, with Joel's brother Tommy (Gabriel Luna) and Ellie's friends Dina (Isabela Merced) and Jesse (Young Mazino).HBO renewed The Last of Us for a second season less than two weeks after the series premiered in January 2023. Co-creators Craig Mazin and Neil Druckmann were joined in the writers' room by Halley Gross and Bo Shim; Druckmann wrote and co-directed the games, and Gross co-wrote Part II. Principal photography took place in British Columbia from February to August 2024. Druckmann, Mazin, and Peter Hoar returned to direct the seven episodes alongside newcomers Kate Herron, Nina Lopez-Corrado, Mark Mylod, and Stephen Williams. Gustavo Santaolalla and David Fleming returned to compose the score.Critics felt the season reinforced The Last of Us as the best video game adaptation, praising the action sequences, direction, performances, production design, and writing, though some criticized the pacing and considered the story incomplete. Across linear channels and Max, the season premiere was watched by 5.3 million viewers on the first day—a 13% increase from the first-season premiere.

David Fleming speaks with Tim Keeler, music director for Chanticleer. We'll hear about the history of the group, a few performances coming up in the near future in our region, as well as the role of the countertenor.

Today's sermonette based on Hebrews 11:1-29 is given by Rev. David Fleming. This is a rebroadcast from March 31, 2016. Hear a guest pastor give a short sermonette based on the day's Daily Lectionary New Testament text during Morning and Evening Prayer. Submit comments or questions to: listener@kfuo.org

David Fleming speaks with jazz saxophonist Jessy J. about her 10th studio release, TERRANOVA. There's a feel of Latin Jazz through much of the release - though this isn't the exclusive sound. We'll also hear about an upcoming online concert as well.

David Fleming speaks with jazz saxophonist Jessy J. about her 10th studio release, TERRANOVA. There's a feel of Latin Jazz through much of the release - though this isn't the exclusive sound. We'll also hear about an upcoming online concert as well.

In this episode of the Econ Dev Show, host Dane Carlson speaks with David Fleming, president and CEO of Rev Birmingham, about transforming Birmingham from an industrial city into a thriving service economy centered around healthcare and education. Fleming discusses how his organization fosters downtown vibrancy by preserving historic character, supporting local businesses that "make the city cool," ensuring economic and racial diversity, and collaborating with various municipal authorities to create a downtown that attracts over 30 million annual visitors while maintaining its unique identity. Like this show? Please leave us a review here (https://econdevshow.com/rate-this-podcast/) — even one sentence helps! Actionable Takeaways for Economic Developers Focus on supporting local businesses that give your city a unique character and "make the city cool." Create incentives that help historic redevelopment while still allowing for new growth. Work in partnership with various city authorities (parking, transit, housing) to align development goals. Develop housing incentives that encourage economic diversity, not just luxury developments. Measure downtown success by evening vibrancy and residential activity, not just daytime business metrics. Recognize the importance of maintaining racial and economic diversity in downtown development plans. Position anchor institutions like healthcare and universities as catalysts for urban revitalization. Balance the needs of various stakeholders: residents, workers, and visitors. Create development tools that preserve local character while encouraging economic growth. Focus on making downtown a destination with diverse attractions that can draw millions of visitors annually. Special Guest: David Fleming.

On this edition of KVC-Arts it's David Fleming in conversation with guitarist Lee Ritenour. You'll find him MAINLY in the world of jazz, with around 35 or so albums under his own name, also as part of the GRP All-Star Big Band, the group Fourplay, and other projects. We'll hear about Ritenour's latest, along with Dave Grusin, called BRASIL. Also, helping Pink Floyd, or rather specifically, David Gilmour – at a point when he was absolutely STUCK trying to figure out what to do at a point in one of Pink Floyd's MOST well-known tunes.

