Podcasts about photoville

As we observe Memorial Day, enjoy some of our favorite recent conversations from the centennial series:Katherine Sharp Landdeck, professor of history and director of Pioneers Oral History Project at Texas Woman's University and the author of The Women with Silver Wings: The Inspiring True Story of the Women Airforce Service Pilots of World War II (Crown, 2020), talks about American women in the military over the last century.David Remnick, editor of The New Yorker and the host of The New Yorker Radio Hour, talks about another centenarian, The New Yorker, which published its first issue on February 21, 1925.Phil Brown, University Distinguished Professor of Sociology and Health Science at Northeastern University, founder and president of the Catskills Institute and the author of several books, including Catskill Culture: A Mountain Rat's Memories of the Great Jewish Resort Area (Temple University Press, 1998), takes us through the last 100 years in The Catskills -- the hotels, the camps and the people.Sam Barzilay, creative director & co-founder of Photoville, looks at the history of street photography, from the invention of the Leica hand-held 35mm camera which made capturing "the decisive moment" possible, to the challenges presented by AI and smartphone technology of today. These interviews were lightly edited for time and clarity; the original web versions are available here:100 Years of 100 Things: Women in the Military (Apr 30, 2025)100 Years of 100 Things: The New Yorker Magazine (Jan 31, 2025)100 Years of 100 Things: Catskills Hotels (Aug 14, 2024)100 Years of 100 Things: Street Photography (Apr 22, 2025)

Mackenzie Calle is a freelance documentary photographer and National Geographic Explorer based in Brooklyn. In 2024, she was awarded first prize in the World Press Photo Open Format category award (North & Central America) for her project the Gay Space Agency, and was a finalist for the Sony World Photography Awards.She was selected as a Magnum Foundation Counter Histories Fellow in 2022. That same year, she was named one of the Lenscratch 25 to Watch and was shortlisted for the PhMuseum Women Photographers Grant. In 2023, she was named as a Lens Culture Emerging Talent Award winner and received the Dear Dave Fellowship.Mackenzie is a graduate of NYU's Tisch School of the Arts with a degree in Cinema Studies and was awarded the Director's Fellowship to attend ICP's Documentary Practice and Visual Journalism Program. She was selected to Eddie Adams Workshop class XXXV. She is an Adjunct Lecturer at CUNY's College of Staten Island. Prior to her freelance career, she was a photo producer at NBC Universal. Her work has been exhibited at Fotografiska Stockholm, Photoville, Pride Photo Festival, and Noorderlicht International Photo Festival. Clients include National Geographic, The Washington Post, GAYLETTER, Discovery, MSNBC, and The Wall Street Journal.  In episode 255, Mackenzie discusses, among other things:Winning the WPP open categoryTangible and intagible benefits of winningHer journey to photographyHow the idea for the Gay Space Agency came aboutHow she set about making images to tell the storyThe goal to disseminate the story as widely as possibleHer experience of doing the Eddie Adams WorkshopLetting the story tell her what it wantsExperimentation being the fun partHer love of sport......and TV Referenced:Sally RideFrancis FrenchBillie Jean KingChristina De MiddelErika Larson Website | Instagram“For me, it's letting the story tell me what it needs. So it's not so much going in with a preconceived notion. You obviously go into most stories with some idea of what you're going to do, but every idea I have, that work in itself almost reveals or tells me kind of what it should be. So sometimes that means fiction, sometimes that does mean straight photojournalism, sometimes that means entirely imagined and staged projects…” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

As our centennial series continues, Sam Barzilay, creative director & co-founder of Photoville, looks at the history of street photography, from the invention of the Leica hand-held 35mm camera which made capturing "the decisive moment" possible, to the challenges presented by AI and smartphone technology of today.=>"Women Street Photographers" exhibit through April 28=> Photoville Festival coming in June.

Every year, The Brian Lehrer Show asks you to submit the best photo you took that is sitting on your phone – and every year, you deliver with some truly impressive snaps! This year, you submitted over 700 photos! Our partners at Photoville, along with a special guest judge, photographer, filmmaker and Bronx-based photo-historian, co-founder of Seis del Sur, Edwin Pagán, picked out their favorites (check out their 'Top 50' gallery), and then Brian and the team joined in to help select three winners to present their photos on the air.Brian speaks with Edwin and Laura Roumanos, executive director and co-founder of Photoville, about the three winning photos, which you can see below. Plus, this year's contest winners, Valerie Ramshur, Zai, and Taylor Mason talk about their winning photos.This Year's Winners:Weight of the World (Zai)"just another day, another display case, and another hour to kill" (Valerie Ramshur) Navy Yards figurine (Taylor Mason)

WeTransfer x TalkArt special episode! We meet photographer Robin de Puy. This episode is brought to you by our friends at WePresent, the Academy Award winningarts platform of WeTransfer. Collaborating with emerging young talent to renowned artistssuch as Marina Abramović, Riz Ahmed and Talk Art's own Russell Tovey, WePresentshowcases the best in art, photography, film, music, literature and more, championingdiversity in everything it does.In this episode we'll be speaking to acclaimed photographer Robin de Puy about her newproject AMERICAN, a collaboration with WePresent, which is an unflinching portrait of adivided nation. AMERICAN shares Robin's unique perspective on the often-overlookedfaces that represent the country's incredible diversity and complexity, and poses thequestion: What does it mean to be American?Visit: https://robin-de-puy-american.wetransfer.com/Follow: @Robin_De_Puy and @WePresentRobin de Puy's (b.1986, the Netherlands) photographs start with a desire to tell her own story through the faces of others. Whether it's the freckled adolescent she noticed whilst refuelling in Wyoming, the Dutch author, poet and columnist Remco Campert, or the boy Randy she met in Nevada whilst on her American road trip, de Puy sees the camera as an aid to understand the deeply personal traits and histories of each person, and how they also reveal something about herself. Many of her encounters are fleeting; a heartfelt glance into the life of someone else before time resumes its frantic pace. In others, as with Randy, those same transient experiences blossom into profound and enduring relationships. Regardless of which ending they have, de Puy's photographs are always imbued with a sensitivity and timelessness that encourages a slow gaze on the human condition. Her images are chances for genuine human connection, and through sharing with them with the world, allow us to take part in such moments.Robin de Puy studied at the Fotoacademie Rotterdam and has been exhibited internationally at institutions and galleries including; Bonnefantenmuseum, Maastricht (2018); Museum Hilversum, Hilversum (2017); The Hague Museum of Photography, The Hague (2016); Stedelijk Museum, Breda (2016) and Photoville, New York (2016). Amongst numerous other awards, De Puy was the winner of the National Portrait Prize in both 2013 and 2019. Her work is held in major public and private collections including Bonnefantenmuseum, Maastricht; De Nederlandse Bank, Amsterdam; Museum Voorlinden, Wassenaar; Centraal Museum Utrecht, Utrecht; Fotomuseum Den Haag, The Hague; Huis Marseille, Amsterdam and Ministry of Foreign Affairs, The Hague. View more: https://robindepuy.nl/ Hosted on Acast. See acast.com/privacy for more information.

In this chat, discover why Jesse Dittmar sometimes prefers analog over digital? The post Celebrity Portraits & Film Photography with Jesse Dittmar at Photoville 2024 first appeared on TWiP - This Week in Photo.

Larry shares his journey from saving lives as a doctor to revolutionizing photography with innovative tools like the Platypod. The post Photography Gear Innovation with Larry Tiefenbrunn at Photoville 2024 first appeared on TWiP - This Week in Photo.

Welcome to our special feature on Photoville 2024, brought to you courtesy of TWiP and Flickr. The post Photoville 2024: Street Interviews with Photographers! first appeared on TWiP - This Week in Photo.

This second episode of the Future 400 podcast looks at work by Dutch and American photographers who are part of the annual international photo festival Photoville in Lower Manhattan. Dutch photographer Ernst Coppejans delves deep into the lives of LGBTQIA+ people living on the streets in New York. Kennedi Carter, a young Black photographer from the South, dresses people of color in a combination of garb from colonial times and contemporary streetwear. Photoville's founder Sam Barzilay says: “Even though they are an Atlantic apart, there is a shared sensibility here.” Future 400 is a bi-weekly four-part podcast series from the Dutch Consulate in New York, created and presented by John Adams Institute director Tracy Metz. It marks the 400th anniversary of the founding of New Amsterdam, the city that became New York. Each episode highlights a selection of the creative collaborations between artists, communities and institutions in both the Netherlands and the United States. Learn more about the whole two-year Future 400 program at dutchcultureusa.com.Support the Show.

