Podcasts about Sarajevo

Today I talked to Aleksandar Hemon about his new novel The World and All That It Holds (MCD, 2023). As the Archduke Franz Ferdinand arrives in Sarajevo one June day in 1914, Rafael Pinto is busy crushing herbs and grinding tablets behind the counter at the pharmacy he inherited from his estimable father. It's not quite the life he had expected during his poetry-filled student days in libertine Vienna, but it's nothing a dash of laudanum from the high shelf, a summer stroll, and idle fantasies about passersby can't put in perspective. And then the world explodes. In the trenches in Galicia, fantasies fall flat. Heroism gets a man killed quickly. War devours all that they have known, and the only thing Pinto has to live for are the attentions of Osman, a fellow soldier, a man of action to complement Pinto's introspective, poetic soul; a charismatic storyteller; Pinto's protector and lover. Together, Pinto and Osman will escape the trenches, survive near-certain death, tangle with spies and Bolsheviks. Over mountains and across deserts, from one world to another, all the way to Shanghai, it is Pinto's love for Osman--with the occasional opiatic interlude--that keeps him going. AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Today I talked to Aleksandar Hemon about his new novel The World and All That It Holds (MCD, 2023). As the Archduke Franz Ferdinand arrives in Sarajevo one June day in 1914, Rafael Pinto is busy crushing herbs and grinding tablets behind the counter at the pharmacy he inherited from his estimable father. It's not quite the life he had expected during his poetry-filled student days in libertine Vienna, but it's nothing a dash of laudanum from the high shelf, a summer stroll, and idle fantasies about passersby can't put in perspective. And then the world explodes. In the trenches in Galicia, fantasies fall flat. Heroism gets a man killed quickly. War devours all that they have known, and the only thing Pinto has to live for are the attentions of Osman, a fellow soldier, a man of action to complement Pinto's introspective, poetic soul; a charismatic storyteller; Pinto's protector and lover. Together, Pinto and Osman will escape the trenches, survive near-certain death, tangle with spies and Bolsheviks. Over mountains and across deserts, from one world to another, all the way to Shanghai, it is Pinto's love for Osman--with the occasional opiatic interlude--that keeps him going. AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Gino Yevdjevich (Srđan Jevđević) grew up in Sarajevo, son of a high judge and became a music superstar before age 20. When the Bosnia-Herzegovina conflict came, Gino and his artist community dodged nightly sniper fire to make music. Today Gino shares his story and his continued pursuit of art and music. Topics include: Gino intros Kultur Shock single on Alternative Tentacles Meeting Jello Biafra Connecting with Billy Gould and Chris Novoselic Disclaimer for potentially asking dumb questions Gino grew up as privileged youth, mother a Supreme Court justice Fascination with being an artist from youth Were records easy to get as a kid? Gino's records were destroyed in the war Access to Western Music records The records / artists that inspired Gino Spending 9th grade in Colorado The creation of the band “Zov” Making a hit song while in high school The impact of being a successful artist in high school The journey from “Zov” to “Gino Banana” Still getting requests for the song “Mače Moje Čupavo” The discography of Gino Banana What were the band plans before the war? Gino may have been an executive at Diskoton He considers himself a “war profiteer” The war shaped Gino into a different artist and person Being a target for snipers Revisiting the streets of Sarajevo Putting the musical Hair on during the war Inspiring other artists to create during the war Being discovered by Joan Baez to come to the United States Almost not making it out of the country Will he be releasing the Kultur Shock catalogue on vinyl? Interview wrap up Order the Kultur Shock "King / Country Mohammed" single here Extended, High-resolution & Commercial Free version of this interview available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8 Follow our Podcast: https://linktr.ee/vinylguide Facebook: www.Facebook.com/VinylGuide Instagram: www.Instagram.com/VinylGuide Support our show: www.Patreon.com/VinylGuide If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related

Politics, war and the Eurovision Song Contest. Long before Russia invaded Ukraine, conflict already coloured the competition.  Stars like Loreen, Käärijä and Måneskin were lucky enough to compete in peace. But Fazla - Bosnia & Herzogovina's 1993 singer - risked his life just to get to the contest.  Fazla recounts his harrowing journey out of the siege of Sarajevo to reach Ireland. ______ Wiwibloggs is proud to announce a new podcast - that goes into the political history of the contest — from the fall of the Iron Curtain to the present — as an arena for cultural diplomacy and the branding of a nation. Beneath the glitz and glamour, what proxy wars are playing out? And what do they tell us about where Europe is today? In this series, William and Freddy will explore those themes with some very exciting guests telling us their stories first-hand. From running through sniper fire to religious backlash - ‘What Really Happened at Eurovision' will offer a tell all experience. Get it wherever you get your podcasts.   Featuring, Freddy: http://instagram.com/freddyt234  William: http://instagram.com/williamleeadams

EPISODE 1446: In this KEEN ON show, Andrew talks to author of THE WORLD AND ALL THAT IT HOLDS, Aleksandar Hemon, about Sarajevo, Jerusalem and the political power of "macaronic" language Aleksandar Hemon is the author of The Lazarus Project, which was a finalist for the 2008 National Book Award and the National Book Critics Circle Award, and three books of short stories: The Question of Bruno; Nowhere Man, which was also a finalist for the National Book Critics Circle Award; and Love and Obstacles. He was the recipient of a 2003 Guggenheim Fellowship and a “genius grant” from the MacArthur Foundation, and the 2020 Dos Passos Prize. He lives in Chicago. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

Crank up those noise cancelling headphones and get ready for a synth fueledsonic journey into the newretrowave world of BETAMAXX on the newest SYNTHWAVE SERIES episode of IN LOVE WITH THE PROCESS with host Mike Pecci. Nick from Betamaxx talks about how he found his way in the world of music, on his experiences scoring films and how the Sarajevo 1984 Olympics inspired an entire album and a vinyl release that is an amazing work of art! --------------------------------- Go to inlovewiththeprocess.com to see trailers and clips! ►https://codeelektro.com/ ►Nick's Instagram: https://www.instagram.com/betamaxx ►Mike Pecci's IG: instagram.com/mikepecci ►ILWP's IG: instagram.com/inlovewiththeprocesspod -------------> Featuring Music from: ►BETAMAXX The Episode is Sponsored by ► bokehrentals.com/ ► Puget Systems: puget.systems/go/ILWTP ► Fotodiox: https://fotodioxpro.com/ ► FujiFilm: fujifilm-x.com/ ► FujiFilm Shop: bit.ly/3Q2zTHw ► FujiFilm Refurb: bit.ly/3I9NLh4 ► FujiFilmX-H2S: bit.ly/3i22hN5

Dee is back at it again with his two favorite rat fucks.   Patreon   Follow us on Instagram for BTS and more! @pointsopressure    Subscribe to our Youtube channel!   Merch Here!