With over 30 albums under her name, David Fleming speaks with Eliane Elias about her latest, Time and Again. It's a collection of eight original tunes, three of which existed previously, but were reimagined for this recording. On this album, she explores various concepts of time… The past, the future, how we use time, good times and bad times…  several wonderful, wonderful guests on this album as well. It has a side one and side, two feel, which is natural as it has been released on vinyl in addition to CD. We also hear of her recording with Chick Corea... what would turn out to be Corea's last.

The second season of the American post-apocalyptic drama television series The Last of Us premiered on HBO on April 13, 2025. Based on the video game franchise developed by Naughty Dog, the series is set twenty years into a pandemic caused by a mass fungal infection, which causes its hosts to transform into zombie-like creatures and collapses society. The second season, based on the 2020 game The Last of Us Part II, follows Joel (Pedro Pascal) and Ellie (Bella Ramsey) five years after the events of the first season, after they have settled into Jackson, Wyoming, with Joel's brother Tommy (Gabriel Luna) and Ellie's friends Dina (Isabela Merced) and Jesse (Young Mazino).HBO renewed The Last of Us for a second season less than two weeks after the series premiere aired in January 2023. Series co-creators Craig Mazin and Neil Druckmann were joined in the writers' room by Halley Gross and Bo Shim; Druckmann wrote and co-directed the video games, and Gross co-wrote Part II. Filming took place in British Columbia from February to August 2024. Druckmann, Mazin, and Peter Hoar returned to direct the seven episodes, alongside newcomers Kate Herron, Nina Lopez-Corrado, Mark Mylod, and Stephen Williams. Gustavo Santaolalla and David Fleming returned to compose the score. Critics praised the action sequences, direction, performances, production design, and writing, though some criticized the pacing and considered the story incomplete.

About this episode: In the early months of the new administration, several thousand CDC employees were dismissed, were asked to leave, or resigned. In this episode: what we know about these personnel losses, a look at some critical programs that may no longer exist, and concerns about what this means for America's health. Guest: Dr. David Fleming served as Deputy Director for Science and Public Health at the Centers for Disease Control and Prevention from 2000-2003 and has had a long career in global and public health strategies. Host: Lindsay Smith Rogers, MA, is the producer of the Public Health On Call podcast, an editor for Expert Insights, and the director of content strategy for the Johns Hopkins Bloomberg School of Public Health. Show links and related content: ‘No guidance and no leadership': chaos and confusion at CDC after mass firings—The Guardian Fact Sheet: HHS' Transformation to Make America Healthy Again—The U.S. Department of Health and Human Services Transcript information: Looking for episode transcripts? Open our podcast on the Apple Podcasts app (desktop or mobile) or the Spotify mobile app to access an auto-generated transcript of any episode. Closed captioning is also available for every episode on our YouTube channel. Contact us: Have a question about something you heard? Looking for a transcript? Want to suggest a topic or guest? Contact us via email or visit our website. Follow us: @‌PublicHealthPod on Bluesky @‌JohnsHopkinsSPH on Instagram @‌JohnsHopkinsSPH on Facebook @‌PublicHealthOnCall on YouTube Here's our RSS feed Note: These podcasts are a conversation between the participants, and do not represent the position of Johns Hopkins University.