Photoville's yearly exhibition of public photography launches this weekend. We speak to executive director Laura Roumanos about the festival's thirteenth year as well as hear from photographer Ismail Ferdous, whose work will be featured.This segment is guest-hosted by Kate Hinds

Every year, The Brian Lehrer Show asks you to submit the best photo you took that is sitting on your phone – and every year, you deliver with some truly impressive snaps!  This year, you submitted over 1,000 photos! Our partners at Photoville, along with a special guest judge, documentary photographer and writer Meryl Meisler, picked out their favorites (check out their 'Top 50' gallery), and then Brian and the team joined in to help select three winners to present their photos on the air. Brian speaks with Meryl Meisler and Laura Roumanos, executive director and co-founder of Photoville, about the three winning photos, which you can see below. Plus, hear the winning photographers talk about their submissions. Partner's Note: Photoville will be celebrating it's 13th festival this year with a city-wide celebration in June. Click here to learn more about the festival, as well as this non-profit and their education and public programs. This Year's Winners: Alfield Reeves's "Grandma"   While visiting home (Monrovia, Liberia, West Africa) for my father surprise 60th birthday party I got to spend a lot of time with my family, including my grandmother. So while the family was in the kitchen hanging out and enjoying each others company I capture this candid of her just observing. (Alfield Reeves)     Deborah Seidman's Are you running away from home? Chelsea, Manhattan NY: Taken in September on a side street of Manhattan. Begs the question of running away, homelessness, hoarding. Which one is this? (Deborah Seidman)   Karl Wagenführ's Death Defying Squirrel Out Our 12th Floor Window Hackensack, NJ: One day there was a knock on our balcony door; being as we are on the top (12th) floor of our building, this was odd. Looked out to see a squirrel on our porch trying to get in. It had climbed up our building, balcony to balcony, and was now panicked because it couldn't go any higher, and didn't know how to get down. This photo was snapped as it attempted to climb up from our window to the roof, which it couldn't manage because of the metal flashing to prevent exactly this. I finally had to persuade our panicked guest (with a broom) to go to the corner of the building, where it finally turned around, and climbed down the brickwork all the way to the ground. (Karl Wagenführ)   

Drumroll…introducing the Leica M11-P, the world's first camera with Content Credentials built-in at the point of capture, marking a watershed moment for trust and transparency for photographers and consumers.  Our guest in Episode 28 is Kiran Karnani who is the Vice President of Marketing at Leica Camera North America. Under her leadership, the company launched the Leica Women Foto Project which is a program focused on promoting gender equity in photography. In addition to her work with Leica, Kiran has been a guest juror for several notable events, including the ConnectHer Film Festival, Women Street Photographers Virtual Exhibition Call, and AlfaAwards. She has also organized and curated events at the Leica Women Summit, Palm Springs Photo Festival, Photoville, and the Photo Plus Expo. Kiran is also an active member of Chief, a network dedicated to supporting senior executive women in their leadership journeys. In this episode's conversation, you'll learn about Leica's recent product announcement of their M11-P which integrates content authentication according to the Content Authenticity Initiative (CAI) and the C2PA standard. We'll dive more into Adobe's Content Authenticity Initiative and the coalition's important mission to help combat the threat of misinformation and help creators get credit for their work. As of this recording, the CAI has over 2,000 members including Leica Camera and Creativity Squared.  Leica is an industry-leading camera manufacturer, and in this episode, you'll also learn more about its pioneering history, how Leica is supporting the Committee to Protect Journalists, the importance of widening our perspectives through the lenses through which we experience the world, and the responsibility for all of us in this pivotal moment to co-create culture. EPISODE SHOW NOTES: https://creativitysquared.com/podcast/ep28-kiran-karnani-leica-camera-on-choice-a-i-authenticity/ JOIN CREATIVITY SQUARED Sign up for our free weekly newsletter: https://creativitysquared.com/newsletter  Become a premium member: https://creativitysquared.com/supporters  SUBSCRIBE Subscribe on your favorite podcast platform: https://creativitysquared.com Subscribe for more videos: https://youtube.com/@creativity_squared/?sub_confirmation=1 CONNECT with C^2 https://instagram.com/creativitysquaredpodcast https://facebook.com/CreativitySquaredPodcast https://giphy.com/channel/CreativitySquared https://tumblr.com/blog/creativitysquared https://tiktok.com/@creativitysquaredpodcast #CreativitySquared CONNECT with Helen Todd, the human behind C^2 https://instagram.com/helenstravels https://twitter.com/helenstravels https://linkedin.com/in/helentodd https://pinterest.com/helentodd Creativity Squared explores how creatives are collaborating with artificial intelligence in your inbox, on YouTube, and on your preferred podcast platform.  Because it's important to support artists, 10% of all revenue Creativity Squared generates will go to ArtsWave, a nationally recognized non-profit that supports over 100 arts organizations. This show is produced and made possible by the team at PLAY Audio Agency: https://playaudioagency.com. Creativity Squared is brought to you by Sociality Squared, a social media agency who understands the magic of bringing people together around what they value and love: http://socialitysquared.com.  #photojournalist #photojournalism #Adobe #AdobeAI #AdobeFireFly #AdobeMax #ContentCredentials #

In a city known for its relentless pace of change, one woman's lens is capturing the timeless essence of life in New York City. Destiny Mata, the impassioned photographer whose work delves into the heart of her neighborhood, is creating a profound photographic archive, one frame at a time Learn More about Destiny Mata

Do rozmowy zaprosiliśmy fotoreporterki współpracujące z dużymi zagranicznymi agencjami i tytułami prasowymi. Fotografują na zlecenie i realizują własne projekty. O drodze do sukcesu Monice Szewczyk-Wittek opowiadają Kasia Strękm związana z Panos Pictures, oraz Aleksandra Szmigiel współpracująca z agencją Reuters.Jak zaczęła się ich fotograficzna droga i dlaczego wybrały wymagający zawód fotoreporterki? O kulisach wydarzeń, relacjach z bohaterami i zasadach etycznych rozmawiamy w najnowszym podcaście Fotopolis. Kasia StrękLaureatka polskich i międzynarodowych grantów i nagród, w tym Grand Press Photo, Chris Hondors Fellow Award, Jean-Luc Lagardere Award, Camille Lepage Grant oraz National Geographic Society Emergency Grant for Journalists. Wykłada gościnnie na Akademii Sztuk Pięknych w Łodzi i National School Supérieure Louis-Lumière w Paryżu. Jej reportaże były prezentowane m.in. na Festiwalach Visa Pour l'Image we Francji i Photoville w Nowym Jorku. Współpracuje z The Washington Post, The New York Times, Time Magazine, NPR, The Sunday Times, The Guardian, Le Monde, Figaro Magazine, Liberation i Die Zeit. Jej praca koncentruje się przede wszystkim na tematach związanych ze zdrowiem reprodukcyjnym kobiet, przemocą seksualną, nierównościami społecznymi i sprawiedliwością ekologiczną.Aleksandra SzmigielRocznik 88, mieszka w Warszawie. Niezależna fotografka, współpracująca z agencją Reuters. Pracowała przy największych imprezach sportowych, takich jak Igrzyska Olimpijskie (Tokio 2020 i Pekin 2022), Mistrzostwa Świata w lekkiej atletyce, Mistrzostwa Europy w lekkiej atletyce i innych. Jest ambasadorką marki Sony i wielokrotnie nagradzaną fotografką w międzynarodowych i ogólnopolskich konkursach fotograficznych. Jej fotografie były publikowane w najważniejszych tytułach, m.in. The Washington Post, The New York Times, The Guardian. Jest autorką osobistych projektów o sportowcach, m.in "(not)ordinary girl" - z którego powstała wystawa oraz został wydany kalendarz na 2019.

