Podcasts about platform b

In het regeerprogramma van het kabinet-Schoof struikel je over het woord innovatie. 85 keer roepen ze deze totempaal aan, meer dan enig regeerakkoord ooit. Zelfs Arjen Lubach heeft het erover. Nu precies 25 jaar geleden vonden Frans Nauta en Joeri van den Steenhoven zulke holle praatjes bij weinig actie al hoogst irritant. Met Nederland Kennisland begonnen ze een kleine revolutie. Ze publiceren nu een essay erover. En met Jaap Jansen en PG Kroeger praten ze over toen en nu. En opnieuw: over de toekomst. Van Nederland.***Deze aflevering is mede mogelijk gemaakt met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show!Heb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend een mailtje naar adverteren@dagennacht.nl en wij zoeken contact.Op sommige podcast-apps kun je niet alles lezen. De complete tekst en een overzicht van al onze eerdere afleveringen vind je hier***In 1999 was Nederland erg zelfgenoegzaam. "Het geld klotste tegen de toonbank", schampert Frans Nauta, maar het toekomstbeeld van ons land was laagwaardig. Men zette in op 'dozen schuiven' van Rotterdam naar Duitsland, de Betuwelijn, Mainports, een vijfde baan bij Schiphol. Joeri van den Steenhoven dook met hem in de data. "We schrokken ons wild. Onderwijs bleek hier gewoon middelmatig, R&D-investeringen waren laag, onze plaats tussen de slimme landen daalde gevaarlijk.”Het klonk gek, want: “Het onderzoek was wereldtop, universiteiten en hogescholen deden het uitstekend - daar lag het niet aan." Waaraan dan wel? Kennisland ging zelf op zoek. "We wilden niet de zoveelste denktank beginnen die rapportjes maakte. We wilden ook actief dingen in gang zetten." Digitale trapveldjes in achterstandswijken, de Kafka Brigade tegen gekmakende bureaucratie. En kijken waar in de wereld het wél lukte met een kenniseconomie.Frans Nauta en Joeri van den Steenhoven vertellen vol vuur over vele lessen die zij leerden en naar ons land vertaalden vanuit Finland – “Leraren kregen daar de ruimte voor hun vak en bleven permanent zélf leren” - en vanuit Silicon Valley, Japan, Canada en zelfs bij de startup scene in Nepal. Het verhaal van Geoffrey Hinton - een nogal aparte geleerde in Toronto waar, dacht men toen, nooit iemand iets van zou horen - is er emblematisch voor. Vorige week won hij de Nobelprijs. Van den Steenhoven kan precies vertellen hoe dat kwam.Het tweede kabinet-Balkenende omhelsde de thema's 'kenniseconomie' en 'leren van Finland'. Nauta werd de eerste secretaris van Het Innovatieplatform. Zijn Haagse avonturen leverden veel schrammen op, maar feit bleef dat hun thema kreeg perspectief, 'kennis' werd breder en dieper begrepen.Het is veel meer dan knappe koppen knuffelen. Mbo is cruciaal. Maar zeker ook hbo, startups, praktijkgericht onderzoek, Leven Lang Ontwikkelen, slimmer mkb en ambitieuze steden en regio's als Brainport Eindhoven, Twente en Amsterdam. Een spectaculair beleidssucces als Platform Bètatechniek bewees hoeveel hier met durf gerealiseerd kon worden. Maar ook hoe zoiets dan een beetje blijft hangen.Lessen hoe het nóg beter had gekund blijven na 25 jaar knagen. In Finland zijn de lijntjes kort, in Nederland loop je vaak vast in ‘bestuurlijke spaghetti'. Nederland kiest nooit radicaal. Stevige instituten de ruimte