Podcasts about creative europe programme

We sit down with Carlos Machava to talk about his 20+ years in the dance world—from first seeing dance on the streets to training at a dance academy and eventually discovering Lindy Hop. Carlos shares what drew him to dance, his experience training with a dance company in Mozambique, and his first impressions of jazz dance. We also discuss different teaching approaches, the counting vs. scatting debate, and how we can express ourselves more through dance.This Podcast series is part of the Swinging Europe project, which is co-funded by the Creative Europe Programme of the European Commission.Photo by Sara Pista

A special episode from the International Lindy Hop Championships Europe 2022 where the artists and judges sat down to discuss their thoughts and vision on competitions: "Competition & Culture: How do they relate?". You will hear Marie N'Diaye, Moncell Durden, Remy Kouakou Kouame, Tena Morales-Armstrong, LaTasha Barnes, Moe Sakan, Alice Mei, Felix Berghäll, Vincenzo Fesi, and a Special Guest Ms. Mickey Davidson. The International Lindy Hop Championships Europe takes place, in person, each year in Sofia, Bulgaria. Visit http://www.ilhc.com for more information. Powered by: ILHC, Lindy Hop Bulgaria, Remy Kouakou Kouame. This event is part of the project Swinging Europe Network. Co-funded by the Creative Europe Programme of the European Commission.

In this podcast Jennifer Williams speaks to our New Voices from Europe Literary Europe Live SPL Poets in Residence Juana Adcock and Árpád Kollár about writing poetry while listening to Hungarian punk music, the definition of Spanglish, how to write multi-lingual poems and much more.  This project was made possible by Literary Europe Live, Literature Across Frontiers and the Creative Europe Programme of the European Union.

The first conversation in Sensing Urban Matter brought together two artists - Ivana Králíková and Evelina Šimkutė - to talk about how an off-center urban garden has been key in their artistic practice. Ivana Králíková is a Stockholm-based artist who since 2017 is committed to a long term interdisciplinary research Dig Where You Stand where she uses her background in ceramics and knowledge about soil as an entry point into exploring the natural and cultural processes affecting land use in cities. An offshoot project, Hi Neighbour! investigates earth's functionality in the local environment of Stockholm's suburb of Hjulsta, where Ivana carries out her hands-on research from headquarters situated in the local allotment gardens and surrounding area. Since 2015 Evelina Šimkutė is leading Šilainiai Project – creative platform in housing estate of Šilainiai, Kaunas, which focuses on active engagement with the site and local community through a variety of creative processes – collaborative archives, workshops, artist residencies, talks and events. Currently Evelina is focusing on long-term strategies for sustainable city and community in the neigbourhood, coordinating Šilainiai Urban Gardens initiative. Both Ivana and Evelina met during the urban hike proposed by Ivana in September, 2021 - Dig Where You Stand: Journey into Neoenvironmental Kaunas. Here in this podcast they share their ideas before their live meeting in Kaunas about urban plants and gardens, what does it mean for an artist to be “grounded” and the relation between a garden and a home. “How do we make invisible things visible? (…) Hyper-locality—you are in one place and at least geographically where you are working and who you are working, participants, target audience, co-creators, however you approach the process—is seen as a negative thing: “You're hyperlocal, so you are not reaching everyone”. I would seriously invite to try and be part of at least for a day and learn about maybe this different way of working process and think about the value that it brings.” Sensing Urban Matter podcast series is curated and moderated by Viktorija Šiaulytė. Architektūros fondas' programme Sensing Urban Matter is part of the Future Architecture platform and European Architecture programme 2021, and is co-funded by the Creative Europe Programme of the European Union and a strategic partner Lithuanian Council for Culture.

