Podcasts about war photographer

In this compelling episode of The Camera Shake Podcast, we dive deep Through the Lens of War with acclaimed photojournalist and war photographer, Sebastiano Tomada. Known for capturing the raw realities of conflict, Sebastiano shares his incredible experiences documenting war zones across the globe. We discuss the emotional and technical challenges of capturing conflict on camera, the stories behind his most iconic images, and how he views the responsibility of those working through the lens of war. Don't miss this powerful conversation on what it truly means to witness and document human struggle and survival in the most intense environments.#warphotography #SebastianoTomada #CameraShakePodcast******************************************************************SUPPORT THE PODCAST: www.buymeacoffee.com/camerashake******************************************************************JOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com******************************************************************Check out our sponsor: www.platypod.com******************************************************************THIS WEEK'S LINKS:INTERESTED IN THE LOFOTEN VIKING PHOTOGRAPHY WORKSHOP?https://www.idavewilliams.com/trainingSebastiano Tomada on the web:https://www.sebastianotomada.comSebastiano Tomada on Social Media:Instagram: @sebastianotomadaphotoX: https://x.com/SebastianoTPJOIN THE CAMERA SHAKE COMMUNITY for the latest news and some behind the scenes insights:  www.camerashakepodcast.com======================================CAMERA SHAKE PODCAST ON YOUTUBE:https://www.youtube.com/camerashakeFULL EPISODE 222 ‘Through the Lens of War: Capturing Conflict with SEBASTIANO TOMADA' IS ALSO AVAILABLE ON: YouTube - https://youtu.be/1KnnD2oHgKkApple Podcasts - https://apple.co/2Y2LmfmSpotify - https://spoti.fi/304sm2G FOLLOW US ONInstagram: https://www.instagram.com/camerashakepodcast/Facebook: https://www.facebook.com/camerashakepodcastTwitter: https://twitter.com/ShakeCameraKersten's website:www.kerstenluts.comKersten on Instagram:https://www.instagram.com/kerstenluts/https://www.instagram.com/threeheadsinarow/

Discussing visual images on the radio can present a splendid challenge.

When it comes to great political films, subtlety is vastly overrated. Why not go all in and express a point of view? Or better yet, throw in a bunch of competing viewpoints and see how they bounce off each other. Sounds like the recipe for conflict, insight, drama, action-packed set pieces, and maybe a few killer needle drops.  Alex Garland's Civil War (2024) teeters on the edge of greatness, and it's maddening becasue it's so close. On this episode, we argue that this films was just one screenplay draft away from delivering full-on, grimy, 1970s exploitation gold. If only the writers of How to Blow Up a Pipeline (2022) could have done a polish - or even better, let them direct. But don't get us wrong, we both enjoyed Civil War. The mere fact that it even nods to an American left (albeit off-screen) is telling; it shows that leftist ideas are creeping back into the cultural consciousness. It's just a bummer that the Portland Maoists and the New People's Army weren't part of the narrative. Other recommended viewing: Sleeping Dogs (1977) and War Photographer (2001) Follow us at: Patreon / Twitter / Instagram / Letterboxd / Facebook 

Episode 405: The War Photographer A journey into memories of growing up along Beirut's demarcation line during the Lebanese civil war, a professional pursuit of conflict photography across the region and the difficult journey of mental health awareness and personal recovery. With Patrick Baz - award-winning photojournalist and photographer, and author of Don't Take My Picture: Iraqis Don't Cry. With special thanks to Beirut Center of Photography - taped live at Aaliya's Books. The podcast is only made possible through listener and viewer donations. Please help support The Beirut Banyan by contributing via PayPal: https://www.paypal.me/walkbeirut Or donating through our Patreon page: https://www.patreon.com/thebeirutbanyan Subscribe to our YouTube channel and your preferred audio platform. Follow us on Facebook, Instagram & Twitter: @thebeirutbanyan And check out our website: www.beirutbanyan.com Timestamps: 0:00 Intro 4:35 Demarcation line 9:17 Inspiration 15:24 Carnage 19:32 Airport playground 24:19 Manual experience 31:46 Adrenaline 40:01 Palestinian photojournalism 44:12 Bosnia 53:12 Palestine Hotel 1:05:19 Libya 1:15:50 Social media 1:20:27 Motaz Azaiza 1:23:52 “Christians of Lebanon” 1:31:03 Q&A

Every Friday, as part of our ‘Ask Me Anything' series, we put your questions to people from interesting backgrounds or working in different careers. Andrea Gilligan is joined by Paulo Nunes dos Santos to learn more about what it's like to be a war photographer.

Alex Garland's new film, 'Civil War,' debuted at no. 1 at the box office earlier this month, and  follows four journalists on a road trip from New York City to D.C. in the midst of societal collapse. The beating heart of the film is Lee, a veteran photojournalist played by Kirsten Dunst, who's determined to interview the president as his administration is on the verge of collapse to rebel forces. Lynsey Addario is an award-winning photojournalist who has covered humanitarian crises abroad for over two decades, including the ongoing war in Ukraine, and  conflicts in the Middle East and Africa. For the midweek pod, Brooke Gladstone speaks with Addario about her real-life experience covering wars abroad, and how accurately the film depicts what it's like to report amidst a dangerous war.  On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

