Podcasts about Sarajevo

Unlocked after 1 year for patrons only: We review the diplomatic landscape of Europe on the eve of war in the summer of 1914—and then trace the dizzying cascade of events that followed after the assassination of the Archduke Franz Ferdinand in Sarajevo on June 28, 1914. We get a handle on the ensuing crisis that ricocheted through embassies, banquet halls, and barracks all across Europe, and plunged all the great powers of the continent into a war that soon spread around the world. Suggested further reading: Christopher Clark, “The Sleepwalkers: How Europe Went to War in 1914”; Margaret MacMillan, “The War That Ended Peace: The Road to 1914”; Barbara Tuchman, “The Guns of August.” Image: Photograph of nine kings (George V of Britain seated, center; Kaiser Wilhelm II of Germany standing, in red), at Windsor, for funeral of Edward VII of Britain, May, 1910. Please sign up to hear all patron-only lectures, including recent series on the Dead Sea Scrolls & the Epic of Gilgamesh: https://www.patreon.com/c/user?u=5530632

Hello. → Zdravo!(ZDRAH-vo)What is your name? → Kako se zoveš?(KAH-ko seh ZO-vesh)My name is...? → Zovem se...?(ZO-vem seh...?)Where are you from? → Odakle si?(OH-dah-kleh see?)I am from Morocco. → Ja sam iz Maroka.(YAH sahm eez MAH-roh-kah)What are you doing in Sarajevo? → Šta radiš u Sarajevu?(SHTAH RAH-deesh oo SAH-rah-yeh-voo?)I am studying psychology. → Studiram psihologiju.(STOO-dee-rahm psee-HO-loh-gee-yoo)How old are you? → Koliko imaš godina?(KOH-lee-koh EE-mahsh GOH-dee-nah?)I am 75. → Imam sedamdeset pet godina.(EE-mahm SEH-dahm-deh-set peht GOH-dee-nah)Are you not too old to be studying? → Zar nisi prestar dastudiraš?(ZAHR NEE-see PREH-star dah STOO-deer-ash?)You are never too old to study. → Nikada nisi prestar daučiš.(NEE-kah-dah NEE-see PREH-star dah OO-cheesh)I love exploring Sarajevo and trying new food. → Volimistraživati Sarajevo i probavati novu hranu.(VOH-leem eess-trah-ZHEE-vah-tee SAH-rah-yeh-voh ee proh-BAH-vah-tee NOH-vooHRAH-noo)

U novoj epizodi Njuz Podkasta EP191, spremamo se za Brisel (Wild Rover, irski pab!) i Sarajevo (20. jun), dok analiziramo goruće teme: hapšenja studenata u Novom Sadu, najavljene blokade raskrsnica, i večitu misteriju biračkih spiskova. Da li će neko konačno srediti haos sa prijavljenima na fantomskim adresama? Pratimo i predsednika Vučića na turneji po Rusiji – šta se stvarno dešavalo iza zatvorenih vrata i da li je hotelski pogled bio vredan drame? Otkrivamo sve o novom "Pokretu za narod i državu" (i potencijalnim, sočnijim dodacima imenu, npr. seks). Ne propuštamo ni bizarnu presudu Marku Marjanoviću (Kristal Met Dejmonu) i najavu Thriller Festa! Podržite nas – posetite naš SHOP! Novi cegeri, šolje i stikeri čekaju na vas

Jusuf Hadžifejzović je jedan od najpoznatijih bh. suvremenih umjetnika. Svoj umjetnički put započeo je sredinom '60 tih godina, kada je iz rodnog Prijepolja došao u Sarajevo na školovanje u Srednju umjetničku školu. Nije bio siguran gdje će ga primiti na Likovnu akademiju pa je polagao prijemni ispit na 3 Akademije, u Sarajevu, Beogradu i Zagrebu. Na koncu se odlučio za beogradsku Likovnu akademiju gdje je studirao u klasi Stojana Ćelića. Vanvremenski talentiran i buntovan kakav je bio i tokom studiranja u Beogradu, na nagovor Biljane Tomić, kuratorice beogradskog SKCa, odlučio je na posljednju godinu studija otići na Kunstakademie u Dusseldorf kod prof. Klausa Rinkea. Nakon što je diplomirao sa čistom desetkom na beogradskoj Akademiji sa jedinstvenim radom koji se sastojao od 6 rečenica ispisanih rukom na 6 papira, odlučio je doći u Sarajevo gdje je odmah nakon Olimpijade bio jedan od osnivača umjetničkog projekta Jugoslovenska dokumenta, najvažnije izložbe suvremene umjetniosti u bivšoj Jugoslaviji. Kasnije je pokrenuo i sarajevsko Bijenale moderne umjetnosti, koje je zajedno sa Dokumentima sredinom 80-tih oživjelo sarajevsku umjetničku scenu dovodeći ju u sami vrh scene jugoslavenske i svjetske suvremene umjetnosti. Ta je scena tokom ratnih godina iznjedrila i prvu Kolekciju Ars Aevi, budućeg sarajevskog muzeja savremene umjetnosti. Jusuf za sebe ne voli reći da je konceptualni umjetnik, nego da pripada postkonceptualnom umjetničkom žanru. Bavi se depografijom i analitičkim slikarstvom, a jedan je od najprovokativnijih umjetnika srednje generacije u bivšoj Jugoslaviji, koji je poznat i po svojim provokativnim performansima. Neki od njegovih kontroverznih performansa su imali gotovo proročanski karakter, a takav je i performans "Od kiča do krvi samo je jedan korak", koji je predstavio na Cetinjskom bijenalu 1991. godine. No, njegov najpoznatiji projekat "Prodavnica praznina" je poseban koncept udahnjivanja novog identiteta iskorištenim predmetima koje Jusuf svakodnevno koristi i nakon što im dodijeli certifikat vlasništva njegove praznine dobivaju status umjetničkog djela. U Skenderiji godinama vodi svoju Galeriju Charlama u kojoj je otvorio vrata mladim bosanskohercegovačkim umjetnicima i o kojoj je svojevremeno pisao i New York Times. Učestvovao je u mnogim veoma značajnim međunarodnim izložbama savremene umjetnosti od Berlina, Dusseldorfa, sve do Južne Koreje.U ovoj epizodi smo razgovarali o:00:00:00 Teaser i najava00:04:34 Dolazak na školovanje u sarajevsku Umjetničku školu00:08:41 Studij na Akademiji u Beogradu u klasi Stojana Ćelića00:11:05 Odlazak u Dusseldorf na Kunstakedemie kod Klausa Rinkea00:15:47 Kako je nastalo ime Galerije Charlama?00:18:18 Čuveni diplomski rad na beogradskoj Akademiji sastojao se od 6 rečenica ispisanih rukom na 6 papira00:20:36 Dolazak u Sarajevo i rad na Jugoslovenskim Dokumentima00:27:35 Performans na Cetinjskom Bijenalu iz 1991. "Od kiča do krvi samo je jedan korak"00: 33:50 Rad "Schonne Gruse aus banditen Strasse" 00:38:12 Nastanak "Prodavnice praznina" nakon njegovog povratka iz Antwerpena00:42:05 "Svoj život sam izložio u Prodavnici praznina" 00:47:30 Tekst u New York Timesa o galeriji Charlama00:55:30 U zemljama ex Jugoslavije vrlo jaka scena suvremene umjetnosti01:00:33 Performans "Prodavnice praznina" uživo u podcastu01:13:10 "Cijena mojim "prazninama" će skočiti nakon moje smrti" ______________

Nina Gerin pomaže žrtvama nasilja odnosno traumatiziranim osobama da se snađu u njemačkoj birokratiji i ostvare svoja prava. Je li pravda pitanje pravne države ili pojedinca? Nina radi kao pravna savjetnica za komunalne vlasti u Kelnu, domaćina Damira Bašića zanima, kakva je razlika između institucija u Njemačkoj i Bosni i Hercegovini? Osim toga, Gerin iza sebe ima zapažene muzičke projekte? Šta je sljedeći korak? Pogodite ko je bio Ninin slavni muzički komšija u Sarajevu? Von Damir Basic.

Award-winning journalist Barbara Demick joins host Steve Yates on The China Desk Podcast for a powerful and emotional conversation about China's one-child policy, forced adoption, and the story behind her latest book, Daughters of the Bamboo Grove. Demick, a former Beijing bureau chief for the Los Angeles Times, shares her investigation into the brutal enforcement of population control and the heartbreaking case of twin sisters separated by coercive policies and reunited years later. From her reporting in Sarajevo and North Korea to deep dives into Tibetan life and Chinese orphanages, Demick sheds light on life under authoritarian regimes and the hidden human cost of policy decisions. This episode explores the personal, political, and global consequences of one of the most consequential social engineering projects of the modern era.

U Kantonu Sarajevu je Dan žalosti kao znak sjećanja na ubijenu djecu Sarajeva. BiH je zbog kršenja ugovora između njenih entiteta i stranih investitora upletena u šest međunarodnih arbitražnih sporova. Desničar Simion i umjereni gradonačelnik Bukurešta u drugom krugu izbora u Rumuniji.

Bosna i Hercegovina se po tko zna koji put od svog utemljenja prije tridesetak godina nalazi u državnoj krizi koju je opet izazvao vrh Republike Srpske svojim izazivanjem sukoba sa središnjim vlastima i Visokim predstavnikom Christianom Schmidtom. Nenad Kreizer razgovara s pravnicom i bivšom političarkom Almom Čolo i sarajevskim dopisnikom Amirom Sužnjem o apsurditetima koje sa sobom donosi bosanskohercegovačka politička svakodnevica. Von Nenad Kreizer.

Fernando Gentilini"Atlante delle città eterne"Itinerari e voci nell'Europa delle ideeBaldini + Castoldiwww.baldinicastoldi.itViaggiare in verticale significa calarsi nel tempo profondo, abbandonare gli itinerari di superficie per dirigere il proprio sguardo oltre la forma delle cose finite. Partire dall'invisibile, allora, per vedere meglio: è questo che si propone Fernando Gentilini quando decide di farsi guidare, nel com- porre questo suo Atlante delle città eterne, dalle voci degli scrittori, degli artisti, dei santi e dei filosofi che le hanno abitate prima di noi. Come a Roma, dove sono Nerone e San Benedetto a riportarci al mito olimpico e alle origini del monachesimo; oppure a Milano, di cui Leonardo e la principessa Belgiojoso custodiscono lo spirito ingegnoso ed eternamente rinascimentale. O nella Parigi romantica di Edith Piaf e in quella nazionalista di Charles de Gaulle, ciascuna con la propria idea di grandeur. O ancora nella Londra vittoriana di Bram Stoker, nella Sarajevo suicida di Predrag Matvejević o nella Pietroburgo di Iosif Brodskij che ciclicamente risorge dall'acqua… Sono fatte di niente le città di questo libro insolito e conturbante. Hanno la consistenza dei sogni e delle idee. Senza più monumenti né palazzi, senza la gente in strada, senza rumori in sottofondo: città irreali, svuotate di tutto, attraversate solo dalle voci dei loro antichi abitanti; che a seguirle ci si ritrova di colpo in un altro mondo, dove passato e futuro non si oppongono più, e dove nulla di quel che è essenziale potrà mai andare perduto.Fernando Gentilini ha vissuto in molti paesi di diverse regioni del mondo, lavorando come diplomatico per il Ministero degli Esteri, l'Unione europea e l'Alleanza atlantica. Oggi vive tra Roma e Bruxelles, dove scrive e collabora con vari istituti e università, continuando a inseguire le sue passioni che sono da sempre i libri, l'Europa e la politica internazionale. Ha pubblicato In Etiopia (1999), Infiniti Balcani (2007, premi Cesare Pavese e Capalbio), Libero a Kabul (2011), Tre volte a Gerusalemme (2020, premio Gambrinus), I demoni, storie di letteratura e geopolitica (2023). Ha collaborato con le pagine culturali di «La Stampa». Sulle pagine culturali di «la Repubblica» ha raccontato con la serie Finis Terrae i paesi e le crisi internazionali degli ultimi anni attraverso la storia e i classici della letteratura.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