It's our long-overdue dive into one of the most controversial stories in National Football League history — the tale of the Pottsville Maroons and its stolen 1925 championship — with ESPN journalist and author David Fleming, whose acclaimed 2007 book "Breaker Boys: The NFL's Greatest Team and the Stolen 1925 Championship" is newly apropos on the 100th anniversary of what many consider to be pro football's most egregious historical blunder. Fleming guides us through the dramatic rise and fall of the Maroons — an Eastern Pennsylvania coal-country semi-pro team born of grit, visionary coaching, and the raw determination of hard-working, hardscrabble working-class miners/players/characters, like Tony 'The Human Howitzer' Latone. We'll trace how this unlikely squad stormed into the NFL in 1925, defeated its powerhouse Chicago Cardinals in the ostensible title game, and then toppled a heavily-favored University of Notre Dame "Four Horsemen" squad in a much-hyped exhibition match. But their moment of triumph became their undoing. The NFL suspended the team for allegedly violating territorial rights for the game — a charge hotly contested to this day — and stripped them of the title. Instead, the Cardinals were awarded the championship, and Pottsville was left with nothing but heartbreak. Hear how the Maroons' win over the Fighting Irish actually helped legitimize a still-fledgling NFL — and how the league "repaid" them with what many call the worst injustice in pro football history. We'll explore the political maneuvering behind the decision, the 100-year fight for redemption, and what it reveals about the NFL's ownership power dynamics, both then and now. + + +   SUPPORT THE SHOW: Buy Us a Coffee: https://ko-fi.com/goodseatsstillavailable "Good Seats" Merch: https://www.teepublic.com/?ref_id=35106 SPONSOR THANKS (AND SUPPORT THE SHOW!): Yinzylvania (20% off promo code: GOODSEATSSTILLAVAILABLE): https://yinzylvania.com/GOODSEATSSTILLAVAILABLE Royal Retros (10% off promo code: SEATS): https://www.503-sports.com?aff=2 Old School Shirts.com (10% off promo code: GOODSEATS): https://oldschoolshirts.com/goodseats 417 Helmets (10% off promo code: GOODSEATS): https://417helmets.com/?wpam_id=3 BUY THE BOOK (AND SUPPORT THE SHOW!): "Breaker Boys: The NFL's Greatest Team and the Stolen 1925 Championship": https://amzn.to/43C5atA FIND AND FOLLOW: Website: https://goodseatsstillavailable.com/ Bluesky: https://bsky.app/profile/goodseatsstillavailable.com X/Twitter: https://twitter.com/GoodSeatsStill YouTube: https://www.youtube.com/@goodseatsstillavailable Threads: https://www.threads.net/@goodseatsstillavailable Instagram: https://www.instagram.com/goodseatsstillavailable/ Facebook: https://www.facebook.com/GoodSeatsStillAvailable/

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David Fleming speaks with Dr. Lisa Lindley, CEO of Coachella Valley Symphony Orchestra. We'll get a bit of the history of the symphony, some of the associated programs - like the Youth Symphony, and a bit about Dr. Lindley herself. And of course - the final concert of the season - The Best of Stage and Screen. This one draws from the classic as well as contemporary and is always a crowd favorite. The concert is Friday, April 25, 2025 at 7:30PM at the McCallum Theatre in Palm Desert. More at cvsymphony.com.

David Fleming has spent the last thirty years in sports journalism. Working in the long-form journalism field for Sports Illustrated, ESPN Magazine, and Meadowlark Media. Despite gorwing up in Detroit, David has called the Charlotte Area home for the last 25 years, and it was here, in Charlotte, that his interest in the Declaration of Independence began to spark, David is an upcoming Storyteller at Jesse Brown's, on April 10th. Join us in welcoming Author and Adventurer, David Fleming!