Geçen hafta Christiane Amanpour bir gönderi paylaştı. Mervan Barguti'yi konu edinmişti. “Birçok İsrailliye göre o bir terörist, birçok Filistinli içinse o onların Mandela'sı” dediği, 20 yıldır İsrail hapishanelerinde olan Mervan Barguti'nin hikayesini anlatan belgeseli takdim ediyordu. “Yarının Özgürlüğü” ismiyle yapılan belgeselin yönetmeni ve Barguti'nin oğluyla konuşuyordu. Bunu söyleyen Amanpour olunca haliyle dikkatimi çekti. Mervan Barguti'nin Filistin'de bütün tarafları toparlayacak bir lider olması ve hapisten çıkarılma planı üzerinde uzun süredir konuşuluyordu. Ama bu zamanlama dikkat çekici. Neden dikkat çekici bulduğumu Amanpour kimdir sorusu üzerinden cevaplamak isterim. Her şeyden önce CNN'nin marka isimlerinden birisi. “Marka" olduğu ve “tarafsızlığına” inanıldığı için, tüm röportaj taleplerine evet cevabını alan bir televizyoncu… Kariyerine 1986'da CNN'in New York City bürosunda başladı. İlk büyük çıkışını 1989'da atandığı Frankfurt bürosundayken demokratik devrimler hakkında yaptığı haberlerle yaptı. Irak, Afganistan, Filistin, İran, İsrail, Somali ve Ruanda dahil olmak üzere savaş bölgelerinde çalıştı. Bosna Savaşı bitip, Sırplar çekildikten sonra Kosova'ya ilk giren, yakılmış köyleri ilk görüntüleyen televizyoncu oldu. Savaş Fotoğrafçısı (War Photographer) isimli belgeselde hikayesi anlatılanlardan birisi de o! Dünya liderleri ile özel röportajları yaptı. Mugabe'den Kaddafi'ye, Chirac'dan, Blair'e… Meslek hayatı boyunca 9 Emmy Ödülü aldı. “Tanrı'nın Savaşçıları” ismiyle yaptığı belgeselin ikinci bölümünde İslam'ı sadece radikalleşme üzerinden anlatmasıyla bir hayli tepki çekti. Bu bölümde Yahudileri mazlumlar, Müslümanları ise çoğunlukla terörizm eğilimli insanlar olarak gösteriyordu. Türkiye ile de ilgiliydi. 2013'de Gezi olaylarının ardından, Mehmet Ali Alabora'yı ağırlamıştı. 2016'da Cumhurbaşkanımız ile yaptığı röportajda da Can Dündar'a odaklanmasıyla tekrar dikkatimizi çekmişti. İranlı Müslüman bir baba ve İngiliz bir annenin vaftiz edilmiş kızı ama Yahudi asıllı olduğunu söyleyenler de var. Londra'da doğdu, ilkokulu İran'da okudu. Daha sonra Londra'ya yatılı bir okula gönderildi. 1979'da İran'dan kaçan ailesiyle birlikte Londra'ya yerleşti. Üniversiteyi Amerika'da okudu ve CNN'de çalışmaya başladı. Müslüman bir babanın kızı olarak Hristiyan olması her ortamda işine yaradı. Neden gazeteciliği seçtiği sorulduğunda, “Küçükken ülkemdeki gelişmeler beni araştırmacılığa itti” diyordu. 1998'de Bill Clinton yönetiminin Dışişleri Bakanlığı sözcüsü olan James Rubin ile evlendi. Bu evlilik 20 yıl sürdü. Diplomat, siyasi danışman, yorumcu, profesör, yayıncı gibi sıfatlara sahip olan Bay Rubin, Madeleine Albright'ın baş sözcülüğünü de yaptı. En son 2022'de ABD Dışişleri Bakanlığı Küresel Angajman Merkezi'ne koordinatör olarak atandı. Alev Alatlı ile yaptığımız bir programda “Amerikan medyasının bağımsız olmadığını birçok alanda yatırımları olan büyük bir yığışımın parçası olduğunu ve CIA onaylı olduğunu söylersiniz. Amanpour ile ilgili de bir kanaatiniz olduğunu biliyorum” dediğimde yaptığı yorumu da buraya not olarak bırakmak isterim…

Day 656.Today, we bring you the news from Ukraine, discuss the results of Volodymyr Zelensky's visit to the US and we interview photojournalist Justin Yau about his experiences documenting the full-scale invasion. Contributors:David Knowles (Head of Audio Development). @DJKnowles22 on Twitter.Dom Nicholls (Associate Editor, Defence). @DomNicholls on Twitter.Tony Diver (US Editor). @Tony_Diver on Twitter.Francis Dearnley (Assistant Comment Editor). @FrancisDearnley on Twitter. Justin Yau (Photojournalist for LA Times & Reuters). @PDocumentarians on Twitter.Read Fiona Hill on What Happens If Putin Wins: https://politico.com/news/magazine/2023/12/12/fiona-hill-ukraine-putin-00131285Many of our listeners have raised concerns over the potential sale of Telegraph Media Group to the Abu Dhabi-linked Redbird IMI. We are inviting the submission of comments on the process. Email salecomments@telegraph.co.uk or dtletters@telegraph.co.uk to have your say.Subscribe to The Telegraph: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.ukSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nick Danziger is an award-winning photographer. He is also a filmmaker and travel writer. His adventures abroad began at a very young age.Nick was 13 and living in Switzerland when he told his parents that he was going to travel to Paris. Nick's parents did not take their son particularly seriously but little did they know that he had a plan in mind. He had packed some basic food provisions and the little bit of money he had access to. He also took a sketch pad, which would turn out to be the item that would earn him money on his travels.After sneaking onto and off the train, Nick did in fact arrive in Paris. But while a world of potential adventure opened up to him, so did a world of potential danger. How would a young Nick navigate this danger? And what would he learn on his travels that would influence him throughout his life?Alex Melia, and the Stories of Men team are on a mission to uncover what it means to live an independent and meaningful life. We'll be sharing this knowledge with you every week.We'd like to extend our appreciation to today's guest, Nick. His reflective and profound observations on travel and the privileges he has experienced as a white, western male are illuminating and wise. They also provide a vital part of the puzzle as we try to piece together what it means to be a man in today's world.*********************Check out the Stories Of Men website for more on this storyWe're also on Facebook, Twitter and InstagramA Fascinate Production

Today with us in the Yellow Van is Andriy Dubchak, a correspondent and photographer for Radio Free Europe and Radio Liberty as well as the founder of the interactive media platform Donbas Frontliner. He specializes in telling the stories of soldiers and civilians caught up in the conflict in eastern Ukraine. He received a 2022 Free Media Award from the Fritt Ord and ZEIT foundations for his "courageous professional reporting from battle zones." Andriy also received a Lovie award for coverage of the Maidan protests in 2014 and a Gold Medal in the LifePressPhoto competition in 2020, and more. Andriy has captured the main pivot points of the younger Ukrainian history and I am thrilled that he has found the time to join us on the Yellow van today. I had the chance to speak to him after he had just returned from Bachmut, where heavy fighting is taking place.FOLLOW DONBAS FRONTLINERWebInstagramFacebookTwitterYouTubeTelegramSUPPORT DONBAS FRONTLINERPatreonMUSICLove In The Face Of Fear, Jim KroftSupport the showYellow Van Stories is a Mind the Bump Production.

On March 7, 2022, The front page of the New York Times ran a graphic photograph that summed up the tragic cost of Russia's war on innocent Ukrainian civilians. It was a photograph of a mother, her two children, and a church volunteer crumpled to the ground. They were the victims of a Russian mortar attack on civilians as they attempted to flee over the Irpin River to Kyiv. The photo, which was was taken by the Pulitzer Prize-winning photojournalist Lynsey Addario, sent shock-waves throughout the world. Capturing that image also put Lynsey Addario in grave danger, something that she has confronted many times over during her more than two-decade career as one of the most accomplished war-photographers in the world. Addario has had boots on the ground in Ukraine since the begining of the Russian invasion. And, as we near the one year anniversary of the war, she describes the toll of the conflict on Ukrainian civilians and reflects on the personal cost of covering conflict. Ukraine is just one of the war zones that Addario has traveled in and out of, on assignment for The New York Times, National Geographic, and other publications for more than two decades. In 2015, American Photo Magazine named Addario as one of the five most influential photographers of the past 25 years, saying she changed the way we saw the world's conflicts. I spoke with Addario when she made a brief stop in Washington DC on November 3rd to receive the prestigious Courage in Journalism Award from the International Women's Media Foundation. This is my third conversation with the fearless Addario. To hear her personal story of how she became a photojournalist, how she covers major conflicts, how she survived a violent kidnapping in Libya, and why she does the work she does, do check out my previous interview with Addario on my leadership podcast, When It Mattered, Episode 35. It's an incredible story. And do listen to Addario's previous appearance on Techtopia, Episode 18, as she reflects on the 20th anniversary of the 9/11 attacks and the aftermath of the chaotic pullout of U.S. troops from Afghanistan. Check out this

Author Mary Cronk Farrell has written books about women who many have not heard of until she wrote the book. One of those is French photojournalist Catherine LeRoy, who went to cover the Vietnam War as a 21-year-old. Farrell spoke to the Northwest Passage Book Club Wednesday, April 13, 2022 at the Montvale Event Center in Spokane, Washington.