U 189. epizodi Njuz Podcasta, ekipa u punom sastavu komentariše najsvežija (i najbizarnija) dešavanja: Analiziramo ko se tukao ispred DIF-a u Novom Sadu, zašto dekan Patrik zaključava fakultet i zove žandarmeriju, i šta Željko Mitrović radi na žurkama u Zapa Bazi (i kakve to veze ima sa pumpanjem). Pitamo se zašto Alfa Ćaci ide u šoping donjeg veša sa (minimum) dva druga/telohranitelja, koliko nas košta Ćacilend (i koliko po Vučiću košta studentski doručak), i kako padaju sveže renovirani plafoni u školama dok deca nisu tu (srećom!). Komentarišemo i izjave Patrijarha iz Moskve o "Cvetnaja revoluciji" i prvi diplomatski "blam" novog premijera na sahrani Pape. Pozivamo vas da podržite prosvetare preko akcije "Umetnost solidarnosti" i najavljujemo protest u Subotici 17. maja. Usput, otkrivamo kompleksnost tržišta šolja, tajnu zapleta Sunđer Boba i zašto Makedonci nemaju padeže (ili nas lažu?). Ostavite komentar, lajkujte ako vam se svidelo i pretplatite se za još epizoda! Korisni linkovi:

Sarajevo. La quarantenne Asja si iscrive a uno speed date. Quello che non sa, però, è che il partner che ha davanti, Zoran, è lì per chiederle perdono per qualcosa di cui lei non è a conoscenza. L'appuntamento si trasforma così in un momento in cui fare i conti con il passato.See omnystudio.com/listener for privacy information.

Sarajevo's luge track was the pride of the city during the 1984 Olympics, but now it's overgrown with weeds and riddled with bullet holes from the Bosnian war. A new film called The Track, screening at the Hot Docs Film Festival in Toronto, explores how a group of young athletes and their coach are trying to bring this piece of their city's history back to life.

When Nuria Zyden travelled from her home in Dublin to a conference in Sarajevo she became aware that two Chinese men were following her. They were on her plane and they travelled to the hotel where she was staying. The conference was the World Uyghur Congress and she was there to represent the Irish Uyghur Cultural Association which she had founded in 2024 as a way to bring Irish Uyghurs together.She was not entirely surprised.Zyden is a Uyghur, a Turkic Muslim from Xinjiang – a minority that has been subjected to massive surveillance and repression by the Chinese government over the past decade.The mother of three who has lived in Ireland since 2009 and is an Irish citizen, gets calls from the security services in China complaining about her political activities and suggesting she work with them.Her contact with her elderly mother in China is, she says, severely curtailed and monitored by the authorities.Moving away to live and work in Dublin has not protected her from the reach of the Chinese Communist Party.She explains how this impacts on her life and her determination to give a voice to the millions of Uyghurs in China who cannot defend themselves.Irish Times journalist Colm Keena with his colleagues at the International Consortium of Investigative Journalists has been investigating how the Chinese government monitors its citizens abroad for a major new report called China Targets.He explains how Irish citizen Naria Zyden became the victim of transnational repression.Presented by Bernice Harrison. Produced by Suzanne Brennan. Hosted on Acast. See acast.com/privacy for more information.

Political unrest has returned to the Balkans. Bosnian State police attempted arrest of Serb leader Milorad Dodik but subsequently failed. We get the latest on the situation there with Garrett Patrick Kelly, Former UN Diplomat based in Sarajevo.

Thanks so much to everyone in Sarajevo! Still buzzing from an incredible night. Massive love to Silver & Smoke. Super respectful and one of the few clubs left that's not focused on bringing overhyped (and overpaid) influencers or forcing artists into gig swaps... just pure music and good vibes. Can't wait to come back!

El VAR interviene para sancionar un improperio que un jugador dedica a un árbitro. Además, la NBA saca su mejor ketchup para los playoffs

El VAR interviene para sancionar un improperio que un jugador dedica a un árbitro. Además, la NBA saca su mejor ketchup para los playoffs

El VAR interviene para sancionar un improperio que un jugador dedica a un árbitro. Además, la NBA saca su mejor ketchup para los playoffs

Annemieke Bosman gaat in gesprek met Lidija Zelovic over de film Home Game. Filmmaker Lidija Zelovic portretteert haar ontheemde familie in Nederland al sinds 1993, toen ze het door oorlog verscheurde Sarajevo ontvluchtten, met zelfspot en op haar eigen unieke wijze. Zelovic's filmessay legt de dualiteit bloot waarmee alle migranten leven: wat is ‘thuis'? Ze vestigt daarbij de aandacht op maatschappelijke en politieke ontwikkelingen in Nederland die ze herkent uit haar uiteengevallen geboorteland Joegoslavië. Home Game biedt een soms grappige, vaak confronterende en steeds oprechte kijk in Zelovics leven, dat als spiegel fungeert voor het huidige politieke klimaat in Nederland en veel andere landen in de wereld. 

El VAR interviene para sancionar un improperio que un jugador dedica a un árbitro. Además, la NBA saca su mejor ketchup para los playoffs

Prieteni, avem un invitat de excepție în persoana lui Theodor Paleologu, iar discuția este absolut încântătoare, nici nu știm când a zburat timpul. Și la fel de repede a trecut timpul și în compania celor doi chefi Radu Darie (Atelierul de tarte) și Cristian Dumitru (FoodKit), dar și a vestitei Diana Popescu (știm că are o mulțime de fani printre voi ). E un episod cu multe povești și amintiri grozave. Și mâncare bună. Să aveți sărbători frumoase, prieteni Vorbitorincii! 01:37 Începem cu câteva bancuri misogine, depănăm amintiri din facultate, aducem vorba despre meciurile din Champions League și le mulțumim prietenilor Vorbitorincii care ne-au fost alături la vizionarea meciul tur Arsenal - Real Madrid, pe care am organizat-o în studioul Mindopoly, locul în care filmăm podcasturile noastre. 15:45 Ne-am încălzit un sfert de oră, așa că începem acest episod cu premiera în Joia Mare. Povestim despre mâncare, călătoria lui Radu la Roma și avem câteva recomandări din episodul 2 al podcastului Historincul, povești din vremea comunismului spuse de istoricul Cosmin Popa, intervievat de colega noastră Iuliana Panache. 41:26 Între sublim și politic. Cu Theodor Paleologu 02:11:30 Spuma filelor vă aduce cărți minunate: Ciprian Măceșaru - Undița și ochiul, Mihai Maci - Înainte de răspunsuri, întrebările, Miljenko Jergović - Marlboro de Sarajevo, Michel Bussi - Cod 612. Cine l-a ucis pe Micul Prinţ? 02:36:08 (P) Oale, ulcele și tigăi. O întâlnire cu cei doi realizatori ai podcastului Gustul Succesului, Radu Darie și Cristian Dumitru, și cu mâncare făcută cu măiestrie. Rubrică susținută de Selgros. 03:27:49 Recomandările Dianei Popescu - două spectacole de văzut împreună cu adolescenții din preajmă, niște jazz și o expoziție de pictură.

Einmal mehr müssen sich unsere Hosts mit Bosnien-Herzegowina befassen. Und mit jenem Mann, der in den deutschen Medien mit Vorliebe als "Serbenführer" tituliert wird. Denn seit letztem Monat ist Milorad Dodik, Präsident der Teilentität Republika Srpska, ein verurteilter Strafttäter. Und schuld daran sind natürlich mal wieder die Deutschen. Streng genommen eigentlich nur ein Deutscher. Christian Schmidt hat nämlich wieder einmal zugeschlagen und die Grundlage dafür gelegt, dass Dodik Ende Februar nicht nur zu einer Freiheitsstrafe von einem Jahr verurteilt wurde, sondern ihm zugleich für sechs Jahre untersagt wurde, politische Ämter auszuüben. Komischerweise ist der "Serbenführer" aber immer noch im Amt und jettet fröhlich durch die Welt, um sich mit allerlei "Führern" anderer Staaten zu unterhalten. In Bosnien-Herzegowina fragt man sich nun: Wie geht es weiter? Setzt Dodik seinen Sezessionskurs fort? Und warum verhaftet ihn eigentlich niemand? Diese und weitere Fragen im Zusammenhang mit dem "Urteil von Sarajevo" diskutieren Krsto und Danijel in dieser Folge. Außerdem erfahrt ihr, was es Neues von den Protesten in Serbien gibt, warum Tik Tok in Albanien verboten wurde und warum es, wenn bei Euch nur kaltes Wasser aus der Dusche kommt, gar nicht so unwahrscheinlich ist, dass mal wieder die Serben dahinter stecken.

Imagínate caminar por Sarajevo, donde el aroma del café turco se mezcla con el sonido de las campanas cristianas, o pararte en el Puente Viejo de Mostar, reconstruido piedra a piedra. Más allá de las ciudades, los Alpes Dináricos te llaman con sus picos y cascadas, como un secreto que pocos turistas han descubierto. Bosnia es cruda, auténtica y acogedora.Otro podcast que igual te puede interesar. Eslovenia https://open.spotify.com/episode/3klFDQy2vDg0B4A0NukAc9?si=pNf5Msc-Tamrqlb8TkHV3APor cierto, si viajas y quieres estar conectado tengo un código de descuento de 5% para tí en tu próxima eSim de HolaFly https://holafly.sjv.io/N94mdN el código de descuento es ELTURISTA Que lo disfrutes. Todavía no he pulsado el botón de ‘monetizar' porque quiero que nada interrumpa esta aventura: ni anuncios, ni pausas, solo tú y yo explorando el mundo. Pero te necesito: ¿me echas una mano? Dame 5 estrellas y deja una reseña, son 30 segundos para ti y un empujón enorme para mí.  Tú también puedes ser parte activa: ¿tienes ideas para futuros episodios? Envíame un audio de hasta 1 minuto por Instagram o Facebook —puedes mandar varios si necesitas más tiempo—. Búscame como https://www.instagram.com/cesarsar_elturista/ , CesarSar en FB  https://www.facebook.com/CesarSar/  o suscríbete a mi canal de YouTube  https://www.youtube.com/channel/UC55ZMnqfOlSc7uWbIEM4bDw ¿Prefieres escribirme? Mándame un correo a viajes@cesarsar.com , y si quieres, incluye una nota de voz.  Si sueñas con un viaje perfecto, déjame ayudarte. Como viajero consultor, pongo a tus pies mis 135 países recorridos y tres vueltas al mundo —¡eso son muchas historias que contar! Escríbeme al mismo mail y organicemos juntos tu próximo gran viaje, para que vivas, disfrutes y sueñes a lo grande, porque un buen viaje es pura vida. Además, he vuelto a lanzar viajes en grupo, así que estate atento a mis redes: ¡podríamos explorar el mundo juntos!  Y si te mola este podcast y quieres darme un extra de apoyo con la serie de tv, deja un comentario en mi post de BuenViaje en IG: https://www.instagram.com/p/CrKqoyzubKZ/?  Un abrazo enorme, comunidad. Compartir es vivir, ¡y contigo esto cobra sentido!Aquí algunas de las plataformas donde está disponible el podcast. Apple Podcast https://podcasts.apple.com/es/podcast/c%C3%A9sar-sar-el-turista/id1592890080Spotify https://open.spotify.com/show/14Gs7rhzsYoaQe5Nh05SsI?si=HMPa8pfqSKWSSf0ZtIQGKgIVOOX https://go.ivoox.com/sq/1396585#Viajes #ViajesBarartos #Viajes #Viajessostenibles #Consejosdeviajes #Viajesfelices #Podcastdeviajes #Vueltaalmundo #Bosnia #BosniaHerzegovina #Balcanes