Every year, The Brian Lehrer Show asks you to submit the best photo you took that is sitting on your phone – and every year, you deliver with some truly impressive snaps!  This year, you submitted over 900 photos! Our partners at Photoville, along with a special guest judge, documentary photographer and writer Laylah Amatullah Barrayn, picked out their favorites (check out their 'Top 50' gallery), and then Brian and the team selected three winners to present their photos on the air. Brian speaks with Laylah Amatullah Barrayn and Photoville's creative director & co-founder Sam Barzilay about the three winning photos, which you can see below. Plus, hear the winning photographers talk about their submissions. Partner's Note: Photoville will be celebrating it's 12th festival this year with a city-wide celebration in June. Click here to learn more about the festival, as well as this non-profit and their education and public programs. This Year's Winners: Kamel Brown (photo taken in Harlem) (Kamel Brown)   Geralyn Shukwit (photo taken in Red Hook, Brooklyn) (Geralyn Shukwit)   John Huntington (photo taken at St. George, Staten Island) (John Huntington)  

In this episode, Gem Fletcher chats with photographer Tami Aftab. They dive into The Dog's In The Car - a powerful and intimate collaboration between Tami Aftab and her father Tony, about his short-term memory loss and how it shapes his life and that of the wider family. Since graduating during the pandemic, Tami has worked tirelessly to cement herself as one to watch. During the conversation, we discuss how she works, the pressures of starting out, money, productivity, social media and grappling with the tension between ambition and patience. Tami Aftab is an English-Pakistani photographer based in London. In addition to her personal work, she has shot for clients including Stella McCartney, Google, Hunter, Rapha and Sony Music. She has created editorials for the NYT, Family Portrait Magazine, Riposte, WeTransfer and Atmos, as well as exhibiting at Photoville and Format Festival. Follow Tami @tamiaftab - Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

(photo ©ward rosin) Antonio talks about the small Photoville exhibition he is part of and Ward discusses his recent trip back to the house he grew up in. Then the chat turns to Nikon's recent announcement and the passing of the DSLR. Image gallery can be see at: http://streetshots.photography/2022/07/31/street-shots-ep-164-unstuck-in-time/   Show Links: Antonio M. Rosario's Website, Twitter and Facebook page Ward Rosin's Website, Instagram feed and Facebook page. Ornis Photo Website  Street Shots Instagram Photoville: The Brooklyn Connection   Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio  

The 5 borough, outdoor photography festival, Photoville opens Saturday and we'll get a preview of this summer's exhibit from co-Founder Laura Roumanos plus meet one of the featured photographers Jeffrey Henson Scales.  *This segment is guest-hosted by Matt Katz*

Bruce Katz is an architectural, portrait and fine art photographer based in New York City. Working regularly for a diverse clientele over a 40-year career, his work has appeared in Architectural Digest, New York Magazine, Landscape Architecture, and The Washington Post as well as for top hospitality, design and advertising firms throughout the country.Recent NYC gallery exhibitions include SPF 16 at the Arsenal Gallery on 5th Avenue, Photoville in Brooklyn (2016 and 2017), Alice Austin House Museum, and many others. His Elevated Lines was exhibited in 2018 at the Inwood Art Works pop-up gallery. In addition, select work from his City Limits project was recently acquired by New York Historical Society for the museum's permanent collection. Bruce is a strong advocate for business education for photographers and has taught at the International Center of Photography. He is an active member of ASMP and has served on the National and NY Chapter board of directors. Learn more at www.asmp.org/newyork. View his work at www.brucekatzphoto.com. Learn more about the photosafari mentioned in the podcast at www.newyorkcityphotosafari.com

Every year, The Brian Lehrer Show asks you to submit the best photo you took that is sitting on your phone – and every year, you deliver with some truly impressive snaps!  This year, you submitted over 700 photos. Our partners at Photoville, along with a special guest judge, New York Times photographer, Michelle Agins, picked out their 60 favorites (check out that gallery, here). Brian speaks with Michelle Agins and Photoville's Dave Shelley about the three winning photos, which you can see below. Plus, hear the winning photographers talk about their submissions. Partner's Note: Photoville will be celebrating it's 11th festival this year with a city-wide celebration in June. They will be announcing a call for proposals later this month. Click here to learn more about the festival, as well as this non-profit and their education and public programs. Winners: Turkey Hillby Eve LeBer 7:45 am I drive a van to pick up my disabled client for their Day Hab program. The turkeys are roaming the neighborhoods. (Eve LeBer)   Toniby Ava Farkas My aunt Toni was diagnosed with brain cancer in 2020 and succumbed to it this summer. I felt moved seeing her surrounded by the love and tenderness of my niece and cousins each time I visited. (Ava Farkas)   Halloween Is Back!by Marjorie Zien The Village Halloween Parade is back, after a cancellation last year. The village was full of people enjoying the event and spirit. (Marjorie Zien)  

Quand on écoute son album, on a l'impression qu'elle nous fait des confidences. Une voix douce d'une pureté légèrement fêlée, posée sur les notes pop d'un piano délicat. Des mélodies et des mots qui viennent du cœur et font vibrer les cordes sensibles. Un soupçon de malice, comme pour adoucir la mélancolie romantique. Douze chansons comme un bouquet de teintes pastel et à vif, comme autant de notes colorées. « Toujours des fleurs », le premier album de Janie est sorti chez PlayTwo. Elle sera en concert au Café de la Danse, le 10 mars 2022, et d'ici-là en première partie de Vianney sur sa tournée des Zéniths et à Paris à l'Accor Arena le 14 décembre 2021.   Et au menu du Café Gourmand aujourd'hui :  → Fanny Bleichner va nous parler de l'adaptation de l'oeuvre de Stendhal à l'opéra Garnier, à Paris, sous la forme de ballet. Le chorégraphe Pierre Lacotte en propose une version très originale.  → Carrie Nooten est à New York dans le hall d'entrée des Nations unies, où ont été installés des portraits géants de femmes qui jouent un rôle dans les négociations de paix. Cette exposition est montrée en même temps dans New York, sur les quais de Brooklyn, au festival Photoville…  → Sébastien Jédor nous parle musique avec Ami Yerewolo, la rappeuse malienne qui raconte « les faits de société », première rappeuse à percer sur la scène hip-hop au Mali.

L'ONU s'est associée à des femmes photographes locales, qui non seulement documentent les histoires des femmes qui s'efforcent d'instaurer un climat de paix dans leurs communautés, mais font aussi face aux mêmes défis.  Leurs photographies sont présentées au siège des Nations Unies à New York. Intitulée Quand les femmes prennent la paix en main, l'exposition met en lumière le travail des femmes qui militent pour la paix, au travers du regard de 11 femmes photographes du monde entier. Originaire de Bangui, en République centrafricaine, Leila Thiam est l'une de ces photographes. Elle a travaillé pendant plusieurs années pour la télévision nationale centrafricaine. En 2017, elle a réalisé son premier documentaire.  Leila Thiam est fière de faire ce travail. Elle adore raconter les histoires à travers les images, les émotions, la vie quotidienne de son entourage. 

60 years in the making, Christo's Wrapped Arc de Triomphe opened over the weekend – thrilling Parisians with the artist's first posthumous piece since his death in 2020.  But the installation will only be on display until October 3, after which the pieces will be struck and recycled. Like all of Christo's works, the art lives on in sketches, plans, and photos. In this episode of Vision Slightly Blurred, Sarah and Allen discuss the role of photography in ephemeral art and compare other works by Ai Wei Wei and Banksy.Also on the show, Photoville celebrates The New York Times staff photographer Michelle Agins, Facebook knows Instagram is toxic, and Sebastian Salgado wins the Premium Imperiale 2021 award.

On this week's episode of the B&H Photography Podcast, we welcome the founder and Executive Director of the Social Documentary Network, Glen Ruga, and photographer Sofia Aldinio, who is the recipient of the 2021 ZEKE Award for Documentary Photography, presented by the Social Documentary Network.   As should be clear, our conversation today revolves around the Social Documentary Network, or “SDN,” and we learn about this community of documentary photographers and its website on which more than three thousand documentary series have been uploaded and are available for viewing. Ruga tells of the evolution of the site since its 2008 inception, and how adding classes, awards, portfolio reviews, and most important, the online and print magazine ZEKE has led to the growth of this platform, which is open to all photographers. Our chat also draws from Ruga's photography work and thoughts on documentary, in general.   In the second half of the show we speak with Aldinio, a past guest, about “Awake in the Desert Land,” her photo series that received the ZEKE prize. Aldinio tells of the circumstances that brought her to Baja California, Mexico, during 2020 and this intimate series on village communities affected by climate change. We also speak with Aldinio about her working methods, about shelving her normal Canon system for a more stealth FUJIFILM, about making relationships with subjects, and the feedback and support she received from her SDN workshop leaders.   We wrap by previewing the Social Documentary Network events and exhibits at Photoville 2021 and Aldinio's presentation on her award-winning series.   Guests: Sofia Aldinio and Glenn Ruga Photograph © Sofia Aldinio