Es ist ein strahlend schöner Tag in Sarajevo, als sich der Konvoi mit dem österreichischen Thronfolger durch die Straßen entlang des Flusses bewegt. Auf ihn warten schon fünf junge Männer, eigentlich noch Teenager, die mit Handgranaten und Pistolen bewaffnet sind. Tod dem Unterdrücker! Einen nach dem anderen verlässt der Mut. Bis das Auto direkt vor dem letzten von ihnen zum Stehen kommt. Und er den Abzug drückt.Gäste: Ralf Grabuschnig von Déjà-Vu Geschichte LINK // Krsto von Ballaballa-Balkan LINK CW: SuizidAlle Links und Rabatte unserer Sponsoren findest du hier: https://linktr.ee/darfseinbisserl Hosted on Acast. See acast.com/privacy for more information.

Jews have been part of Sarajevo's human tapestry since the 16th century, only to be "discovered' by the rest of the world during the Bosnian War. This is their story.With Jakob Finci* and Francine Friedman. Featuring music by Shira Utfila and Flory Jagoda.* Bonus episode featuring the full interview with Finci available exclusively to Patreon and other supporters.The Remembering Yugoslavia podcast explores the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak. New episodes one to two times per month.Show notes/transcript: RememberingYugoslavia.com/Podcast-Jews-of-SarajevoInstagram: @RememberingYugoslaviaSUPPORT THE SHOW: Patreon :: PayPal :: Subscription

War and unrest have long troubled the city of Sarajevo in Bosnia and Herzegovina. Events which occurred there gave rise to World War I. The Bosnian War of the 1990s and decades of communism have also left their scars. But today, a far greater trouble shakes the world—the Greatest War rages. Join John Bradshaw on location in Sarajevo, and learn what it will take to survive.

War and unrest have long troubled the city of Sarajevo in Bosnia and Herzegovina. Events which occurred there gave rise to World War I. The Bosnian War of the 1990s and decades of communism have also left their scars. But today, a far greater trouble shakes the world—the Greatest War rages. Join John Bradshaw on location in Sarajevo, and learn what it will take to survive.

Melisa Erkurt wurde in Sarajevo geboren, ihre Mama flieht mit ihr während des Bosnienkriegs nach Österreich. Erkurt geht hier zur Schule, sie wird selbst Lehrerin und sieht, wie die Dinge in unserem Schulsystem schieflaufen. Sie schreibt darüber ein Buch, „Generation Haram“ wird ein Bestseller. Heute ist Erkurt Gründerin und Chefredakteurin des Online-Mediums Die Chefredaktion, ein Medium, das sich dezidiert an eine junge Zielgruppe wendet, sie schreibt eine Kolumne im Falter und sie ist eine wache, kritische Stimme in Österreich, wenn es um Feminismus und Rassismus geht. Saskia Jungnikl-Gossy spricht mit Melisa Erkurt über Diversität im Journalismus und in der Politik, Probleme in unserem Schulsystem und Chancengleichheit in Österreich. 

durée : 00:54:49 - Affaires sensibles - par : Fabrice Drouelle - Aujourd'hui dans Affaires sensibles : Vrbanja, le dernier assaut à la baïonnette de l'armée française.

Esta serie que mezcla los viajes con el relato histórico de los países de la Antigua Yugoslavia nos trae sentimientos de lo más maravilloso y de lo más doloroso que nos puede traer el recorrido: llegamos a Bosnia-Herzegovina. Es tiempo de visitar uno de los países más acogedoramente diversos del mundo y, a la vez, un sitio en el cual todavía los horrores de la guerra pueden palparse en el aire. Hablaremos de la herencia del imperio turco otomano, de culturas del café, de una versión del Islam “a la europea”, de paisajes magníficos y de imperios que se sobreponen en unas cuantas calles, de una fascinante diversidad cultural pero también de lo incomprensible que resulta la crueldad de los seres humanos. Notas del episodio: La poderosa influencia del Imperio turco-otomano en nuestro mundo Aquí les dejamos un análisis sobre la formación de la identidad nacional bosniaca y el Islam La historia del Puente de Mostar Sarajevo, una ciudad diversa por su propia historia Los Juegos Olímpicos que llenaron de orgullo a una ciudad El cerco de Sarajevo, una vergüenza de nuestro tiempo   ¡Síguenos en nuestras Redes Sociales!  Facebook: https://www.facebook.com/DianaUribe.fm/ Instagram: https://www.instagram.com/dianauribe.fm/?hl=es Twitter: https://twitter.com/dianauribefm?lang=es Pagina web: https://www.dianauribe.fm

Ennis Ćehić understands the predicament many of us are in in the 21st century - we need a money job to pursue a creative passion. As an author, he managed to capitalise on his experience working as a brand strategist and use it to fuel his writing with biting humour and detailed observation. Ennis' work deals with disillusionment, displacement, and the odd feeling of living in our modern world. His debut short story collection Sadvertising is published by Penguin Random House. Cleopatra's Bling Podcast was produced by Zoltan Fecso and the CB team. Original music by Cameron Alva. You can discover Cleopatra's Bling designs, here.

