Podcast appearances and mentions of george eastman house

Alejandro Cartagena | Ground Rules Photographer, publisher, and curator Alejandro Cartagena joined me at the 2025 Chico Review. We talk about the many different ways in which Alejandro practices photography and how much he has embraced being and editor and curator for others. Alejandro also discusses his upcoming retrospective, Ground Rules, at SFMOMA, curated by Shana Lopes along with the accompanying book published by Aperture. The show opens in September and the book is scheduled for November. https://alejandrocartagena.com — https://www.instagram.com/alexcartagenamex/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban, and environmental issues. Cartagena's work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the Fondation Cartier pour l'art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, The J. Paul Getty Museum, The Museum of Contemporary Photography in Chicago, The MFAH in Houston, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA Collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others. Cartagena has received several awards including the international Photolucida Critical Mass Book Award, the Street Photography Award in London Photo Festival, the Lente Latino Award in Chile, the Premio IILA-FotoGrafia Award in Rome and the Salon de la Fotografia of Fototeca de Nuevo Leon in Mexico among others. He has been named an International Discoveries of the FotoFest festival, a FOAM magazine TALENT and an Emerging photographer of PDN magazine. He has also been a finalist for the Aperture Portfolio Award and has been nominated for the Santa Fe Photography Prize, the Prix Pictet Prize, the Photoespaña Descubrimientos Award and the FOAM Paul Huff Award. His work has been published internationally in magazines and newspapers such as Newsweek, Nowness, Domus, the Financial Times, The New York Times, Le Monde, Stern, PDN, The New Yorker, and Wallpaper among others.

This episode of Subtext & Discourse Art World podcast is brought to you by AIPAD and The Photography Show. AIPAD represents fine art photography galleries around the world and is proud to present the 2025 edition of its flagship event, The Photography Show. The fair will showcase photography from the earliest processes to cutting-edge contemporary work that pushes the boundaries of the medium, from April 23 – 27 at The Park Avenue Armory in New York City. Go to www.aipad.com/show for more information and to plan your visit.   The Association of International Photography Art Dealers (AIPAD) encourages public support of fine art photography through education and communication by enhancing the confidence of the public in responsible photography collecting. First organized in 1979, AIPAD and its current members span the globe with members in North and South America, Australia, Europe and Asia. AIPAD has become a unifying force in the field of photography and is dedicated to creating and maintaining high standards in the business of exhibiting, buying and selling photographs as art. - AIPAD official website https://www.aipad.com/ - Follow AIPAD on Instagram https://www.instagram.com/aipadphoto/ - Talks programme by AIPAD on YouTube https://www.youtube.com/@aipadphoto - AIPAD On Collecting Photography guide https://www.aipad.com/collecting   Sophie Wright is the Executive Director at Fotografiska New York, a position held since April 2022. Prior experience includes serving as Global Cultural Director at Magnum Photos from October 2003 to October 2020, where responsibilities encompassed developing and delivering global cultural programs, business development, and managing large-scale sales initiatives. Sophie Wright also worked as a Creative Consultant at Sophie Wright Consulting from 2002 to July 2011, focusing on strategy and communication for creative projects. Earlier roles include Deputy Editor and Gallery Manager at PLUK Magazine and Witness Gallery, and Non-Executive Director/Project Manager at MMAN Ltd. Sophie Wright holds a BA in Modern History from the University of Oxford and an MA in Art History from The Courtauld Institute of Art. - Fotografiska Global official website https://www.fotografiska.com/ - Follow Sophie Wright on Instagram https://www.instagram.com/wrightsophie/ and Fotografiska Global https://www.instagram.com/fotografiska/ - Fotografiska talks and presentations on YouTube https://www.youtube.com/@fotografiska.global   Andra Russek is a certified member of the Appraisers Association of America specializing in the field of fine art photography. She has been working in her field since 2000 when she became the assistant in the conservation department at the George Eastman House, Museum of Photography.  She continued her work at Swann Galleries, New York as a Specialist from 2002 – 2005. In 2005 she joined the Photographs Department at Sotheby's New York as a Specialist/Senior Cataloguer. In her role at both auction houses she catalogued and valued photographs for four to six sales per year. At Sotheby's she worked on important sales including Important Photographs from The Metropolitan Museum of Art, Including Works from the Gilman Paper Company Collection and Photographs from the Private Collection of Margaret W. Weston. Andra is currently the Director of Scheinbaum & Russek Ltd., a gallery specializing in 20th century and contemporary photography. - Scheinbaum & Russek Ltd. official website https://www.photographydealers.com/ - Membership page on AIPAD https://www.aipad.com/member/scheinbaum-russek-ltd - Follow Scheinbaum & Russek Ltd. on Instagram https://www.instagram.com/scheinbaumrussek/ - Straight Talk on Collecting Photography https://www.youtube.com/@scheinbaumrussekltd8037   Michael Dooney https://beacons.ai/michaeldooney This episode of Subtext & Discourse Art World Podcast was recorded on 18. March 2025 between Perth (AU) and New York (US) with Riverside.

In this episode of PhotoWork with Sasha Wolf, Sasha closes out the year with photographer Keisha Scarville. Keisha and Sasha talk about her book, lick of tongue rub of finger on soft wound (MACK), and Keisha's personal and unique use of archival imagery. Keisha and Sasha also discuss the ways in which Keisha has moved away from thinking of projects as discreet bodies of work, choosing instead, a much more holistic approach. https://keishascarville.com/home.html ||| https://www.mackbooks.us/products/lick-of-tongue-rub-of-finger-on-soft-wound-br-keisha-scarville Keisha Scarville (b. Brooklyn, NY; lives Brooklyn, NY) weaves together themes dealing with loss, latencies and the elusive body. Her work has been widely exhibited, including the Studio Museum of Harlem, Huxley-Parlour in London, ICA Philadelphia, Contact Gallery in Toronto, The Caribbean Cultural Center, Lightwork, The Brooklyn Museum of Art, and Higher Pictures. Recent group exhibitions include The Rose at the lumber room, Portland, Oregon (curated by Justine Kurland); If I Had a Hammer - Fotofest Biennial, Houston (2022); and All of Them Witches, Jeffrey Deitch, Los Angeles (2020, curated by Dan Nadel and Laurie Simmons). Her work is held in the collections of the Smithsonian Museum of American Art, Yale University Art Gallery, the George Eastman House, Denver Museum of Art, and the Detroit Institute of Arts. She has participated in residencies at Lightwork, Lower Manhattan Cultural Council, WOPHA, Baxter Street CCNY, and Skowhegan School of Painting and Sculpture. In addition, her work has appeared in publications including Vice, Small Axe, and The New York Times where her work has also received critical review. She is a recipient of the 2023 Creator Lab Photo Fund and awarded the inaugural Saltzman Prize in Photography earlier this year. She is currently a Visiting Professor in the Department of Art, Film, and Visual Studies at Harvard University and a faculty member at Parsons School of Design in New York. Her first book, lick of tongue rub of finger on soft wound, was published by MACK and shortlisted in the 2023 Aperture/Paris Photobook Awards. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Daniel Milnor is the “Creative Ambassador” for Blurb, Inc. Milnor is a former news, editorial, and commercial photographer who now works primarily on long-term projects. His work combines still photographs, motion, sound, and the written word. Milnor began printing his work in the darkroom in 1988 and has self-published hundreds of titles, from award-winning to experimental. His love of travel and teaching have combined for workshops across Latin America, Europe, Australia, and North America. He has taught at the Art Center College of Design and the Academy of Art University. His work is in the Los Angeles County Museum of Art collections, The George Eastman House, and the Santa Barbara Museum of Art. He lives in New Mexico.Sign up to the Prime Lenses newsletter for a mid week treat.More about this show:A camera is just a tool but spend enough time with photographers and you'll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I'm interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