In this episode of the CEU Review of Books podcast host, Andrea Talabér (Managing Editor) is joined by three members of the the ERC-funded project Revenant - Revivals of Empire: Nostalgia, Amnesia, Tribulation project: Jeremy F. Walton, the PI; Kevin Kenjar, a post-doctoral researcher and Matea Magdić, a PhD Researcher on the project. Revenant examines how in Central Europe, the Balkans, and in the Middle East bygone imperial projects are increasingly inseparable from contemporary political, social, and cultural life. In the podcast we discussed various aspects of imperial and post-imperial memory from a famous street corner in Sarajevo, to Croatian literature to a largely forgotten Arctic expedition, and also put the coloniality and post-coloniality of the three empires – Habsburg, Ottoman, Romanov – under the microscope. To find out more about the Revenant project visit the website. Jeremy (jeremy.walton@ffri.uniri.hr), Kevin (kevin.kenjar@ffri.uniri.hr) and Matea (matea.magdic@ffri.uniri.hr) are also happy to hear from anyone interested in the project and in their own research topics. If you are interested in the documentary based on the project, please email Jeremy for the link. As part of the project, the 2024 Postcolonial, Decolonial, Postimperial, Deimperial conference was held in Rijeka. You can watch the keynotes by Maria Todorova here and by Madina Tlostanova here. You can also follow the project on Bluesky and on Facebook. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of the CEU Review of Books podcast host, Andrea Talabér (Managing Editor) is joined by three members of the the ERC-funded project Revenant - Revivals of Empire: Nostalgia, Amnesia, Tribulation project: Jeremy F. Walton, the PI; Kevin Kenjar, a post-doctoral researcher and Matea Magdić, a PhD Researcher on the project. Revenant examines how in Central Europe, the Balkans, and in the Middle East bygone imperial projects are increasingly inseparable from contemporary political, social, and cultural life. In the podcast we discussed various aspects of imperial and post-imperial memory from a famous street corner in Sarajevo, to Croatian literature to a largely forgotten Arctic expedition, and also put the coloniality and post-coloniality of the three empires – Habsburg, Ottoman, Romanov – under the microscope. To find out more about the Revenant project visit the website. Jeremy (jeremy.walton@ffri.uniri.hr), Kevin (kevin.kenjar@ffri.uniri.hr) and Matea (matea.magdic@ffri.uniri.hr) are also happy to hear from anyone interested in the project and in their own research topics. If you are interested in the documentary based on the project, please email Jeremy for the link. As part of the project, the 2024 Postcolonial, Decolonial, Postimperial, Deimperial conference was held in Rijeka. You can watch the keynotes by Maria Todorova here and by Madina Tlostanova here. You can also follow the project on Bluesky and on Facebook. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Slobodan Milosevic har sikret sig magten i Serbien, men hans ambitioner stopper ikke dér. Han vil nu brede sin magt ud over det øvrige Jugoslavien - og han vil gøre det med vold, hvis det er nødvendigt. Med allierede som den brutale Radovan Karadzic sætter han Balkan i flammer. Milosevic drømmer om serbisk dominans - men efterlader kun død og ødelæggelse. Krigen raser i Bosnien, hvor etnisk udrensning og belejringen af Sarajevo og Srebrenica bliver symboler på rædslerne. Research: Oskar Bundgaard. Tilrettelæggelse: Nicholas Durup Thomsen og Oskar Bundgaard. Fortæller: Nicholas Durup Thomsen. Soundtrack & lyddesign: Anton Færch. DR Redaktør: Anders Stegger. Produceret for P3 af MonoMono. Litteraturliste: Branson, Louise og Dusko doder(1999): Milosevic : portrait of a tyrant Cohen, Lenard J.(2000)Serpent in the bosom : the rise and fall of Slobodan Milosevic Donia, Robert J.(2015): Radovan Karadzic: Architect of the bosnian genocide Independent International Commission on Kosovo(2000): The Kosovo report : conflict, international response, lessons learned Lebor, Adam(2004): Milosevic: a biography Sell, Louis(2003): Slobodan Milosevic and the destruction of Yugoslavia

Please visit www.thehikmahproject.com for accompanying notes

First: Now that USAID is gutted, we hear from frontline humanitarian David Miliband, head of the International Rescue Committee. Then: The Netflix hit sparking an important conversation: Adolescence—it's about young minds, male rage, and the dangers of social media. Star of the show Stephen Graham joins me. Plus: Fear in the occupied West Bank as Israeli settlers, often violently expand their illegal outposts. CNN is there. Then: High stakes for Europe and the limits of Trump's Ukraine-Russia diplomacy. Former Pentagon official Celeste Wallander joins me. And: From the archive—on World Water Day, a warning from Sarajevo: painful echoes of water as a weapon of war, from Bosnia back then to Gaza and Ukraine today. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Aquesta setmana A les Portes de Troia reviurem com va ser el setge de Sarajevo, com va viure aquest tràgic episodi de la nostra història la família Lusic. Amb Oto i Branka Lusic.

Tensione alle stelle in Bosnia-Erzegovina, dove la Procura statale ha emanato un ordine di arresto per Milorad Dodik, il leader nazionalista serbo-bosniaco e presidente della Republika Srpska con l'accusa di attentato all'ordine costituzionale. Provvedimento che acuisce il duro braccio di ferro tra le autorità centrali della Bosnia-Erzegovina a Sarajevo e il leader serbo-bosniaco, da tempo nell'occhio del ciclone e nel mirino della comunità internazionale per le sue crescenti aspirazioni separatiste. Ci risiamo? O forse siamo in un altrove comunque molto pericoloso? Di certo a 30 anni da Dayton la "pace giusta" in Bosnia non c'è. Ne parliamo con Simone Malavolti, storico dei paesi jugoslavi e dei Balcani occidentali nell'età contemporanea, autore di Nazionalismi e "pulizia etnica" in Bosnia-Erzegovina. Prijedor (1990-1995), edito da Pacini Editore.

durée : 00:55:22 - Autant en emporte l'Histoire - par : Stéphanie Duncan - L'archiduc François-Ferdinand est assassiné le 28 juin 1914 à Sarajevo. Les 2 coups de pistolet tirés par le nationaliste serbe Gavrilo Princip n'ont pas tué seulement l'héritier des Habsbourg et son épouse, mais aussi dix millions d'hommes et de femmes, en déclenchant la Première Guerre mondiale... - invités : Jean Yves LE NAOUR - Jean-Yves Le Naour : Historien, spécialiste de la Première Guerre mondiale, scénariste de bandes dessinées et de films documentaires - réalisé par : Anne WEINFELD

Eldin Smajlović is an artist and author born in Pristina to parents from Srebrenica. He grew up in Sarajevo during Yugoslavia's collapse where he witnessed the horrors of war. Later, he mastered geometry at art school and painting in the style of old masters. After he was expelled from the Academy of Sarajevo because of his outspoken views, including his defense of homosexuals, he moved to Sweden, learned the language, and studied at the Valand Academy. Now, through his YouTube channel The Immortal Art, he explores ancient art, history, and critiques postmodernism, advocating for timeless artistry. A published author, Eldin continues to celebrate traditional forms in a modern context.Find his channel on YouTube here: https://www.youtube.com/@TheImmortalArtListen to his podcast: https://open.spotify.com/show/5QcBGAyT39RuUrV1GAP3HF?si=bccb7014cee84ba8 Follow him on X: https://x.com/theimmortalart Join his Patreon: https://www.patreon.com/TheImmortalArtPodcast/about ======== For more information on The Aesthetic City, find our website on https://theaestheticcity.com/ Love what we do? Become a patron! With your help we can grow this platform even further, make more content and hopefully achieve real, lasting impact for more beautiful cities worldwide. Visit our Patreon page here: https://www.patreon.com/the_aesthetic_city?fan_landing=trueWe are making an online course about urban planning! Join the waitlist here: https://theaestheticcity.com/aesthetic-city-academy/  Subscribe to our YouTube channel: https://www.youtube.com/@the_aesthetic_city Follow us on X: https://x.com/_Aesthetic_City Instagram: https://www.instagram.com/the.aesthetic.city/ Substack: https://theaestheticcity.substack.com/ Get access to the Aesthetic City Knowledge Base: https://theaestheticcity.lemonsqueezy.com/checkout/buy/18809486-2532-4d91-90fd-f5c62775adec

Goran Bregovic, compositore contemporaneo, musicista tradizionale e rock star, è in tour down under con la sua Wedding and Funeral Orchestra.

Hello to you listening in Jasper, Indiana!Coming to you from Whidbey Island, Washington this is Stories From Women Who Walk with 60 Seconds for Thoughts on Thursday and your host, Diane Wyzga. In the early 1990s a cellist in Sarejevo, Vedran Smajlovic, went out into the square when the bombs were dropping and started playing his cello. A journalist asked him, "Why are you out here playing your cello while the bombs are dropping?" The cellist replied, “Why are they dropping bombs while I'm playing the cello?”In the face of tragedy art and beauty might be all some of us have to offer. Art and beauty give us hope, remind us of our humanity even when someone else denies it, as well as help shape the stories of the society they reflect.Walking life's path can be made a bit more hopeful when we have art, music and brave souls to walk along with us.Whether the voice of a child singing a tune from the movie, Frozen; Vera Lytovchenko, violinist and teacher playing in a bomb shelter dressed in an evening gown; a piano player outside a train station; or men singing their country's anthem.Click HERE to listen a 2 minute broadcast from 2 years ago. It's the voices and music of a determined nation fighting for its unbowed Ukranian soul and winning albeit at great cost. But music alone won't do it. Hear us, world leaders: if Ukraine maintains its determination and gets necessary external military support, it can win this war of attrition!  NOTE: During the nearly four-year siege of Sarajevo that ended in 1996, Vedran Smajlovic played Albinoni's Adagio in G Minor on his cello in ruined buildings, including the Vijecnica, the Bosnian capital's destroyed city hall. He also played at funerals despite the threat of sniper fire. His powerful music became a sign of resilience and of the triumph of humanity over brutality. You're invited: “Come for the stories - stay for the magic!” Speaking of magic, I hope you'll subscribe, share a nice shout out on your social media or podcast channel of choice, (including Android, Amazon Music, Audible & Pandora Radio) and join us next time! Remember to stop by the Quarter Moon Story Arts website, check out the Services I offer, arrange a Discovery Call, and Opt In to stay current with Diane and Quarter Moon Story Arts as well as on LinkedIn and Substack as Wyzga on Words Stories From Women Who Walk Production TeamPodcaster: Diane F Wyzga & Quarter Moon Story ArtsMusic: Mer's Waltz from Crossing the Waters by Steve Schuch & Night Heron MusicAll content and image © 2019 to Present: for credit & attribution Quarter Moon Story Arts

