Podcast appearances and mentions of ron haviv

On this episode of “10 Frames Per Second” we delve into the world of photojournalism through the lens of Ron Haviv, a renowned photojournalist and co-founder of the VII Agency. In this episode Haviv shared his journey, experiences, and his thoughts on the evolving landscape of photojournalism. Getting Started in Photojournalism Ron Haviv's entry into … Continue reading "Episode 141: Ron Haviv (Documentary Photography)" The post Episode 141: Ron Haviv (Documentary Photography) first appeared on A Photojournalism Podcast for Everyone.

Sarajewo to dziś stolica Bośni i Hercegowiny, a jeszcze w latach 90tych miasto, które było oblężone przez blisko 4 lata w trakcie wojny w Jugosławii. Na początku tego konfliktu do Sarajewa przyjechał też Ron Haviv, amerykański fotoreporter pracujący w strefach konfliktu. Ron przez lata dokumentował wojnę w całej Jugosławii, ale także w Ameryce Południowej, kryzys w Afryce i wojnę w Zatoce Perskiej. Jest współzałożycielem agencji VII znanej na całym świecie agencji fotograficznej, skupiajacej wokół siebie najznakomitsze nazwiska.W trakcie wybuchu wojny w Jugosławii, był jeszcze fotoreporterem freelancerem. W 1992 roku miał 27 lat. Teraz, spotkaliśmy się z nim w Sarajewie, żeby zapytać go o tamte dni i miejsca, które fotografował w trakcie oblężenia Sarajewa. W tym odcinku odwiedzimy z nim także Srebrenicę – miejscowość 2,5 godziny drogi od stolicy, w której doszło do ludobójstwa na ponad 8000 bośniackich muzułmanach, głównie chłopcach i mężczyznach.

Tyler chats with Ron Haviv, an Emmy nominated, award-winning photojournalist and co-founder of the photo agency VII about the effects of photography on both sides of the camera. Ron's decades of photography has been dedicated to documenting conflict and raising awareness about human rights issues around the globe. Having covered over 25 conflicts, Ron has been able to capture critically acclaimed photos that instill raw emotion, spark conversation and bring exposure to international war crimes.

Tyler chats with Ron Haviv, an Emmy nominated, award-winning photojournalist and co-founder of the photo agency VII about the effects of photography on both sides of the camera. Ron's decades of photography has been dedicated to documenting conflict and raising awareness about human rights issues around the globe. Having covered over 25 conflicts, Ron has been able to capture critically acclaimed photos that instill raw emotion, spark conversation and bring exposure to international war crimes. Support the show (https://www.paypal.com/donate?hosted_button_id=DPPU22JG5EM6Y)

Thom reads the articles of impeachment drawn up against Trump for incitement of his rally crowd to commit deadly sedition. Will we take action now to remove this dangerous president from office?Ron Haviv is a war photographer who embedded with the Capitol Hill mob- he shares with Thom what he saw when the rioters stormed the building. And we hear a sampling of the testimony before Congress on whether to ask Mike Pence to invoke the 25th amendment.

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A SIN CAFÉ COMO EXCUSA ha venido el director de escena José Gómez-Friha, con él nos adentramos el mundo de Galdós a raíz de su último montaje: Bien está que fuera tu tierra, Galdós en el Teatro Fernán Gómez. Además nos acompaña la directora Raquel Alarcón con quien nos acercamos a su montaje Sueños y visiones de Rodrigo Rato en el Teatro Pavón Kamikaze. ENTRE EL FOSO Y EL TELÓN entramos en el Festival de Otoño para ver Una costilla sobre la mesa: Madre en los Teatros del Canal. En DRAMEDIA recomendamos Fahrenheit 108 en el Teatro Lara y Ana, también a nosotros nos llevará al olvido en el Teatro Fernán Gomez. En casa, en la Sala Nueve Norte nos detenemos en El último cartucho y como cada mes gracias a Andreu Remi pasamos por la cartelera de Barcelona. Entramos en EL CAMERINO de Plot Point con Yo decido. Amor, sexo y muerte y LA APUNTADORA nos lleva al Off de La Latina para ver Petit grand improhotel.
 En EL COMODÍN DE LA CLAQUETA hacemos un repaso a las mejores películas contemporáneas de terror para este haloween y en DIME QUÉ LEES pasamos las páginas de Cada mesa un Vietnam. En nuestro paso mensual por la fotografía miramos a través del objetivo de Ron Haviv en VEO VEO y en LA DESPENSA DEL TIEMPO hablamos de la representación del as ciudades en el arte gracias Civitates orbis terrarum de J. Hoefnagel. Cerramos con HISTORIARTE con nuestro paseo por la historia con el Caso Dreyfus y en VERSIONANDO QUE ES GERUNDIO escuchamos las versiones de Valerie de The Zutons. ¡TE ESPERAMOS! 📱Síguenos aquí ➡️ https://hypel.ink/tel-n-y-cuenta-nueva