Van de jonge componiste (en pianiste) Sara Zamboni zijn twee werken te horen in dit programma. Uit 2020 stamt haar Trio voor viool, cello en piano; het werd opgenomen in de studio van Radio 4 in een coproductie met Dutch Composers Now, uitgevoerd door Loes Dooren (viool), Berber Heerema (cello) en Rutger Jansen (piano). En uit 2018 het werk 'Lumen est lumine' voor 11 instrumenten en fixed media, gecomponeerd voor Ensemble Musikfabrik. 23.04 CD Christmas Carols with The King's Singers John Tavener: O, do not move The King's Singers 1'55” 23.07 eigen opname Radio 4 Sara Zamboni: Trio voor viool, cello en piano I. Data Streaming (for the pianist) II. Arco Infinito (for the cellist) III. Step Dance (for the violinist) Loes Dooren (viool); Berber Heerema (cello); Rutger Jansen (piano) 17'03” 23.29 eigen opname musici Sara Zamboni: Lumen de Lumine voor 11 instruments and 6-channels fixed media (2018) Musikfabrik 19'45” Ensemble Musikfabrik olv Christian Eggen Helen Bledsoe, flute Peter Veale, oboe Carl Rosman, clarinet Hannah Weirich, violin I Sara Cubarsi, violin II Axel Porath, viola Dirk Wietheger, cello Christine Chapman, horn Marco Blaauw, trumpet Ulrich Löffler, piano Dirk Rothburst, vibraphone, glockenspiel, crotales Melvyn Poore, tape cues Christian Eggen, conductor Wolfgang Ellers, recording and mastering engineer The recording has been made as part of Composer Collider Europe with the support of the Creative Europe Programme of the European Union. Premiere: 11 november 2018, State Symphony Orchestra, Thessaloniki (GR) Opnamedatum: 9 november 2020, Im Mediapark 7, Köln (DE)

Rorshok's weekly ten-minute update of the big stuff happening in Georgia. New policies to be implemented in the new year, increase in the 2022 budget for social rehabilitation and childcare, property assigned to 122 IDFs, updates on the Misha case, booster shots for people who received Sinopharm or Sinovac vaccines, a new exhibition to honor Maro Makashvili, Georgia joining the Creative Europe Programme, nightclubs to open after almost 2 years, and much more! Thanks for tuning in! We want to know why you are listening, how you found us, and your life story! Thoughts? Recommendations? Important stuff we missed we might have missed, or topics you want us to cover? Things we got wrong, in your humble opinion? Let us know your thoughts and ideas by emailing us at podcast@rorshok.com Like what you hear? Subscribe, share, and tell your buds.Oops! It looks like we made a mistake.In 06:37, the reader said "entering" when it actually was “entertaining”.  Sorry for the inconvenience! 