“Sopherl, Sopherl! Don't die on me. Live for our children.” This is the 99-year story of Europe's descent into total war. The Napoleonic Wars devastated Europe. The continent's five great powers responded by meeting in Vienna in 1815 to establish a balance of power between them. In the future, no single power should be able to lead the continent into war. They also agree to meet as a “Concert of Europe” to hash out future developments. The years give way to decades. The Concert endures the rising pressures of industrialization, rising nationalism, New Imperialism, militarism, and a few smaller localized wars, particularly three conflicts engineered by Prussian Minister-President Otto von Bismarck. He isolates France to maintain peace, but after his departure, rigid alliance systems with secret clauses fully displace the flexibility of the Concert. And without that flexibility, a minor event could spark an outsized reaction. It's in this situation that Austria-Hungary's heir presumptive travels to the unstable Balkans and meets disaster in the streets of Sarajevo. ___ 4 Ways to dive deeper into History That Doesn't Suck Join our growing facebook community Get our weekly newsletter, The Revolution Become part of the HTDS Patreon family Subscribe to Greg's monthly newsletter, Connected History Learn more about your ad choices. Visit megaphone.fm/adchoices

Proljetni Opsajd. Fudbal nam se vratio! I to kako, s gomilom golova, gomilom crvenih kartona i gomilom ljudi na tribinama. I sa (skoro) gotovim terenima. Sad će to. Borac i Široki Brijeg su ispali iz Kupa BiH i tako dodatno zakomplikovali situaciju u prvenstvu, pogotovo za Sarajevo, koje nikako nije ni igralo. Ali zato jeste bilo aktivno na tržištu. Veliki broj igrača je došao na Koševo, veliki broj je otišao, a nisu ni drugi klubovi ništa manje trgovali, samo su trošili manje para i imali manje zvučna imena. Ipak, teško je reći koliko se ko pojačao jer o igračima koji su došli zna se jako malo i tek nam valja vidjeti šta se to dešava. Zato nam i ovaj zimski prijelazni rok djeluje kao loto - ubace se kuglice s imenima i onda klubovi izvlače pa ko kako prođe. Ali sve je to nevažno, važno je samo da se lopta opet kotrlja. Novi Opsajd. Hosted on Acast. See acast.com/privacy for more information.

Aleksander Hemon's new novel, The World and All That it Holds starts with the assassination of Franz Ferdinand in Sarajevo in 1914, and then takes us from Bosnia, to Uzbekistan, to China and elsewhere, covering a convulsive period of history in which the technological advances, the political turbulence, and the displacement of people bear striking similarities to those of our own time. At it's heart, though—not exactly beneath the grand sweep, but entwined with it—is a love story between two men, Pinto and Osman, and a novel that never loses sight of the fact that within beneath History, there are humans living, humans loving, humans losing and, crucially, humans coming to understand the scale at which the decisions they make can count.Buy The World and All That it Holds: https://www.shakespeareandcompany.com/product/5273994/hemon-aleksandar-the-world-and-all-that-it-holds*Aleksandar Hemon was born in Sarajevo and lives in Chicago. He is the author of The Question of Bruno, Nowhere Man, Love and Obstacles, and The Lazarus Project, which was a finalist for both the National Book Award and the National Book Critics Circle Award. His work also appears regularly in the New Yorker and Granta, among other publications.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel Feeding Time here: https://www.shakespeareandcompany.com/product/7209940/biles-adam-feeding-timeListen to Alex Freiman's Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Pendant 40 ans, caméra à l'épaule, Roger Motte a parcouru le monde, pour Antenne 2 puis France 2. Il a effectué des reportages au Liban, en Yougoslavie, au Zaïre. Il a filmé la chute du mur de Berlin, le siège de Sarajevo. Par la qualité et la sensibilité de ses images, ce reporter spécialiste des terrains de guerre a marqué plusieurs générations de journalistes. Au moment de tourner une page, Roger Motte est venu "au comptoir de l'info" confier ses joies, ses doutes mais aussi ses remords. La curiosité et le doute. Ce sont les deux moteurs qui poussé Roger Motte à se rendre - pour témoigner- sur tous les grands conflits de la planète au cours de ces quatre dernières décennies. "On se demande tout le temps si on sert à quelque chose" dit-il, si "nos images vont permettre d'arrêter la guerre". Et il avoue : "je ne crois pas avoir répondu par l'affirmative". Avant d'ajouter : "Mais si nous n'y allons pas, ce sera pire". "J'ai filmé en pleurant, filmé en riant, filmé en ayant peur" Pour les journaux télévisés de France 2, pour les émissions "Envoyé Spécial" et "13 h 15", le journaliste reporter d'images (JRI) ne s'est jamais considéré comme un simple observateur, qui, froidement, filmerait la souffrance des autres. Au contraire, Roger Motte a toujours vécu profondément l'évènement. Au micro de François Beaudonnet, il raconte ces moments de bascule où, parfois, il a décidé de délaisser le reportage, de poser sa caméra et d'intervenir. "Au comptoir de l'info" est le premier podcast natif (audio) de France Télévisions. Sous forme d'interview journalistique, un acteur qui fabrique l'information télévisée du service public — un grand reporter, un cameraman, un présentateur — vient se livrer, raconter, dévoiler la manière dont il travaille. Dans une ambiance sonore de comptoir de café, il confie ses doutes, ses joies, mais aussi ses peurs lorsqu'il est sur le terrain ou en studio. Depuis le mois de mai 2021, le podcast "Au comptoir de l'info" reçoit également à son micro des journalistes de Radio France (France Inter, France Info, France Culture). La série est réalisée par François Beaudonnet, rédacteur en chef Europe, éditorialiste sur franceinfo (canal 27), grand reporter à France 2 et chroniqueur dans l'émission "Nous, les Européens" sur France 3. Ancien correspondant à Rome et Bruxelles, il a débuté en radio où il présentait le journal de 13 heures sur France Inter. Nous suivre sur Twitter : @Comptoirinfo Nous envoyer un courriel : comptoirinfo@francetv.fr Cet épisode a été réalisé par Marion Gualandi