For the final episode of this series, Catherine Fairweather talks to renowned photographer, Sir Don McCullin CBE. For the past 50 years he has proved himself a photojournalist without equal, whether documenting the poverty of London's East End, or the horrors of wars in Africa, Asia or the Middle East. Simultaneously he has proved an adroit artist capable of beautifully arranged still lifes, soulful portraits and moving landscapes. He also happens to be Catherine's husband which allows her to ask questions she has never yet asked him - about his reputation as a hard-bitten war photographer, his thirst to learn about new cultures and their very first meeting.

Simon Townsley is a photographer who has spent 30 years documenting conflict through his photography. He's just back from spending all of March 2022 in Ukraine, and in this series, he tells his story. Simon's Website https://simontownsley.com/ Simon's Instagram https://www.instagram.com/simontownsley/?hl=en Simon's Twitter https://twitter.com/simontownsley

Throughout the invasion of Ukraine, Russia has been accused of directly targeting civilians like the bombing of hospitals, including the maternity hospital in Mariupol, and other places where civilians have sought shelter from air raids. Reporters Anthony Galloway and Kate Geraghty travelled to Ukraine to cover the humanitarian crisis created by the invasion. This trip was a return to Ukraine for Kate who was there to cover the referendum in 2014 and the downing of MH17. Today on Please Explain, Kate Geraghty joins Nathanael Cooper to talk about her experience this time on the front line. Subscribe to The Age & SMH: https://subscribe.smh.com.au/ See omnystudio.com/listener for privacy information.

Throughout the invasion of Ukraine, Russia has been accused of directly targeting civilians like the bombing of hospitals, including the maternity hospital in Mariupol, and other places where civilians have sought shelter from air raids. Reporters Anthony Galloway and Kate Geraghty travelled to Ukraine to cover the humanitarian crisis created by the invasion. This trip was a return to Ukraine for Kate who was there to cover the referendum in 2014 and the downing of MH17. Today on Please Explain, Kate Geraghty joins Nathanael Cooper to talk about her experience this time on the front line. Subscribe to The Age & SMH: https://subscribe.smh.com.au/ See omnystudio.com/listener for privacy information.

Pulitzer Prize-winning photojournalist Lynsey Addario was in Irpin, Ukraine, last week when four Ukrainians, including a child, were killed by a mortar attack on an evacuation route.

The world is transfixed by the tragic images emerging from Russia's brutal invasion of Ukraine. Unfortunately, many modern conflicts never really end. Whether or not that will be the case in Ukraine remains to be seen. We too quickly move on to the next issue, assuming that what's done is done. War correspondents and war photographers know better. Our guest, Janine di Giovanni has spent much of her celebrated career so far reporting from the Balkans, Africa and the Middle East. She has witnessed the worst of what mankind can do to itself, but also the best that people under extraordinary circumstances can do for others. Listen as she discusses her experiences.

In this episode, Tyler talks with Mary Cronk Farrell, an award winning journalist and author, about Catherine Leroy, one of the first female photographers during the Vietnam war. An inspiring and fascinating story of the woman who gave a human face to the Vietnam War. Close-Up on War tells the story of French-born Catherine Leroy, one of the war's few woman photographers, who documented some of the fiercest fighting in the 20-year conflict. Although she had no formal photographic training and had never traveled more than a few hundred miles from Paris before, Leroy left home at age 21 to travel to Vietnam and document the faces of war. Despite being told that women didn't belong in a “man's world,” she was cool under fire, gravitated toward the thickest battles, went along on the soldiers' slogs through the heat and mud of the jungle, crawled through rice paddies, and became the only official photojournalist to parachute into combat with American soldiers. Leroy took striking photos that gave America no choice but to look at the realities of war—showing what it did to people on both sides—from wounded soldiers to civilian casualties.Close-Up on War: The Story of Pioneering Photojournalist Catherine Leroy in Vietnamavailable on AmazonLearn more about Catherine Leroy, her photos and more at dotationcatherineleroy.orgWhat to know about Mary Cronk Farrell or visit her blog to read more about moments in history? Check out her page at marycronkfarrell.net.Stay up to date and gain early access to new podcasts and upcoming events by signing up for our newsletter at Coming Home Well NewsletterCheck out our other podcasts: Beyond The Frontline, Be Crazy WellFollow us on IG @cominghomwell_bts and @behindtheserviceFacebook at Coming Home Well or Behind The ServiceLinkedIn at Coming Home WellThank you to BetterHelp for sponsoring today's episode! Coming Home Well listeners can get 10% off by visiting betterhelp.com/cominghomewell.Support the show (https://www.paypal.com/donate?hosted_button_id=DPPU22JG5EM6Y)

The incredibly prolific Lynne Sachs returns to the show to discuss her films, particularly those found under the collective title "I Am Not A War Photographer". These titles include: States of Unbelonging, Which Way is East, Investigation of a Flame, The Las Happy Day and Your Day is My Night. We also discuss her films Film About a Father Who... as well as film as an act of civil disobedience. Many of Lynne's films can be found on her personal Vimeo page, as well as The Criterion Channel and, in the case of Film About A Father Who... on a new Blu-ray Disc.

The winter is a good time to kick back and enjoy a good movie or TV show, so for our season 8 premiere, the gang is going to talk about our favourite shows that have some feature of photography or a photographer. As a group, our tastes are rather varied and encompasses both fiction, non-fiction and even a bit of anime. The movies and shows featured in today's episode include Blow Up, War Photographer, One Hour Photo, Life, The B-Side, and Area 88!