te geven in plaats van tijdelijke projecten - dat durven we zelden. Nauta zag hoe het DARPA-concept in Amerika - dankzij de Spoetnik-paniek - daar wel in slaagde.De kabinetten-Rutte voerden vaak uitstelbeleid. "En als je dingen voor je uitschuift, komt het moment dat ineens alles tegelijk moet; dat een crisis je overvalt. Haast is dan duur, inefficiënt en nooit erg leerzaam”, moppert Nauta. Liefst ziet hij een Deltaplan komen voor de 'valorisatie' van kennis naar de grote vraagstukken van economie en samenleving. En dat plan mag net als toen in Zeeland ook 30 jaar tijd kosten. Het kabinet-Schoof draait hier de klok juist terug.Het eerdere succes met het onderwijsniveau zien Nauta en Van den Steenhoven in rap tempo wegzakken. "Dat dit geen loeiend alarm doet klinken is onbegrijpelijk." Intussen worden hbo, universiteiten, R&D en LLO met mooie woorden bediend, terwijl hun kas leeggeroofd wordt. "Groot denken durft men niet." Heel anders dan in Europa. Van den Steenhoven vertelt hoe Kennisland daar 'opschaalde' met de vergelijkbare club the Lisbon council.Enthousiast herkent hij veel van die ideeën in het rapport-Draghi. Daar snel op insteken biedt juist Nederland enorme kansen. Met ASML, met de ruimtevaart rond ESTEC – ‘de grootste nooit aangeboorde bron van groei in ons land' - met Leiden Bio Science en Wageningen heeft Nederland goud in handen. Maar net als dat edele metaal moet je dat dan wel actief bewerken.Draghi en Kiezen voor later: de vier scenario's van het CPB dwingen hoe ons te doen wat we in Nederland graag vermijden. Kiezen. En de vergrijzing doet dat niet minder. Want met veel meer ouderen zullen jongeren en andere nieuwkomers productiever moeten zijn, willen we het welvaartsniveau en de leefbaarheid voor iedereen op peil houden. Nauta vertelt hoe hij daar al mee bezig is in Japan. En oh ja – Mario Draghi mag bellen, als hij hulp nodig heeft.***Verder lezenFrans Nauta & Joeri van den Steenhoven - Nederland als kennisland: 25 jaar onderweg***Verder luisteren446 - Doe wat Draghi zegt of Europa wacht een langzame doodsstrijd78 - Roberto Viola: Shaping Europe's Digital Future381 - Het Betrouwbare Bronnen Kenniscoalitie debat 2023371 - Banen op zoek naar mensen. Hoe in Europa bedrijven en beroepsonderwijs intensief samenwerken324 - Nederland loopt vast door tekort aan jongeren met technische opleiding, hoe lossen we dit op?278 - Frans Leijnse over de belabberde staat van ons onderwijs en hoe je dit oplost216 - Crisis op komst: Nederlandse economie loopt vast door tekort aan technisch geschoolde arbeidskrachten201 - Het geheim van het hbo-succes183 - Samen slimmer worden: het Leidse kennisecosysteem als aanjager van duurzame groei227 - Structureel extra investeren in onderzoek en ontwikkeling helpt de Nederlandse economie enorm vooruit126 - De kracht van hoger onderwijs379 - Migratie: het werkelijke verhaal154 - Watergezant Henk Ovink: 'Negentig procent van alle rampen in de wereld heeft met water te maken'137 – Joeri van den Steenhoven: maak het Groeifonds slimmer, beter en doeltreffender47 - Harvard-topman Richard McCullough bezorgd over wetenschap in VS en Nederland***Tijdlijn00:00:00 – Deel 100:30:00 – Deel 200:45:28 – Deel 301:33:36 – Einde Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