"Mi limitavo ad amare te" è un verso di una poesia del poeta bosniaco Izet Sarajlic ed è anche il titolo del nuovo romanzo di Rosella Postorino (Feltrinelli). L'autrice, famosa per "Le assaggiatrici", prende spunto da un fatto vero per creare personaggi di fantasia. Siamo a Sarajevo nel '92, la città è assediata. Qui vivono in un orfanotrofio Omar, 10 anni, con il fratello Sem, e Nada di 11 anni che ha un fratello più grande (appassionato di musica dei Pink Floyd). Non sono orfani, ma i genitori li hanno lasciati in istituto perché non possono prendersi cura di loro. Insieme ad altri bambini, vengono messi su un pullman dell'ONU diretto in Italia nell'ambito di un progetto umanitario. Sul bus incontrano Dànilo che ha quasi 14 anni e che lascia in Bosnia una madre, un padre e una sorella. Nel romanzo si racconta la vita di questi bambini, poi ragazzi, nell'arco di venti anni. Un romanzo sul trauma della guerra, ma anche in genere sul distacco, sull'abbandono, sulla lacerazione di non sentirsi più né del paese d'origine e né di quello che ospita. Un romanzo che fa riflettere sul prezzo da pagare per la salvezza fisica, e ancora sull'essere figli, madri o padri. Nel 1943 a Roccatederighi, un piccolo comune in provincia di Grosseto, fu creato un campo di internamento dove furono rinchiusi un centinaio di ebrei, alcuni dei quali furono mandati poi in Germania nei campi di sterminio. Non era certo l'unico campo di concentramento in territorio italiano, ma fu l'unico realizzato con un regolare contratto di affitto con la diocesi locale, firmato dal vescovo. Il campo fu infatti costruito nell'ex seminario. Il romanzo "Villa del seminario" di Sacha Naspini (e/o) riprende questo fatto storico per costruirci intorno una trama di fantasia. Il protagonista è un uomo, Renè, calzolaio, un uomo mite e solitario che finisce per aderire alla Resistenza, con molti timori, soprattutto per aiutare l'amica Anna.

The World And All That It Holds starts off in Sarajevo, in 1914, when shots ring out and World War I begins. It changes the course of protagonist Rafael Pinto's life, as he goes on to travel across time and conflict to find a twin flame in another Bosnian soldier named Osman. In today's episode, author Aleksandar Hemon paints a poetic backdrop for his striking new novel. He tells NPR's Scott Simon about the concept of macaronic language, a bilingual mix of ways to communicate, and how Pinto and his partner build their own unique dialect to express their love for one another.

Textile artist Kirstie Macleod shares her life in fabric & thread on Stitchery Stories embroidery podcast today! She shares her fascinating story of The Red Dress. It's an amazing project which has enabled unheard women, many in poverty, vulnerable through trauma and abuse, to share their personal stories, using the universal language of embroidery and hand stitching. Kirstie had the idea for this dress back in 2009, and we chat about how the project and the dress has evolved over those years. Connections and contrasts, empowerment & celebration, this is a story packed full of emotions.  For this episode... View Show Notes, Links & Examples of The Red Dress at https://stitcherystories.com/thereddress Visit: https://reddressembroidery.com/ Look: https://www.instagram.com/thereddress_embroidery/ Like: https://www.facebook.com/thereddressembroidery Other places & people we mentioned: Tamay in Vietnam  https://reddressembroidery.com/Ly-Ta-May-Tamay  The FanSina artisans in St Catherines, Sinai, Egypt  Traces of Sisterhood, Salon Akademii Gallery, Warsaw, Poland  https://salonakademii.asp.waw.pl  ‘SPEAKING OUT', an exhibition dedicated to and co-produced by women survivors of conflict-based sexual violence, with the War Childhood Museum in Sarajevo, Bosnia & Herzegovina.  https://warchildhood.org/speaking-out-exhibition-experiences-of-crsv-survivors-and-children-born-of-war/ Preston Park Museum, Yarm, Stockton-on-Tees  https://prestonparkmuseum.co.uk/  

This week we cover The First World War. From the shot in Sarajevo to the Russian Revolution, the Eastern Front, Galipoli and more. We talk about several aspects of the war from air to land and sea. Learn all about The First World War, infamously known as "The Great War", this week on "Well That Aged Well". With "Erlend Hedegart".Link to find Jesse Alexander and suport the Ukraine Charity can be found here:Ukraine Charity:https://youkraine.at/donate/Twitter:https://twitter.com/jesse_historyYoutube Links:Real time history:https://www.youtube.com/@realtimehistoryThe Great War Channel:https://www.youtube.com/@TheGreatWarSeriesSupport this show http://supporter.acast.com/well-that-aged-well. Hosted on Acast. See acast.com/privacy for more information.

Berlín, Moskva, Damašek, Sarajevo, Toulouse - to jsou místa, kde studovala vše, co patří k mezinárodním vztahům. Co by podle ní případné nepomáhání Ukrajině pod rouškou volání po míru mohlo s Ukrajinou a naší části Evropy udělat? Jaká pozitiva přinesla současná krize? A proč si myslí, že boj s klimatickou krizí bude efektivní, když se ho účastní v podstatě jen Evropa? Moderuje Barbora Tachecí.

Edita Mujkic fled the Bosnian War in Sarajevo with her two children, 50 American dollars in her pocket and no real plan. It took her almost two years to get her husband Goran out of the deadly siege situation, all the way from the Lake District in England

In the early 1990s, the collapse of Yugoslavia sparked a brutal series of conflicts in Eastern Europe. At first, the USA pursued a policy of non-intervention - officially. Unofficially? That's where H.K Roy comes in. Sophia Di Martino joins H.K as he keeps tabs on the warzone for the CIA. In Part 2, things heat up for H.K on the war-torn streets of Sarajevo, where trust is in short supply. From SPYSCAPE, the home of secrets. A Cup And Nuzzle production. Series producers: Gemma Newby, Joe Foley. Produced by Joe Foley. Music by Nick Ryan.