In this the 50th episode of the Camerosity Podcast, the gang and I look back at the past two years of open source film photography nonsense.  A podcast created late one night on a whim has turned into one of the most popular of its kind. This is a screenshot from the recording of the very first Cocaine and Waffles Podcast recorded on May 12, 2021. Coming out of podcast retirement (somewhat) is original host, and former creator of the Classic Lenses Podcast, Johnny Sisson.  Dusting off his headset and microphone, Johnny updates us on what happened to his former co-hosts and reflects on what his favorite episodes were.  One of which involves Mr. Bob Rotoloni who conveniently joins us on this episode along with returning guests Rob Jamieson and podcast host himself, Andre Domingues. On a show featuring both Bob and Johnny, we are treated to a great deal more stories about Nikon and Polaroid, along with discussion about a strange product that brought both brands together.  It wouldn't be a Camerosity Podcast episode without the discussion foraying into other topics such as the Bronica S2 and adapting Bronica lenses, Hasselblads, Diptychs, and Andre's very favorable review of the half frame Kodak H35 which we touched upon in the last episode. In the spirit of an anniversary episode that reflects back on our origins, be sure to stay through the closing music for a look back into the very first moments of this show...Episode 0! As always, the topics we discuss on the Camerosity Podcast are influenced by you!  We would love to hear from more listeners, especially those who are new to shooting film or collecting cameras.  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are new to shooting and are interested in having an episode dedicated to people new to the hobby, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, and right here on mikeeckman.com.  We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. For our next episode, we are inviting back Todd Gustavson from the George Eastman House in Rochester, New York to share with us stories about Eastman Kodak, the company's history, some of the best Kodak models to look out for, more about the museum, and lots more.  If you've only ever thought of Kodak as a film company who also made cameras...well, you'd be right...but they're so much more than that.  Be sure to look out for our next show announcement.  Episode 51 will be recorded on Monday, June 12th.  We hope to see you there! This Week's Episode Johnny Reminisces About His Favorite Classic Lenses Podcast Episodes What Happened to the CLP? / Perry Ge Has Gone Radio Silent Mike's Favorite Camerosity Episodes / Instagram is Our Visual Aide / We Will Never Release the Zoom Video Paul's First Impressions of the Podcast When He First Came On / The Four Hosts Talk Every Day How Bob Rotoloni Got Started Collecting Nikon /  Bob's First Two Books and First Trip to Japan in 1987 Japanese Collectors are Reluctant of Western Collectors / Differences Between German and Japanese Companies Three Historians for Nikon, Canon, and Leica Were All Americans (Robert, Peter Dechert, and Jim Lager) Bob Had to Pay Japanese Students to Translate Old Japanese Articles to Learn More About Nikon Joe Ehrenreich Was a Typhoon / Canon Never Had a Joe Ehrenreich Nikon's 25th Anniversary Nikon F2A / Was There Ever a Nikon Historical Society Commemorative Camera? Nikon Rangefinder Serial Numbers / What is the significance of 609 and 906 Serial Numbers? How Long Have Johnny and Robert Been Going to Central Camera Johnny Has a Back Log of 4 Years Worth of Film to Develop / Johnny Still Shoots Polaroid Pack Film Johnny's Parents Both Worked at Polaroid so He Grew Up with Polaroid Johnny Tries to Shoot Half Used Packs of Polaroid Film When He Finds it / Polaroid 107 Film Polaroid Created a Lot of Waste / Dr. Edwin Land Was the Steve Jobs of His Era Polaroid Was a Lifestyle Brand, Similar to Apple Today Which Polaroid Films Last Longer Than Others? / Polaroid Snot Polaroid Backs for Nikon SLRs / Asanuma Backs Came with Nikkor-EL Enlarging Lens Inside Johnny's Dad Used to Take Photo Finish Pictures at the Indy 500 / He Also Took Photos at Fermi Lab Polaroid Revolutionized Photography in Ways Many People Today Don't Realize / It Was a Game Changer Polaroid 20x24 / Polaroid Macro 5 Close-Up Camera Rob Asks Bob About Nikon's Military Role During World War II / Yamato Battleship Rangefinder and Periscopes Japan Didn't Have RADAR, They Relied on Nippon Kogaku's Superior Optics to See at Night Nippon Kogaku Almost Disappeared After the War / Revere Was the Company's First Customer and Bought Tons of 8mm Cine Lenses  "Nikon and the Sponsorship of Japan's Optical Industry by the Imperial Japanese Navy" by Dr. Jeffrey Alexander / "Nikon in America 1947 - 1952" by Wes Loder Andre Shows Off His Nikon Zfc / Nikon is Catering to the Retro Aesthetic and There's Nothing Wrong with That! / There is a Zfc Collector's Group Adapting Bronica Nikkor Lenses / Bronica S2 / Why Did Nikon Make Lenses for Bronica? Rob's Hasselblad 500CM with 100mm f/3.5 / Andrew Shoots Kodak Ektachrome in Lomography Sprocket Rocket Theo is Shooting More 4x5 and His Super Ikonta 6x9 / Anthony's Half-Frame GAS / Olympus Pen D2 Anthony Still Loves His Fuji G617 / Mike Loves Photographing His Fingertips Using Panoramic Cameras Rob is a Huge Fan of Diptychs when Shooting Half Frame Andre Heaps Praise on the Kodak H35 Half Frame Camera / Johnny's Tips For Shooting 72 Frames in a Half Frame Camera Paul is Knee Deep in Hasselblads Lately / Mike is Shooting a Certo Dollina III and a Fujica ST801 Johnny Seeks Opinions on the Graflex XL Superwide / The Lens Mount Is Brittle Central Camera is Struggling / Traffic is Down Since the Pandemic / Central is Having Difficulty with their Landlord Johnny is Seeking Help for Making Central Camera's Sign a Historic Landmark Next Episode We Talk About Kodak with Todd Gustavson from the George Eastman House Cocaine and Waffles: Episode 0 Links If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group or Instagram page, or email us at camerosity.podcast@gmail.com. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity Twitter - https://twitter.com/CamerosityPod Nikon and the Sponsorship of Japan's Optical Industry - https://mikeeckman.com/2019/01/nikon-and-the-sponsorship-of-japans-optical-industry-by-the-imperial-japanese-navy-1917-1945/ Classic Lenses Podcast Episode 51 - http://www.classiclensespodcast.com/e/51-the-mike-bob-show/ Johnny Sisson - https://www.flickr.com/photos/sissonphotography/ and https://centralcamera.com/ Andre Domingues - https://www.instagram.com/andre.on.film and https://www.podbean.com/podcast-detail/3mf4p-5fc4e/Negative-Positives-Film-Photography-Podcast Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris and https://www.etsy.com/shop/Camerasandpictures Anthony Rue - https://www.instagram.com/kino_pravda/ and https://www.facebook.com/VoltaGNV/ Camerosity can also be heard on the following services: YouTube - https://www.youtube.com/@camerositypodcast Google - https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2NhbWVyb3NpdHkvZmVlZC54bWw Apple - https://podcasts.apple.com/us/podcast/camerosity/id1583252688 Amazon Music - https://music.amazon.com/podcasts/9d316c9e-5461-4fa5-9e04-24fd27fffc3f/camerosity Podchaser - https://www.podchaser.com/podcasts/camerosity-1985806

This week Maureen Taylor, The Photo Detective, is joined by Sabine Ocker, a photo collector and photo historian with over 500 snapshot albums in her collection. The two dive into cyanotypes as a popular format with young women attending one of the 7-sister colleges, as well as their shared love of the cyanotype process, and Sabine's collection of women's cyanotype snapshot albums. Related Episodes:Episode 196: Early Color Photos and More: The American Museum of Photography Episode 193 Stereographs with Pascal MartineLinks:Sign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About My Guest:Sabine Ocker began collecting photos 20 years ago, initially focusing on snapshot albums, especially those between the period 1890-1920.  She was drawn to women's photograph albums as they give insights into what life was like for women during that time period. Today She owns about 500 snapshot albums. She's presented her research at the George Eastman House and the Photo Historical Society of New England and has contributed articles on 19th-century photographic processes to publications, journals, and newsletters. About Maureen Taylor:Maureen Taylor, The Photo DetectiveÒhelps clients with photo-related genealogical problems. Her pioneering work in historic photo research has earned her the title “the nation's foremost historical photo detective” by The Wall Street Journal and appearances on The View, The Today Show, Pawn Stars, and others.   Learn more at Maureentaylor.comDid you enjoy this episode? Please leave a review on Apple Podcasts.I'm thrilled to be offering something new. Photo investigations. These collaborative one-on-one sessions. Look at your family photos then you and I meet to discuss your mystery images. And find out how each clue and hint might contribute to your family history. Find out more by going to maureentaylor.com and clicking on family photo investigations. Thank you for joining me for this week's episode of The Photo Detective podcast - I'm Maureen Taylor, The Photo Detective. Recently, I'm partnered with Audible to offer a free 30-day trial for my listeners. All you need to do is go to www.audibletrial.com/pd to sign up or click the link in the show notes. As this is a partnership, I do receive a small commission if you sign up. Support the show

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Andrea Modica discuss Andrea's latest book, Theatrum Equorum, published by TIS. Andrea and Sasha talk about the great women artists in her life that helped open doors for her and how not knowing if anyone would ever be interested in her work allowed Andrea to make the photographs she wanted to make. http://www.andreamodica.com https://www.tisbooks.pub/products/theatrum-equorum Andrea Modica was born in New York City and lives in Philadelphia, where she works as a photographer and teaches at Drexel University. She is a Guggenheim Fellow, a Fulbright Scholar and the recipient of a Knight Award. Her books include Treadwell (Chronicle), Minor League (Smithsonian Press), Barbara (Nazraeli), Human Being (Nazraeli), Fountain (Stinehour Editions) and most recently As We Wait (L'Artiere), now in its second edition. Her most recent monograph is a collection of portraits of Mummer Wenches, titled January 1 (L'Artiere). Upcoming is a book of photographs made at a horse clinic in Italy, titled Clinica Equina Bagnarola (Tis Books). Her photographs have been featured in many magazines, including the New York Times Magazine, the New Yorker, Newsweek and American Photo. Modica has exhibited extensively and has had solo exhibitions at the San Francisco Museum of Modern Art, the Cleveland Museum of Art and the San Diego Museum of Photographic Arts. Her photographs are part of the permanent collections of the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Brooklyn Museum, the Philadelphia Museum of Art, the Smithsonian American Art Museum, the International Museum of Photography and Film at the George Eastman House, and the Bibliotheque Nationale.