In this episode of Audio Talks we speak to two industry movers and shakers on the incredible rise of audio content outgrowing its role as video's nerdier, less successful sibling. Listen to Axel Mansoor, musician and innovative icon of the Clubhouse app, and founder of the “Lullaby Club” with more than 11.000 followers. And Daniel Nathan, radio pioneer, commentator, co-founder of Platform B and founder of several commercial / FM / online and DAB stations.

This week Lex is joined by Bklava. A multi-talented artist and DJ from London who's singles are distinctive for their fresh, restrained take on Garage. Known for singing and DJing at the same time, Bklava also co-founded the female and non-binary DJ platform Spin Suga, which has a radio show on Brighton station Platform B, as well as hosting DJ workshops and panel talks. Bklava also did a mix which you can listen to on the Hot Girls mix series on Soundcloud.Songs Played:Bklava - Got it GoodBklava - Through the NightArtists Mentioned: Wookie, Aretha Franklin, Amy Winehouse, Beyoncé, Lady Gaga, Rosalia, Yaeji, AMAGuest Handles:FB: /bklavadjInsta: @BklavaSoundcloud: /BklavaHost Handles:Insta / Twitter / Soundcloud: @LexOnTheDecks See acast.com/privacy for privacy and opt-out information.

0:00 - Hello, we are Fantastic Fest, Jeff is dressed like Peter Pan, a lot of movies here belong to Netflix 4:20 - "In the Shadow of the Moon" review 11:40 - "VHYes" review 17:05 - "Butt Boy" review 24:00 - "The Platform" review 29:50 - "Fractured" review 33:35 - "Dolemite Is My Name" review 41:10 - Eric doesn't want to talk about "Jallikkattu" 42:00 - "Synchronic" review 46:00 - "The Lighthouse" review 52:50 - More general discussion, recap and good day   REVIEW:  In the Shadow of the Moon: B- 6 VHYes: B+ 7 Butt Boy: B- 6 The Platform: B+ 8 Fractured: C+ 5 Dolemite Is My Name: B 8 Synchronic: B 6 The Lighthouse: B+ 8

Lighthouse maintenance tools: Emma Wickham and Eva Rowson Curator Eva Rowson concludes the podcast series in conversation with Lighthouse Head of Operations, Emma Wickham. They share their favourite ‘Lighthouse maintenance tools’ to reflect on how the building works, what keeps it going – and who’s doing the washing up. Emma Wickham is Head of Operations and joined Lighthouse as Administrator in 2005. Emma leads on venue and commercial development, oversees the smooth running of our office and venue, manages our operations team and oversees event management and project support for all Lighthouse activities. She is the heart and soul of the organisation and can often be found providing the warmest welcome in Brighton to our guests, visitors, audiences, colleagues and tenants at Lighthouse. Light+ Who's doing the washing up? is a series of podcasts documenting Curator in Residence Eva Rowson’s six month programme (January – July 2019) ‘Who’s doing the washing up – where’s the sink?’ exploring the role of hospitality at Lighthouse. Music for the podcast series is taken from a collection of new arrangements composed and recorded by artist Aliyah Hussain, made when working on her forthcoming EP (Bloxham Tapes), based on the science fiction novel Native Tongue by Suzette Haden Elgin. Produced by Olivia Melkonian and Nats Spada of Brighton-based not-for-profit next generation broadcaster Platform B. For more info about the Light+ Podcast, visit our website: http://www.lighthouse.org.uk/programme/light-podcast Lighthouse is a Brighton-based arts charity that specialises in connecting new developments in art, technology and society. The Light+ podcasts introduce extra voices, opinions and perspectives to enable deeper understanding and exploration of our programme. Find out more: lighthouse.org.uk Part of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.

There ought to be a word: Aliyah Hussain and Anna Bunting Branch in conversation with Devils’ Dyke Network Claudia Treacher and Violeta Marchenkova from Brighton-based collective Devils’ Dyke Network interview artists Anna Bunting Branch and Aliyah Hussain about their collaborative project Potential Wor(l)ds. The project uses feminist science fiction, printmaking and experimental sound-making to collectively create new words and ways of communicating. Light+ Who's doing the washing up? is a series of podcasts documenting Curator in Residence Eva Rowson’s six month programme (January – July 2019) ‘Who’s doing the washing up – where’s the sink?’ exploring the role of hospitality at Lighthouse. Music for the podcast series is taken from a collection of new arrangements composed and recorded by artist Aliyah Hussain, made when working on her forthcoming EP (Bloxham Tapes), based on the science fiction novel Native Tongue by Suzette Haden Elgin. Produced by Olivia Melkonian and Nats Spada of Brighton-based not-for-profit next generation broadcaster Platform B. For more info about the Light+ Podcast, visit our website: http://www.lighthouse.org.uk/programme/light-podcast Lighthouse is a Brighton-based arts charity that specialises in connecting new developments in art, technology and society. The Light+ podcasts introduce extra voices, opinions and perspectives to enable deeper understanding and exploration of our programme. Find out more: lighthouse.org.uk Part of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.