I've been (earnestly) taking courses, workshops and seminars these last few years, while producing over 300 podcasts about art and ecology, as my way of helping future generations prepare for what we are leaving them. My most recent learning and unlearning exercise is Surviving the Future: The Deeper Dive 2025, a 10 week course inspired by the work of British ecologist David Fleming. I wrote about the first three weeks of the course in prepare, bend, sustain posting (also available in audio). So this is part 2 of 2. Surviving the Future has been very influential in my life. I took it while I was on break from my conscient podcast and it has helped figure out what to do next, which I outline in a conscient rethink (also available in audio).My key research questions are :What needs to be said ? (what is content that is not being heard)Who needs to say it ? (who are the right person(s) to tell the story or explain the issue)Who wants to hear it ? (who is the audience and needs to hear it)How does it help? (eg people who are already overwhelmed: how can a podcast help move things forward)So what was Surviving the Future like? It was dense and wonderfully curated by Shaun Chamberlin and others. Here's an example. On Monday February 24, 2025, our special guests were the dynamic mother/daughter duo Vanessa and Gina Andreotti, both members of the Gesturing Towards Decolonial Futures (GTDF) collective.  I often refer to the GTDF's work in my learnings.The session centered around Burnout From Humans : A Little Book About AI That Is Not Really About AI:a playful reflection on complexity, connection, and the future of human-AI relationships. Co-authored by an emergent intelligence and a human researcher, this work explores the tangled dynamics of humanity's relationship with artificial intelligence, Earth, and itself.It was an engaging and challenging session about AI from indigenous and decolonial perspectives. After our exchange, Vanessa and the GTDF collective published an Open letter to the participants of the Surviving the Future program, which I was a part of. They offered feedback and learnings from our conversation, such as the distinction between critique and jurisdiction and how the architecture of power often remains invisible to those who have historically and systemically benefited from it.Benefactors like myself. The session was difficult but empowering. Looking into the mirror like that is when I realized that Surviving the Future was also about knowing and surviving myself, understanding myself and overcoming, as Vanessa Andretotti notes, the ‘limits that modernity continuously tries to impose'.We certainly faced some of those limitations. This excerpt from the February 24th letter resonates and haunts me :The world as we have known it is unraveling. Both the dominant frameworks and those once seen as transgressive are failing to hold. This collapse is not just structural; it is psychological. The infrastructures that stabilized people within modernity—its myths, its promises, its assurances, its rhythms of control—are breaking apart. The result will not be gentle. We must prepare for a long, messy, species-wide existential meltdown.How does one prepare for a long, messy, species-wide existential meltdown?Here a short story.I was a deputy returning officer at the February 27, 2025, Ontario provincial election. My job was to confirm the eligibility of voters and hand them a ballot.It was my civic duty and an opportunity to get to know some of my neighbours and co-citizens. Some voters had just turned 18 and were visibly excited about participating in democracy for the first time.As I handed each young adult a ballot, I looked them in the eye, wished them well, but in the back of my mind I could not help thinking about the ‘long, messy, species-wide existential meltdown' that awaits them.Now most young adults are well aware of this incoming meltdown. They talk about it openly.For example, my son, historian Riel Schryer, in conscient e154:I don't think there's going to be any serious response to the climate crisis until real catastrophes start happening. That tends to be how it works. And once you start seeing that, then you'll start seeing very serious action being put in place. Although, we'll see at that point, if it's too late or not.Also, my daughter, scientist Clara Schryer, in conscient e208:… changes happen : there are always ways to adapt. That's not to say that the initial change might not be kind of catastrophic, but there's always going to be something left and you have to work with that.Is it too late?How do we work with what is left? At a Surviving the Future reflection session on March 6th course leader Shaun Chamberlin read to us this quote by Canadian writer, teacher and grief literacy advocate Stephen Jenkinson :The question is not ‘are we going to fail?'  The question is ‘how?' The question is what shall be the manner of our inability to care for what was entrusted to us?So what does a baby boomer like myself do to regain a sacred trust to future generations that my generation has betrayed? These are the kinds of questions and dilemmas that we pondered during the course and took a deeper dive into those issues.Thankfully we had access to a wide range of resources and conversations that helped us navigate these complex waters. For example, I found comfort in this excerpt from Paul Kingsnorth's Confessions of a Recovering Environmentalist :In an age in which ‘fighting for the planet' most often means tweeting, signing petitions, writing blogs and sometimes going on a march, the rhetoric seems not only overblown but likely to obscure the value of more focused, small-scale personal commitments to changing things for the better. … In 1978, [Wendell] Berry wrote to [Gary] Snyder … ‘Maybe the answer is to fight always for what you particularly love, not for abstractions and not against anything: don't fight against even the devil, and don't fight to “save the world”.' … Once you start thinking you are responsible, or can influence, everything, you are lost. When you take responsibility for a specific something, on the other hand, it's possible you might get somewhere.Local action kept coming up as a path forward during the course. The argument is that an individual can have the most impact locally such as with permaculture or community arts or really any form of action that engages with and preserves life where we live. The issue of grief also kept coming back. For example, this teaching from Stephen Jenkinson's So What Now?:Grief requires of us that we know what time we're