Stephen Shore's work has been widely published and exhibited for the past forty-five years. He was the first living photographer to have a one-man show at the Metropolitan Museum of Art in New York since Alfred Stieglitz, forty years earlier. He has also had one-man shows at George Eastman House, Rochester; Kunsthalle, Dusseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. In 2017, the Museum of Modern Art opened a major retrospective spanning Stephen Shore's entire career. He has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts. His series of exhibitions at Light Gallery in New York in the early 1970s sparked new interest in color photography and in the use of the view camera for documentary work.More than 25 books have been published of Stephen Shore's photographs including Uncommon Places: The Complete Works; American Surfaces; Stephen Shore, a retrospective monograph in Phaidon's Contemporary Artists series; Stephen Shore: Survey and most recently, Transparencies: Small Camera Works 1971-1979 and Stephen Shore: Elements. In 2017, the Museum of Modern Art published Stephen Shore in conjunction with their retrospective of his photographic career.Stephen also wrote The Nature of Photographs, published by Phaidon Press, which addresses how a photograph functions visually. His work is represented by 303 Gallery, New York; and Sprüth Magers, London and Berlin. Since 1982 he has been the director of the Photography Program at Bard College, NY, where he is the Susan Weber Professor in the Arts.His new book, Modern Instances: The Craft of Photography. A Memoir, was published by Mack Books in 2021. On episode 192, Stephen discusses, among other things:How the new book came aboutHow it differs from previous book, The Nature of Photographs.Artist's superstition over discussing the creative processThe importance of experimentationShowing and not explainingPhotography as a ‘generous medium'Creating the book as an ‘experience'Structure vs. compositionInclusion vs. exclusionMastering the discipline - 3 phasesDoes he believe in The Muse?Being attentive in the midst of lifeWorking with a performance coachThe influence of paintings… and Walker EvansThe nature (and importance) of ambitionGetting a solo show at The Met, aged 23Sustaining driveHis interest in drone photography… and InstagramThe day he realised the 8x10 camera was for himReferenced:The Nature of PhotographsLee FriedlanderGarry WinograndBruno BettelheimRichard AvedonJerry GoldsmithGregory CrewdsonGeorge EliotWalker EvansWebsite | Instagram | Interview with David Campany“To look at something completely ordinary, what you see day to day in your life, and pay attention to it, that's what interests me. And just from years of trying it and doing it, I feel like it provides a certain kind of food for people, that it's nourishing.”

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Raymond Meeks have a very open and frank conversation about staying true to yourself as an artist while also exploring new ways of making work. Ray talks about how he started in photography and it is a beautiful and moving origin story. http://www.raymondmeeks.com https://www.mackbooks.us/products/somersault-br-raymond-meeks?_pos=1&_sid=9a0d89916&_ss=r Raymond Meeks (Ohio) has been recognized for his books and pictures centered on memory and place, the way in which a landscape can shape an individual and, in the abstract, how a place possesses you in its absence. His books have been described as a field or vertical plane for examining interior co-existences, as life moves in circles and moments and events—often years apart—unravel and overlap, informing new meanings. Raymond Meeks lives and works in the Hudson Valley (New York). His work is represented in private and public collections including the National Gallery of Art, Washington D.C., Bibliotheque Nationale, France, and the George Eastman House, with recent solo exhibitions at Casemore Kirkeby in San Francisco and Wouter van Leeuwen in Amsterdam. Raymond Meeks is the sixth laureate of Immersion, a French-American photography commission sponsored by Fondation d'entreprise Hermès. He will be mentored by David Campany, artistic director of the ICP, and will carry out his residency in France in 2022. Raymond Meeks is a 2020 recipient of a Guggenheim Foundation Fellowship in Photography and was awarded a Pollock-Krasner Foundation Grant in 2022. Find out more at https://photowork.pinecast.co

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Ron Jude discuss his most recent book 12Hz as well as some of his previous publications, Alpine Star, Emmett and Lick Creek Line. Ron talks about his inclination to create unsentimental photographic works while keeping within the traditional practice of photography and his drive to bend and upend narrative structure. https://www.ronjude.com https://www.instagram.com/ron_jude/ Ron Jude's recent work explores the relationship between place, memory, and narrative through multiple approaches ranging from the use of appropriated images to photographs that echo traditional documentary methodologies. Jude earned a BFA in studio art from Boise State University, Boise, Idaho, in 1988, and an MFA from Louisiana State University, Baton Rouge, Louisiana, in 1992. His photographs have been widely exhibited nationally and internationally and are held in the permanent collections of the George Eastman House, Rochester, NY; the J. Paul Getty Museum, Los Angeles; the Museum of Fine Arts, Houston; and the San Francisco Museum of Modern Art, among others. Jude is the author of twelve books, including Emmett (2010); Lick Creek Line (2012); Lago (2015); Nausea (2017); and, most recently, 12Hz (2020). He has received grants or awards from Light Work; San Francisco Camerawork; /Users/mcd/Desktop/1-Pods/PhotoWork/44 Ron Jude/text.txtthe Aaron Siskind Foundation; and the Friends of Photography and was the recipient of a John Simon Guggenheim Memorial Foundation Fellowship in 2019.He is a professor of art at University of Oregon and lives in Eugene with Danielle Mericle and their son Charley. Find out more at https://photowork.pinecast.co

Haunted Getaways!Join Mike O'Brian, your Getaway Guy, for a special October podcast episode - highlighting some of the Haunted Getaways that Mike has covered in his 23 years of broadcasting.Learn about these New York State locations, and get some behind-the-scenes tales from Mike's own experiences dealing with 'Haunts'!Plus, Mike answers a question from a viewer - and he's ready to answer your questions too! Write to MiketheGetawayGuy@gmail.com - and he could answer your question on an upcoming episode!Like and Subscribe so you don't miss an episode of Tales of the Getaway Guy, with Mike O'Brian!

In episode 167 UNP founder and curator Grant Scott is in his shed reflecting on nostalgia, the photographic happening and a celebrity photo shoot in New York. Plus this week photographer Simon Roberts takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' exhibited widely and his photographs reside in major public and private collections, including the George Eastman House, Deutsche Börse Art Collection and V&A Museum. In 2010 he was commissioned as the official British Election Artist by the House of Commons Works of Art Committee to produce a record of the General Election and in 2014 he represented Britain during the UK-Russia Year of Culture. He has been commissioned to make several large-scale public artworks and recognised with numerous awards including an Honorary Fellowship to the Royal Photographic Society, the Vic Odden Award and grants from Arts Council England and the John Kobal Foundation. He is the author of several critically acclaimed monographs including Motherland in 2007, We English in 2009), Pierdom in 2013 and Merrie Albion in 2017. Roberts work has been profiled and published widely including in the New Yorker, Granta, National Geographic, ArtForum, Wallpaper, amongst others. He holds a BA Hons in Cultural Geography from The University of Sheffield, and is a regular public speaker and visiting lecturer at the Royal Academy of Fine Arts Antwerp. Outside of his own professional practice he is involved with several not for profit organisations having served as a trustee of Photoworks and currently working as an ambassador for FotoDocument and the Positive View Foundation. Roberts is a member of the European artist collective, Piece of Cake and lives in Brighton, England. www.simoncroberts.com You can now subscribe to our weekly newsletter at https://www.getrevue.co/profile/unofphoto Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). © Grant Scott 2021

Ron Jude is an American photographer and educator, born in Los Angeles in 1965 and raised in rural Idaho. He lives and works in Eugene, Oregon, where he teaches photography as a professor of art at the University of Oregon. His recent work explores the relationship between place, memory, and narrative through multiple approaches ranging from the use of appropriated images to photographs that echo traditional documentary methodologies.Ron earned a BFA in studio art from Boise State University in 1988, and an MFA from Louisiana State University, Baton Rouge in 1992. His photographs have been widely exhibited nationally and internationally and are held in the permanent collections of the George Eastman House, Rochester, NY; the J. Paul Getty Museum, Los Angeles; the Museum of Fine Arts, Houston; and the San Francisco Museum of Modern Art, among others.Ron is the author of ten books, including Emmett (2010); Lick Creek Line (2012); Lago (2015); and, most recently, 12Hz. He has received grants or awards from Light Work; San Francisco Camerawork; the Aaron Siskind Foundation; and the Friends of Photography and was the recipient of a John Simon Guggenheim Memorial Foundation Fellowship in 2019. He is represented by Gallery Luisotti in Santa Monica and Robert Morat Galerie in Berlin.Ron lives in Eugene with fellow photographer Danielle Mericle and their son Charley. On episode 153, Ron discusses, among other things:Why he switched to digital for 12HzNot wanting to romanticise the landscapeFeeling like it was a riskNot intending to make a book and then actually making a bookHis interest in incorporating soundLago and other booksHow working with images that weren’t his taught him a lot about the book making processLick Creek LineWhy he doesn’t photograph peopleNausea and the inherent flaws in the education systemWhy metaphor should be deployed with cautionReferenced:Joshua BonnettaMike KelleyRoe EthridgeDanielle Mericle Website | Instagram “To some degree it’s just practice. It’s like playing an instrument - you practice, and if you don’t practice you get rusty. And then you have to start all over again.”

Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban and environmental issues.  Cartagena’s work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the the Fondation Cartier pour l’art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, The J. Paul Getty Museum, The Museum of Contemporary Photography in Chicago, The MFAH in Houston, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others.   Websites Alejandro Cargagena Caroline Drake   Sponsor Charcoal Book Club - Sign up today   Education Resources: Momenta Photographic Workshops   Candid Frame Resources Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame by contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Oggi parliamo di Tina Modotti, una fotografa, attivista e attrice italiana. È considerata una delle più grandi fotografe del '900. Alcune sue opere sono conservate nei più importanti musei del mondo, come l'International Museum of Photography and Film at George Eastman House di New York e la Library of Congress a Washington. Le 3 parole sono: fabbrica, paesaggio e rivale.☕ Supporta Oggi Parliamo: www.patreon.com/oggiparliamo

Amy Richau is the author of her first Star Wars book, "I Love You. I Know. Lessons in Love and Friendship"! And she's back on the show to talk about the experience. Punch it! Here's Amy's bio: Amy Richau is a regular contributor to the official Star Wars website (StarWars.com) and the magazine Star Wars Insider. Her work has also appeared in Nerdist, Screenrant, and she wrote about the Denver Broncos for several outlets over the years including Mile High Report. She worked as a researcher for the docu-series about female Star Wars fandom "Looking for Leia" and she's been researching female Star Wars characters and women who worked behind the scenes on Star Wars projects for the 365 Star Wars Women Project. (365 Star Wars started out at the beginning of 2018 as 365 Star Wars Women. In this project she highlights a new female character, actress, writer, producer, or artist from Star Wars films, TV shows, books, comics, and more every day.) She has a background in film history, analysis, and preservation from academic and archive work at UC Santa Barbara, The George Eastman House, the UCLA Film & Television Archives, YCM Laboratories, and The Lucasfilm Film Archive at Skywalker Ranch. And here are the sites and socials mentioned in the show: Website: https://365starwars.com IG: https://instagram.com/365starwars Twitter: https://twitter.com/365_starwars (note the underscore) and https://twitter.com/amyrichau ***I'm listener supported! Join the community at http://Patreon.com/sw7x7 to get access to bonus episodes and other insider rewards.*** 

In episode 36 of the Fine Art Photography Podcast, all about albumen prints. Intended as a resource for students, photography collectors, or photographers interested in historical processes. I'll cover these main points: 1) What is an albumen print? 2) Appearance of albumen prints; 3) Longevity of albumen prints; and 4) I'll read an 1860 step-by-step process for creating albumen paper. Time Codes 01:21 - What is an Albumen Print 06:25 - Appearance of Albumen Prints 10:19 - Longevity of Albumen Prints 11:38 - Circa 1860 Step-by-Step Process for Making Albumen Paper See samples of albumen prints here: https://icatchshadows.com/all-about-albumen-prints/ Sources and Links Episode: Southworth & Hawes: America’s Early Masters of the Daguerreotype Portrait https://anchor.fm/keith-dotson/episodes/Southworth–Hawes-Americas-Early-Masters-of-the-Daguerreotype-Portrait-eihpsk Albumen print, Wikipedia https://en.wikipedia.org/wiki/Albumen_print The Albumen Print: Photographic Processes, George Eastman House, YouTube https://www.youtube.com/watch?v=Cq1RvahEPSk&ab_channel=GeorgeEastmanMuseum Eastman House, 60,000 Eggs a Day https://web.archive.org/web/20160304084043/http://image.eastmanhouse.org/files/GEH_1955_04_04.pdf The Oakland Museum of California https://museumca.org/exhibit/inspiration-points-masterpieces-california-landscape The Photographic News, “On the Preparation of Positive Paper,” June 29, 1860, p.101, M. Aleo https://cool.culturalheritage.org/albumen/library/c19/aleo.html Eadweard Muybridge, Untitled photograph of the Pigeon Point Lighthouse, The Oakland Museum of California http://collections.museumca.org/?q=collection-item/a72224 Or get a better look here (flickr) https://www.flickr.com/photos/14096169@N07/1517810098/ Rochester Institute of Technology, “The History, Technique and Structure of Albumen Prints,” James M. Reilly, 1980 https://cool.culturalheritage.org/albumen/library/c20/reilly1980.html Wikipedia Commons, “Valley of the Yosemite, from Rocky Ford, 1872,” Eadweard J. Muybridge https://commons.wikimedia.org/wiki/File:Eadweard_J._Muybridge_(American,_born_England_-_Valley_of_the_Yosemite,_from_Rocky_Ford_-_Google_Art_Project.jpg --- Support this podcast: https://anchor.fm/keith-dotson/support

In episode 36 of the Fine Art Photography Podcast, all about albumen prints. Intended as a resource for students, photography collectors, or photographers interested in historical processes. I'll cover these main points: 1) What is an albumen print? 2) Appearance of albumen prints; 3) Longevity of albumen prints; and 4) I'll read an 1860 step-by-step process for creating albumen paper. Time Codes 01:21 - What is an Albumen Print 06:25 - Appearance of Albumen Prints 10:19 - Longevity of Albumen Prints 11:38 - Circa 1860 Step-by-Step Process for Making Albumen Paper See samples of albumen prints here: https://icatchshadows.com/all-about-albumen-prints/ Sources and Links Episode: Southworth & Hawes: America's Early Masters of the Daguerreotype Portrait https://anchor.fm/keith-dotson/episodes/Southworth–Hawes-Americas-Early-Masters-of-the-Daguerreotype-Portrait-eihpsk Albumen print, Wikipedia https://en.wikipedia.org/wiki/Albumen_print The Albumen Print: Photographic Processes, George Eastman House, YouTube https://www.youtube.com/watch?v=Cq1RvahEPSk&ab_channel=GeorgeEastmanMuseum Eastman House, 60,000 Eggs a Day https://web.archive.org/web/20160304084043/http://image.eastmanhouse.org/files/GEH_1955_04_04.pdf The Oakland Museum of California https://museumca.org/exhibit/inspiration-points-masterpieces-california-landscape The Photographic News, “On the Preparation of Positive Paper,” June 29, 1860, p.101, M. Aleo https://cool.culturalheritage.org/albumen/library/c19/aleo.html Eadweard Muybridge, Untitled photograph of the Pigeon Point Lighthouse, The Oakland Museum of California http://collections.museumca.org/?q=collection-item/a72224 Or get a better look here (flickr) https://www.flickr.com/photos/14096169@N07/1517810098/ Rochester Institute of Technology, “The History, Technique and Structure of Albumen Prints,” James M. Reilly, 1980 https://cool.culturalheritage.org/albumen/library/c20/reilly1980.html Wikipedia Commons, “Valley of the Yosemite, from Rocky Ford, 1872,” Eadweard J. Muybridge https://commons.wikimedia.org/wiki/File:Eadweard_J._Muybridge_(American,_born_England_-_Valley_of_the_Yosemite,_from_Rocky_Ford_-_Google_Art_Project.jpg --- Support this podcast: https://anchor.fm/keith-dotson/support