“Album Tracks Aplenty!” for your dining and dancing pleasure tomorrow, Tuesday, Please remember to tip your wait staff!  The Music Authority Podcast...listen, like, comment, download, share, repeat…heard daily on Podchaser, Deezer, Amazon Music, Audible, Listen Notes, Mixcloud, Player FM, Tune In, Podcast Addict, Cast Box, Radio Public, Pocket Cast, APPLE iTunes, and direct for the source distribution site: *Podcast - https://themusicauthority.transistor.fm/  AND NOW there is a website! TheMusicAuthority.comThe Music Authority Podcast! Special Recorded Network Shows, too! Different than my daily show! Seeing that I'm gone from FB now…Follow me on “X” Jim Prell@TMusicAuthority*Radio Candy Radio Monday Wednesday, & Friday 7PM ET, 4PM PT*Rockin' The KOR Tuesday, Wednesday, and Thursday at 7PM UK time, 2PM ET, 11AM PT  www.koradio.rocks*Pop Radio UK Friday, Saturday, & Sunday 6PM UK, 1PM ET, 10AM PT! *The Sole Of Indie https://soleofindie.rocks/ Monday Through Friday 6-7PM EST!*AltPhillie.Rocks Sunday, Thursday, & Saturday At 11:00AM ET!March 3, 2025, Monday, the triplet…@Sarajevo 84 – Mr. Misfit@Saycouth – Magic@Sorrows - Never Mind [Parting Is Such Sweet Sorrow] (@Big Stir Records)@Sove The Second - Green Hills@The Resonars - Crawl Out My Window (mono) [The Resonars]@TeethOut - Flicker Out@The Capellas - Love Prayer (@Rogue Records)@The Capellas - Zig Zag Wanderer (@Rogue Records)@Great Mimes - One Of My Letters [Second Helping]@The Cynz - Heartbreak Time (@Jem Records)@The Dogs - Welcome To The Revolution [Unleashed] (@Rum Bar Records)@The Froot - Let Your Mind Go@The Vinylos - Don't Leave Me Like This [Blow Me Up] (@Clifford Records)@The Hollywood Allstars - The Reason [Field Of Grace]@Tom Baker - Hook Was Set Deep [Justine & Me] (@Rum Bar Records)@The Needmores - Lookin'@Michael Carpenter & The Cuban Heels - Thank You [Ain't Nothing Left To Say]