Régine Romain is a Haitian-American artist, educator, visual anthropologist, and equity coach living in Brooklyn, NY. With 20+ years of teaching, training, and supporting diverse communities, she uses photographs/film/performance as mixed-media educational tools to promote love, understanding and respect in addressing issues of race, representation and justice through participatory and reflective learning practices. Through an extensive global network, she produces culturally transformative curricula, workshops, salons, performances, forums, exhibits/festivals, and tours. Régine is the author of "Nou Pap Bliye: A Haitian Coloring Book" (2020) and the editor of "Diaspora Diaries: An Educators Guide to MoCADA Artists" (2009). Her photo essay on Haiti, including photos from her exhibition “Portraits for Self-Determining Haiti,” is featured in Meridians, Vol 11, No. 1 (2011), a journal published by Indiana University Press. Her photographic work on Vodou appears in MFON: Women Photographers of the African Diaspora (2017).She is a co-author and featured artist in Ritual as Remembrance, a Photoville lesson plan for 5th- 12 graders based on the MFON project “Altar: Prayer, Ritual, Offerings” exhibited at Photoville from September 13-23, 2018 in Brooklyn Bridge Park While living in Benin, West Africa (2016-2018), Régine created the WaWaWa Diaspora Centre - to actively heal historic wounds and trauma related to the TransAtlantic Slave Trade through inter-generational arts, education, and exchange programs. In addition, she is the director/producer of the award winning short film and podcast “Brooklyn to Benin: A Vodou Pilgrimage” and “Vodou Roots: A Love Story Musical.” Régine received her BS in International Studies from Bowie State University (HBCU) and MA in Photography and Urban Culture from Goldsmiths, University of London. . . . For all the latest about the podcast, follow us on Instagram (https://www.instagram.com/asdiverseastwopeasinapod), Facebook (https://www.facebook.com/AsDiverseAsTwoPeasInAPod) or Youtube (https://www.youtube.com/channel/UC-UyuMYX-QAvJKztBTm94NQ) To reach out to Julien Lefort, you can contact him on LinkedIn (https://www.linkedin.com/in/julienl) or directly through his website (https://www.wearefutureminds.com)

There is a vibrance, a joy, and a love for photography that one feels when speaking with Meryl Meisler.  It's also very cool that by day she was a high school art teacher in Brooklyn and, by night, dancing and photographing at legendary clubs like Studio 54. Anyway, that's just how I see it. Of course, there's a lot more to Meisler's photography than just 1970s disco and 1980s Bushwick, and we talk about a wide range of subjects on this episode of the B&H Photography Podcast.   Meisler's latest book, New York PARADISE LOST Bushwick Era Disco, is a wonderful look back at two very different versions of New York. It juxtaposes images she took in the Brooklyn neighborhood of Bushwick and those in the clubs and discos of Manhattan. We speak about how photography starts conversations, and how we can feel more confident with a particular camera, whether medium format, FUJIFILM X series, or a Canon point-and-shoot. We also discuss editing and maintaining a large body of work over a period of decades, studying with Lisette Model, balancing a photography practice with a full-time job, and an upcoming exhibit of Meisler's work to be held at the same public school at which she taught.   Join us for this uplifting conversation and check out Meisler's extended exhibition at The Center for Photography at Woodstock, through September 15, 2021. Guest: Meryl Meisler Photograph © Meryl Meisler

As curator of 28 exhibitions featuring over 110 international photographers J. Sybylla Smith provides context for an expansive array of image-based work. Her Concept Aware® curriculum provides a unique concept development framework that strengthens creative practice. Amplifying visual narrative, fostering collaborations across disciplines - she believes visual culture creates social change. As an independent curator, she exhibits in traditional and non-traditional settings venues which include; The Griffin Museum of Photography, Harvard University Ed Portal, and Photoville, with a select few traveling to Columbia and Mexico.  Smith consults with individual artists providing collaboration on editing, sequencing,  marketing, and writing artist statements and/or exhibition proposals. Her work with arts organizations and educational institutions includes development, educational programming, and fostering dynamic partnerships.  She is an avid portfolio reviewer participating in photo-centric reviews nationally. She is an active member of the Society of Photographic Educators.    Websites Sybylla Smith   Odette England     Sponsors Charcoal Book Club Lensrentals.com   Education Resources: Using Your Life to Launch Your Photography Momenta Photographic Workshops   Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .  

For the 14th episode of AW CLASSROOM, AW intern Abe Centeno interviews Bronx artist and educator, Sofie Vasquez. In the interview, Sofie talks about her journey being an artist from The Bronx, how she developed her skills, and also her part time practice in photographing the NYC wrestling scene. ..... Sofie Vasquez (b. 1998) is an Ecuadorian documentary photographer born and raised in The Bronx, New York. Her work has been featured in The New York Times and has been exhibited with the Bronx Museum of the Arts, the Bronx Documentary Center, the Ecuadorian-American Cultural Center, The Clemente Soto Vélez Cultural and Educational Center, the Shirley Fiterman Art Center, the DGT Alumni Association Gallery House, Photoville and En Foco Inc. She is an alumni of the International Center of Photography's Community Fellows, and is a part of the first graduating class of the fellowship (2018-2020) She was a student at The City College of New York until the COVID-19 global pandemic forced her to pause her studies. She currently works at the Bronx Documentary Center as well as freelances as a traveling documentary photographer. Follow her work at: @bullsinthebrnx on IG *This episode is wonderfully sponsored by Flower Shop Collective. * Flower Shop Collective is an art and fabrication studio that cultivates the ideas of emerging artists working towards more equitable futures. Their goal is to help artists of all skill levels execute their ideas, learn new techniques and have a safe space to do so, with a prioritization on immigrant artists, artists of color, and women-identifying artists. También les ofrecen todos estos servicios en Español. For more information please head to flowershopcollective.com or @flowershopcollective on Instagram. Follow us: @artsywindow artsywindow.com To support our podcast and the work we do, please donate to us at artsywindow.com and click the "donate" tab. Or join us on patreon! Much love --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/artsywindow/support

Every year, The Brian Lehrer Show asks listeners to submit the best photo sitting on their phone (no babies, no pets). Between the pandemic, the racial justice movement and the challenges to our democracy, the submissions this year were especially poignant. Laura Roumanos, executive director, and co-founder of Photoville and Laylah Amatullah Barrayn, documentary and portrait photographer and frequent contributor to The New York Times, talk about their favorite pictures from the set, and how they were emblematic of the year. Here are this year's winners! Want to see them all? Check out the gallery Anthony Russo's "Stay Positive" Katherine Ulanowsky's "Connection" Geralyn Shukwit's "7pm Cheer" Timothy Beidelman's "Rockaway Ferry Beach Escape" Peter Siegel's "Labor Day Weekend 2020 at the Jersey Shore" Juan Giraldo's "Sunset Park, Brooklyn, NY" Alicia Lim's SwampTV Jen Wineman's "Parenting in a Pandemic" Runners Up: Jonathan Bell's "oop" Aubrey Hays's "YOU Matter" Alexander Silverman's "7:00 PM" NYC Pet Photographer's Park Slope Terrace Pandemic Zoom Wedding Margaret Knoerzer's "Zoom Casualty" Sara Stadtmiller's "Luna (Wild & Free)" Ed Graban's "Manhattan 'Beach'" →Photo Contest 2020  

On today's episode W. Scott Olsen is talking to Laura Romanos and Jasmin Chang from Photoville, a New York-based non-profit organization that works to promote a wider understanding and increased access to the art of photography for all.This podcast is brought to you by FRAMES - high quality quarterly printed photography magazine.Click here to find out more about FRAMES Magazine and join our community.