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Alejandro Cartagena, talk about finding motivation from within and not counting on the art world at large to propel or inspire your creative output. Alejandro talks about how his early work as an archivist has come back around to be a key part of his current practice and how he juggles multiple bodies of work at once. Alejandro's incredible passion for his craft, his good humor and high spirits keep this conversation moving at warp speed. https://alejandrocartagena.com Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban and environmental issues. Cartagena’s work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the the Fondation Cartier pour l’art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, the Museum of Contemporary Photography in Chicago, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others. Alejandro is a self publisher and co-editor and has created several award wining titles including Santa Barbara Shame on US, Skinnerboox, 2017, A Guide to Infrastructure and Corruption, The velvet Cell, 2017, Rivers of Power, Newwer, 2016, Santa Barbara return Jobs to US, Skinnerboox, 2016, Headshots, Self-published, 2015, Before the War, Self-published, 2015, Carpoolers, Self-published with support of FONCA Grant, 2014, Suburbia Mexicana, Daylight/ Photolucida 2010. Some of his books are in the Yale University Library, the Tate Britain, and the 10×10 Photobooks/MFH Houston book collections among others. Cartagena has received several awards including the international Photolucida Critical Mass Book Award, the Street Photography Award in London Photo Festival, the Lente Latino Award in Chile, the Premio IILA-FotoGrafia Award in Rome and the Salon de la Fotografia of Fototeca de Nuevo Leon in Mexico among others. He has been named an International Discoveries of the FotoFest festival, a FOAM magazine TALENT and an Emerging photographer of PDN magazine. He has also been a finalist for the Aperture Portfolio Award and has been nominated for the Santa Fe Photography Prize, the Prix Pictet Prize, the Photoespaña Descubrimientos Award and the FOAM Paul Huff Award. His work has been published internationally in magazines and newspapers such as Newsweek, Nowness, Domus, the Financial Times, The New York Times, Le Monde, Stern, PDN, The New Yorker, and Wallpaper among others.

In this episode of the Fine Art Photography podcast: the story of Boston-based Southworth & Hawes, the first American masters of daguerreotype portraiture. We will talk about the partnership between Albert Southworth and Josiah Johnson Hawes in the earliest days of photography that created some of the most beautiful portraits ever. We'll also take a dive into the daguerreotype process. Sources for this episode: Center for Artifact Studies, Photograph Identification Guide, “Tintypes, Daguerreotypes and Ambrotypes,” David Rudd Cycleback http://www.cycleback.com/photoguide/dags.html Encyclopaedia Britannica, “Southworth & Hawes” https://www.britannica.com/topic/Southworth-and-Hawes George Eastman House photos of Southworth and Hawes https://www.flickr.com/photos/george_eastman_house/sets/72157606223836462/ George Eastman House, “Guide to the Southworth & Hawes Records” (PDF) https://drive.google.com/file/d/1Qt2Cal2WvraU9ziuAjI0A1hc-6AUUR9b/view Historic Camera, “Francois Gouraud” http://historiccamera.com/cgi-bin/librarium2/pm.cgi?action=app_display&app=datasheet&app_id=1510 International Center of Photography, “Southworth & Hawes: Permanence” Accessed via Web Archive https://web.archive.org/web/20090914011610/http://museum.icp.org/museum/exhibitions/southworth_hawes/pages/permanence.html International Center of Photography, “Young America: The Daguerreotypes of Southworth & Hawes,” Accessed via Web Archive https://web.archive.org/web/20090914013122/http://museum.icp.org/museum/exhibitions/southworth_hawes/pages/young_america.html National Gallery of Art, Southworth and Hawes, “The Letter, ca. 1850” https://www.nga.gov/collection/art-object-page.110216.html Skinner, “How to Identify a Daguerreotype: 5 Considerations When Looking at Early Photography” https://www.skinnerinc.com/news/blog/how-to-identify-a-daguerreotype-early-photography/ Wikipedia, “Daguerreotype” https://en.wikipedia.org/wiki/Daguerreotype Wikipedia, “François Fauvel Gouraud” https://en.wikipedia.org/wiki/Fran%C3%A7ois_Fauvel_Gouraud Wikipedia, “Photography in the United States” https://en.wikipedia.org/wiki/Photography_in_the_United_States Wikipedia, “Samuel Morse” https://en.wikipedia.org/wiki/Samuel_Morse Wikipedia, “Scollay Square” https://en.wikipedia.org/wiki/Scollay_Square Wikipedia, “Tremont Row” https://en.wikipedia.org/wiki/Tremont_Row --- Support this podcast: https://anchor.fm/keith-dotson/support

In this episode of the Fine Art Photography podcast: the story of Boston-based Southworth & Hawes, the first American masters of daguerreotype portraiture. We will talk about the partnership between Albert Southworth and Josiah Johnson Hawes in the earliest days of photography that created some of the most beautiful portraits ever. We'll also take a dive into the daguerreotype process. Sources for this episode: Center for Artifact Studies, Photograph Identification Guide, “Tintypes, Daguerreotypes and Ambrotypes,” David Rudd Cycleback http://www.cycleback.com/photoguide/dags.html Encyclopaedia Britannica, “Southworth & Hawes” https://www.britannica.com/topic/Southworth-and-Hawes George Eastman House photos of Southworth and Hawes https://www.flickr.com/photos/george_eastman_house/sets/72157606223836462/ George Eastman House, “Guide to the Southworth & Hawes Records” (PDF) https://drive.google.com/file/d/1Qt2Cal2WvraU9ziuAjI0A1hc-6AUUR9b/view Historic Camera, “Francois Gouraud” http://historiccamera.com/cgi-bin/librarium2/pm.cgi?action=app_display&app=datasheet&app_id=1510 International Center of Photography, “Southworth & Hawes: Permanence” Accessed via Web Archive https://web.archive.org/web/20090914011610/http://museum.icp.org/museum/exhibitions/southworth_hawes/pages/permanence.html International Center of Photography, “Young America: The Daguerreotypes of Southworth & Hawes,” Accessed via Web Archive https://web.archive.org/web/20090914013122/http://museum.icp.org/museum/exhibitions/southworth_hawes/pages/young_america.html National Gallery of Art, Southworth and Hawes, “The Letter, ca. 1850” https://www.nga.gov/collection/art-object-page.110216.html Skinner, “How to Identify a Daguerreotype: 5 Considerations When Looking at Early Photography” https://www.skinnerinc.com/news/blog/how-to-identify-a-daguerreotype-early-photography/ Wikipedia, “Daguerreotype” https://en.wikipedia.org/wiki/Daguerreotype Wikipedia, “François Fauvel Gouraud” https://en.wikipedia.org/wiki/Fran%C3%A7ois_Fauvel_Gouraud Wikipedia, “Photography in the United States” https://en.wikipedia.org/wiki/Photography_in_the_United_States Wikipedia, “Samuel Morse” https://en.wikipedia.org/wiki/Samuel_Morse Wikipedia, “Scollay Square” https://en.wikipedia.org/wiki/Scollay_Square Wikipedia, “Tremont Row” https://en.wikipedia.org/wiki/Tremont_Row --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/keith-dotson/support

November 3 – December 17, 2014Kathleen O. Ellis GalleryGallery Talk: Thursday, November 13, 5pmReception: Thursday, November 13, 5-7pmLight Work is pleased to announce Where Objects Fall Away, an exhibition spanning the career of photographer and book artist Raymond Meeks, exploring his relationship to the photobook and its form.lg.ht/WhereObjectsFallAway—In the words of artist and publisher Raymond Meeks, “I continue to be inspired by collaboration with writers of poetry and short fiction and the merging of visual and word narratives. Recently, I’ve focused my efforts towards making artist books and a collaborative journal, orchard, which presents a visual conversation with fellow artists.” Meeks has collaborated with artists Deborah Luster, Wes Mills, and Mark Steinmetz. His books and pictures are housed in numerous public and private collections, including the Bibliotheque Nationale, Paris, George Eastman House, Corcoran Gallery of Art, and the Howard Stein Collection.raymondmeeks.comorchardjournal.com—Special thanks to Marcia Dupratmarciaduprat.comSpecial thanks to Daylight Blue Mediadaylightblue.comLight Worklightwork.orgMusic: "Vela Vela" by Blue Dot Sessionssessions.blue See acast.com/privacy for privacy and opt-out information.

Keith Carter is an internationally respected author, educator, and workshop leader. He has published 13 books of his expressive images. Thirteen monographs of his work have been published, as well as two documentary films: Keith Carter: The Artist Series, Ted Forbes and A Certain Alchemy, Anthropy Arts. A fifty-year retrospective book was released fall of 2019 from University of Texas Press. In addition, he has been described as a "Poet of the Ordinary" by the Los Angeles Times (1994) and received the Texas Medal of Arts in 2009. His work has been featured on the nationally televised program CBS Sunday Morning and he is the recipient of the Lange-Taylor Prize from the Center for Documentary Studies at Duke University. Mr. Carter’s work is included in numerous private and public collections including the Art Institute of Chicago, the National Portrait Gallery, the Smithsonian American Art Museum, the San Francisco Museum of Modern Art, the J. Paul Getty Museum, the Museum of Fine Arts, Houston, the George Eastman House, and the Wittliff Collections at Texas State University.    Photographer Links:    Support Reg Campbell   Education Resources:   Candid Frame Resources   Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download   Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

in which we discuss almost dying, James Ivory, Pedro Almodovar, and this very podcast.

in which we discuss introversion, listening as the key to a happy marriage, the satisfaction of imparting knowledge to the next generation of film archivists, and why “Do what makes you happy” may not always be the best advice.