Back Home, One week later.By FinalStand. Listen to the Podcast at Explicit Novels.There is something worse than waking up and not knowing where you are: you could wake up and not know who you are.Note: World Events Stuff ~ aka Why things are happening in Cáel's lifeThe phone was from Iskender. His boss, Oyuun Tömörbaatar (OT), the former UN ambassador from Kazakhstan and now the informal and unrecognized UN representative and chief diplomat of the Khanate to the same august body, wanted to talk with me, immediately. OT wasn't being diplomatic at the moment, that would come later.{Now this is going to get convoluted}Any inquiries to the Khanate that didn't also include immediate official recognition of the Khanate currently were being steered my (and Hana's) way. For all the behind closed doors crap, he had me, his loyal ass-monkey mutton-head. I held faint hope that this latest meeting would work out to my benefit. For the meeting, I traveled light, only Naomi (the Amazon) and Chaz (British SRR) watched over me.Now fathers who know me, hide their daughters. I'd earned my 'scoundrel' reputation. T. Sarangerel, OT's daughter, was in the room when Iskender ushered me in. She gave me an uncertain look, I shrugged and she smiled. It took me 3 nano seconds to figure that out, OT was scoping me out as a potential son-in-law. I was in Temujin's Inner Circle and a man who he trusted (a rarity). Any union with me would strengthen OT's clan's standing in the new regime.The genetic footprint Temujin, and his immediate family collectively, had put down in the 13th and 14th centuries CE today was vast. He needed that to make his plans for the internal reorganization of the Khanate work. The old republics would go away, to be replaced by a system akin to the Byzantine 'themes, the re-organization of regions based on the recruitment of the Tumens.The Khanate was aiming for an 'Autocratic Republic' ~ a term invented in the 19th century. My use of this terminology was based on my gut instinct, Alal's host of memories involving every form of governance, and my experience with human nature. That clued me in to what Temujin was up to, his Greater Plan. He wasn't going to form a false-front government. He was going to retain the decision-making powers and do so openly, thus 'Autocratic'.He also planned to have a bicameral legislative branch. The Upper House would be based in Tumens and bureaucratic leadership, intellectual standing, religious sects, and tribal entities. This body would be based on merit, not primogeniture. The Lower, main chamber, would be a democratically-elected assembly (aka a democratic republic) that advised him on policy matters, thus 'Republic'.All the power would remain in the Great Khan's hands and would be exercised by his genetic descendants (which some geneticists estimated as being as high as 25% of the Central Asian population.) Marrying into that extended family would be easy, the 'family' itself would have a vested interesting in supporting a state that benefited them.Men and women could exercise power in the government through marriage alliances, identical to the manner Hana was working through me. Being surrounded by very populous countries in various states of belligerence, empowering women wouldn't be an issue since every willing mind and pair of hands mattered. Outsiders who shone through could be offered a spouse and brought into the ruling elite since polygamy was permissible.In the Khanate there would be universal compulsive suffrage (everyone 18+ was legally required to vote) to decide on the representatives in the new legislative body. Everyone was expected to fight, so everyone voted. It would be modeled on the Duma of early 20th century Imperial Russia. Unlike the ill-fated Tsar Nicholas II, Temujin would be much more attentive to the voice of the people, in the Information Age, he had to.Or so I hoped. I spewed forth my ideas to OT who didn't agree, or disagree with my vision. Perhaps Temujin and I did share a bond that went beyond obligation. OT then pulled a 'Pamela'."He told me he knew immediately you were his brother when you and I shared that vision," he commented out of nowhere."His words: You (Earth and Sky) are the old. He (meaning me) is the new. He (me again) will show us the way." My, that was nice, obtuse and not at all helpful. What did OT want? My good buddy, the Great Khan, wanted to cash in on Hana's and my sudden popularity. His most pressing need remained 'time'. He needed to have a cease-fire in the wings when his offensive resumed the next day.The Earth and Sky had moved, well, the Heaven and Earth to get the Tumens and their accompanying national armies up and running after only a two day respite. Thanks to me, Manchuria was a mess. The Russians had carried out my 'Operation: Funhouse' with mixed, mostly positive results.Dozens of smaller Chinese military police units along the border went, 'inactive' was the term most often used in the media. They didn't disarm, yet they didn't fight the Russians either. They sat back and let events unfold. The issue wasn't the Chinese's willingness to fight and die for their country. It was the schizophrenic government in Beijing.The PRC didn't want to wage a war with the Russian Federation at that moment. The Khanate was the priority. There were two fundamentally incompatible courses of action favored for dealing with the Russians:One large group advocated a passive Option A: let the Russians step in and shield the three remaining provinces making up Manchuria that were still in Chinese possession. Later, China would use military, economic and political means to edge the Russians out, once the Khanate was dealt with.A sizable faction favored a more aggressive Option B: play a game of chicken with Vladimir Putin. Tell the Bear not to come across the border while threatening him with a bloody and pointless (for him) guerilla war if he did intervene. Events on the ground were not providing a lot of support for that school of thought,However, this split at the highest levels of leadership left the local and regional commanders to try and muddle through as best they could. To the local commanders defending the Amur River side of the Chinese-Russian border, common sense dictated that they not oppose the Russian crossings, because the Russian 35th Army would kill them.All their military units had gone west to the Nen River line. With no heavy weapons and little air support, the People's Armed Police (PAP) (paramilitary) and the Public Security Bureau (regular police) units would be wiped out for little gain.Russia's GRU (Military Intelligence) sweetened the pot by allowing the police units to remain armed and in formation. It could be argued that they weren't even committing treason. At any time, they could throw themselves into the battle, or form the core of a resistance movement. 'Conserving your strength' had been a hallmark of the Communist Chinese struggle against the Imperial Japanese and Nationalists forces from the 1920's until 1945 and it had served them well.For the party officials, civil authorities and the People's Liberation Army (PLA), Army Air Force (PLAAF), and Army Navy (PLAN) who had gone with Option B, things weren't working out. In the north of Heilongjiang province at Morin Dawa/the Nen River line, the regional commander of the ad hoc forces facing the Khanate decided to duke it out with the Russian 36th Army as well. He was boned from the get-go.The PLAAF's overall command and control had been badly disrupted in the first few hours of The Unification War and had never fully recovered. Of the 22 air regiments that the PLAAF had started the war with in the Shenyang Military District (NE China), only 5 remained as effective formations flying, on average, a meager 20% of their original complement of advanced Shenyang J-16's, J-11's, Chengdu J-10's and Xian JH-7's aircraft.Replacing their aircraft losses meant sending up aged Shenyang J-8's (rolled out in 1980) and Nanchang Q-5's (in 1970) to fly and die in droves fighting their technologically superior Khanate foes. To add insult to injury, China's fleet of 97 Su-30MKK/MK2's (built in Russia) had suffered numerous suspicious mechanical and electronic failures, rendering them either flying coffins, or space holders in bomb-proof shelters.Furthermore, of the forces arrayed in the far north, only two of the five air regiments were responding. Two of the other three had begun displacing south into the Beijing Military District and preparing to defend the capital city. The fifth formation had another problem, North Korea (, more on that later.)In opposition to those two Chinese air regiments (roughly 60 aircraft of mixed types) stood seven complete and fresh Russian air regiments (over 400 front-line aircraft) and that didn't include the regiment and elements of the Far East Naval Aviation which was ALSO watching North Korea (, again more on that later.) The latter was of small comfort to the forces trying to hold the already compromised Nen River line.Behind those valiant troops, along the much more defensible Amur River line, the commander of the key city of Heihe sided with the Option A group and let the Russian 35th Army cross the river unopposed. By the time the PLA commanding general of the 'Nen Force' (the 69th Motorized Division and the subordinate 7th Reserve Division) figured that out, he was already in a shooting war with the Russians. So his supply lines weren't in danger, they were lost.The final indignity took place at Zalantun. The commander of the 3rd Reserve Div. had died during the attempt to recapture Zalantun. His replacement died when his helicopter was shot down as he was coming to assume command. In the absence of these officers, the divisional chief of staff told his men, including two hastily hustled forward mechanized brigades, to put down their arms. That meant 'Nen Force' was completely cut-off and surrounded.One battalion of the 36th Russian Motorized Brigade (yes, too many 36's running around) disarmed the Chinese troops while the rest, plus the 74th Independent Motorized Brigade raced for the prize, the city of Qiqihar. The last major mechanized formation of the 36th Rus. Army, the 39th MB was following them. However, instead of manning Qiqihar's defenses, the Chinese garrison in that city was waging war on its own populace.It wasn't only in Qiqihar; chaos reigned throughout Heilongjiang province. The Provincial Head of the Communist Party, Wang Xiankui, supported Option A. The Provincial Governor, Lu Hao, went with Option B. Both figures were rising stars in the PRC. Wang had ordered the still forming Reserve Divisions and the PAP units to disperse, thus avoiding any untimely confrontations with the Russians.Lu, without consulting Wang, ordered the same forces to launch a violent crackdown on all dissident forces, specifically all racial minorities. (It turned out that Lu was also a member of the Seven Pillars and his witch-hunt was aimed at getting the Earth and Sky organization operating in Heilongjiang).For the men and women on the other end of those phone conversations, there was no 'right' answer. Lest we forget, their organizations were already degraded by the Anthrax outbreak. Both men were powerful and represented China's future leadership, so if the person in charge at the ground level obeyed the wrong one, they could be assured of being roasted by the other.Some did try to do both, repress and disband at the same time. That meant that in the process of making mass arrests among an already war-fearful and plague-fearful populace, the law enforcement infrastructure began disintegrating.The problem with Lu's/7P's plan was that there was no 'revolutionary' organization to round up. That wasn't how the Earth and Sky operated in North-East China. They remained in tiny sabotage and reconnaissance cells. While they were scurrying for cover from the police crackdown, an opportunity presented itself.The afflicted minorities were getting furious with their treatment. These minorities saw themselves as loyal Chinese, yet they were being dragged out into the streets, put in detentions centers and (in a few cases) summarily executed. Being less than 10% of the overall population, resistance had never crossed their minds. It seemed all that those defenseless people could do was pray for Russian intervention forces to arrive.Within that mix of fear, betrayal and rage, the E and S discovered a way to start the dominos falling. The small, well-armed and well-trained E and S cells began ambushing police detachments. Weapons from those dead men and women were turned over to the pissed off locals before the cell went off to stalk the next police unit.Wash, rinse and repeat. It became a perverse and bloody case of wish fulfillment. Lu and the 7P's had been looking for an insurrection and they started one. Even though a miniscule portion of the population was involved, from the outside looking in, it reinforced the Putin Public Affairs initiative that portrayed Putin (and his army) as coming in to restore order to a collapsing civil system, which he was helping disrupt.From Moscow, the PRC's indecisiveness looked like Manna from Heaven. For the massive numbers of Russian soldiers riding through the Manchurian countryside, it felt like they were rolling into Arkham Asylum. Unlike the NATO countries' professional armies, Russia remained a largely conscript force whose normal term of service was only one year. These unseasoned troops could never tell if the local military, military police and police would attack until they rolled up on the Chinese units.At the start of that Day One of Operation: Funhouse, the Russian ROE (Rules of Engagement) was 'Ask and Verify'. It was tactically advantageous for the belligerent Chinese forces to lie about their intentions, then begin shooting at the Russians when they got close enough to hurt them. By Day Two, the standard front-line Russian soldier had adjusted that ROE to 'if they look at us wrong, light their asses up'. By Day Three, the officers had stopped trying to enforce Moscow's ROE orders.That was fine for the combat and rear echelon support troops because both the Chinese and Russian governments had another series of problems and they all centered around Pyongyang and Kim Jong-un's declaration that North Korea would intervene as well, without letting anyone know who he was 'intervening' against. To keep everyone guessing, the North Korean' People's Army was massing on all three borders, facing off with the PRC, Russia and South Korea. To prove his diplomatic intentions, Kim pledged to only mobilize half of his reserves, merely 4,250,000 extra men and women to go with his 950,000 strong standing army.It didn't take a military, or economic genius to realize the North Korean's chronically 'near death' economy was stampeding off a cliff. The Democratic People's Republic of Korea (DPRK) was in the middle of an oil crisis and Kim was increasing their fuel consumption by 400% while decreasing his workforce by 10%. To put it in perspective, the US unemployment was around 6%. Now imagine that in one week's time it would become 26%. One week, no severance packages. Would the population become unsettled?But wait, it gets better. The Secret War was colliding with the Real World in more places than Manchuria. Setting aside the assassination attempt (Grrr) of Hana Sulkanen, my fiancée, six Nipponese elders (two women and four men) appeared in the personal quarters of the Japanese Prime Minister on the first full night of 'Funhouse' and relayed their urgent requests.Those six were the Head of the Six (formerly Seven) Ninja Families and they were there at, my urging. Cause I'm an idiot and requiring the deaths of Romanians in my personal crusade obviously wasn't enough. Now I was asking the Japanese Defense Forces (JDF) to pony up as well. So take a deep breath and put on the hip-waders.You might be wondering why I would want the JDF, see, there was part of Operation: Funhouse that was hitting a predictable snag, namely the Korea People's Navy Force (KPNF) and the uncertain determination of the PLAN:The KPNF's vessels were rather old, small and crappy. They also had a love affair with anything that could launch a torpedo and they listed over 700 of these floating deathtraps (only 13 of which could be classified as surface warships) and the fanatical crews to take them into battle.The PLAN's numbers were far more realistic and the fleet generally more modern. Only their North (18 surface warships) and East Fleets (22 plus 5 'elsewhere') could play any role in an upcoming FUBAR, and both fleets were heading out to sea, mainly to avoid the sporadic, but increasingly effective Khanate air strikes.The FU to be BAR'ed was the Russian Far East Fleet (RFEF) (6 warships strong, ) that had seized on this crazy idea (per my suggestion) to sail south, around the Korean peninsula so they could land elements of the 55th Guards Red Banner Marine Brigade (the 165th Marine Regiment and the 180th Marine Tank Battalion).Theoretically they were going to be the 'Southern Shielding Force' that would interpose itself between the Khanate and Beijing. It should surprise no one that the RFEF's flotilla was unequal to the task of taking their destination, the port of Qinhuangdao, by amphibious assault. Fortunately for the Gods of War (which did not include me), there were five other navies involved.Meanwhile, South Korea was having kittens because their always crazy northern kin were slathering on the insanity. (In how many Buddhist countries do people flock to the temples and pray that their neighbor attacks someone, anyone else, but them? That wasn't a religious conundrum I wanted to deal with.) N.Korea mobilizing meant S.Korea had to mobilize, which sucked down on their GNP as well.Besides, N.Korean dams and coal-powered plants kept the lights on in Seoul. Erring on the side of caution, the S. Korea (aka Republic of Korea, ROK) Army suggested calling up only one million of their three million person reserve force in order to assure Cousin Kim that this was a purely defensive gesture. It didn't work. Kim Jong-un castigated the ROK for antagonizing him, despite his declaration that he 'might' feel like invading the South in the immediate future.Into the emerging crisis, the ROK Navy could sortie nineteen small surface ships. Japan's Navy wasn't up to its old imperial standards, but could still deploy 45 surface warships. The 800 lb. gorilla in the room was the core of the 7th Fleet stationed at Yokosuka, Japan, the USS carrier George Washington and her 14 escort vessels.If the George Washington was the gorilla, RIMPAC 2014 was King Kong. 22 nations, 50 ships, including the USS carrier Ronald Reagan were engaged in war games in the Central Pacific. With them were 5 vessels of the PLAN, had Kim Jong-un just kept his mouth shut, this wouldn't have been an issue. Hell, if the Khanate had not come into existence and launched its Unification War, but he had and they did,To show the US was taking this escalation seriously (without tipping their hand that they knew about Funhouse, Carrier Strike Group One (CSG 1) (the Carl Vinson +10) was rushing across the Pacific from San Diego. CSG 3 (the John C. Stennis +2) was being assembled hastily so that they could rendezvous with CSG 1 ASAP. So many brave souls running toward the danger, sometimes I hate myself.So now does it make sense that I found myself in a room with a US Senator tasked with riding herd on me?Anyway, there were the other three navies still unaccounted for, Taiwan / the Republic of China (ROC) (22 surface ships), Vietnam (7) and the Philippines (3). Taiwanese involvement was easy to explain, the PRC refused to acknowledge them as an independent country and probably never would.The Vietnam People's Navy was tiny in both numbers and tonnage. Five of the vessels were 1960's Soviet frigates. What Vietnam did have was a huge grudge against the PRC. The PLA invaded Vietnam in 1979 and devastated the northernmost provinces, killing as many as 100,000 civilians.The PLAN had walloped the VPN in 1974 (technically South Vietnam) and again in 1988. Out in the South China Sea were two island archipelagos; the Paracel (occupied by a small PLA garrison and claimed by the PRC, Vietnam and the ROC) and Spratlys Islands (disputed by Brunei, Malaysia, Philippines, the PRC, the ROC, and Vietnam).The Philippines had a grand total of three frigates (all between 50 and 70 years old). 99% of the time, they faced a hopeless struggle enforcing Philippines' South China Sea claims, except they were now experiencing that 1% where the PRC found itself in a life and death struggle. Even then, the PLAN's South Sea Fleet was hands-down the biggest player with 26 surface warships centered on the Carrier Liaoning.Except (and there always seems to be an 'except') virtually all the PLAN's naval aviation had gone off to fight the Khanate and it wasn't coming back, ever. In the air, the Philippines was next to useless. What did they have of offer in the struggle for the South China Sea? Bases. The ROC and Vietnam had much more to bring to the table.The Vietnamese People's Liberation Air Force (VPLAR) had about 50 front-line aircraft and 175 nearly obsolete models ~ the same models the PLAAF was now piloting. The ROC Air Force could put up 325 almost-new fighters that were now superior to their opponents on the mainland. Why would I give a shit?Things cascade. The Khanate Air Force took a two-day long deep breath as Putin's 'Policeman that only looks like an invading army' started their intervention. Forty-eight hours later, the Khanate started the fourth stage (the first lunge, defeat the PLA's counter-attack then the second lunge) of the campaign.Their initial air power was still skating on thin ice where maintenance was concerned. They need more time to thoroughly rest their pilots and bring all their top-flight equipment to 100% working condition. Against them, in two days the PLAAF's assets increased by over 250 fighters.In turn, the Khanate had added their constituent state air forces plus nearly 80 new cutting edge air planes and 25 drones. Phase Four saw rolling airstrikes all along the forces massing in front of the northern and central Tumens. For a few hours, the PLA thought they knew what was going on.They were wrong and this was where my meeting with OT came in. Jab with the right, cut them down with the left. The left in my case was Tibet. Yeah, Tibet. Economic value = not nearly enough. From the very start of the war, a small number of seemingly inconsequential air strikes had seriously eroded the PLA and PLAAFs combat power in the Tibetan Plateau while leaving the roads, bridges and towns intact.Common military logic dictated that the Khanate had to punch their way further east into Qinghai (to the south) and Gansu (to the north) provinces. That was where the population and industry where. Farther east were even greater numbers of people and factories and the Khanate forces in the North hadn't been strong enough to threaten to cut off the Qinghai-Gansu front. Then the Russians showed up and the Khanate forces threatening that flank doubled overnight.The PLA hastily reinforced their northern flank, using troops from their strategic reserves. The move resulted in incredible attrition by airpower to the freshly equipped formations. The PLA was about to get flanked, but not from the north. Southwest of Qinghai was Tibet. A third of the Khanate's mobile forces now swept around in a huge left haymaker to the south.My job? I needed the 'Free Tibet' forces in the US and UK to provide public and moral support to the Khanate move. As Khanate Special Forces seized crucial bottlenecks in Tibet, they needed the locals to keep their 'liberators' informed of PLA presences and undermine any attempt to create a guerilla movement.The five Tumens dedicated to being the Schwerpunkt (point of maximum effort) of this flanking maneuver were going to be on a tight timetable if they were going to surround the PLA forces in Central China.My plan was to convince the Tibetans that the PRC's 55 years of occupation was coming to an end and the Great Khan wanted to sign a 'Treaty of Mutual Respect' (my invention). This would require both the Khanate and Tibet to recognize each other's right to exist the moment a cease-fire was reached. That was it. No 'armed presence', or 'mutual defense' agreements.The treaty would be formally signed in Lhasa, the Tibetan capital, when the city was safe ~ as determined by the Central Tibetan Administration (the Tibetan Government in Exile, CTA). Riki came up with an additional sweetener and proved she was quickly adjusting to our group's extra-governmental capabilities.