Cuñas, topes y sujetapuertas / doorstops, wedges and holding space: Jordi Ferreiro and Andrea Francke Artists Jordi Ferreiro and Andrea Francke discuss their shared interests in how cultural organisations can open up to include different perspectives and voices in the way they work. As Spanish is the first language of both artists, both artists experiment with translating between English and Spanish throughout the conversation. Light+ Who's doing the washing up? is a series of podcasts documenting Curator in Residence Eva Rowson’s six month programme (January – July 2019) ‘Who’s doing the washing up – where’s the sink?’ exploring the role of hospitality at Lighthouse. Music for the podcast series is taken from a collection of new arrangements composed and recorded by artist Aliyah Hussain, made when working on her forthcoming EP (Bloxham Tapes), based on the science fiction novel Native Tongue by Suzette Haden Elgin. Produced by Olivia Melkonian and Nats Spada of Brighton-based not-for-profit next generation broadcaster Platform B. For more info about the Light+ Podcast, visit our website: http://www.lighthouse.org.uk/programme/light-podcast Lighthouse is a Brighton-based arts charity that specialises in connecting new developments in art, technology and society. The Light+ podcasts introduce extra voices, opinions and perspectives to enable deeper understanding and exploration of our programme. Find out more: lighthouse.org.uk Supported by Acción Cultural Española (AC/E) and Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.

Send and Receive: Maia Urstad and Anton Kats (MAKU) Artists Maia Urstad and Anton Kats share their collaborative project MAKU, and how they explore different ways of working with radio as tools for communication, programming and listening. They'll reflect on their research into radio practices in Brighton, including youth-led radio station Platform B, the Mid-Sussex Amateur Radio Society and Patrick Murphy of the Blind Veterans UK Amateur Radio Society. Light+ Who's doing the washing up? is a series of podcasts documenting Curator in Residence Eva Rowson’s six month programme (January – July 2019) ‘Who’s doing the washing up – where’s the sink?’ exploring the role of hospitality at Lighthouse. Music for the podcast series is taken from a collection of new arrangements composed and recorded by artist Aliyah Hussain, made when working on her forthcoming EP (Bloxham Tapes), based on the science fiction novel Native Tongue by Suzette Haden Elgin. Produced by Olivia Melkonian and Nats Spada of Brighton-based not-for-profit next generation broadcaster Platform B. For more info about the Light+ Podcast, visit our website: http://www.lighthouse.org.uk/programme/light-podcast Lighthouse is a Brighton-based arts charity that specialises in connecting new developments in art, technology and society. The Light+ podcasts introduce extra voices, opinions and perspectives to enable deeper understanding and exploration of our programme. Find out more: lighthouse.org.uk Part of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.