As the situation in Afghanistan deteriorates with shocking speed, tens of thousands of Americans and Afghan citizens — who've worked closely with Americans over the past two decades, are confronting perilous conditions as they try to reach the Kabul airport and leave the country. Major news organizations are trying to extract both U.S. and fellow Afghan journalists even as these reporters put their lives on the line and continue to report from the field for as long as they can under dangerous conditions.  Meanwhile, human rights activists are increasingly concerned about the plight of women under the new Taliban regime. Joining me now to talk about the situation in Afghanistan is the Pulitzer-Prize-winning photojournalist and war photographer Lynsey Addario. She has traveled in and out of Afghanistan, shooting groundbreaking photographs including of women under the Taliban before the 9/11 terrorist attacks. And she has continued her reporting in the two decades since the US invasion of Afghanistan — a period in which millions of women were able to get educated, join the workforce, and come into their own. Addario wrote an August 16th article in the Atlantic titled, The Taliban's Return is Catastrophic for Women. She is the author of a book of war photographs, titled,  Of Love and War and the New York Times best-selling memoir It's What I Do, in which she writes about the incredible risks she has taken photographing every major conflict and humanitarian crisis of her generation, played out against the backdrop of the post-9/11 War on Terror. This is my second conversation with the fearless Addario. To hear her personal story of how she became a photojournalist, how she covers major conflicts, how she survived a violent kidnapping in Libya, and why she does the work she does, do check out my previous interview with Addario on my leadership podcast, When It Mattered, Episode 35. It's an incredible story.

Waiting for the next round of torture, or the mock executions was the hardest part. At first I thought that they would realized that they made a mistake when they kidnapped me. Held Hostage and Tortured for 81 days in Syria. He tells his amazing story and life after. Jonathan Alpeyrie is our guest. He talks about his career as a war photographer, covering conflicts for almost 2 decades. Jonthan talks about his coverage of the war in Syria, how he was betrayed, kidnapped and held hostage for 81 days. He also talks about the torture, mock executions and despair that he endured. Jonathan discusses his rescue and his life after the long period of trauma. Jonathan details his experiences in his book "The Shattered Lens: A War Photographer's True Story of Captivity and Survival in Syria". Background song Hurricane is used with permission from the band Dark Horse Flyer. Follow us on the MeWe social media platform. We are on Twitter, Instagram and Facebook. In the Clubhouse app look for and follow our club, the LET Radio Show and Podcast.  If you enjoy the show, please tell a friend or two, or three about it. If you are able to leave an honest rating and, or, review it would be appreciated. See omnystudio.com/listener for privacy information.

The mother-and-son collaboration of artists Dale and Kate Harding works across generations, artforms —and worlds. Textile artist Kate makes quilts, while Dale's work is most commonly seen in the rarefied world of contemporary art. So why did they join forces for an exhibition? Plus, the photojournalist who turned his lens from the war in Afghanistan to the climate crisis at home. And a bespoke shoemaker mixing art and fashion.

The mother-and-son collaboration of artists Dale and Kate Harding works across generations, artforms —and worlds. Textile artist Kate makes quilts, while Dale's work is most commonly seen in the rarefied world of contemporary art. So why did they join forces for an exhibition?Plus, the photojournalist who turned his lens from the war in Afghanistan to the climate crisis at home.And a bespoke shoemaker mixing art and fashion.

The mother-and-son collaboration of artists Dale and Kate Harding works across generations, artforms —and worlds. Textile artist Kate makes quilts, while Dale's work is most commonly seen in the rarefied world of contemporary art. So why did they join forces for an exhibition? Plus, the photojournalist who turned his lens from the war in Afghanistan to the climate crisis at home. And a bespoke shoemaker mixing art and fashion.

The mother-and-son collaboration of artists Dale and Kate Harding works across generations, artforms —and worlds. Textile artist Kate makes quilts, while Dale's work is most commonly seen in the rarefied world of contemporary art. So why did they join forces for an exhibition? Plus, the photojournalist who turned his lens from the war in Afghanistan to the climate crisis at home. And a bespoke shoemaker mixing art and fashion.

#JonathanAlpeyrie #PoliceOfftheCuff #Photographer Jonathan Alpeyrie war photographer taken hostage by Syrian Rebels. Born in Paris in 1979, Jonathan Alpeyrie moved to the United States in 1993. He graduated from the Lycée Français de New York in 1998 and went on to study medieval history at the University of Chicago, from which he graduated in 2003. Alpeyrie began his photography career shooting for local Chicago newspapers during his undergraduate years. He shot his first photo essay in 2001 while traveling through the South Caucasus. After graduating, he went to the Congo to work on various essays, which led to a contributor contract with Getty Images in early 2004. In 2009, Jonathan became a photographer for Polaris images and SIPA press as well. Alpeyrie's career has brought him to over 25 countries and cover 13 conflict zone assignments, in the Middle East and North Africa, the South Caucasus, Europe, North America and Central Asia. A future photography book about WWII is in the works. In 2013, whilst on assignment in Syria, Alpeyrie was kidnapped by rebel forces for 81 days. Alpeyrie was bound, blindfolded, and beaten by his captors. Over the course of his captivity, Alpeyrie kept his spirits up and strove to find the humanity in his captors. He took part in their activities, taught them how to swim, prayed with them, and tried learning their language and culture. He also discovered a dormant faith within himself, one that strengthened him throughout the ordeal. Alpeyrie's 2014 Anastasia Photo exhibition Capture featured the images he shot on three trips to Syria prior to his abduction. In 2017, Simon & Schuster published his memoir The Shattered Lens. Alpeyrie has worked as a freelancer for various publications and websites, such as the Sunday Times, Le Figaro magazine, ELLE, American Photo, Glamour, Aftenposten, Le Monde, BBC, and today he is a photographer for Polaris Images, with whom he signed in February 2010. Alpeyrie's work has been published in magazines such as Paris Match, Aftenposten, Times (Europe), Newsweek, Wine Spectator, Boston Globe, Glamour, BBC, VSD, Le Monde, Newsweek, Popular Photography, Vanity Fair, La Stampa, CNN, Bild Zeit, ELLE magazine, Der Speigel, Le Figaro, Marie Claire, The Guardian, Bild, and The Atlantic. Check out our website: https://policeoffthecuff.comWatch all our interviews: https://www.youtube.com/c/policeoffthecuff?sub_confirmation=1Support POC on Patreon: https://www.patreon.com/policeoffthecuffListen to our Podcast: https://anchor.fm/otcpod1Stay updated on Facebook: https://www.facebook.com/Policeoffthecuff-312794509230136/Follow our Instagram: https://www.instagram.com/policeoffthecuff/ This video may contain copyrighted material the use of which has not been specifically authorized by the copyright owner. This material is being made available within this transformative or derivative work for the purpose of education, commentary and criticism, and is believed to be "fair use" in accordance with Title 17 U.S.C. Section 107. --- Support this podcast: https://anchor.fm/otcpod1/support

Tyler chats with Ron Haviv, an Emmy nominated, award-winning photojournalist and co-founder of the photo agency VII about the effects of photography on both sides of the camera. Ron's decades of photography has been dedicated to documenting conflict and raising awareness about human rights issues around the globe. Having covered over 25 conflicts, Ron has been able to capture critically acclaimed photos that instill raw emotion, spark conversation and bring exposure to international war crimes.