In episode 62 UNP founder and curator Grant Scott is in his shed considering photography workshops and the promises they make, memory and photography from a personal perspective and and portrait photography made but not promoted.  Plus this week photographer Sunil Gupta takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' You can find out more about Niall McDiarmid's book Southwestern mentioned in this episode here www.niallmcdiarmid.com/books.php You can find out more about The Eye: How the World's Most Influential Creative Directors Develop Their Vision by Nathan Williams mentioned in this episode here www.workman.com/products/the-eye Sunil Gupta was born in 1953, in New Delhi and now lives in London as a Canadian citizen. During the late 1960s, his family moved to Montreal, where he received his BA in Communications in 1977, at Concordia University. His thirst for an artistic education led him to New York and then England. After receiving his diploma in Photography at West Surrey College of Art & Design, in Farnham, Gupta decided to continue his academic education at The Royal College of Art in 1981. He then enrolled at the University of Surrey, where he gained an Honorary MA. In 1989, Sunil co-founded Autograph – the Association of Black Photographers, and a few years later participated in the birth of the Organisation for Visual Arts (OVA), aimed to promote a better understanding of culturally diverse visual arts practices. In 1995, he was diagnosed as HIV positive and decided not to let it rule, and eventually ruin, his life and decided to fight back. As an artist, he has always gravitated towards self-referential art exploration and expression, retaining his belief in the universal nature of the human condition. Coming from an Eastern culture and living in the West, Gupta felt it was only right to connect these two sides of the world in his work, bringing them closer to one another. His work has been extensively exhibited both nationally and internationally at the Pompidou Centre, Paris, ICA, London, The Serpentine Gallery, London, The Photographers Gallery, London and the Tate, Liverpool amongst many other museums and galleries. His work is also held in collections at the Museum of Modern Art, New York, Tate, London, Philadelphia Museum of Art, Tokyo Metropolitan Museum of Photography , National Gallery of Canada, Ottawa and George Eastman House, Rochester, New York. He has won multiple awards and his most recent books include Christopher Street 1976, Delhi: Communities of Belonging, Queer: Sunil Gupta, Wish You Were Here, and Pictures From Here. www.sunilgupta.net Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in 2019. He is currently work on his next documentary film project Woke Up This Morning: The Rock n' Roll Thunder of Ray Lowry. His documentary film, Do Not Bend: The Photographic Life of Bill Jay can now be seen at www.youtube.com/watch?v=wd47549knOU&t=3915s. © Grant Scott 2019

In episode 31 UNP founder and curator Grant Scott is in his shed considering the recent discussions around stock photography and 'free' photography in respect to the recent Squarespace and Unsplash collaboration. He also follows on from last week's podcast with an update on using charcoal to teach photography! Plus this week Grant re-visits a recorded conversation with legendary photographer Mary Ellen Mark from 2012 on the publication of her book Prom. In this short edited clip Ellen Mark comments on the importance of simplicity in portrait of photography and for the image to be about the subject and not the photographer. If you would like to learn more about Unsplash and their business model I suggest watching this excellent filmed interview with Mikael Cho, the company's Co-Founder and CEO. www.youtube.com/watch?v=HZevNRITnWU Mary Ellen Mark was an American photographer known for her photojournalism, documentary photography, portraiture, and advertising photography. She photographed people who were "away from mainstream society and toward its more interesting, often troubled fringes". Mark had 18 collections of her work published, most notably Streetwise and Ward 81. Her work was exhibited at galleries and museums worldwide and published in Life, Rolling Stone, The New Yorker, New York Times, and Vanity Fair magazine. She was a member of Magnum Photos between 1977 and 1981 and received numerous accolades, including three Robert F. Kennedy Journalism Awards, three fellowships from the National Endowment for the Arts, the 2014 Lifetime Achievement in Photography Award from the George Eastman House and the Outstanding Contribution Photography Award from the World Photography Organisation. She died in 2015. You can also access and subscribe to these podcasts at SoundCloud https://soundcloud.com/unofphoto on iTunes https://itunes.apple.com/gb/podcast/a-photographic-life/id1380344701 on Player FM https://player.fm/series/a-photographic-life and Podbean www.podbean.com/podcast-detail/i6uqx-6d9ad/A-Photographic-Life-Podcast Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer in Professional Photography at the University of Gloucestershire, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book #New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in January 2019. His documentary film, Do Not Bend: The Photographic Life of Bill Jay will be screened across the UK and the US in 2018. © Grant Scott 2018

Harvey Stein is a professional photographer, teacher, lecturer, author and curator based in New York City. He currently teaches at the International Center of Photography and has taught in several undergraduate and graduate photography programs in the past. Stein is a frequent lecturer on photography both in the United States and abroad. He is the Director of Photography at Umbrella Arts Gallery, located in the East Village of Manhattan and has curated 55 exhibits since 2007. His photographs have been widely exhibited in the United States and Europe-83 one-person and over 165 group shows to date. His images are in more than 57 permanent collections including the George Eastman House, the Art Institute of Chicago, the Museum of Fine Arts, Houston and the Bibliotheque Nationale. He has had seven books of his photographs published, including Coney Island 40 Years and his latest book, Mexico: Between Life and Death.     Resources: Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

Jeff Mermelstein was born in 1957 in New Brunswick, New Jersey, and studied at Rutgers College and the International Center of Photography. His career combines personal photographs with assignments for publications such as LIFE, The New Yorker, and The New York Times Magazine. In the tradition of other photographers such as Helen Levitt, he has photographed street life in New York City extensively as well as September 11th and its aftermath. His works are held by institutions including the Art Institute of Chicago; the International Museum of Photography at George Eastman House; and the New York Public Library. He has received the Aaron Siskind Foundation Individual Photographer’s Fellowship and the European Publishers Award for Photography. Mermelstein has taught at the International Center of Photography since 1988. Resources: Workshops and Apps Download the free Candid Frame app for your favorite smart device. Click here to download for . Click here to download Support the work we do at The Candid Frame with contributing to our Patreon effort.  You can do this by visiting or visiting the website and clicking on the Patreon button. You can also provide a one-time donation via . You can follow Ibarionex on and .

For this episode, Graham and Nick talk about focus and focusing mechanisms in cameras. Nick asks whether focusing is necessary and Graham talks about one of his favorite Flickr people, ChetBak59 (https://www.flickr.com/photos/129558209@N02) and his use of out-of-focus areas of images to great effect (9:15). Nick challenges Graham to take a photograph where the out-of-focus areas is the point of interest and the in-focus areas are secondary (14:58). At 16:00 the boys finally get to the definition of focus and how the lens creates this focus on a film plane or sensor. They then talk about the different methods to adjust focus in a camera-lens system (26:41). They also talk about how focus is verified so we get the result that is expected (38:25). With all that silliness about focusing complete, talk turns to a camera Graham built over the previous week, the Sixty7 Woody (1:10:30) Nick’s books this week are: CAMERAS From Daguerreotypes to Instant Pictures by Brian Coe (https://www.amazon.com/CAMERAS-Daguerreotypes-Instant-Pictures-Brian/dp/0517533812) 500 Cameras: 170 Years of Photographic Innovation by George Eastman House, Todd Gustavson (https://www.amazon.com/500-Cameras-Years-Photographic-Innovation/dp/1402780869/ref=sr_1_1?s=books&ie=UTF8&qid=1532023200&sr=1-1&keywords=500+cameras) Collecting and Using Classic Cameras By Ivor Matanle (https://www.amazon.com/Collecting-Using-Classic-Cameras-Matanle/dp/0500276560/ref=sr_1_1?s=books&ie=UTF8&qid=1532023493&sr=1-1&keywords=collecting+and+using+classic+cameras) Graham’s shout-outs go to Chetbak59 on Flickr (see link above) and moonchild1111 also on Flickr (https://www.flickr.com/photos/moonchild1111/)

Tom chats with Ron Haviv — an Emmy nominated, award-winning photojournalist and co-founder of the VII Photo Agency, dedicated to documenting conflict and raising awareness about human rights issues around the globe. Topics include what Haviv has learned while covering more than twenty-five conflicts in over one hundred countries and his experience publishing three critically acclaimed collections of photography. Haviv has produced an unflinching record of the injustices of war and his photography has had singular impact. His work in the Balkans, which spanned over a decade of conflict, was used as evidence to indict and convict war criminals at the international tribunal in The Hague. President George H.W. Bush cited Haviv’s chilling photographs documenting paramilitary violence in Panama as one of the reasons for the 1989 American intervention.Haviv’s work has been featured in numerous museums and galleries, including the Louvre, the United Nations, and the Council on Foreign Relations. Haviv's photographs are in the collections at The Houston Museum of Fine Arts and George Eastman House amongst others as well as numerous private collections. RonHaviv.comSupport the show (https://www.asmp.org/asmp-foundation-donations/)

Debora Hunter is a Dallas-based photographer who taught art and photography at SMU for 40 years. A native of architecturally-rich Oak Park, Illinois, her work reflects an acute awareness of architectural space and the ability to capture the unique characteristics of a specific place. Deborah obtained an undergraduate degree from Northwestern before obtaining her MFA at the Rhode Island School of Design, where she studied under photography giants Harry Callahan and Aaron Siskind. She has been part of group exhibitions at a variety of institutions, including the Amon Carter Museum of American Art, Light Factory, Dallas Museum of Art, Museum of Fine Art Houston and MOMA, as well as solo exhibitions at the Art Institute of Chicago and the George Eastman House.I recently sat down with Deborah at her home studio in Dallas where we discussed her childhood riding the “L” to the Art Institute, the emergence of photography as an area of arts study, her love of Taos, planting roots in Dallas and what it’s like to be a classically-trained photographer in the age of Instagram.

