Podcasts about siegfried wagner

Het schandaal rond Alfred Krupp zindert na tot in het Duits keizerlijk hof. Als twee Adammen baden Siegfried Wagner en zijn vriend naakt aan het strand van Maleisië. Met zijn wetenschappelijk werk schrijft Magnus Hirschfeld queergeschiedenis. Op een van zijn conferenties klinkt Das Lila Lied, een van de eerste Pride anthems ooit. Berlijn wordt het Queer Capital van de wereld, totdat de nazi's de macht grijpen. Ze houden ook Henriëtte Bosmans en haar geliefde Frieda Belinfante in hun greep.

DescriptionSiegfried Wagner, son of Richard Wagner, had to overcome many obstacles in his life. Take a minute to get the scoop!Fun FactSiegfried Wagner's most famous piece is likely his opera "Der Bärenhäuter" (The Bearskin), based on a Brothers Grimm fairy tale. Premiered in 1899, it showcases his romantic style with lush orchestrations and Wagnerian influences, though often overshadowed by his father's works.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Barton and Gabriel sit down to discuss the world of Opera, performance and Gabe's mindset of performing Internationally at the highest level.  Highlights from this podcast include: - Life lessons from his Voice Teacher Elizabeth Parham stating "that little voice in your head telling us we're not enough... that is the devil"- How Gabe thinks about performing for thousands of people- what type of things Gabe does to prepare himself for a big performance.- how the voice works and how he's able to create such powerful sound and sing professionally.  Gabriel's Bio: Multiple Grammy Award winning baritone Gabriel Manro has been called “a new kind of baritone: not lyric, not helden, not Kavalier, not Bariton-Martin — none of those. Rather, he's a knock-down baritone.” --San Francisco Classical Voice. Indeed, Manro regularly sings dramatic baritone roles such as Don Carlo di Vargas (La forza del destino), Andrei Shchelkalov (Boris Godunov), and Tonio (I Pagliacci) Opera News describes Manro as “Gifted with a striking, sinister baritone that remains strong, even and sonorous throughout the range, he tears into Verdi's music with a vengeance.” -- Opera News.Mr. Manro made his professional operatic debut as Third Inmate in Jake Heggie's ground-breaking opera Dead Man Walking for Opera Pacific with Frederica von Stade. He went on to perform the role of Inquisitor in Opera Pacific's Candide. Mr. Manro has appeared in numerous contemporary and world-premiere operas and musicals:As Muscovite Trader in John Corigliano's The Ghosts of Versailles (Pentatone Music: Grammy--Best Opera Recording), as the Mousling in the Los Angeles Philharmonic's Alice in Wonderland by Unsuk Chin, the Computer in Los Angeles Opera's The Fly by film composer Howard Shore (Lord of the Rings Trilogy); as The Chauffeur in Opera Santa Barbara's Séance on a Wet Afternoon by Stephen Schwartz (Wicked, Godspell); and as Angry Voter in Los Angeles Opera's Il Postino (Sony Classical DVD). Manro created the role of President Lincoln in Golden Gate Opera's world-premiere Civil War Epic: Lincoln and Booth. Off-Broadway, Mr. Manro led the original cast of Center for Contemporary Opera's production of Oration by Line Tjørnhøj. On television, Manro appeared as Joel Lynch and Father Jackson in the European premiere live telecast of William Mayer's: A Death in the Family at the Hungarian National Theater and Opéra Grand D'Avignon which was voted “audience favorite” opera.  Gabriel also played Jafar in Walt Disney Company's original stage production of Aladdin.Gabe's European operatic debut was as Doctor Bartolo (Il barbiere di Siviglia) with Corfu Opera in Greece. His extensive repertoire and engagements have also included the roles of Bluebeard (Bluebeard's Castle), Count Almaviva, Bartolo, Antonio (Le nozze di Figaro), Guglielmo, Don Alfonso (Cosí fan tutte), Don Giovanni (Don Giovanni). See Mr. Manro next as Osmund in the world-premiere stage production of Siegfried Wagner's Rainulf and Adelasia  during this summer's Bayreuth Festival in Germany.http://gabrielmanro.comhttp://instagram.com/g_manroBarton on Instagram https://www.instagram.com/bartonguybryan/Podcast Website is: https://www.podpage.com/the-mindset-forge-podcast/Join the Mindset Forge Premium membership for $3 / month (Donor Level) or $150 / month for Coaching: https://themindsetforge.supercast.com

Un día como hoy 4 de agosto: Nace: 1821: Louis Vuitton, diseñador francés (f. 1892). 1859: Knut Hamsun, escritor noruego, premio nobel de literatura en 1920 (f. 1952). 1901: Louis Armstrong, trompetista estadounidense (f. 1971). Fallece: 1930: Siegfried Wagner, compositor alemán, hijo de Richard Wagner (n. 1869). Una producción de Sala Prisma Podcast 2022