Dr. Edward A. Kaplan is Dean of the School of Strategic Landpower at the U.S. Army War College. In this role, he is responsible for facilitating the education of senior officers in the Army, other services, partner nations, and senior civilians. Dr. Kaplan is a 1994 graduate of the U.S. Air Force Academy. After being awarded his master's degree in History at the University of Calgary in 1997, Dr. Kaplan attended Intelligence training at Goodfellow Air Force Base, in Texas, where he was a distinguished graduate. He served in various intelligence roles at Beale Air Force Base, California, and deployed to directly support U-2 aircrew at overseas locations. In 1998, he became a Watch Officer and Flight Commander at the Misawa Cryptologic Operations Center, where he directed the mission of a joint Army, Navy and Air Force team. Following his time in Japan, and a NATO deployment in support of U.S. operations in Kosovo, Dr. Kaplan reported for duty as an instructor in the History Department at the U.S. Air Force Academy. During his three-year tour, Dr. Kaplan deployed to Sarajevo for six months, was promoted to Assistant Professor, taught World History and advanced courses in American Foreign Policy and the Cold War, and directed the core Military History course. Dr. Kaplan then became the Readiness Flight Commander at the 607th Air Intelligence Squadron at Osan Air Base, Korea. Dr. Kaplan then returned to the University of Calgary where he received his Doctorate in History. In 2007, Dr. Kaplan arrived at the Directorate of Intelligence on the Joint Staff, where he served as a strategic planner, an Assistant Deputy Director for Intelligence in the National Military Command Center and as the Executive Officer for the Director for Intelligence. During that assignment, Dr. Kaplan deployed to Camp Victory, Iraq where he was a speechwriter and strategist for the Commander of Multi-National Forces-Iraq, before returning to the position of Senior Editor for the daily intelligence briefing prepared for the Chairman of the Joint Chiefs of Staff and Secretary of Defense. In the summer of 2010, Dr. Kaplan returned to the Air Force Academy History Department as an Assistant Professor. He acted as the Deputy for Military History, Deputy Department Head, Acting Department Head, Director of the Dean's Commander's Action Group, and Professor and Head of the History Department, U.S. Air Force Academy, Colorado. Dr. Kaplan retired from active duty in April 2020, in the rank of Colonel. He assumed the role of Professor of Strategic Studies in the Department of National Security and Strategy, until he assumed his present position in July 2021. He is the author of two books – To Kill Nations: American Strategy in the Air-Atomic Age and the Rise of Mutually Assured Destruction, and The End of Victory: Prevailing in the Thermonuclear Age, both from Cornell University Press.

Esta semana nos adelantamos a los premios Goya y a los Oscar, entrevistados a tres de los directores nominados a los premios Goya: Pedro Díaz director de La Entrega protagonizada por Ramón Barea una historia de soledad, con más de 20 premios y seleccionado en cerca de 40 festivales en 6 meses. Carmen Córdoba González una cineasta que merece la pena seguir, con ella charlamos de Amarradas, Nominado en la categoría de Mejor cortometraje de animación, dónde, Madre e Hija están amarradas de por vida por un vínculo eterno que sana y que hiere, y que se perpetúa. También nos detenemos en Maldita. A Love Song to Sarajevo nominado al mejor cortometraje Documental, todo un canto a la vida y a la historia de amor entre dos ciudades, Sarajevo y Barcelona, dos grandes ciudades que supieron encontrarse en momentos difíciles para no volver a decirse adiós. con su director Raúl de La Fuente hablamos igual que lo hacemos con José Pozo, director de Plastic Killer, Corto español, protagonizado por José Mota, Laura Gómez-Lacueva y Elisabet Terri elegido en la lista de cortos de ficción preseleccionados para los premios Oscar, no dejamos estos galardones porque compartimos micrófono con el director de otro de los cortos que tiene presencia en los Oscar se trata de Santiago Requejo director de “Votamos”, “All in Favor”. Abrimos cartelera con Living del director Oliver Hermanus y ambientada en la década de 1950 en Londres. Living sigue durante 102 minutos a Williams, un veterano funcionario que se ha olvidado de vivir envuelto bajo el papeleo de la oficina, algo lo cambiará todo. Una joyita de cinta tan apasionante y envolvente como bien construida. Hunt: Caza al espía, es el nuevo thriller dirigido, protagonizado y escrito por Lee Jung-jae, La estrella de El juego del calamar, una cinta basada en hechos reales, ambienta en los años ochenta, justo después del asesinato del presidente Park, que llega a las salas después de su paso por diferentes festivales. De un thriller de espías a la coreana a otro, esta vez a la América. Operación Fortune: el gran engaño, es la nueva película de Guy Ritchie, el gran maestro de entretener y narrar en imágenes, 114 minutos con mucha acción, toques de espionaje y una buena dosis de humor. Si es amante de los caballos y quiere disfrutar del buen cine francés, están de suerte, llega a la cartelera Zoe y Tempestad del director Christian Duguay, una cinta basada en el fuerte vínculo entre un caballo y una joven jinete llena de sueños, que nos acerca nuestra colaboradora, Ángeles González Sinde. Todo esto además de las mejores series con Pedro Calvo, las secciones habituales y su participación. Escuchar audio