Tyler chats with Ron Haviv, an Emmy nominated, award-winning photojournalist and co-founder of the photo agency VII about the effects of photography on both sides of the camera. Ron's decades of photography has been dedicated to documenting conflict and raising awareness about human rights issues around the globe. Having covered over 25 conflicts, Ron has been able to capture critically acclaimed photos that instill raw emotion, spark conversation and bring exposure to international war crimes. Support the show (https://www.paypal.com/donate?hosted_button_id=DPPU22JG5EM6Y)

端午节小假期80度一贼和杨哥和来自五棵松体育馆的摄影师樊迪老师一起聊聊我们的摄影话题。樊迪是80度Radio的热情听友，因为工作，因为有共同的话题这次一起聊了聊我们眼中的摄影和一些故事。我们从做摄影计划开始聊了很多，包括那次在五棵松体育场看Metallica北京演唱会，一贼和杨哥当时作为观众与作为摄影工作人员的樊迪一同回忆了那一个难忘的夜晚，这很神奇，在哪一个时间和空间我们的角度位置不同，有不同的感觉。还有很对对拍照的理解和理想都在这期节目里。本期节目是近期稍有的120分钟超长时间的节目，内容形散神不散，是陪伴各位居家旅行上班通勤，睡前静心，学习求知的好节目。推荐节目《枪声俱乐部 The Bang Bang Club (2010)》（补遗，之前节目推荐过）《战地摄影师 War Photographer (2001)》主播： 一贼/杨哥 嘉宾：高稀泥Music 片头曲：《ビューティフルドリーマー》by Flower Companyz

端午节小假期80度一贼和杨哥和来自五棵松体育馆的摄影师樊迪老师一起聊聊我们的摄影话题。樊迪是80度Radio的热情听友，因为工作，因为有共同的话题这次一起聊了聊我们眼中的摄影和一些故事。我们从做摄影计划开始聊了很多，包括那次在五棵松体育场看Metallica北京演唱会，一贼和杨哥当时作为观众与作为摄影工作人员的樊迪一同回忆了那一个难忘的夜晚，这很神奇，在哪一个时间和空间我们的角度位置不同，有不同的感觉。还有很对对拍照的理解和理想都在这期节目里。本期节目是近期稍有的120分钟超长时间的节目，内容形散神不散，是陪伴各位居家旅行上班通勤，睡前静心，学习求知的好节目。推荐节目《枪声俱乐部 The Bang Bang Club (2010)》（补遗，之前节目推荐过）《战地摄影师 War Photographer (2001)》主播： 一贼/杨哥 嘉宾：高稀泥Music 片头曲：《ビューティフルドリーマー》by Flower Companyz

 Recorded - 4/18/21On this episode of the Almost Sideways Movie Podcast, we get ready for the big day: OSCARS SUNDAY!!!  We do a quick overview of all the minor categories before we dive into the all the major races.  Make sure you fill out your Oscar Challenge ballot!  Here are the highlights:What We've Been WatchingTodd's Cager Review: Never on Tuesday (4:30)Zach's Criterion Review: An Angel at My Table (8:45)Terry's Oscar Anniversary Review: War Photographer (13:10)Oscar PreviewInternational, Animated, Documentary (17:00)Visual Effects, Song, Score (27:30)Makeup, Sound, Costumes (33:05)Production Design, Editing, Cinematography (39:25)Adapted Screenplay, Original Screenplay (46:00)Supporting Actress, Supporting Actor (1:02:50)Actress, Actor (1:16:50)Director, Picture (1:35:40)Quote of the Day (1:52:00)Participate in our annual Oscar Challenge here: https://forms.gle/WwcP95eGisgYyGSU7Subscribe on Apple Podcasts, Stitcher, Spotify, YouTube, or Pandora!If you can't subscribe, listen here.Find AlmostSideways everywhere!Websitealmostsideways.comFacebookhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Twitter: @pro_zach36Adam's Twitter: @adamsidewaysApple Podcastshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022Spotifyhttps://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4mStitcherhttps://www.stitcher.com/podcast/almost-sideways-movie-podcastYouTubehttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriberPandorahttps://pandora.app.link/hfYGimTce8

War photo-journalist Giles Clarke speaks about his latest trip to Yemen, a country ravaged by six years of conflict. He based himself in an abandoned school, that’s home to hundreds of displaced people.  The photographs he took and the stories he heard feature in a campaign to raise awareness about their plight. It’s called Inside Yemen, Portraits of Resilience, and it wasn’t easy, as he explained in this UN News interview. 

War photo-journalist Giles Clarke speaks about his latest trip to Yemen, a country ravaged by six years of conflict. He based himself in an abandoned school, that’s home to hundreds of displaced people.  The photographs he took and the stories he heard feature in a campaign to raise awareness about their plight. It’s called Inside Yemen, Portraits of Resilience, and it wasn’t easy, as he explained in this UN News interview. 

Aisha Al Mazmi, Rania Saadi, and Hanny Balkis speak to Giles Duley, a documentary photographer and writer, about his contributions in Xposure 2021 and his work that focuses on the long-term humanitarian impact of conflict and documenting challenging and horrific situations in countries that are facing political and civil unrest. Listen to #Pulse95Radio in the UAE by tuning in on your radio (95.00 FM) or online on our website: www.pulse95radio.com ************************ Follow us on Social. www.facebook.com/pulse95radio www.twitter.com/pulse95radio www.instagram.com/pulse95radio

In this episode, Anna gives a summary of the content and structure of War Photographer by Carol Ann Duffy. Perfect for your AQA GCSE Poetry Power and Conflict Revision. Ideal for preparing you for your GCSE English Literature exam. For more info visit https://senecalearning.com/en-GB/blog/gcse-english-literature-revision/

In this episode, Anna takes a look at the use of contrast in War Photographer by Carol Ann Duffy. Perfect for your AQA GCSE Poetry Power and Conflict Revision. Ideal for preparing you for your GCSE English Literature exam. For more info visit https://senecalearning.com/en-GB/blog/gcse-english-literature-revision/

In this episode, Anna gives a summary of the use of imagery as well as highlights some key comparisons and quotations for War Photographer by Carol Ann Duffy. Perfect for your AQA GCSE Poetry Power and Conflict Revision. Ideal for preparing you for your GCSE English Literature exam. For more info visit https://senecalearning.com/en-GB/blog/gcse-english-literature-revision/

What do you do when you're 21 years-old, on a break from school, and desperate to prove to yourself (and everyone else) what you're made of? Easy. You forge a press pass, borrow a friend's camera, catch a flight to Budapest, and beg/plead/lie your way onto a UN flight to Sarajevo during the height of the Bosnian War. At least that's what you do if you're Thomas Hurst, this week's guest on the Dream Job. When it comes to meaningful work, you'll be hard-pressed to find a more noble (or naively ambitious) purpose than ending all armed conflict around the world. But that's what 21 year-old Thomas Hurst committed himself to after witnessing the atrocities of war first-hand in Bosnia in 1992. His weapon of choice? A used Nikon camera. He thought if he could show people the horror and savagery that he was witnessing firsthand, that humanity would lose their appetite for war. He worked twenty years in pursuit of that mission, and - while he didn't quite achieve that end - he did skillfully capture the brutality and humanity of places most of us only know from the news: Kosovo, Haiti, Rwanda, Afghanistan, and more. Join us as we talk about Thomas's non-traditional path into photojournalism, what it's like to be looking at his dream job from the "other side," and that time he almost died in the Rwandan jungle. Thomas's WebsiteBosnian Wars (wikipedia)Rwandan Genocide (wikipedia)