Debora Hunter is a Dallas-based photographer who taught art and photography at SMU for 40 years. A native of architecturally-rich Oak Park, Illinois, her work reflects an acute awareness of architectural space and the ability to capture the unique characteristics of a specific place. Deborah obtained an undergraduate degree from Northwestern before obtaining her MFA at the Rhode Island School of Design, where she studied under photography giants Harry Callahan and Aaron Siskind. She has been part of group exhibitions at a variety of institutions, including the Amon Carter Museum of American Art, Light Factory, Dallas Museum of Art, Museum of Fine Art Houston and MOMA, as well as solo exhibitions at the Art Institute of Chicago and the George Eastman House.I recently sat down with Deborah at her home studio in Dallas where we discussed her childhood riding the “L” to the Art Institute, the emergence of photography as an area of arts study, her love of Taos, planting roots in Dallas and what it’s like to be a classically-trained photographer in the age of Instagram.

John Neel’s Focus in Photography: Master the Advanced Techniques That Will Change Your Photography Forever (Ilex Press, 2016) is both instructional manual and analysis on why focus is such an important artistic tool for photographers. Neel uses his own images to illustrate how focus works to directs viewers into and around an image. In his book Neel creates the first serious treatment of the topic in the digital age, by showing how mastery of the lens will greatly enhance the quality and “wow” factor of photographs. John Neel is a graduate of the University of South Florida, School of Fine Arts and has an MFA from the Visual Studies Workshop SUNY. He has an interest in merging photography, design and illustration. Recently he has become interested in the relationship of synthesized sound and electronic images and became a member of the electronic band uforkestra as the group’s visual musician. His work is held in public and private galleries in both the US and Canada, including the George Eastman House, the Art Gallery of Ontario. In the 1990s John worked at Kodak Research Labs where he developed skills and knowledge on such subjects as stereo and immersive imaging, as well as new human interface technologies (such as haptic), augmented reality and experimental media. Besides his artistic pursuits and accomplishments, John holds numerous patents and patent applications regarding digital imaging. Focus in Photography is available online at Ilex Press and through Amazon. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Neel’s Focus in Photography: Master the Advanced Techniques That Will Change Your Photography Forever (Ilex Press, 2016) is both instructional manual and analysis on why focus is such an important artistic tool for photographers. Neel uses his own images to illustrate how focus works to directs viewers into and around an image. In his book Neel creates the first serious treatment of the topic in the digital age, by showing how mastery of the lens will greatly enhance the quality and “wow” factor of photographs. John Neel is a graduate of the University of South Florida, School of Fine Arts and has an MFA from the Visual Studies Workshop SUNY. He has an interest in merging photography, design and illustration. Recently he has become interested in the relationship of synthesized sound and electronic images and became a member of the electronic band uforkestra as the group’s visual musician. His work is held in public and private galleries in both the US and Canada, including the George Eastman House, the Art Gallery of Ontario. In the 1990s John worked at Kodak Research Labs where he developed skills and knowledge on such subjects as stereo and immersive imaging, as well as new human interface technologies (such as haptic), augmented reality and experimental media. Besides his artistic pursuits and accomplishments, John holds numerous patents and patent applications regarding digital imaging. Focus in Photography is available online at Ilex Press and through Amazon. Learn more about your ad choices. Visit megaphone.fm/adchoices

John Neel’s Focus in Photography: Master the Advanced Techniques That Will Change Your Photography Forever (Ilex Press, 2016) is both instructional manual and analysis on why focus is such an important artistic tool for photographers. Neel uses his own images to illustrate how focus works to directs viewers into and around an image. In his book Neel creates the first serious treatment of the topic in the digital age, by showing how mastery of the lens will greatly enhance the quality and “wow” factor of photographs. John Neel is a graduate of the University of South Florida, School of Fine Arts and has an MFA from the Visual Studies Workshop SUNY. He has an interest in merging photography, design and illustration. Recently he has become interested in the relationship of synthesized sound and electronic images and became a member of the electronic band uforkestra as the group’s visual musician. His work is held in public and private galleries in both the US and Canada, including the George Eastman House, the Art Gallery of Ontario. In the 1990s John worked at Kodak Research Labs where he developed skills and knowledge on such subjects as stereo and immersive imaging, as well as new human interface technologies (such as haptic), augmented reality and experimental media. Besides his artistic pursuits and accomplishments, John holds numerous patents and patent applications regarding digital imaging. Focus in Photography is available online at Ilex Press and through Amazon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Topics of discussion during this Q&A session include Caroline Frick’s diverse experiences with media archiving and preservation, film licensing, and television programming for organizations as varied as American Movie Classics, Warner Bros., The George Eastman House, the Library of Congress, and, currently, the Texas Archive of the Moving Image. Caroline Frick, Founder, Texas Archive of the Moving Image, Associate Professor, UT Austin When: Monday, September 18, 2017 - 6 - 7:15 p.m. Where: CMA 2.306, University of Texas at Austin Host: Alisa Perren Producer: Kyle Wrather

Keith Carter is a contemporary American photographer based in Beaumont, Texas. His photography has evolved over the years incorporating many mediums including silver gelatin, wet plate collodion, photograms and digital photography. Keith uses many techniques and approaches to conceptually portray his statements as a photographer. His acclaimed work in photography has led to over a hundred solo shows across 13 countries. He’s published 12 monographs and his work is in private and museum photography collections including the Art Institute of Chicago, George Eastman House, J Paul Getty Museum, MFA Houston, SFMoMA, President and Mrs Barak Obama and the Wittliff Gallery of Southwestern and Mexican Photography at Texas State University. Music from Epidemic Sound: https://goo.gl/v5wWKr

Simon Roberts is a British photographer based in Brighton, on the south coast of England, whose work deals with our relationship to landscape and notions of identity and belonging. Often employing expansive, large-format landscape photographs, his approach is one of creating wide-ranging surveys of our time, which communicate on important social, economic and political issues. Simon is perhaps best known for his major long-term project We English, for which he undertook a 9 month road trip around England in a camper van, accompanied by his pregnant wife and 2 year old daughter. The resulting work has been exhibited widely, touring to over thirty national and international venues and was published as a book by Chris Boot and voted by Martin Parr as one of the best photography books of the past decade. He’s had solo shows at the National Media Museum, Bradford, Museum of Contemporary Photography, Chicago, and Multimedia Art Museum Moscow. His photographs reside in major public and private collections, including the George Eastman House, Deutsche Börse Art Collection and Wilson Centre for Photography. In recognition for his work, Roberts has received several awards including the Vic Odden Award - offered for a notable achievement in the art of photography by a British photographer, along with bursaries from the National Media Museum, John Kobal Foundation and grants from Arts Council England. He was commissioned as the official Election Artist by the House of Commons Works of Art Committee to produce a record of the 2010 General Election on behalf of the UK Parliament. In 2012 he was granted access by the International Olympic Committee to photograph the London Olympics and most recently was made an Honorary Fellow of the Royal Photographic Society, UK (2013). As well as We English has published two other critically acclaimed monographs, Motherland (Chris Boot, 2007) and Pierdom (Dewi Lewis Publishing, 2013).