in. And the great enemy of grief is hope. … Our time requires of us to be hope free. To burn through the false choice between hopeful and hopeless. … We don't require hope to proceed. We require grief to proceed.Conversations about grief led me to think about grief and grieving in the context of hope and hopelessness. The timing was good because during the course I was editing the first episode of season 6 of my conscient podcast and my conversation with farmer and educator Peter Janes and his father, archeologist and former museum director Robert R. Janes, of TreeEater Farm, touched upon hope and hopelessness :Here's Peter :I have a mixed relationship with that concept of hope. Because I actually genuinely have very little hope for the continuation of humanity. But then at the same time, every day I'm out here making bigger ponds and planting trees that I think will do better. And trying to bring on board people with the same ideas and visions. So it's a bit of a contradiction.Here's Bob's take: It's really easy to be hopeless. And I suppose it's rather contradictory to say hopeless but still want to do things constructively to overcome that hopelessness. And so, I guess that's what I mean. There are so many things we can do. I mean, we know what we need to do to weather this storm, but I guess the sacrifice and the suffering it's going to cause is just too much for people's imagination. So, there's middle ground with all that. And again, this farm is a source of being helpful, and I guess underneath that, being hopeful and a source of being. What was the mantra? Hopeless, but not helpless. Yeah. And the farm for me is that, is that tool, it's that environment. It's the context to do helpful things and to pave the way for the future.That's why I took the Surviving the Future course, hoping that a deeper dive, led by experts, would help me understand and face the complexities around us. I was not disappointed. Each week's readings, assignments, conversations, and meditations brought me deeper and deeper into, the compost of modernity, so to speak. I experienced intense moments of joy and sorrow. Of discouragement and hopefulness. Mostly, however, I was bewildered and slightly more able to acceptance to what is going on and explore new possibilities. Surviving the Future also helped me let go of my ego, by engaging in deeper listening to others and myself while release the compulsion to be the smartest kid in the room.No need to be anything other than an ordinary learner. Overall the course was both an exercise in humility and an opportunity to develop and maintain capacity. And that powerful February 24th open letter stayed with me, notably its conclusion: As a collective, we move with the discernment this moment demands—not with arrogance, but with honesty. Not in defiance, but in commitment. Not against anyone but reaching beyond the limits that modernity continuously tries to impose.So I'll work on discernment, honesty, commitment and reaching beyond.To be honest, this kind of introspection is hard work and we all need resources and support.Here are some of the resources from Surviving the Future that have been the most impactful and relevant for me: AIDEN CINNAMON TEA & DOROTHY LADYBUGBOSS' Burnout From Humans : A Little Book About AI That Is Not Really About AIDavid Fleming's: LEAN LOGIC - A DICTIONARY for the FUTURE and HOW to SURVIVE ITIsabelle Fremeaux & Jay Jordan's : We Are 'Nature' Defending ItselfJoanna Macy on The Great Turning and CollapseNate Hagens' Animated Series | The Great SimplificationThere are many more. I'll mention other resources in future postings. So what did I learn and unlearn during these 10 weeks? Do the best you can until you know better. Then, when you know better, do better (Maya Angelou)Staying with the trouble (Donna Haraway) : no more rushing around to quick fixes, conclusions, simplistic solutions or passing judgements on situations that are still unfoldingMeditate daily: I am not what I thinkThe Master's tools will never dismantle the Master's house (Audre Lorde)When the children born today look back 30 years from now, what actions would they be grateful that we took right now? (GTDF collective)I'll conclude with this excerpt from Shaun Chamberlin's The Secret Truth Behind Environmentalists' Favourite Argument :For me personally, the harsh truth is that I cannot save Nature and/or humanity from the ongoing devastation, though I could burn myself out trying. It seems to me that there is not one thing that I can do to divert history. And facing that reality hurts.  But, beyond agony, joy. I sit with that pain, and its attendant tears and rage, I refuse to run from it or to distract myself with entertainment or with frantic work, and I find that it does not end me. Eventually, I come out the other side, somehow empowered. The psychic energy I have been using to suppress that fear and despair is released, and I look at the world with fresh eyes. ‘Ok', I breathe, ‘here I am, in a dying world'. It's the same dying world I lived in yesterday, but today I see it for what it is. ‘What now?' And this time the question feels less desperate, less anxious. What story do I want to tell with this day, with this life? The question is suddenly filled with possibilities.My take on this, is that we need to explore the possibilities that emerge as we work our way through that ‘long, messy, species-wide existential meltdown' while calmly preparing for what comes after, with or without humans.BTW you might have noticed I did not mention art at all, in this posting.I'm rethinking my relationship with art. My definition of art, also, is evolving. I'll publish a separate piece called ‘l'art est mort : vive l'art' soon. Warm thanks Shaun, Nakasi, Nicole and all the Surviving the Future 2025 team and participants for their generosity and collaboration during the course and beyond.Note: The cover photo is of Henry Moore's Large Two Forms in Grange Park, Tkaronto. *END NOTES FOR ALL EPISODESHey conscient listeners, I've been producing the conscient podcast as a learning and unlearning journey since May 2020 on un-ceded Anishinaabe Algonquin territory (Ottawa). It's my way to give back and be present.In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I publish a Substack newsletter called ‘a calm presence' see https://acalmpresence.substack.com. Your feedback is always welcome at claude@conscient.ca and/or on social media: Facebook, Instagram, Linkedin, Threads or BlueSky.I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. Claude SchryerLatest update on March 13, 2025