The Feel Good Episode of the Year! Bangladeshi photographer Ismail Ferdous (IG: ismailferdous) went from borrowing money to pay for a camera to his first paid project being published in the New Yorker. He lays out his philosophy of seeking the work that speaks to him and working on personal projects without thinking of where it will be published. Now a freelancer in New York City, he’s been published in a slew of big name publications and regularly works for National Geographic. We also discuss his experience with catching COVID-19. Countries featured: Bangladesh, Syria, Turkey, United States Publications featured: National Geographic, New Yorker, AP, New York Times, Instagram Ismail discusses photographing the George Floyd BLM protests (4:34), his experience falling sick with COVID-19 (8:25), growing up in Bangladesh and discovering photography (16:16), his family’s eventual acceptance of his job as a photographer (26:04), his work on the deadly collapse of the Rana Plaza sweatshop (31:26), stories that never came together on HIV patients in Bangladesh and Syrian refugees (48:07), the rigorous process that is doing a story for NatGeo (54:10) and the lightning round (1:05:35).   Here are links to some of the things we talked about: Ismail’s work on climate change for New Yorker - https://bit.ly/2WY7ZSx Ismail’s documentary The Deadly Cost of Fashion in New York Times - https://nyti.ms/2CONlxd After Rana Plaza on Instagram - https://bit.ly/2WX4UCf After Rana Plaza website - https://bit.ly/39uMQ7K His NatGeo story on South Asian Americans - https://on.natgeo.com/3hALfjj NPR podcast Rough Translation - https://n.pr/2ZXvzRo John Berger’s book Ways of Seeing - https://amzn.to/2CE7xSI Satyajit Ray wiki bio - https://bit.ly/2WTFi9u The Opiod Diaries in Time magazine - https://bit.ly/2BAJ2VW The documentary War Photographer - https://bit.ly/2D1nXEl   Follow us on Twitter @foreignpod or on Facebook at facebook.com/foreignpod Music: LoveChances (makaihbeats.net) by Makaih Beats From: freemusicarchive.org CC BY NC

Prepare yourself for what is definitely one of the most amazing conversations that I've ever had. You might want to take notes during this episode, I felt like I did whilst Giles spoke these words to me. I wanted to remember every word that left his mouth...My guest this week is Giles Duley. Giles describes himself as an anti-war photographer, documenting humanity, love and connection in conflict zones all over the world. After years of working as a photographer in fashion and music, he realised he was not fulfilled in his purpose as a photographer, and set up Legacy of War (http://legacyofwar.com/), a photo project to connect people experiencing the impact of war. Very soon after, Giles stood on a landmine whilst photographing soldiers in Afghanistan, losing both legs and his left arm. Giles's own body became part of the story that he had set out to tell... the impact of war on innocent people. In this episode Giles shares  stories of the people he has met along the way, and the impact that they have had on his life. Listen out for Olive in Rwanda, Khouloud in Lebanon, Dawood in Mosul and more. Legacy of War has gone on to become a charitable foundation (https://www.legacyofwarfoundation.com/) which now not only shares people's stories, but changes the direction of them for the better.I'm so excited to hear your thoughts on this episode and I hope that this is the first of more that we record together because Giles has so many important stories and so much wisdom to share.Support the show (https://www.justgiving.com/prism-worldwidetribe)Support this show http://supporter.acast.com/asylum-speakers-podcast-with-jaz-ohara-stories-of-migration. See acast.com/privacy for privacy and opt-out information.

We're the Revision Hub and this is the second of four episodes based on the power and conflict GCSE poetry anthology. Make sure to follow us to be one of the first to hear the new episodes we release every Thursday and check out our episodes based on the GCSE Physics course too. From the 23rd of July, we'll be finishing off the set with the final topics of the course. Hope to see you next week! --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-revision-hub/message

A closer link at Carol Ann Duffy’s poem

Paul Conroy is a British freelance photographer and filmmaker who works in the British media. A former soldier with the Royal Artillery between 1980 and 1987, he has since worked extensively as a journalist in combat zones, producing footage from conflicts in the Balkans, the Middle East and Libya. In 2011 he was shortlisted for the PRX Bayeux TV report along with Marie Colvin, the war correspondent with The Sunday Times. On 22 February 2012 during the Syrian uprising, Conroy was injured while covering events from the Syrian city of Homs, a stronghold of Syrian opposition forces, after the building where he and other journalists were based was shelled by Syrian government forces. Marie Colvin and French photojournalist Remi Ochlik were killed in the attack, while Conroy was injured along with another journalist, French reporter Edith Bouvier of Le Figaro. His book (now also an award-winning documentary) Under the Wire is the epic, untold account of Conroy and Colvin’s last, tragic assignment together. @reflextv Stories from the 5x15 special recorded in aid of Hands Up for Syria Foundation at The Tabernacle 7th November 2019. 5x15 brings together five outstanding individuals to tell of their lives, passions and inspirations. There are only two rules - no scripts and only 15 minutes each. Learn more about 5x15 events: 5x15stories.com Twitter: www.twitter.com/5x15stories Facebook: www.facebook.com/5x15stories Instagram: www.instagram.com/5x15stories

In the early summer of 1945, Lee Miller sent a telegram back to London about what she had seen in the Nazi death camps. “I implore you to believe this is true,” she wrote. Her employers were Vogue magazine. How did a famous beauty like Miller end up covering the war? Her extraordinary life and the images she left, most famously posing in Hitler's bath, are explored here by Lindsey Hilsum of Channel Four News. She is joined by Miller's son, Antony Penrose. Lee Miller was American, born in 1907, but lived in Paris and Cairo and then London during the blitz. Her lovers included Man Ray, she knew Cocteau and Picasso, and was an important surrealist. But it was her work in world war two that leads Lindsey Hilsum to claim her as Marie Colvin's spiritual ancestor. The producer in Bristol is Miles Warde Photo copyright www.leemiller.co.uk

For those listening November 11, this is of timely importance, since it's Armistice Day. So with a respectful nod to photographers who paid the ultimate personal price whilst making pictures in war zones, special guest Giles Penfound, former army photographer discusses the reality of working in those places that most of us would not dare tread - and he talks about the life and work of Robert Capa. Also this week, has Mullins turned into a flash user, hear Neale's most embarrassing photo moment and what happened when Kev got stuck in a lift on a photoshoot. X-Weddings last chance to book! https://www.x-weddings.co.uk/ Mullins weddings: https://www.kevinmullinsphotography.co.uk/ Neale's weddings: https://www.nealejames.com  Giles Penfound: https://www.gilespenfound.co.uk/ 

This week on the show, Ondrej Vachek talks about funding his own trips and training to photograph in The Ukraine. A fascinating insight into a photographer's mind who pays to go to places most of us wouldn't dare. We also talk about the name of the show! What's new on the Fujifilm lens roadmap and hear Mullins fall apart, just for a moment when faced with that, shhh, B word! Ondrej's website: https://www.ondrejvachek.com  That anniversary link we talk about: http://bit.ly/2OYVdA8  Neale James: https://www.nealejames.com  Kevin Mullins: https://www.kevinmullinsphotography.co.uk  X-Weddings: https://www.x-weddings.co.uk  Simplr straps: https://simplr.us 

Interview with war photographer James Nachtwey about his work and his exhibition Memoria at Fotografiska.