Jasmine Clarke is a 25-year-old photographer born (and based) in Brooklyn, New York. She graduated from Bard College in 2018 with a BA in Photography. Inspired by the surreal qualities of our waking world, her images play with the tension between fiction and reality. Her images have been shown at Howard Greenberg Gallery in Manhattan and are currently on view at Photoville in Brooklyn Bridge Park, the Photo Vogue Festival in Milan, and the National Center for Civil and Human Rights in Atlanta. When I look in the mirror, I want to believe that what I am seeing is an extension of myself even though I know that it isn’t. I’m seeing a reflection (an illusion) of me and my world. I can never quite trust a mirror.  A picture creates a similar false sense of reality. The nature of photography tells us that what we are seeing is true, but it’s not. It is a selective truth, or even a fiction.One night in Jamaica, as my father and I drove through the mountains, he described a recurring dream: he is in his hometown, Saint Mary's, at a certain winding road that’s shaped like an N, trying to catch the bus. He misses it and has to run up the mountain through the bush and slide down the other side to catch it. This is his only dream set in Jamaica. He told me as we approached the N. I listened while chewing on my sugar cane. It’s strange hearing about a dreamscape while physically going through it—like déjà vu. I feel this sense of familiarity driving through my father’s dream. But what’s more overwhelming is the sensation of jamais vu: foreignness in what should be known. The moon you see, the air you breathe, and the flowers you smell are all suddenly unfamiliar. You’ve moved, traveled—maybe even transcended—although you don’t know to where. You look in the mirror and see yourself, but can’t be sure that it’s the same reflection you saw yesterday.This is why I photograph: to capture a trace of the unexplainable. My pictures are where dreams meet the physical world and earthly things take on higher meaning. I search for the uncanny. I uncover what is hidden. An obscured face, a wet flower, a dark shadow.http://jasmine-clarke.com/https://www.instagram.com/jasmineclarke0/?hl=enhttps://www.bard.edu/news/guardian-spotlights-work-by-grad-jasmine-clarke-18-in-photo-vogue-2020-11-10https://www.vogue.it/fotografia/article/photo-vogue-festival-2020-all-in-this-together-30-photographers-exhibitionhttps://photoville.nyc/the-lit-list-2020-photographers-to-watch-exhibit-hire/https://www.blueskygallery.org/upcoming-exhibitionshttps://www.photographersofcolor.org/https://twitter.com/photogsofcolorhttps://www.instagram.com/photogsofcolor/?hl=enhttps://fulbright.uark.edu/departments/art/https://www.instagram.com/uarkart/?hl=en 

Since its inception, Photoville has used outdoor space to display a wide range of incredible photographs on the Brooklyn Bridge waterfront – which ironically makes it a perfect way to celebrate photography in the era of COVID-19. This year's show runs from Sept 17 - Nov 29 at multiple locations around the NYC, so check it out.Also in the show, TIME tapped multiple photographers for its TIME 100 issue of influential people, and Sarah and Allen tell you why it doesn't create visual cohesion; PhotoShelter's Caitlyn Edwards interviews Isadora Kosofsky who gained access to an all-COVID-19 nursing home; Antwuan Sargent interviews Joshua Kissi; Luke Gilford's upcoming book "National Anthem: America's Queer Rodeo"; HONY raises $2.6m for an incredible woman, and Sarah loves cake.

Honored to announce Olive is joining us on Produced by a Girl Podcast! ⭐️✨@nilangana.official Nilangana Banerjee (Olive) is a Los Angeles based photographer, born in Mumbai, India. She currently lives in Los Angeles and holds a Master of Fine Arts in Photography from New York Film Academy, Los Angeles. She completed her Bachelors in Still Photography and Audio-Visual Production in Mumbai, India and her first master’s degree is in Commercial Photography from Ooty, India. She started photography as her profession, due to her intense passion for the medium since childhood. Her academic degrees in photography have created a deep conviction towards her photographic ambition. After her schooling she had specialized in Industrial, Architectural and Interior, Portraiture and Conceptual Fashion Photography. She mastered the science and art of the photographic world under the guidance of eminent stalwarts in the field of photography. During her academic studies and as a commercial photographer, her work has gained immense praise and appreciation from reputed photographic institutions, companies and various publications. Recently, she was published, on a cover story for the, fashion editorial magazine, GMARO, June2020. She was also interviewed and featured under the LA's most inspiring stories, published by the editorial VoyageLA, Dec2018. She was interviewed and featured by the Indo-American Newspaper the India Journal (USA), 2018 for being an Indian-LA based photographer and an artist.In 2016, she was featured in the VICE Magazine, for her shooting of the LA based Middle Eastern Fusion food event, BIRDS. Later, she also got published in a book for being the principal photographer and Art Director for LEXICON Media, The Paleosecret, in 2017. Her photographs were also a part of the most reputed global photographic exhibitions and galleries in and around Los Angeles, Portland including New York, Brooklyn at the Photoville 2017.She had also got the experience of working in the Editorial Fashion and Beauty industry in LA, by commercially working for many reputed fashion brands, such as Forever21, Nordstrom, GLAM LA, and many more. #producedbyagirl #femalephotographer --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/producedbyagirl/support

Normally held in Brooklyn Bridge Park over two weeks, the free photography festival Photoville will this year host exhibitions at locations across the five boroughs from September 17 through November. Co-founder and executive producer Laura Roumanos joins us along with photographer Marvi Lacar, whose exhibition "ABC(orona)" will be shown in Brooklyn Bridge Park.

18. #TSPSP18 Robin De Puy on Travelling 8000 miles Across America on a Harley Davidson, Honest Portraits & Being CuriousRob De Puy (www.robindepuy.com | Instagram: @robin_de_puy)Robin de Puy's (b.1986, the Netherlands) photographs start with a desire to tell her own story through the faces of others. Whether it's the freckled adolescent she noticed whilst refuelling in Wyoming, the Dutch author, poet and columnist Remco Campert, or the boy Randy she met in Nevada whilst on her American road trip, de Puy sees the camera as an aid to understand the deeply personal traits and histories of each person, and how they also reveal something about herself. Many of her encounters are fleeting; a heartfelt glance into the life of someone else before time resumes its frantic pace. In others, as with Randy, those same transient experiences blossom into profound and enduring relationships. Regardless of which ending they have, de Puy's photographs are always imbued with a sensitivity and timelessness that encourages a slow gaze on the human condition. Her images are chances for genuine human connection, and through sharing with them with the world, allow us to take part in such moments.“A Joyous, Mysterious Portrait of Rural American Boyhood.” ~ The New Yorker about her project RANDYRobin de Puy studied at the Fotoacademie Rotterdam and has been exhibited internationally at institutions and galleries including; Bonnefantenmuseum, Maastricht (2018); Museum Hilversum, Hilversum (2017); The Hague Museum of Photography, The Hague (2016); Stedelijk Museum, Breda (2016) and Photoville, New York (2016). Amongst numerous other awards, De Puy was the winner of the National Portrait Prize in both 2013 and 2019. Her work is held in major public and private collections including Bonnefantenmuseum, Maasstricht; De Nederlandse Bank, Amsterdam; Museum Voorlinden, Wassenaar; Centraal Museum Utrecht, Utrecht; Fotomuseum Den Haag, The Hague; Huis Marseille, Amsterdam and Ministry of Foreign Affairs, The Hague.In 2015, de Puy took a 10,000 km road trip across the US on a Harley Davidson, making images that were published as the book If This Is True, I'll Never Have to Leave Home Again in 2016. The trip was documented by Simone de Vries and Maarten van Rossem, and the film was nominated for an International Emmy Award in 2017.Please enjoy!***If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It takes less than 60 seconds, and it really helps makes a difference in helping to convince hard-to-get guests.Follow Matthew:Instagram: instagram.com/matthewdawalkerTwitter: twitter.com/matthewdawalker

Lynsey Weatherspoon is a portrait and editorial photographer based in both Atlanta and Birmingham. Her work has appeared in The New York Times, USA Today, NPR, Wall Street Journal, Washington Post, Time, ESPN and ESPN-owned The Undefeated. The fingerprint of heritage can be found on assignments and personal projects featuring Black Lives Matter, Gullah Geechee culture, unsung players in the Negro Baseball League, and the last of dying breed – a shoe cobbler. Her work has been exhibited at The African American Museum in Philadelphia and Photoville NYC. She is an awardee, The Lit List, 2018. Her affiliations include Diversify Photo, Authority Collective, and Women Photograph.In this episode we explore Lynsey’s recent coverage of the Black Lives Matter protests in Atlanta. As a natural empath, hear how she connects with people as a way to infuse the emotion of the scene into her images. We talk about her evolution as a photographer across different genres and how personal projects have led to paid work. Find out why Lynsey says, “When you work in dignity, your integrity becomes your foundation.”This is We Are Photographers with Lynsey Weatherspoon and this is her story.Connect with Lynsey Weatherspoon: lynseyweatherspoon.com | Instagram | Twitter | FacebookAt CreativeLive we believe there is a creator in all of us. If you’re looking to get fresh perspectives, inspiration or skills to boost your hobbies, business or life head over to creativelive.com and check out both 24/7 free classes and The Creator Pass, our subscription that gives you on anytime demand access to over 2000 classes taught by the world’s top creators and entrepreneurs.Connect with your CreativeLive community: creativelive.com | IG @creativelive | TW @creativelive | YT @creativelive | FB @creativeliveConnect with your host Kenna Klosterman: IG @kennaklosterman | TW @kennakphotoSubscribe, rate & review  We Are Photographers wherever you listen to your favorite podcasts! We’d love to hear from you!