Ever wondered how to blend the joys of travel with education? Chad and Brittany, the Traveling Slaters, have taken an inspiring leap by transforming their family's homeschooling experience into a global adventure. Join us as we explore their journey, from their decision to sell everything for world schooling, to the unique educational opportunities their children gain while visiting countries like Greece and Montenegro.In this episode, Chad and Brittany recount their transition from traditional homeschooling to world schooling through the Boundless Life program. They share how this experience has provided their children with not only academic knowledge but also invaluable life experiences. From visiting historical sites in Sarajevo to partaking in local customs, their children are learning outside the confines of a classroom, enriching their education in culturally immersive ways.Listen as they describe the challenges of leaving their home behind and making sense of the emotional landscape that accompanies such changes. Their adventure is about more than education; it's about forming bonds, creating lasting memories, and raising globally minded individuals. Tune in to hear about the unique experiences their children encounter, the friendships they've built, and how they continue to navigate their parenting and educational priorities on the road. If you're captivated by the idea of unconventional learning, you'll want to hear all the details shared in this enlightening discussion. Don't forget to connect with the Traveling Slaters on social media and follow their ongoing journey!The Travelling Slaters' LinktreeThe Traveling Slater's Online StoreJoin Nordic Pathway! Use discount code: HOMESCHOOLPODThe Homeschool How To Community: JOIN TODAY!- Be a part of these interviews, join our monthly Q&A sessions, get full access to my Curriculum Series and go through my course and roadmap that condenses all the things I have learned from interviewing homeschoolers! Join today!!What is the most important thing we can teach our kids?HOW TO HANDLE AN EMERGENCY!This could mean life or death in some cases!Help a child you know navigate how to handle an emergency situation with ease:Let's Talk, Emergencies! -and don't forget The Activity Book!The Tuttle Twins - use code Cheryl40 for 40% the age 5-11 series!Support the showInstagram: TheHomeschoolHowToPodcast Facebook: The Homeschool How To Podcast

Au début des années 90, la Yougoslavie se disloque, et les différentes républiques qui la composaient se déclarent une à une indépendantes. Après la Slovénie et la Croatie, c'est au tour de la Bosnie-Herzégovine. En mars 1992, le pays vote pour son indépendance, mais les Serbes ne l'entendent pas de cette oreille. Le 1ᵉʳ mars 1992, l'attaque du mariage à Sarajevo devient l'un des déclencheurs de la guerre en Yougoslavie.

Berlin, Detroit, Birmingham and, of course, Sarajevo. Bosnian-built and -bred Sev Dah may be a Swedish expat, but the Balkan blackness clings strongly to the bleak percussions and rigidly uneasy synthetics that unwillingly fuse into his strongly individual take on techno. Authentically purveying the pulsations of the nakedly throbbing and ugly world, far away from Starbucks and H&M. Signed to respected labels such as Random Island, Mote-Evolver and Kaiser's KSR, he quickly gnawed his way into the scene's core of DJs and producers. Sev is even managing new projects on his own label Proletarijat since 2016. Like a rabid mongrel, since 1998 he has been chewing and belching new bastard beats that are aching to scream out. Consequently there's a steaming and steady stream of vinyl releases coming. With influences ranging from Stigmata and Mills to Master Reese and Petar Dundov, Sev Dah is a versatile but headstrong DJ that can gently ease a thumb in at midnight or fervently thrust it down the hatch at peak time. Tracklist via -Spotify: bit.ly/SRonSpotify -Reddit: www.reddit.com/r/Slam_Radio/ -Facebook: bit.ly/SlamRadioGroup Archive on Mixcloud: www.mixcloud.com/slam/   Subscribe to our podcast on -iTunes: apple.co/2RQ1xdh -Amazon Music: amzn.to/2RPYnX3 -Google Podcasts: bit.ly/SRGooglePodcasts -Deezer: bit.ly/SlamRadioDeezer   Keep up with SLAM: https://fanlink.tv/Slam  Keep up with Soma Records: https://linktr.ee/somarecords    For syndication or radio queries: harry@somarecords.com & conor@glowcast.co.uk Slam Radio is produced at www.glowcast.co.uk

A little over 100 years ago was the beginning of what's often been called the Great War. World War I had military casualties of over nine million and millions more of civilians. Professor Sean McMeekin of Bard College, located in New York State, has written 9 books since 2003 on subjects that include German history, Russian history, the Ottoman Empire, communism, World War II, and one titled "July 1914." This last book is the focus of our conversation with Professor McMeekin. World War I was triggered in late June of 1914 by the assassination of Archduke Franz Ferdinand and his wife Sophie in Sarajevo, Bosnia. They were gunned down by a Serbian 19-year-old by the name of Gavrilo Princip. Learn more about your ad choices. Visit megaphone.fm/adchoices

A little over 100 years ago was the beginning of what's often been called the Great War. World War I had military casualties of over nine million and millions more of civilians. Professor Sean McMeekin of Bard College, located in New York State, has written 9 books since 2003 on subjects that include German history, Russian history, the Ottoman Empire, communism, World War II, and one titled "July 1914." This last book is the focus of our conversation with Professor McMeekin. World War I was triggered in late June of 1914 by the assassination of Archduke Franz Ferdinand and his wife Sophie in Sarajevo, Bosnia. They were gunned down by a Serbian 19-year-old by the name of Gavrilo Princip. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the third anniversary of Russia's invasion of Ukraine approaches, we explore how the country will be rebuilt, who is coming up with the redesign of damaged cities, and what they might look like in the future. We hear from Lord Norman Foster, the famous British architect who is working on a masterplan for the city of Kharkiv and look at rebuilding projects in the towns near Kyiv. We also ask what lessons can be learnt from other post-war cities, such as Warsaw and Sarajevo.

February 14th 2025 Yuriy provides a powerful reminder of the enduring importance of dignity, freedom, and resistance against oppression. We delve into historical parallels and current threats, reinforcing the necessity of standing with Ukraine against tyranny and occupation. Here is a link to the substack article he mentioned in this episode: https://yuriymatsarsky.substack.com/p/middle-eastern-tortuga  You can email Yuriy, ask him questions or simply send him a message of support: fightingtherussianbeast@gmail.com    You can help Yuriy and his family by donating to his GoFundMe: https://www.gofundme.com/f/help-yuriys-family   Yuriy's Podbean Patron sign-up to give once or regularly: https://patron.podbean.com/yuriy   Buy Yuriy a coffee here: https://bmc.link/yuriymat  Subscribe to his substack: https://yuriymatsarsky.substack.com/  ----more---- TRANSCRIPT: (Apple Podcasts & Podbean app users can enjoy accurate closed captions)      It is February 14.  Today, I just want to remind you what a deal in which dignity, freedom, and human lives are measured in dollars is a very bad deal because there are things more variable than dollars.  Let me remind you that the war will not end as long as there is even a single inch of occupied land in Ukraine. Because even if the guns fall silent, the torture chambers and concentration camps will not disappear. And every day, just like now, people will be tortured and murdered there. So, leaving towns and villages under occupation while saying what the most important thing is to prevent people from dying is hypocrisy and a lie. People will continue to die.   It is strange but it has to be repeated in the 21st century. But I will remind you anyway: Nazis are scum, occupation is a crime, and appeasement of an aggressor never works. "Blessed are the peacemakers said Jesus," but he did not mean those who give the aggressor everything they desire and when, call it peace.  The other day, my brother in arms said that the West is now in the same position as Ukraine was during the Balkan Wars of 1990s. Back then we were all going about our lives, not even thinking that one day, we too could face a siege like Sarajevo or mass executions like in Srebenica. Right now, you are not thinking about it, but the threat of war escalating is very real. I will finish today on a somewhat solemn note, but forgive me for that. Before the start of Second World War, Winston Churchill said that a nation that chooses shame over war will get both shame and war. Do not choose shame. Stand with Ukraine. Stand for freedom and dignity.  

En la 1377-a E_elsendo el la 10.02.2025 ĉe www.pola-retradio.org: • Hodiaŭ ni prezentas felietonon pri Międzygórze, en la suda Pollando, ĉe la limo kun Ĉeĥio. Tiu pitoreska ripoz- kaj kuracloko dum jarcentkvarono famis pro siaj esperantistaj feriadoj okazantaj i.a. sub la ŝildo „Ora Pola Aŭtuno”. Pri tio ni ankaŭ parolas, koncentriĝante tamen pri ĝiaj kelkaj atrakciaĵoj. • En la kulturkronikaj aktualaĵoj ni informas pri polaj kandidatoj por la marko Eŭropa Kultura Heredaĵo; pri la rekonstruitaj de poloj nubiaj vestoj, nun ekspoziciataj en Berlino; pri unu el la laste proklamitaj Historiaj Monumentoj, la kastelo en Międzyrzecz en la okcidenta Pollando. • En la E-komunuma segmento ni donas informojn pri la baldaŭ okazonta Ronda Tablo en Sarajevo dediĉita al la temo „Lingvo kaj Artefarita Intelekto”. Organizas ĝin Esperanto-Ligo de Bosnio kaj Hercegovino, info@esperanto.ba. • Muzike aŭdiĝas fragmente la kanzono de Kajto „Mi serĉas la sunon” el ĝia KD La Universala Arbo. La akompana foto el la reto prezentas alrigardon al Międzygórze. • En unuopaj rubrikoj de nia paĝo eblas konsulti la paralele legeblajn kaj aŭdeblajn tekstojn el niaj elsendoj, kio estas tradicio de nia Redakcio ekde 2003. La elsendo estas aŭdebla en jutubo ĉe la adreso: https://www.youtube.com/results?q=pola+retradio&sp=CAI%253D I.a. pere de jutubo, konforme al individua bezono, eblas rapidigi aŭ malrapidigi la parolritmon de la sondokumentoj, transsalti al iu serĉata fragmento de la elsendo.