Interview with war photographer James Nachtwey about his work and his exhibition Memoria at Fotografiska.

This is a 2002 interview with Peter Howe, author of "Shooting Under Fire: the World of the War Photographer."

Season One, Episode Thirteen: Carol Ann Duffy Double feat. Before You Were Mine and War Photographer by Straight Talking English

We are almost there! Keep with us, dear listener, as we near the end of our journey into power and conflict. This week, we look at the presentation of regret in both 'Remains' and 'War Photographer'.Follow us on Twitter @GRevisionpodEmail us: englishrevisionpod@gmail.comAnd, of course, download the all important handout here: https://drive.google.com/open?id=1_1iFcsSjkGUA9W7lvilq4ORn9n6ox-OU

This next two episodes of GCSE Revision Pod are going to work slightly differently. Mr Forster and Mr Gallie take the same poem, 'Kamikaze', and explore two different ways of answering the same question. Hopefully this will show how important it is to think about multiple different ways that you would connect the poems in this section of the anthology together. In this episode, Mr Gallie argues that there are enough links between 'Kamikaze' and 'War Photographer' to make a fantastic essay. Mr Forster will be presenting an alternative argument in the next pod... Whose will be better? You decide.Download the hand out here: https://drive.google.com/open?id=1TrDoQJSn4uts_YHwGVjQruJWFnpEVwxY

“Those villagers living on the front line — that's the part that got me the most. Those people have nowhere else to go.”I have been fascinated by photojournalism and specifically combat or conflict photojournalism since first seeing the work of Larry Burrows when I was in high school. His photographs of Vietnam showed a side of war that I hadn't seen before — not just the atrocities, but also the personal stories and the human cost of conflict. A few months back, Sean Tucker and I were having a conversation about conflict photography and he told me about a friend of his who had gone to Ukraine to photograph the war there after deciding that street photography wasn't giving him the photographic experience he was looking for. His name is Ondřej Vachek, and after looking at his pictures and reading his accompanying essay called The Forgotten War, I knew I wanted to talk to him about not only the experience itself, but also about some of the back story and choices that led up to it. CONNECT WITH ONDREJWebsite: https://www.ondrejvachek.com/YouTube: OndřejVachekInstagram: @ondroidv MUSICPlease Listen Carefully (Jahzzar) / CC BY-SA 4.0

The state's top flu doc takes us beyond the usual finger-wagging about handwashing to explain why there's a flu season. Then, a documentary about an acclaimed war photographer. And, a Navajo man says his community judges him because he likes to ski and climb. A Native American's view of the outdoors as the industry's biggest trade show hits town.

Each time Peter van Agtmael has been to war, he's gone without a weapon. No pistol, no knife, no rifle. The only thing he's carried into combat is a camera. And through that camera he has captured the human toll of war, both mental and physical. Since 2006 he has covered the Global War on Terror, working primarily in Iraq and Afghanistan. He has since produced three books of images from these wars that are at times just as moving as they are haunting. Without these works, we would be devoid of a very important and sobering reminder:  That war is an instrument so powerful, it should only be used when all other options have truly been exhausted. This conversation with Peter van Agtmael is an interesting and thought-provoking discussion on that perspective, and what it's like to not only document, but to feel the consequence of such violent action. www.petervanagtmael.net | "2nd Tour Hope I don't Die" | "Disco Night Sept. 11" | "Buzzing at the Sill" 

Discussion of the poem with a few links to "remains"

Brian Aris of Aris Photography began his photographic career as a photojournalist covering assignments around the world including the civil unrest and riots in Northern Ireland, the plight of Palestinian children in Jordan, the civil war in Lebanon, famine in Africa and the war in Vietnam. He then decided on a complete [...] The post TPX14: Brian Aris – War Photographer turned Photographer to the Rich, Famous and Royal appeared first on Photography Business Xposed - Photography Podcast - how to build and market your portrait and wedding photography business.

On 4 November 1965, the American war photographer, Dickey Chapelle, was killed in Vietnam by shrapnel from a booby-trapped mortar. She was the first American woman war reporter to be killed in action, and had made her name covering many of the 20th Century's greatest conflicts at a time when war reporting was almost exclusively the domain of men.(Photo: Dickey Chapelle taking photos during a US Marines operation in 1958. Credit: US Marine Corps/Associated Press)

On 4 November 1965, the American war photographer, Dickey Chapelle, was killed in Vietnam by shrapnel from a booby-trapped mortar. She was the first American woman war reporter to be killed in action, and had made her name covering many of the 20th Century's greatest conflicts at a time when war reporting was almost exclusively the domain of men. (Photo: Dickey Chapelle taking photos during a US Marines operation in 1958. Credit: US Marine Corps/Associated Press)

A simple grave in Comber marks the final resting place of George Hackney, one of the greatest photographers of the First World War.

I'VE LIVED A THOUSAND LIVES One bright September morning in 2001 Heathcliff O'Malley was preparing to spend another day among the catwalks of New York Fashion Week for the Daily Telegraph. His phone rang. It was his editor in London saying that reports were coming in about a plane strike on one of the Twin Towers. This call changed the course Heathcliff's life was to take for the next 5 years. From that moment he was engaged in a story which lead from Ground Zero to Afghanistan, Iraq and Libya. Heathcliff O'Malley has been a contract photographer at the Daily Telegraph for 19 years. He has covered everything from fashion shows to conflict. He has won numerous press awards and given talks at London's Frontline Club. In this Photographica Podcast Heathcliff talks movingly and fascinatingly about his work. He describes in details the life of a photographer covering conflicts, the highs and the deep lows. With almost two decades of time spent photographing the world's conflict zones as well as royal weddings, catwalks and sporting events he offers many wonderful insights into the life of a photojournalist. ABOUT HEATHCLIFF O'MALLEY - Heathcliff O'Malley is a photojournalist based in the United Kingdom where he lives with his family and has a long standing contract with the Daily Telegraph . He has travelled worldwide throughout the Americas, Middle East, Europe and Asia, covering Reportage, Portraiture, Fashion and Corporate assignments Prior to this Heathcliff assisted a number of photographers including the catwalk photographer Chris Moore before moving on to a London based news agency. Heathcliff's Editorial work has been published in publications as diverse as National Geographic, Nouvel Observateur, Le Monde and the Guardian to name a few . He received an Award in the Photographer of the Year category of the Picture Editor's Guild Awards in 2001 for his work covering the Genoa G8 Summit, 911 and the subsequent War in Afghanistan.  In 2007 Heathcliff gave a talk and slideshow presentation of his work at the Frontline Club in London focusing on the aftermath of 911 and the War on Terror which he has covered from it's beginning until the present day. He also appeared with a panel of war reporters during a "Talkback" session with an audience after the showing of Hollywood actor Tim Robbins  "Embedded"  play at the Riverside Studio's in 2004. In 2010 Heathcliff won a Press Photographer's Year award for a video he shot in Helmand province whilst embedded with the Coldstream Guards. info taken from Heathcliff's site heathcliffomalley.photoshelter.com                  