Well this is a strange session—but on so many levels. First of all, Meryl Meisler was Dylan's digital art teacher when he was in 7th Grade. They haven't seen each other in ten years-since school really-and meet up IRL in the studio. Loved seeing them together and hearing in their reflections how they affected each other. Meryl got Dylan into her first film festival as a kid! The other part of this session is between Dylan and myself, with Meryl taking the shrink role. I had offended Dylan about four years ago when we were on stage together. And that's all I'm saying. This is the closest I've come to crying on the mic though! And with all this going on, we barely got to touch on the fact that Dylan is the current Miss Subways!! https://www.nytimes.com/2019/10/08/nyregion/Miss-Subways-NYC.html Here's some info about Meryl Meisler, an incredible photographer artist. You can see her work and all that stuff here: Her bio is too long for this post but you'll recognize these places in it: Meisler has received fellowships, grants and residencies from the New York Foundation for the Arts, Light Work, YADDO, The Puffin Foundation, Time Warner, Artists Space, C.E.T.A., the China Institute and the Japan Society. Her work has been exhibited at the Brooklyn Museum, Brooklyn Historical Society, Dia Art Foundation, MASS MoCA, Islip Art Museum, Annenberg Space for Photography, the New Museum for Contemporary Art, New-York Historical Society, Steven Kasher Gallery, The Whitney Museum of American Art and in public spaces including Grand Central Terminal, South Street Seaport, Photoville and throughout the NYC subway system. Full bio here. More about Dylan Mars Greenberg: It's insane how much great work she's accomplished and she's only 22! The most inspiring way to find out about Dylan is from this wonderful documentary by Piano Whitman that I totally recommend: http://nobudge.com/main/woman-from-mars. And here's a headline from when she was only 19! "How a 19 Yr Old Directed & Sold 6 Feature Films with Dylan Mars Greenberg". More about his seven feature films and music videos with notable artists on her Wikipedia page here.

Welcome to February and this month's theme is MARKETING. Are you ready to make a buck after spending so much on equipment? Join the twins for an hour-long chat with Jamie Cobb, owner/photographer of Photoville, inside her studio in Arcadia, OK.She has been called so many great titles, but you will remember Jamie as "the hustler". Not in a derogatory manner in any way, but more of a term of admiration and maybe a little jealousy. After spending a few minutes with her, you will be tired of hearing about the daily routine and exhausted knowing Jamie runs a high octane, multi-faceted business focused on client experience 24/7. She doesn't stop.Jamie gets candid about the lack of business skills of most photographers and discusses the dead-end approach of "sit and wait for the call" that has many shooters scrambling for a part-time job.Buckle up for the episode you will need to listen three to 3 times to get all the gems Jamie will be laying down. We bet you will want more Jamie Joe time so check out Bedford Camera PhotoCon 2020 line up for her class "The Hustle".Be sure to follow her on social media:Website: https://www.rentphotoville.comFacebook: https://www.facebook.com/rentphotovilleInstagram: https://www.instagram.com/jamiejcobbInstagram: https://www.instagram.com/rentphotovilleTwitter: https://twitter.com/rentphotovilleSnapchat: jamiejcobbVisit our YouTube Videos for more weekly inspiration!Connect on the Facebook Page for news and upcoming interview polls.Join the conversations on Flick appLeave a review on iTunes and let others know about the show.The Foto Twins love using Røde Microphones & RødeCaster Pro for smooth, quality audio on our podcast episodes. Be sure to check out their entire line of audio capture devices and tell them the FotoFacts Twins sent you!

A record number of women joined the ranks of the 116th Congress in the 2018 elections, and photojournalist Elizabeth Herman pitched the New York Times on photographing them. Along with portraitist Celeste Sloman, the duo photographed 130 or 131 women in congress in six days, and then worked with photo editors Beth Flynn and Marisa Schwartz Taylor to put together print and online editions that launched in January 2019.In this episode of Vision Slightly Blurred recorded live at Photoville 2019, Sarah and Allen have an in-depth interview with Herman and Flynn on how the project went from inception to execution, herding cats and convincing Republicans, and the associated book that is being published by Abrams on October 15, 2019. Get your copy now!

"No one is advocating putting mediocre photographers forward just because they're diverse," Tara Pixley told us at a recent interview at Photoville 2019 in Brooklyn. Tara and Mengwen Cao – two board members of Authority Collective – stopped by to talk about their mission to help support, educate and promote women and non-binary photographers in what has historically been a white male-dominated profession.In this wide-ranging episode of Vision Slightly Blurred, Sarah and Allen (mostly Allen) learn some of the ridiculous and challenging situations that minorities contend with on a daily basis while simply trying to do their job of taking photos, and why diversity matters when telling a story through mass media.

Korean-born Jinhee Bae dropped by for a visit at Photoville 2019 to discuss shooting long-term photo projects, why she continues to use large format, the state of Korean photography, and even a little K-Pop (Can BTS save photography???).With a translation assist from photographer Sylvia Kang, Sarah and Allen chat with Jinhee in a surprisingly candid and refreshing interview.

Travis Fox, the Director of Visual Journalism at CUNY's Craig Newmark Graduate School of Journalism, was inspired by Ta-Nehisi Coates' piece "The Case for Reparations" and decided that he wanted to help tell the story of systemic racism in the USA. But instead of telling the story from the ground, he took to the skies with his drones to show how practices like redlining of neighborhoods have created visible marks on the landscape. Rich neighborhoods abut impoverished ones by a single road, flood zones filled with low income housing, and highways that flow through impoverished areas with no ability to build a political fight.In this episode of Vision Slightly Blurred recorded at Photoville 2019, Sarah and Allen interview Travis about the impetus for the project, why a middle-aged white man is telling the story, and the future of drones in storytelling. It's an episode you won't want to miss.

Vision Slightly Blurred is recording live from Photoville 2019 at Brooklyn Bridge Park! For 20 years, PDN's 30 has been setting the bar for emerging talent within the world of photography. As a part of their 20th anniversary celebration, they've set up a container at featuring the work of both the 2019 cohort, as well as many past winners.Holly Hughes, PDN's long-time editor-in-chief and photographer Jessica Pettway join Sarah and Allen in St. Ann's Warehouse to talk about the nomination and selection process for PDN's 30 and how winning the accolade can change the trajectory of a career.

Amy Sacka is a documentary photographer based in Detroit, Michigan, who is passionate about celebrating the beauty of people and culture, particularly in Detroit and the Midwest. Her work has been featured in National Geographic, TOPIC, LensCulture, the Guardian and many more. She’s a National Geographic Explorer and a Top 50 Critical Mass photographer. Amy's photography has been exhibited internationally, including at Photoville in Brooklyn, Cortona on the Move in Italy, Brighton Biennial UK, and Arles France just to name a few. If you’ve ever dreamed of being published by National Geographic, this episode is for you. Amy talks about how a quest to know her father eventually led to two grants. She describes why she drove 10,000 miles around Michigan to meet and photograph ice anglers. We talk about her move back to Detroit to discover what place, home and belonging mean to her, and the surprising reaction to her ‘Roommates After 40’ project. I’m enamored with her month-long 250-mile NYC slow walk, where she photographed along every block from 1st Street to 110th Street on Manhattan’s east side. This is We Are Photographers with Amy Sacka and this is her story.