Goalhanger's Tony Pastor explores building the U.K.'s leading independent podcast production company which includes shows like The Rest is History, The Rest is Politics and The Rest is Football. Episode TranscriptPlease note, this transcript  may contain minor inconsistencies compared to the episode audio.Damian: I'm Damian Fowler and welcome to this edition of The Current Podcast. This week we sit down with Tony Pastor, the co-founder of Goalhanger, the UK's leading independent podcast production company. After a career as a TV producer, first at the BBC and then at ITV in the sports department, Tony teamed up with Gary Lineker, the former international football star turned broadcaster, to create the company. It launched its podcast hub in 2019. In just a few years, Goal Hanger has gone from strength to strength with hit podcast shows like The Rest is Football and The Rest is History, which apparently clock up 42 million downloads a month and counting. We'll get into the creative process in a minute about what makes these shows so successful. But first, I wanted to ask Tony about how Goalhanger was created.  Tony: I set up Goal Hanger with my co host Gary Lineker, who in the UK is a well known media figure and former [00:01:00] footballer back in 2014. I'd been, a producer at ITV, a big TV company in the UK, and then left to set up my own production company. We concentrated largely on making sports documentaries, and then slowly the business changed, and, by 2019, we were launching our own podcasts, and in the last couple of years, it's become the main part of our business.  Damian: You know, the podcast hub was launched, I know more recently than the actual whole production company and it's now like hosting some of the UK's most popular podcasts. I know that the company's just reported record audience figures for the May, July period this 2024. Big hit shows like the rest is football, which is co hosted by Gary Lineker. And the rest is politics and several others, you know, I'm kind of curious to how you achieved this in a world with, let's say, tens of thousands of podcasts.  Tony: Well, it's a good question. [00:02:00] And the big challenge in the world of podcasting is discoverability. It's not easy for audiences, listeners to find new content. There's an awful lot of really good podcasts out there, but unfortunately they're not easy to find. We have had a bit of luck on that front because once you build a successful podcast, you can then tell people about anything new that you do. And there's no doubt that the number one way you can make sure that people know about a new podcast is if they're already listening to a podcast because they're on the right platform there, then they're enjoying the right form of medium. Once we had the rest is history at a super successful level, it made the launch of political shows and our entertainment shows and our sports shows that bit easier . Damian: So the rest is history was the kind of vehicle was the kind of prototype as it were. Is that fair?  Tony: Well, actually we launched a podcast, that was a real niche podcast, in 2019. It's called we have ways of making you talk and [00:03:00] it's all about the history of the second world war and I did it really almost as a hobby. It was great fun. I launched it with a great historian called James Holland and a comedian called Al Murray, both of whom are real aficionados of the period. It quite quickly became a bit of a cult. No doubt lockdown during the COVID period helped in a way because it meant people were stuck at home seeking content. Podcasts are, producible remotely, we were able to really up the amount of content we produced. Suddenly it went from being very niche to some, to having quite a significant audience. And then the next iteration really was to say, we've got a successful podcaster that is, doing north of a million downloads a month, it's making some money and what would happen if we, did a podcast about more than just six years of history? In fact, let's do the whole of history. And that's how the rest is history was born and it broke out, became a super success and it really showed us that the format of intelligent people talking in an entertaining way about something they know a great deal about [00:04:00] really could work.  Damian: That's pretty ambitious. I've got to say, the idea of doing the whole of history. And I've got to say, I am an avid listener to the rest is history. Absolutely fantastic show with the two co-hosts, Dominic Sandbrook and Tom Holland, who've got this got this brilliant rapport. Between them, I'm wondering if you could sort of like for people who haven't heard it  just give a kind of distillation of the kind of tone and style of that podcast.  Tony: Sure, it's a history podcast. It tells narrative stories, fabulous stories from history. Be that the story of Napoleon or the French revolution or the sinking of the Titanic, the rise of the Nazis. These are all subjects that have been covered extensively in the last 12 months, for example. But what it really does is it's two, people who know an awful lot about the subject, who research it really, really well, but then have a fantastic conversation. Fairly light conversation in a very entertaining, witty, well informed way. The best way I can [00:05:00] describe the tone of voice of The Rest is History is if you could imagine being sat in a bar or a cafe and hearing two people who know each other really well and are good mates chatting about something they're fascinated by in a very entertaining way. That's The Rest is History.  Damian: And that formula also kind of carries over into the other podcasts, like for instance, the rest is football similarly, it's like, three guys having a kind of elevated, smart, funny conversation about what's just happened in the week, the week in, whether it be the Premier League or international football or what have you, is that fair?  Tony: Yes, I think that is fair. I mean, we don't, create relationships on air with our podcasters. We basically, listen in on relationships that already exist. So Gary Lineker, Micah Richards and Alan Shearer, all great soccer players in their own right. But more important than that, their mates, and you get a real strong sense of that when you listen to them talking, they love their football, they watch it endlessly, they [00:06:00] have a WhatsApp group that frankly you could publish and probably get 100,000 subscribers to, it's so entertaining, it's all about what's going on in football constantly, and they basically bring that conversational style, that very matey friendly, but intelligent and analytical style to their conversations three times a week on a Monday, they look back over the weekend's action on a Wednesday. They try and answer as many of the audience's questions as they can. And on Friday they review the midweek and look forward to the weekend. So it's an ongoing conversation, between three guys who frankly. If we weren't recording it, would be having the same conversations anyway. Damian: I love that, insight. Damian: So I want to shift a little bit to ask you about the, business perspective. And what need, as it were, did you tap in the UK market? Which, obviously has a wide variety and diversity of broadcast options because the BBC is there. So, how did you get that market?  Tony: Well, I think first of all, I would say that the BBC does a brilliant, brilliant [00:07:00] job. It's a wonderful broadcast that makes an incredible amount of diverse content, but it has to, it has to serve an awful lot of people so it can, find itself spread a little thin. One of the great attributes of podcasting as we discovered with our second world war history pod is that you can super serve a group of people who want something very specific. So the second world war pod is listened to by about 80 to 100,000 people. But it's listened to by them religiously twice a week and that means we get 1. 2 million downloads a month. That audience is not being served anywhere else. So that was our first insight. We then looked at kind of the broader history offering in traditional radio and it was all slightly stale. It had been the same for a long time when we wanted to have a slightly fresher, newer, more entertainment focused approach and, I'd like to tell you it was super planned, but in fact, it was about getting too [00:08:00] great talent to have good conversations. And, we spent nothing on marketing the entire growth of that podcast. The question I get asked most, which is really insightful in many ways, I think was it, why wasn't history taught like this at school? If it had been taught like this at school, I would never have dropped it as a subject. I've always loved history, but it was always done in such a dry way. Why couldn't it have been taught in this entertaining fashion at school? And I hope that's what we're actually providing for those for all those millions of people who love their history. We're giving them a new access point to it. Damian: Yeah, absolutely. I just listened to the five part series on Martin Luther and I remember going back to my history A level where I had, you know, hopefully she's not listening, but a pretty dull history teacher, but I learned everything about Martin Luther now, all these years later from that podcast. Absolutely brilliant with all its references.  Tony: Absolutely, so there's one other thing I'm going to say to you which is, I think the commissioning model is slightly broken. I think the traditional model whereby somebody in their [00:09:00] broadcast ivory tower decides whether or not a pitch, a content pitch, will be the right thing for their audience. I think it just doesn't work anymore. There's, it's too, we've got to a point now where commissioners are trying to satisfy too many things at once. Whereas we can just say, this is what we want to do. We don't need a commissioner. We don't need, the finances of a traditional broadcaster. We'll self fund this. We believe in it. We can experiment. We can try stuff and it's been liberating for us creatively because we can, we can decide we want to do a podcast on Martin Luther which frankly nobody would ever commission and we can do it. And lo and behold it found a terrific audience,  likewise we did, you know we did four parts on the falklands war. We did an extended season on custer. We did a long series on the nazis now the nazis will always get covered  in traditional media. But,  we were able to do, for example, this year, we took the guys to Sarajevo to talk about the start [00:10:00] of the first world war and the first shot that was fired, the assassination of our shoot, Franz ferdinand, you know, that's the kind of thing I just don't think traditional broadcasters are going to commission, but we're able to do it and find an audience with it. Damian: Yeah, I want to ask you a little bit about the revenue model from a business perspective. you know, um, a little bit, we, we keep hearing in the U S about the ad opportunity, especially in podcasts. I'm curious from your perspective, what's that opportunity like in the UK?  Tony: Well, the ad part of it is challenging. The UK is not a very big market. It is nothing like the US market. For example, the advertising slash sponsorship market in the US around podcasting is something like $4 billion a year. In the UK it's more like a hundred million. Dollars a year. It's a pretty small pizza in terms of, that needs slicing up between, all the commercial players in the UK and frankly, if the BBC enter into this market as they're [00:11:00] threatening to do, it will be even more challenging for us. We've had to be pretty creative around the commercial side of it. So yes, we're absolutely fishing in the advertising and sponsorship pond, but we're also looking at subscription models. In fact, we've got six very successful subscription clubs for our podcasts. This is where audiences, super fans who really love the pod can get access early, can get it ad free, can get bonus content, can get live show tickets early, et cetera. And that's proved very successful. We also do live shows and the live shows, do very well. You know, the rest is history last night we did it live in Cambridge, in the university center, Cambridge in front of more than a thousand people. The rest is politics is going on a nationwide tour. We're doing seven cities. We've sold 30, 000 tickets across that tour. So yes, we've had to be quite. Smart, frankly, and see disparate potential,  financial models for our podcasts so that they can really function.  Damian: Yeah, it makes [00:12:00] sense. I know,  people talk a lot about the kind of, the special relationship that, Podcast hosts have with their audience and sort of ipso facto that kind of translates a little bit into advertising and how advertising works, whether it be host read or ~whether it comes in, Tony: programmaticly Damian: programmatically. yeah. that's the word. I'm kind of curious to hear what response you've had from advertisers, in terms of what's your pitch to them?  Tony: Yeah. I mean, our pitch to them is really relatively straightforward unlike nearly all other forms of media currently we're growing, the traditional TV and radio commercial radio models are shrinking. They're struggling. It's not easy for them. The streamers, Netflix and Apple And all the usual customers are now. Causing traditional TV to have to be very inventive and work with smaller budgets. We're the opposite. We know the, the podcast market is growing. every year. Our audience is very [00:13:00] young, so we skew much younger than all of the other mediums. So, 48 percent of our listeners are under 34. So half of our audience is effectively in their teens, twenties and early thirties, which is,  attractive to commercial partners. And, we have very, very long listen times. People are fine, find the content compelling and engaging. So,  the rest of history's average listen time is 41 minutes. Now,  this is great news. I'm always very reassured by this because people have told me for a long time that young audiences want only bite sized content that they can swipe through and everything has to be a minute or less. What we might call the tick tock generation. Well, we're discovering that's not true  People in their twenties and thirties want long form, intelligent, entertaining conversations. They want, they want to hear content that entertains them, that informs them, that educates them. I'm starting to sound positively BBC wreathian, but you know, they basically They basically do want [00:14:00] long form. People are commuting, they're exercising, they're walking dogs, they're cooking. They want to have something that entertains them, that, that informs them and a lot of people we know listen to our podcasts while they're doing something else. So I think the sell to commercial partners really is that, our listeners are super engaged. They're young, they're highly educated and by and large,  we've done surveys, by the way, large scale surveys of over 20, 000 of our listeners, they earn really good salaries. They usually are executive and managerial levels in their businesses. These are the movers and shakers, the people who inform the way that,  that our nations are moving. So there are really, really interesting and valuable audience.  Damian: Yeah, it's, such a cliche now to say that young people have no attention. Clearly that's, that's not the case.  Tony: It's, it's, it's absolute nonsense. It's not true.  Damian: Yeah, it really is. And It's reassuring to hear that too. You know, in terms of the,  you mentioned it's growing. How far can it grow? What's the sort of [00:15:00] scale you can, when you think about I think the statistic I read was that 20 percent of UK listeners listen to a podcast every week. That's a lot of headroom, right? You've got left.  Tony: Oh, it's super exciting on that score. We are definitely nowhere near peak podcasting. I can tell you why, because nobody over about 55 is listening to podcasts because they, they never did. They didn't do growing up with it. The older generations, the people who are perhaps retired and who would enjoy our podcast most are just not listening. , They're perhaps didn't grow up with the technology. They're not quite as comfortable, opening an app and downloading audio content. I think that as people age with that native ability to use the technology and enjoy the content, there's a whole generation of people we will add between say 55 and 80, whatever, who will suddenly become listeners. There's probably 30 percent upside just when we start being listened to and enjoyed by an older generation, which is not happening at the moment. Damian: [00:16:00] That's a great point. Yeah, I think as people, get used to the tech, that's it. And then I don't, who knows what's coming up. You also have talked about, pushing podcasts into video as well.  And I are talking right now on zoom, but people listening are just listening to this, with their air pods or what have you, what's the benefit in a way of, pushing podcasts, onto video, is it to see those hosts sparring with each other, people are curious. Tony: This is the area that intrigues us most about what we do. The advent of video really came from the US. We started to hear Prominent podcasters talk about watching podcasts rather than listening to podcasts. And we started to ask ourselves, why are they doing that? What is the gain? Surely it's not just for the programmatic ads on YouTube or Facebook. We were determined to trial it and see what the benefits were by practice, by actually trying it out.  And what we discovered was, This was [00:17:00] an entirely different audience. So for example, during the euros, as I mentioned, 9. 7 million audio downloads and 10 million video downloads. They're not the same people with that. This was entirely additional audience. The other thing about it is, but there's a couple of things. One is that it helps with cross promotion. We can cut this content up, put a push it out on social, on Insta and Tik TOK and Twitter, et cetera. But also when it comes to having partnerships, you know, with some of the bigger brands, there's that, that hundred million dollar UK podcast market is suddenly much greater. If you're talking to brands about partnerships that include video and social, there's a whole extra set of people you're in conversation with. And so you can effectively turn a podcast back into a show, a 360 show, which. Frankly, we don't mind where people encounter. We don't mind whether you watch, you listen, you see the clips on your social media feeds. As long as you're encountering our [00:18:00] content, we're happy. And that's really why we've pushed so heavily into video. So we take the opposite position of the walled garden. We're not a walled garden. We're not going to tell you to come over to our place and enjoy our content. We're going to say, Where are you comfortable? Where do you want to be? Damian: Yeah, love that. Love that thought. Is podcast growth dependent to a certain extent on those different platforms and platform growth? You know, if people listen through Spotify or Apple, what have you?  Tony: Well, I don't know whether it's dependent on that growth. It's an interesting question. What I can say is that we're agnostic. We don't mind where you are. We have a really good relationship with Spotify who are our, ad and sponsorship sales partner. But similarly, you know, we have a great relationship with Apple too, who handle a lot of our subscription clubs. And frankly, as I say, you know if you're there on YouTube or if you're there on Apple or Spotify, that's all fine. Yes, it does require people to be digitally native and comfortable with the digital platforms, but increasingly, as I say, apart from [00:19:00] perhaps my father's generation, who I still have to download podcasts for, you know apart from his generation,  I think most people now are pretty comfortable with the media.  Damian: So one of the great advantages of podcast production is that you, have a very close relationship with your audience. Could you give me some insight into how that breaks down in terms of subscribers and people who listen for free? What are you seeing? Tony: Sure. What we're seeing is that unlike the traditional, media relationship whereby a production company like us, we're Goalhanger. We would go in to see the commissioner at the BBC or channel four or ITV or NBC and we pitched them our idea and they would either say yes or no, usually no. But if they did commission it, we'd make it for them. We'd hopefully keep doing it. 10 percent production fee, they would then put it out. They would sell the ad slots to,  commercial partners and ultimately the relationship between the production company and the final audience is really remote. So ours is [00:20:00] really close. When we put our pods out free to air,  the audience listens to them. They contact us. We incorporate their questions. We have a very good relationship, very close relationship, but not nearly as close as we do with our subscribers. We've got about 90, 000 subscribers across our various podcasts. And what they get is a direct personal relationship with us. There's no, advertising. There's no sponsorship.  They don't have to wait for a podcast. So for example,  we'll, do a, six part series on the sinking of the Titanic. You can listen to that content spread out over three weeks for free with ads, Monday, Thursday, Monday, Thursday, Monday, Thursday, or if you're a subscriber on that first Monday, you can have all six episodes immediately as a box set. That kind of a relationship is, I think, unique to podcasting where you love the content. You decide that for the Cost of an oat milk latte. You can basically get all six episodes immediately. And many of our listeners now are just saying, you know what? I want my content clean. I'd like to just come to you direct. I'll have it [00:21:00] immediately. By the way, I'd love to get prioritized for the live tickets for the show in New York. I'd like to get them ahead of the rest of the public. And so you develop this fantastic relationship with your listeners and your fans.  Damian: There seems to be a kind of recognition that staying authentic, is the way to scale. I was just, I was reading some comments by, Netflix boss Ted Sarandos at the RTS conference, Royal Television Society conference, who was saying, one of the big hits this year for them was Baby Reindeer, which is a very UK, British sensibility, but yet it's done really well. They didn't pander to a global audience. They kept it authentic. It seems like that is the same formula that's having success for you.  Tony: Well, it's really interesting this, isn't it? Because,  I've got three, I've got three, sons, two teenagers and a 20 year old, and they're watching tons of content on Netflix and, uh, and the variety of the streamers, and they're very happy watching, for example, Korean TV with subtitles. They'll watch dramas from Scandinavia with subtitles. They're very comfortable. [00:22:00] Watching authentic drama and cultural content from other nations. I don't know whether the kind of globalization of content has finally happened, the days when, if it didn't, when, if a movie didn't have a, an American star, it could never be watched around the world. I think it's gone. I think people are much more comfortable enjoying content from a variety of nations. Damian: Well, Tony, thank you so much for these insights. Great talking with you.  Tony: An absolute pleasure. Thanks very much for having me on. Damian: And that's it for this edition of The Current Podcast. We'll be back next week, so stay tuned. The current podcast theme is by Love Caliber. The current team includes Kat Vesey and Sydney Kearns. And remember, Tony: We're not a walled garden. We're not going to tell you to come over to our place and enjoy our content. We're going to say, Where are you comfortable? Where do you want to be. Damian: I'm Damian and we'll see you next time. And if you like what you hear, please subscribe and leave us a review. Also tune into our other podcast, The Current Report.