Potential Worlds: Making spaces on our own terms A live recording from Potential Wor(l)ds: making spaces on our own terms, at Lighthouse on 25 April 2019. Artists Aliyah Hussain and Anna Bunting Branch, Marlborough Theatre Co-Artistic Director Tarik Elmoutawakil and Devils’ Dyke Network organisers Claudia Treacher and Violeta Marchenkova share their strategies — from using science fiction to collective work — for making spaces on their own terms. They discuss how these spaces enable them to form their own rules, politics and futures, and how institutions such as Lighthouse can best support them. Light+ Who's doing the washing up? is a series of podcasts documenting Curator in Residence Eva Rowson’s six month programme (January – July 2019) ‘Who’s doing the washing up – where’s the sink?’ exploring the role of hospitality at Lighthouse. Music for the podcast series is taken from a collection of new arrangements composed and recorded by artist Aliyah Hussain, made when working on her forthcoming EP (Bloxham Tapes), based on the science fiction novel Native Tongue by Suzette Haden Elgin. Produced by Olivia Melkonian and Nats Spada of Brighton-based not-for-profit next generation broadcaster Platform B. For more info about the Light+ Podcast, visit our website: http://www.lighthouse.org.uk/programme/light-podcast Lighthouse is a Brighton-based arts charity that specialises in connecting new developments in art, technology and society. The Light+ podcasts introduce extra voices, opinions and perspectives to enable deeper understanding and exploration of our programme. Find out more: lighthouse.org.uk Part of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.  

Joseph Disco’s early education in beat science came as a resident DJ in Cologne’s legendary club Playground, where his regular opportunities to manipulate the dancefloor like a puppeteer quickly drew him into the sphere of music production. Shortly after returning to his native Munich in 2005, he released his first project on the label: Great Stuff Recordings, and later on labels like Stil vor Talent and Platform B, both as an solo artist and with different projects. With his name established amongst electronic aficionados, Joseph has gone on to entrench himself on the scene as a steadfast proliferator of high-quality works. Sporting an ever-growing cadre of solo releases and remix work on a multitude of labels, Joseph Disco has only given a tantalizing taste of his true potential. He has played countless gigs in and out of Germany on clubs like: KaterBlau ,Sisyphos, Wilde Renate, Rummelsbucht, Südpol, Club Charlotte and Hive in Zurich. He has played Rave on Snow and the Berlin Loveparade,MoynMoyn Festival , Klangtherapy Festival, Off the Radar , Grüne Sonne and many more. When behind the decks Joseph DJ’s like he has never done anything else.. https://soundcloud.com/josephdisco Download for free on The Artist Union

Northwest Bible Church - June 30th, 2019 - God and Government Series - Alan Conner 1 Timothy 2:1-2 Socialism and the Bible Intro A. WHAT IS SOCIALISM? 1. “A society in which the means of production, distribution, and exchange are owned or regulated by the community as a whole (government) rather than private individuals”. 2. Platform: B. A BIBLICAL CRITIQUE OF SOCIALISM 1. End private ownership of businesses, or any means of production, distribution and exchange. Exodus 20:15, 17; Proverbs 11:1; Exodus 21-22; Deuteronomy 22-23; 19:14; Leviticus 25:10 2. Single payer health care. Luke 10:30-37 3. Free public college. Ephesians 6:4. 4. Racial, economic, social and climate justice - Genesis 1:26. James 2:1-9. 5. Make the rich “pay their fair share”. Exodus 23:6, 3; Proverbs 17:26; Deuteronomy 14:28-29. 6. Globalists - Genesis 11:1-9. 7. LGBTQ rights. Leviticus 20:13; Romans 1:26-27; 1 Corinthians 6:9-11; Genesis 1:27-28 Conclusion

Worship Day vom 24.10.2015 Predigttitel: Unsere eigene Platform/Bühne bauen Speaker: DÄN Zeltner www.worshipday.ch Produced by Voice Republic For more podcasts visit http://voicerepublic.com

Hi Partyvolk, hier ist wieder exclusiv für euch ,,DINE BOOKING BERLIN PODCAST ♫,, heute haben wir für euch von Lützenkirchens Label ,,Platform B,, und dem Berliner Label ,,k:lender recordings,, unseren ,,Gilbert Martini,, an den Decks. Und nach der ersten Stunde kommt der Labelchef aus Berlin von ,,k:lender recordings,, PIERRE DEUTSCHMANN. Euch viel Spaß mit den beiden und nächste Woche nicht verpassen von 08-10 Uhr auf Cuebase.fm Nächste Woche erwarten euch unsere Berliner Jungs ,,Emerson,, und ,,Dominik Vaillant,, Bis nächste Woche ;-)