On episode 33 of Full Exposure, we sit down with Boston-based photojournalist and filmmaker Lauren Owens Lambert who documents her passion: the human aspect of conservation and climate change research. Her work focuses on people as a vital part of natural cycles, a perspective that is sometimes lost in contemporary views on climate. You will learn how volunteers and biologists rescue and rehabilitate tropical sea turtles that wash up on the freezing shores of Cape Cod each winter. You'll also learn how Atlantic salmon are a federally endangered species in the U.S. with the last remaining wild populations found in only eight rivers in Maine, as well as the salmon conservation efforts being conducted across New England: including the removal of dams, the opening of waterways and increasing of buffer zones along rivers. Lauren's work is seen widely in photographic and conservation publications. Lauren partners with groups such as The Nature Conservancy and the Woods Hole Oceanographic Institution. She has exhibited at Photoville in New York and has presented her work at the United Nations for the Ocean Data Alliance. Today's Guest: Lauren Owens Lambert https://www.laurenowenslambert.com/ @lauren.o.lambert Interviewer: Jim Kamp http://polychromemedia.com/jameskamp/ @kampjames

On episode 33 of Full Exposure, we sit down with Boston-based photojournalist and filmmaker Lauren Owens Lambert who documents her passion: the human aspect of conservation and climate change research. Her work focuses on people as a vital part of natural cycles, a perspective that is sometimes lost in contemporary views on climate. You will learn how volunteers and biologists rescue and rehabilitate tropical sea turtles that wash up on the freezing shores of Cape Cod each winter. You'll also learn how Atlantic salmon are a federally endangered species in the U.S. with the last remaining wild populations found in only eight rivers in Maine, as well as the salmon conservation efforts being conducted across New England: including the removal of dams, the opening of waterways and increasing of buffer zones along rivers. Lauren's work is seen widely in photographic and conservation publications. Lauren partners with groups such as The Nature Conservancy and the Woods Hole Oceanographic Institution. She has exhibited at Photoville in New York and has presented her work at the United Nations for the Ocean Data Alliance. Today's Guest: Lauren Owens Lambert https://www.laurenowenslambert.com/ @lauren.o.lambert Interviewer: Jim Kamp http://polychromemedia.com/jameskamp/ @kampjames

"I left home because I was getting too comfortable. Comfortable with the type of work I was creating, comfortable around the people I had known for 29 years… " Lynsey Weatherspoon was in New York for Photoville after being named to the Lit List - 30 Image Makers To Watch by the Authortity Collective. Lynsey and I talk about leaving home and taking risks in order change your life and to pursue what you truly want to do. What you will learn about Lynsey is that she doesn't like to get too comfortable or complacent. She changed her home, she changed her profession, and she would start all over again if it seemed like the right time to do so. Lynsey and I also talk about some of her work on Negro League Players, the Gulla Geechee, and a series she did called the Last Cobbler. This episode sponsored by the School of Visual Arts MFA Photography, Video, & Related Media - Charles Traub, Chair. http://www.mfaphoto.sva.edu/ Links: http://www.lynseyweatherspoon.com/ https://www.facebook.com/lnweatherspoon https://www.instagram.com/lnweatherspoon/ https://twitter.com/lnweatherspoon Visit realphotoshow.com @realphotoshow on Twitter/IG/FB

Under starry skies, we took our recorders and headphones to a collection of shipping containers in Brooklyn, known as Photoville 2018 and Photoville did not disappoint—what a wonderful collection of photo exhibits. The exhibits span the breadth photography, but with an overarching theme rooted firmly in documentary and social justice photography. Many shows were sponsored—by the U.S. Marines, by magazines, universities, or collectives; others were curated by New York Public School children, and another by the New York Municipal Archives. As in years past, it was a wonderful, perspective-expanding experience run by people who love photography. We chatted with organizers and photographers from a handful of the exhibitions. First on today’s B&H Photography Podcast, we speak with Michael Lorenzini, from the Municipal Archives of the NYC Department of Records. Lorenzini, along with co-curator Matthew Minor, organized the exhibit “NYC Work and Working,” a beautiful selection of images from the collection of the WPA Federal Writer's Project. In addition to discussing the current exhibition, Lorenzini offers details on the Municipal Archive itself, its mission and the multitude of historical collections it houses. Staying in the New York groove, we met with the instructors and students from the High School of Art and Design and the High School of Fashion Industries. These photography programs, taught by Brenna McLaughlin and Ben Russell, respectively, have been a part of these high schools for decades and embrace traditional darkroom and digital techniques, offering work experience in photography, as well. The students were kind enough to wait for us to arrive after a long day of discussing their work with fellow students during New York Public School day at Photoville. Next, we speak with Pablo Farias, Isaac Guzman, and Vanessa Crowley of the exhibit, "conSEQUENCIAS/conSEQUENCES" presented by Bats'i LAB. This exhibit and its organizers are invested in creating a photographic community in Chiapas, Mexico. After a short break, we continue with photojournalist Ron Haviv and Dr. Lauren Walsh of The VII Foundation exhibit. The focus of our chat is their upcoming film “Biography of a Photo," which traces the impact of two photographs Haviv took earlier in his career, which have left indelible marks on the countries in which they were taken. Both photographs capture isolated acts of cruelty within societies in conflict, and do so with such resonance that they have become iconic images within those societies. Our next stop is the container curated by the Authority Collective and their exhibit “The Lit List: 30 Under-the-Radar Photographers," a show presenting thirty interesting photographers whose work deserves attention. We speak with one of the photographers, Arlene Mejorada, and organizers of the Authority Collective, which describes itself as a group of womxn, femmes, trans, non-binary and gender non-conforming people of color reclaiming their authority in the photography, film and VR/AR industries.  Finally, we speak with Crista Dix of wall space creative, and artist Deborah Bay about their exhibit, “Internal Ballistics.” The work here is more accurately categorized as “art” photography, but its beautiful cross-section depictions of bullets and the abstract damage they create fosters an interesting debate about gun violence. Join us for this interesting set of conversations. Guests: Ben Russell, Brenna McLaughlin, Erika Perez, Yaqueline Garcia-Hernandez, Sumona Islam, Tais Rivera, Michael Lorenzini, Pablo Farias, Isaac Guzman, Vanessa Crowley, Ron Haviv, Dr. Lauren Walsh, Arlene Mejorada, Mary Kang, Elaine Cromie, Deborah Bay, and Crista Dix Photograph © John Harris

In this second installment from Photoville 2018, we sit down with Patricia Lay-Dorsey (@patricialaydorsey), who became internet famous as “Grandma Techno” thanks to her love of the Detroit electronic dance music scene. Now, she joins us to chat about her latest photography project — an intimate look at life in the hospital as she battles multiple sclerosis — as well as her love of the “ordinary” and how we can all capture our own stories.

Guests include: Miranda Barnes (@mirandarbarnes), a Leica photographer focusing her work on underrepresented populations. Taslima Akhter (taslimaakhter.com), whose most recognized work came through her documentation of the 2013 Rana Plaza building collapse in Bangladesh, and Sarah Blesener (@sarahblesener), a documentary photographer whose work has merged youth culture and politics, and has focused on patriotism vs. nationalism.

In episode 11 UNP founder and curator Grant Scott is in his shed considering the relationship between music and photography, what makes an 'expert' and buying cameras.  Plus this week photography editor and writer Laura Beltrán Villamizar takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which she answer's the question ‘What Does Photography Mean to You?' You can read more of Grant's thoughts on cameras here: https://unitednationsofphotography.com/2017/01/02/what-camera-do-you-use/   Laura Beltrán Villamizar  is a photography editor and writer born in Bogotá, Colombia. She is the Projects Picture Editor for NPR (National Public Radio), working with the organization's growing efforts to shape their visual journalism enterprise. She is also the founder of Native www.nativeagency.org – a non-profit platform dedicated to the promotion and development of visual journalists from under-represented regions and communities. Laura has written extensively on localised non-western photography for Nieman Reports at the Nieman Foundation for Journalism at Harvard University. She is also is a teacher in photography and visual journalism and has set up festivals and educational labs for non-western photographers and documentary makers in Ecuador and Nigeria.   Before founding Native, Laura worked at World Press Photo, where she led educational programs in Latin America and co-produced the yearly Joop Swart Masterclass in Amsterdam.   Prior to joining World Press Photo, she was Associate Photo Editor for Revolve Magazine where she oversaw long-term features, international commissions for print and online, and curated the magazine's emphasis on visual storytelling.   Laura has served on the jury for The Catchlight Fellowship 2018, The FENCE at Photoville in 2018, and The Sinchi Photography Competition for Indigenous and Native Photographers in 2017.   She was also selected for the Alexia's Foundation Seminar: Latin America: Stories That Drive Change (Miami, 2017). Laura currently lives and works in Washington, D.C.     You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto and on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer in Professional Photography at the University of Gloucestershire, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book #New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in January 2019. His documentary film, Do Not Bend: The Photographic Life of Bill Jay will be screened across the UK and the US in 2018. © Grant Scott 2018