Shooting War contains 18 profiles of photographers exploring their lives as filters between conflict and the general population and the effect they have on us and themselves in this endeavor. Includes such luminaries as Don McCullin, Tim Page, and Ron Haviv.

Do you have undeveloped rolls of film that have been sitting around forever? Maybe you don’t even realize that you have unprocessed rolls from the “good ol’ days of analog” in an old camera bag or a dresser drawer. Now is the time to look into this matter and have the chance to explore and share your memories, perhaps even rediscover events and people that memory has left behind. On this week’s episode of the B&H Photography Podcast, we welcome the directors of Lost Rolls America, Ron Haviv and Lauren Walsh. Inspired by Haviv’s own The Lost Rolls book, they have initiated this project to create a national archive of lost, yet now found, images “to form a collective memory that prioritizes the role of photos in constructing our personal and shared pasts. In revisiting the past, this project also encourages contemplation of how the present and future will be remembered.” The idea is simple, but one look at the growing archive and the memories shared, and it becomes clear how powerful this project can be. With Haviv and Walsh, we recount the genesis of the project, how PhotoShelter, PhotoWings, and FUJIFILM came onboard as partners, and they offer insight on the future plans for the project. They also discuss a few of the more interesting images and recollections submitted, how the submission process works and, of course, they encourage our listeners to submit lost rolls. Ron Haviv is a is an Emmy nominated, award-winning photojournalist and co-founder of the photo agency VII, dedicated to documenting conflict and raising awareness about human rights issues around the globe. He has worked in more than one hundred countries and published four critically acclaimed collections of photography. His work has been featured in numerous museums and galleries, including the Louvre, the United Nations, and the Council on Foreign Relations. Lauren Walsh is a professor and writer who teaches at The New School and NYU, where she is the Director of NYU Gallatin’s Photojournalism Lab. She is editor of Macondo, a photo book documenting the long-term conflict in Colombia, and coeditor of the collection, The Future of Text and Image, as well as the Millennium Villages Project, a photography book about efforts to relieve extreme poverty in sub-Saharan Africa. She has appeared on CNN as a scholar of photography and digital culture, as well as in the documentary 9/11: Ten Years Later. Guests: Lauren K. Walsh and Ron Haviv Photograph © Mette Lampcov/Lost Rolls America B&H Photography Podcast

Under starry skies, we took our recorders and headphones to a collection of shipping containers in Brooklyn, known as Photoville 2018 and Photoville did not disappoint—what a wonderful collection of photo exhibits. The exhibits span the breadth photography, but with an overarching theme rooted firmly in documentary and social justice photography. Many shows were sponsored—by the U.S. Marines, by magazines, universities, or collectives; others were curated by New York Public School children, and another by the New York Municipal Archives. As in years past, it was a wonderful, perspective-expanding experience run by people who love photography. We chatted with organizers and photographers from a handful of the exhibitions. First on today’s B&H Photography Podcast, we speak with Michael Lorenzini, from the Municipal Archives of the NYC Department of Records. Lorenzini, along with co-curator Matthew Minor, organized the exhibit “NYC Work and Working,” a beautiful selection of images from the collection of the WPA Federal Writer's Project. In addition to discussing the current exhibition, Lorenzini offers details on the Municipal Archive itself, its mission and the multitude of historical collections it houses. Staying in the New York groove, we met with the instructors and students from the High School of Art and Design and the High School of Fashion Industries. These photography programs, taught by Brenna McLaughlin and Ben Russell, respectively, have been a part of these high schools for decades and embrace traditional darkroom and digital techniques, offering work experience in photography, as well. The students were kind enough to wait for us to arrive after a long day of discussing their work with fellow students during New York Public School day at Photoville. Next, we speak with Pablo Farias, Isaac Guzman, and Vanessa Crowley of the exhibit, "conSEQUENCIAS/conSEQUENCES" presented by Bats'i LAB. This exhibit and its organizers are invested in creating a photographic community in Chiapas, Mexico. After a short break, we continue with photojournalist Ron Haviv and Dr. Lauren Walsh of The VII Foundation exhibit. The focus of our chat is their upcoming film “Biography of a Photo," which traces the impact of two photographs Haviv took earlier in his career, which have left indelible marks on the countries in which they were taken. Both photographs capture isolated acts of cruelty within societies in conflict, and do so with such resonance that they have become iconic images within those societies. Our next stop is the container curated by the Authority Collective and their exhibit “The Lit List: 30 Under-the-Radar Photographers," a show presenting thirty interesting photographers whose work deserves attention. We speak with one of the photographers, Arlene Mejorada, and organizers of the Authority Collective, which describes itself as a group of womxn, femmes, trans, non-binary and gender non-conforming people of color reclaiming their authority in the photography, film and VR/AR industries.  Finally, we speak with Crista Dix of wall space creative, and artist Deborah Bay about their exhibit, “Internal Ballistics.” The work here is more accurately categorized as “art” photography, but its beautiful cross-section depictions of bullets and the abstract damage they create fosters an interesting debate about gun violence. Join us for this interesting set of conversations. Guests: Ben Russell, Brenna McLaughlin, Erika Perez, Yaqueline Garcia-Hernandez, Sumona Islam, Tais Rivera, Michael Lorenzini, Pablo Farias, Isaac Guzman, Vanessa Crowley, Ron Haviv, Dr. Lauren Walsh, Arlene Mejorada, Mary Kang, Elaine Cromie, Deborah Bay, and Crista Dix Photograph © John Harris