NIGHT AIR: SOIL SAMPLES 24 April 2021 - Online Transmission Soil Samples gathers four artists and researchers for performances, presentations and discussions addressing the topic of soil and its geopolitical, colonial, and bodily entanglements. The panel is made up of sound artist Felicity Mangan, researcher and 'tiny miner' Martin Howse, biogeochemist and critical ecologist Kunal Palawat working in tandem with visual artist Dorsey Kaufmann. The event was transmitted online from Rotterdam on Saturday 24 April 2021, with participants and the audience joining from various locations worldwide. FELICITY MANGAN Felicity Mangan is an Australian sound artist and composer based in Berlin since 2008. In different situations, from solo performances and installations to collaborative projects with other artists, Felicity plays with the timbre of animal voices and field recordings to create minimal quasi-bioacoustic environments. Recently, the artist has been exploring the fundamentals of soil life and interspecies creativity, delving into soil's soundscape, equipped with sensors and imagination. MARTIN HOWSE Martin Howse is occupied with an investigation of the links between the earth, software and the human psyche through the construction of experimental situations, material artworks and texts. From 1998 to 2005 Howse was director of ap, a software performance group working with electronic waste, pioneering an early approach to digital glitch. For the last ten years, he has initiated numerous open-laboratory style projects and performed, published, lectured and exhibited worldwide. KUNAL PALAWAT Kunal Palawat is a terrestrial biogeochemist and critical ecologist currently working at the intersections of pollution, community-based research, data science, and environmental justice at the University of Arizona on occupied Tohono O'odham and Pascua Yaqui lands (so-called Tucson) in the Ramírez-Andreotta Lab. They are also a Lab Manager and Research Associate with the Critical Ecology Lab, a non-profit research and education container striving to explicitly connect systems of oppression/liberation to global change. DORSEY KAUFMANN Dorsey Kaufmann actively challenges disciplinary boundaries by making work at the intersection of art, environmental science, and politics. She primarily works in time-based media; including video, performance, animation, and 3-D installations. Her practice examines the conflict among corporations, governments, and community health. Her work visualises how these tensions and perceptions constantly define and redefine our built environment. NIGHT AIR Night Air is a series of online transmissions from Sonic Acts that aims to make pollution visible by bringing forth the various side-effects of modernity: from colonial exploitation of people and resources to perpetual inequalities brought about by the destruction of the environment and common land – in other words, destructive capitalist practices that shape both our environment and human-nonhuman relations. More information about Soil Samples and its participants can be found at https://bit.ly/3H6YTbH. CREDITS Production: Sonic Acts Host: Margarita Osipian Visual design: Deborah Mora Sound design: Igor Dubreucq Additional help: Mark den Hoed, Karl Klomp, Karl Moubarak and Jorg Schellekens, as well as Hackers and Designers and The Hmm. Part of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union. Sonic Acts is supported by Creative Industries Fund NL, Amsterdam Fund for the Arts (AFK) and Paradiso.

EXHAUST – A ROUNDTABLE DISCUSSION ON OIL AND DATA 27 February 2021 - Online Transmission Curated by Sonic Acts OVEREXPOSED artistic research resident, writer and theorist Maryam Monalisa Gharavi, Exhaust features political and environmental anthropologist Omolade Adunbi, media artist and programmer Ryan Kuo, artist and geographer Helen Pritchard and interdisciplinary researcher Andrea Sempértegui, as well as moderation by critic, curator and art historian Murtaza Vali. The event was transmitted online from Rotterdam on Saturday 27 February 2021, with participants and the audience joining from various locations worldwide. Propelled by the phrase ‘data is the new oil', coined in 2006 by British mathematician (and customer loyalty card inventor) Clive Humby, Exhaust draws on the insights of eminent academic thinkers and influential practitioners to speculate, critique and make visible the cultural geography of oil and data. More information about Exhaust and its participants can be found at https://bit.ly/3CasgWK. CREDITS Production: Sonic Acts & Maryam Monalisa Gharavi Host: Margarita Osipian Additional help: Danne Hekman, Mark den Hoed, Karl Klomp, Karl Moubarak, Roc Jiménez de Cisneros, as well as Hackers & Designers and The Hmm. Part of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union. Sonic Acts is supported by Creative Industries Fund NL, Amsterdam Fund for the Arts (AFK) and Paradiso.