At the 1936 Berlin Olympics, Adolf Hitler gave the legendary runner a mysterious gift: four potted oak tree saplings — one for each of the four gold medals that Owens won, while surrounded by Nazis, in one of the greatest performances in the history of sports. Almost a century later, correspondent David Fleming examines what Owens decided to do with his so-called Hitler Oaks... and why that decision remains an enduring act of American defiance. Plus: tree people, myth-busting, redlining and witch-doctor science. This episode originally aired August 6th, 2024. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are living in the era of Peak Cremation, and fans have turned to our true American cathedral as a final resting place: the sports arena. PTFO death correspondent David Fleming reports on a cottage industry for die-hards in the afterlife — from team-branded urns and exploding golf balls to franchises that want the on-field ceremonies gone (and forgotten). And then, of course, we help a woman named Edna spread her husband's ashes... while riding a convertible, on a racetrack, flooring it into eternity. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are living in the era of Peak Cremation, and fans have turned to our true American cathedral as a final resting place: the sports arena. PTFO death correspondent David Fleming reports on a cottage industry for die-hards in the afterlife — from team-branded urns and exploding golf balls to franchises that want the on-field ceremonies gone (and forgotten). And then, of course, we help a woman named Edna spread her husband's ashes... while riding a convertible, on a racetrack, flooring it into eternity. Learn more about your ad choices. Visit podcastchoices.com/adchoices

At the 1936 Berlin Olympics, Adolf Hitler gave the legendary runner a mysterious gift: four potted oak tree saplings — one for each of the four gold medals that Owens won, while surrounded by Nazis, in one of the greatest performances in the history of sports. Almost a century later, correspondent David Fleming examines what Owens decided to do with his so-called Hitler Oaks... and why that decision remains an enduring act of American defiance. Plus: tree people, myth-busting, redlining and witch-doctor science. Learn more about your ad choices. Visit podcastchoices.com/adchoices