Ron Haviv is an Emmy nominated, award-winning photojournalist and co-founder of the photo agency VII, dedicated to documenting conflict and raising awareness about human rights issues around the globe. In the last three decades, Ron has covered more than twenty-five conflicts and worked in over one hundred countries. He has published three critically acclaimed photo books. His first, Blood and Honey: A Balkan War Journal, was called “One of the best non-fiction books of the year,” by The Los Angeles Times and “A chilling but vastly important record of a people’s suffering,” by Newsweek. His other monographs are Afghanistan: The Road to Kabul, Haiti: 12 January 2010 and his latest book, The Lost Rolls. Ron has produced an unflinching record of the injustices of war and his photography has had singular impact. His work in the Balkans, which spanned over a decade of conflict, was used as evidence to indict and convict war criminals at the international tribunal in The Hague and President George H. W. Bush cited his chilling photographs documenting paramilitary violence in Panama as one of the reasons for the 1989 American intervention. His film work has appeared on PBS’s Need to Know and Frontline as well as NBC's Nightly News and ABC's World News Tonight. He has directed short films for ESPN, People Magazine, Doctors Without Borders, Asia Society and American Photography. Ron has helped create multi-platform projects for numerous NGO's and various other organisations and his commercial clients include Ad Council, American Express, BAE, Canon USA, ESPN, IBM and Volkswagen. In episode 086, Ron discusses, among other things: Early mistakes New opportunities for sharing work The picture taken in Panama that kick-started his career Being a human being first and a photographer second Fear and the myth of the ‘adrenaline addicted’ war photographer Anger at injustice Biography of a Photograph - film Recent ethical transgressions The controversy over one of his photographs being used by an arms company to advertise bombs The story behind his photograph of a dying Afghan commander (above) The Lost Rolls project and the relationship between photography and memory Website | Facebook | Instagram | Twitter Also, please sign this petition to support the release of Bangladeshi photojournalist Shahidul Alam and share his cause on social media using #FreeShahidulAlam “I might and should be and am emotional while photographing. I cannot let the emotion overcome me at that point. The emotion overcomes me once the job is over; once I am back in a safe place, then I can break down and cry and process what I’ve just witnessed. But it is incredibly important to remain focussed while doing the job, while photographing and documenting. but at the same time I cannot be a robot. I mean it would be very easy to completely turn off all emotions, but my opinion is that once a photographer does that it comes across in the photography. So I have to feel something in order for it to come through the way I’m documenting the situation or for the viewer to feel something”