Recorded 05.12.2019 at Tschechisches Zentrum Berlin Focusing primarily on politically prominent post-war public investment projects in the former state-socialist countries Czech Republic, Hungary, Poland, and Slovakia (also called the Visegrad Group), the evening explored where the state’s ambitions of power and the architects’ creative ideas connected and where they clashed. How is the society’s relationship to these buildings and how is each of the Visegrad countries handling this heritage from the socialist era? Featuring: Petr Vorlík (CZ), architect and architecture historian. Co-curator of the Iconic ruins? exhibition. He works in the Department of Theory and History of Architecture at the Faculty of Architecture, Czech Technical University (CTU) in Prague. Peter Szalay (SK), architecture historian and theoretician. He works as a researcher at the Department of Architecture, Institute of History at the Slovak Academy of Sciences, Bratislava. Anna Cymer (PL), architecture historian and journalist. She is the author of the book Architektura w Polsce 1945 - 1989 (Architecture in Poland 1945 - 1989) and co-curator of the Iconic ruins? exhibition. Dániel Kovács (HU), art historian, architectural critic, chief editor of Epiteszforum.hu and curator of the Hungarian Pavilion at the 17. International Architecture Exhibition in Venice. Bettina Güldner (DE), art and design historian, curator of art and design exhibitions. On the occasion of this discussion a small exhibition Iconic Ruins? tracing the evolution of socialist architecture in the countries of the Visegrad Group will be shown. The exhibition was created as part of Shared Cities: Creative Momentum - an international network for creative discourse at the intersection of architecture, art, urbanism and the sharing economy, co-funded by the Creative Europe Programme of the European Union. archint_1989_cz:de is an event series focusing on the architecture and monuments from the post-war period and how they have been dealt with since the Velvet Revolution and the fall of the Berlin Wall in 1989. Why does our freedom often manifest as the freedom to destroy or simply just to forget? Can these actions be seen themselves as not only interventions but as actual monuments to the regained freedom, reunification and post-1989 transformation? Should these works of art and architecture be disconnected from their political connotations and instead be respected for their artistic value? Is it a question of East – West division? Here, Czech and German architectural theoreticians will present their new projects and discuss them. Partners of the event series: Embassy of the Czech Republic in Berlin, Collegium Hungaricum Berlin, Polish Institute Berlin, Slovak Institute in Berlin, EUNIC Berlin. Graphic design: Iveta Krajcirova, Deconstructed

IN VITRØ – artificial sønificatiøn | Sound Installation [21.09.2019 - 22.11.2019] Matera, Italy is considered to be one of the oldest cities in the world with distinctive cave-like dwellings carved out of limestone. Called "Tufo" by inhabitants of the region, this soft stone consists mainly of calcium carbonate, a chemical compound of the elements calcium, carbon, and oxygen, laid down as sediment millions of years ago. Over time, spaces have been hollowed out through the flow of water and human hands, extending back into a layered history. »NCS_Hypogean-City« is a multi-room sound installation of spatialized electroacoustic miniatures. Its textual characteristics and dramaturgical progressions are built upon the sonification of the area's timeline, geological data, and both the symbolic and numerologicalic aspects of calcium, carbon and oxygen: Ca (20), C (6), O (8). Through the dynamic placement of small-scale loudspeaker systems new (sound) connections are created within the space that artistically reflect Matera's geologically unique setting and stimulate the cave acoustics of the Casa Cava. The multi-room sound installation was exclusively developed in 2019 for IN VITRØ - artificial sønification as part of the Interfaces Project, co-funded by the Creative Europe Programme of the European Union. /// Matera, Italien, gilt als eine der ältesten Städte der Welt mit markanten höhlenartigen Behausungen aus Kalkstein. Dieser von den Bewohnern der Region "Tufo" genannte Weichgestein besteht hauptsächlich aus Kalziumkarbonat, einer chemischen Verbindung der Elemente Kalzium, Kohlenstoff und Sauerstoff, die sich vor Millionen von Jahren als Sediment abelagert hat. Im Laufe der Zeit haben Wasser und menschliche Hände Räume ausgehöhlt, hineinreichend in die geschichtete Historie des Ortes. NCS_Hypogean-City ist eine Multiroom-Soundinstallation räumlich verteilter elektroakustischer Miniaturen. Die textlichen Eigenschaften und dramaturgischen Verläufe basieren auf der Sonifikation der Zeitachse des Gebietes, dessen geologischen Daten sowie auf den symbolischen und numerologischen Aspekten von Kalzium, Kohlenstoff und Sauerstoff: Ca (20), C (6), O (8). Durch die dynamische Platzierung von Kleinlautsprechersystemen entstehen neue (Klang-)Verbindungen im Raum, die Materas geologisch einzigartige Umgebung künstlerisch widerspiegeln und die Höhlenakustik der Casa Cava stimulieren. Die Multiroom-Soundinstallation NCS_Hypogean City wurde 2019 exklusiv für IN VITRØ - artificial sønification im Rahmen des vom Creative Europe Programme der Europäischen Union kofinanzierten Interfaces-Projekts entwickelt.