Join us for a thought-provoking conversation with Amber Massie-Blomfield, author of Acts of Resistance: The Power of Art to Create a Better World. This conversation, recorded in store, dives into the profound role art plays in times of crisis. Amber shares stories of artists who defied oppressive regimes, like Claude Cahun's surrealist resistance in Nazi-occupied Jersey and Susan Sontag's production of Waiting for Godot during the siege of Sarajevo. We explore how art inspires activism, questions societal norms, and fosters collective resilience. From daring theatrical productions to sunflower-lined streets, Amber reveals art's transformative potential to unite and inspire. Whether you're an artist, activist, or curious thinker, this episode challenges the notion that art is “just” entertainment and posits it as a force for meaningful change.Buy Acts of Resistance: https://www.shakespeareandcompany.com/books/acts-of-resistance*Amber Massie-Blomfield's first book, Twenty Theatres to See Before You Die, was published by Penned in the Margins in May 2018, and received the Society of Authors' Michael Meyer Award. Formerly executive director of internationally renowned theatre company Complicité, she has also worked as an arts producer with companies including Camden People's Theatre, Barbican, Actors Touring Company, tiata fahodzi, and English PEN. She lives in Brixton. Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

En el programa de hoy se analizó el asesinato del Archiduque Francisco Fernando y su esposa Sofía en Sarajevo el 28 de junio de 1914, evento que desencadenó la Primera Guerra Mundial. Se explicó el contexto histórico, político y social de la época, detallando los conflictos internos del Imperio Austrohúngaro y las tensiones entre las potencias europeas. Se discutió el concepto de causalidad histórica, cuestionando si este hecho fue realmente la causa directa de la guerra. Además, se destacó el libro "Los cañones de agosto" de Bárbara Tuchman como una obra clave para entender este periodo. Finalmente, se recomendó literatura relacionada y se invitó a reflexionar sobre los factores humanos y estructurales que influyen en los eventos históricos. Para acceder al programa sin interrupción de comerciales, suscríbete a Patreon: https://www.patreon.com/elvillegas Temas Principales y sus Minutos: 00:00:00 - Introducción al pistoletazo de Sarajevo. Contexto histórico del evento que marcó el inicio de la Primera Guerra Mundial. 00:10:19 - Consecuencias inmediatas del asesinato. Reacciones de Austria-Hungría, el ultimátum a Serbia y las tensiones en los Balcanes. 00:20:30 - Redes de alianzas europeas. La complejidad de las relaciones entre Alemania, Francia, Rusia, Inglaterra y otros actores. 00:27:23 - Debate sobre la causalidad histórica. Reflexión sobre si el asesinato fue causa directa de la guerra o un catalizador dentro de un contexto más amplio. 00:32:01 - Recomendación de libros. Destacando "Los cañones de agosto" y su valor literario e histórico.

Christiane's world exclusive with Iran's notorious women's rights activist, Narges Mohammadi, who last year was awarded the Nobel peace prize, and who has spent much of the past 20 years in Evin prison. She is accused of “spreading propaganda" and acting against the country's national security. Mohammadi was recently released on a 3-week medical furlough to recover from surgery and made the courageous decision to speak out—on this program— knowing she is gong back to jail. Plus, press freedom at risk in the United States and around the democratic world, former Washington Post Executive Editor, Martin Baron tells Christiane what's in the Trump toolbox to legally assault the press and how to protect our constitutional right to free speech. Then, as 51 verdicts came down against Gisele Pelicot's abusers in the mass rape trial that stunned France and caught the world's attention, Saskya's Vandoorne's special report, with exclusive access to police records, on how dozens of men in one town became complicit in this horrifying crime. From Christiane's archive this week, the taxi driver who put aside ethnic divisions and became a hero to the needy during under siege in Sarajevo. And finally, Christiane speaks with Edward Berger, director of the film "Conclave," which depicts the knives out battle to elect a new pop in the Catholic Church.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dawn has the benefit of a live audience and visual aides as she tells the story of the remarkable Christmas Truce of 1914. From the streets of Sarajevo to the trenches of France, it's a story of humanity and joy in the darkest of times.  Recorded LIVE in Burbank, California - December 11th, 2024 at Flappers Comedy Club. Watch the full video of the show when you subscribe on Patreon! SILF's (Sources I'd Like to F*ck)Book - Silent Night: The Remarkable Christmas Truce of 1914 by Stanley WeintraubPlay/ Movie - The Big Picnic (1997) Book - All Quiet on the Western Front by Erich Maria Remarque---LILF's (Link's I'd Like to F*ck) See Dawn on THE HISTORY CHANNEL!Crazy Rich AncientsHistories Greatest Mysteries (multiple seasons)Check out HILF MERCH now available on Redbubble! Stickers, t-shirts, bags and more!HILF is now on Patreon!Buy Me a Coffee---WANNA TALK? Find us on Instagram or email us hilfpodcast@gmail.comTheme song: Composed and performed by Kat Perkins.