Tom chats with Ron Haviv — an Emmy nominated, award-winning photojournalist and co-founder of the VII Photo Agency, dedicated to documenting conflict and raising awareness about human rights issues around the globe. Topics include what Haviv has learned while covering more than twenty-five conflicts in over one hundred countries and his experience publishing three critically acclaimed collections of photography. Haviv has produced an unflinching record of the injustices of war and his photography has had singular impact. His work in the Balkans, which spanned over a decade of conflict, was used as evidence to indict and convict war criminals at the international tribunal in The Hague. President George H.W. Bush cited Haviv’s chilling photographs documenting paramilitary violence in Panama as one of the reasons for the 1989 American intervention.Haviv’s work has been featured in numerous museums and galleries, including the Louvre, the United Nations, and the Council on Foreign Relations. Haviv's photographs are in the collections at The Houston Museum of Fine Arts and George Eastman House amongst others as well as numerous private collections. RonHaviv.comSupport the show (https://www.asmp.org/asmp-foundation-donations/)

The dynamics of memory and photography. The post Ron Haviv, Lauren Walsh – Biography of a Photo #23rdSFF appeared first on Fred Film Radio.

The dynamics of memory and photography. The post Ron Haviv, Lauren Walsh – Biography of a Photo #23rdSFF appeared first on Fred Film Radio.

The dynamics of memory and photography. The post Ron Haviv, Lauren Walsh – Biography of a Photo #23rdSFF appeared first on Fred Film Radio.

The dynamics of memory and photography. The post Ron Haviv, Lauren Walsh – Biography of a Photo #23rdSFF appeared first on Fred Film Radio.

The dynamics of memory and photography. The post Ron Haviv, Lauren Walsh – Biography of a Photo #23rdSFF appeared first on Fred Film Radio.

The dynamics of memory and photography. The post Ron Haviv, Lauren Walsh – Biography of a Photo #23rdSFF appeared first on Fred Education Channel » FRED Education Podcast. Ron Haviv, Lauren Walsh – Biography of a Photo #23rdSFF was first posted on August 22, 2017 at 10:38 pm.©2015 "Fred Education Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

The dynamics of memory and photography. The post Ron Haviv, Lauren Walsh – Biography of a Photo #23rdSFF appeared first on Fred Film Radio.

On this episode Robert sits down with acclaimed war photographer Ron Haviv of VII Photo Agency in New York. They talk about his background in photography that led to covering conflicts and natural disasters around the world, his new book "The Lost Rolls", the business of photography, and how important it is to diversify their revenue streams in order to make a living as a photographer. They discuss social media, video work, safety, workshops, Ron's infamous scarf, and much more on this episode of The Photo Brigade Podcast!     

Our weekly look at all things photographic with Fernando Gomes and PhotoShelter co-founder Allen Murabayashi.   Get the podcast: http://bit.ly/ilovephoto Watch the broadcast: http://bit.ly/ilovephotoyt   0:26 Bruce Gilden photographs Appalachia for Vice Magazine (and creates controversy) 8:30 Photo of cop pointing gun at woman goes viral, but backstory is different  13:03 Kodak’s First Digital Moment in 1973  15:30 National Geographic Traveler Photo Contest Winners  17:35 Illuminating Joel Sartore’s endangered animal photos on the Empire State Building  20:10 Ron Haviv on Scarves  21:54 Portraits of Babies in Camera Bags  23:00 KFC chicken bucket prints photos  23:53 Burger King prints your face on custom burger wrappers 25:51 Brendan Batchelor takes Senior Portraits at Taco Bell

What is style? How do we develop a style to our pictures? Is it important to have a style? In the last episode, photojournalist Ron Haviv brought up the idea that each photographer needs to find their “visual voice.” In this episode the Antonio and Tom discuss finding your own visual voice over time, using apps like Lightroom and Aperture to look back through your photographs to find the common themes that run through your archive. They also touch upon whether or not your equipment helps to define your photographic look. Using some of their own images as starting points, the Switch to Manual guys tackle this question: What are you trying to say through your images? Because what you're saying with your photography is important and maybe you want to say it with some style!

World-renowned photojournalist Ron Haviv (one of the co-founders of the photo agency, VII) shares insights from his two plus decades, giving voice to the voiceless in over one hundred countries around the world. Ron just returned from his exhibit in Sarajevo which marked  the twentieth anniversary of the end of that conflict. What was it like seeing his work in Bosnia twenty years later?  How has the advent of digital photography changed photojournalism?  How did he get started? How does one produce images that rise above the noise and how can we all become more conversant in the language of images?  Find out by listening in on Ron's interview with the Switch to Manual Guys. 

Dispatches, produced by Blurb, Inc., is an in depth look at those living artistic lives. Each episode will feature photographs and audio interviews with narrative pioneers who have taken creativity and publishing in their own hands. From artists to authors, photographers to philosophers, Dispatches will reveal the faces and foundations of those who lead the creative way.