Lighthouse maintenance tools: Emma Wickham and Eva Rowson Curator Eva Rowson concludes the podcast series in conversation with Lighthouse Head of Operations, Emma Wickham. They share their favourite ‘Lighthouse maintenance tools’ to reflect on how the building works, what keeps it going – and who’s doing the washing up. Emma Wickham is Head of Operations and joined Lighthouse as Administrator in 2005. Emma leads on venue and commercial development, oversees the smooth running of our office and venue, manages our operations team and oversees event management and project support for all Lighthouse activities. She is the heart and soul of the organisation and can often be found providing the warmest welcome in Brighton to our guests, visitors, audiences, colleagues and tenants at Lighthouse. Light+ Who's doing the washing up? is a series of podcasts documenting Curator in Residence Eva Rowson’s six month programme (January – July 2019) ‘Who’s doing the washing up – where’s the sink?’ exploring the role of hospitality at Lighthouse. Music for the podcast series is taken from a collection of new arrangements composed and recorded by artist Aliyah Hussain, made when working on her forthcoming EP (Bloxham Tapes), based on the science fiction novel Native Tongue by Suzette Haden Elgin. Produced by Olivia Melkonian and Nats Spada of Brighton-based not-for-profit next generation broadcaster Platform B. For more info about the Light+ Podcast, visit our website: http://www.lighthouse.org.uk/programme/light-podcast Lighthouse is a Brighton-based arts charity that specialises in connecting new developments in art, technology and society. The Light+ podcasts introduce extra voices, opinions and perspectives to enable deeper understanding and exploration of our programme. Find out more: lighthouse.org.uk Part of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.

There ought to be a word: Aliyah Hussain and Anna Bunting Branch in conversation with Devils’ Dyke Network Claudia Treacher and Violeta Marchenkova from Brighton-based collective Devils’ Dyke Network interview artists Anna Bunting Branch and Aliyah Hussain about their collaborative project Potential Wor(l)ds. The project uses feminist science fiction, printmaking and experimental sound-making to collectively create new words and ways of communicating. Light+ Who's doing the washing up? is a series of podcasts documenting Curator in Residence Eva Rowson’s six month programme (January – July 2019) ‘Who’s doing the washing up – where’s the sink?’ exploring the role of hospitality at Lighthouse. Music for the podcast series is taken from a collection of new arrangements composed and recorded by artist Aliyah Hussain, made when working on her forthcoming EP (Bloxham Tapes), based on the science fiction novel Native Tongue by Suzette Haden Elgin. Produced by Olivia Melkonian and Nats Spada of Brighton-based not-for-profit next generation broadcaster Platform B. For more info about the Light+ Podcast, visit our website: http://www.lighthouse.org.uk/programme/light-podcast Lighthouse is a Brighton-based arts charity that specialises in connecting new developments in art, technology and society. The Light+ podcasts introduce extra voices, opinions and perspectives to enable deeper understanding and exploration of our programme. Find out more: lighthouse.org.uk Part of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.