Joana Toro Colombian independent documentary photographer exploring issues of immigration, human rights and identity. Joana is a self-taught photojournalist based in New York City and Bogota.  She worked as a staff photographer with the major magazines and newspapers in Colombia. In 2011, Joana migrated to the United States to pursue her career as a documentarian and artist.     Her work is included in Collections such as ai-ap Latin American Photography, En Foco and exhibited in international photo festivals : GuatePhoto,Just another Festival India, Photoville, International Photography festival Pingyao China, among others. She was participant of Missouri Photo Workshop mpw.68 for a scholarship awarded. Her projects have been featured on The New York Times, Wall Street Journal, Smithsonian Magazine and other international publications. She published her first monograph, Masked (oodee, London, 2014). Masked was inaugurated with a group exhibition at the Galería Valenzuela Klenner in Bogotá.  Masked is sold out. Currently based in New York City, USA, and Bogota, Colombia.  Resources: Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .    

on today's podcast I speak with Amy Wolff who is the current Photo Director of Runner's World and Bicycling magazines. In this interview I speak with Amy about how she got into photography and some of her experiences working at magazines such as Fortune,Photo District News,and AARP. Amy is someone who has a true passion for photography and is an active member in the photography community working with the Photoville festival and NYC Salt where she mentors young photographers. Be sure to check out Amy's new website at www.amywolff.com I hope you enjoy and thanks for listening! www.amywolff.com Insta - @viewsfromthewolffden

Lauren Welles is a freelance photographer based in NYC.  Prior to becoming a full- time photographer, she spent 16 years practicing law.  The same skills that were invaluable to her as an attorney-- the ability to problem solve, and to see something from multiple perspectives—have been indispensable to her career as a photographer. Lauren shoots many different kinds of assignments—events, portraits, editorial, street/documentary, and architectural/interiors.  As a result, she has had the good fortune of meeting and working with many different people, finding stories in every-day life that demonstrate one’s humanity, and figuring out how to bring out the best in any subject. Her photography has been exhibited in various venues including "The Fence" at Photoville, NYC & Atlanta; the Museum of the City of New York; PhotoLeiden, The Netherlands, Umbrella Arts Gallery, NYC; The Center For Fine Art Photography, Ft. Collins, CO; Arsenal Gallery, Central Park, NYC; and the HistoryMiami Museum, among others. Her work has appeared in publications, including the New York Times, La Repubblica, Adore Noir magazine, the New York Law Journal, PDN Online, Rangefinder Magazine, World Photography Organization, the Phoblographer, Women in Photography and Street Photography Magazine, among others.   Resources:     Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Click here to download for Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

This week we took our mics and questions to Photoville, the free nine-day photography festival held in in the shadow of the beautiful Brooklyn Bridge. With exhibitions held in re-purposed shipping containers and on fences throughout the DUMBO neighborhood of Brooklyn, not only does Photoville offer a variety of incredible photography series, but it integrates seamlessly into its urban home. In its sixth year, Photoville Brooklyn has grown to include evening programming, lectures, panels and workshops and, Photoville, founded and run by United Photo Industries, has expanded to seven cities with plans for three more in 2018. The wealth of visual storytelling at Photoville is impressive—in our afternoon visit we saw exhibitions from every corner of the world, touching on the important issues of our day, and passing through all photographic genres. While there, we spoke with several photographers and curators about their work, as well as Photoville co-founder Laura Roumanos. Join our conversations with Daniella Zalcman of Women Photograph on their exhibition “Insider/Outsider,” with Sergeant John Martinez of the United States Marine Corps, about the series “Battles Won,” and with the Director of Photography of The Player’s Tribune, Nate Gordon. We also speak with Rachel Dennis of Talking Eyes Media, about their multimedia exhibit “Newest Americans,” organized in coordination with the Center for Migration and the Global City at Rutgers University, Newark, and the VII Photo Agency. Photography festivals and workshops are a gift to photographers and non-photographers alike. Join us as we find inspiration and motivation from the incredible image-makers found at Photoville and, if you are in New York, check out all the exhibitions and activities yourself, from September 21-24, 2017. Guests: Laura Roumanos, Daniella Zalcman, Nate Gordon, Sgt. John Martinez, and Rachel Dennis Please see our home page for more information and photos from Photoville https://www.bhphotovideo.com/explora/podcast https://itunes.apple.com/us/podcast/b-h-photography-podcast/id1052860428?mt=2

"That very same day that I started I was shot by an Israeli soldier. I was shot with an…M6 or M16 rifle…and I almost certainly should have died..." Yola Monakhov Stockton has so many great stories to tell. Born in the former Soviet Union, grew up in NYC, became a conflict photographer, got shot, transitioned to the art world, published a book, and now teaches in Buffalo. Kai and Michael had a fantastic, and a touch long, conversation with Yola just after she finished up her panel discussion at Photoville on photography and education. Photo of Yola by Nick Butler Links: Website: http://yolamonakhov.com/ Gallery: http://www.rickwesterfineart.com/yola-monakhov-stockton/ Book: https://www.schiltpublishing.com/publishing/authors/yola-monakhov-stockton/ Visit www.thephotoshow.org We are realphotoshow on Twitter/IG/FB Follow us on Twitter twitter.com/realphotoshow and on Instagram instagram.com/realphotoshow/ Like us on Facebook www.facebook.com/realphotoshow Music by @pataphysics-1 on Soundcloud

Sophie Gamand is an artist in New York City who is best known for her dog photography through her award-winning book, Wet Dog, and her easily recognizable photos called Pit Bull Flower Power (or #pitbullflowerpower). Sophie talks about her journey as an artist, along with her own experience in animal rescue. If you want to learn more about Sophie Gamand, Wet Dog, and Pit Bull Flower Power, go to our show notes at http://thisispawprint.com/74. Website http://www.sophiegamand.com Instagram (over 146,000 followers) https://www.instagram.com/sophiegamand/ Facebook https://www.facebook.com/SophieGamand/ Wet Dog http://www.sophiegamand.com/wetdogbook/ Flower Power 2017 Calendar http://www.sophiegamand.com/calendar/ If you are in New York City, Sophie Gamand’s first US solo exhibition for Flower Power is starting Wednesday, September 21 to September 25, 2016 at Photoville. Taking place in Brooklyn at DUMBO. Website http://www.photoville.com Sophie’s Exhibit http://www.photoville.com/flower-power/ Thanks to our son D for editing this episode. This episode was a family affair! For our Pit Bull Series, we are giving away some cool items like a collection of rescue-themed books, a dog goodie bag, and a cat goodie bag. Go to http://thisispawprint.com/giveaway to learn more. If you want to join our animal rescue community and receive two free bonus dog-training resources from Irith Bloom, positive reinforcement dog trainer, go to http://thisispawprint.com/ask. Irith can be found at http://www.thesophisticateddog.com/ All of Pawprint's music is composed by Luke Gartner-Brereton. Luke is a musician based in Australia, and he composes a wide variety of songs and musical loops http://vanillagroovestudios.com http://soundcloud.com/luke-gartnerbrereton If you want to learn more about Nancy and Harold, go to our About Us page at http://thisispawprint.com/about or listen to our introductory podcast episode, "Fifty Puppies and a Podcast." http://thisispawprint.com/000 Pawprint (or Paw Print) is a weekly podcast dedicated to animal rescue, adoption, and the heroes who make it happen. Volunteer, walk, adopt, or foster a dog, cat, rabbit, or other wonderful pet through your local shelter, humane society, SPCA, pound, and animal control. Stop abuse, and help increase animal protection, welfare, and rights.  http://thisispawprint.com http://animalrescuepodcast.com

The STM guys are back together and they're just a little on the rusty side. Tom made it safely across the country to his new home base and Antonio fired up Skype and Street Shots is back in business. Now that they're separated by 2,000+ miles, they realize how important it is to maintain a sense of community between them despite the distance. In this episode the Switch to Manual guys talk about the value of larger photographic community, both as a source of inspiration and just plain fun. From the NYC Photo Expo to Brooklyn's Photoville and small meetups in between, communities of shutterbugs offer great opportunities to learn and share your work. Photoville in Brooklyn STM Coney Island photo walk World Wide Photo Walk, 2015, Red Hook, Brooklyn Tom's hat somewhere on the road in Oklahoma Tom and his loyal boy, Johnny Cash, on the road somewhere in Tennessee

The internet radio show for people who love to shoot film! Film Photography Podcast Live from the NYC PDN Show 2012! Interviews with Kodak, Fujifilm, Freestyle, The Darkroom, Photoville and more!