MacArthur “genius” award winner Corinne Dufka was a photojournalist for Reuters, covering armed conflicts in 17 nations. But inside a hotel room in Rwanda, she had an “epiphany” that compelled her to leave photojournalism at the height of her career. Dufka discusses what drives her to champion the rights of the marginalized, whether inside a psych ward in San Francisco, at a rain-soaked refugee crossing in the Democratic Republic of the Congo, or in a Bosnian battlefield, where Dufka herself was severely injured by a landmine. Dufka is now a researcher for Human Rights Watch.

Ffoton Wales' Brian Carroll speaks with Caryl Ebenezer, Director/Producer of the new Philip Jones Griffiths TV Documentary aired on S4C on 28th February 2016 to mark Philip's 80th Birthday and 50 years since the world-famous photojournalist first visited Vietnam. The conversation covers the setup and pre-production of making the documentary for Welsh TV Broadcaster S4C, filming in Vietnam, the enthusiastic involvement of Philip's family, Magnum Photos and photographers in making the programme to pay homage to one of Wales' great photographers and photojournalists.

In the very first episode of 'One Piece of Advice' AUB alumnus photographer Giles Duley tells the extraordinary tale of his career. From taking pictures of Marilyn Manson and the Kings of Leon, to quitting it all and going to Afghanistan and stepping on an IED, Giles talks us through how to carve the creative career you really want.  'One Piece of Advice' brings you the very best ideas, stories and inspiration from the creative community at Arts University Bournemouth.    www.aub.ac.uk/opoa

Here’s episode 25 of the PetaPixel Photography Podcast. You can also download the MP3 directly and subscribe via iTunes or RSS! Call 1-206-333-9308, leave a comment in this post, or use our voicemail widget for feedback/questions for the show. In This Episode If you subscribe to the PetaPixel Photography Podcast in iTunes, please take a moment to rate and review us and help us move up in the rankings so others interested in photography may find us. Pratik Naik of Solstice Retouch opens the show. Thank you Pratik. Legendary war photographer Don McCullin says digital photography can't be trusted. (#) Samsung officially drops its camera business from the UK. (#) The media misidentifies a Moroccan woman labeling her as a Paris suicide bomber. (#) Did Sigma really reject Canon's advances? (#) Holga cameras officially come to an end. RIP Holga. (#) It took 60 years, but World Press Photo finally has a code of ethics. (#) VCSO cuts the price of its film simulation software in half...and it's permanent. (#) Instagram looks to be adding one of the most-requested features...multiple user switching. (#) "The Dogist" (aka Elias Weiss Friedman) hits 1.5 million Instagram followers. (#) Connect With Us Thank you for listening to the PetaPixel Photography Podcast! Connect with me, Sharky James on Twitter, Instagram and Facebook (all @LensShark) as we build this community. Leave us an audio question through our voicemail widget or call us at 1-206-333-9308. Alternatively, you can comment below or via social media. But we’d love to play and answer your question on the show! You can also cut a show opener for us to play on the show! As an example: “Hi, this is Matt Smith with Double Heart Photography in Chicago, Illinois, and you’re listening to the PetaPixel Photography Podcast with Sharky James!”

This week Ben and I talk about how best to manage deployment from a local development environment to a live server, particularly for WordPress sites, though the ideas should work with any site or CMS. We discuss how to manage deployment with Git, synchronising WordPress databases, whether using the command line is simpler in many cases and much more besides. Ben’s read of the week is Roald Dahl’s Going Solo (slightly off topic), and mine is Sass For WordPress Developers by James Steinbach. Ben's dukebox track this week is Belfast by Orbital, from their 1991 Green Album. Mine is The Madd Wikkid’s New Orleans style cover of Daft Punk’s Around the World. Honourable mention to Jason Forrest’s War Photographer, which isn’t available on Spotify, but which does have one of my very favourite video’s. The intro and outro music is ‘Vitreous Detachment’ by Origamibiro, used with their very kind permission. - Mark Subscribe and keep in touch iTunes - http://relativepaths.uk/it Stitcher - http://relativepaths.uk/st SoundCloud - http://relativepaths.uk/sc Twitter - http://twitter.com/relativepaths Facebook - http://facebook.com/relativepaths If you like the show, please leave a review or comment wherever you like to listen to us. We'd particularly love an iTunes review :)

24 septembre 2009 | Première de la saison Automne 2009 Les Québécois et le désintérêt politique, avec Philippe Pesant-Bellemare Les élections législavies fédérales allemandes, avec Sophie Anfang Le sort des femmes afghanes (reportage), de Sophie Anfang Le World Press Photo et le documentaire War Photographer (compte-rendu), avec Joëlle Perron-Oddo Lancement de la programmation du festival musical indépendant Diapason (compte-rendu), avec Gisèle Pouhe Njall H comme hockey, avec Emna Archour Animation: Mathieu Papillon

24 septembre 2009 | Première de la saison Automne 2009 Les Québécois et le désintérêt politique, avec Philippe Pesant-Bellemare Les élections législavies fédérales allemandes, avec Sophie Anfang Le sort des femmes afghanes (reportage), de Sophie Anfang Le World Press Photo et le documentaire War Photographer (compte-rendu), avec Joëlle Perron-Oddo Lancement de la programmation du festival musical indépendant Diapason (compte-rendu), avec Gisèle Pouhe Njall H comme hockey, avec Emna Archour Animation: Mathieu Papillon

An interview with Susan Morgan Cooper, a documentary filmmaker, about her latest film, a profile of Pulitizer-Prize winning photographer Eddie Adams. "An Unlikely Weapon," profiles the life of Associated Press photographer Eddie Adams, who shot the iconic photograph of national police chief Nguyen Ngoc Loan shooting to death a captured Viet Cong prisoner, Nguyen Van Lem on a Saigon street in 1968. The photograph, capturing the shooting at the exact moment of impact, won Adams a Pulitzer Prize. The photograph was credited with turning the American public against U.S. involvement in the Vietnam War. Adams, after the war, also documented the plight of Vietnamese refugees leaving their homeland. Interviewer: Daniel C. Tsang, show host. Copyright c 2009