Cuñas, topes y sujetapuertas / doorstops, wedges and holding space: Jordi Ferreiro and Andrea Francke Artists Jordi Ferreiro and Andrea Francke discuss their shared interests in how cultural organisations can open up to include different perspectives and voices in the way they work. As Spanish is the first language of both artists, both artists experiment with translating between English and Spanish throughout the conversation. Light+ Who's doing the washing up? is a series of podcasts documenting Curator in Residence Eva Rowson’s six month programme (January – July 2019) ‘Who’s doing the washing up – where’s the sink?’ exploring the role of hospitality at Lighthouse. Music for the podcast series is taken from a collection of new arrangements composed and recorded by artist Aliyah Hussain, made when working on her forthcoming EP (Bloxham Tapes), based on the science fiction novel Native Tongue by Suzette Haden Elgin. Produced by Olivia Melkonian and Nats Spada of Brighton-based not-for-profit next generation broadcaster Platform B. For more info about the Light+ Podcast, visit our website: http://www.lighthouse.org.uk/programme/light-podcast Lighthouse is a Brighton-based arts charity that specialises in connecting new developments in art, technology and society. The Light+ podcasts introduce extra voices, opinions and perspectives to enable deeper understanding and exploration of our programme. Find out more: lighthouse.org.uk Supported by Acción Cultural Española (AC/E) and Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.

Send and Receive: Maia Urstad and Anton Kats (MAKU) Artists Maia Urstad and Anton Kats share their collaborative project MAKU, and how they explore different ways of working with radio as tools for communication, programming and listening. They'll reflect on their research into radio practices in Brighton, including youth-led radio station Platform B, the Mid-Sussex Amateur Radio Society and Patrick Murphy of the Blind Veterans UK Amateur Radio Society. Light+ Who's doing the washing up? is a series of podcasts documenting Curator in Residence Eva Rowson’s six month programme (January – July 2019) ‘Who’s doing the washing up – where’s the sink?’ exploring the role of hospitality at Lighthouse. Music for the podcast series is taken from a collection of new arrangements composed and recorded by artist Aliyah Hussain, made when working on her forthcoming EP (Bloxham Tapes), based on the science fiction novel Native Tongue by Suzette Haden Elgin. Produced by Olivia Melkonian and Nats Spada of Brighton-based not-for-profit next generation broadcaster Platform B. For more info about the Light+ Podcast, visit our website: http://www.lighthouse.org.uk/programme/light-podcast Lighthouse is a Brighton-based arts charity that specialises in connecting new developments in art, technology and society. The Light+ podcasts introduce extra voices, opinions and perspectives to enable deeper understanding and exploration of our programme. Find out more: lighthouse.org.uk Part of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.

Potential Worlds: Making spaces on our own terms A live recording from Potential Wor(l)ds: making spaces on our own terms, at Lighthouse on 25 April 2019. Artists Aliyah Hussain and Anna Bunting Branch, Marlborough Theatre Co-Artistic Director Tarik Elmoutawakil and Devils’ Dyke Network organisers Claudia Treacher and Violeta Marchenkova share their strategies — from using science fiction to collective work — for making spaces on their own terms. They discuss how these spaces enable them to form their own rules, politics and futures, and how institutions such as Lighthouse can best support them. Light+ Who's doing the washing up? is a series of podcasts documenting Curator in Residence Eva Rowson’s six month programme (January – July 2019) ‘Who’s doing the washing up – where’s the sink?’ exploring the role of hospitality at Lighthouse. Music for the podcast series is taken from a collection of new arrangements composed and recorded by artist Aliyah Hussain, made when working on her forthcoming EP (Bloxham Tapes), based on the science fiction novel Native Tongue by Suzette Haden Elgin. Produced by Olivia Melkonian and Nats Spada of Brighton-based not-for-profit next generation broadcaster Platform B. For more info about the Light+ Podcast, visit our website: http://www.lighthouse.org.uk/programme/light-podcast Lighthouse is a Brighton-based arts charity that specialises in connecting new developments in art, technology and society. The Light+ podcasts introduce extra voices, opinions and perspectives to enable deeper understanding and exploration of our programme. Find out more: lighthouse.org.uk Part of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.  