Musicoloog Neil van der Linden over de idyllische bootreis en de (verborgen) liefde van Siegfried Wagner (zoon van) en de Engelse componist en pianist Clement Harris - en de muziek die door hun wederzijdse liefde werd geïnspireerd. En natuurlijk nog één keer: Een Harp Onder De Riem! 23.04 CD Ludwig van Beethoven (1770-1827) (BIS 2498) Ludwig van Beethoven: Strijkkwartet nr 4 in c, opus 18 nr 4 - I Chiarioscuro Quartet 1'30” 23.10 CD Siegfried Wagner: Symphonic Poems (CPO ) Siegfried Wagner: Sehnsucht Philharmonisches Staatsorchester Hamburg olv Werner Andreas Albert 6'01” CD Siegfried Wagner: Symphonic Poems (CPO ) Siegfried Wagner: Glück: Glück in Sinnenlust Philharmonisches Staatsorchester Hamburg olv Werner Andreas Albert 4'46” CD The Complete Piano & Chamber Music (VMS Musical Treasures – VMS 124) Clement Harris: Six Songs: Forget me not Henryk Böhm [bariton]; Ulrich Urban [piano] 2'15” CD Schillings, Wagner, Harris (Marco Polo 8223660 ) Clement Harris: Paradise Lost, Symphonic Poem after John Milton Thuringian Symphony Orchestra olv Konrad Bach 5'00” CD The Complete Piano & Chamber Music (VMS Musical Treasures – VMS 124) Clement Harris: Songs of the Sea: Yes, I shall go Henryk Böhm [bariton]; Ulrich Urban [piano] 2'10” 23.43 CD The Complete Piano & Chamber Music (VMS Musical Treasures – VMS 124) Clement Harris: études de concert, nr 3, L'automne Ulrich Urban [piano] 3'27” eigen opname Paul van de Calseijde; Beate Loonstra: Be Long Paul van de Calseijde [saxofoon]; Beate Loonstra [harp] 15'18”

ADELOR LESSA - Siegfried Wagner Jorge (22/10/2020) by Rádio Som Maior FM 100,7

Camille De Rijck reçoit chaque semaine interprètes, critiques, compositeurs ou chefs d'orchestre pour une comparaison à l'aveugle de différentes versions d'une oeuvre-phare du répertoire. Un rendez-vous très suivi par les mélomanes, désireux de confronter leur opinion avec celles de professionnels passionnés. Production et présentation : Camille De Rijck (drc@rtbf.be)

Music is the inarticulate speech of the heart, which cannot be compressed into words—because it is infinite. Richard Wagner Great music will forever speak to our hearts for this very reason. I have done a lot of talking and writing about music, having written at least 1,000 articles over the past 10 years. I’m doing even more talking about it now in the formats of YouTube, podcasting, and social media, along with the print versions. None of the words I use will ever come close to the experience of simply listening to music with an intelligent ear and an open heart. Even this quote by Wagner, as succinct as it is, pales in comparison to the music he wrote. The whole point of quotes such as Wagner’s and the hundreds of thousands of words I’ve written is to help in the creation of an informed ear and develop an open heart through which to experience music to the fullest. The words we use about music are meant to help us explore music as opposed to trying to replace the musical experience with a literary one. What I love about this quote from Wagner is the concept of the inarticulate speech of the heart being eternal. Has anyone ever reached the edge of their heart and identified its limits? Whenever and however we turn inwards, after we traverse the well-worn paths of our heart, we often come around a corner, so to speak and are presented with a new and unexplored vista. It’s difficult to put into words because, as Wagner said, the speech of the heart is eternal. The whole point of this entire project here at Classical Rebellion is to develop our intellect in order to master the inner-self. Listening to music with an open heart is, for many of us, a learned skill. We must have a thought to which our hearts respond with “openness.” I must insist we admit that not all music is the inarticulate speech of the heart. Only music that comes from the heart speaks to the heart. The music for this quote is Wotan’s Farewell from Die Walkure. In this music, we hear the father’s heart breaking as he is forced to be separated from his beloved daughter forever. The piece of art for this quote is The Last Farewell of Wotan and Brunhilde by Ferdinand Leeke. Siegfried Wagner, the son of the composer Richard Wagner, commissioned Leeke to paint a series of paintings showing scenes from ten operas by Wagner