On a special episode of The Projection Booth, Mike talks with Jared Case, one of the head honchos of the Nitrate Picture Show festival at the George Eastman House in Rochester, New York. The festival spotlights the wonders of film, particularly explosive nitrate stock. Hear why the Nitrate Picture Show is the world's most dangerous film festival.Learn more about your ad choices. Visit megaphone.fm/adchoices

Special Guest: Jared CaseOn a special episode of The Projection Booth, Mike talks with Jared Case, one of the head honchos of the Nitrate Picture Show festival at the George Eastman House in Rochester, New York. The festival spotlights the wonders of film, particularly explosive nitrate stock. Hear why the Nitrate Picture Show is the world's most dangerous film festival.Links:Visit the official Nitrate Picture Show websiteSupport The Projection Booth on PatreonLike The Projection Booth on FacebookFollow The Projection Booth on Twitter 

What would you show to the public if you had access to one of the largest film archives in the world? For 9 years, Jim Healy had to figure that out as he served as the programmer at the George Eastman House in Rochester, NY, and now serves as the programmer for the UW Cinematheque in Madison. Jim traces his early years going to the movies with his brother Pat and his lucky break into programming at the Chicago International Film Festival. The two discuss the work he did at the archive and now serving the University as well as the public, the challenges of digital and 35mm, and how international audiences react to the work of John Cassavetes. Finally, Jim digs up an old treasure waiting for rediscover: The Mind Reader, a Warner Brothers Pre-Code classic with Warren William conning his way from circuses to Park Avenue. 0:00-2:11 Opening3:18-8:04 Establishing Shots - The Mend8:50-1:02:01 Deep Focus - Jim Healy1:02:52-1:05:08 Mubi Sponsorship1:06:15-1:22:37 Double Exposure - The Mind Reader (Roy Del Ruth)1:22:42-1:25:27 Close

Wyatt Gallery, a person not a place, was raised in Philadelphia and received his BFA from NYU Tisch School of The Arts in 1997. He is the recipient of a Fulbright Fellowship, the PDN 30, the PDN Rising Stars, and 25 Under 25 Up-and-Coming American Photographers by Duke University. His photographs are in numerous public and private collections such as the Museum of Fine Arts Houston, the George Eastman House, the New Orleans Museum of Art, the Worcester Art Museum, Comcast, Twitter, and American Express. His work has been featured in Esquire, Departures, Condé Nast Traveler, Mother Jones, The New York Times, Oprah's OWN Network, and NBC, amongst others. Wyatt was an Adjunct Professor at the University of Pennsylvania and continues to lecture at New York University, the School of Visual Arts, the New School, and more. His first book Tent Life: Haiti was featured in the Moving Walls 19 exhibition at George Soros' Open Society Foundation and has sold out of the first edition. His most recent book #SANDY was selected for “Best Photo Books of 2014” by American Photo magazine. 100% of the royalties from both books have been donated to support rebuilding efforts and have raised over $50,000 to support communities in Haiti and New York City. Wyatt recently exhibited his new series, SUBTEXT, at Foley gallery in New York City, which received reviews in The New Yorker, PDN, Feature Shoot, and more. His forthcoming book Jewish Treasures of The Caribbean will be released in the Spring of 2016 by Schiffer Publishing.

This week, does “most expensive” always equate to best? SPOILER: No. Also, does finding an emotional connection to photographs (or any creative endeavor) mean finding an anchor you can relate to from your own life experience or can art have meaning in a vacuum? Plus, a terrific video series from the George Eastman House. Jane Bown is our Photographer of the Week.

This week, does “most expensive” always equate to best? SPOILER: No. Also, does finding an emotional connection to photographs (or any creative endeavor) mean finding an anchor you can relate to from your own life experience or can art have meaning in a vacuum? Plus, a terrific video series from the George Eastman House. Jane Bown is our Photographer of the Week.

Sep. 19, 2013. The Library holds the largest collection of photographs by F. Holland Day in the world, a gift from his estate spanning his career and comprising six hundred and ninety prints. The methodology for acquiring material information and the results of paper texture analysis, a new technique in field of conservation, as well as new findings pertaining to Day's working methods are discussed. Speaker Biography: Adrienne Lundgren is a senior photograph conservator in the Conservation Division of the Library of Congress. In 2012 she was awarded the Kluge Staff Fellowship by The John W. Kluge Center, which is given to one staff member annually to conduct independent research using the Library's resources and collections. Prior to joining the Library in 2002, she was a fellow in the Advanced Residency Program in Photograph Conservation at George Eastman House in Rochester, New York. She holds an M.S. in conservation from the Winterthur-University of Delaware Program in Art Conservation. For transcript, captions, and more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6236

Annu Palakunnathu Matthew's recent exhibitions include the Newark Art Museum, Newark, NJ, Light Work, Syracuse, NY, Sepia International, New York City, the RISD Museum, the 2006 Noorderlicht Photo Festival in Netherlands and the 2005 Le Mois de la Photo a Montreal Photo Biennale in Canada.   In 2007, Matthew was the first of three artists to be awarded the 2007 MacColl Johnson Fellowship in Visual Arts. Among the list of other grants recently supporting Matthew's work include the John Gutmann Fellowship, Rhode Island State Council of the Arts Fellowship and the American Institute of Indian Studies Creative Arts fellowship. She was recently an artist in residence at the Yaddo Colony, Saratoga Springs, NY and the MacDowell Colony, Peterborough, NH. Her work can be found in the collection of the George Eastman House, Rochester, NY, Museum of Fine Arts in Houston, Center for Creative Photography, Tucson, AZ, and the RISD Museum, Providence, RI, among others. Matthew's work is included in the book BLINK from Phaidon, that according to the publisher celebrates the quality and vision of today's 100 most exciting international contemporary photographers.   Annu Palakunnathu Matthew is on the Board of Directors of the Rhode Island Council for the Humanities and the URI Council for the Humanities. She is represented by Sepia International Inc., New York City & Tasveer Gallery, India. http://www.annumatthew.com/ http://www.davidhwells.com/ www.thecandidframe.com info@thecandidframe.com 

Al Satterwhite started working as a still photographer in Florida while in high school, covering major news stories . After a year as the Governor of Florida's personal photographer, he started a career as a freelance magazine photographer . Over the next 10 years he worked on assignment for almost every major magazine. In 1980 he moved to New York City to form a production company . The next 15 years he did a wide range of national and international advertising , becoming known for his saturated color images and keen sense of design and composition. From action and aerial work, to miniatures in the studio, to major production campaigns in worldwide locations. Satterwhite has won many national and international awards. He is considered an authority on color and design, and has (4) published books of his work on this subject. He was a paid consultant to Kodak for digital imaging for a number of years. He has lectured at Boston University, Brooks Institute of Photography, the Los Angeles/ Miami/Minneapolis/New England/New York Chapters of the ASMP, NYU/Tisch School of the Arts, PhotoExpos in Los Angeles & New York. He has given workshops at Dawson College , ICP , Kauai Photographic , the Maine Workshops, the Missouri Workshops, Palm Beach Photographic Workshops, Santa Fe Workshops & his own studio in New York City. Satterwhite's work has been in other author's books, Man & His Words: Claude Kirk, The Perfect Portfolio , Getting To The Top , The Business of Commercial Photography , The Photographer's Guide to Marketing & Self-Promotion . His current book is "Titans: Muhammad Ali & Arnold Schwarzenegger". His photographic prints are in the permanent collections of the National Portrait Gallery, the Houston Fine Art Museum, the Santa Barbara Museum of Art, the Los Angeles County Museum of Art (LACMA), the George Eastman House and numerous private collections. He was honored by Nikon and made a “Legend” in 2005.

Pete Turner is a master photographer whose use of color has influenced generations of photographers. From his work in New York and Africa through to his legendary jazz album covers, Turner's images are both classic and iconic.Turner's work has been published in some of the world's most famous magazines including Life, Look, Esquire and Sports Illustrated. He recently had a retrospective exhibition of his work at the George Eastman House. You can see more of his images by visiting .Pete Turner recommends the work of .For streaming audio or subscribe to the podcast for free viaBook Recommendation: -

There hasn't been a house built in the past 70 years that even comes close to the iconic status of Fallingwater. Sure it took a good architect and a great client, but it also took the right cultural climate and publicity machine that understood what America was looking for - and gave it to us, all sugary excess on a cantilevered platter. And we've eaten it up ever since. Podcast notes: For more information, read the book Fallingwater Rising: Frank Lloyd Wright, E.J. Kaufmann, and America's Most Extraordinary House, by Franklin Toker. Visit the George Eastman House in Rochester, New York for their Sweet Creations Gingerbread Houses through December 15, www.eastmanhouse.org. And visit www.tedwells.com

On January 20, 2011 Clute introduced the film Mildred Pierce at the George Eastman House in Rochester, New York, as part of their Noir Series. His talk was preceded by a question and answer session with Jared Case (Head of Cataloguing and Research Center) on several noir topics: the origins of the Out of the Past podcast series; certain underappreciated aspects of noir; how scholarly approaches to noir have limited what we see; a new film studies paradigm he and Richard Edwards worked out in their forthcoming book The Maltese Touch of Evil: Film Noir and Potential Criticism, which allows them unleash and understand other narrative potentials lurking in noir. For more information, visit www.noircast.net, or like us on Facebook under Noircast.