For Video Edition, Please Click and Subscribe Here: https://youtu.be/G57O3YbJLqM National Book Blitz Month is observed in January every year. How many times have you bookmarked a book on a shelf to read with good intentions to complete reading it in record time, only for it to be abandoned? It is Book Blitz Month again, and this is the time to pick them back up, rededicate yourself, and complete them as a means of celebrating. Y'all know readers are leaders! U.S. National Screenwriters Day is celebrated on January 5 in recognition of the writers who toil day and night to bring us the best stories, the ultimate zingers, and the sublime messages that steer our conscience. Dr. Judi Bloom and Richard Skipper Celebrate three men who are making a difference in the arts and are continuing to create in an ever changing world. Ronald Rand is a celebrated Goodwill Cultural Ambassador, renowned Solo Performer, teaching artist, internationally award-winning Director, and author of his newest book, SOLO TRANSFORMATION ON STAGE. Starring around the world in his second decade as Harold Clurman, the "Elder Statesman of the American Theatre" in his solo play, LET IT BE ART! - Rand has received standing ovations in twenty-five countries and twenty states, at the World Theatre Olympics in New Delhi and Kerala, and in three critically-acclaimed Off-Broadway productions. Ronald has appeared in many films and television shows including A Marriage-Georgia O'Keefe & Alfred Stieglitz with Christopher Plummer and Jane Alexander, The Royal Tenenbaums, Family Business, Quiz Show, Homeless opposite Yoko Ono, Guiding Light, Another World, and Saturday Night Live. As a Director, his production of Murray Schisgal's LUV ran for eight years at the prestigious Chamber Theatre 55 in Sarajevo starring Zana Marjanovic.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/G57O3YbJLqM National Book Blitz Month is observed in January every year. How many times have you bookmarked a book on a shelf to read with good intentions to complete reading it in record time, only for it to be abandoned? It is Book Blitz Month again, and this is the time to pick them back up, rededicate yourself, and complete them as a means of celebrating. Y'all know readers are leaders! U.S. National Screenwriters Day is celebrated on January 5 in recognition of the writers who toil day and night to bring us the best stories, the ultimate zingers, and the sublime messages that steer our conscience. Dr. Judi Bloom and Richard Skipper Celebrate three men who are making a difference in the arts and are continuing to create in an ever changing world. Ronald Rand is a celebrated Goodwill Cultural Ambassador, renowned Solo Performer, teaching artist, internationally award-winning Director, and author of his newest book, SOLO TRANSFORMATION ON STAGE. Starring around the world in his second decade as Harold Clurman, the "Elder Statesman of the American Theatre" in his solo play, LET IT BE ART! - Rand has received standing ovations in twenty-five countries and twenty states, at the World Theatre Olympics in New Delhi and Kerala, and in three critically-acclaimed Off-Broadway productions. Ronald has appeared in many films and television shows including A Marriage-Georgia O'Keefe & Alfred Stieglitz with Christopher Plummer and Jane Alexander, The Royal Tenenbaums, Family Business, Quiz Show, Homeless opposite Yoko Ono, Guiding Light, Another World, and Saturday Night Live. As a Director, his production of Murray Schisgal's LUV ran for eight years at the prestigious Chamber Theatre 55 in Sarajevo starring Zana Marjanovic.

In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros' Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies. The Influencing Machine, Aaron Moulton's exhibition and book traces the network's history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form's development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies. Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory. The book invites a conversation about the global art world, the role of activism in art, and the power of institutional critique. Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders? Aaron Moulton speaks to Pierre d'Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way. Aaron Multon trained at the RCA, London and was the editor of Flash Art International and a curator at Gagosian Gallery. He founded the Berlin exhibition space Feinkost. The Influencing Machine exhibition at CCA Ujazdowski Castle Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros' Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies. The Influencing Machine, Aaron Moulton's exhibition and book traces the network's history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form's development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies. Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory. The book invites a conversation about the global art world, the role of activism in art, and the power of institutional critique. Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders? Aaron Moulton speaks to Pierre d'Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way. Aaron Multon trained at the RCA, London and was the editor of Flash Art International and a curator at Gagosian Gallery. He founded the Berlin exhibition space Feinkost. The Influencing Machine exhibition at CCA Ujazdowski Castle Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros' Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies. The Influencing Machine, Aaron Moulton's exhibition and book traces the network's history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form's development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies. Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory. The book invites a conversation about the global art world, the role of activism in art, and the power of institutional critique. Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders? Aaron Moulton speaks to Pierre d'Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way. Aaron Multon trained at the RCA, London and was the editor of Flash Art International and a curator at Gagosian Gallery. He founded the Berlin exhibition space Feinkost. The Influencing Machine exhibition at CCA Ujazdowski Castle Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros' Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies. The Influencing Machine, Aaron Moulton's exhibition and book traces the network's history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form's development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies. Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory. The book invites a conversation about the global art world, the role of activism in art, and the power of institutional critique. Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders? Aaron Moulton speaks to Pierre d'Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way. Aaron Multon trained at the RCA, London and was the editor of Flash Art International and a curator at Gagosian Gallery. He founded the Berlin exhibition space Feinkost. The Influencing Machine exhibition at CCA Ujazdowski Castle Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros' Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies. The Influencing Machine, Aaron Moulton's exhibition and book traces the network's history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form's development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies. Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory. The book invites a conversation about the global art world, the role of activism in art, and the power of institutional critique. Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders? Aaron Moulton speaks to Pierre d'Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way. Aaron Multon trained at the RCA, London and was the editor of Flash Art International and a curator at Gagosian Gallery. He founded the Berlin exhibition space Feinkost. The Influencing Machine exhibition at CCA Ujazdowski Castle Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb among them. These centres, funded as their name suggests by Geroge Soros' Open Society Foundation, had as their mission the cataloguing of dissident pre-1989 art and the introduction of new forms of artistic practice to the art scenes of post-Eastern Block states. Within a decade, the centres wound up their operation and their histories have been forgotten but not because they made a mark on Eastern European art and societies. The Influencing Machine, Aaron Moulton's exhibition and book traces the network's history and evaluates its outsized impact on its host societies. Through the use of template annual exhibitions and synchronised open calls, the Centres pioneered forms of socially engaged practice that preceded the form's development in Western art capitals and gave artists access to unprecedented production budgets, international networking opportunities, and access to new media technologies. Moulton proposes that the Centres played an underappreciated role in orienting artists ideologically in pro-Western and pro-neoliberal directions, a that the extent of their influence has been underappreciated. In societies making the transition from socialism to free-reign capitalism, the actions of a single NGO which habitually outspent all other funders appear to have been glossed over if not outright expunged from memory. The book invites a conversation about the global art world, the role of activism in art, and the power of institutional critique. Its proposals should be a warning to anyone attempting to understand the role of capital in forming cultural consciousness today. If a single NGO could be credited with creating the cultural values of a whole region without once being called to account, what other ideologies is contemporary art producing and on whose orders? Aaron Moulton speaks to Pierre d'Alancaisez about the legacy of the Soros Centers of Contemporary Art Network, gonzo anthropology and conspiratorial theorising as methods for writing art history from neglected vantage points, and the antisemitic, bogeyman tropes which appear along the way. Aaron Multon trained at the RCA, London and was the editor of Flash Art International and a curator at Gagosian Gallery. He founded the Berlin exhibition space Feinkost. The Influencing Machine exhibition at CCA Ujazdowski Castle Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

AP correspondent Ben Thomas reports on Russia-Ukraine-Dark Winter.