What can 2 million retinal images and a machine-learning algorithm achieve? Early-detection of Alzheimers—at least that's what Dr Siegfried Wagner along with a team led by Dr Pearse Keane at the Moorfields Eye Hospital are working towards. We discuss the study at Moorfields, before going down a deep dive into how a relatively novel AI technique—Generative Adversarial Networks (GANs) can be used in Medicine. You may have seen a number of 'deep fakes' online, all made using GANs. But what legitimate uses do they have in Medicine and research? Mentioned Links AlzEye Study: https://readingcentre.org/workstreams/artificial_intelligence_hub/alzeye/ Economist article on AlzEye: https://www.economist.com/science-and-technology/2019/12/18/a-system-based-on-ai-will-scan-the-retina-for-signs-of-alzheimers Rotterdam Study: https://jamanetwork.com/journals/jamaneurology/fullarticle/2685868 Biobank Study: https://jamanetwork.com/journals/jamaneurology/fullarticle/2685869 Predicting age and sex from retinal fundus images: https://www.nature.com/articles/s41551-018-0195-0

Er war der einzige Sohn Richard Wagners: Von Geburt an war der Druck auf Siegfried Wagner hoch. Der Wagner-Clan sollte fortbestehen, die Bayreuther Festspiele weitergeführt und Siegfried die Musiktradition seines Vaters fortführen

Er war Komponist, Festspielleiter - und vor allem war er Sohn und Thronfolger: Siegfried Wagner. Zu seinem 150. Geburtstag macht sich das Bayreuther Richard-Wagner-Museum auf die Suche nach dem Menschen hinter all diesen Facetten und präsentiert eine kleine Sonderausstellung. Mit Kristina Kreutzer tauchen wir schon mal ein in ein eigentlich tragisches Leben.

Uns ist leider die gute Laune vergangen, denn immer wieder erfahren wir von Homophobie im Kulturbetrieb, also in der Welt, in der alles reflektiert und offen scheint. Und damit wir nicht auch wilde Verurteilungen und Vermutungen vom Stapel lassen, haben wir uns einen tollen Gesprächsgast eingeladen: Dr. Kevin Clarke. Er ist Musikwissenschaftler und Kurator, leitet das Operetta Research Center und arbeitet im Schwulen Museum Berlin. Dort hat er u.a. die Ausstellungen zu Erik Charell (Im weißen Rössl, Der Kongress tanzt) und Siegfried Wagner kuratiert. Artikel, die erwähnt werden: "Der Penis-Protest" (SZ) http://www.sueddeutsche.de/muenchen/umstrittenes-werbeplakat-der-penis-protest-1.3877400!amp?__twitter_impression=true "Was finden Homosexuelle an der Oper so toll?" (FAZ) http://www.faz.net/aktuell/feuilleton/buehne-und-konzert/was-finden-homosexuelle-an-der-oper-so-toll-14419197.html "Ich hab ja nichts gegen Schwule, aber" (Nollendorfblog) http://www.nollendorfblog.de/?p=7074 "Queere Wunder und Inkompatibilitäten des bayerischen Musik- und Politiklebens – Kommentar zu Äusserungen von Dr. Thomas Goppel, CSU-Politiker und Präsident des Bayerischen Musikrats" (BBoM) http://blogs.nmz.de/badblog/2012/08/30/queere-wunder-und-inkompatibilitaten-des-bayerischen-musik-und-politiklebens/ „Mama, was heißt eigentlich geil?“ (Welt) https://www.welt.de/kultur/buehne-konzert/article162236842/Mama-was-heisst-eigentlich-geil.html

What creates the "Grand Opera Buzz?" Well, for La Cieca, it involves the third act of Siegfried, with Dame Gwyneth Jones as Brunnhilde. From Bayreuth, 1980, Pierre Boulez conducts. Siegfried: Manfred Jung; Wanderer: Donald McIntyre; Erda: Ortrun Wenkel.Siegfried at Wagneroperas.com.

La Cieca goes into the woods with Wilhelm Furtwangler and the RAI Orchestra in this performance from November 1953. Siegfried: Ludwig Suthaus; Mime: Julius Patzak; Wanderer: Ferdinand Frantz; Alberich: Alois Pernerstorfer; Fafner: Josef Greindl; Waldvogel: Rita Streich.Siegfried at Wagneroperas.com.

We forge ahead with a performance from Covent Garden, September 1957. Siegfried: Wolfgang Windgassen; Mime: Peter Klein; Wanderer: Hans Hotter. Conductor: Rudolf Kempe.Siegfried at Wagneroperas.com.

The second part of the show brings us past the Bayreuth Nazi Era, and all the way up to the 1951 re-opening of the Festival after the war. This podcast features a recording from the early 1920's where the original Bayreuth Parsifal bells can be heard (they were destroyed during World War II), a recording of the Good Friday Spell conducted by Siegfried Wagner, the composer's son, and an excerpt from the landmark 1951 Wieland Wagner Bayreuth production of this opera, featuring baritone George London and tenor Wolfgang Windgassen.