A story about how the lack of confidence in the Ukrainian government has become a source of innovation led to a change in societal behaviour and as a result, contributed to the development of the city. #CreativeLenses is co-funded by the Creative Europe Programme of the European Union. Read more in this Teple Misto & Urban Space Study Case: https://creativelenses.eu/wp-content/uploads/2018/11/Creative-Lenses-Teple-Mesto.pdf

An NGO can also adopt entrepreneurial thinking and avoid problems that arise as a result of budget cuts. This is the story of a French circus group. #CreativeLenses is co-funded by the Creative Europe Programme of the European Union. Read more in this Le Plus Petit Cirque du Monde Study Case: https://creativelenses.eu/wp-content/uploads/2018/11/Creative-Lenses-PPCM-1.pdf

This group creates events for the general public thanks to their courageous creative approach. They don't maintain relationship just for the sake of it but rather concentrate on what is important for them as creative individuals. #CreativeLenses is co-funded by the Creative Europe Programme of the European Union. Read more in this New Heroes Study Case: https://creativelenses.eu/wp-content/uploads/2018/12/Creative-Lenses-New-Heroes.pdf

Cultural personal development = a human right. With this motto, an autonomous Italian community L'asilo has built its own system of decision-making through which it supports inclusion, freedom and creativity. #CreativeLenses is co-funded by the Creative Europe Programme of the European Union. Read more about L'asilo Study Case: https://creativelenses.eu/wp-content/uploads/2018/11/Creative-Lenses-Lasilo.pdf

Cultural centre AMBASADA from the Romanian city of Temešvár is founded on the idea of active citizenship and diversity. It is the meeting point for people from both, creative and corporate #CreativeLenses is co-funded by the Creative Europe Programme of the European Union. Read more in this AMBASADA Study Case: https://creativelenses.eu/wp-content/uploads/2018/11/Creative-Lenses-AMBASADA-1.pdf

A British theatre group Access All Areas is the living proof that art can change how people are perceived. They organise successful performances with artists who are autistic or have a physical disability. #CreativeLenses is co-funded by the Creative Europe Programme of the European Union. Read more in this Access All Areas Study Case: https://creativelenses.eu/wp-content/uploads/2018/11/Creative-Lenses-Access-All-Areas-1.pdf

Today we will talk about Aalborg Carnival in Denmark and how important it is to identify those aspects of the business which have the potential to create cultural values and increase the revenue at the same time. #CreativeLenses is co-funded by the Creative Europe Programme of the European Union. Read more in this Aalborg Carnival Study Case: https://creativelenses.eu/wp-content/uploads/2018/11/Creative-Lenses-Aalborg-Carnival.pdf

Nová Cvernovka in Bratislava exists thanks to Nadácia Cvernovka. Listen to this podcast and you will learn more about the key areas that contributed to the project's success. #CreativeLenses is co-funded by the Creative Europe Programme of the European Union. Read more in this Nadácia Cvernovka Study Case: https://creativelenses.eu/wp-content/uploads/2018/11/Creative-Lenses-Cvernovka.pdf

When Tupajić was in Bergen last autumn, local performing arts critic Rania Broud conducted an in depth interview with her. Prior to the performance both days, the audience were invited to collectively listen to the podcast version, with an unknown number of soft mats scattered throughout Gråsonen. The lights were out, and the space utterly dark. Podcast producer: Anders Løkeland Slåke. The event was part of Create to Connect -> Create to Impact, co-funded by the Creative Europe Programme of the European Union, and is supported by Fritt Ord

In this podcast Jennifer Williams speaks to our New Voices from Europe Literary Europe Live SPL Poets in Residence Juana Adcock and Árpád Kollár about writing poetry while listening to Hungarian punk music, the definition of Spanglish, how to write multi-lingual poems and much more. This project was made possible by Literary Europe Live, Literature Across Frontiers and the Creative Europe Programme of the European Union. http://www.lit-across-frontiers.org/profiles/arpad-kollar/ http://www.lit-across-frontiers.org/profiles/juana-adcock/ With many thanks to James Iremonger for the music in this podcast: https://jamesiremonger.wordpress.com/tabla/