Зима, декабрь... непринуждённая обстановка к праздничным неделям. Дополните обстановку чиллаут-музыкой, включив мой свежий микс. Приятного прослушивания! Слушайте только качественную музыку! Alexander Volosnikov - Loving Hearts Qeight - Without Us Azam Ali & Loga R. Torkian - Maya Openzone Bar - Where No One Can Hear You Ensoul - So Truly (Original Mix) Ólafur Arnalds - Saudade (When We Are Born) Fred again.. - Me (heavy) Jurrivh - For You Ghostly Kisses - Roses 10GRI - Decisions Tukan - Wonder of Life (Chill Out Mix) Andrew Gate - While You are Sleeping METAHESH - Unconscious Feathervane & OREONIC - Sun Showers Magisterium - Judge Me Save Me Lamp Camp - Cold Grade Skyller - Feel This

The title is pretty self-explanatory this week: Justin has written six trivia questions about famous “this and that” pairs! Among other things, we talk tennis, Broadway, and Justin's day job! 2:44: Q1 (Sports & Games): What two tennis players, often mentioned in the same breath, are the only duo to complete the career Golden Slam in doubles competition?8:07: Q2 (Everything Else): What two-man research team developed Prospect Theory and discovered the availability and representativeness heuristics?16:56: Q3 (Arts & Literature): What comic strip duo were named after a French theologian and an English political philosopher?25:10: Q4 (Movies & TV): What duo co-starred in nine films for RKO Radio Pictures, including Flying Down to Rio and Top Hat?34:28: Q5 (Times & Places): What Balkan country's capital is Sarajevo?42:06: Q6 (Music): What famous duo were the composer and lyricist, respectively, on Carousel, The King and I, and The Sound of Music?Theme music: "Thinking it Over" by Lee Rosevere, licensed under CC BY 2.0E-Mail: quizandhers@gmail.com Facebook: https://www.facebook.com/quizandhers/Twitter: https://twitter.com/quizandhersInstagram: https://www.instagram.com/quizandhers/TV Tuners Podcast: https://podcasts.apple.com/us/podcast/tv-tuners/id1418941362Snehi on Twitter: @snehi_rgfan

Welcome to Episode #63 of the Wild Yoga Tribe Podcast! My conversation with Mike A. Zulovich, a yoga teacher from Bosnia, was so illuminative as we took a deep dive into Vinyasa Krama yoga and about yin yoga as the sister to her yang brother. I hope that this conversation made you curious about so many things, but mainly and mostly curious about yourself. If you're looking to tune into a podcast episode that will hopefully spark a journey of discovering who you truly are then this is the conversation for you. Support the podcast: https://www.patreon.com/wildyogatribe Tell me more about Mike A. Zulovich Mike is a yoga teacher and yoga studio owner in Sarajevo. He teaches Ashtanga Vinyasa Yoga, Vinyasa Krama yoga, and Yin yoga. Mike A. Zulovich started his yoga journey in Boston, MA, and traveled to India three times— two times to Mysore, India to study with the Noise family, and one time to Chennai to study with Srivatsa Ramaswami, Vinyasa Krama Yoga). What to expect in the Yoga In Bosnia episode of the Wild Yoga Tribe Podcast Mike fell in love with yoga during his very first class. He took a class during a trip to Massachusetts. Yoga is impossible to learn from videos. There is an exchange of energy, immediate feedback, and alignment adjustments needed for yoga to occur. We talked about how technology is a great tool to use, but it does have its limitations— especially when it comes to yoga. Mike and I then talked about what is Vinyasa Krama yoga, and what it was like for him to go to India to studio Ashtanga Vinyasa and Vinyasa Krama yoga. Vinyasa Krama yoga is more accessible, with ten set sequences. If you do only yang, yang, yang. Then you may in deep need of yin. We all need balance in our lives. Yin yoga provides the balance of yang. As Mike says, “Yin yoga is the sister to the yang brother.” Of course, we also talked about yoga in Bosnia and what Bosnia is like as a country. Curious? Tune into the whole podcast episode! For the skimmers - What's in the yoga in Bosnia episode? Yoga is impossible to really learn from videos What is Vinyasa Krama yoga? Bringing yoga to the body, not the body to yoga Yin yoga is the sister to the yang brother Connect with Mike A. Zulovich https://www.instagram.com/yogasarajevo/ https://www.ashtangayogasarajevo.com/ https://www.instagram.com/mike_a_zu_yoga/ Want more? Head on over to my website https://wildyogatribe.com/thepodcast/ Questions? Comments? Let's get social! https://www.instagram.com/wildyogatribe/ https://www.tiktok.com/@wildyogatribe https://www.facebook.com/wildyogatribe https://twitter.com/wildyogatribe Everything you need is just one click away! Check out all the resources here: https://linktr.ee/wildyogatribe --- Send in a voice message: https://anchor.fm/wildyogatribe/message

Rock music is a huge part of Yugoslavia's legacy. Soon, there will be a place in Sarajevo bringing Yugoslav rock back to life. With Will Richard, Zenit Djozić, and Petar Janjatović. Featuring songs by Zed Mitchell, Yugo Project, Zabranjeno Pušenje, Uroš Andrijašević, and more.The Remembering Yugoslavia podcast explores the memory of a country that no longer exists. Created, produced, and hosted by Peter Korchnak. New episodes once or twice per month.Shownotes and transcript: RememberingYugoslavia.com/Podcast-ExYURockCenter/Instagram: @RememberingYugoslaviaSUPPORT THE SHOW ›Support the show

Tužni Opsajd. Ponedjeljak nas je dočekao sa katastrofalnim vijestima iz Mostara. Depresija i anksioznost jesu bolesti na koje niko nije imun, ali jesu i izlječive bolesti, i zato nije nikakva sramota pričati i svi bi to morali raditi. Teško je govoriti o fudbalu, ali iza nas je još jedna teška i naporna jesenja sezona, u kojoj smo se nagledali svega, a najmanje dobrog fudbala. Nikakva iznimka nije bilo ni posljednje kolo, koje je odigrano na rubu ili izvan regularnosti - nervozna utakmica u Mostaru potvrdila je prednost Zrinjskog na vrhu i njihovu jesenju titulu, Sarajevo je ponovo poraženo, kiksao je i Željo, u lokvi su igrali Velež i Sloga, odnosno Sloboda i Igman, a dobru formu potvrdio je Široki. I da, počelo je i Svjetsko prvenstvo. Umorni Opsajd. Hosted on Acast. See acast.com/privacy for more information.

In questo episodio del nostro podcast per imparare l'italiano con il metodo naturale vi porto con me in giro per i Balcani, in viaggio da Tirana a Sarajevo. Viaggiare per me è sempre un modo perfetto per conoscere persone e storie interessanti. Buon ascolto! ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ OFFERTE PER TE:

Edita Mujkic's story of escaping war-torn Bosnia, and her attempts to keep her family together and safe, in the middle of a war.

Edita Mujkic's story of escaping war-torn Bosnia, and her attempts to keep her family together and safe, in the middle of a war.

Edita Mujkic's story of escaping war-torn Bosnia, and her attempts to keep her family together and safe, in the middle of a war.

Semir Osmanagich was born on June 1st, 1960 in Zenica.His father prof.dr. Muris Osmanagic obtained first PhD in mining exploration in former Yugoslavia, was holder of highest scientific award “Nagrada AVNOJ-a”, member of Yugoslav Parliament, minister in Government, and author of number of books and scientific articles. His grandfather Munib Osmanagic moved from Visegrad to Sarajevo between two World Wars and became a director of “Merhamet Bank” in Sarajevo and a member of Parliament of Kingdom of Yugoslavia.Semir Osmanagich completed elementary school in Sarajevo, graduated high school (“Druga gimnazija”) in Sarajevo as a top student in his class in City of Sarajevo (“student of generation”) and completed college diplomas, Masters and PhD at the University of Sarajevo. His business career started in mid-1980s at UNIS (United Metal Industry of Sarajevo), a huge 55.000-employees corporation where he was working as a research fellow in UNIS-Institute on strategic planning. In 1989 he started his own export-import and construction business in Sarajevo (Bosnia) and Split (Croatia) as the owner of the “Meteorit, Inc.” and “Meteorit 2, Inc.”.After he moved in Houston, Texas he was working for the manufacturing company “Houston Protectors, Inc.” as a general manager. He started his own business “Met Company, Inc.” (est. 1995.), a manufacturing company with the customers in Oil&Gas, Construction and other industries. He's presently President of the Met Company, Inc. which employs over 120 employees and owner of “Met Holding Group, LLC”. He was a long-time member of the Board of Directors of non-profit “Alliance for Multicultural Activities” in Houston.

Dr. Paul Miller-Melamed tells us the story of the assassination of Archduke Franz in 1914. And he enlightens us on the crucial context of the events that led to World War I. Long-term causes, medium-term causes, and immediate causes. Fascinating! Episode 483.

Kristin Bowers, M.A., CCC-SLP is a certified and licensed Speech Language Pathologist with experience in a variety of settings with difference disorders and age groups. She holds a Certificate of Clinical Competency issued by the American Speech and Hearing Association (ASHA), is licensed by the Commonwealth of Pennsylvania, and holds a Level II Teaching Certification issued by the PA Department of Education.  Kristin earned both her B.A. in Communication Science and Disorders and her Masters degree in Speech Language Pathology from the University of Pittsburgh. She also holds a certificate in the Conceptual Foundations of Medicine. She has worked in Pittsburgh Public Schools Early Intervention program, providing speech and language therapy to the 3-5 age group. In addition to serving children with articulation, phonological, fluency and language disorders in this position, Kristin worked within the program's autism support and multiple disabilities classrooms. Currently, Kristin works for a local Intermediate Unit providing services to school-age children in the Pittsburgh area.  In addition to her work with children in the Pittsburgh area, Kristin has traveled extensively utilizing her knowledge of speech, language, and teaching. In 2010 she taught English to children in Tanzania, followed by a month in India teaching English to adult Tibetan refugees. In 2012, she worked on a team with the Bosnia Autism Project, where she traveled to Sarajevo to help provide training and skills to professionals working with children with autism, as well as their families. Kristin is committed to providing the best services for each client and is excited about being able to provide private therapy to further meet the needs of children and adults in Pittsburgh. In order to do this, she is regularly involved in trainings and continuing education. She also develops many of her own materials, customized for the goals and needs of her students and clients. Kristin's links: kiwispeech.com/slpbigkidsto get the Fall Freebie https://bit.ly/3DCx3o3 for the Articulation Logic Problems https://bit.ly/3gLqoPk for the Secret Code Boom Cards https://www.kiwispeech.com/blog/dont-schedule-iep-meetings-in-the-mornings for the blog post on productivity.   And the book was When, by Daniel Pink (also mentioned in the blog post).   Kim's YouTube resource: https://www.youtube.com/watch?v=b--Ndkp9_40   You listen to this and all episodes of the podcast at: www.3cdigitalmedianetwork.com/telepractice-today-podcast  

Benny Jenness and V! Two of my 10th Group brothers from slightly different mothers. Check out Team Room Design. V talks about growing up in Sarajevo and the civil war. Great hearing history from those that made it. God Bless America!!